#i think it was just the hot person talking to me in a kind way while clearly talking down on me

[hoshifighting]

i’m not even going anon for this because i have NO SHAME for what i am about to ask

i can’t stop thinking about gamer woo… and better yet i can’t stop thinking about what sucking him off under his desk would be like while he’s playing.. 🫠

so lyla i am asking you to PLSSSS write something smutty about gamer!woo if you would be so kind 🥲☝🏻 just sumn about getting him hot and bothered and distracted while he’s gaming (& trying not to stutter and moan into his mic) has me going absolutely bonkers

i know i can trust u with this

giving gamer!wonwoo blowjob as he plays WARNINGS: smut, semi-public sex, blowjob, cum eating, mentions of body fluids (spit/cum)

you’re crouched under wonwoo’s desk, back pressed awkwardly against the leg of his chair, knees scraping the hard floor as you breathe out a quiet laugh. the low hum of his voice drifts from above, a steady stream of half-bored conversation with his teammates. there’s something about the way he talks when he’s gaming—always little impatient. his fingers click furiously over the keys, and his jaw clenches when something doesn’t go his way. it makes him feel untouchable.

and you’ve made it your personal mission to fuck with that.

“fuckin’ idiots, just push left,” he mutters, eyes fixed on the screen, completely oblivious to the fact that your hands are already sneaking up his thighs, fingers teasing at the waistband of his joggers. you feel him tense, the sudden shift of his body as your nails drag lightly against his skin, just under the fabric. his focus doesn’t break, though, not yet.

you grin.

“yah—keep up with the heals, come on,” he snaps, trying to maintain some kind of composure, but you hear the slight hitch in his breath when your fingers dip lower.

“what the fuck are you doing?” he mutters breathless, but the mic isn’t muted, and the noise from his teammates drowns it out.

you don’t answer. instead, you tug his joggers down just enough to free him, your fingers wrapping around his half-hard cock, feeling him twitch in your hand. it’s satisfying, the way his body reacts before his mind even catches up. you hear his breath stutter, like he’s trying to keep the sounds inside, trying to keep some shred of control.

“mmph—yeah, yeah, just push, we can still win this,” he’s saying to the team, voice tight, and you almost feel bad for him. almost.

but then you lean in, let your tongue drag along his length, slow and wet, and you feel him jolt in his chair, his hand gripping the edge of the desk like it’s the only thing keeping him from falling apart.

“fuck,” he whispers, quieter this time, more for you than the game.

you smile against his skin, lips brushing over the sensitive head, and then you take him into your mouth, slowly, savoring the way his thighs tremble under your hands, the way his breath catches in his throat.

“w-wait—shit,” he stammers, and you hear the faint confusion from his teammates on the other end of the mic. you’d laugh if your mouth wasn’t full, if you weren’t so focused on making him lose his mind.

his hands are gripping the desk so hard now, knuckles white, his hips twitching involuntarily as you work your tongue along his length, hollowing your cheeks, sucking just hard enough to make him curse under his breath.

“wonwoo, you... good? you’re like…really quiet, man.”

he doesn’t respond right away, too busy biting his lip, eyes squeezed shut as he tries to keep it together. it’s almost pathetic how hard he’s trying not to break.

“yeah,” he finally grits out, voice strained, “i’m fine. just—focus on the game.”

you chuckle around his cock, the vibrations making him hiss through his teeth, his hips bucking up slightly into your mouth. you let him, taking him deeper, tongue swirling around the head every time you pull back, slow, teasing, like you’ve got all the time in the world to make him come inside your mouth.

“i swear to god, if you don’t stop—” he starts, but the threat dies in his throat when you hum again, pressing him deeper into your mouth, watching his hand fly to his headset, muting his mic with a shaky breath.

he sets the headset aside with a hasty clatter, both of his hands moving down to grab fistfuls of your hair. you feel the shift immediately—the control he’s trying to take back, the dominance that flares up when you push him too far. his fingers are rough as they tangle at the roots, pulling you just enough to make your scalp tingle, but not enough to hurt. you groan at the pressure, letting him guide your head, and that seems to light something inside him. his hips roll up into your mouth, savoring the feeling of your lips wrapped around him.

the chair squeaks under his shifting weight, the soft creak of it barely audible over the wet sounds of your mouth working him over. you’re drooling now, the spit gathering at the corners of your lips, dripping down your chin, resting on his crotch, but you don’t care—you know how much it gets to him when you make it

you glance up at him, eyes rolling back, letting your expression go slack and fucked out—just like he loves it, and that’s when you hear it—his sharp intake of breath, the way he swears under it. it’s like he’s trying so hard to be a strong soldier, but you know him, know that look in his eyes.

“fuck—” he groans, his hips bucking up harder into your mouth, his fingers twisting tighter in your hair, practically holding you in place as he starts moving faster, forcing you to take him deeper.

your hands grip his thighs for balance, feeling the tense muscles under your fingers, the way his body is so close to snapping. every move unraveling as his thrusts get more desperate, more reckless. the squeak of the chair is constant now, a chaotic rhythm that matches the way he’s fucking your mouth, the sound punctuated by his shaky breaths and low curses.

“shit—you’re too fucking good at this,” he pants, eyes wwild as he stares down at you, his voice almost whiny, “look at you, drooling all over me…fuckin’ filthy.”

you moan around him, the sound muffled but still loud enough to vibrate through him, and he jerks, hips stuttering as he struggles to hold back. his grip on your hair tightens, and for a moment, you think he’s going to let go, let himself come in your mouth—but he doesn’t.

instead, he pulls you off him suddenly, your lips slick with spit and precum, and your breath comes in short gasps. before you can even question it, his hand wraps around his own cock, slick with everything you’ve left behind, and he starts stroking himself fast, the way he likes it.

his other hand grips the back of your head, holding you close, forcing you to watch as he jerks himself off right in front of you, his breath coming out in rough pants, the muscles in his arm flexing with every stroke. you can’t help but let your tongue dart out, licking at the head every time his hand moves down, teasing him.

“gonna cum, fuck—gonna cum all over your pretty fucking face,” he growls, his voice desperate. you open your mouth wide, tongue out, eyes locked on his, and the sight of you like that, so eager for him, makes him roll your eyes.

he groans loudly, his whole body shaking as he spills across your face, thick ropes of cum splattering over your lips, your tongue, your chin. you swallow what you can, but the rest drips down, mixing with the mess already on your skin. his hand keeps stroking, milking out every last drop, until he’s twitching from oversensitivity, his breathing ragged.

he watches you for a moment, panting, chest heaving, and then—without a word—he leans down, his thumb swiping across your chin, gathering the cum that dripped there, and pushes it back into your mouth.

“swallow it all, baby,” he says, and you do, your tongue curling around his thumb as you swallow everything he’s given u.

he smirks, pulling you up by the hair and pressing a lazy, messy kiss to your lips, his cum still lingering on both your tongues. when he finally pulls back, he looks at you like you’ve just become his favorite fucking person in the world.

“next time,” he whispers, breath hot against your ear, “i’m fucking you on the chair.”

you grin, wiping the corner of your mouth with your thumb.

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[redflagshipwriter]

Red Hot Ghouls 14 part 2/2

Masterpost 

Danny had kind of ignored the most important part of that initial message. Crud. Of course the poor bastard wanted to know about the progress on their spiritual separation. Danny cringed. He typed fast to send a new message before Jason could ask again.

It did not come out easily. He wrote and deleted two drafts before he groaned aloud. “I am not prepared to tell him that the options so far are either to marry and divorce me or to get his ass banished from the ghost dimension.” Danny spent a moment pitying himself. “I just have to say the truth.”

Cringe. Cringe so hard. 

I have two possible solutions but they both suck really hard. :/ Suck so hard you’d be shook. The suckage would change your life.

Jason sent back ellipses. It belatedly occurred to Danny that it might have looked like he was making a blowjob joke. He put the phone back on his chest and stared at the ceiling for a while, wondering why he was this way.

“Jason didn’t see that,” Danny told himself. “Jason is a professional. A professional something. I don't know what.” 

He wanted to believe it so badly that he just decided not to be mortified. Danny lifted the burner phone back up and painstakingly assembled a shrug emoji from symbols. 

Honestly they’re such bad options that I don’t even wanna tell you. Can we change the subject? : (

Jason sent back a series of laughing and crying emojis and then, Fine. Let’s talk about all the other stuff we have in common.

Danny pursed his lips. “...Do we have anything in common?” It wasn’t like he knew much about the guy, but he presumed Jason kept himself busy with some boring adult job, building muscle, and biking around looking hot. Danny crossed his legs at the knee and tried not to think of what a twig he looked like in comparison to Jason. He didn’t feel bad about it, honestly. Danny was too busy to make fitness a part of his personality and he had nothing to prove.

I’m illiterate, he settled on as a response. They definitely did not have a love of literature in common. What else did people do? I uh…. Watched a movie two years back.

Any good?

T’was shit, Danny admitted. Hm. He frowned. “I’m not sure where to take this conversation,” he said aloud.

I’m so hungry. Just got off work and I’m trying to decide what to do.

“Oh, I can do something with that.” Danny felt better. Yeah me too, I would kill for an enchilada. He tried to send a ghost emoji and groaned when he remembered that this was a shitty burner phone with no keyboard downloaded and apparently no access to the app store. Jason had already responded by the time that he gave up.

Ghosts eat Mexican food?

They would if they have human zone money, Danny sent back morosely. Oh no, it wasn’t fun anymore. Ya boy can’t pay in the tears of the damned anywhere on this plane of existence smh. His stomach growled with obnoxious timing. He groaned. The last thing he’d eaten had been that sandwich with Jazz. He could cook… He really should cook. 

Ugh. Effort. 

Danny tried to motivate himself up to the kitchen. “It’s four steps,” he said aloud, trying to be encouraging. “I can make it.”

Ah. No. That was actually kind of depressing. He lived in a shoebox with a monthly grocery budget that was just pitiful.

Haha ur broke, Jason sent, because he was a massive bitch. Danny felt a lot better about flipping him off. But then Jason followed it up with an obviously insincere, I’d get you enchiladas if you were in Gotham. Sucks to suck.

Danny sensed weakness to exploit.

“You’re going to regret that,” Danny grimly promised, and hit the call button.

Jason picked up on the second ring, sounding confused and electronic. “Hey?”

“I can be in Gotham for enchiladas,” Danny threatened. His stomach growled again. “You feeling brave? Huh? Huh?” He punched a finger at the air in accusation. “I’m not scared of you or your dank gargoyles, leatherboy.”

There was a weird mechanical sound. Maybe a snort? A laugh? “I’ll send you a GPS point, if you’re there in ten I’ll buy you all you can eat.”

Danny went still like the predator he was. “Bring your life savings.” He hit the end call button and launched himself off the couch to go stuff his feet into his shoes. He let his apartment door slam shut behind him carelessly. He’d made it to the ground level before the pin point landed.

“Fuck, it’s even in my neighborhood.” Danny laughed, flush with petty victory. He looked left, right, and went invisible before he went ghost. There was no one around at this late hour to see him drop off the visible spectrum.

[slasher-jaxshitposts]

TW: vent

I hate not having any control over my own life. I hate not being allowed to choose what I wear, what I do, and what I control. I hate being told to do the dishes everytime the sink is full, I hate being the family therapist, I hate not being allowed to relax without being shamed for it.

I tell my sisters no to something that will make a mess if I don't watch them closely, then being forced to give it to them anyways by THEIR father and still have to clean up THEIR mess.

I hate having to do the dishes when their are other people in the house who can do it, then being told the way I do it is wrong.

I hate being threatened to have my hair ripped out of my skull if I don't do what I'm told.

I hate being told I look TOO good in something by my mother and then those pants or that shirt get taken from me and put in my moms drawer.

I hate being told that only skanks wear cropped tops and not to walk around in only a bra and some shorts when I'm hot because my dad (step-dad) is in the house, or he has friends over that he could bring them in, but my mom wears crop tops, and she walks around in the store, at other peoples houses and other PUBLIC places in just a bra.

^But when I walk around OUR house, I'm asking for it

I hate wanting my hair cut, and eventually getting to the point where I want to cut it myself, but I can't. Wanna know why? Cause I'll get my ass beat for doing something I've been BEGGING my mom to do for the past year or so.

i hate being told the hair cut I want is too short, or too boy like, or it doesn't match my face, that it'll make me look ugly.

I hate being expected to let my mother rant to me, but get scolded if I try talking about my feeling with her.

I hate telling my mom things I wanna do, then her tell me no and that I have to do something because she had to.

I hate being told not to let people see me cry, not to let people see me weak, not to let them think I'm weak, then being told I should cry more, and let my feelings out when my dog gets killed.

I hate having to fake my tears so that my mom thinks I'm alright.

I hate that every time I sit down I'm automatically not doing anything, that I'm always so lazy, that I don't do anything.

I hate being the one who has to talk myself out of panic attacks, then when I tell my mom, she just tells me not to let myself.

"Why are you putting yourself the panic attack? Why are you letting it beat you?" She says

But god forbid if one of my sisters start having a panic attack. And I get it, their 5 and 7, yes worry about them, but I'm 15, I want my mom to about me like that.

I hate feeling like I have to fight my feelings.

I hate wanting to be a man just so I can feel some kind of control, and I still don't feel like I can control anything.

I hate the way my step-father has made me hate men, but I still want their love.

I hate feeling like I need to fight for love.

I hate the empty "I love you"'s that come out of my mom, and stepdads mouths.

I hate the fact that I still love my mom, despite the things she's put me through.

I hate feeling like I'm never enough, like if I'm of no use to anyone, then why should they love or care about me?

I hate feeling like everyone expects so highly of me, and then are significantly disappointed when they actually get to know me.

I hate not feeling much of anything besides anxiety, fear, and anger.

I hate feeling smaller than everyone else.

I hate having to create different personas for every person I meet, just so I can be liked.

I hate not being allowed to be myself.

I hate feeling like crap everytime I'm not comfortable with doing something, because if I'm of no use to you, why should you care for/about me?

I hate not being able to focus on one project, and then feeling terrible because I never finished something.

I hate feeling sorry for others more than I do myself.

I hate not knowing when my next meal will be.

I hate being shamed for not eating because "we have plenty of food."

I hate having issues with certain textures of food, and having to go hungry because I don't like what my mom fixed.

I hate not liking certain tastes, then being forced to eat it, because I'm tired of starving myself.

I hate feeling like I'm bothering everyone else because of my feelings.

I hate feeling bad for snapping at my sisters, when they didn't even do anything wrong.

I hate being shamed for how little I eat, and how much I sleep.

I hate how I never get a break.

I hate getting shamed for taking a break.

I hate how my mom and step dad don't care about my hobbies unless it makes money that they can emotionally manipulate me into giving them.

I hate feeling like I can't trust anyone.

I hate losing weight, but still looking fat.

I hate wishing I had more things wrong with me, just so I feel like I have a reason to complain.

But most importantly...

I hate myself

And I'm sorry if you actually read all of this. You shouldn't have to listen to some stranger that you don't even truly know on the internet. Because you don't know me, no one knows me. They know a carefully designed version of me that was made just for them.

@puppet200 @purpleeggyboi @th3-r4t-48 @zeroisreallygood @im-a-simp898 @luciluck2046 @evry1h8s-me @aflairforthemelodramaticc @caretaleandotherstuff

[itwasrealtome]

THIN ICE

Olivia Benson x fem! reader

⚠️ DO NOT READ IF THIS MIGHT TRIGGER YOU

ANGST | Olivia Benson x fem! detective reader | Masterlist

Summary : Detective Y/N Y/L/N, part of Olivia Benson’s Special Victims Unit, faces a life-threatening situation during a suspect’s arrest, chasing this one into an ultimate falls to his death. Injured but alive, Y/N finds herself in an hospital room, receiving stern words from Olivia about her reckless actions.

Content Warning : Mention of stimulants to stay awake | Mention of a breakup | Mention of police work | Mention of jumping off a building | Some police man being a jerk | Usual SVU talk : Abuse, murder, violence, weapon and kidnapping | Y/N getting into a fight | People falling from a building | Injuries | Death | Hospital | OLIVIA BEING MAD | HEARTBREAK

A/N : Hello my loves. I'm finally sharing this first Olivia X reader with you. I hope you like it. Please let me know what you think. There are a few people I can't identify in the taglist, I'm sorry.

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This afternoon, the streets seemed even more crowded than usual. The vehicles flooded the roads, coming from every corner and blocking the main way out.

Behind a queue of about ten of them, a police car came to a sudden halt. The alarm was on, and the blue and red flashing lights blinded anyone who looked in that direction.

But no one moved.

Not even the sound of a horn persuaded the citizens of New York to get out of the path.

Amanda’s grip on the wheel only tightened. She had never been able to understand the reason behind people’s insensitivity to this kind of thing. It was such an easy thing to understand. Besides, someone’s life often depended on it. Yet, there she was, turning furiously midway, her partner gasping in surprise, her shirt now stained with hot coffee.

— Dude, can’t you just warn before doing that kind of thing?

The blonde gave a brief glance to her passenger. She expected to find her glued to the door, her fingers clenched around the top handle, but she didn’t.

Y/N was desperately trying to absorb the contents of her cup on her worktop. The wipers provided with her order, finally finding their use.

While most people would have been annoyed about staining a piece of clothing, the young detective was not. She seemed much more upset about losing a few drops of her beverage. The former could still be replaced, but the latter was definitely needed.

— Sorry about your shirt.

— Yeah, well you owe me a coffee.

The driver’s smile only widened when she heard her partner muttering complaints. She knew her well enough to say that it had nothing to do with that slight accident. It was cute. Of course, it was. But Amanda could see through it. She knew it had nothing to do with the coffee. Sure, the days were long and their job involved finding stimulants to stay awake, but Y/N was never acting like that. Something was different. And who better to notice than someone who practically lived with her?

— Sure you’re okay?

— Rollins, it’s just a shirt. I think I can get over it.

Amanda gave her a knowing glance. She expected this kind of answer from the young officer. Everyone knew what kind of person she was.

Committed, she was always the first to arrive at the precinct and the last to leave. She was practically married to the job by now. And though Kat had trouble following orders, Y/N did not. She was the perfect partner. Amanda couldn’t remember a time when Y/N had lost control. But these days, everything seemed to fall apart.

It began with a couple of small comments, here and there, a bit too harsh coming from Y/N’s mouth. Next up, her silence during the team talk was a concerning factor for Amanda. If anyone always had something to add to the investigation, it was her. This ranged from a simple detail no one had noticed, to scientific or sociological facts. It was often complicated to keep the detective quiet, so her lack of involvement was bound to catch the eye. That and the fact the blonde had seen her leave the bunks two mornings in a row at the exact same time.

Sure, it was just the addition of minor details. But the older woman’s gut was not wrong, not about this. Something was wrong with her partner. And it had nothing to do with a simple lack of caffeine.

— Oh, don’t give me that kind of look.

— But you’re not telling me the truth, Y/N/N!

Y/N huffed quietly. At times in her life, she hated being around people whose job was to investigate. She cursed them all equally. She just couldn’t help herself the last few days. Her anger was aimed at a specific and unique person, but that person being in law enforcement themselves, it was almost overwhelming to go to work every day. Time seemed to run too slowly there. The only moments she enjoyed were those outside the building. The cold New York weather allowed her to clear her mind and take a deep breath. And she always had something to do, after all the city never slept.

—Like you don’t keep anything to yourself, huh?

Amanda faintly spluttered. Everyone knew she had had difficult times, but she wasn't the only one. And now that she was honest with herself, she knew she had made mistakes. One thing’s for sure, she did not want her partner to replicate these.

— I made some mistakes, most of them I don’t want you to repeat.

— I seriously doubt you did this one.

That was all she could get out of the young detective. Amanda knew it as she watched her turn toward the window. The mere reflection of her face gave her a glimpse of what she was really feeling inside, a sweet mixture of anger and bitterness. Whatever the problem was, it wasn't something they could fix with a drink. And this worried the blonde even more.

— Just promise me you won't do anything stupid.

These words captured the passenger's interest again. She arched an eyebrow at her partner, a smile forming at the corner of her lips. Knowing their duo’s dynamics, she had dozens of retorts on the tip of her tongue, all of them a little more mischievous than the last. Instead, she just shook her head gently. Amanda didn't have to know how upset she was about the whole thing. She didn’t deserve to worry so much. And Y/N certainly had no right to be such a burden to her partner.

— Like what? Jumping off a building? y/n chuckled at the blonde’s glare. Relax. I won’t do anything of that kind, I promise.

At that very moment, the young detective genuinely meant it. She had not gotten up with such an idea in mind. If jumping off a building was regarded as a very stupid gesture, she considered her routine more so.

It was in the way the precinct’s bunks were beginning to feel like home. And how she spent every second of her days with the badge on her waist. She had no idea when she had last stepped into her apartment for more than a shower. Her desk was overflowing with paperwork and books in which she always found a way to bury herself. It was much more than a way to distract herself. At all costs, she avoided raising her head, out of fear of meeting the gaze that froze her every time. The path she was on was, for that matter, significantly more dangerous than whatever stupid thing Amanda was thinking about.

But she could not say that to her.

To anyone, actually.

— Weren't we just called to make sure that this jerk wasn't prowling around the residence?

In any other context, Y/N would have felt like a fool. Her back nearly arched as she tried to make out what was going on in a street they weren't even close to yet. She may have lacked sleep and insight into her personal life, but her cop intuition never failed her.

— You'd be sure of that if you'd listened to a single word the captain said.

— Something’s wrong.

Amanda brought them to the next intersection before momentarily stopping the car. The sight over her partner’s shoulder sent a chill down her spine. Despite years of experience, she couldn’t help but feel a rush of adrenaline every time. The crowd of cops down the street certainly wasn’t helping. They were everywhere. Mostly hidden behind their vehicles. But their vests did not go unnoticed and neither did their weapons pointed at a specific target.

— Crap, I hate when you’re right about this stuff.

— Hum…what was that you were saying about our captain again? y/n faced her friend with a teasing smile on her face. She couldn’t help herself. Always listen to what sh–

The sudden acceleration of the vehicle silenced Y/N. She felt grateful once again that her belt was keeping her safe. No day went by without her being in some kind of danger, but she never thought she’d have to worry about dying while Amanda was behind the wheel.

— Would you please stop doing that? cried the younger detective, her hands still clutching the top handle. And since when do you drive so badly? Damn it.

— Guess now you’ll stop driving like a maniac if I let you get behind the wheel.

The door swung shut before she could react. She stepped out of the car herself and walked over to Amanda. A vest was tossed in her face before she could even think about opening her mouth. But anyone who thought she would have given up so easily was wrong.

— I do not drive like a maniac.

Her friend gave her a knowing look as she closed the trunk. Now was definitely not the time to have this kind of conversation, but Amanda was glad her partner hadn’t lost everything that made her the person she was.

She was relentless, both in her work and in her personal life. To be defeated by a suspect in an interrogation room was a rare occurrence. Within the profession, many officers wondered about her career choice. They could imagine her leaving the field to terrify judges in a courtroom. Perhaps because they were themselves scared to death to face her. Seeking victory in a debate with a woman like Y/N was a waste of time. She knew when she was wrong, and would always acknowledge it. Nevertheless, she also knew when she was right. And in those moments, Amanda was the first to grab a bag of popcorn.

— That you do.

The detective’s hands found the velcro on the vest from memory as she was too busy glowering at her friend. The protection weighed on her shoulders. It was almost enough to give her a reason to fall apart. That, and the weight of life that was beginning to take its toll on her.

Slightly defeated, she stomped over to Amanda to catch up with her. She knew the other detective was right. Her anger was evident in the way she drove. Since then, she was assigned the role of co-pilot. It was okay. But she loathed being deprived of her usual distraction. It was starting to loop in her mind. She needed a way out.

— Detective Rollins and Y/L/N, Special Victims Unit.

Amanda shoved her badge in the man’s direction, half-expecting him to tell her to piss off. He dominated the scene with his large stature and a rank evident to all. The rookies were following his orders and keeping their mouths shut. Something that obviously wouldn't work with Olivia Benson-trained agents. He didn't seem to mind, guiding the two detectives as close as possible to the scene. But then, the mere idea of having to send men into the building made him raise his chin in an authoritative, disapproving manner.

— Our only witness is trapped in this building, Rollins began the fight, finger pointing accusingly. I don't care how, I want that man in custody.

If one of them had looked up for even half a second, instead of fighting over who had the biggest –which was obviously Y/N in this situation– they might have been able to stop the young detective in her tracks. Amanda had had enough of listening to the man's whining as he waved his rank in her face. And her colleague, the one she was supposed to look after, was tired of simply waiting.

As discreet as a mouse in the middle of the city, Y/N circled the building and quickly found a fire escape. It wasn't exactly what she'd had in mind when the impulse to walk into the building first came to her, but she couldn't really say she'd given it much thought. With a bit of imagination, and a little help from a trash container, she managed to pull herself up to the top. Now, maybe that was the beginning of a crazy idea. She could already imagine her partner and captain scolding her - if, and only if, she managed to get out of there alive and intact.

At the top of the stairs leading to the third floor, the detective stopped dead in her tracks at the sound of their suspect's agitated voice.

Thomas Patterson, 45, suspected of having violently abused his wife before killing her, and of abusing his stepdaughter - Johanne Morales. The man's profile was clear: a respectful-looking husband and father-in-law, loved by all, carefree, but once the door was closed he turned into a control freak with urges he simply couldn't escape. He clearly hadn't planned to kill his wife. The autopsy had revealed signs of haste and mistakes that a man like Patterson would never have made if he had prepared properly. But he had made mistakes. His blows had been too violent, Johanne had interrupted him, and he'd had to finish the job quickly - too quickly, in order to hide his crime.

Y/N had studied his profile carefully. That's what she did best, that and avoiding her captain. She knew he was restless, nervous, ready to do anything to cover up his actions. The final piece of the puzzle was to eliminate the only witness, the one who would go all the way to court to see him take the fall. She had an advantage over him. She was there, so close to the goal, and he was unaware of her presence. At least, that was until Amanda's voice came through the radio.

— Y/L/N, you've got two seconds to get your butt over here.

The young detective could have banged her own head against the wall. Boy, had she been stupid on that one. She clenched her jaw, the urge to bite her fist growing cumbersome as she prayed Thomas hadn't heard. But he definitely did.

A front door opened slowly, the creaking hinges betraying the building’s condition. The man was probably armed, the sound of the guard echoing in the empty corridor. Each of his steps shook the wooden floor and sent a current of adrenalin through Y/N's veins. He was getting closer. She could smell him and his perfume. Him and her fear.

As soon as he was close enough to round the corner of the stairwell, the young detective took this as her cue. She charged at the man, her hands reaching for the 9mm held firmly in his rough, bleeding hands. In a split second, the magazine slid out and collapsed on the floor. She sent it tumbling down a few steps with her boot, before landing a knee into the suspect’s parts. This only confused him for the briefest moment. He was on her again before she could even flinch. Her body hit the wall with a heavy thud, the vest shielding her body from the heavy impact. However, the man’s hands found her neck and tightened their grip, pulling her head violently forward and then pushing it back, slamming it against the concrete wall.

He repeated the motion twice more, the detective’s pleas of pain provoking a feeling he himself could not begin to describe. Y/N wasn’t done with him yet. He clearly wanted to lash out at a woman and had a nasty habit of underestimating them all. Only, today wasn’t his lucky day. He was forced into the apartment where he had deliberately tied up the young Johanne. It was his turn to bang into something. The dresser barely tilted behind him, but the vase crashed hard against the top of his skull. He felt the water run down his face, the smell of freshly bought flowers wafting through the air.

Back in a corner, Johanne tried desperately to struggle out of her bonds, her words puffed out by the duct tape over her mouth. She could only witness the struggle between her back-up and her assailant. Watching as Y/N unloaded all her pent-up anger on the man who had dared to cause so much harm. In one smooth motion, Thomas grabbed the detective’s gun, a triumphant glint in his eyes. Hope was soon lost, his chances of getting out of there alive and free close to zero. His opponent was relentless and had no intention of letting him slip away. His only option, he realized, a flash of light reflecting off the window, was to drag the detective with him in his fall.

Outside, Amanda was still arguing with the man in charge of operations. He hadn’t given up and neither had she. Only when, as the argument continued to escalate, gunshots were heard, followed by the shattering of a window pane, did they come to an agreement. The plan didn’t even have time to take shape before two bodies flew out of the building.

First, the blonde saw the man she recognized as their suspect crash hard to the ground, the collision knocking him down instantly. Then came a tremendous thump and the shrill sound of a car alarm. Straight ahead of her, on one of the patrol cars, had landed Y/N. The height of the fall meant that the roof of the vehicle had been crushed and some of the windows smashed. That wasn't what Amanda was most worried about. Her partner, the one who'd promised her she wouldn't do anything stupid – like jumping off the third floor of a building, was sprawled motionless on the broken glass, blood on the back of her skull.

— Oh my God, Y/N, in one stride, she was as close as she could get to her friend. Call an ambulance. Now!

For once, the man made himself useful, radio in hand, as he asked for help. He now stood with one, maybe two, even three victims to deal with if the detective didn't make it. He could already imagine the damage it would do to his career. Besides, he knew Captain Benson very well and had no desire to mess with her.

Needless was his worry. The more Amanda studied her friend, the more she realized how lucky she’s been. Y/N was simply stunned, staring at the New York sky with an uncharacteristic intensity. She began to laugh, full-throated, heartily. It was probably the adrenaline pumping again. Tears joined the party, leaving funny marks on her bloody cheeks. Suddenly, she remembered.

— Johanne. She's alive. Up there. Y/N looked up at Amanda expectantly. She needs help.

***

Captain Olivia Benson had seen enough in her career not to let anxiety get the better of her. She had been beaten, kidnapped, almost died and dragged through the mud in front of an entire courtroom. She had reached a point where facing certain types of suspects no longer made her lose her footing.

But someone was bound to make her lose it.

Briskly, almost to the point of knocking herself off her feet, she made her way through the corridors of a hospital she knew all too well. The distinctive clatter of her heels against the floor blended perfectly with the incessant beeping and distant hubbub of such a place. She wasn't there to see a victim, as she often was. Her hasty and agitated demeanor only aroused the suspicions of the medical staff who had crossed paths with her so many times. It wasn't just a professional matter.

It hadn't been for a long time.

When Olivia reached room 212, she didn't spare a moment's hesitation. One of her youngest detectives and latest recruit was sitting wisely on the edge of the bed, her legs wriggling in the air like a child's. A nurse was visibly busy behind her, dropping more and more glass flakes into her tray as she went. She leaned against the doorframe, arms folded tightly against her chest, eyes focused on the sight that made her stomach hurt in spite of herself.

She watched as Y/N's chest, covered in dried blood, continued to pulsate with every breath, as hematomas were already starting to spread across her face and torso, and as her plain face twisted in pain as soon as the nurse reached for another piece of glass. Just a few days ago, her first instinct would have been to rush to her protégé’s side and calm the agony she knew to be growing in her heart. But she'd vowed to keep her distance and stay in her current position: Captain Benson, unit chief.

All too quickly for the young detective's liking, the nurse finished her treatment and left the two law enforcement agents behind. Olivia had had the decency to wait until the door was closed before lashing out at her, which didn't stop Y/N from rolling her eyes. She'd already imagined this conversation - or rather, monologue - and knew she wouldn't come out of it unscathed. She'd probably lose her badge. No matter, she'd already lost her heart.

— Have you completely lost your mind? You could’ve been killed.

This was the cue for a lengthy sermon that she couldn't escape. The words left Olivia's mouth at a speed that seemed unbearable. She paced back and forth, her arms stretching out in waves of frustration and indignation, her cheeks rosy with emotion. She'd done some stupid things herself when she was just a rookie, but throwing herself off the third floor of a building had never been on the list.

— Are you done? y/n arched an eyebrow as Olivia finally paused. I saved a life today. While Amanda and that jerk were fighting over who had the biggest, which apparently I did.

— No, you refused to follow orders. Not only did you put yourself in danger, you put everyone's lives in danger. Heaven help us again that you were wearing your vest, otherwise it could have been a lot worse.

— I don't know why you care so much, you're just my boss!

Although these words were intended to hurt Olivia, it was Y/N who took the brunt of the blow. It was one thing to know that their relationship had been reduced to this, but it was quite another to admit it in person. The brunette was no longer entitled to worry so much, to ask her to watch out and send her a text as soon as she got home. Whatever had been was no more.

— Right, Olivia broke into an almost scoffing snort. Let me tell you, as your captain, that you won't be leaving the precinct for a long time.

— You’re benching me? Liv, you can’t do this!

— What you did was completely irresponsible. You don't want to follow orders, fine. But you're not leaving this desk without my permission.

The young detective had been holding her breath for a long time– far too long. She'd spent days avoiding conflict, lamenting in her corner, mourning the end of a story she'd thought would last forever. It wasn't just about what had just happened, it was something else, something more personal. She felt as if Olivia had no idea how to express her concern, as if her only option was to play the role of the big bad boss. But she was tired of hiding, of running away, of avoiding confrontation.

— Breaking my heart wasn't enough for you, uh? She rose from the bed, hastily putting on her jacket. If you want me to leave the squad, just say so.

For the first time, she faced her head-on. Head held high, eyebrows furrowed in frustration, ready to stand on tiptoe if that would help reach the brunette's height. She faced those brown pearls with all the courage she had left, her own eyes misty with tears she'd never let flow. This was it, so close yet so far, two souls who knew each other becoming strangers once again.

Olivia reached out with a last ounce of regret, brushing away a tear that had escaped down the young detective's cheek with the tip of her thumb. Her heart urged her to do more, to embrace this bruised woman, to bring her all the comfort she needed. She wanted to take Y/N home, wrap her in one of her shirts, tell her how much she loved her. In another life, where they were just two soul mates, where Olivia didn't have to worry about repercussions, whatever they might be. This was where she could find comfort.

— Go home. Take a few days. Get some rest. We'll talk about it when you get back.

The New Yorker had rarely seen a face shattered in a matter of seconds. Her words had urged Y/N to free herself from her hold, her head heavy and spinning from all the hassle and concussion she'd picked up from the blows. Her shoulder nudged her superior's as she walked by, a gesture of no little importance. She did not look back once to meet her former lover's gaze again.

Maybe she should have.

Maybe she would have seen the same love, the same tears, that Olivia saw in her eyes.

Maybe the ice wasn't so thin after all.

•••

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[asaka-lucy-dr-rc]

Oh! The Kizakura audio dramas! I always wanted to listen to Genocide Jack’s part of the audio but an English translation of it doesn’t exist sadly. Do you know what she said in audio drama? I love to know! Thank you!

Oh yeah! Genocide Jack's part was really great and I wanted to share the content of that part of the conversation, so I'm glad you asked! I've written a transcript below:

<After Kizakura visited Toko at her home and told her that he had come to recruit her as a student at Hope's Peak Academy, they talked for a while, but Kizakura fainted in the middle of the conversation because Toko's house and her own smell were too bad.>

Toko: ちょ、ちょっとぉ！そんな大袈裟に倒れて、埃が…っはっ…ハクシュッ！ W-why are you collapsing!? Collapsing so dramatically like that... the dust... huff... achoo!

Kizakura: えぇっ、手を叩いて褒めてくれるの！？俺、頑張ったよね！？もう、ゴールしても…いいよね… What!? You’re clapping your hands* to praise me!? I did a good job, didn’t I!? It’s okay if I... reach the goal now, right...?* (*The reason he made this comment is because the Japanese word for sneezing, “hakusyu”, sounds the same as the word for clapping hands.) (*This is a parody of a line from a famous game called Air. It is often used among otaku.) Genocide Jack: はぁーーい、パチパーチ！！ってなんでやねん！ヒャハハハハハハハ！ Allllllllll right, let’s give a round of applause!! Wait, what the hell!? Gyahahahahaha!

Kizakura: あぁー！？何何何、どうしちゃったのこの子！？ Huh!? What, what, what’s with her!? What’s going on!? Genocide Jack: ヤァだ、ヤァだー！なぁにそんな熱視線困るんですけどー！ってなぁに！？この子ったら！？部屋に男連れ込んじゃってんのヒュゥーウ！！ Oh my, oh my! What's with those intense stares, I'm embarrassed by your intense gaze! Wait, what’s this!? This girl’s got a guy in her room! Wheeew!! Kizakura: (演技…じゃないな。二重人格か？ただのはっちゃけ姉ちゃんにしか見えねーけど…こいつは何かヤバイぞ…。) (This isn't just an act... Is this a split personality? All I see is an endless amount of cheerful girl... but she looks like danger.) Genocide Jack: でも残念！あんたちょ〜っとストライク逃しちゃってるわ！ファウルボールにご注意くださーい。ってデァハハハハ！！で、どこのどなた？ But too bad! You just barely struck out! Watch out for foul balls! Gya-hahahaha!! So, who are you? Kizakura: (記憶を共有していない…解離性人格障害か。考えられる原因としては、資料にあった母を2人持つという家庭事情だが…) 俺は黄桜公一。希望ヶ峰学園から腐川冬子くんをスカウトにやってきた。君こそ何者だ？ (She doesn't seem to be sharing memories... Dissociative Identity Disorder, huh? According to the files, it could be due to her upbringing with two mothers...) I’m Koichi Kizakura. I’m here to scout Toko Fukawa from Hope’s Peak Academy. And you are? Genocide Jack: うーーん、かっちょよく名乗りたいところだけどぉ、アタシってホラ、有名人だから！ナイショにしとくわぁ！ Hmmmmm, I’d love to introduce myself in style, but, you know, I’m kind of famous! So I’ll keep it a secret for now!

Kizakura: 有名人？ Famous? Genocide Jack: その希望ヶ峰学園ってお上品な学校に行けばアタシ好みの萌える男子がオーガニックに栽培されてそうジャ〜ン？ もしかしてぇ？あなたは意中の殿方もぉー？いらっしゃるのかしらァーー！？妄想が捗るわぁー！！ If I go to that fancy Hope's Peak Academy, I bet there'll be a lot of hot boys growing up organically just for me, don't you think? Or maybe...? Do you have a guy you're head over heels for? My imagination is running wiiiild!

Kizakura: 意中の殿方って……あぁやべやべ、思い浮かべるな！ A guy I’m head over heels for... Oh no, stop thinking about it! Genocide Jack: いいわ！その一瞬の油断！ふと脳裏をよぎった親友の面影！そ・れ・が！どんどん大きくなっていくからお大事にねェー！！ Perfect! That momentary slip! The fleeting image of your dear friend flashing in your mind! That, my dear, will only grow bigger and bigger, so take careee!

Kizakura: 趣味嗜好がまるっきり正反対だな…腐川ちゃんの方はオーソドックスなラブコメすら嫌がってたのに、こっちはBLまで許容しているみたいだ… Their tastes are completely opposite... Fukawa-chan couldn’t even stand orthodox rom-coms, but this one seems fine with BL...

Genocide Jack: ハ���ーイ、大正解！アタシはぁ、パトスだだ漏れの貴腐人なので！調子いい時はぁ、視界に入った男をビンゴ方式でゼェーんぶ絡める！ウァハハハハ！ハ…ハ、ハクシュッ！ Ding, ding, ding! Correct! I’m a kifujin* overflowing with pathos! And when I’m in a good mood, I’ll ship every guy in my sight like I’m playing bingo! Gyahahahaha! H- H- achoo! (* This is one of the ways that otaku girls who like BL refer to themselves, and refers to people who like BL even more than fujoshi.)

Toko: へ、あ、あれ…あたし…？ Huh? W-wait... what was I...? Kizakura: (くしゃみで人格チェンジするって、そんな古典的な…。この子、自分を主役にして小説書いた方が売れるんじゃないの…？) (She changes personalities with a sneeze? That’s so old-school... She could probably sell more novels if she wrote about herself as the main character...)

Toko: き、記憶が飛んでる…！あ、あなたまさか、私を眠らせて、無理やり！？ M-my memory’s blank...! D-Did you force me to sleep and then...!? Kizakura: 永遠の眠りにつきそうなのは、こっちの方なんだけど… I’m the one who feels like I’m about to sleep forever...

Toko: な、何よ、殺人鬼に遭遇したヒョロイ殺され役みたいなシケた顔して…！ What’s with that pathetic look on your face, like you’re the weakling about to get killed by a murderer!? Kizakura: (殺人鬼…そういえばあの殺気…。いや、まさかな。) (Murderer...? Now that I think about it, that killing intent... No, it couldn’t be...)

---------------------------

Toko's part is much longer, but this is the whole part where Genocide Jack appears. If you listen to the audio, you'll see that Miyuki Sawashiro's performance is really wonderful, but I hope it conveys at least a little of what it was like!

[perilegs]

it's so weird when there's a kink you're not into, and you'd be uncomfortable at best performing it, and it's not even a denial thing since you genuinely want no part in it. but then you're exposed to it in a highly specific context as a part of something else and your thoughts on it remain the same but at the same time you don't know which part of it made you

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[usercelestial]

okay i get it but i also think its important to acknowledge that there is a difference between knowing from an audience standpoint that a character should be queer VS it firmly being acknowledged verbally within the narrative as a solid aspect of that character's identity irrefutably

[ceruleanfuckup]

So I had a fantastic date tonight.

[slippery-minghus]

hmm. had an actual conversation with nightmare coworker today that seemed mutually productive. she apologized for saying some bullshit that hurt my feelings and i clarified that my intentions are to help not to undermine her, and we both agreed that there's no competition against each other and that it's the lack of growth in our role that's the problem. it was...productive.

and further cementing for me that it is time to begin making my Exit. i will be sending out my resume to a few places this weekend.

i'm still processing the conversation, and am struggling to place myself in where i am responsible to better my behavior. because i genuinely don't want to be an ass, even though i really don't like this lady and will jump for joy the day i never have to see her again. she stated that she knows my intentions aren't to hurt her, and that she thinks i'm very kind. i apologized for if my behavior came off as undermining her, and said that my intentions are only to better my own growth—and that i know she's trying to succeed too. i validated her feelings, and complemented the effort she is putting in.

where i'm struggling with is: am i in the wrong/causing harm and needing to change if the issue is that her feelings are incongruent with what she knows of my intentions? her feelings are her responsibility (WOW i almost typed "her feelings are my responsibility". i feel like that's a freudian slip) and she states that she knows i don't mean to hurt her. i'm going to try to be more clear in wording my intentions with her (she feels like me trying to take work off her plate is to undermine her. when really, i'm caught up and see her getting overwhelmed, and i want to help and also have something to do since i'm bored).

but i'm really struggling to look at my role in this and pass judgement on myself. i can and want to do better, and i don't think i did anything wrong, but i'm always so hesitant to say it's not my fault or i didn't do something bad. like i can't trust my judgement on that. my intentions were good, her bad feelings are ones caused by her insecurities, which she more or less has expressed to be aware that they are not true—the hurtful thing she said to me, she acknowledged was said out of hurt and not what she actually thinks. so, is it fair to say i'm not the bad guy? i'm not in the wrong? i know good intentions that still result in harm don't absolve anyone, but when the things that are clashing are insufficient communication and reactive insecurities... i'm not a monster, am i?

[caninecowboy]

24 days!

[bladeofthestars]

.

[perilegs]

i pass pretty much all the time but hm. ive heard interesting stuff from drunk ppl i know who dont know im trans

[thebigqueer]

Your breakup really really reminds me of my first (and only) wlw relationship/breakup everything you're saying hits home a lot. You will get through it but tbh it's so hard to heal and it still grinds my gears when I think about her and how we broke up. Idk if that helps but I understand what you're going though

YEAH MAN ITS TOUGH OUT HERE FR!!! its not my first queer relationship but like something about this is genuilnely the most world-shattering romantic experience ive had cuz we went into this soooo head over heels for each other like we were literally moving SO fast. and at the time i was like is it ok for us to even be moving this fast (probs tmi but we were literally making out shirtless by like 2nd time we even made out) (probs not a big deal to most people but i experienced a LOT of new things with her that id never experienced befoer & the fact that i was so WILLING to do it so fast was what surprised me the most) but then i was like okk whateverrr i really like how fast we're moving. and i was like 'damn if were moving this fast & if im feeling so good it has to end soon right like theres no way life is going to let me just be happy w this' and then i was like 'no elts not think about it' and then what do you know 5 months later she brekas up w me. and neither of us did anything wrong but it was so random??? like i dont understand how one moment shes telling me how excited she is to spend the entire semester with me and then literally 36 hours later tell me shes not feeling an emotional connection but wont even give us the chance to work it out. i know she also broke it off for personal reasons but its like... this was something we could have TRIED to work out you know!!! maybe it wouldnt have worked in the end but literally nothing felt off to me at all & if id known she was feeling this way i wouldve done my best to make things better. the entire breakup was so sudden and honestly im really not mad at her because i know how nerve-wracking it is to be in your first relationship. i think its just that im really dispapointed she gave up on us so easily you know??? didnt even give us a chance to figure it out

[elytrafemme]

ok i need to be very kind to myself and acknowledge that i had a good day regardless of how it ended but i did find out that my other best friend (no.4) is asking someone out meaning nearly every person i know is either at that stage or in a relationship and i’m wondering at what point do i start ramping up my insanity in hopes of finding any kind of love