#i think i’d be fine with it

[o0o0thorn0o0o]

read your tags on your latest post (adorable drawing btw) and congrats on graduating!!!!! hope your break year was relaxing!!

Awww, thank you, dear Anon (I’m really pleased with how it came out, so the compliment is much appreciated by me <3 <3)!

This past year has definitely been… an interesting one to say the least, haha, but the amount of white hairs I started my break with has significantly decreased since; I’m definitely not missing any of the deadlines and studying and all that other jazz that comes with uni life, haha 😮‍💨

My break year was definitely much needed, though, I do think I’ll ultimately be prolonging it—at least a little bit. Been ruminating very much on it, and the conclusion I’ve come to is that I currently feel more and more of an inclination to pursue something creative primarily rather than taking on the structure and pain that comes with academics for a more stable career—for the moment, at least. I ultimately want to try and get a first draft of a manuscript finished first at least and see how I feel about it. 

I can still go back to school if I decide this path’s not ultimately right, though I’m not sure if, when/if I do, it will still be veterinary/medicine-focused. We shall see, we shall see…

[ricky-mortis]

It’s the perfect place for a picnic!

[allgreekbitch]

[eff-exor]

“smile for the camera”

[turtleblogatlast]

Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”

So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.

Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”

From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.

I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)

I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)

[housecow]

Girl please stop romanticizing obesity, it will literally kill you eventually (and I know it’s not the first time someone says it to you). Like are you even ok? Romanticizing being immobile & being humiliated on the street? Why would you even aspire to this? For some attention of questionable men on this app? Girl they don’t deserve you. This message comes from a place of concern, it is not intended as an insult. You said you want a career in the future, maybe focus on that, I’m not sure how possible it is do all that while being immobile or having whatever condition.

omfg 😭 i apologize for writing little stories to get myself off, i guess?? lmfao. i have a fetish. i state clearly in my bio that this is what to expect. sorry im horny posting anonymously on tumblr.com ???? stop being weird when u don’t even belong in these spaces

[loudcackles]

Luke is God’s strongest soldier fr

[that-sarcastic-writer]

I just watched the new crow. And guess what??? I fucking liked it. No spoilers here but it was NOTHING like the original. Not one bit was taken from the original and replicated. It was a completely different story. And guess what? I still love the original to pieces. I still love Brandon as Eric. But also guess what? I enjoyed how Bill made it his own. It didn’t feel like a copy. It felt like a different version, with a different story. And that’s okay. The original is still awesome and super iconic. But news flash, the new one isn’t shit just bc it’s called The Crow 2024. Maybe give reboots a chance before shitting on it. The original came out in 1990. That’s 34 fucking years ago. That’s a whole generation right there. Y’all act like reboots and remakes haven’t existed since the beginning of the film industry. Some are bad and a cash grab, and some are actually kinda cool and have its own thing going. I think this one has its own tone just like the original had its very distinct aesthetic and tone.

Yes I liked it. So what. If I didn’t I would say so. I went into it expecting nothing, if anything I expected to be trash and nonsensical, but no. Everything made sense, it had a pretty cohesive story and gave a different and darker (like metaphorically not literal, nothing can be darker than the original) telling of the story and Eric’s character. And that’s okay. Let’s just learn to watch and enjoy some movies without blindly hating on them just because it’s cool to.

[stardustdiiving]

Me explaining in terms of strictly how I read canon I think Nahida not severely punishing the Sages is just meant to convey that Nahida, even when wronged, is not a very vengeful or harsh person and makes the choice to be kind instead, but in my mind I have this idea of a Nahida interpretation which elaborates on that where her self punishing tendencies extend to her being someone who internally downplays her own experiences constantly, and as a result has a hard time feeling she’s allowed or justified in placing a lot of blame on the Sages for what they did to her So while she is following her own philosophies regarding teaching lessons/wisdom/etc in how to handle the Sages and genuinely doesn’t want to be really angry or punishing because of who she is as a person, her decision is also influenced by the fact she’s basically blocked herself out of grappling with how to handle people who hurt her by blaming herself for said hurt instead as a coping mechanism. And like this is all just me being insane about Nahida Trauma and not something explicitly implied in canon but also I really do think this isn’t a far stretch from her canon characterization especially when my vision isn’t to conclude that Nahida needs to be angry and vengeful but she should extend the kindness she shows others to herself and also every day I get tormented thinking about she was the mental equivalent of an average human child when the Sages found her and how they basically specifically discarded her for being a child and the idea of how Nahida would pick up on + internalize that and eventually need time to unlearn it

[aipurjopa]

Vivid Street: Next Gen (AU)

Meet the new kid on the block

[bloobydabloob]

When you answered the ask asking about your art style (which is a post I keep looking back on bc what you have to say is very interesting) in one of your screenshots of you talking you mention something about how most if not all of your symbolism is self referent and I was wondering what you meant by that!

Hellloooo. I’m glad you found my ranting interesting. Here is some Dirk art I’m probably never going to finish for your troubles.

What I meant by that when talking about any symbolism in my art is that it doesn’t reference outside sources - e.g. where some art might use something like religious concepts, animals, real life events to represent ideas, I tend to use things more like colors, contrasting objects, composition. That sort of thing. So things that are inherently a part of the work itself rather than connections to the real world. If I ever do use symbolism otherwise, it’s usually comic related even still. Although I have done pieces with religious symbolism before too, haha.

I don’t know how to describe it other than “self referential” because I’m not really sure what else to classify that sort of symbolism as. Just… artistic maybe? Non literal? I couldn’t say. I think it all basically just goes along with the majority of my art nowadays being more figurative than literal. Sorry if this doesn’t explain it very well. It’s also funny to think that anyone is “Looking back” on any of my texts posts though, haha. To me I feel like I am just dumping my words on my poor followers. Surprising. Thank you for reading.

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill�� Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[floweroflaurelin]

wait you said you did an animatic on your main blog! is that for traffic series’s, is it posted here?

Oh right yes I was meaning to mention this here!! Thank you ahaha

Okay so YES! I did do an animatic, it’s for Empires SMP! No it’s not posted here yet because I am kind of unsure about what do with it… Let me explain.

Over the summer I had to do a big project for school, and it was entirely self-directed with no supervision. That meant it had to be about something I’m Really Passionate About to make sure that it would actually get done. So naturally I chose Empires! I got in touch with Pixlriffs and got his permission to use his audio for a school project (he said yes, thank you Pix <3) and then, audio in hand, went nuts and roughly storyboarded out 8min of an animatic in a single night.

When getting the project approved I told the professor, “hi I am going to do an 8 minute full colour animatic in two months while taking a full course load of classes” and he said

So the plan became to begrudgingly take a 2-3 minute excerpt of the audio and just do that for the class. And I did! And it slapped!! Full colour, rendered paintings you know and love from floweroflaurelin, except they’re moving a little bit. And Pixlriffs is there talking.

I figured at the time that once the semester was over I would paint the other 6 minutes of the animatic on my own time!! How hard could that be, right?? Except Things Kept Happening With School, and once it was over I was moving to a new place and getting sick and Tango’s desk mat took priority, and suddenly it’s over a month later with Do Those Other Six Minutes still on my to-do list.

The real kicker was that one of the Things That Happened With School resulted in me not getting feedback on the project—the teacher wasn’t able to really look at it. I got a grade, but a series of ridiculous circumstances meant that all that work was only briefly glanced at and a grade hastily entered, which was frustrating and resulted in me resenting the project a bit, since I worked hard on something I loved and it got no appreciation at all.

I’d love to share it with people who would appreciate it, which is to say, other fans!! But the thing is—as much as I want it to be Done the way I intended when I storyboarded it out initially, I won’t have the time to paint those six minutes any time soon: Huevember is in a couple weeks, and that’s a big commitment! But in my mind it’s not a complete project unless it’s a Complete Project. So I’ll put the question to you:

So yeah let me know! I’m still pretty busy but either way I want to revisit the animatic, either to paint more frames or to get it prepped for posting (something I’m not sure how to do yet).

(Also good news about Things Happening With School: I graduated yesterday!! Bachelors degree with honours, baby! Maybe now that school is behind me I can turn a new page where that project gets shared 😆)

[heyitsspaceace]

WOAH ANOTHER DOCTOR WHO POLL CRAZY.

so basically you get to replace a doctors run and be that incarnation of the doctor but the catch is that your storyline will be the exact same as that doctors. who are you picking?

i’m only adding the doctors from what we’ve seen have like full adventures so far, so no 15 sadly, and no 14 bc i know you all would pick him. don’t be a coward pick your trauma poison.

like always, i’d love to hear your reasoning lol

[bloodbonesandmarrow]

we do bones, motherfucker

Gideon- @bawdyknocker

Harrowhark- me

Photographer- @FXDandy (various platforms, not on tumblr)