#i think i may be reading into things a bit too much

[studentinpursuitofclouds]

Can you rank the sdv bachelors/bachelorettes on who would adjust the best/worst to farm life? I'm curious on your opinion :))

Sure thing, let's do a ranking on our marriage candidates 😃 Thanks for the ask, dear anon! 🫰💕

Also, I think it's worth saying that I think all candidates will adjust well to their new life on the farm. This is where I described and judged candidates when they first moved onto the farm, from day one. This is just my opinion, so if you think differently, feel free to write about it here in replies!

_____________________________

SDV bachelors:

Shane gets a confident 8.5/10. After all, he didn't get the nickname "chicken man" for nothing, as he takes excellent care of hens on his aunt's ranch. So much so that he's bred his own breed of blue chickens! Plus, I'm sure Shane has helped Marnie take care of other animals while in the barn, and knows a fair bit about growing crops (at least his favourite hot peppers). So he will adapt almost instantly!

I'll probably get some hate for this, but I'll give Elliott a 1/10. With all due respect to our gallant writer, he literally has a quote where he says he "won't water the plant with salt water this time." ...Who would ever think of watering a freshwater plant with salt water, even without a background in gardening? So it's going to take Elliott a long time to adjust to life on a farm, especially if it's a Beach Farm ("Don't water the tomatoes with seawater!").

Normally Sam's mother, as she herself claimed, didn't make him and Vincent do house work, and there's no garden or hint of anyone in the family taking care of the houseplants (most likely Jodi doing all the work). So Sammy jumps from the life of a carefree musician to one full of farm chores, at least partially. In fact, he doesn't mind giving it a try, just doesn't know where to start ("Honey, help me"). 3/10, he's a little confused, but he got the spirit.

Being constantly busy working with patients, despite the small size of the town, and a bunch of other things to do in his clinic, certainly doesn't leave Harvey enough free time to do much gardening. But at least there's some time to read books, and the library just happens to have a couple of interesting ones about farming. I think it will at least give him the opportunity to grow tomatoes in a pot (albeit decorative ones). It's going to be a lot harder with farming, but Harvey even likes it. Still, 3.5/10, he's trying.

Similar situation with Sam, Sebastian will jump from a life of freelance programming work to the farm work. Of course Farmer won't force Sebby to work for them, after all they love him for who he is, not as free labour. But emo himself feels he should help his spouse with their work somehow. He's so-so at growing crops, but taking care of the chickens and goats is much better. 4/10, the black hens are his favourite, btw.

Oh, Alex will fit into farm life quite nicely. The athlete may have difficulty tending crops, watering potatoes and garlic with too much water, but in terms of physical tasks he does just fine. Drag heavy bags of seed/hay? Heck yeah! Load heavy pumpkins into the shipping bin for sale? Easy, he'll do it with one hand! It's like a workout for him. 6.5/10, go Alex!

SDV bachelorettes:

Penny may not have had the opportunity to grow melons or have a small garden near her house (well, trailer in this case), she was constantly reading books about foraging and farming, overflowing with dreams of having her own green place. Soon her dream came true, and all the theory they read was not wasted. Of course, the young teacher will definitely have difficulties, as this is not a small garden but a huge farm, but she will adapt quite well. 7/10, very nice.

4.5/10 for Maru. Actually, she's been a great helper on the farm from the beginning, only her area of expertise was different. Maru will easily fix any broken oil maker or calculate the proportions of minerals for fertiliser, but when asked to take care of the vegetable garden, the young inventor will definitely fall into a stupor. Still, I'm sure she will get used to it, because Maru is a genius, and if she can create an intelligent robot, she can handle growing strawberries as well.

I was going to give Haley the same number of points as Elliott, but I thought her trying to learn how to interact with cows and my idea that she wanted to learn about growing sunflowers deserved another point. So let it be 2/10. Yes, very low, but Haley used to be squeamish of any dirt and smells, so farm life, which is just full of dirt and smells (especially from the barn) will be a bit difficult for a girl.

In general, Leah's knowledge is closer to foraging than to farming, but the talented artist is definitely not afraid of hard work, and has a basic knowledge of growing crops. She definitely offered her then (future) spouse help on the farm several times. Yes, it was flirting, but Leah was actually willing to help carry seeds and water the plants, even had something to share about growing mushrooms on stumps. 7.5/10, she's a great fit.

On the one hand, Abigail has some experience in farming, as Pierre definitely asked her for help in his small vegetable garden behind the shop. On the other hand, the purple-haired girl didn't really show much interest in all this and she seemed to lack patience with plants and flowers before. It's different now, but Abby thought at times that her father and mother's chatter about plants was for a reason after all. 4/10, not too great, but not all bad either.

Emily takes care of the flowers in the house, so some knowledge she has. She loves nature and being outside, that's undeniable. Farming skills? Well... yes and no. Emily is a hard-working bee, but almost all of her time has been taken up at the Saloon, cleaning the house, and a passion for tailoring, so she doesn't have much experience. Still, it's there, and I'd give it a 5/10, but more because of the fact that Emily definitely takes good care of the animals ("My friends")

_________________________________________

So, from best to worst (SDV bachelors):

№1: Shane; №2: Alex; №3: Sebastian; №4: Sam; №5: Harvey; №6: Elliott.

From best to worst (sdv bachelorettes):

№1: Leah; №: Penny; №3: Emily; №4: Maru; №5: Abigail; №6: Haley.

[billybutcherrtrash]

Throne

CW: oral (f) and fingers

You and Spencer are friends who attended at party for a mutual friend and find you have an interesting shared book fantasy.

It had been several hours since you’d arrived at the party for a mutual friend. Reid had been cautiously watching you as you talked to everyone and gave them a small amount of your time. Every so often your gazes would meet and you’d exchange a smile from a distance. Although you’d greeted him when he walked in, you’d been rushed away my another friend for some kind of emergency. Every guy you talked to made Reid anxious. He hated the idea of you walking out of this place with someone else. Anyone else but him. Finally you made your way over to him, sitting down beside him and smiling.

“Welcome back”. Spencer said as you took a sip of your drink.

“Thanks. It’s been very hectic. You’d think for a going away party it would be more fun. Instead I’m chasing down my drunk friends.” You sighed.

“Yeah, I think I saw one of my drunk friends fall off the bar earlier.” He laughed.

“I saw that. I think we’re the only two here that aren’t drinking.”

“I like to be in control of myself. I drink occasionally but in this atmosphere I don’t think it’s wise.”

“I agree. To much going on and I’m already over stimulated”

“Glad I’m not the only one.” He nodded.

You tucked your hair behind your ears and shifted closer to him. “I’m really happy you came.”

Spencer’s eyes lit up, “I’m glad too. I’ll admit I was on the fence until I heard you’d be coming too.”

“Really?”

He nodded, “Yeah. This isn’t my thing. Bars. Or people.”

“I would much rather be at home reading. I hate all this.” You shrugged.

“Oh, that’s reminds me I started reading this book about ancient erotica and I think -“

At that you held up your hand to stop him,“Did you just say erotica?”

Spencer nodded, “Yeah, but not in the way you’re thinking of pornography. It’s rather tasteful compared to today’s idea of erotica. I’ve read a few of what is considered erotic today and I think it’s just porn on paper.”

You stared at him for a long moment. His brown eyes stared back anticipating your response.

“Porn on paper is called smut now.” You smirked.

“Yes, and it is just sexually charged writing. Ancient erotica is art. Paintings and images that are tastefully done.” Reid explained.

“I guess my bookshelf is filled with porn then.” You laughed softly.

“You read…smut?” He bit his lip.

Suddenly you felt hot. Did the temperature go up? You’d just admitted you had read spicy books.

“I-wel-…I mean…I have other kinds of books too.” You stammered. “I have biographies and nonfiction also. Fantasy.”

Spencer was enjoying watching you squirm. You were flustered now. He could see trying to save whatever semblance of a normal conversation there was left.

“Fantasy? What kind of fantasy?” He asked.

“No sexual fantasy…I have Fourth Wing. Have you read it?”

“Dragons and thunder…I have read it and its sequel.” Reid nodded. “But may I ask…how you felt about the throne scene?”

He was torturing you now. He watched as your eyes went wide and your breathing halted just enough to notice.

“I…uh…Spence…you’re doing this on purpose.” You said softly.

“Am I? I’m just curious.”

You raised an eyebrow, “Are you?”

“Very…” He nodded.

He watched you bite your lip. The conversation had taken a sharp turn and now you were staring at each other, both quiet. You wished you knew what he was thinking about.

“Do you want to get out of here?” Spencer finally asked.

“Yes”. You agreed.

He stood and held out his hand for you. You took it and slipped out of your seat, following him out the door. You felt anxious as you walked out into the cold air, cautiously looking up at him.

“Did you drive?” He asked, looking back.

“No…I came with (your mutual friend’s name).”

“You should probably tell her you’re leaving.” Spencer smirked.

“I can text her.” You blushed a little as you arrived at Spencer’s car.

You turned to face him as he opened the door for you. It was only now that you realized he was so much taller than you. All the time working with him at the university and you’d never noticed. He stepped closer and slid a hand around your waist.

“Can I kiss you?” Spencer asked.

Your brained seemed to short circuit, unable to form words, so you nodded almost too enthusiastically. Spencer leaned down and cupped your face, kissing you gently. The feel of his mouth on yours was dizzying. You weren’t drunk but you felt like it. He pulled you a little closer and you welcomed the feel of his body. After a few long moments he pulled back leaving you aching his touch. He gazed at you, stroking your cheek gently.

“Still want to go home with me?” He asked.

“Yes” Was all you could managed, still seeing stars.

Spencer helped you in the car before closing the door and running to the other side. You watched him get in and start the car.

“Don’t forget to text (your friend’s name).”

“Oh, right.” You reached for your phone and sent a quick text letting them know you’d found a ride.

They sent a reply with eggplant emoji’s and water droplets. Thank God it was dark because your cheeks were red at the idea of them knowing who you’d left with. The man you’d confided in her to having a crush on from the minute he’d walked into your life. As he drove you pulled your sleeves over your hands and fidgeted with them anxiously. You couldn’t have possibly expected him to not notice. He reached over and laced his fingers with yours.

“You play with your clothes when you’re nervous.” Spencer said, glancing at your hands.

Of course he’d noticed. The many meetings you’d sat in together, the times you’d been in the elevator together alone, the time he’d come to you asking for your opinion on a case, he’d seen it every time he was near you. You looked up as you felt the car slow to a stop. He put the car in park and you both sat for a moment. Finally your eyes met his. He gave you a soft smile.

“Do you still want to come inside?” Spencer asked.

“I do.” You answered.

He nodded and got out of the car, coming around to open your door and helped you out. Her nerves were started to become more noticeable. You didn’t do this. You never went home with guys. Especially not guys you worked with. Especially not anyone with an IQ of 187 and read books on ancient erotica. Spencer took your hand and led you into his building. Once in the elevator you chewed at your lip, your fingers linked with his as he pressed the button to his floor.

“Are you okay?” Spencer asked, reaching up to brush your hair behind your ear.

“Spence…you need checking on me. I’m fine. I’m sure. I promise.” You said, standing on your toes to kiss him.

He cupped your neck, returning the kiss. He was gentle and soft. You could only hope he maintained that once you were in his apartment. The elevator dings upon arriving at his floor. He pulled away reluctantly and you stepped off, making your way to his front door.

“I’m slightly surprised we aren’t stumbling down your hallway, too impatient to get inside.” You joked.

Spencer slid his key in the door, “We could have been but you deserve more respect than me just trying to fuck you.”

Your jaw dropped, surprised. “Spencer Reid said fuck!” You smirked.

“I’ve been known to swear on occasion.” He replied, letting you inside.

You stepped inside the apartment, looking around. He closed the door and locked it.

“So…what now?” He asked, stepping closer to you.

“Spence…we both know what’s going to happen…but can we pretend for five seconds that you’re not thinking about undressing me and be making obscene sounds shortly thereafter?” You asked, taking his hand.

“Well now that you’ve put that image in my head…it’s going to be hard not to.” He smirked.

“You mentioned you had books. I want to see the collection.”

“The lady gets what the lady wants.” He replied, leading you to his bookshelf.

It seemed to overflow with classic literature in many languages. You looked at the titles, a few familiar and many you’d never seen or heard of. Then your eyes caught a familiar gold cover. You smirked and pulled out Fourth Wing.

“You really did read it.” You smirked.

“You and Penelope wouldn’t shut up about it, I was curious what had you so worked up. It’s not my thing but it peaked my interest.” He replied. “Especially chapter 48 in Iron Flame.”

You froze, knowing exactly what he was referring to. He leaned in close, his breath hot on your skin.

“My house. My chair. My woman.” He whispered.

You looked up at him, your mouth suddenly dry. You had forgotten he’d mentioned the throne room scene.

“You…um…you know the exact chapter.” You stammered.

He smirked down at you. “Of course I do. You never told me how you felt about it.”

“I mean…obviously it’s hot.” You turned to face him. “What woman doesn’t want a man worshipping her on his knees on a throne.”

Spencer raised an eyebrow. “Is that what you want?”

“Do you have a throne?” You asked.

“Not quite a throne, but I definitely have a chair we can pretend is a thrown.”

You licked your lips as you felt your pulse rising. You felt hot again. You knew why you’d come to his apartment and now was the time you stopped pretending it was innocent.

“Show me.”

Spencer gave a soft smile and led you to his room. It was neat, bed made and everything orderly. Your eyes fell upon a gorgeous leather chair near the window. It was the perfect reading chair, but tonight it was going to be a throne for him to worship you on. He walked you over and you admired it. You could see it was tall enough that your feet might dangle if you sat down, and the leather was soft. God forbid you dig your nails into it and mark the leather.

“Are you sure?” Spencer asked from behind you.

You felt his hands sliding up your arms, stroking your biceps gently. His breath was hot on your neck as you leaned back into him.

“Yes.” You said, eyes closing when he kissed your neck.

“Then sit down.”

You swallowed anxiously, turning to face him before sitting down. You could have sworn his eyes darkened just a bit as he moved to the floor. Surprisingly the chair was the perfect height for you to be face to face. You pulled him against you and kissed him. His hands ran through your hair and down your shoulders. You knew exactly want was coming. He pulled away and removed your shoes. As his hands moved to your jeans you feel your pulse racing and your breathing quicken. He pulls you to the edge of the chair and tugs them down your legs. The air conditioning sends goosebumps over your skin as Spencer looks up at you. His eyes met yours and you forgot to breathe. He didn’t look away as you placed kisses on your legs, creeping higher and higher up your thigh.

“You’re so gorgeous.” He said, stroking your opposite thigh. “God, you’re perfect.”

You bit your lip, having trouble forming words. All you wanted was for him to devour and absolutely worship you. His hand slid over your hips and to the top of your underwear. The second they were gone you knew you’d never be able to recover. You ached for him. Slowly he slid them down and you watched him carefully. Spencer’s eyes darkened even more at the sight of you bare before him. He could see the moisture pooling at your core and he was instantly rock hard.

“Last time…you want this?” He asked.

“Last time, yes.” You panted, “Please, God, just touch me.”

Begging wasn’t something you’d thought you’d be doing but you were desperate. He nodded, moving one leg to sit over the arm of the chair and the other over his shoulder. You nearly came as his tongue slid through your wet folds. You let out a loud gasp, your head falling back against the back of the chair. He swirled around your clit, toying with it gently.

“Spencer, fuck!” You moaned, nails digging into the leather.

He smiled as he continued his actions, lapping up your juices. His hands held you firmly in place and you squirmed under his.

“Don’t stop, please.” You whimpered.

Spencer watched you coming undone, enjoying every second of it. Watching your breathing catch when he licked your clit. You moaned even louder when he slid a finger into you. It was nearly enough to finish you. Your hand moved to his hair and you tugged at it, causing him to groan against you. The vibrations only added to the pleasure. He added another finger, pushing you closer to the edge.

“Oh, fuck, fuck, fuck…” You panted, so close to cumming.

Spencer felt you clench around his fingers and you moved them faster. His tongue massaged your delicate folds until finally you couldnt hold on.

“Spence, oh, fuck…” You whimpered before coming undone.

He smiled, working you through it. Finally you could breathe again and you looked down at him. He was just watching you, stroking your thigh gently.

“You okay?” He asked.

“More than okay.” You blushed as you sat up.

“How was it?”

“It rivaled all the fantasies I had about being worshipped in a thrown”. You admitted.

[zhuoyichenpretty]

Ep 25 Commentary

“難受嗎？難受就對了[...]卓大人，你習慣就好。” Is it difficult to bear? Good [...] Zhuo Daren, you'd better get used to it. ���Zhao Yuanzhou, Ep. 1

Oh my god what the fuck ep 25. Ohhh my god. I don't think I ever stopped going "holy shit oh fuck" for the entire forty minutes. My head is in my hands. Why is FoF experimenting with onscreen physical/emotional/mental whump at a frequency and intensity previously unknown to man? To my favorite character? 我前輩子得罪了誰？？(Who did I wrong in my previous life??)

Quote from ep 1 because I had just re-watched it earlier in the day and those words came back to me not with any particular use towards interpretation but just as a characterization of—all of this. It is indeed difficult to bear.

Spoilers incoming.

Also spoiler for how I feel about this episode in case the sound of me wailing in lament in the distance makes it unclear: It was probably one of the most effective episodes for me thus far, personally. It struck many, many chords and did not stop for breath at all.

Honestly I'm kind of at a loss for words because I really, truly, did not expect shit would get so much worse for ZYC so incredibly rapidly. The speed with which the situation deteriorated broke the fucking sound barrier (I'm exaggerating, I'm being dramatic, but jfc I wasn't prepared). I apologize in advance if any of my reactions become a little bit repetitive, there are only so many ways I can express continuous distress and shock and despair.

My stomach dropped during the watchman attack scene. I can't believe how effective it was for me, this moment coming at the heels of ep 24, how that episode was a whole meditation on the goodness of ZYC's heart, his gentle and sensitive nature, the reasons why everyone loves him, the way things are bad but they will not break us and we may lose heart individually but we will persevere together.

And then in one single moment, all of that is threatened and very nearly destroyed. I felt every one of ZYC's dry heaves.

This drama is not one I necessarily go to for subtlety of intention, so the fact that I really had no inkling how at-risk ZYC's irreproachability would be in the coming episode despite being very invested in his arc made it all the more shocking and well-done, personally. They set him up as high as they could so they could tear him down as thoroughly as possible in an instant, and I did not notice the set-up at all.

I also have to say, I really appreciate PSJ. How quickly she cut to the chase about what he'd seemingly done, how she'd said the things that aren't just hard to hear but also hard to say. Because that's exactly what ZYC will care the most about. It seems to me her righteousness helped keep his own intact. In such a moment of complete and utter vulnerability and devastation, her moral clarity is as terrible as it is necessary and true to ZYC's belief system, just when it is most susceptible to collapse. And I say this not to mean that I think he is culpable for the supposed attack, given how much discussion the show goes into about culpability or lack thereof when not in one's right mind, but just that I find PSJ's moral compass to most closely align with ZYC's beliefs as he has been carrying them out throughout the show, and she keeps him from contradiction in a moment when it may be on everyone else's mind to spare him from the double-edged blade of his own righteousness. (Also, I may be reading too far into WX's statement later on that PSJ protected ZYC with her decision, but it could be interpreted that WX agrees or understands that as well on some level.)

And the fucking fact that all this takes place in front of a shrine for the Righteous God of Virtue and Blessing. As I said, I'm speechless.

(Speechless, she says, as she continues to ramble.)

Ouughhhhhh the reversals. ZYZ draping the cloak on ZYC this time. Fuck. The dungeon. Oh god. The way ZYZ loses more and more of his facade of calm, even just from his somewhat tense but understated distress in ep 24 to this unblinking, almost unseeing stare at ZYC in shackles.

Also, I'm glad for the moment PSJ and WX have to themselves once ZYZ proves ZYC's innocence. The way we get to see them navigating a situation so dire together despite its potential to push them utterly apart. PSJ's near-silent delivery of "friend" fucking kills me. It's loaded with so much emotion that neither the voice nor the term can truly handle that weight. That's art to me.

And then oh god, the Tianxiang Pavilion scene. I don't even know what to say. How everything spirals completely out of control. How we literally watch ZYC's worst nightmares play out. WX's first shout, the way I don't feel like I've heard that particular shade of emotion in her voice up until now, even with everything they've been through. Honestly, each of their expressions as the mob began to jeer and before they were separated was so effective. Ying Lei's indignation, PSJ's alarm, ZYZ's agitation, WX's fury. And the palpable panic as the crowd surged around them and pulled them apart.

I've watched this whole scene three times now. Every actor is giving their all here, and it's so impressive because this isn't at all the usual context of their angst and heartbreak. This isn't a decisive battle over life and death. The range of tragedy stretches so far in this kind of fantastical drama and yet they are able to create such tension and emotion that the shock of that first egg thrown has all the impact of a fatal wound. And it's worse in some ways because it means so little to an outsider and everything to this family.

That rage and helplessness in WX as she wipes ZYC's face and asks who threw it, when she says if the crowd goes any further, they'll fight back—her delivery is so raw. When I heard her lines, I felt the fantasy genre completely slip away for a moment and it became absolutely personal. Like, this point is getting a little away from mere commentary so please forgive the brief aside but those are words I can hear in my own family's voices.

Then, watching the very last vestiges of ZYZ's composure fully crumble away in real-time. God, I wish I could say something more substantive about ZYZ's entire reaction because it's so so good but I'm feeling levels of angst I truly don't know how to convey, which is really saying something given how much of an essay I usually write despite claiming I'm speechless.

Just. The way this is the most desperate and near-breaking we have ever seen them, in a completely different manner than the grief that has come before.

Alright, and then, the juxtaposition of the mob and the cheering crowd around ZYC?—yeah, that's when I started sobbing. As I've said before, the effectiveness, the efficiency, of TJR's acting. The way we can read every emotion off of young ZYC's face: his awkward pride, his self-consciousness, his bashful happiness. Even though this is a memory only recently and fleetingly alluded to in the previous episode and this is a ZYC we have never actually met, we know him and all his mannerisms and expressions so well. He is so alive with his character and so familiar, and then we cut back and, god, how unrecognizable everything is now. That absolutely broke me.

Finally, ZYC and Li Lun's conversation. Again, so so good and again, not sure I can offer much substance in my commentary to do it enough justice. I've been writing this commentary for over three hours now, so if my coherence is petering out, I do apologize.

This is so much of what I wanted and didn't even know I wanted from them, simply because they've been kept apart by the plot for so long. To see some of this come to pass is so satisfying. For Li Lun to claw so desperately at ZYC and try to bring him down, what that means about how he views ZYC's role in ZYZ's life right now. That this is twofold, to ruin ZYC and to be understood, and how he can never get the latter if he is still holding onto the former, wanting to pull others into the abyss rather than seeking a way to perhaps be pulled out of it. Li Lun is so precise in his brutality towards ZYC, digging his fingers directly into the worst of ZYC's fears, and yet ZYC is so insanely clear-eyed and incorruptible and incisive with his words in a way Li Lun has never experienced or had to combat (ZYC, articulate king fr). And for all of Li Lun's bluster as he continually makes to take the physical and conversational upper hand, how quickly that becomes a pitiful immaturity when ZYC truly fights back (in defense of ZYZ). Yan An plays this part so well, when he's looking up at ZYC.

And seriously, talk about ZYC delivering just the most on point monologues to struggling characters ever (ZYZ, Bai Jiu, now Li Lun), and doing all that after the day he's had?? To be honest, I don't know what direction this conversation will push Li Lun. I can see it go either way because yeah ZYC just basically rubbed in his face how alone and pitiable he is and how he'll never get what he wants out of ZYC, but at the same time I've never seen Li Lun so close to understanding why he has ended up alone, nor look so desperate enough to not be that he might end up making a different choice for himself. And just as Li Lun is that mirror showing ZYC the darkness of the abyss, ZYC must be reflecting to Li Lun how bright the dawn could be. (Oh the inextricable nature of character foils.) Even though ZYC has denied Li Lun the understanding he wants, he has seen through Li Lun so thoroughly that that is an understanding in itself.

And then oh my god. The reverting to Bai Jiu's voice and body. One of the most top-tier narrative choices ever. Li Lun, deconstructed by ZYC completely, is really so unbearably young in his heartache.

Okay, I think that's all I have to offer. I'm so wrung out, and I apologize if the quality of the commentary declined in the second half, but I hope some of this was enjoyable to read!

[naamahdarling]

What are the elevator game and Three Kings?

They're modern folklore/urban legend ritual games games akin to Bloody Mary, spread by creepypasta memes across the internet for thrills and chills. (I actually love creepypasta. There's some excellent horror in the genre. Ted the Caver and Candle Cove are both super cool, those aren't hard to find.)

The Elevator Game supposedly originates in Japan or South Korea, and involves getting into an elevator and pressing the buttons in a certain sequence in order to reach a surreal otherworld, with dire consequences should they fail to follow all the rules. It doesn't have a goal or reward, just the appeal of accessing a creepy alternate reality. It's a fairly popular bit of modern folklore and I enjoy it for its modern yet classic feel and its specificity. This is a game that it is actually feasible to play, unlike a lot of other modern creepypasta ritual games, which can be very complicated.

The Three Kings Ritual is another creepypasta ritual game, and it's a fucking banger. I HIGHLY recommend you read it in full.

It has a great name, great symbolism, a creepy as shit setup, and a genuine chance, I think, at getting something fucked up to happen (in the sense that you could very easily experience some trippy visual distortion and possibly some auditory stuff as well from the white noise of the fan).

It genuinely put my hairs up the first time with these bits (the bolded and italicized bits are of particular note):

Place one chair in the center of the room. ....Place the other two chairs exactly to the left and right, facing your throne. The distance between your throne and that of your queen and fool should be about the length of your arm to each side, more or less. Place the two large mirrors on the queen and fool chairs left and right of you, facing you (and each other). Try your best to have them stand at a 90 degree angle (or else you may get more or less than three kings). If you sit on your throne facing straight ahead (north), you should be able to perceive your own reflection in each of the two mirrors without actually having to turn your head nor your eyes to do so. If you see your own reflection in the corner of your eye, just barely there, then you've done it right.

So you can see how this would lend itself to seeing things. Mirrors are already creepy. With a small light in a dark room, it gets worse. This isn't about a demon or vengeful spirit, just...presences, which is much creepier to me because on some level it feels more plausible.

Look straight ahead, at the darkness. Not at the candle, not at the mirrors, just straight ahead. Eagle-eyed readers surely noticed I didn't say during setup which chair was queen and which chair was fool. That's because it's your job to find out. And from their point of view, you are either their queen or their fool, too. Hence three kings.

Fucking hell.

Again the goal is nebulous. The original text leaves so many things unanswered. Are we to converse with these entities, to ask questions? What the actual fuck happens if you get the angle wrong and get more than two spirits?

All I know is that I am curious. This is absolutely my favorite ritual game.

[manicpixiefelix]

head, heart, hand. {Felix Catton/Reader/Oliver Quick}

Part 26.

Summary: In which you and Venetia finally discuss the thing you've been avoiding all Summer since Oliver arrived. You finally get the truth from her, and wish you hadn't. Still, you finally offer the truth to Felix.

{ masterpost }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.

A/N: 3101 words. where have i been? don't worry about it. where have you been? anyways i hope you want some drama to sink your teeth into. went into a much different direction than the chapter outline i had for it. unedited, but would love to hear from you guys as i'm getting back into it!

TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)

----

Things have been quiet since Farleigh left. Was sent away. Whispered gossip and speculation between the Catton siblings and Oliver that you feel too strange to indulge in, and an ache in your chest that you feel like you're not allowed to talk about. For all his disappointment regarding Farleigh's betrayal of the family, Felix knows your own hurt runs far deeper than you will ever let on. Yes, the two of you fought often, and in time you all knew he'd be back, but this conflict had made your bond especially fragile, and in his absence you feared it may never again be what it once was.

And Oliver seems to pick up on it too.

"Are you going to prune all of his flowers too?" Oliver asks, sounding so casual, but his words catch you by surprise, and your expression drops as you turn to him. It's late, in the study together, and he's got one of your botany books open in his lap.

"Whose flowers?" You know who he means, but hate the very thought. You hope you'd misheard. You hope you're wrong, but you're not.

"Farleigh's."

"What makes you think that?" You ask, turning back to the textbook in front of you, laying open on the desk.

"I just mean... well after trying to go under the Catton's noses like he did," Oliver shrugs, like he can't see your growing upset at the reminder, can't see how your face has fallen. This Summer night feels so cold; many have since Farleigh had left.

"No," you tell him faintly, turning to the next page of your book, heart beating uncomfortably in your chest, "he's still family."

"Oh," Oliver doesn't say much more about it after that, nor does he stay all that long either.

"Zinnias," you murmur, face still turned to your book, when he goes to retire for the night. Oliver gives pause, and you tell him, "Farleigh's flowers are the zinnias; they look a bit like a sunset." Oliver doesn't have much of a response, other than telling you goodnight, but you weren't sure what you had been expecting otherwise.

He's somehow even quieter than usual in the wake of the scandal, but he clings to you and Felix now more than he doesn't, and you find yourself clinging to him too. He's been good enough to not bring up Farleigh's departure around you either, though he has taken Farleigh's usual seat beside you at the table. Honestly, you don't really mind; you'd rather that than the emptiness continue to remind you. Surprisingly it's Venetia who seems to have grown wary of him.

"You and Feef must be pleased," she languishes, her back against you in the bath next to her own room, perfumed steam turning golden in the candlelight, "mummy and daddy both like this one."

"Please don't talk about Ollie like that," you sighed, chin on her shoulder, arms wrapped around her, holding her close.

"Daddy called him 'an intriguing, well-read, young man' the other day," Venetia continues as if she hadn't heard you at all, "and mummy called him charming and thoughtful, and much better than 'the last one'," she offers candidly, "she just liked that he liked my brother, I don't think she ever really cared for Eddie himself much," she leans back a little against you, and turns just enough that you can see her smirk at the corner of her lips, "you didn't either, did you? Even before everything happened between me and him?"

Lowering your face, you pressed your lips to her shoulder firmly, taking a moment to compose your thoughts before diplomatically telling her that Eddie didn't matter anymore. It does you no good to ask her why she's bringing this up now, but you still ask. As expected, Venetia ignores the question.

"Where did Eddie go after he was cast out? Rude, by the way," she adds, "he was fun," her tone is so jarringly light, though you know part of it is just to get a rise out of you. You don't take the bait.

"That was your mother's decision, not mine," you offer flatly.

"Did you have him killed?" Venetia's glee at the very idea was downright malicious, playing at sounding scandalised. You don't even want to humour her with a real response, just giving a flat, side-eye, "oh, don't give me that look, I'm sure your parents have plenty of people killed all the time."

"They don't -"

"Or they're just not telling you about it," she shrugs, pondering for a moment, "I think our family could get away with murder given the right circumstances, you know? But I could definitely see Pearl having critics murdered for negative reviews on a whim all the time," at her mention of your mother, your face scrunches up. Unfortunately she did have a point, but you hoped your parents, for all their sins, weren't actually that petty and vindictive.

"You're more my family then they are, Ven," you choose instead to say, and Venetia hummed, taking one of your hands beneath the water, lacing her fingers with yours.

"That's sweet as long as I don't think about it for more then a second," she giggled, tipping her head back against your shoulder, turning her face to yours with a mischievous smile, "but that still means you get one, and I'm asking if you and mummy had Feef's ex-boyfriend murdered and buried beneath the flowers in the fairy garden."

"If we'd had Eddie murdered - which we didn't - I wouldn't have had him used as fertiliser in the fairy garden," you tell her firmly, "my flowers deserve better than that." At that, Venetia snorted a laugh, leaning forward to grab her body wash. Sliding seamlessly to the other end of the tub, she begins to methodically wash herself, starting with her arms. There's little else to do but watch her; you don't want to encourage this conversation if you could help it, but you're not sure where to to go from here.

"He was really quite ghastly, wasn't he?" Venetia says suddenly, not even looking at you.

"What?" Your tone is immediately sharp.

"Eddie; he was awfully cruel to Felix," she elaborates casually, like she's completely unaffected by the sudden intensity of your gaze, "not outwardly," she muses, pausing in her scrubbing as she finally meets your gaze, her own thoughtful, "but, like, insidiously, beyond even cheating on him."

"With you," you remind her harshly, but there's an insistent earnestness in her expression that you really hadn't been expecting as she continues.

"With me, yes, but that's the thing," here she gives pause, as if searching for the right words, "he never talked about you or Felix," she finally says like she still can't quite believe it, "you I suppose I understand, but honestly it did always, I don't know, I suppose it irritated me how little he talked to you or even about you, even when he was around you. But it's like Felix didn't even exist either when he wasn't around him," with each word she speaks, her expression falls just a little more. This is all making you feel rather ill; you can't even bring yourself to want to try and comfort Venetia in some way as she seems so helpless and small with her thoughts fixed on the memory.

"I think I wanted to prove that not everything revolves around my brother," she admits softly, "but I suppose it would always be easy taking something he never really had." Her voice is so small when she turns her far away look upon you, "Eddie never really loved Felix, not really," it's not a question, "there was no regret about hurting him," she mutters bitterly, gaze drifting again. Venetia barks a rueful laugh, "you know he apologised to me? I know he's not dead," she admits, "he called after landing in America before I thought to block him, Summer wasn't even over, he didn't even mention Felix let alone ask if he was alright. I was fine!" She laughs angrily, and when she looks back at you, there's tears in her eyes, "but Felix was -" but it catches in her throat, and it's like she finally sees the hurt and anger in your eyes with all she's admitting to. Immediately her gaze drops, apologetic and self conscious for her self involved outburst given the circumstances; she knows she's not the victim.

Felix was shattered.

Venetia clears her throat suddenly, looking away. When she speaks, when she tells you that she knows you warned Oliver away from her, her tone is forcibly bright. But you can't speak. You don't want to be here, don't want to be around her right now. All of your suspicions about Eddie had been right in the end, and now she had to go ahead and bring up Oliver.

Venetia says your name softly, but you stand.

"I can't do this tonight, Venetia," you tell her coldly. It's a strange feeling, to hear her protest, to hear her almost beg for you to just look at her, but you can't do this tonight. After Eddie, you'd iced her out for the rest of that Summer, but she'd seemed contented; she'd won against Felix and so you were not required to keep her entertained. You'd never stood up to Venetia in any way that mattered before.

"Please," it comes out so small, so fragile sounding. Towel wrapped around yourself, you turn, expression hard as you're able to manage.

"Why?"

"So you do know he's lying," she mumbled uncomfortably, then, "I don't know," Venetia admits after a very long silence. Clutching the lip of the ornate tub, she looks almost like a child again, looking, for the first time in your memory, guilty.

"Is it just like last time? Taking something from Felix?" You accused, finally feeling that anger, that resentment beginning to burn in you, "was it better?" You hissed, "when you realised Ollie actually loves him? Or was it worse?"

"I thought if I could get him to look at me the way he looks at you, it'd prove he doesn't really love you," Venetia blurts out. Her gaze is on the floor, and you've gone entirely still. The next words she speaks are biting, full of frustration, "I hate him. I hate the way he looks at you. I don't care how he looks at Felix, everyone loves Felix."

Oh, there is was, unspoken behind her words. As long as Felix, and only Felix, had your heart, she knows she'll always have you around. If Oliver manages to steal your heart, she's afraid that you'll choose him, and she and Felix will both lose you. Her understanding of it all is childish at best; can't she sees that you're capable of so much more than that. You've never conformed to binary choices like that; doesn't she know you better?

"I'll never forgive you if you fall in love with him," she tells you as you reach the door.

"You'll learn to live with it."

With each step back to your room, that hollow feeling in your chest keeps gnawing at you from the inside out. Shielded from the world by only a towel, you feel, for the first time in a long time, you feel too exposed as you roam the halls of the Saltburn Estate. Farleigh had called you spineless, said you'd let Oliver break Felix's heart, and now he's gone. Venetia had so hated the idea of anyone else loving you that she'd tried to facilitate that heartbreak herself, and now you're leaving her behind. All this for Oliver Quick, for the idea of a boy who might love Felix the way you knows he deserves. But even so, Oliver had been party to Venetia's cruelty against you and Felix, had lied about it, had made you complicit when you'd seen through that lie.

Anything to make sure Felix was happy. That's how you justified your own, whether it be indirect or not, cruelty to those around you. But he'd hurt so much more in the long run; the writing was on the walls.

The moment you step into his room, he turns, surprised. He's on the balcony, half folded into one of the wicker chairs, reading and smoking and looking like a dream. Before you even say anything, he knows something is wrong. When he asks, you can't answer, moving almost robotically to change back into your pyjamas.

"I think I need to talk to Ollie," you mumbled without thinking when Felix takes your face in his hands. You barely see him, still stuck in your own head. He frowns, asks why, asks what's wrong, and the care in his voice brings you out of your trance-like state. Swallowing hard when you finally look him in the eyes, your resolve begins to crumble, "I want to know why he did what he did before I tell you," you admit, voice barely a whisper. Felix's expression darkens for a moment, and his hands move from your face to hold you by the shoulders. It grounds you, but the look in his eyes makes your heart ache.

"What did he do?"

"It's different from last time," you shook your head, already trying to soften the blow for what you're about to admit, "Ollie actually loves you, I don't know why he did it." Pressing your forehead to his shoulder, you can't bring yourself to look him in the eyes in this moment.

"What did he do?"

"I need to know why he did it," is all you can manage; you can feel yourself beginning to break, "I need to talk to him, I need to ask, I need to know, because that's the only fucking piece left; why?" Pulling back, away from him, you sink down onto the end of the bed, your face in your shaking hands.

"I know why she did it," you finally admit, "I wish I didn't, but I do. I hate her," comes out through your teeth, bitter and anguished all at once.

"Venetia?"

"They've been lying to you, Felix," you choke out, "been lying to your face, because they love you." All you can do is hope that it's true, "it's why she did it, she couldn't stand the thought of someone else loving me, because she thought if I loved him back, I'd choose him over you, and she wouldn't have me around anymore."

"Vee and Ollie?" Felix already sounds heartbroken when he whispers the words. Without looking at him, you nod. The awful, ugly truth, finally, "and you knew?"

"Ollie pretty much admitted it when I didn't believe his lie; he knows I trust Farleigh with my life," you breathed, finally looking up at him, apology in your eyes. Felix looks as though his world is crashing around him. Again, "since I was the one who saw Ven and Eddie together last year, not him." Felix's eyes go wide at this, stepping back, only to starts pacing, scrubbing his hands over his face.

"Why didn't you tell me you didn't believe him?" Felix huffs as he tries to process everything.

"Because I've been trying to find a way to make you believe that what happened isn't like last time."

"But it is!" Felix finally snaps, stopping dead, "I don't want to do this again," his voice cracks, and when he turns to you, there's tears in his eyes, "how can you say it's not?" It's almost pleading, desperate for any kind of hope.

"Because he loves you!"

Immediately, both of your eyes are on the door to the bathroom, holding your breath, fearing Ollie himself may have heard your outburst, may be listening in. You're fairly certain he's not, but your heart is still in your throat.

"I know he loves you, Felix," you finally breathe, hanging your head, "you know he loves you."

"Then why would he -"

"I don't know," you reiterate, desperately, "it's why I need to talk to him." In the quiet, Felix takes deep, shaking breaths, before he sits on the floor before you, legs crossed, his forehead braced against your knee.

"I don't want you to go through that again," you tell him softly, sincerely, carding your fingers through his soft, dark hair.

"We could run away," Felix whispers faintly, echoing words you'd spoken to him just a week ago, when you'd been first dealing with this whole situation and hadn't wanted to admit the truth then either, "like you suggested; get a flat in London, never go back to Oxford, never speak to any of them again," when he looks up, resting his chin on your knee, you see the sadness in his eyes despite his soft smile, "just us."

You both know it's an impossible dream, but still, you huff a soft laugh, your thumb brushing his cheek as you cradle his face tenderly.

"Okay, just us; that's all I'll ever need."

His smile grows just a little wider, leaning into your touch and this moment. But the moment, the idle dream, it has to come to an end. Felix's face falls once more.

"You love him," he sighs gently, mouth pressed into a thin line, "I love him, Y/N," he sounds so helplessly, "I wish I didn't, but I do. I love Oliver Quick, and he's going to break my fucking heart, isn't he?"

"He loves you too, Fi," you assured him gently, "that's why he lied, why..." you take a deep, guilty breath, "why I didn't tell you."

"What the could he even say to salvage this; you warned him about Venetia. The more I think about it, the more I- I- I fucking hate it. Them."

"I don't want you to talk to him," he tells you quietly, his voice calm and serious as he speaks over your protests, "I don't like that you had to do this, that you felt like you had to do this for me. Let me talk to him."

"Fi -"

"You make me happy," he tells you firmly, "everything you do makes me happy; you don't need to do this. Even if me talking to Oliver doesn't make you happy, at the very least, let me do what I can; I want to make sure you're never unhappy for my benefit. I want you to be happy too, I hope you know that."

All your protests die in your throat.

"I do, Fi."

"Then let me do this. This is my relationship too, you don't have to do all of this alone."

[lj-lephemstar]

Progress Checkup! (Nov. 2024) | Scratchin' Melodii Devlog

​​Hey again guys! Sorry if it's been a bit since the last devlog. With how much I've been up to, it sure feels like it!

Let's get right into it. For starters, the 3rd rival battle of Act 2 is complete! I'll likely be showing a gameplay preview of it sometime soon. This is the first song to use the new framework that I'll be using for all the other stages going forward, which also means I've had to spend the past couple weeks getting the previous songs working with this new system too... Did you know that in the demo builds, if I wanted to change something about the gameplay, I'd have to manually go back and change it for EACH individual song one by one? Well now, imagine all the songs had like a peace treaty to just share one good, clean, and organized system that I can easily tweak and add to as I please. So development is gonna be smoother than ever from here! This is how most games are SUPPOSED to work, but I was a liiittle too stupid to figure out how to do this until recently!

While I was moving Cream Cheese Icing over to this new system, I took the opportunity to make the chart a bit more beginner-friendly! For example, the first line went from this...

To just this!

As you can see, it has less notes, therefore it is less scary for new players. Believe it or not, I actually never intended for Cream Cheese Icing to be so difficult for new players in the first place! Naturally, being too good at my own game can make gauging the difficulty curve a bit tricky at times, but I think I'm figuring it out!​

You may have also noticed that the characters have new UI icons too! I felt like the old ones were too flat and boring, so I did a new take on them, aiming for more dynamic shapes and angles, not to mention how my art style's just kinda grown a bit in general since I last drew the icons. I also ended up leaving out the circles behind them. I was a little worried I was gonna run out of unique colors for all of them at some point, plus SOME of these guys can have really big hair and/or hats that pretty much just cover up the whole circle anyway. (hi rensa)

Speaking of artwork, here's a little look at some of the updated animation I've done for Stir & Mix! (Try to imagine it in not highly-compressed-gif-form. I promise it looks better in-game!)

When working on Stir & Mix related stuff, I can't help but feel a bit of a sense of dread knowing how people may react to it... Honestly, sometimes I kinda wish it never got as popular as it did in 2022. But hey, doing my own thing regardless of what's expected of me is the most Scratchin' Melodii thing I could do!

Speaking of which, Mia learned a ton of new stuff while doing the VOCALOID tuning for the last rival battle we worked on, so we might revisit Stir & Mix's vocals again at some point before release to give it even more style! (By the way, Mia and 2cada are the same person! Sorry if I refer to both names interchangeably! She's been the one doing all the VOCALOID tuning and vocal mixing for the game since 2023.)

Well, I think that's all for now! Here's another friendly reminder that there will NOT be anymore demos of the game. Any new content will be saved for the full game's release. I know I've said it before, but I probably won't stop saying it until people stop getting confused about it LOL. Thanks for reading!! I appreciate you. - LJ

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

[yanmuffins]

Warning: bad english ,sorry it's not my first language.

I read a bit of the link you sent because I really don't know anything about this game 😅 but I think it would make more sense (to me) if the reader was in the rose clan. Since they are good at seducing people, the reader would perhaps react better towards them than the sword clan, aka the blue bloods, who are politicians, CEOs and who would make her think too much of her family maybe. I think it also depends on whether reader wants to compete (secretly or not) with Tim and/or Damian to run the Wayne company .

I believe that she would also be a more interesting pawn for the Roses' clan than that Swords clan because the latter would immediately see that she will not bring many advantages because she's kind the black sheep of the family. They probably already have plenty of people who have connections with high society and so they will be more disdainful towards her because she is ordinary compared to the rest of the batfam.

On the other hand, in my opinion the rose clan will actively try to please her because she would surely be the first access for them to high society. And the clan would probably train her so she can esaily talk to the big shoes and invest on them. In fact , I would really like to see a reader who masters the art of rizz like his father. I think that it would be funny that one day ,she participate in a gala and all the batfam become dumbfound when they see that the most calm and unnoticeable member of their family is now surronded by these haughy people 'cause she's kind of seduce,flatter them before for the benefit of her company.

context &. context.

another team toreador anon!! hello!! (=´∇｀=)

the consensus is that the ventrue clan would shun reader because they are not favored by bruce. while i think this notion isn't incorrect, reader's embrace is more strategic than anything, meaning that it is good that she's not favored by bruce and overlooked by her family. and they can see that is the case when she, daughter of the bruce wayne, traverses gotham freely without a single bodyguard or even a call from her father to check on her well-being when she's out so late.

in other circumstances, she would be disdained. but there's ulterior motives at play, and she's a good candidate.

therefore, they're not counting on anyone questioning her whereabouts or personal life, making it perfect for them to just snatch her up, turn her and introduce her to her new reality as a vampire. but it just happened that now the waynes are worried about the black sheep of the family, which put a damper on their plans.

but i do think she would bloom in the rose clan (pun intended). as has been said, they're experts of seduction. they're actually no strangers to money and status! they may not all come from the top 1%, but even when they're not rich and influential themselves, chances are they are attached to someone who is. but you are right, anon, vampire! reader is kinda is their golden ticket to gotham high-society...

don't want to delve into that too much, but reader will go through many changes after she mets her sire, some before she is turned into a vampire and some after. we will have cunty reader, i promise you. and the toreador is known for being a clan of enthralling, often deadly social butterflies, and it's not uncommon for them to be surrounded by admirers. vampire! reader would learn many things from them.

not that they can teach her anything the batfam would like.

[wildstreetrat]

May I request Graves X Reader? I love reading Graves fics

oh lord me too, he doesn't get enough love

Graves Headcannons

One thing to say: Sassy man apocalypse

This man is so cocky and so sassy it isn’t even funny.

At when you first met and got together hes so cocky and kind of arrogant, he puts on a mask to hide how he truly feels because he is terrified of being vulnerable. He definitely feels like he’s not a man if he doesn’t act ‘masculine’. Although that mask does crack after a particularly hard mission

The click of the front door and near silent steps alerted you that your boyfriend was finally home. It had been a couple months since you last saw him and you were giddy to greet him at the door. You halted however, when he didn’t greet you with his usual ferver and snarkiness and instead just looked past you with sunken eyes. He lazily took off his boots and let you lead him to the dining room. After a hearty home-cooked meal and hot shower, you were sure he would snap out of it and go back to his usual snarky self. Lost in your thoughts, you didn’t notice him open the bathroom door. All clean, he trudged over to you and gently laid his head on your lap. You tried to offer to talk about what was on his mind but he always shut that down, so you opted to just sit in silence and play with his damp hair, scratching his scalp and softly holding him. Muffled cries broke the silence, he had finally let down a wall (one of many but we’ll talk about that later) around you. 

After that instance he still held a lot of walls but showing vulnerability was a lot more common, he confided in you about his feelings and thoughts, lied less to you about his worries and his job

Quite the joker, he strikes me as a guy to play pranks or tell you shitty jokes just to hear you groan or chuckle a little. It fills him with pride when he can get a reaction out of you and even more so when you tell one right back. This carries into to other things like arguments, flirting or even just interacting. He will purposefully get on your nerves just to get you to fight back, finds it like a fun game and will don a shit-eating grin during the whole ordeal, which only eggs you on further. (Although if he does seriously piss you off and you tell him that he will apologize and get you flowers)

Does invite his friends (ahem the shadows ahem) over to hang out, will tell you *most* of the time

You decided that it would be nice to get some grocery shopping done for both you and your boyfriend, and after a couple hours you arrived at the door, you knew Philip would be home as he said he was going to keep himself busy that day with projects or just lounging about, so imagine your surprise when you go to get your keys to unlock the door and a random man opens it for you and a couple others offer to help you put away your groceries while your boyfriend greets you from the couch.

He loves touching you, I think his personal favorites are: hugging you from the back (especially when you're busy doing something, and will just hold you there and bury his face in your neck for a good 5 minutes), holding hands, and CUDDLING big time. Adores every minute of it even if he acts like it annoys him(which he will) and that you asked for it (you didn’t) and you’re the only one who wants to cuddle (you’re not). It knocks him right out too, you'll be having a conversation and then one minute he's responding to you in soft snores.

Very handy around the house, knows how and will fix pretty much anything that needs to be fixed,  Disclaimer: do not call a repairman it will bruise his ego SO bad.

All in all I would rate him a 7/10, a bit annoying but a cutie patootie

[akemiiya]

are you really a flowey fan if you can type u in your browser's search bar and the first thing that shows up isn't undertale.com/alarmclock/flowey

[aroaessidhe]

2024 reads / storygraph

A Dark and Drowning Tide

gothic fantasy romance

a folklorist is chosen as the co-leader of an expedition to find a fabled magical spring for the king, along with 6 nobles

when her mentor, the other leader, is found dead on their boat in the middle of the night, she has to figure out who did it; while continuing the mission through the wilderness and navigating the potential political fallout

and the only one she can probably trust is her academic rival, a naturalist, who she hates

dark folktales & creatures

Jewish lesbian MC

arc from netgalley! out sep 17

putting both covers here because they’re both so beautiful!! (artists: Audrey Benjaminsen, & Erica Williams)

[silusvesuius]

unleashing the same hellscape i did on my notes app here it's my nelvas thinking dump i wrote just for fun and to keep track of what i view them as up 2 this point. Might change my mind on it later on it has a lot of things written in brackets for no reason . it's like ~2500 words long which isn't much but i think i said everything i've had in my mind for now read it for fun if you like to have fun leik me :) And talvas :) And nelothxP

retyping what i said in the tags of those last text posts and rearranging those thoughts a bit: in my train of thought that's been going steady since early 2024 i'm almost certain that neloth might see talvas as the epitome of being morally Clean (before that changes because of neloth's influence over him) and generally pure as a person. pure not used in the Pervert way; neloth is just a veeery big fan of talvas having absolutely no backbone and being very docile when it comes to him. which is r expected traits 4 someone if they find themselves under neloth's thumb as an apprentice, but it being written that he isn't at all catty and defiant to his face is cute. all talvas manages to do is shit talk neloth to others and pray neloth doesn't find out he meant the things he said but also can’t help feeling bad about it, even though neloth doesn't and wouldn't care, if he found out. neloth is happy with being an obnoxious & disgusting person. truly.. him growing obsessed with talvas' docile and innocent nature doesn't necessarily have to add up to him wanting to Taint or Ruin him (and if it happens ((it does)) it's not done on purpose, neloth can't hold that much control and power of his actions in that specific department). he encounters difficulties when he realizes he actually wants that Elven Twink.. it's too far gone to fix anything after he's tampered with talvas' patience and stability, and even then he can't be honest with talvas about anything, because he still wants to hold a great deal of power over him (neloth essentials for survival).

Might be the type to just want talvas to magically(haha) think it's okay that his wizard master desires him and expect that energy right back without talvas actually acknowledging it because it'd make neloth feel insanely cringy and embarrassed.. humiliated.. EVEN. but that's just in a deep deep dark corner of his mind, he isn't stupid. when trying to gain 'access' to his apprentice ("*His* apprentice" is also kinda funny way of viewing his mind too. just cause talvas is working as an apprentice under him neloth probably already feels a concerning sense of ownership over him that makes him feel very good) he can't even make the signs of interest be apparent to talvas because he's insanely inept at being Soft and honest for obvious reasons. he can tell what possibly could make talvas warm up to him even after he treats him like shit for eons but there's no way he's bringing himself to do it (change is embarrassing, especially in their formal dynamic, and especially at his age). so it's a half-assed attempt (actually he's trying his hardest🙄) to try and make talvas be (at least) less afraid of him. not that talvas has any other place that we know of that he "Belongs" to, he just sticks with neloth regardless of anything. neloth watching him as he sleeps ensues . Guys what do i do to make my apprentice let me hit because all of the eye contact i do with him while gripping his arm or petting his knee isn't helping. 

if we were to go back to how that spark is ignited in neloth swamp of a heart, brain… idk, it has to be when he realizes talvas' capability of forgiveness and 'Sucking it up' instead of lashing out at neloth after .. anything, but perhaps physical abuse in particular. neloth a 100% has absolutely no problem putting his hands on anyone, especially someone he sees so often, such as talvas. not that talvas really annoys him (his clear and voiced obedience pleases neloth as anyone can tell), but he just doesn't see it as too much of a big deal. the physical mistreatment that happens once in a blue moon isn't intense enough to scare off talvas for sure anyways. neloth is a bitch so all he can so is smack him at the back of the head (talvas finds it very normal) and slap him if he's feeling festive (something talvas finds kinda extreme but not that it happens often. he sometimes feels like he deserves it, or that neloth is warranted to do as he pleases. he tosses around it being justified or pitying himself, though). May be possible that neloth would realize he Like Likes talvas once he slaps him, mayhaps, for the first time, but talvas' immediate reaction to being treated like that is just sadness mixed with feeling shame for tearing up/crying in front of someone he respects *bishoujo sparkles sfx*. talvas is a delicate soul so he can't hold warranted emotions like that for long, and even tho it's expected of him to be making eye contact w/ neloth in a setting like that, he wouldn't be able 2 bring himself to do it because looking at neloth would make him wanna burst out in tears like a weeeee baby. Booo hooo.. talvas is the 19th century (4th era) damsel that runs out of the ball in tears after no young cavalier invited her to dance. watch this bleed into the most awkward and silent week of neloth's entire life because talvas doesn't even really feel like speaking to him or looking at him, but neloth doesn't wanna brute force the usual respectful etiquette out of him cus he thinks that's just gonna make talvas hurl himself down on some rough rocks at the seashore. Good thing talvas is very spineless and forgiving (especially in relation to neloth… i mean.. who r YOU to not forgive him) so that might just last a day or two. the hurt always stays tho. neloth this is why talvas doesn't wanna smash you.. you might've made some conclusions about what elven twink you like but talvas is just even more scared of you now. was your Pervert awakening worth it. and even if we do backflips and jump thru the point where everything is too far gone for either of them to go back, dude is still too afraid to make out with his apprentice. Deserve. but why though because talvas wouldn't refuse. for what reason? we may never know

^^^ this makes me feel like i love seeing characters i reaaaalllly love (elenwen and talvas in this case) as enigmas in situations where they're confronted with something so ""Intimate"". elenwen's stance on this is final tho cause she's a grown ass woman and there's no way you could reshape her brain. ulfric left her mind plane in SHAMBLES. talvas has more right (in the literal sense) to be erratic or inconsistent with his actions. maybe he likes to be desired. Also i strongly believe that talvas has probably never been in love (for any reason rly but it's mostly him not having actual time for it + not seeing it as something that is important to him at that point in his life)… i want neloth to be his first experience with Love so that it ruin his view on it forever. can't get myself to say he'd be in love with neloth at any point though. From his standpoint it really should feel empowering and 'nice' that neloth wants him in many ways (ew).. cause that's a man with status.. power.. ability to do anything rly . talvas is in no condition to be playing mind games with him or anything tho so don't get that idea. he's not strong enough of a person to be Tricking anyone or to be Playing with anyone's feelings. neloth would be immune to that, too. neloth can just kinda tell talvas is too good and … UNTAINTED. talvas wants to see the best in everyone. too bad he genuinely detests you, neloth.. so: he doesn't actually love neloth but wouldn't be happy to see his tombstone either. SO (PART TWO): if you time it right he wouldn't be against getting Freakkkkyyyy with you okay?but no promises

even if @ some point talvas develops indistinct feelings towards neloth cause of neloth's own incessant weird-mild advances it wouldn't have to mean he just likes old men permanently now. actually it kinda does. i can sorta feel it rearranging his braincells and making him unable to normally interact with people in his age range. he probably already had a hard time talking to others in hopes of developing a friendship just cause he's timid but after neloth's nonstop abuse and Accidental romance mind games he morphs into a whole new type of guy. it's hard to notice at first but he'd probably just start to leech off of neloth's prissy and unbearable personality in a natural course of things + neloth is the only person he sees and talks to on the regular pretty much. < this can just be reworded as just the cycle of abuse and whatnot. if he notices an opening in the abilities and Smarts of another person, especially someone his age/younger, he will automatically see them as umm…stupid. and also insult your abilities to your face if he snaps. he strikes me as the type to be afraid to say what he really thinks (another consequence of being glued to neloth all the time when all talvas does is act like he totally respects anything he says) and gets scared if anything slips out his mouth but is proud in letting the "Truth" be known because he already figured out you're a lesser being than him. he's just cloning neloth's verbal abuse braincells though he would never put his hands on someone. his desire to be mean and see himself as superior stems from neloth always disparaging him obviously.. talvas 4 that reason is very self conscious of his abilities and doesn't rly think he's all that useful or talented. his self doubt then would play into how he doesn't know when to believe what others are saying to and about him.. i wanna imagine that talvas is very oblivious to neloth's weirdo status just cause he partly doesn't even want that thought to cross his mind. i bet everyone but him sees it and finds it gross😕 but nobody in the vicinity is strong enough to tell neloth that he should be ashamed LMFAO. if you would try and even hint to talvas that it's happening he'd never take you seriously and just get mad. he's protective of neloth's image more than neloth himself is; not that people knowing neloth has abnormal sodomistic inclinations toward his apprentice would make his public image worse than it already is (everyone already thinks he's weird so it's not shocking at all) but talvas still wouldn't wanna hear it cause he thinks it's just false. maybe he's just ashamed that he's being brought into the whole thing. also because he doesn't wanna face the reality EJI23JRIO32KJ Well talvas when neloth makes an actual move on you don't say that we didn't warn you.. we're all waiting till neloth's status as an obvious apprentice-pervert becomes obvious to you

even if he's willingly ignorant of the fact he still thinks of the 'accusations' a lot when he feels like it. and unknowingly begins feeling even more uncomfortable in neloth's presence. heart starts beating faster and everything. neloth could come up to him meters away and talvas would still cover his mouth in realization and be like "i knew it… the DB told me but i didn't wanna believe it …..😦 so you really do like young men … and you're in love with me ..😨" *Neloth wakes up from this fever dream drenched in sweat* < neloth doesn't want (obvi) talvas to react that way at any point because he himself would just get scared so they'd just be staring at each other wide eyed. but talvas jumping into his advances isn't what he wants either (that'll also scare him). neloth is still relying on talvas' politeness to let him do as he pleases. but it is impossible for talvas to let it slide without questioning anything regardless so🤷‍♀️ take your few Ls and move on. neloth just wants talvas to sit on his lap. wants to spoonfeed him soup. he's so romantic. he also wants to(sniper on rooftop blows my head to bits). neloth is actually a pretty touchy feely person when he's feeling Frisky (=deranged about talvas). I'm certain his favorite part of talvas' body is his legs. talvas has beautiful young man skipping leg day legs. so nothing special at all but neloth wants to touch them lol.. let your master wizard squeeze your calves and he might just be occupied enough like a kid playing with a fidget toy to not abuse you verbally for 3 seconds. as i said befoar neloth is unpleasant with his touch because he doesn't know how to be soft + doesn't even want it to necessarily feel very 'rewarding' as to not pamper talvas. petting talvas kinda turns into a nervous habit for himself and an instrument of some sort of Reassurance 4 talvas when he wants him to know he’s not mad, for example. non-vebal confirmation. talvas still finds it weird but thinks it’s a charm point too. neloth wouldn't even be against touching him familiarly in front of others but only in a "older male figure" ways ex. touching his knee or putting his hand at the back of his neck (talvas sees it as some sort of disciplinary tactic though). physical touch that matches neloth's age and is enough for it to be seen as not necessarily romantic / overtly weird. 

there'ssssss no saving talvas after such a powerful person gets his hands on him. any will to leave would leave HIM either out of fear or out of attachment and neloth wouldn't just let him go (Alive at least) since he knows the things he knows. if talvas were to escape i'm a Truther of him not feeling in place and wanting to go back cause it's the stability that he's used to. but tbh if he encounters neloth on accident anywhere he's gonna start running. I was drinking tea while writing this and started choking on it i just nearly died writing this are youhappy. anyways, nelvas is a never-ending abusive relationship that doesn’t even have High highs, all it has is low lows. neloth always mistreats talvas for any reason but is never genuinely kind from the heart or out of remorse. .. hmm……yeah. I forgot to type this back out from my posts tags > talvas might just start viewing neloth as fuck crazy and demented after he Finally notices at least one molecular sign of gay attention from him . like ‘Oh wow Master Neloth obviously doesn’t get any female attention or anything cus he’s a sick fuck why does he have to search for it from me Can varona take the hit for me 🥺 *sees her dead body being dragged by the DB* hmm i guess not well i’ll figure something out i guess’ (he doesn’t) also the dialogue talvas has with varona after he steals neloth’s book trying to conjure some bs up will always be so cute to me he’s so defensive and afraid of neloth finding out. Him trying to decipher neloth’s handwriting is cute TOO ik their 19th century love letters to each other would go crazy and make sense to anyone but each other but i’m not gonna talk about 19th century girl talvas x neloth rn it’s too much . what ever. i think i’m done thank you i should just go back to drawing them as grecian pottery red figures or smthj Fun stats for you 4 getting to the end: times the word ‘abuse’ is used: 6

[themyscirah]

Ok game time which 3 series would you just DIE to get a run on ? I'm talking full creative control, can be as a writer or an artist + plotter if that suits your vibe best

My 3 are

Suicide Squad

Wonder Woman

Green Lantern Corps/Green Lanterns

(in that order)

[orcelito]

Wild that anytime I post an update a lot of people read it and are even excited about it and have their own thoughts and reactions to it that I'll never know.

Comments are only the very tip of the iceberg with it. And I am Very grateful to commenters for letting me in on it. But in the same way that I'll be excited with my friends when a fic we love updates, it's likely that Other people enthuse with Their friends when my fic updates. And it's just so strange. An experience I'll never have access to.

Everyone's relationship with my fic is unique. So many different people with so many different circumstances and preferences... and the number of people that have told me that my fic is one of their favorites, some even saying it's their Favorite favorite... every single one of them have their own relationship with my writing.

It's just interesting to me. I think and think and think on my writing. I have my plans for basically the entire fic, the way I want it to end already thought out, all the major plot beats and the relationship progressions, All of that thought out. I love my writing so very much, but I'm on the inside looking out. This is my mechanical horse, and I'm in here laying out the groundwork and pulling levers and constructing limbs, puttering away making the horse move. Forever and always, my relationship with it will be more intimate than anyone's, and yet more clinical. Because I know it better than the back of my own hand, but I'll never have the experience of reading it fresh. Of reading it without knowing everything that's going to happen from now to the end and beyond. I won't have the thrill of the plot twists I have planned, the delight at seeing things progress, the horror at seeing things go wrong...

This is my mechanical horse, and I'm making it move.

I just always wonder what it must be like to see it from the outside. I hope to others that it's a pretty horse.

[kn11ves]

my comic is live right now!

kyle and rex is an absurdist drama set in a stagnant afterlife where everyone lies, cheats, manipulates, and hurts each other in order to gain political power and admiration from the public.

with characters constantly haunted by ghosts of the past, trying to stay on top of the food chain despite constant betrayals and having their secrets held up above their heads, comes back kyle, from his long stay back as a guiding spirit on earth, to take back reigns of the throne in the inbetween. though much like everyone else, hes got a long list of dirty laundry that many are aching to reveal. there are no real friends here.

⸻

updates every 2 weeks, at 6:30 pm central US time! (SP & ENG)

WEBTOON: english link + spanish link

TAPAS: english link + spanish link

FANEO: spanish link

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.