#i taught him well

[honeygrahambitch]

I can send my dad the bloodiest Hannibal gifs and his reaction will still be "puppies"

[etrevil]

My friend knows nothing about bsd other than it has a lot of underlying queerness and that Dazai meow-ed for a man once

[portrait-of-the-jaded-dawn]

My dad was telling me about a Twitter thread he saw of people answering "the greatest metal riff ever" and he was disappointed in everyone naming the same Slayer and Metallica riffs. And then he's like "I'd have to pick either a riff off Slit Your Guts by Cryptopsy or the one riff you always talk about in Liege of Inveracity by Suffocation".

[thekenobee]

Bilbo the Cat + Russell Crowe

[kimo-the-bloop]

me and my brother rn (mario oddesy)

kimo: okay archie, so you won't jump off the edge and yell "i love lean" anymore right? archie: right 5 seconds later archie, flying down the building: I LOVE LEAN!!!!!!

[chaotic-trash-goblin]

is the dog in the pic a certified goblin?

he can be your angle

or your devil

he usually chooses gremlin mode tho

[technically-human]

I loved your pic of the boys dancing so much. Any chance of getting to see them dancing in different styles together?

Tango, odissi and minuet!

ko-fi

[inbabylontheywept]

Would you mind sharing the psalm and why you felt that person was the most humanist Mormon? I'm not religious at all but I find these sort of things very interesting.

In exchange I could offer the reason for my url ?

I'm warning you, this is kind of a mega essay, and it's fucking unhinged. Click at your own risk.

(Alright. You clicked.)

Psalms 137

By the rivers of Babylon we sat and wept

when we remembered Zion.

There on the poplars

we hung our harps,

for there our captors asked us for songs,

our tormentors demanded songs of joy;

they said, “Sing us one of the songs of Zion!”

How can we sing the songs of the Lord

while in a foreign land?

If I forget you, Jerusalem,

may my right hand forget its skill.

May my tongue cling to the roof of my mouth

if I do not remember you,

if I do not consider Jerusalem

my highest joy.

Remember, Lord, what the Edomites did

on the day Jerusalem fell.

“Tear it down,” they cried,

“tear it down to its foundations!”

Daughter Babylon, doomed to destruction,

happy is the one who repays you

according to what you have done to us.

Happy is the one who seizes your infants

and dashes them against the rocks.

———

Mormonism has layers. Different cores of believers, cultures within itself. The largest group of Mormons also dominate its image within the larger culture. You know them as the nerdy, cheerful, bubbly dorks on South Park, or the hopelessly naive childlike weirdos from the Book of Mormon musical. Strangely sanitized, "wholesome" people that are, clearly, unwhole. Missing some essential part of the human experience.

(Pain, maybe?)

I think that embracing this image is letting Mormonism view itself as what it wishes it was. A group with all its rough edges sanded off, all its raw and desperate humanity scrubbed away. A clean and godly and slightly unsettling image of joy.

That isn't how it started.

Now, most people know the story of Joseph Smith. Fourteen year old farm boy starts a cult because the whole world if full of idiots, I won't repeat it because you've probably already got it from South Park. But at some point that weirdo cult did become a religion, and I would point to that moment as the Mormon War of 1838.

I don't know how far after the founding that was. Enough that Joseph Smith was a grown man. Enough that the Mormons had around 15-25 thousand members. They'd moved to the Illinois-Missouri area and were establishing settlements.

(They creeped the locals out. Of course they creeped the locals out.)

Eventually, they got pushed out of the county they'd claimed. Jackson County, it was. The state couldn't actually take that county from the people that expelled them, so to try and make the Mormons "whole" for the land they'd bought (ignoring the houses and farms they'd already set up) it gave them a new county.

Next election that came around, that county was sieged. Voting was blocked. Now, the people of the state were terrified that this weirdo voting block was going to take them over. They probably weren't wrong. Some former Mormons had straggled in from the county revealing a frankly corrupt land dealthat the early church had used to transfer resources to itself, and that served as a tipping point. To prevent their state from becoming a religious basketcase, a mob sieged the Mormon county during the next election.

The state tried to return order by sending the militia in to break up the siege, but the militia mutinied. They joined the siegers. A ground of strange, extremist violent Mormons known as the Danites rode out and attacked local settlements that were known to house the families of the militia members.

The Governor at the time - Lilburn Boggs - sent out an executive decree. The Mormons were traitors, and were to be killed on sight. It is the only religion in the US to have ever had such an order made against it.

The Mormons surrendered their county and went to Nauvoo, Illinois. There were again expelled from that city in 1846, and traveled west.

They died in great numbers and they never forgot the homes they lost.

———

I tried to tell the story as sympathetically to the people of Missouri as I could. The Mormons made messes wherever they went, and they unsettled everyone they interacted with. But they were attacked as well, and had a history of violence against them. It should not be totally surprising that they became insular and strange.

Many (most?) Mormons that learn all of their history wind up leaving the religion. It has twists and turns and knots and it is incredibly, overwhelmingly human. I think that's where the facade of Mormon perfectionism comes from - the shame of that. The desire to be something else. But being human is all I've ever wanted. And occasionally, there are people faithful in the church - layers upon layers deep - that know their history.

And they are angry about it.

I think it's more common than people realize. Did you know that until 1930 Mormons swore literal religious oaths of vengeance against the US government for the deaths of Joseph and Hyrum Smith?

I always felt like these were, in some way, the real Mormons. They knew their history, and they loved their church, and they hated what it had suffered all those years ago.

They scared me, those people. But they seemed complete. More complete than the people that had carved out everything that didn't make them smile. They'd walked into the mirror, and touched their shadow, and danced with. Melded with it.

And I knew a few like that. I was taught by one. And he didn't convince me, but he interested me. Gave me some respect for the people I left behind.

———

In the game Fallout: New Vegas, there is a character named Joshua Graham. He's a Mormon. Not like the silly children in adult bodies that they always use on TV. He has gravitas. He has put away his moral compass before, to pursue the dream of one powerful man. Poured his soul into it, helped that man conquer the whole west in piecemeal. He's a somewhat on the nose analogy of the Mormon people themselves, following Joseph Smith. And when he finally failed, when he fought a battle he could not win on the gates of the Old World Hoover Dam, he was lit on fire and thrown into the Grand Canyon to die.

But he did not die.

He says he survived because the fire in him burned brighter than the fire around him. And it seems that way when you speak with him in game. There is something compellingly bright to him. Not shiny like a new toy, or a Utah teenager that hasn't seem just how grim the world can be. He's something blinding, compelling.

But that brightness casts shadows.

He is vicious. He was saved in the canyon by the family he left, the old Mormons of a new world. And he's trying to find that part of him again, regain the soul he lost pursuing someone else's vision. But that old vicious animal part of the covenant is with him. I see Joshua Graham and I see the animal that the Mormons became to survive the West.

And in the game, there is eventually a choice given.

You can lead the tribe Joshua has joined up with out of their Zion. Their Jackson County Missouri. Peacefully and perfectly and inhumnanly transcendant, the way the Mormons wish they actually were about everything. You can give him the chance to be what Mormonism has always wished it could be. Or you can fight with them and help them reclaim their paradise, but get your hands stuck deep in the muck of this world.

Joshua Graham knows his history. He knows all the homes his people lost. And whatever brightness he's trying to regain, whatever soul he's trying to win back from the world that takes and takes and takes and takes - he wants to give it all up again to let these people keep their home.

He knows his past and he is angry.

And as the player, you help him make peace with one of two things: Being human by being fallen, or keeping his soul at the cost of reliving the ancestral trauma of losing Zion yet again.

Both were pretty visceral decisions for a Mormon teenage Babylon to make.

(Tagging @boonebignaturals in this because I need a witness to my madness.)

[puppetmaster13u]

Prompt 264

Danny squints at his tiny hands, eyes narrowing as Clockwork hums in the kitchen. Which he wasn’t even aware of having been in LongNow. Maybe it wasn’t. He huffed, voice too squeaky for him to continue complaining. Stupid time accidents. 

Which wasn’t even starting on the other figure awkwardly sitting at the table. 

He glowered at the Ghost King, who kept glancing at him with an unreadable look in their eyes, then looked back towards where Clockwork was. His scowl deepened over his cup of tea- which wasn’t fair, he wanted coffee but nooo, that’s not healthy for ‘little ghostlings’. Ugh.

Sometimes he wished he was fully ghost so he didn’t have to apparently worry about his living body having to grow back up.

[falmerbrook]

Young(er) Vivec and Nerevar. These two take up so much of my brain space

(bonus unshaded version of them on the guar because I'm proud of the details)

[hotpinkrathian]

Thinking about, however sad it may be, if Aang had died earlier (shortly after Tenzin was born) Korra's team avatar could've been Lin, Kya, Tenzin, Bumi and Izumi.

I feel like the Gaang's kids would've made the perfect team avatar in another timeline

[faunandfloraas]

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[sophsun1]

Queer as Folk – 3.08: Hunt(er) for Love

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[queen-of-hawkins-why-ler]

I was watching a movie with my parents where one of the characters is painting a picture of something and we don’t see what it is, and my mom said, “I wonder what she’s painting” and I kid you not, without missing a beat my father said “It’s a portrait of Mike Wheeler”