#i suck at perspective lmao

[askmafiabobvelseb]

if dexter was the doll, how would their relationship go?

probably like this.

[groovyfrog420]

what the hell. shadow drip cookie

based on this tweet, bc I thought the second picture was really funny

[b4kuch1n]

myth of the bare palm

text:

Our kind used to be hulking things of feathers and claws,

more gods than animals, roaming the snowed planes endless,

until we found each others

and in jubilant relief reached out

claws retracting,

feathers shedding,

so the moment of contact branded heat against bare skin.

[garzzum]

This is stupid 😭

[gingermintpepper]

I think there's something very special about coming back online to an ask detailling feelings of disgust and disillusionment with Apollo and some of the tellings of the less than savoury ways he acquired/defined his power in myths. Like, I think that's very fair and very normal and it's okay to have to grapple with whether or not you're okay with supporting such things and I'll never be upset at such a conclusion, but I do think it's something special.

Mostly because it makes me earnestly wonder after what a person's experience with gods and spirits of the earth and their stories was like before stumbling into these sorts of cultural spaces. I know people have many moral and ethical beliefs and many more people truly think that in order to admire and appreciate a figure, they must be something of a role model - or, at the very least, representative of some facet of one's beliefs/values but, to my knowledge, no god is innocent and there are none who don't have blood on their hands.

I dunno, a part of me wants to wax poetic about how gods and mythical figures are just as much representations and reflections of the state of their believers as they influence those who are under their protection but the other part of me just earnestly hopes I didn't accidentally ruin someone's view of a figure I myself hold in great esteem just because I embrace and find great beauty in his dichotomous nature while others prefer to laser focus on the aspects that bring them comfort.

Idk, it's just stuff to think about, I suppose.

[t00nyah]

my babies are GETTING LORE

[littlepetbee]

still think all the time about the 2016 primary and how my family all went to vote together bc we only had one car so i was super quiet when i asked for a democrat ballot and the nice old black grandpa working the table was like "no baby don't be ashamed, say it loud and proud!!" and i was like sir i love you with all of my heart but it's not about shame, it's that i'm not entirely sure i'm too old to get whooped (i was 24)

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[wreckedhoney]

"WONDERFUL SHOW TONIGHT, FORREST."

a KILLER FREQUENCY Marie Campbell/Forrest Nash ship playlist on YT

"Good to talk to you again, Forrest. You know, I've really enjoyed our chats tonight." "I guess we've had some moments."

Tracklist under the cut

Is Everybody Going Crazy? - Nothing But Thieves / The Perfect Girl - Mareux / We Don't Have To Dance - Andy Black / Night Issues (Nightcall x Daddy Issues) Mashup/Remix - FuturePastPerson / "Bassically" - Tei Shi / Cold Summer - Mareux / Diet Mountain Dew - Lana Del Rey / Destruction Of Us - Mr.Kitty / Teeth - 5 Seconds of Summer / HUSH - Ari Abdul / DTLA - Mareux / Make You Mine - Madison Beer / FEAR YOU - Kat Von D / Bad Romance - Lady Gaga / Dark All Day - GUNSHIP / Maniac (feat. Conor Mason of Nothing But Thieves) - AWOLNATION

[captainshadowshifter]

Lil au sketchy bc gotta relearn how to art properly

[talentforlying]

one of these days i'm going to write up all that i've changed from azzarello's bullshit era and the one (1) piece i've kept from milligan (and also changed) and the only thing currently stopping me is that it is going to be so, so inside-baseball incomprehensible. and i almost never want to go reading/screencapping azzarello and milligan to add references but i Want to add references.

canon is goop, just know that we continue to ride the bus down "hellblazer ended at #250 and looks like swiss cheese before that" street.

[jackietaylorsghost]

I absolutely loved this episode of the last of us but it really emphasised how mean spirited tlou part 2 is and that it was heralded by people as such a masterpiece makes me feel violently depressed about what that says about the bleakness of life and this planet we live on. 

Never more than in this week’s episode have we seen so intimately Joel’s mental state. This is an addition in the show; the conversation between Joel and Tommy is very different in the game. We know Joel feels like that but it never says it so explicitly. And that’s a good thing. So much of who Joel is is shaped by his devastating loss. He has severe ptsd and trauma from not only losing Sarah, but the way he lost her. He wasn’t able to save her, he failed her, and that’s why Ellie terrifies him! Because he presumes he’s going to do the same thing again. He’s going to lose her. He even lists ways he’s already let her down. It’s made patently clear in the way he is with Ellie and things he says to her that this fear is because he cares about her. He tells her he does outright. And as he begins to care for her, we see his ptsd rearing its head in more obvious/physical ways. Makes sense, right? Loving someone, caring for them— that’s Joel’s trigger. But we also see something else. We see Joel talking. Jesus he’s barely talked this series so far in the way he does in episode 6. Most of the time his conversations have revolved around logistics and plans. Now he’s talking about dream jobs and football and his old life. And he’s smiling when he does it. He’s laughing. There’s so much contentment in him in his scenes with Ellie. This is what healing looks like. There are painful, heart stopping moments. But there’s also joy. When was the last time Joel felt joy, do you think? 

I’ve said it before and I’ll say it again. The Last of Us Part 1 is a love story at its very core. It’s about how love is where you find a reason to live even in dire times like an apocalypse. It’s about how things can seem so bleak but if you allow yourself to love, you CAN find pockets of joy. You can find hope. This is what Joel learns through Ellie. Love makes life worth living again. And, in fact, it saves you. There’s a reason we have a cutscene with Bill in the game in which he tells Joel that caring about someone only gets you killed. It’s not just a throwaway line as we traverse Bill’s Town with him. It’s a proper, cinematic cutscene. Bill tells Joel/us this, and then the narrative works the rest of the time to undermine it. Ellie’s love for Joel is what saves his life in winter. The things she does to keep him alive and safe are insane. It’s not just finding food and water for them both at 14 years old. She finds medicine. She uses herself as bait to keep David away from Joel. That’s nuts! And it’s because of love. Love is what helps Joel not get killed. It’s the same for Ellie later: because Joel loves her, he saves her life instead of letting her get killed. He sees her as a person of value, as a person whose life means something irrelevant of her immunity. He sees her as someone who deserves to live. Love literally saves her fucking life. And as well as all this, we see how love saves Joel and Ellie in every day ways. Ellie is no longer alone and scared. She has someone. Joel finds joy in life again. He pets giraffes and he laughs at stupid jokes and he talks and talks about a life he’s been burying for decades. Who is the only person he’ll accept Sarah’s photo back from? Ellie! ‘I’m taking a ride with my best friend.’ And they ARE best friends. This episode went to great and beautiful lengths to emphasise how broken and afraid Joel is, and how hard it is for him to show up for Ellie, but that he does because he cares for her. It goes to great lengths to show how Ellie is starting to affect a change in Joel; that she’s helping him overcome the grief that has lain stagnant in him for 20 years. It’s starting to show how they’re best friends. It was an exceptional episode. I loved every second of it. But when I think about part 2, I’m so stuck on how mean it all is and how it works against what they (bruce i see you pal) were telling us in part 1. 

In fact, it’s not just mean, it’s cruel - both to Joel and Ellie, and to the fans who love them and are attached to their journey and got something out of it. What’s interesting is considering Bill and Frank’s story and the changes that were made to it. I absolutely loved the episode but it’s difficult to completely ignore pinkwashing claims (if you care to look, there have been many complaints about the game and its overall treatment of lgbt+) when Bill is rewarded for doing the same as Joel: he protects his one person too. In doing so he hoards valuable resources that could be used to help thousands of people. In twenty years ordinary people just looking for safety will definitely have made their way to Bill’s Town  and been turned away. Bill’s refusal to turn his town into some sort of a functioning community like Jackson definitely killed people. But this is presented as a good thing. He’s protecting Frank. That’s his job. And he’s rewarded with so many happy years and a peaceful death in an apocalypse. There’s a reason that resonates with people more than Bill’s original story which is bleak and sad. He ends up alone. Frank dies hating him. To see instead that actually you can have joy and hope and love in a post apocalyptic world is meaningful to people. 

Joel and Ellie are not so lucky. Joel does the same as Bill. He picks Ellie. He does what he has to to protect her. He defends them both from hostile attackers. His refusal to let her be a lab rat prevents a cure (arguably) so people will die but he saves her life and gives her a life worth living, the same as Bill does for Frank. He isn’t rewarded for it. There’s no great love is so good message here. Unlike Bill, Joel is punished so horribly for years in the narrative through Ellie. She’s used as a pawn for the vehicle in which the narrative tells us Joel did something wrong and he deserves punishment. This hurts her too by the way: love has hurt her too. But the narrative has to punish Joel this way to really make sure we know he did something so terribly wrong, so for 2 years Ellie isn’t allowed to give Joel a proper chance to explain. He isn’t allowed to defend himself. And after these long painful years, Joel is then killed. But he’s not just killed. It’s so brutal. It’s long. It’s painful. And Ellie is there to watch, to be held down on floor level so he’s all she can see as he’s killed, and she’s begging him to get up. Bill’s stance and actions are presented as a good thing. He’s the hero who saves Frank and allows him to live a good life. He gets a hero’s story. Joel, on the other hand, is a villain for doing the same thing. He dies a villain’s death.

Ultimately, Bill is right, despite what part 1 appears to be telling you (that’s part of why I hate 2 SO much, it’s so contrary to the themes and messages of 1). Love does get you killed. If Joel didn’t love Ellie he wouldn’t have saved her and he wouldn’t be dead now. Love will make you soft and stupid. You’ll run into rooms of armed strangers without concern after 20 years of being constantly on guard, or at least that was Neil’s explanation as to why Joel would get himself into a situation that was so out of character for him. If you love someone you will be punished for it. They’ll stop speaking to you because you loved them and because of that love knew you had a life of value that was worth living and not because of immunity. They won’t even give you a chance to explain, after all the ways love drove you to keep each other safe and alive. If you love someone you’ll be brutally tortured and murdered and you’ll deserve it. You will be constantly punished and criticised and villainised for that love. Literally, love makes you a villain. You will suffer because of love, you will lose everything. What’s the message here???? What on earth were Neil and Halley trying to say (sos bruce we miss you)???? That healing from your trauma will get you killed? Will get you punished? That Joel should have stayed broken in the QZ? Because if he’d done that, he’d have been better off than his ultimate fate. He wouldn’t have lost a daughter again and he wouldn’t have been beaten to death slowly and died quite likely thinking Ellie’s going to be killed after him so he’s let another daughter die, and he’d probably still have Tess. 

Joel, through Ellie and overcoming immense fear and ptsd in order to love her, heals from his trauma, he’s finally able to deal with his grief and move on. He, after twenty years of rejecting it because it caused so much fucking pain, loves again! He truly loves! Then it first hurts him again, and then it kills him. Love is good, love is necessary they told us in part 1. But in part 2 they tell us it WILL get you killed though. And that’s so fucking miserable.

[pithyorangecurd]

God its so annoying talking to kids who don't smoke.

[risingsunresistance]

was looking around at some stuff on skycrypt... WHY WAS I GOOFING OFF DOING THE CAMPFIRE CHALLENGE ON RESISTANCE DAY 😭

[anotherpapercut]

How would one find work at a library when they just...aren't qualified or don't have the relevant experience? I'd love to work at one but I don't have a relevant degree or experience in the field (mostly because they keep rejecting my applications and then ghosting me). I know if given the opportunity I could learn how to do the various jobs at a library, I just have trouble getting into the field without a degree.

people ask me this quite a bit and I really don't know what to say because I don't have an MLIS and neither do most of my coworkers. only like 1/10th of our employees have it honestly. I only have an associates degree in mathematics. and honestly, I'm really sorry to say, the only other way to get your foot in the door really is to volunteer. I volunteered at the library that I now work for A LOT as a teenager so I was able to use the librarians I got to know as references when I started applying to library jobs, and I was able to speak to my experiences working within the library

basically the only other thing is starting at the absolute bottom of the totem poll, which I also did even with my volunteer experience. this is usually going to be a library page position. pages are generally the lowest paid, most manual labor job because they reshelve returned books. so it's a lot of lifting and pushing tens or hundreds of pounds of books around all day

unfortunately there's nothing else I can really tell you, there's not really a magic key to working here. volunteering and having a clean record (like, don't apply if you have a bunch of fines on your account) are really the only ways to get ahead at all. even having an MLIS isn't gonna help you much these days without having any experience like that

[jvnkless]

…feel like when everyone talks about all the shit in spn it sorta takes me aback a bit cause it’s like…

who was this show made for truly? I know the automatic answer to that is “presumably cis teenage boys” ala kripke (i think he might’ve said something like that in an interview idk) but… idk.

this show had so many eras & so much stuff put in it it’s… truly difficult to pinpoint any one audience at a time.

and while I suppose that you could attribute that to “spn’s success” as being a show for everybody I kinda feel like that’s another one of those things spn fails at.

like. there’s a reason why something like undertale or star wars gravitate to so many different people in a clear & well-executed manner. spn doesn’t give me those same vibes as those types of media. spn feels… so confused. so desperate for anybody to look at it. and it gives you just enough of everything that you can take whatever the hell you want from the show & just roll with it.

spn straddles the line between being a nothing burger & an in-depth cult classic and it’s kinda hilarious.