#i still haven't got a clue of the plot

[terpernoctem]

the stars align (and they all collide)

[ahsokkairti]

WHERE is DIN

[annabelle--cane]

"the magnus protocol had a whole ARG beforehand? what?"

yes! it did!

"oh so I need to have participated in this whole big thing to actually understand the podcast?"

not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."

"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"

SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:

for a starting point, I would really recommend this video by @pinkelotjeart

it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.

here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms

here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.

here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.

once you've got the lay of the land, some of the game materials that I found particularly interesting include:

the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.

chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.

klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.

EDIT: have a few more saved materials from the game that I forgot to include.

an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.

an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.

the robo-voicemail greeting from the OIAR's phone line.

EDIT II:

here is a wayback machine capture of the OIAR's official website.

here is a wayback machine capture of the bonzoland website.

(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)

once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.

[vidavalor]

The Blitz, Part 3 Theory: The clues that suggest what it might be about & how it's affected what's come after it

I rewatched 2.04/The Blitz, Part 2 last night and a moment stood out to me that made me think I have an idea of what might happen in the flashback we all seem to have collectively agreed is almost certainly in S3-- The Blitz, Part 3.

When Crowley & Aziraphale are in the magic shop and Glozier is there in the background, the camera jumps to a pretty significant reaction shot for Glozier when Aziraphale tells Crowley that he has a Derringer hidden in a hollowed-out book in the bookshop. I think everyone sees that bit as important-- it's a literal Chekhov's gun sitting out there for the future story, after all-- but I was thinking about why it matters that one of the Zombie Nazis overheard this when they're... ya know... zombies. Their methods of murder tend to be a little more direct, yeah? lol What do they need a gun for when they eat people to death? But then it hit me why it will matter that Glozier heard this... it's not about the Zombie Nazis, exactly. It's about Furfur.

When we leave Furfur in 1941, he's just been embarrassed in front of The Dark Council by Aziraphale, who has swapped out the picture of him and Crowley for a flyer for the Ladies of Camelot, right? They literally laugh in Furfur's face. Furfur's entire plot in 1941 is about how he's been stuck in processing for millennia and he's trying to get out of it-- about how he's jealous of Crowley and the few others who get to go to Earth. He's dealt slight after slight after slight during this night in 1941. He fails to get proof against Crowley, who doesn't even remember him. He gets shamed and embarrassed in front of the higher-ups and his peers. His fledging... whatever it is exactly lol... with Shax-- who is the closest thing he has to a friend-- is damaged as she's gone out on a limb for him and he hasn't delivered. Most terrible, he's sure he's never going to get out of his miserable eternity of grunt work. He's *very, very, very* unhappy and boxed into a corner, right? So what does Furfur want, now that he's stuck in Hell forever and all of it is laughing at him?

Revenge. He wants revenge.

In the short term, he also wants someone to scream at, so he goes back up to Earth and finds the Zombie Nazis, who are roaming around London eating people. They can't go very quickly so they haven't gotten far and aren't hard to find lol. Furfur knows it's not exactly their fault that he was tricked by the angel as, technically, they completed the tasks they were given, but he's furious and he needs to vent it, so he starts yelling that he's going to revoke their zombie-life-on-earth clauses. (Even *the Nazi zombies* get to be on Earth and Furfur does not? Yeah, he's not going to be able to handle that...)

The Zombie Nazis, understandably after seeing that video he showed them in Part 2, start freaking out because they don't want that whole fly fate for all of eternity and they don't know how to reach anyone beyond Furfur so they'll do anything to keep Furfur from taking out his humiliation on them. Upon hearing that this is all about how Aziraphale tricked Furfur and got him humiliated by Hell, the Zombie Nazis start desperately suggesting that it's not too late! They can help Furfur still get Crowley and Aziraphale! Even if Hell thinks Furfur is a joke and won't listen to him about the angel and demon being involved, they can still help Furfur get revenge!

They bring Furfur to outside the bookshop to find Crowley and Aziraphale because that's where the Zombie Nazis say they saw them together earlier & they know Aziraphale lives there. Furfur's in a rage because through a side window, he's observing Crowley and Aziraphale drinking wine together by candlelight in what is the "I know you'd come through for me" scene from Part 2-- and Aziraphale even has the photo Furfur took of them earlier in his hand. (Insert here more of the recurring gag about Harmony lip-reading as now he's also looking through the window and probably gets a line like "he is saying it again! 'banana fish go-RILL-ah...'").

So Furfur is in a fur-furious rage here and is ready to murder these two but... there's just one *slight* problem...

He's a demon.

He can't get into the bookshop.

Aziraphale would have to invite him in and he's certainly not going to after their meeting earlier. But! This is when Furfur and the Nazis realize that there is someone in their group who *can* get in the bookshop...

....our fave fascist, Fraulein Greta Klauschmidt.

As "Rose", Greta recruited Aziraphale-- entering his bookshop when she was a human, invited in by Aziraphale. She can still get into the bookshop. (It's also a parallel to Shax tricking Aziraphale into letting her into The Bentley in S2.)

Once Furfur and the Nazis realize this, the question then becomes: okay, so if Greta can get into the shop, how is she then going to kill Aziraphale and Crowley? (*Especially* Aziraphale, whom Furfur really, really, really loathes at this point lol.)

This is when we go back to the scene that triggered this meta, which is that this is when Glozier then volunteers the information he overheard in the magic shop-- that there's a Chekhov's gun in the bookshop.

The Derringer works as a weapon here to do that because, as Furfur himself pointed out during the magic show earlier, if Crowley had shot Aziraphale in the face, it wouldn't just be paperwork but it might not be possible for them to "put him back together again"-- indicating that there are some things that can happen to angels and demons that are irreversible and can effectively kill them, more or less-- and a gunshot to the head is one of them.

(I'm also realizing as I'm writing this that that Glozier's *ear* falling off in the magic shop is another nod to him having *heard* important information and so far, we've only seen half of what he heard pay off-- the time and location of Aziraphale's performance in the West End. We're still awaiting pay off of the gun bit.)

My bet is that Aziraphale's Derringer in a hollowed out book is something he actually *showed "Rose" like the cinnamon roll idiot that he is* lol... so once Glozier brings it up, Greta remembers and she knows what book it's in and exactly where it is in the shop.

So Furfur still cannot get in but Greta can get in... which means Greta is now the most powerful character here. If Furfur wants Aziraphale dead, Greta can make that happen... *if* they cut a deal. What kind of deal? Well, the only thing Greta is going to want that she thinks that Furfur could give her is to not be a zombie, right? To be alive again? Reverse the clause in the paperwork and give her her life back. Whether or not Furfur can actually do this (and I'm not sure if he can or not, really, but I'd wager probably not), Furfur tells Greta that he can and she and the other Nazis believe him.

The plan is that the four of them go to the bookshop, where Furfur activates a miracle blocker card for a few hours surrounding the shop in an effort to limit Crowley and Aziraphale's powers and give the Zombie Nazis the advantage. Once the miracle blocker is in place, Greta goes inside while Harmony and Glozier make noise outside, in an effort to separate Crowley and Aziraphale to make it easier to kill them by attempting to lure one of them outside. Greta is to kill the one that stays inside the bookshop while Harmony and Glozier are supposed to kill the one that goes outside. (This will not happen according to plan at all, whatsoever, but it does seem like the most likely plan these four characters could form where they all have a role in it.)

So because Greta is the only one who can get inside, she has go to into the bookshop and be the one who can kill, most likely in their mind, Aziraphale. She'll still be a staggering zombie when the extremely bright Furfur sends her in there to obtain and fire a gun at a pair of supernatural beings lol but she manages to sneak in the back door without Crowley and Aziraphale really hearing the breaking & entering... or whatever noises the other two are making outside... as Crowley and Aziraphale are a little busy gazing at one another.

It would actually be a really funny, very Good Omens-y gag IMHO, if Greta is colossally unsubtle in entering the other side of the shop from where Crowley & Aziraphale are and is banging into stuff while Harmony and Glozier keep coming up with more and more insane noises outside... but Crowley and Aziraphale are too busy making heart eyes at one another to care or do anything about it. A very "did you... hear that?"/"oh, must be the war, let's go back to gazing" type of attitude with a steadily increasing series of sounds that are harder and harder to dismiss but they are trying, ok? lol. (This would also parallel Aziraphale ignoring the demons outside for as long as he could during The Ball in S2, until the bookshop begins literally breaking around them.)

So while we watch scenes of Furfur and The Zombie Nazis Hatch A Plot, the relationship tension between Crowley & Aziraphale is building as much as the plot tension. They intercut Furfur & the Nazis scenes with Crowley & Aziraphale having quiet, romantic, candlelit glasses of wine after their very intense and illuminating evening together. Each time we go back to Crowley & Aziraphale... they seem to be getting increasingly cozier. They sit a little closer, they get a little looser around one another. Crowley's glasses might come off. We get the sense that this is all Going Somewhere and it's somewhere they've never let themselves go before but after the events of Blitz 1 & 2 tonight? It's becoming increasingly clear to them that they will. There's virtual certainty that if *nothing else happens* to these two tonight and they're just left alone for once, they're at least going to kiss and what we're watching is them slowly enjoying the path there and them enjoying silently knowing that they're going to.

At some point, we hop from the Nazis back over to Aziraphale asking Crowley if he'd like a little music... Aziraphale might even have something *modern* kicking around, he's excited to tell Crowley (like he might have been totally not at all fantasizing about this exact Crowley-dashing-in-his-suit-with-a-glass-of-wine-smoldering-in-the-bookshop scenario when he bought this record from Maggie's grandfather recently lol)... and he goes over to the gramophone to put it on and now we've got Crowley and Aziraphale with candlelight and wine and music and they're each just taking step after slow little step that slowly acknowledges the romance at play here. Aziraphale's record is probably Glenn Miller. We know he likes big band and The Bentley played him "Moonlight Serenade" in S2 and Glenn Miller also recorded "A Nightingale Sang in Berkeley Square", so it's one record where "Moonlight" could play and then, eventually, so too could "Nightingale" without Aziraphale getting up and moving away from Crowley... and you better believe that when we get to "A Nightingale Sang in Berkeley Square" playing that Crowley and Aziraphale are a literal breath away from kissing.

It'd be completely perfect to them, right? Very romantic. They're there together, alone, they've survived the Nazis and Mrs. H and threats of Hell and have spent the night gazing at one another and now they're here and it's quiet and there's candlelight and it's the familiar, comforting bookshop that is home for both of them... the same place, ironically, that they will drink wine together and make eyes at one another *for decades* after this night-- without Aziraphale putting on The Song, of course-- and you know they will think about 1941 every. single. time. while never actually recreating it.

(It's also why, when they're both wasted in the bookshop in S1's "Eleven Years Ago", Crowley is rambling on about bananas and gorillas and bouillabaisse/fish stew-- ya know, "banana fish gorilla..."-- and they're both so drunk and thinking about how they're almost out of time... and so they're both thinking of 1941 and wind up making those hilarious kissy faces at one another because they both obviously still want to actually kiss some 80 years after the night they almost did. Crowley also calls Aziraphale "baby" in the middle of his ramble. He might have called Aziraphale that in 1941, when they weren't drunk and were on their way to kissing. He also might have just wanted to, so it turned up in "Eleven Years Later" and might come up again later on in the present of S3, whenever they inevitably get to finally have a decent, uninterrupted, not painful kiss.)

Back in 1941, as we flip between Furfur/The Nazis and our heroes, maybe Crowley's even gotten comfortable enough to lose the glasses (though he can leave them on if he still has the hat on when they go to kiss so that he can take the hat off like a gentleman to kiss Aziraphale *swoon* and actually that's how Aziraphale died everyone surprise twist he's been dead since 1941 an a ghost this whole time lol)... and there's romantic big band on the record player and there was magic in the air and angels were dining at the Ritz when a nightingale sang in Bahhhrrrrk. Leeeeee. Square... and they're *almost* there, right? They're basically kissing. There is no way for either of them to ever legitimately pretend that was not was going to happen (even if they will try in the future lol) as their lips were a millimeter away and both of them want it and just like this and it's been six thousand years of pining and so, of course, that is when...

...Greta zombie-crashes into the room with Aziraphale's once-hidden Derringer aimed at them.

(Aziraphale's probably furiously muttering "oh good Lord" under his breath with a very different tone than in 1793 lol. That is his attitude, at least, if not the dialogue.)

So then they have to try to protect one another right and it's mild chaos for a moment as like Crowley starts looking out the window at Furfur and the rest of the Zombie Nazi Trio (paralleling his demons-outside-the-bookshop paranoia in S2) and realizes they were the noise while Greta is all "pity you both must die" again with a little smirk and Aziraphale is trying to calm her down and reason with her while also subtly trying to get close enough to get the gun and she probably fires but she's a zombie so she misses lol and he's like glancing over for Crowley and Crowley seems to disappear for a moment while Aziraphale stalls Greta and just when we think where the hell did Crowley go?! Aziraphale is about to be shot in the face!...

...Greta is shot in the face instead.

By Crowley.

With The Bullet Catcher.

And the bullet that was in Aziraphale's teeth a couple of hours ago.

Crowley has not so much has blown the fluff off a dandelion since he arrived on Earth six thousand years ago but you interrupt his first kiss with the angel and you. are. dead, you Nazi bitch...

I don't have a theory as to what happens after this beyond that we already know that Furfur is in Requisitions in the present now so he's going places lol. Also worth mentioning that Crowley or Aziraphale (I'd lean towards Crowley) could get shot by Greta's wild aim when they are trying to protect one another but it would be more of a graze that one could write a hundred h/c fics over than anything worth actually worrying about lol. It could be something like Crowley gets nicked but goes down as dramatically as he does in the paintball scene in S1 and Aziraphale is horrified but also fighting for his own life so he winds up focused on Greta and neither of them see Crowley slip away to come back with The Bullet Catcher... something like that. I'm just pretty sure that the fact that there are really *two* Chekhov's guns in the bookshop and that Greta is the only 1941 antagonist who can get inside it maths out to Crowley-- shooting her with The Bullet Catcher.

I'm not sure what happens to Harmony and Glozier. Aziraphale says in S1 that he's never killed anything so he can't kill anyone here and while I'm fine with Crowley mowing down Nazis with every Chekhov's gun left in the plot lol, I don't know that that's what happened or if, honestly, the two of them and Furfur just see Greta die through the window and run off. Maybe Aziraphale miracles the Nazis to Siberia. Who knows. But the main gist of it, I think, is that Crowley kills Greta when the Zombie Nazis and Furfur try to exact revenge on Crowley & Aziraphale and, in doing so, interrupt what would have been their first kiss and it's while "A Nightingale Sang in Berkeley Square" is on in the background so that every time the song comes up in the future, it's a reference to this near-kiss in 1941, adding layers to scenes from Soho 1967 to the end of S1 to the end of S2, etc...

Kind of makes Crowley desperately kissing Aziraphale in the middle of the bookshop while a vengeful Heaven, this time, is trying to separate them, even more aldkjlkfjlewje, yeah?

I'd also like to just throw in here that it's actually possible that all of this is the same but they *did* kiss... that they were kissing when Greta burst in. Part of me really wants that to be the case. That maybe they did get to have this kiss, if only because even if only a tenth of what I've said above is anywhere close to right, it's still pretty romantic and it would be nice if they got to have that, especially then, even if it was ultimately interrupted. It's Soho 1967, though, that convinced me that they came *very* close but ultimately didn't (and honestly, the only way they don't in 1941 if they get that close is if they're interrupted and an armed Zombie Nazi crashing through the bookshop feels about right lol.) It's this bit from Aziraphale to me that says they almost kissed but didn't:

The picnic was likely Crowley's 1827 date in Edinburgh. The Gabriel statue was there for amusement but you know Crowley had a picnic set up nearby. (It's not that weird-- people used to picnic in graveyards in the 1800s & the only time Crowley & Aziraphale would be able to together would be under the cover of darkness.) Then, they ran into Elspeth and the night took a turn. (Elspeth was also digging up bodies from graves, which is a parallel to zombies, hooking 1827 to 1941.) Dining at the Ritz-- literally going to The Ritz and eating together, which they do twice in S1-- is something Aziraphale would literally like to go do as a date as but it's also code in the 1967 scene for "perhaps, one day, we could finish 1941." He's telling Crowley in 1967 that he would still very much like to kiss him one day.

The near-kiss in 1941 would then also be what gives Aziraphale the motivation to eventually give Crowley the holy water in 1967. Back in 1863, Aziraphale didn't totally see that Crowley wanted holy water to protect them. By 1941, when they're staring at the corpse of a once-Zombie Nazi on the floor of the bookshop that Crowley just killed with the gun that's in his hands, it's a different sort of proof. 1941 becomes the era of 'here is proof that Crowley will literally kill to protect Aziraphale' and maybe it freaks Aziraphale out a little (as well as also turning him on a lot lol). Maybe that's why they spend the next years after that until the '60s together but not really together. Maybe that's why they don't have another chance at the kiss after 1941-- why they don't just try again-- because Aziraphale slows down a bit after it, afraid that Crowley could get hurt and that this is too dangerous, but he also understands now that Crowley is in love with him and when he hears in 1967 that Crowley is going after Holy Water, Aziraphale just gives him some, as a way of saying that he knows they're in love but this is impossible and they need to not pursue this in a way that will get them killed because he can't lose him.

A near-kiss in 1941 adds layers to 1967 Soho by adding an additional meaning of 'physical intimacy' to "dining at the Ritz". It adds even more weight to the end of S2 and the kiss and the "no nightingales" through to the Tori Amos angsty cover of "A Nightingale Sang in Berkeley Square" in The Bentley. There are other scenes (the end of S1 and others) that it touches as well, if indirectly, but maybe my favorite is this scene, which has already been given extra layers of meaning since The Blitz, Part 2 and The Bullet Catcher plot but lol now add in the idea that the rest of the story is that Crowley and Aziraphale were going to kiss and they were interrupted in the moment, shot at with at least one of them probably getting nicked, and then Crowley killed someone with The Bullet Catcher and tell me it doesn't make this already amazing sequence even more amazing:

[cer-rata]

An incomplete but very angry diatribe about the missed potential of the Star Sapphires

So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.

Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!

So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?

Right?

Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.

It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.

But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:

The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...

Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.

Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.

Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.

Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?

It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.

Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.

From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:

Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.

And then they just...

No actually, I will not explain this one, you have eyes.

And yeah they fixed her costume finally,

But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.

So.

What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.

So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to

[trinittyy]

fic recs

just a little assortment of my favorite works to keep track of them and also show love to the respective writers.

note - a majority, if not all, of the following works contain dark content that some could find triggering. tread carefully.

divider by @firefly-graphics

toxic affection - @love-toxin

warnings: harassment, bullying, some violence, forced relationship

pairing: yandere!bakugou x reader

literally unashamed to say that BNHA fanfiction is what brought me to Tumblr

but this was one of the first I found and it's epic

what's your escape - @gotnofucks

warnings: obsession, possessive behavior, non-con

pairing: dark!sherlock holmes x reader

the man is disastrously down bad for the poor reader

she was so witty and clever but in the end, he got what he wanted in the most satisfying way

infatuation - @darkficsyouneveraskedfor - masterlist

warnings: mentions of stalking, obsession, non-con

pairing: dark!clark kent x reader

poor girl didn't have a clue or a chance in the world to escape this man

sidenote: I can't add Roo to the recs without mentioning just how talented she is. She was the first proper introduction to dark fics in the Marvel fandom and I've been hooked ever since. The amount of detail and dedication that goes into her work is noticeable and she's a talent that deserves recognition. It's one thing to make me like a fic or two of my favorite Marvel men but another to have me thirst over shit I didn't think I'd like.

naughty ransom holiday tales - @jtargaryen18

warnings: kidnapping, non-con, dub-con

pairing: dark!ransom drysdale x reader

guilty pleasure series

hate to love ransom but I can't help it

what the king has - @sincerelythedarkside

warnings: dub-con, character death

pairing: soft!dark steve rogers x reader

royal au

love me a good jealous steve

plot twist shocked the shit outta me

smut was out of this fucking world

love bites - @cherienymphe - masterlist

warnings: character death, jealousy, non-con

pairing: dark!steve rogers x reader, peter parker x reader

modern vampire au (what's not to love there)

this actually made me cry like a bitch

ongoing series

sidenote: Seeing as Cherie will be on this list many times, I have to say it's difficult not to add every piece of work on this list because while some writers have a magnum opus, everything she writes is a work of art. Her range and the backstory she puts in her characters make each story feel like a movie I just can't get enough of. Will forever love her writing.

kryptonite - @cherienymphe

warnings: non-con, obsession

pairing: dark!bruce wayne x reader

the build-up and tension gave me actual chills

trailer park babydoll - @mypoisonedvine

warnings: dub-con, infidelity, age gap

pairing: wayne munson x reader

guilty pleasure fic

absolute filthy smut

wrath of the dragon - @straywords

warnings: non-con, chasing

pairing: dark!daemon targaryen x reader

yet another down bad man

overdue - @darkficsyouneveraskedfor

warnings: creepy curtis, non-con, obsessive behavior

pairing: dark!curtis everett x reader

there's little to nothing i love more than a good ole broody man with attachment issues

anxious - @syntheticavenger

warnings: stalking, kidnapping

pairing: dark!peter parker x reader

tasm peter

cutest in a way lol little fic

the dream that got away - @dotieeee

there's not nearly enough dark fics ft my fave peter so I love this one

warnings: dub-con, non-con, manipulation, controlling behavior, obsession

pairing: dark!morpheus x oc!mera

probably the first dark fic about morpheus

each chapter was a masterpiece

and i still haven't seen the show lol

thanks for the invite - @syntheticavenger

warnings: non-con, bitchy friend behavior, implied drugging (i think), oral (f receiving), slight bondage

pairing: dark!lloyd hansen x reader

a funny little unhinged lloyd fic

rsvp - @syntheticavenger

warnings: dub-con, hide and seek, exasperated bodyguard, exhibitionism (a bit)

sequel to the fic listed above

lloyd is still unhinged and reader is still suffering

[meatballlady]

It's time for the fandom to start Looking Where the Furniture Isn't

For a bit of background, one of my irl professional responsibilities is to identify and avoid making undue assumptions. There are a LOT of things that we humans assume. We assume that terminology means the same to other people as it does to us. We assume everyone has the same context of a situation we do. We assume that we aren't missing any information.

We operate on the information we have.

There was an ask before season 2 aired asking whether many of the plot points had been revealed by the clips (which almost all took place during the first half of the first episode). Neil's response was something like "oh you sweet summer children you know nothing yet." And boy was he right.

Neil Gaiman is a master of controlling assumptions. Just look at his Tumblr askbox replies.

Here's a few s2 examples of assumptions we all made (as I'm starting a rewatch):

Why did Crowley do the (very fun and distracting) apology dance? You might say it was because he walked out on Jim, but he never specified, did he? And Aziraphale was surprised that he proposed they would hide him "together"

How did Shax get a rumor about something going down in the Up (presumably) before Gabriel even went downstairs?

Did Jim need to bring Aziraphale something other than the box? He never actually specifies; Aziraphale just assumes it's the box.

Why did Aziraphale assume Maggie could feel [Michael, Uriel, Saraquael] arriving?

Why does Aziraphale say Heaven would notice even a small miracle? Crowley is seen doing a miracle before their large miracle (traffic light), and later Aziraphale makes the guy leave the table at the pub

To go deeper:

Are we assuming that characters are telling the truth? Example: "Miracles don't work like that," "[Extreme sanctions] was just something we said to frighten the cherubs" etc.

Are we assuming that nothing of note happened between apocalypse v1 and s2? (ex. the claims that Crowley didn't tell Aziraphale about the trial in heaven despite him referencing it in s2s1) What if we the audience are just jumping in near the end of this story?

Are these assumptions correct? Or are we just working with the information that we have?

Now that I'm looking for it, there's also SO many corrections of assumptions (usually for the sake of a joke, but still) (these are just the ones that happen while I type them out while watching e2):

"Can I be a blue one?" "You haven't annoyed me yet" "But can I be?"

"You recognized [Michael, Uriel, Saraquael] those people who were in the shop just now?" "Of course, they were in the shop, just now!"

"oh my god!" "blasphemy, angel, that's not like you", "no, oh, my god"

Many of the themes were about hiding things in plain sight: the kids (and kids), Jim, "aim for my mouth but shoot past my ear." Clue (1985) was heavily referenced in the lead-up. The whole point of that film was looking at what was going on elsewhere. Looking where the furniture isn't, you might say.

The more I watch s2, the less certain I am that any of it makes sense on its own.

I'm currently combing through it to see if there are any discrepancies with where people are (easiest example is when Crowley just disappears from the bookshop while they're reviewing the Job story). It'll be a lot of data and might not lead anywhere, but I'll definitely share once I finish looking into it.

I will also honestly admit that these things are all circumstantial, and I could be going insane. But they just keep cropping up all over the place. I've got a lot of time before S3 comes up and I intend to investigate the furniture. And try to not make assumptions.

[ahdraftingco]

Oneshot: Trouble

Pairing: Dark!Joel Miller x Innocent!Reader

AO3 Crosspost: https://archiveofourown.org/works/44157645

Summary: Ellie's gone. She ran away a while ago, after she discovered Joel's lie. It was a lie he had to make for his own sake because he couldn't handle losing her but still, he lost her. Now, he walks the wasteland alone, searching for purpose…and that's when he stumbles onto you. A bright, young woman who had gotten through the worst of it without losing her innocence to a world gone mad. If only you knew what was in store for you now that Joel has found a new person to latch onto…

Word Count: 8.2k+

A/N: As always, please read through ALL the warnings before proceeding: porn with plot, dead dove: do not eat (this story is not for the faint of heart so don't say i didn't warn ya), borderline non-con, dark!joel miller, loss of virginity, dom/sub undertones, age gap, use of the word "daddy"/"baby girl", bondage, forced orgasms, gunplay, praise kink, somnophilia, size difference, genuine fear/peril, death threats, cum play, rough sex, sexual coercion, squirting, breeding kink (unprotected piv, possible pregnancy/pregnancy talk), angst, mentions of violence, degradation, references to death

This fic will contain spoilers to TLOU Part One, so if you haven't played the game, please be aware that I will be referencing canon events. Hope you enjoy the sinister Joel I've made up and yes, I did based the physical description off Pedro Pascal's portrayal of Joel ~ ♡

It's been months since Ellie left Joel. He had gone out to look for supplies, since she had been sick. It wasn't until he got back and saw that she had taken up everything she could carry that he realized it had all been an act to let his guard down.

He had thought they were past what had happened at the hospital, since it's been almost five years, but the truth is…he knew what he had done was unforgivable. She was the cure. She wanted to die for the cause. She knew what she had to do but he was the one who wasn't ready to let her go.

This is the price he will pay for it.

It breaks Joel down more and more every day that passes as he scavenges the east coast, hoping he'll find clues of Ellie's whereabouts somewhere. Though, he taught her well, which meant he was almost certain she'd be hard to find.

If she's smart, which he knows she is, Ellie would've made it to the north before the winter began. That way, there's no chance of Joel ever catching up to her in the snow.

With a heavy sigh, Joel makes his trek up the state highway, weaving through abandoned cars. He'll be in New York soon. There once was a station there, but it quickly grew overcrowded and fell soon after.

Not enough food for people to eat, not enough protection for people to survive.

The infected would be roaming in the city, but Joel knew to avoid the densely populated areas. He didn't want trouble.

And yet, trouble always finds him.

Trouble had a name this time. Your name, though he didn't know it just yet.

Instead, as he watches you from a distance, Joel calls you baby girl in his mind, seeing how much younger you were than him. It was obvious you were older than Ellie though. You were an adult, a young one, but an adult all the same. It makes him wonder how you ended up here all alone.

You're humming to yourself, as if the thought of a threat nearby didn't phase you. It's a song he has heard before. Edge of Seventeen by Stevie Nicks. He can almost hear the guitar riff, but it wasn't anything he could play.

However, at this moment, he wished he could.

Seeing you happily whispering the lyrics to yourself as you take down your laundry fills Joel with a kind of desire that taints his soul. It's dark and twisted, the way he wants to bottle up your joy and keep it all for himself.

How could you be so carefree in a world gone mad? It's as if no one has ever hurt you before.

Maybe…you didn't even know the infected existed.

That's impossible, but it looks like you're completely self-sufficient. You have a lake house and he can see the fishing equipment. You also have a garden with rotating crops that are growing well despite the incoming winter.

Who taught you to live life like this?

Peaceful, alone, without a care.

Joel is almost…disappointed. He'd imagine if anyone else had stumbled upon you, you'd be taken easily. You were like the easiest prey for a hungry predator, since you were clueless to the danger you could be in.

It makes Joel want to protect you…but it also makes him want to own you. There's an insatiable need to show you how much you need him to keep you safe, from people just like him.

So, that's exactly what he's going to do. Joel will make you his. He will weave himself into your life until you can't possibly live without him anymore.

That way, you'd never leave him like Ellie did…

❅❅❅❅❅

Today's catch went swimmingly, as it always does. You reeled in enough to have extra to dry into tasty jerky. Winter is approaching and you start to see your breath in the air, knowing that a storm is brewing. You'll have to start chopping some more firewood to store in the basement in case it's an extra cold winter. The temperature has been dropping every passing year, while the summers have gotten hotter.

You're thankful you won't have to think about summer preparations right now. Having to deal with those forest fires took up so much of your time. Winter is destructive as well, but at least it requires you to stay in instead of slave away all day.

Another winter alone, though. You let out a sigh at the thought. How long has it been since everyone you loved passed away?

You're tired of burying people…

Last month, you had to clean up the house a few miles down the lake. You hated having to do it, but your parents taught you well. The moment someone died, you needed to put them out of their misery or they'd fester and become worse creatures than the resurrected undead.

So, you put a bullet in their head and dug a grave for them. Then, you would spend hours rummaging through their house for any supplies before giving it a good thorough cleaning. It was your way of laying them to rest.

You'll miss that man though. Neither of you exchanged names, but you would trade fish for some of his pepper plants. Sometimes, he'd have canned goods for you that he had made himself. You still have some in your basement now. That'll help for the winter.

All these thoughts help you get through deboning your catch. You light up your wood fire stove so you can make a serving of stew and start the dehydrating process. It isn't until everything is in the pot that you register the rustling outside.

Is that the wind or…no, it can't be.

No one ever comes around these parts. It's so hidden by the trees that only an experienced person would think someone lives out here. That's sort of why your parents bought this house. It was secluded in the best kind of way, which aided a lot when everything went to shit. You were born here, raised here and will likely die here.

However, you weren't expecting that day to come so soon. Whoever is out there…they won't hurt you, will they? Your nerves heighten as you walk towards your door, debating if you should grab your gun.

You don't, because the person knocks.

It's a gentle knock, just three light taps. You calm down a little at that. You figure if it was a malicious person, they'd just break down your door. You haven't ever encountered a malicious person before, since you try not to believe everyone is bad. The people you know have all been kind, despite everything.

You hope this person will be the same.

So, you open your door and…

"Hello there." The older man at your doorstep says in his southern accent. "I was just passing through and I noticed you had a fire going. I don't mean to bother, but would it be alright for me to spend the night here, away from the cold?"

You look the man up and down. He doesn't seem like a threat, though he does have a rifle on his back and a pistol tucked at his belt. He's wearing a brown jacket with a flannel underneath along with several other layers that look like they're getting soaked through from the light snow that's starting already. He has a patchy beard with some grays in it along with soft brown hair that matches his eyes.

The man doesn't look intimidating, besides the weapons he's carrying.

So, you do what your parents had always done when people stumbled upon your little house and tell him, "you can stay the night if you agree to bury your weapons somewhere outside. There's a shovel out back. Choose any spot away from my garden, please."

"I will happily take that offer, thank you." His voice is smooth and gentle, so you ease up a little as you watch him leave to go fulfill your request.

The man returns later with just his bag and as a show of faith, he empties it at the doorstep so you can see what he has in it. You notice how few supplies he has, so you sift through your cabinets for some spare canned goods.

"You can have these." You bring them to him. "I've got plenty."

"You're very kind." He gives you a brief smile before taking the cans from you. "Are you always this welcoming to strangers?"

"I wouldn't call you a stranger. You're simply a traveler passing through. Nothing strange about that in our world."

You quickly leave after you say that to give him a change of clothes, since his are soaked and the spare in his bag doesn't look very warm.

"Would you like to use my bath?" You ask, pointing over at the bathroom down the hall. "I haven't heated any water, so it'll be a minute, but you can take a nice, warm bath if you'd like."

"That sounds wonderful." He seems pleased with your offer. "You're a very good girl, treating me with such hospitality."

"We all deserve some normalcy." You leave him with those words so you can go start the fire for the bath water.

It takes around half an hour to boil enough water in intervals, since your stove is quite small and you can only carry so much water at a time. Though, the man, who lets you know that his name is Joel, helps with that, lugging the pot of water back and forth for you until the tub is filled. You tell him to take his time and that dinner will be ready whenever he's done.

When Joel finishes his bath, he meets you in the kitchen and you pour him a bowl of stew, which you invite him to eat by the fire. You've already eaten your portion so you opt to spend time organizing stock since the storm is coming in stronger than you anticipated. You haven't harvested your winter vegetables yet and you should probably do that now before they get buried.

"Something on your mind?" That southern accent sounds close now and you look up to see Joel standing beside you, empty bowl in his hand. "Thanks for the stew, it was delicious."

You smile, taking it from him so you can quickly wipe it clean and set it aside. Then, you answer his question with a light sigh, "I didn't expect the snow to start falling so quickly. I need to go out and salvage what I can from my garden before I'm snowed in."

"Can I help with that?" Joel offers and you shake your head.

"I can't ask you to do that. You just bathed, plus you're my guest."

"I can always bathe again. You shouldn't be out there alone right now. Let me help." His voice has this tinge of leadership in it that makes you want to follow him, so you eventually agree.

"Alright. In exchange, you can have some of the harvest." You make him a deal.

"Can I ask for something else?" Joel catches you by surprise with that. "Would it be okay if I stayed here until the storm ended?"

"Oh…" He's right. If the storm has started already, he'd be stranded out there if you kicked him out tomorrow.

But, is it really smart to spend an entire storm with a man you've just met?

You can't let him trek through the storm though, so you tell him, "if you help me with some repairs around the house, then you can stay as long as you'd like."

"I'd like that." His smile makes your heart skip a beat.

The rest of the evening is spent shoveling snow and pulling out as many vegetables as you and Joel can carry back and forth to the house before the storm gets significantly worse. You're both soaked head to toe and you're freezing once you both get back into the house. The fire isn't going to warm you up, so you'll definitely need a bath. But, you don't want Joel to get sick, so you offer to have him bathe first, but he declines, since you need to too.

"One of us is going to get sick waiting to bathe." You tell him as you start boiling the water for the bath.

"Then why don't we bathe together?"

Your ears must have been deceiving you and you turn to Joel, who is peeling off his soaked outer layer. He doesn't seem phased at all by what he just said but you're flustered.

"H-how would that work?" You're suddenly feeling warm all over, despite your shivering.

"It'll be like sharing a hot tub." He says with a chuckle. "Just keep your underwear on. I can keep my shirt on too, if you're more comfortable that way."

Now you're embarrassed for a whole other reason. Why did you just assume he meant getting into the bath with him naked? There's no way he'd ask that of you and you feel bad that you even thought such a thing.

"That would work. You don't have to keep your shirt on, but I think I will." You're too shy to be that bare in front of him, but keeping your shirt and underwear on is fine. He doesn't say anything else about it as you both start prepping the bath once again.

When it's ready, you realize there's another problem with this scenario. It's not all that big of a bath. How would you both fit?

"You'll just have to sit between my legs." Joel tells you while he strips. "I'll get in first and guide you into a comfortable position."

You let him take the lead, though you turn away when he pulls off his shirt and don't turn back until you hear him get into the bath. Then, you strip as quickly as you can, leaving yourself in just your shirt and underwear. Joel puts his hand out and you take it, letting him help you in. He has you sitting between his legs, with your back against his chest, and…it's oddly nice.

The bath water is very warm and your shirt rises a little since there's air under it, so you try your best to smooth it out, though that doesn't help much.

"Do you want to take it off?" Joel asks you, his warm breath tickling the back of your ear.

"I…" You would but… "I'm not wearing anything underneath."

You aren't the biggest fan of bras. They're only good when you're exercising or doing some heavy lifting and don't want your breasts to get in the way. So, you don't wear them regularly unless you feel the need to.

"I won't look." He rests his chin on your head. "I'll keep my eyes up so you can get comfy."

That would be nice. It's odd how easy things are around Joel because you feel like you can trust him to do as he says, so you opt to pull off your shirt, tossing it aside. It hits the floor, the wet sound echoing through the room. You adjust yourself so that your breasts are submerged beneath the water and when you tilt your head up, Joel has his lifted to the ceiling, not stealing any glances at you.

Though, it wasn't his eyes you should've been worried about. You hadn't noticed where his hands were resting until you felt one of them slide up to cup your breast and the other slips down into your underwear. You're about to say something but then Joel rolls his thumb over your nipple and you can't stop the light moan that leaves your lips at the sudden sensation.

"Does that feel good, baby girl?" He whispers right into your ear with such sultry affection. "Do you want daddy to keep touching you like this?"

Before you can reply, Joel presses a finger against your entrance and forces his way into you, making you gasp. Your toes curl when his finger does, filling you up so much out of nowhere. It's nothing like when you touch yourself and in combination with his other hand teasing your breasts, you can't hold in the soft whimpers from how good it feels.

You need to tell him to stop, but then he thrusts another finger inside of you and you cry out from how much he's stretching you out. You've never been this full before.

"You're so tight." That word lingers in the air and you're getting dizzy from his seductive tone. "Has no one ever touched you before?"

You shake your head, not knowing why you're able to answer him but not able to tell him to stop…

"Are you telling me this is all mine?" He pushes up against a spot inside of you with his fingers that makes your whole body shiver in reaction. "You're sucking me in, baby girl. I'm jealous of my own fingers."

There's so many questions you want to ask him, like why he's doing this to you and why it feels good even though you shouldn't want a random man you just met to touch you, but none of those questions can be asked when every breath you take is stolen by a moan or whimper.

Something's building inside of you, that tension you've only felt on occasion when you've been bored and masturbated. However, this is even more intense than those times, because you're not the one setting the pace.

Joel is aggressive with his touch, fingering you at a pace you wouldn't be able to. Then, every now and then, he spreads them, reminding you of how big his fingers are as they stretch you out.

You're on the cusp of your orgasm and that scares you.

Why are you about to cum from this?

Why aren't you stopping him!

"Don't hold it in." He urges you to let go. "Cum for your daddy."

You're not my—you can't seem to finish your own thoughts because he's forcing your orgasm onto you, his fingers ruthlessly grinding against that spot inside of you that makes you cum hard. You're thankful you're in the bath right now because you swore, you squirted for the first time. You've never came that much before, tears streaming down your eyes from the intensity of it.

The pleasure sears every inch of your skin, making it hotter than before and the steam from the bath isn't helping your mind calm down. You're getting lost in that daze and it's not ending.

Especially not when Joel keeps going and he adds another finger, spreading you wide open. You're gasping for air from how filled you feel and he must not like that because he takes his other hand and shoves his fingers into your mouth. You gag on them, not expecting to have his fingers invade your mouth, but he doesn't care that you feel that way.

Instead, he goes, "be a good girl and enjoy yourself."

You wonder how you're supposed to enjoy yourself when your mouth is as full as your pussy is but soon enough, you understand. Every moan you want to make is forced back down your throat by his fingers and it's hard to breathe like this but that just causes your body to tense up more around his fingers. They're hitting you so deep inside that you're going to cum again all too quickly.

You try to tell him to stop but your words come out all gurgled up from the saliva pooling up in your mouth since his fingers are playing with your tongue. You're practically drooling and you try to swallow, but that means you have to suck on his fingers to do so, which only riles him up more.

"That's good practice, baby girl." He encourages you to keep doing that to prepare yourself for something else. "I can't wait to bury my cock in this pretty little mouth and your tight wet pussy."

You're on the verge of tears again and you don't know if it's out of fear or arousal as you get closer and closer to your next orgasm. You don't want his cock anywhere near you but you realize then that he's been pressing his hard cock up against your back this whole time. If you thought his fingers filled you up, you were certain his cock would break you.

You start to panic, trying to shove his arm away from you so he can stop fingering you but that only angers him. So, Joel retaliates by pulling his fingers out of your mouth and wrapping his hand around your throat, squeezing it hard.

"Don't make me kill you." He threatens and you go completely still. "I don't want to, but if you keep misbehaving, I will."

"Please…" You sob out of pure fear. "Don't hurt me."

"I would never want to hurt you. You're my precious girl, so don't make me do anything I don't want to, okay?" He lightens his hold on your neck then and you inhale as much air as you can, trying to find your composure. "You're going to cum for me again and then I'm going to take you to bed. Understood?"

You don't want to say it but he'll kill you if you don't so you nod and tell him, "I understand."

"Address me correctly when you're talking to me." His fingers press into your neck, as a little warning.

You swallow your nerves then go, "I understand, daddy."

"Good girl. Daddy likes it when you listen." He gives you a soft kiss on the cheek, changing his tone all too easily. "Now, let me spoil my baby girl."

You brace yourself as his fingers curl their way back inside of you, going much more gently this time. Strangely, it's not enough to get you close. His pace is too slow, too soft, and you're trembling from how much you want him to be rougher with you.

"Say what you want." It's like he can read your thoughts. "Tell me and I'll do it for you."

You shouldn't say anything but your body is craving that feeling too much, so you give in and say, "more, please. I want more."

"Do you want me to go faster?" He asks as he does exactly that and you nod profusely. He suddenly slows though, so you know what you have to do.

"Yes, daddy, please go faster." You say what he wants to hear and he ramps up the speed again, giving you what you need. "Please don't stop, I'm so close…"

"I want to see it." Joel growls in your ear before you hear a pop and the plug in the tub is no longer in place. The water suddenly drains out rapidly and you stiffen at the cold air hitting your warm skin. "You better cum a lot for me."

You don't know what he means until he starts to move his fingers side by side inside of you and you squirt uncontrollably, screaming from how forceful he is at drawing your orgasm out of you. You can't think straight because you can't stop cumming, every orgasm gushing out of you against your will.

"Stop!" You shout because it's too much, you're too sensitive now and you're going to pass out. "I keep cumming, I keep–"

"That's good." He slowly corrupts you. "You want to keep cumming. You want to drown in the pleasure only I can give you. Enjoy it, baby girl."

And you do.

You hate how much you end up enjoying it, bathing in such bliss. It consumes you completely…and you faint somewhere along the way. You've never felt so good before. Your body can't handle it and you pass out from the high…

❅❅❅❅❅

Joel dries your hair for you while you're unconscious. He likes how peaceful you look, having fallen asleep to the orgasms he gave you. He wants you to look like this everyday and he'll make sure it happens.

A sweet girl like you deserves to be treated well.

Maybe that's why he can't resist touching you in your sleep. Joel watches as your chest begins to rise and fall more and more with every gentle stroke of his fingers. You're getting so wet for him now. He wonders what you're dreaming of and if he's in it.

He'd like to be. He wants you to only think of him. He's the only one that you need. He's the only one that matters. No one else will take you from him.

Joel refuses to make the same mistake twice. He loved Ellie like a daughter, raising her to be a strong woman. A woman strong enough to leave him in the dust because of a lie he made.

So, he has to be more careful with you. You're malleable, he's certain of that. You'll need some persuading, but you'll listen to him. First, out of fear, but eventually, out of love.

All he needs to do is tie you to him the only way he knows will work…by making you fall for him.

❅❅❅❅❅

It isn't until you wake that you realize your body is still heated from all the orgasms. You're aching from the waist down and you wonder why…until you see Joel between your legs, his tongue dragging up and down your pussy like he's starved for your taste.

How long has he been…you can't even formulate the sentence because he flicks your clit with his tongue and you squirt just a little from how overstimulated you are. A whimper leaves your lips because of it that draws Joel's attention to you and he smiles, happy to see you awake.

"How did you sleep?" His voice is so eerily calm…

You're unsure of how to answer that, so you ask back, "did you sleep?"

He nods. "I slept great, holding you in my arms."

"How long have I been asleep?" You're confused…

"A little over two days."

Your eyes widen at his words. Have you really been passed out for that long?

"Why are you down there?" If you've been asleep, why is he touching you?

"I needed to make sure whenever you were awake that you'd be nice and ready for me." He teases your entrance with three of his fingers before slipping each one inside of you slowly.

You brace yourself, expecting for the sudden stretch to hurt but…it doesn't. His fingers feel thick inside of you, but it's not anything you can't handle.

What did he do to you while you were asleep…

"You're almost ready for me, baby girl." His thumb presses lightly on your clit when he says that, sending shivers through you. "I've opened you up as best I could."

"Please, Joel…" You plead to him. "I don't want this."

"Your body says otherwise." He tells you as he curls his fingers and you nearly cum just from that. "See, you want this. Why are you running from it?"

"You're not giving me a choice." He's throwing himself at you and you're unable to stop him.

"I did give you a choice." Your breath catches in your throat when you hear the safety of your pistol flick off and Joel presses the barrel against your bare chest, right where your heart is. You only notice then that you're completely naked. "Either I kill you, or you enjoy my touch. I had assumed you'd chosen the latter, but if I'm wrong…"

His finger hovers over the trigger and you shake your head profusely, not wanting to die like this, not when his fingers are still teasing your insides. It's unbearable, the weight of the gun on your chest while his fingertips drag along that spot inside of you that makes your toes curl.

So, you succumb to the scenario you've found yourself in, "you're not wrong. I want this. I'll enjoy myself. I promise."

"Then, cum." He commands, keeping the gun steady on your chest. "Show me you're being honest."

You bite your lip and choke back your own dignity as you grind your hips against his hand, thrusting his fingers inside of you the way you need them to. You gasp when he starts to follow your rhythm, pushing you closer to the edge. It's a great distraction, because you barely notice the way he's trailing the pistol up your chest, but you're well aware of it when it brushes against your lips, forcing you to part them open.

Before you can beg him not to, Joel rests the barrel of the pistol in your mouth, the cold metal coating every one of your taste buds. You gag a little when he drags it against your tongue, but you can't focus on it while his fingers are inside of you. Tears start to stream from your eyes out of sheer terror and the most warped and frightening smile curves on Joel's face the moment he sees you.

That's when he undoes the safety of the pistol yet again and rests his finger on the trigger, his voice more menacing than ever as he goes, "cum for me right now or I'll blow your brains out, baby girl."

Every muscle in your body tightens at the threat and that's all it takes for the tension in your body to explode. You can't tell if you're screaming or moaning as your orgasm ripples through you violently, locking up every sense with nothing but pleasure. You can't feel, you can't see, you can't think.

All you can do is cum because that's what he wants from you.

Relief washes over you when Joel pulls the gun out of your mouth and tucks it away behind his back. His fingers release you from their hold and an empty feeling is tainting your mind. You've been so full for so long that it feels…wrong to be hollow.

How much has he corrupted you? How long is he going to stay until you're exactly what he needs you to be?

His baby girl…

You need to get out of here. You need to run. You need to fight Joel for your life back because you can't be his.

And yet, you can't find it in yourself to shove him away.

Not when he's whispering so softly to you, "good girl, that must've felt great. Let me make you feel even better now."

It isn't until you feel the tip of his cock press against your pussy that you snap back to the reality of it all. You're going to have your first time right now and he's going to fuck you raw.

The last bit of rationality courses through you as you plead, "please, don't do this. I don't have any condoms, I don't want to–"

"It's okay, darlin'." His southern accent sends shivers down your spine. "This is what you were meant for. This is what your body craves. Just let it happen and I'll take care of you."

You claw at his chest the moment he starts to force his way inside of you, his cock stretching you out more than his fingers did. You've never felt this kind of pressure before as he opens you up with every thrust. He doesn't like that you're trying to fight him, so the next time you shove at him, he smacks you right across the face. You gasp at the feeling and he pushes more of himself inside your swollen pussy then, smiling.

"You're so tight and yet you're taking every inch of me." Joel suddenly grabs you by your hair, pulling you forward so you can stare at the way his cock is slowly disappearing inside of you. "Almost there, just a bit more."

"Let me go." You cry out, wanting him to take his hand out of your hair. "Please, it hurts."

"Grab onto the headboard and I will." He makes you a deal and you listen, wrapping your hands around the metal.

His hand leaves your hair, letting your head drop back onto your pillow, and you relax just a bit. It doesn't last though, not when he pulls out a piece of fabric from his pocket and binds your wrists.

"Now, hold on tight, baby girl." His hands rest at your hips now, gripping your flesh. "I wouldn't want you to hurt yourself."

You don't understand what he means until he pulls his cock out of you and rams it back inside, hilting all of a sudden. He's too deep, too big and all too much for you.

You try to say something but he raises his hand at you before you can, instructing, "if you want to speak, you better address me correctly or I will have to teach you a lesson."

You swallow at his threat, your throat going dry. Goosebumps rise on your skin and you're scared to say anything but you want him to be gentle. He'll break you if he keeps being this rough.

So, you stuff your pride away and beg, "please go slowly, daddy."

His smile softens then, liking how you've listened, and he rewards you by rolling his hips, letting you get used to him being inside of you, grinding himself back and forth against every spot that makes your pussy tingle.

It's starting to feel good and that's frightening because you're biting back your whimpers. You can't enjoy this. It's wrong. He's taking you by force and yet your body is desperate enough to meet him halfway, wanting more.

"Does my baby girl enjoy being fucked?" Joel adjusts a bit so that he can thrust upwards into you, hitting that spot that makes you see stars. "Tell me you do."

You keep your mouth shut, not wanting to say a word, and he doesn't like that at all. So, when you're right at the cusp of your orgasm, he pulls out of you, leaving you struggling against your restraints.

"If you want it, say it." He starts to rub his hard cock against your pussy, teasing your sensitive clit with the tip of it. It's torture because it's not enough to get you there.

You need more. You need him inside of you.

Joel takes his time to torment you, dipping into you just a bit before pulling out, dropping his cock over and over again on your pussy, rubbing circles around your clit.

Eventually, you can't handle the denial anymore so you cave and go, "please fuck me. I want to cum."

"Say it again." He wants you to embarrass yourself further and your skin burns from it.

"I want to cum. Please fuck me. I need you, daddy." You add on, hoping that's enough.

It is, because the moment he thrusts inside of you, you cum. You cum all over his cock and he rewards you by fucking you harder, making your orgasm even more intense. You're gasping for air because it doesn't seem to stop. You're throbbing inside and every thrust sends such waves of pleasure through you.

"You're milking my cock so well." He praises you. "Someone's desperate for my cum."

Your eyes widen when you realize he must be close from the way he's pumping into you and you panic, "please cum outside, don't cum in me."

"How am I supposed to cum outside when you're not letting me go?" He tries to pull out but your pussy is gripping onto him too tightly.

"No, don't, please." You can't get pregnant. You can't have a baby with a man you've just met. You can't…but he won't let you decide otherwise.

"You'll feel so much better once you're all filled up." Joel reassures you in the worst way possible. "Soon, you'll beg for it."

There's no way you would. Why would you ever want such a thing?

"Enjoy it." He says sweetly to you, looking at you with such affection. "We won't be able to fuck much when you're pregnant, so it's best to make every time count."

You want to ask why he wants you of all people, a random girl he met in the middle of the woods in the winter, but you're certain he won't have an answer. Perhaps this was all just bad timing and even worse luck.

It doesn't feel like much at first, when he finishes inside of you. It's hot and it spills out of you when he pulls away. Joel takes his time, pushing as much cum as he can back inside of you. You hate the orgasms you have from that simple action.

It isn't until the second time that it feels…primal. You can't explain it, but when he's fucking you like a feral animal, you find yourself leaning into it. Your body isn't in tune with your mind anymore. It's not listening to your pleas because it knows it feels good to be taken by him. He never hurts you unless you do something he doesn't like, which is rare. He only ever wants you to feel pleasure.

Days go by of this, of just…constant breeding. You will sleep, then wake up, fuck, have breakfast, fuck, have lunch, fuck, do house chores then fuck in the shower afterwards, then eat dinner which always ends with you bend over the dining table because you're the meal he's actually hungry for. This cycle repeats until you get your period.

The disappointment on Joel's face stings. It's like you failed him. You couldn't give him what he wanted. You don't like the feeling…but a tiny voice in your head reminds you that you shouldn't want to please him anyways.

During your period, Joel teaches you how to suck his cock, since he can't fuck you. As a reward for learning, he caters to you, helping you with your cramps, rubbing your belly when it aches, cuddling you like you're the love of his life. It's…jarring, to say the least. You'll go from him fucking your face to him caressing your back and whispering sweet words to you.

Run. That tiny voice yells into the abyss that is your mind right now. Run far away from here.

You want to listen but…where would you go? You grew up here. You don't know anywhere else. This is your home and he's the intruder.

An intruder who's making himself at home.

"Does your stomach still hurt?" Joel asks because you've tensed up against him, your thoughts influencing your nerves.

"A little." You lean into his chest, not because you want to, but because he's warm and the winter has been cold. "I'll be okay."

"You'll always be okay, baby girl." He presses a soft kiss on your forehead, taking in a long breath before saying, "I'll keep you safe."

Safe from who? You wonder, because you aren't safe from him…

❅❅❅❅❅

Another month passes and you're late. You counted the days, mainly because Joel made you, and you're late. You've never been late before, which can only mean…

"We won't know for sure, but we can find out." You suggest. "There's a convenience store a few miles up. There's no food there, but there's plenty of pregnancy tests. I remember seeing them."

You chew on the inside of your cheek, hoping he'll take the bait. Please say yes.

You need to get him away from your house. You need to kill him but you can't do it here. You need to do it somewhere he isn't familiar with.

A place where you know a gun is hidden.

"Better to be sure." Joel agrees to the trip. "But you're coming with me."

"Okay." You knew you'd have to. "I'd like to walk with you. It's a nice hike, now that the snow has melted."

The rest of the day is spent preparing for the day trip. When it's finally time to sleep, you're surprised to feel Joel's cock harden behind you as he spoons you. He rubs himself against you and you hate how your body reacts to it, leaning into the feeling.

"Just to be sure." He whispers to you and you know what he means. He doesn't have to say much else.

You feel him nudge you until you're on your hands and knees and he's situated behind you, pulling down your pajama pants. Joel lines his cock up at your entrance and in one single motion, he fills you to the very brim. You can't hold in your moan, not when his body is pressing down onto you, engulfing you completely as he starts to pound into you.

"How does it feel to be mine, my sweet baby girl?" He asks, his hips meeting your ass perfectly.

"So good." You don't lie because you know it'll be the last time you do this with him. "Please don't stop, daddy."

"Never." He says, grabbing you by your hair so that he can kiss the back of your head. "I wouldn't dream of letting you go."

With his hand still in your hair, Joel continues to fuck you from behind, tugging you back to meet him. His lips on yours are sloppy, but you kiss him back, feeling connected with him on all levels. Your body moves against his in perfect harmony and you drown in the moment

It isn't until he whispers the words "I love you" that your heart pinches just a bit, remembering the reality. You're going to kill him tomorrow, this man who loves you in a sick and twisted way.

"Fill me up." You whisper back, giving him something else, since you can't give him your love. "I need you, Joel."

That's enough for him to finish inside of you, the heat spilling into you in waves. His cock pulses inside of you for a few moments before he pulls out and lays back beside you.

You go back to the way you were laying before, and he spoons you to sleep. You wonder what it'll feel like to sleep alone, now that you've slept with someone for this long.

You're going to miss it…maybe even him too…

❅❅❅❅❅

Now that the snow has thawed, the ground is much less muddy. You still had to wear your boots, which aren't uncomfortable but they're harder to run in. You don't think you'll need to run but…you want to stay prepared.

Joel tells you a bit more about himself on the walk to the convenience store. You're unsure if you want to know more about the man you're about to kill, but you can't refuse him, so you listen.

You don't expect him to tell you about Sarah…but now everything makes sense. Perhaps, he's been waiting for a chance to make things right. To raise a child who won't end up dying in his arms and leaving him forever.

You clutch your stomach when he's not looking, scared of your own mind. Scared that the tiny voice in your head is now whispering guilty thoughts…

You can't. It's not reasonable to have a child in a world like this. Especially not with a man like him.

You say that, but Joel has warped you in a different way. You won't lie and say you won't miss him when he's gone. It's hard not to miss someone you've spent the last two months getting to know in more intimate ways than two normal strangers would.

As a war breaks out in your mind, you and Joel get to the convenience store. The front glass is shattered, but it's always been like that. Looters at the very beginning of it all broke it, which is why there's moss going on the shards that were left behind. That's what your parents told you.

You miss them more and more with each passing day. They were well-prepared to have you, knowing they've set up a little oasis in the middle of disaster.

You can't have this child with Joel. You're ill-prepared to be a mother. You're unsure if Joel would even be a good father, even if he claims that's all he wants to be.

Would a good father taint someone else's daughter the way he has tainted you?

You hold back your sigh as you and Joel walk over the glass to get into the store. It's a small store, so it's not difficult to find what you're looking for. You wonder if these will even work, since they probably have an expiration date, but you just have to know.

For your own sake, more than Joel's.

Once you've packed a fair amount of pregnancy tests into your bag, you tell Joel that you've stashed some canned goods behind the counter in the off chance you might get stuck out and about, and you wanted to check if they were still there. It's not a lie, but you stashed a gun there too.

So, you go to the floorboard you hid everything under and pull it open and—

The sound of a gun's safety flicking off freezes you in your tracks. You swallow, hard.

Fuck, did Joel figure it out? You're too frightened to look up, scared that you'll be staring into the barrel of a gun.

But then, a new voice appears and she goes, "step away from her, Joel."

You glance up then and your eyes meet the girl's for a second. She's young, maybe barely eighteen, and yet she wields the gun you had hidden in the floorboards like she's used to handling them. That thought should worry you, but you're more worried about how she knows Joel.

Did he…do something to her too?

"Ellie, please." Joel pleads, his hands up. "Don't take her away from me."

"I know what you did to her." Ellie has her finger on the trigger, ready to shoot him. "I saw what she put in her bag."

"She's pregnant. We're going to be a family." He tries to reason with her. "Come back with us. We have a home. You'll have a little brother or sister soon. Wouldn't that be nice?"

"You're sick, Joel." She gestures for you to come over to her and even though Joel's eyes pierce into yours to stop you, you still make the trek over to her. Once you're securely behind her, she continues her harsh words to Joel, "you don't know what it means to be family. Family wouldn't do this, wouldn't do the things you've done."

"I can change. I can do better. I'm sorry."

You've never seen Joel so weak before. The once scary man that held you captive is now cowering before this girl.

"Sorry won't bring them back." Ellie tells him and you wonder what she means by that. "So, don't come looking for us. I'm taking her and I'm leaving now."

"Please, don't take her." He begs, his voice cracking as he goes, "I love her."

You open your mouth to say something, but Ellie stops you. Maybe she knows what you're about to say, or maybe she just doesn't want you to say it back to him. Not that you would…right?

"This isn't love, Joel." She tells him for you. "Whatever this is…it sure as fuck isn't love. I'm sorry. You did this to yourself."

The moment those words leave her mouth, she shoots Joel. You cover your ears at the sudden sound as it echoes through the quiet.

You hear Joel scream and you realize then that Ellie didn't shoot him in the head. She shot him in the leg, so he couldn't catch up to you two.

"We have to go, now." She grabs your hand and you both start to run.

Run, that voice comes back in your mind, run and don't look back.

❅❅❅❅❅

You and Ellie take a break once you're a good distance away from the convenience store. You give her some of your water, since it looks like she's low on supplies. She asks you about what happened and…you tell her. Not in full detail, but enough.

"That fucker." She seems angry at Joel for more than just what he did to you, but you won't pry about what exactly.

"Who is he to you?" You ask Ellie, wanting to know that instead.

"He's trouble. The kind of trouble I need the strength to take care of before he hurts anyone else…" She says, the anger leaving her voice as a sadness seeps in, "but I'm not strong enough yet. I couldn't kill him…but I will one day."

You can tell she doesn't want to, and you understand why. You might be the only one out there who understands her because you feel the same way.

There's no way Joel isn't looking for you two.

So, your journey with Ellie begins. You're both on the run from Joel, but also finding the will to hunt him too. All while wondering if he's imprinting himself onto you the way he wanted to.

You press your hand on your stomach and chills run through you.

You should've known Joel was trouble the moment he walked through your front door…

A/N: I've always wanted to write a villain!joel since I feel like it actually fits his character a lot, if he was given the right set of circumstances. I also am a big fan of the "I need to kill him before he kills me" trope, but with a twist! The addition of Ellie in this part makes me really happy and gets my mind rolling. The latter half of this one-shot is very plot-heavy, which is new for me but I kind of like it? It really builds up to a possible sequel! So, if you're interested in a sequel, please let me know! This really does have the potential to be a whole series ♡

[genericpuff]

Wait why were they looking for Kassandra? Did I miss something?

No clue. It's left at "they still haven't found Kassandra" or w/e and we have zero clue why "they" are looking for her. I'm assuming maybe it has to do with the fact that she's now a mortal with the ability to see the future? But there's zero expanding done on it so it's completely up in the air what that's supposed to mean or why it matters. It felt more like it was shoehorned into the finale so Rachel could go "FINE, I'LL SHOW YOU KASSANDRA IF IT'LL MAKE YOU SHUT THE FUCK UP" after people reasonably wondered what happened to her when she had a whole plot arc developed around her.

Unfortunately she was deadass just there as an expository device to 1.) get Apollo on the right track to putting Zeus in a coma and 2.) informing Eros and Psyche of the poisonous plant (which didn't even wind up mattering anyways because Eros and Psyche immediately got thrown into Leto's basement prison and were then never seen again LOL so it was just to explain the poison plant thing in a hamfisted way to the audience, but it happened before Zeus was poisoned, so it ruined any amount of "whodunit" tension and mystery that the story could have had because we were told right off the bat that Apollo did it LOL) Like many things in LO, it was introduced just as a pointless way for Rachel to write herself out of a corner (and then throw herself into another one).

TL ; DR: None of it mattered, you didn't miss anything, it's just dumb.

[bibibbon]

*JJK LEAK SPOILERS, please ignore if you haven't seen them*

THE QUEEN IS BACK

I have seen the leaks and chapter translation and while yes the queen is back (I do have some concerns and problems with the way gege executed this)

It makes sense for nobara to come back and we have been teased from the begining that there was a clear chance that she could come back ever since she died. Nitta says that while she died and doesn't have a heartbeat she very much could be revived if she got help in time (and he literally suspended her condition at the moment)

The problem is that it took gege a really long time to actually bring her back or imply that she is alive, approximately 4 years and a 100+ chapters for her to come back.

Chapter 144 and chapter 210 were from yuji's perspective who didn't know nobara's fate and we never got actual confirmation of her fate (all we got was yuji missing her) in asking about her.

These are good moments in my opinion that definitely adds uncertainty and show how nobara's "death" has effected characters like yuji and even megumi (a bit).

However, the problem comes in from other characters. Were they aware of nobara's fate? Is that why they didn't comment on anything? Is that why we never saw maki's reaction to nobara's death? Or is that why we never saw Gojo ask about nobara after he escaped the prison realm? Or is that why we don't see much of the second years reactions about her in general? Is that why we never see yuji say her last words to others? In all honesty I can't help but almost feel like gege may of forgotten about nobara (and just brought her back because he remembered her and she is a fan favourite just like he did with Todo)

I have talked about the wasted potential of nobara's character here and the direction I think would of been suitable for her character.

I think we should of gotten more hints about nobara coming back and being alive in the manga (Iam aware some may say we have gotten clues but they're all in arts and not inside the manga) heck i think we should of gotten confirmation that she was alive and working in the background while the others thought that she was dead (I love a bit of dramatic irony within the story and it definitely adds stakes without having anyone dead)

Other than that I really enjoyed her first appearance around the characters specifically what she said to itadori and how it's a clear reference to when itadori first died and came back. I also enjoy the fact that we are getting to see her back and using her cursed technique however, i still hate the fact that she miraculously woke up 30 minutes ago when the plot needed her most (it would of been better if she woke up and went back to her home town found out something about her CT and done more self digging then came back to help with the fight after seeing mei mei recording it)

Lastly, my biggest worry is how gege is going to handle her character development (theres only 4 chapters left ) and tie in the loose ends like the thing about Jujutsu society hating women with scars and how nobara did value her beauty (jjk could very much delve into the insecurities she may have or her actually going back on the things momo told her and learning a lot more about intersectionality feminism instead of the girl boss one that she displayed earlier on in the story) I also think it would be interesting to handle nobara maybe feeling left out like shoko in her trio (and how that cycle might change)

[libraryofloveletters]

I Spy With My Little Eye

Dominik Szoboszlai x Fem!Reader

Warnings: dom is so cheesy but he also disappeared and you're like ??, a bit plot heavy, so many random tasks, reader thinks dom has lost his mind, major sweetness at the end.

Word Count: 970

Author's Note: dedicated to my fellow dom enthusiast @curiousthyme <3

--

This Christmas was different. Dom made you work for your gift rather than giving it to you; following the clues through the neighbourhood to your final gift.

There was some time before Christmas and Dominik suggested a trip to Germany, the place you two called home for quite a bit of time while he played with Leipzig. You still had your place there as you bounced back and forth between there and Liverpool for work so you two were staying there for a few days.

You felt the mattress dip, your boyfriend's warm hand on your forehead. His lips by your ear, "I've got some errands to run, sweetheart. I'll be back later." he whispers, kissing your head.

A mumble and you feel around, patting his cheek before rolling over and going back to sleep.

It wasn't until an hour later than you got up, finding Dom's side of the bed still empty. There was a note on the pillow, you assumed it was just him reiterating what he had told you before he left, knowing you'd be too sleepy to really listen to him.

You unfolded the page, reading the words he had scribbled down.

check your favourite hiding spot for a gift - xoxo D.

The sun peeked through the curtains, you forced yourself out of bed to go into the living room. The ottoman sat on the rug, you smiled to yourself. Dom never used the ottoman, in fact he hated the thing; it was ugly and clunky but you liked it for some reason so he left it. Plus he knew you used it as a hiding spot because he often forgot it was there.

Pushing the top open, there's a box wrapped up with ribbon and a note tucked under it. The note was opened first.

get ready and head to Julie's for the next note - xoxo D.

You had no idea what he was up to but you folded the page again, taking the lid off of the box to find a dress you had been telling him about for weeks. You haven't been able to find it in stores or online. You're not sure how he did it but you're sure he used his 'connections' as he called it to find it for you.

As the note said, you went through your morning routine and got ready, your coat wrapped around you and boots on as you headed out and into the snow.

The bell rings on the cafe door, the smell of baked goods welcomes you back home. "Y/n!" Julie beamed, you weren't expecting to see her in, especially not on a Saturday morning.

"Hey!" You smiled.

"Here you go," she passed you your usual coffee order and an envelope. You reach for your purse to pay her but she shakes her head, "Dom paid."

You smile, opening the envelope and reading the note.

meet me where we had our first kiss - xoxo D.

It takes you a moment to think back, it feels like a million years ago but then it hits you, the park.

You thank Julie for the coffee and you're off again, making your way through the snow, cursing Dom in your head for choosing a snowy day to do whatever it was that this was. It's a short walk to the park, specifically to the park rangers' office; yes you had your first kiss outside of their office. You were on a walk and it started pouring rain, Dom pulled you there to keep you out of the rain and kissed you for the first time there.

It was more romantic in the morning, but thinking about it now made you giggle.

You looked around for your boyfriend, hoping this would be the last of the walking as your legs were killing you.

Someone pats your shoulder, a park ranger. "Are you y/n?"

"Yeah," you nod, the man hands you yet another envelope. You're a bit annoyed, knowing you'd probably have to walk some more but you open it.

follow the ranger. no more walking, I promise - xo D.

It's as if he read your mind. "Lead the way," you tell the man, he nods and leads you over to one of their little cars.

You knew this path, it led to the gazebo at the edge of the park that overlooked the water. You get out of the car, thanking the man as you walk over to the gazebo. There are candles and flowers everywhere. As you make your way closer, you're expecting to see Dom but you don't.

A bit confused, you look around but then feel someone tap your shoulder; Dominik is on one knee behind you when you turn around.

"Dom.." You look at the man, your jaw hangs open slightly.

"Y/n," he smiles, "the last 5 years have been the best of my life, as cheesy as it sounds. You've been through the good and the bad, stuck to my side no matter what and I can't thank you enough for that. I hope you know how much you mean to me and will always mean to me so," he smiled at you again, opening the small box in his hand.

"Will you do me the honour and marry me?"

You're in shock, nodding but then you remember you actually have to answer him. "Yes!" You lean down, hands on his face as you kiss him. Dom stands, still kissing you for a moment before he pulls away, slipping the ring onto your finger.

Your boyfriend- fiancé, pulls you back into a hug, kissing you as he picks you up, giving you a good squeeze.

"I know you've always wanted a Christmas proposal but not on Christmas." He laughs, forehead pressed to yours.

You smile, tears in your eyes as your hand presses to his face. "It was perfect, perhaps less walking would have been better but still," you giggled, Dom kissed you once more, hugging you.

[sprinklenoodles]

I am but a fool. It is 12am and I should have read Chapter 3 of the Fantasy ay sooner cus AAAA! I wish I could draw!!! This was so coooool! For once, the beginning and the clear fondness Byakuya has for Chihiro. How he picked out an outfit for Chihiro and everything. When they're out in the town and Byakuya interacting with that kid. That was adorable. Also, just the showcase of how Byakuya want's to be a good prince, making sure the fire didn't spread when that building got hit with fire. And how he got all worried at the end for Chihiro which distracted him which shows how much he cares! MY HEART!! I have no clue if this is coheirent by the way. Like, gosh! It was such a nice read and was refreshing which is fitting since it's a change from Byakuya being in the castle. Plus, the plot is plotting and that is awsome. OH! And I liked that one part when Byakuya's ears twitched and he could sense something was wrong. I like how it gives a subtle show to his awareness regarding the people of his kindgom and how he can tell when something's afoot. ALso, ice sword cool. We gotta love the ice sword cus he of course has sword training! Even if this wasn't the fantasy au, he just gives that vibe that he's maybe fenced sometiem in his life. AAAALSO!!!!!! Chihiro is precious and wonderful. I would like to draw the outfit Byakuya gave the little guy cus fashion B-] Not sur wht Byakuya was wearing but u can tell! I wanna draw that scene with him and the kid. Also, I like how the kid's name is Jay. Reminded me of Ninjago cus why not. I could just imagine that little elf kid vibrating in excitement btw. It is very apparent I am tired as hell and I'm rambling so bad ahaha! I feel I was going to say more but I lost steam and I am so tired in fact that I don't even think I'm capable fo fixing any of the types I have here which is quite the load. Quite the heavy laod. Like some dirty dishes that I'm ignoring cus booooo! Byut yeah! Good read. Goood time. Byakuya got kidnapped. Good for him. During that fight, my brain brought up a freaking Pitbull song which I will not elaborate on and will instead leave as a vague thing for suspesne and all WOO READING! ALSO I FINISHED THIS AND IT IS NOT 1AM SO WIN!!! GET DUNKED ON, TIME!

This was definitely one of my fav chapters to write so far, so glad you liked it too!

And yeah, Byakuya is fond of Chihiro!! He just has to be in a good mood and suddenly Chihiro is his little buddy.

He also does just care about his kingdom and the people there. He's obviously still an asshole, he really is, but he can also be nice. And he does try to be nice to kiddos, especially when they're a fan of him like little Jay.

Doesn't mean he's nice all of the time though... Like, it was kinda mentioned but Byakuya isn't the nicest to his servants at times... He's still Byakuya after all.

But he does just want to be a good prince. He'll generally be nicer to strangers cuz they're his people and haven't wronged him, especially kiddos.

And Byakuya is just kinda wearing his usual outfit. So, like, light blue dress shirt and pants, with a black vest and black cape. I, uh, have a wee little habit for forgetting mentioning clothing lol.

Also, the kid's name was a Ninjago reference. I will in fact be using those names whenever I just have a random character. Already have another in Chapter 5 lol.

And, ice sword!!! It probably won't be the last time you see something like that, it's a very handy weapon after all. Byakuya also did have some sword training, but not a lot...

But, yeah. Glad you liked the chapter since I had a blast writing it :D

[annabelle--cane]

*tinfoil hat on* I think tmagp being more standalone is the real red herring and some fell for it hook line and sinker, denying obvious clues and ties to tma (Gwendolyn BOUCHARD, fucking hilltop road again, jonmartin???); I know this is the 15 different Michaels podcast side/sequel, but c'mon

I think it's more like it will work perfectly fine as a stand alone work, but some people heard "it's fine to start with protocol if you haven't listened to archives" and "coming from archives might give you certain preconceptions that mess you up with protocol theorizing" and took that to mean the two podcasts will be as unconnected as possible with only stylistic and aesthetic overlap, no plot or lore, but like. just because it will still work for new listeners doesn't mean older content won't be relevant? we've got a whole set of fresh characters, if new audience members need to learn about something that happened in archives then they will do it via the characters learning about it. you don't accidentally name a character "bouchard" for a second time, cmon guys.

[corndasby]

Brief Explanation of Time Travel in Reverse 1999

I still see people a bit confused about how the storm functions in r1999, so here's a quick summary. This is accurate up until patch 1.5 (I'm playing blind so don't know about 1.6-8!) and will contain some plot spoilers.

What we know

- Before 1999, time flowed normally.

- In 1999, storms began that reverted the world to an earlier year. It's like time is instantly set back to a previous date. After a storm, time flows normally until another occurs.

- Some locations in the world (Manus bases, the foundation, the island) are immune to the storm. The time in these locations has been flowing normally since 1999. They haven't "time travelled" in any way, they're just going forward linearly like ordinary.

- If a living thing is caught in a storm, it disappears. Seemingly the only exception to this rule is Vertin. Her being immune to the storm outside of safe areas is why the foundation is so interested in her. Two versions of a person will never be present at the same time.

- Time is never flowing backwards. Storms just instantly revert it to previous points. People/things do not literally act in reverse until the new time is reached.

- Both humans and arcanists are safe from the storm in safe areas like the foundation. However, only arcanists are safe inside Vertin's suitcase.

What we don't know

- What happens to people caught in the storm? It's unclear if those people are lost forever, or if the time they are in continues to exist and they're still alive there.

- Can the storm move time forward? It's unlikely because reversing is sort of the whole premise of the game, but it isn't ruled out yet. Perhaps this is how characters lost to the storm will return in the future. Schneider is fine everyone just keep believing.

- Why is Vertin immune? In 1.4 we found out it's because of Asymmetric Protein G, but we still don't really know what it is or why she has it. The island's cave seemed to contain the same substance, which could be a clue to how the safe spaces are created/function.

- Can you meet yourself in the past? This hasn't happened yet in the story, but could be a cool plot hook for a future patch.

To my knowledge this is all accurate, but please correct me if I got anything wrong, as long as it's not spoilers for content not yet in global. Thanks : )

[bread-tab]

okay random 4am rant time, don't take it too seriously, but: people need to recognize there's a difference between "bad worldbuilding" and "worldbuilding styles you personally don't like."

bad worldbuilding is, for example: internally inconsistent, bigoted, or something else that messes up the plot or characterization of the story itself. sloppy. careless.

things that are *not* bad worldbuilding:

minimalism.

i've been thinking about this in the first place because i saw a post about the Murderbot Diaries a while back (don't know who made it, don't care; this ain't personal) saying the worldbuilding in those books is bad and lazy. to me, as an avid sci-fi reader and writer, that is clearly not true. but i understood why they thought this. the series uses extremely minimalist worldbuilding which intentionally withholds a lot of detail, in a way that is consistent with the (nonhuman, robot, depressed robot) first-person POV. this could also be a feature of the author's writing style in general—i haven't read her other works—but i wouldn't bet too much on it.

the signature of intentional minimalism is that there *are* details about the speculative setting—they're just doled out very thoughtfully and sparingly. the intent is to leave you a little hungry for more. it's to make you think very carefully about the details you do have. this is best suited to stories that already have elements of psychological and/or mystery plot types. the worldbuilding you do see should still be believable, internally consistent, and have interesting implications if you think about it a bit. but you are for sure going to have to think harder to get it.

if you're not in the mood, i will concede, a minimalist style definitely comes off as a bit dry. if you are in the mood, it's relaxing.

whimsy.

this is a big one for sci-fi fans in particular. see: the constant debate about whether any particular story is "hard" or "soft" sci-fi, and whether soft sci-fi is bad, etc etc. but worldbuilding doesn't have to be realistic to be good. you're allowed to have Jedi and humanoid aliens and time travel in your sci-fi. you're allowed to have historical anachronisms and astrology and po-ta-toes in your fantasy. whether or not they're silly isn't the deciding factor on how "good" these worldbuilding elements really are.

the key thing is tonal consistency. you've got a serious high-fantasy setting with its own strict, un-Earth-like theology and magic system, and you throw Santa Claus in there? yeah, that's not gonna land well. but C.S. Lewis can get away with that in Narnia just fine. why? because the Chronicles of Narnia are whimsical children's stories with a strong Christian/Western mythological influence already, and their central conceit is a crossover between the mundane world and the magical world. of course Santa can cross over too. it's whimsical, but it's not actually random. (and if you ventured into straight-up comedy, you could get away with random too. as long as it's funny.)

the unreliable narrator.

i don't have a good example for this off the top of my head (maybe Murderbot again? idk, i'm sleepy, fill in your own) but i'll tell you how to recognize when this is done well.

by definition, an unreliable narrator has some key misconceptions about their own world. so how do you tell what's going on as a reader? how do you know the writer isn't equally confused?

you connect the dots. solve the puzzle. in practice this is similar to reading a minimalist setting—but instead of just sparse clues, you also have a boatload of red herrings. you can catch some of these misleading details by comparing them to your real-world knowledge and saying "wait, this doesn't add up." other times, the false clues intentionally trick you by subverting those real world expectations.

the trick is in the consequences. regardless of what the narrator says, their actions should still have logical consequences. there should be things going on that the POV character doesn't know about. the character will be forced to learn and adapt their narrative because of these shifting circumstances. you can catch them in a lie. the inconsistencies themselves tell a story.

...

i'm gonna stop myself there because this post is long and i oughtta be sleeping. just. this is a distinction worth making. is it really bad worldbuilding, or is it simply not the genre you're craving today? learn the difference for your own sake. you'll have an easier time realizing if a story is something you'll find enjoyable to read, regardless of its actual quality.

[zahri-melitor]

I read two more issues, to get past the Robins fight, and...still so conflicted.

I can see exactly how, if Damian is your ultimate blorbo and you read for Damian, this story is doing exactly what you want it to do and reflecting back beloved stories.

Issue 5 is explicitly set up as a parallel to War of the Robins from Batman and Robin 2011, and even ends with Damian getting an 'I love you and here have a trophy' speech from Dick, to tie Damian back to Alfred and Dick and the layers of care in the family.

It acknowledges Damian's menagerie and comments that the last thing Damian did before leaving was check in on them. It has Goliath show up and save Damian's life.

It has intense Robin: Son of Batman vibes and the whole repeat of the 'finding yourself on an isolated tropical island and redeeming yourself'.

(I expect the whole Respawn thing to play out with very much the exact themes of how R:SOB dealt with Damian's clones once Damian clues in)

But I keep waiting for payoffs that just aren't happening.

Rose slopes off to call for help for Damian, and then Dick, Jason, Tim and Steph turn up and I'm like "oh! Rose went and called Dick, because she's looking out for Damian on the island in the same way that Dick looked out for Rose while he was training her as Ravager and in a bad place where she was hanging on every one of Slade's words and determined she needed to prove herself as worthy of her father...oh. She called Jason".

And look, I know that there's an underlying push for decades now that Jason and Rose do have a bunch of things in common and would work well together (and also hinting at whether or not they're romantically involved), but a lot of that is inferred off panel stuff while Dick was literally Rose's teacher. If you want themes of 'you don't have to be what your family expect of you' why on earth wouldn't you openly reference that?!?

In terms of who is on this island and is one of Dick's rogue's gallery:

Raptor

Double Dare (both Margot and Aliki)

Lady Vic

Brutale

Nite-Wing (seriously why is Tad here)

Blue Shrike is apparently Shrike's brother???

Is this going to get acknowledged? That a solid chunk of Dick's enemies are here and fighting Damian? That's like half the competition!

Also while I was looking all of this up apparently the Richard Dragon they're talking about is the son of actual Richard Dragon, who apparently got killed in a flashback or something in Green Arrow #32 during n52 and who apparently in that universe worked for the League of Assassins (oh god I am now tearing my hair out, RICHARD IS NOT LINKED TO THE LEAGUE. HE WAS TRAINED BY THE O-SENSEI. STOP DOING THIS TO ALL THE MARTIAL ARTISTS). Huh. Bet that doesn't stick. Richard's too important thematically any time someone wants to write a Question book to be left randomly dead.

And then there's the whole situation that there is a Tengu on this island. I just went down the rabbit hole and this is an import of the Titans villain who is just a Japanese goblin, NOT the Tengu mask that Shiva hands out to people who are trained by her and fighting somewhat under her banner (as seen in Knightsend and in the Circle of Six in Richard Dragon). Which is honestly a waste; if I were going to resurrect a Tengu for this plot, the Shiva and Richard Dragon aligned mask is far more thematic!

And plus, Silver Monkey? Silver Monkey is heavily linked to both Connor's Green Arrow stories, and Shiva (as Paper Monkey), and Deathstroke. It's War of the Dragons and Cult of the Monkey Fist and Brotherhood of the Fist. It's about death and resurrection (as Shiva almost kills Connor and Tim uses his marker with Shiva to save Connor’s life from the time he saved HER life). Is this going to be acknowledged? Because that's where I'd be playing the references by bringing in Silver Monkey.

And look I haven't seen what payoffs we get for Connor yet and there are definitely a bunch of opportunities built in; on top of Silver Monkey you have Constantine Drakon, who's defeated Connor before. Plus there's Artemis Crock, who in DC Comics comics terms isn't linked at all to Connor (she's JSA and Infinity Inc and was in the YJ98 Zandian Olympics team) but obviously has been used for archer purposes in tv and cartoon adaptions.

I keep seeing all these potential stories set up and wondering if there is going to be any pay off on them. I hope so. But also so far the story has slipped around those payoffs unless it's a direct reference to a Damian story.

Also Ra's al Ghul playing the hermit sensei meditating and in touch with the universe on a nearby island is the funniest nonsense possible. Ra's? RA'S? Taking time out to go meditate on the state of the universe? Just so he's conveniently in a place to give Sage Advice to Damian about what personal values he should work on? Pull the other one.