What kind of sound are Theo's... noises... intended to be? Snorts? Mouth sounds? Choking sounds? Stuffy nose sounds? I feel like I imagine them as a different thing every time I read them lol
Almost all of the above, really! Nasally grunts, snorts, whines, growls, guttural noises that sound like he's clearing his throat or choking on his own air... Theo makes all manner of noises. Not on purpose.
His "noises" are unconscious vocalizations most of the time. They're akin to vocal tics.The utterances are louder, more pronounced and more frequent the more stressed he is. It takes quite a bit of effort and discomfort to suppress his noises once he feels the urge brewing (if he even catches it in time, because most of the time he isn't even fully aware that he's doing it). He does his utmost to keep them choked down, but to his embarrassment, some grunts and gags always slip through.
Also, often his laugh can sound like "a noise" since it can be more of a gargling wheeze than a proper expression of mirth. His smoking habit hasn't helped the, er, phlegminess of its sound.
A counterpoint to his common stress-sounds is his habit of making quiet humming noises when he's feeling contented and relaxed. He only does it when in exceedingly good spirits - so as you might imagine, he hasn't had much cause to hum in many years.
249 notes
·
View notes
I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
204 notes
·
View notes
HAPPY DEDEDE DURSDAY. Have THE King of Dream Land in all of his glory in the dragon au!
+Design notes/headcanons under cut
Based off of King Penguins! It let me give him a splash of color, and so his chick plumage was brown to make him look like the Waddle Dees! And also “King” Penguin. Haha.
Also based (generally) off of Theropod Dinosaurs. Namely, the Therizinosaurus for its body plan. I didn’t give him the killer claws because I still wanted him to be able to use his hammer. Maybe in another life, Dedede.
While he is primarily bipedal, he can swap to a quadruped stance if desired. He only usually does this if a ceiling is too low for him, or if he goes beast mode (like in Forgotten Land)
His horns form a crown-like formation on his head that was inspired by his mask during Masked Dedede fights. He polishes them to make them shiny like gold!
He has a throat pouch that lets him store food and, when he wants to float, air. He taught himself this through pure spite. I'm actually pretty sure the spite part is canon.
Dedede actually has a good amount of scars, but most of them are smaller and hidden by his feathers. Some, however, stick out quite a bit.
Has a stubborn hoarding instinct. Dedede’s initial greed as a ruler combined with this trait is what sparked the whole “stealing all the food in Dream Land” thing. After he grows as a person (gets his ass kicked) and becomes a good King, he moves on to hoard other things. It’s usually shiny things and small bits of food. He shares it with people he trusts (the Dees and eventually his friends)
The Dees look remarkably similar to a weirdly proportioned chick in his eyes (Same general body plan. Warm shades that are close to being brown. Cute, high-pitched calls). This sets off so many protective instincts in his head it drives him NUTS. Like he knows logically that they’re fully grown, but that won’t stop his brain from going “THAT IS A CHILD.” at first. This only gets worse with time :)
137 notes
·
View notes
Knock Knock Boys: A Queer Asian Lens
I didn't watch Knock Knock Boys as it was airing, because it didn't really seem like the kind of show I'd be into. However, this post by @lurkingshan and @waitmyturtles' enthusiastic recommendation convinced me to give it a shot. Having binged the entirety of the series in a day, I can say that the show was an absolute delight to watch.
I've seen plenty of people talking about how wonderfully sex positive the show was, so I'm not going to bother with going too much into it, but I will say that the drama clearly showed the kind of sex education and awareness that is desperately needed around the world. I also really liked how Lukpeach and Latte were the ones responsible for pretty much all of the sex education in the show. It was very realistic in that, in my experience, it's extremely common for teenagers and young adults to get a majority of their knowledge about sex from their friends and the internet. The show had a very clear message about the importance of talking freely about sex with younger generations, because the taboo on the topic only harms teenagers in the long run.
Now, besides that, there was one more issue that I thought the show did wonderfully: it showed how asian kids are often hesitant to discuss things with their parents because they assume the worst in the beginning. I'm having some trouble articulating this, because it's such an abstract, ingrained concept to me, so forgive me if this is incoherent. I'm also generalizing my experience as an Indian, so please do correct me if I'm wrong here. That being said, having been raised in a society that values respect and listening to elders without question, discussing alternate ideas with parents can be a very difficult thing for most of us. It's easy to assume what parents would say to an idea and decide that trying to convince them otherwise is a task that is either futile or requires too much energy.
The best way I can describe is that the mindset becomes "It's better to ask for forgiveness if you get caught instead of asking for permission straight away". For example, had Almond asked his mother if he could stay with three other guys, she would've most definitely flat out refused, since she would've had a lot of preconceived notions about the idea. But, because Almond is able to show her that he's happy as he was, she was perfectly fine with him continuing to stay with the others. I think that's the hallmark of most asian parents, they want us to be happy but they're convinced that they know what kind of life will make us happy. They did something similar with Peak and his father, but my feelings on that are a little more complex, so we'll come back to this.
Peak and Thanwa, man. I loved Latte and Almond but these two just stole the show for me. I know some people felt frustrated with Peak's dallying and hesitance, but I just felt so sad for him, and something about his situation just hit very close to home. And Seng, the actor that he is. One particular moment that stuck with me was the scene when he leaned against the door while Jumper attacked Max. I must've rewatched that moment half a dozen times, because his acting was impeccable. I will say, I wish that they'd given us a better resolution on the arc after Max, but those are mostly minor quibbles. What I really wanted to talk about was the arc with Peak's father. Peak gathering the courage to tell his father with the support from his found family was beautiful. The scene at Knock Knock House the day before Peak left was one of the most magnificent, emotionally charged scenes I've seen in asian ql in a while. Coming from a societ wherein arranged marriage is the norm, the storyline hit hard in all the right places.
But. I did not love the resolution of the arc. I think we've had some conversation about how some shows try to be both in the bubble and out of the bubble simultaneously, and the last two episodes of the show felt a little like that. From what we knew about the father, it felt almost too easy for him to simply accept everything right away. There should have been some struggle for reconciliation. I know that the show has a theme of assumptions and lack of communication disrupting parent-child relationships, but in this case how fast they move on just seems unrealistic. My cynicism aside, even if we assume that the father wasn't homophobic, there should've been more of a conversation on the breaking of the engagement! The social implications, the father asking him why he didn't say anything for so long, Jane's involvement (how did the father know that she knew about this?). The only argument I can see against this is that the father, while initially put off by the revelation, chose to act otherwise to support his son. But then, he most likely wouldn't have insisted they take his car. And there still should've been some sort of a conversation about the engagement. Arranged marriages have a purpose; it's to provide financial and social security. I find it extremely hard to believe that a father who arranged a marriage for his son wouldn't have so much as discuss the implications of being gay with him. They tried to have the engagement have consequences with the wedding banquet, but the resolution for that really only made it worse. This is cynical of me, but I simply cannot suspend my disbelief enough to believe that the entire wedding party was perfectly happy with the turn of events. This whole resolution just seemed out of place in a show that was otherwise so wonderfully grounded in reality while still being absolutely hilarious. I think, if the show had done something a little more similar to GAP, it would've felt more realistic.
All of that aside, I really did enjoy watching the show. It was hilarious and heartwarming, and the characters were absolutely wonderful. The resolution of the final arc did drag it down a little, but I would be lying if I said that watching two queer couples get to celebrate their relationships with their community didn't warm my heart at all (Also, side note- Jane having a girlfriend was a brilliant subversion). All in all, it's a great series. It definitely felt like something new and fresh compared to the kind of qls that I've been watching lately.
49 notes
·
View notes