#i love that movie a lot

[lost-st4rs]

cuphead & the ink beast au that i’ve been keeping in the back burner for a while

[kodasea]

Son of Gondor

[ciearcab]

how do you live?

[chloesimaginationthings]

I love the FNAF movie vanny concept so much,,

[butterflyscribbles]

Resilience🌻 (1/?)

I just think a conversation between these two would be……..interesting.

[suja-janee]

I’ve been losing my mind over these guys recently

[sirazaroff]

Oops! In a moment of vulnerability you became too honest~

-

This has been a wip for a long while but it stems from when I first watched the movie. Kept thinking that Glinda’s gay ass would’ve never flinched if touched by Elphaba, revealing something to the both of them. Her actions are more honest than her words.

Hopefully you guys can understand the ‘dialogue’

[chalkrub]

some of the head coms from recently <:^) indefinitely still open for these !

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag club full of queens and trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[ashfdhfgdsfk]

which movies have you watched the most amount of times? they dont have to be your actual favorite movies, just the ones youve rewatched most. for example: mine are the final destination movies and scream

[sevenspoonfulsofsugar]

thinking of the ending of conclave (2024) and those lingering shots on the papal vestments. the future and the foundation of the church, he who sits on the throne and is the face of it, wears white.

and the last shot of the movie. and those lingering shots on the women below. the future and the foundation of the church, they who maintain it without being lauded for it, wear white.

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[catmask]

for me at least, theres always been a really stark divide in the 'child character is the main antagonist' sort of stories.

on one hand. theres stories that rely on the shock factor of a child being evil, because we're supposed to believe that kids arent capable of that sort of thing. i guess its supposed to be frightening but the novelty always wears off really quickly for me.

i think 'a child is the villain' always lands most successfully for me when a kid is given power beyond their years (either by adults around them or otherwise supernatural/societal forces) and then everyone is floored when they arent exactly responsible with that power. and sometimes theyre even selfish! not because that kid is evil, but because theyre a kid.. acting like a kid would in their situation.

it means that any sort of story that follows requires a protagonist to reason with someone who may not even understand the harm theyre doing, or worse - not have the life lived to understand why they should care in the first place. and also, i think watching what happens when u have an destructive force seeking comforts that any child deserves doing whatever they can to have those things is (to me) much more interesting than 'child who is fucked up and evil for no reason but being born that way actually'

[chloesimaginationthings]

I adore the FNAF 2 movie sign,,

[kookies2000]

As someone who grew up in a household where men were never allowed to show affection, let alone to another man, from fear of being seen as weak.............

These forehead touches between friends/bros are so healing to me. Please, we need more of this. Platonic affection between men is beautiful, and I wish I had grown up with it.

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.