#i started with gems

[reading-writing-dying]

The fact that if you watch gem pov you have NO IDEA that the snails make noise is so funny

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[hoechlin]

THE GREEN KNIGHT (2021) dir. David Lowery

[ultravioletness]

gay knights and dames collages part two

[morningsaidthemoon]

HUNTER’S MARK

[echo-shard]

patient 0 of the boogeyman curse

[heartorbit]

always by your side

[ender1821]

im a child of divorce

[daily-smallishbeans]

203-

kiss of death

[freaky-flawless]

The De Nile sisters!

[alevens]

Mihawk, who's only ever had two interactions with Roronoa Zoro, one in which he almost killed him and then saw as the most important thing to him after their duel was to let his captain know he wouldn't lose ever again (did he just call a rookie who hasn't even set foot on the Grand Line, "Pirate King"?) and seeing how said captain is more happy about the fact that he's alive rather than the promise he just made in his name, and the other one was when he -half beaten to death- tried to leave his island after learning about what happened in Marineford, and then asking him -the man he promised to best- to train him because he wants to be stronger, going as far as to kneel in front of him:

[theminecraftbee]

okay, okay, superhero au concept of the day: soup group identity shenanigans au. the soup group all rent a house together, they became friends... i don't know when, still figuring this out, but they're all buddies. however, they're all involved in the hero scene in their own way, and everyone's levels of knowing how involved in the hero scene they are is varied.

impulse is a relatively new hero (name pending), after an accident at his desk job somehow left him with electricity-based powers. he's kind of awkward and new at the whole gig, but he is determined to do his best! he is keeping his identity secret to keep what he thinks are his two civilian housemates safe, as well as to keep his other friends safe. he's a bit over his head but he mostly fights low-level villains at the moment anyway. he knows the least information of everybody but he's ALSO the most likely to have a crisis if he learns anything about his housemates.

pearl is a vigilante known as the cleaning lady. she's not so much an active combatant most of the time as someone who takes advantage of existing fights and crime scenes for her own ends, helping to make sure she puts down criminals and collects information from the aftermath. she'll help either side in order to meet her goal of cleaning up the city from the chaos it's currently in, and she dislikes most serious crime, she just... goes about it in a way most heroes do not agree with. she's figured out impulse's identity and avoids him in her night work because she's certain he'd clock her immediately. as for the red deer... she's worked with her once or twice and is kind of terrified, but doesn't know her identity at all.

gem is the soup group's mysteriously rich friend who is the one helping them rent the house together. really it would be suspicious she was renting with the kind of money her job makes and how much she can afford with what she supposedly actually makes if both pearl and impulse weren't so busy hiding their identities. and gem's glad! she's excited to have friends she can play civilian with--that doesn't normally last this long! because gem is the terrifying mercenary and hitman for hire, the red deer. compared to both impulse and pearl (who are normally considered small-time), gem is considered a "if you are not specifically pseudo-hawk, do not engage" level threat. she's particularly known for, if her job is to take down someone interesting, handing them a weapon and letting them have a "fair fight" back. only pseudo-hawk (real name false symmetry) has held her off before. the rest of her targets go home in body bags, and she gets her money. she rarely actually kills someone who ISN'T a target, but she still hurts them enough to keep them out of the way if they try to interfere.

and gem... gem knows EXACTLY who her housemates are. she's keeping an eye on the chatter about them, too. right now, no one who wants their head is offering the kind of money the red deer is worth, of course, so she doesn't have to worry. her status as one of the most dangerous villains in the city remains safe, and she can have her civilian friends, especially since she's pretty sure they don't know who she is! but if any of that falls apart. if they find her identity. if impulse manages to piss off an actually powerful villain, or pearl finally steps on the toes of a gang that can do something about her... well. well. gem... doesn't miss a target. and it would be fun! it would be... something, at least. she's starting to not be sure what she'd do, and that's... dangerous, in her line of work.

but the thing is, it's nice sharing a house, the three of them. surely, the weight of everyone's respective secrets and allegiances won't collapse around them!

...right?

[egophiliac]

just thinking about hair and faces

[izzybluebell]

i have known these dorks for almost the better half of my life and i'm still figuring out how i like to draw them.

[dredgesnails]

I love to imagine the magic mountain bases all actually existing completely separately from each other in completely different time periods (almost), despite being physically in the same location.

In the ancient world, pyramids are constructed at the base of a huge volcano to honor the dead and worship old gods. A wide path leads to an entrance into the volcano, far enough in that the heat gets dangerous. Inside, sacrifices are made to the gods, to their king, offerings given up for the benefit of them all. The king is kind and forgiving, loyal to his people, asking for little and giving as much as he can. The gods however, are cruel, and all civilisations must fall eventually. For this one it's after a great eruption, one that shakes the earth with all the fury of the gods, that the pyramids become abandoned, left alone for centuries to erode. Over time new life grows, and thick jungles begin to hide the pyramids from view, until eventually, they’ve become a part of the natural landscape. Venture far enough in, however, and you might find remnants of the ancient civilisation: old writing in a language no one knows anymore, praises given to their old king; the remnants of ancient weapons and armour; the shapes of people who once lived forever preserved in ash and pumice.

~

It's the start of the industrial revolution, and rumours start spreading of an eclectic man and his steamrail full of exotic animals from across the globe. He’s a travelling zoo, of sorts, appearing in the strangest of places (as long as there's a railway line, he'll be there), areas it logically shouldn't be able to reach. He’s got all sorts of animals, from dolphins and turtles to strange, mysterious beasts. Where does he keep them all when they're not on the train? Some say he doesn't exist. others insist he does, that he lives underneath a mountain no one dares to visit. It's an active volcano, they say, dangerous to go near. If anyone dared to explore they might stumble upon the largest, most diverse collection of animals they've ever seen, and, most bizarrely, a large steam locomotive that runs on its own railway track, seemingly on a loop through the volcano itself. The tunnel is so dark the train disappears into it entirely. a young exploration group decide to find out for themselves, years later, and at first they think there's nothing there, until one of them stumbles upon the obvious remnants of a railway line, no longer in use but not so old that it's started to break down. Maybe he did exist after all...

~

In the late 1800s, a small fishing community establishes itself by the mountain. Electricity is new, and with the new machines and motors available to them the community quickly grows into a small village. Something is wrong, though. The rocks embedded in the mountain appear to resemble a skull more and more by the day, water streaming from one eye socket as though it’s crying. Underground passages and tunnels are found by the new residents, all leading to strange chambers. There's something in the water. A young man, one of the first in the village, disappears for a month, and when he returns, he's changed. He insists the ocean speaks to him, to everyone through him. He fishes for hours, days, weeks on end. When his madness begins infecting others, most gain the sense to stay away from him, but not everyone does. There's something in the water.

By the mid 1920s, the small fishing village is still standing, although most of the residents from four decades ago have since left. A young woman, traveling alone in her tiny fishing boat, docks at the village in need of repairs. What was meant to be a one night stay turns into days, then weeks, then months, as she begins to notice strange happenings in the village. A local artist has locked himself in his house, gone mad from something he found in the ocean. A scientist is experimenting with strange materials, and sometimes at night strange noises come from her house. There's something in the water. An older man speaks in tongues, driven mad by the sea. There's something in the water. The young fisher sees him occasionally, staring through her, unseeing. She's begun dreaming of ancient monsters in the depths of the water below her, reaching their long arms out and crushing her and everyone else. When she looks into the sea she can't see anything. It’s just inky blackness.

(No one knows how the village gets destroyed. One day it's here, and the next it's turned to rubble, razed to the ground by forces beyond human perception. It appears no one survived, but strangely, there's no trace of the small fishing boat the young woman had arrived in, nor of her body, and if anyone stopped for long enough in the wrecked city they might hear mumbling at night from underground, the mad ramblings of a man who has seen too much.)

~

Magic mountain row thrives in the early 2000s. They’ve beaten the Y2K bug (it really wasn't that much of a problem, anyway), business is booming at all the independent stores, and the local economy is better than ever. It doesn’t matter that not many people want to live here because new tech keeps Big Ron busy, and Willie Jr is old enough to start working at his father's shop, preparing himself to take over the business. The safe storage containers are always a little open, but nothing ever really goes missing, because no new people means everyone knows everyone. A young boy visits his neighbours for the last time before he leaves with his family; his dad's got a better job somewhere far away and they have to leave now, and besides it’s safer not to live by a barely-dormant volcano (it’s not as cool, though). His new neighbourhood has a lot more kids his age, but he can't help but miss the eccentric nature of his old neighbours. He returns to his childhood home twenty years later to find it empty. Most of magic mountain row is empty now, actually. There are a few places still open: Big Ron refuses to close up shop because Willie Jr, who has taken over the business now that his father's passed, still needs his help from time to time. Anyone still living here is merely clinging to a past they remember so fondly they can't adapt for the future. They're happy, though. They’re happy to remain here until it's their time to go.

~

In the not-so-distant future, a dense city is formed on the mountain. It started out as a smaller town, with traditional architecture and shrines dotted around the place, but as technology advanced and society progressed it grew and evolved into towering skyscrapers, holographic billboards, a rail system that winds through buildings and above streets. Elements of the past still remain - lush gardens lined with cherry blossom trees, the old shrines and temples still standing, a mark of the city's history and longevity. The city stands the longest, weathers the strongest storms, grows and evolves and changes, but all must come to an end, eventually. A rumbling in the earth, a once-dormant volcano waking from its slumber. They have the tech to know it's coming, now, so they all flee before it can hit. Only one man stays behind. This is his city. This is his home. He built this entire place from the ground up, and he’s not going to leave it behind. He makes his way to one of the shrines. Praying to his goddess, he leaves her one final offering, and when the ash settles all trace of him is gone.

~

The apocalypse happens in a future beyond our reckoning. A city lies, abandoned by most, on top of the ruins of civilisations that came before. Once a lively hub of activity and tech and innovation, the city has become a ghost town, occupied only by the artificial intelligences that had driven humanity out. They wander aimlessly, mimicking the behaviours of the humans they used to watch and help, protecting the inner core of their city that keeps everything, including themselves, alive. The humans reside elsewhere, in a bunker resembling the old world, with more vegetation and life than the city had despite being hidden underground. The city’s architects reassure everyone that they’ll be able to return someday soon. The one who designed the robots, a man more cyber than human by this point, just needs to fix a few issues with their programming. He doesn’t want to destroy them but he might have to. His partner, who designed most of the city, will need to commence repairs before anyone can live in the city again. So they leave, vowing to fix the city so that everyone can return to society. No one knows they will never return.

[kaymarrie]

you were born with stars in your eyes