#i should do something about this on ao3

[thatalmostopsorceress]

The White Rose Lies in a Coffin of Thorns [Blade (HSR) Fanart + Prose]

He who dances a tango with death sleeps in a coffin stained crimson – the crimson that pours from the four-chambered vessels of his foe.

What he longs for, though he gives, he cannot obtain; what he cherishes, though he begs, he will lose; what he holds dear can never fail to break, and so he has no tears left to cry. That is the desolate path of the wounded white rose, his purity and soul long stripped of him as his once vibrant universe fell.

Is it not ironic, that the bringer of death himself yearns to be released from the merciless claws of living?

[californiatowhee]

old fashioneds and tipsy daydreaming

bonus: the subsequent drunk texting

extra bonus, if you made it this far: what happens next, in fic form (spoiler: Phoenix and Miles kiss)

Behavioral Phenomenon | Phoenix/Edgeworth | 2.5k

[lily-claw]

I was gonna wait until I finished the drawing to send this one but welp, then I'd have to wait until finishing my mid-term exams to finish the drawing 🫠

I couldn't wait to see @sapphicflower-ao3 's reaction 🥺🤧

art is inspired by "The Art of Falling"

[neil-neil-orange-peel]

I was thinking to myself recently how wild it would be if this fandom was big enough to do a kinktober. Alas...

[crownedwille]

.

[piosplayhouse]

love it when people are so slippery slope pilled that under every discourse about censorship someone will inevitably go "ok but what if someone made birth of a nation 2 and reestablished the kkk" when it could not be more obvious that the original poster's statement was just like. About a teenager's underage bakudeku fic or something

[ceiling-karasu]

Jollin and the Festival

The afternoon before the start of the Dano Dragon Boat festival, Nayeon greeted Jollin as he returned home from his rounds, chattering happily as usual. As the spring crops came in around her family farm, the bunny had come by multiple times in the past few weeks to borrow the cart he used for larger courier and mail deliveries around his assigned area of Flower Hill.

Jollin did not mind. Nayeon only borrowed it when she knew he was going to have a light load the next day, or had the day off. And besides, letting her borrow the cart increased the chances of her gifting him a few extra bits of produce as a neighborly thanks, a luxury unheard of back when he was a half-starved laborer in the Weasel Kingdoms.

The entire community seemed to think he was too malnourished for his own good, not knowing that his thinner body and less fluffy tail was due to him being a dormouse scout for the enemy, and not actually a squirrel as they assumed. He dreaded to think about what would happen if they figured it out. Then again, instead of publicly exposing him, they would likely contact the Cherry Valley command center, who would explain that yes, he had actually defected long ago, and was happily being used as bait to lure out other scouts who may have escaped the roundup of the other Tokgasi agents. Or so the hedgehog and squirrel commander had assumed, and continued to believe.

“…I do hope you are able to attend the festival, tomorrow! I just hope it is not interrupted by the Weasel Unit, but surely not even they would be inconsiderate enough to attack a peaceful festival when an international crowd is around. Even I get to perform on stage in the afternoon! I have been practicing in every free moment I get! But I won’t tell you what I am performing. It’s a secret you will have to see for yourself,” Nayeon could hardly keep still as she laughed, bold and shy at the same time.

Jollin could guess that she would probably perform a dance, perhaps in tune to some folk music, or even an opera song. Over the last few weeks, she had taken to wearing a traditional hanbok- or chosŏn-ot, as Flower Hill called them- in every spare moment, twirling as she moved. Even Jollin had noticed her gracefulness, which made her a prime candidate for one of the floating dances performed on the peninsula. He had heard of those, although it had previously been a delicate spectacle reserved only for the weasels and other upper class groups in their mansions and theaters. Granted, she still had to work, so the chima was not as long as to cover the boots, and was not adorned in complex patterns, but she would likely be wearing a proper version at the festival. Still, even he knew not to spoil the surprise, needing to fake some cheerfulness and mimic the excitement of the fools of the country.

“Oh! I simply cannot wait! The Command Center does need me to deliver a few packages tomorrow, but I bet they will need to be taken to the festival anyway,” he laughed. Really, the commanders had already approached him with intel that another Tokgasi agent was to appear at the festival, and wanted him, the supposed defector, to hunt them down. “But it will be getting dark soon! You had best be on your way home so you can help the others with the crops! Otherwise, you will all have to do it in the dark, and that can be dangerous! You might oversleep.”

“Yes, sir!” The bunny tittered She waved, then quickly moved down the path and around the hills towards her home, pulling the cart.

Jollin was not necessarily worried about Nayeon being out alone in the dark. Granted, the Tokgasi survivors were hiding out in the area, but it was unlikely they would go for her. There was a danger of a rouge scout taking her hostage to try and get the dormouse courier to shelter them, of course, thinking that they were close friends. But he knew that despite her looks, Nayeon had already been through the mandatory conscription of Flower Hill. She should know how to fight off an attacker, especially given her grandfather being a top general.

Which made him wonder if she was really the happy, bubbly bunny she appeared to be. As far as he was concerned, his paranoia over her being a plant by Cherry Valley was fully justified. Particularly after her grandfather, the doddering old retired soldier, who would absentmindedly, in his loneliness and age, give away secrets about Flower Hill’s defenses and movements, had turned out to be a fully in charge general, who was feeding him false information as part of a Flower Hill plot to use an enemy scout to destabilize the opposing army. Apparently, Flower Hill, as with other nations, were surprisingly fine with allowing a scout to live and work in their homeland. However, the fact that the scout was not sending the false information back to his handlers as they had planned was an actual problem, as it meant that Weasel Unit forces were not falling into traps that had been set up. It forced the general to drop his charade early out of frustration, and for the Flower Hill commanders to formally induct him as a defector from the enemy.

So, what about his granddaughter, Nayeon? Living so close to the Command Center, it was possible that her role to play was to casually drop information on what he should be doing, in a way that would not sound like an order, should he prove obstinate to demands. Come to the festival, a loud place he had no interest in, and stand near a stage, possibly to meet up and chat with a ‘friendly’ hedgehog about infiltration he had seen other than the Weasel Unit soldiers who had been purposefully invited.

On the other hand, she could simply be that innocent, somehow. It would be a bad idea to question her. If it was the latter, and she found out he was one of the enemies? I wouldn’t see her as often. There would go all the extra food, and news from around Flower Hill that he did need to pass on to his handlers. As far as he could tell, she had no parents, and lived with her grandfather, and given the current war and occupations, there was usually a reason for that.

So, being a bit paranoid about what he said and did was reasonable. The commanders and the soldiers saw it as typical mouse nervousness, while the citizens out of conscription saw him as a poor shellshocked victim from the border, afraid to make friends in case he lost them again. Let both those groups believe that. It makes it easier to meet up with Tokgasi alone.

Which was another reason Jollin needed Nayeon to leave so early. He could see the smudge on one of the stones leading up to the walkway to his house his own house. Someone like him, a Tokgasi scout, would easily recognize the faint Weasel Unit symbol on the ground, signaling that there was a message for him. Jollin lay a hand on the fence post, waiting for Nayeon to shift positions, so the straw hat hanging off his back would block her view of his hand snatching the calling card from Tokgasi affixed to the fence post.

My own house. He hardly could have dreamed of having his own private residence in his previous country. Small, but his own. His own bedroom, a main room, working plumbing in a bathroom, and closets for extra clothing of all things. And the fools had just given this to him, either thinking he was one of their own, or had happily switched sides.

He could get an even greater house if he gave Flower Hill over to Tokgasi and the Weasel Unit. A larger home, with luxuries Flower Hill eschewed, maybe even his own servants, as he had seen other mice get for procuring a great victory for their weasel masters, should they be so inclined.

And perhaps, despite how nice they had been, the thought that Flower Hill fully deserved destruction for their inaction towards the suffering taking place in Usuhan Jiyeog still arose. Just sitting back and not interfering as his people starved and died of sickness, hardly having a care in the world about those who had slighted them generations ago. Jollin had seen the firepower around Cherry Valley and elsewhere, knew that with precision strikes they could have easily wiped out the leaders and most of the Weasel Unit, making their country safer, but they were too soft to do so. Once the weasels were gone, most of the mice would likely starve to death without overseers telling them what to do, so Flower Hill should not have to worry about that.

Still, the firepower he had been allowed to casually see gave him pause in reporting anything.

Either way, there would be a meeting tonight. The message noted to leave the door unlocked.

……………………………………………………………………….

The hill in front of his house blocked his view of the valley below, and he assumed that hedgehogs would spy on him from there. Which meant it was a perfect area for Tokgasi and his agents, along with other scouts, to survey as well to make sure they were not being watched.

The mice gathered in the main room, some watching the windows to make sure no one snuck up on the house. Nervous fools, Jollin noted. One of these days, during one of these meetings, someone was going to make a mistake and capture a hedgehog who passed by, instead of hiding. The smarter infiltrators had run away when Tokgasi’s scout ring had collapsed, helped by Jollin’s instructions on the lax security that appeared during specific times. He had heard the other mice whispering rumors of Geumbanji’s mercenary group running a series of safe-houses for deserters, ending somewhere near the border of Chaand Hadia.

Which, while an odd tactic for mercenaries to use, made perfect sense. Geumbanji himself needed to lie low, now that Flower Hill had realized he was a traitor, and with other countries likely keeping a lookout for him as well, he might be bored. Besides, he would get money, news, and supplies from the traffic, while Flower Hill could watch a steady stream of soldiers leave the ranks of the Weasel Unit. The gold ringed mouse could run his mercenary operation from anywhere.

Fleeing to Chaand Hadia had also been one of his possible routes for desertion, but the stories he had heard about the endless food supply and idiotic citizens of Flower Hill who would just give him things had been too tempting. Besides, he would rather see if the foreign country he knew almost nothing about would actually welcome mice and allow them to assimilate. Best not to be among the first. Even if not, he could still hide somewhere.

But that was not important at the moment. Tokgasi was giving him orders.

“We have finally managed to make contact with the second scout we have embedded around the Command Center. We know that he will be at the festival working security, which is good for us to sneak in. Once you make your deliveries, seek him out and give him this message,” Tokgasi handed him a light pink data chip. “These will give him his next instructions.”

“Activating the sleeper agent, eh?” Jollin snickered, trying his best to sound like a typical mouse, fawning over his boss.

“Naturally! It is time that we start to make our moves to prepare to strike.” Tokgasi smiled back, all previous suspicion of Jollin being a traitor who deserted gone from his mind

“Alright, it should be easy enough, sir! I will complete my mission!” Jollin saluted properly.

The other mice smiled and cheered softly, not wanting to arouse suspicion from outside, if anyone was lurking.

Well, this is interesting. Two Weasel Unit scouts embedded in the command center could spell doom for Flower Hill. But Flower Hill also expected him to find a scout at the festival, which meant that they might already know, betraying the remainder of his own little group of friends.

Jollin supposed he would have to see how it would go.

…………….

End Part One

[f-imaginings]

hai!!!!

i know you've already confirmed doing minor what ifs, but have you ever planned or thought of doing a longer one for a happy ending?

(im sorry for asking but these two make me mentally ill in the best way posible. )

The what ifs will be pretty well sized so hopefully they'll scratch the itch for y'all. My goal with the ending is also to make it kind of optimistic to empower other folks who want to write fanfic to give it a shot and make their own content too. I just love the idea of being able to make a positive impact with this story and to embolden others to let their own creativity run free. Plus I'd be cheering if there was a list of "works inspired by" that could sit at the end of the story when it's finished. That way the story (that a lot of people seem to really dig) can live on in everyone's interpretations of it!

[a-big-chicken-nerd]

Okay, now I'm curious.

Who's Grillby??

hes from undertale!!! hes a fire elemental bartender npc in the snowdin area

he has like....... one line of canon dialogue and doesnt really do much of anything in the games story but hes the guy of all time. unironically and 100% truthfully: hes my favorite character from anything ever forever

[rouge-fauna]

I think you’re talking about these posts [here & here], I don’t know if there have been others.

I'm not gonna say what I did was right, you are correct I should probably just not respond to asks getting me to talk about other people. I will say for these two posts those people had already blocked me I’m pretty sure, so it’s kinda hard to talk directly to them in that case. And I was not doing so anonymously and had not blocked them so I wasn’t hiding what I was saying. I did not follow them, I am not part of the innitor community, and not that that makes it right but I do think it is kinda different. Though you make a good point, perhaps we should stop this pattern of responding to asks about other blogs and such.

Still, the biggest thing to me I realized, back in elementary school when I first dealt with this, was that honestly all the time we talk about people behind their back. Talking about people when they aren’t always in the room is kinda just inevitable and part of socializing, however I think the important part is how you are talking about other people. It’s when you are insulting them, talking negatively about them to people they know, spreading false information and so on that it becomes not okay. Hopefully that makes sense.

In these cases I merely focused on the lore. I didn’t insult them or talk shit about them, as a person, as a blog or say their takes were stupid or they are stupid or speculate about their trauma or mental history. I just talked about reasons why I disagreed, or saw things differently and why we might see things differently. They were also not the only ones I saw to say similar things so I think in my mind I was making more of a general discussion, not trying to target them specifically. I didn’t post beyond that about them. But you are right, regardless it was probably not the right way to go about things.

But just to be clear, if I am a hypocrite it is not my intention. I haven’t vague blogged anyone or meant to vague reblog anyone. I think this week is pretty much the first time I’ve ever been not naming, passive aggressively talking about blogs, and even then I’m not trying to insult them, trying to cancel them. I’m just expressing that before you go off about how I’m stupid and unable to have a discussion about it, the very least you could’ve done was give me an opportunity to try.

[the-hilda-librarians-wife]

so howd you like it what are your thoughts

Anon, I hope you don't mind it but I'm going to use this ask as an excuse to do my Full On Rambling post about my honest thoughts. I'll try to keep is as coherent as possible, but I can't actually guarantee it :')

Also putting it under a cut because some of it is going to sound negative (as I said, I want to exorcise any critiques I have so I can go back to Vibing asap) and I know many people (undestandibly!!) won't want to read that, and I don't want to burst anyone's happy bubble :) . And also because of s3 spoilers. Bear in mind that it's not a rant post, I still had tons of fun with the season. But since I'm going to be talking about the things I enjoyed forevermore and gonna try to keep all my 'didn't really like this :/'s contained in this post, it may come out sounding like I enjoyed it less than I truly did. Here we go, get ready for some Thoughts

-> Content

Okay, listen. This season was fun. I had a nice time watching the newest shenanigans. New characters (with one notable exception) were a joy to watch (yes, even the thing. We're in a toxic situationship) and I was greatly amused by their adventures; most of them kept me on the edge of my seat.

(ok, here's where the negativity begins. Please don't take me for someone who wanted everything to be done for Their Specific Standards or who thinks they know more than the professional and extremely skilled team that was behind the series. I'm just throwing around thoughts about how I feel, but in the end, the only thing that matters is that Luke Pearson and the team got to tell the story they wanted to. If that was achieved, I'm happy regardless)

However, I couldn't help but think that some of it felt... like it was "thrown" at us, in a way? To be fair, I think most of the negative points I'll discuss in this post are a consequence of this season being 6 epsidoes short of what the writers originally planned because, as I've mentioned before, I do think the show's writing is great and that the team puts their heart and soul into making this the best cartoon possible. Anyway, what I mean is that at times I thought the episodes seemed so worried with delivering all the information they could that a lot was left behind and some stuff didn't really tie together with the rest.

For example; I still cannot understand why aunt Astrid and Anders had to be these big surprises that had never been mentioned before if Hilda, the character who we see this world through, already knew about them? Don't misunderstand me, I am well aware that these nitpicks of mine are subjective and only my personal opinions that may very well simply be a consequence of not understanding what the writers were trying to achieve. I just feel like Johanna's family and Hilda's father are topics that have been discussed so at lenght in the fandom, precisely because they'd been so carefully skirted around in the previous seasons, that the reveal that nothing really dramatic had happened (between Johanna/Astrid and Johanna/Anders, at least) feels anticlimatic to me. It just feels (again, to me, personal opinion) that if this was going to be the case all along they could have mentioned these characters before, and it would have made the narrative make a little more sense.

(This is especially true to me in Anders' case. Bc it felt to me like they had been trying to highlight how irrelevant Hilda's dad was to the story in the first seasons by not bringing him up at all, by not even pointing out his abscence. But I can't really see the point in that if you're gonna bring out the man either way)

Ironically, at the same time I felt like some of the arcs were a tad overachieving, especially the Johanna's parents one. I just felt like it was Too Much Too Quickly, which once again is likely because of the season having been shortened. I feel like if they really wanted to do that arc, and that way, it would have been helpful to cut some other storylines so they could begin fleshing out this one earlier. They way it was done I just personally (can you tell I'm terrified of being taken as a hater?) felt like there was no time at all to get either used to the idea of Johanna being half faerie nor to get attatched to her parents. Like. I know the episode was the season's emotional peak, but it just didn't hit me the way I know it should.

Not sure if this was a me problem, but I felt like the audience wasn't given enough time to process what had even happened when they got stuck in the fairie island, nor to even consider that they'd truly be stuck there forever, much less to fully process the sacrifice Johanna was making when she left it with Hilda. I didn't get to get attached to Johanna's parents or to the dynamic they have with their daughter. I didn't suffer the way I wanted to when I saw them having to part ways, because I couldn't become invested in their bond when I was still trying to wrap my head around what their backstory even was and pay attention to the action heavy scenes that were to come.

What I'm gonna say here is way meaner than the people behind the show's writing deserve and I know, I can absolutely tell it isn't the case because you can see some of the foreshadowing once you have the benefit of hindsight, but it felt to me like some of Johanna's backstory was written for shock value alone. Which, considering the previous components of the season that I have already mentioned felt underwhelming, was even more jarring.

Another thing is that I feel like a lot was sacrificed in order to do these overachieving arcs. This maaay just be the side character lover and change hater in me, but I do feel like in order to present to us all these new concepts that would be necessary for the backstory to make sense, we were deprived of some elements in Hilda The Series that are arguably what the show does best. It felt like they all but scratched all of their previous stories, characters and components to switch them up for new ones. Pikablob has said it better than me, tbh.

However. I do feel like saying that none of the fears I had for the season came true. No character feels ooc, no one was left with an incomplete arc, and though I can't see how Anders contributes to the story, if he had to be there I feel like the way that was it done was the right one.

-> Pacing

Frenetic. Run for the hills kind of thing sometimes. Which, once again, I can't bring myself to believe was the writers' fault, not when they had other 6 episodes planned that they didn't get to do. I absolutely understand that they had to condense everything they wanted to show us into half the runtime. But it did become an issue (to me) when instead of the trademark Hilda Idyllic Tranquility I usually feel while watching (even plot and action heavy content like TMK), I felt like I was watching a completely different cartoon. Carmen Sandiego, or something like that (please note that I do also love Carmen Sandiego). Many times it just felt like there was no breathing space, which isn't necessarily bad when done well, but I hadn't gone into the season prepared for that.

It wasn't a problem that was all around present, though. I do want to point out that imo "The Giant Slayer", "The Laughing Merman", "Strange Frequencies" and even "The Forgotten Lake" still felt like Hilda to me. Which is where I realize what the main issue I had with the season was. That a lot of it just felt like a different show.

-> ~ vibes ~

I am bringing back the disclaimer that if the team told the story they wanted to, then good for them, I'm pleased as can be. I do enjoy that the series played with some different concepts. The musicality and colours in The Laughing Merman, for example, were absolutely delightful to me. Seriously, I want an entire Hilda musical now.

But some things I just couldn't help but feel were so disconnected from the previous feel of the show that it felt to me like they didn't belong. You can sum the rest of this post up by saying that season 3 would have been one of my favourite ever cartoons if it had been its own thing. But it's not, so I can't help but compare it and try to understand how all of the installments work when together.

The faeries, for example. I was so excited when I saw the trailer and knew it was going to be one of the plots, because I thought it was going to be another adventure of the day type of thing that would span over three episodes max. And listen, I've talked about how much I love Celtic folklore, and maybe this is just my consistency loving brain being annoying, but it felt a bit... clashing? that this season was based on tales and creatures and treaditions that weren't the scandinavian ones that inspired the rest of the series. It just felt like a major shift in tone that I don't really understand (once again, me problem, may very well be a skill issue on my part & I'm not saying they shouldn't have ventured so far just bc I didn't quite vibe with it). It just feels a bit off to me, knowing that Johanna's backstory was likely planned from the start, that there wasn't any celtic lore at all in previous seasons to make this sudden detachment from nordic folklore feel less out of the blue.

You know that joke that Disney movies like Aladdin and Raya take concepts from different cultures and smash them together like they're not completely different? I felt to some extent (bc OF COURSE Hilda is much better researched and has a lot better quality than that /gen) like they did that this season. But with white people. Which, fair, I can appreciate the irony.

Back to the topic of bold storylines, I understand what the Hilda team did with all the Johanna backstory. I understand that it's something that everyone wanted to see soo bad and they wanted it to be great (and it was). The thing I got stuck on is just that it ended up changing the vibe of the show to me. Whereas previous seasons feel like "slice of life in a magical place", I felt like this time I was watching a magic centered fantasy. Especially when they got into trying to explain the origin of magic and everything. Which is ironic, because I enjoyed the concept a lot and will explore it in the future, but it still felt like something that I wouldn't have expected Hilda the Series to tackle. Like there was a giant shift from folkloric to fantastic that isn't bad, but it is different and I hadn't been prepared for that lol.

God, I feel like I just wrote all of that and just to be A Bitch. I just wanted to get these thoughts out but I don't expect you guys to agree or anything. I genuinely liked watching this season, and I will continue to reiterate this in the future. And even if it doesn't beat s1 or s2 in my heart, I'm still grateful we got a final season at all, and everyone who was involved in it deserves all the praise <3

[hermanunworthy]

is this a good time for me to confess that ive had unreleased dndads fanfics (particularly oakworthy) just sitting in my notes app for a couple months. i have this one really good one thats unfinished thats this 5+1 fic taking place during hermies two face era and i stopped writing it after ep34 bc i thought oakworthy was done for 😭 should i finish it though. would people enjoy reading about pre betrayal oakworthy. bc i miss them so bad

[compacflt]

wip wednesday: pedal to the floor on the slider one-shot this week

[styck-figure]

I will do ONE (1) ava/avm ship ficlet. Probably won't be over 1000 words, but. I will TRY.

Gimmie a prompt or a pairing or both--it can be as detailed or simple as you want. I'll close asks when I find one I like enough to write.

(I'll take any ships besides like. king/purple)

[undercat-overdog]

I’ve been thinking recently about all the comment culture discussions and the recent talk around authors’ archive-locking their fic and one of the things that bothers me is how I never really see those discussions centered around the author. The comment conversations are a mix of reasons why readers don’t comment, how to comment, and why comments are good, but I’m not sure I’ve seen something that centers the author as person. Instead it’s the broader community and its desire for “content” that’s centered: comments are good because they keep authors writing (which is, I think, broadly true though people vary in the particulars), but it’s hard to comment (also broadly true, also varies in the particulars), but lack of feedback means some authors stop writing (also also true). The goal seems to be to keep the fic flowing.

And no one is owed comments and no one is owed fic and if it’s harmful to your mental health to comment, or harmful to your mental health to keep your fic online, that’s far more important. Please, don’t take me as saying that you need to comment or that you need to keep making fic available. Reader and/or author, what is best for you comes first; what you are able to do or want to do comes first.

(As for the talk about how authors are bad for archive-locking fic and that they should be shamed and scolded for doing so? No sympathy. I have less than zero patience for that argument. It’s more than fine to feel sad or grieved that you have lost a story you loved or can no longer access it - it is sad! It’s why I download stories now. But an author can do as they wish with their creations; no one is owed fic.)

But none of this gets at the author as person. These discussions seem to return to the personal reasons why a reader wouldn’t comment and how the author as content producer is more likely to write if they get feedback, the goal to get people to comment so fic continues to be produced: put money in the vending machine so you can get a snack. But I think at least some of authorial angst is driven less by comments per se and more by the desire to be recognized and feel seen as people and not fic-producing machines. Authors have anxiety too. Oh, do some of us have anxiety!

To use me as an example, since I’m the only person I truly know: I have almost deleted fic or moved it to an unrevealed collection multiple times because of anxiety that is tied to feels of either not being seen or being seen and intentionally ignored; I almost did so yesterday. It hurts to be ignored, especially when you know that your fic was read and seen but ignored. And that would be one thing - no one’s required to like my work or my friends’ works but to pretend your story is unique when you’re clearly very, very influenced by those works to the point of rewriting dialogue and using the same plot points with the same plot items. It makes me as a person feel ignored and it is currently killing my motivation to write, because at times I am a fainting flower. (To be very clear, my reaction is me, and no one owes me feedback or whatever, or to listen to my navel-gazing.) And I don’t like when my friends and fellow authors are seen then ignored either: that very much makes me angry. But yes, anxiety. It's easy to feel invisible or to feel like you're not worth recognizing.

I do want to note that there are circumstances in which acknowledgement and recognition is owed. If you take direct inspiration from someone’s plot, or rewrite it, that needs to be acknowledged, and it bothers me when it’s not: it feels like being used. Likewise, one place readers do have an obligation to comment, barring extenuating circumstances, is if they are given a gift fic as part of an exchange or event that they signed up for.

So idk. I guess what I’m saying is that I often feel that people don’t see that there’s a person behind the ao3 author’s name and that person’s not recognized. It might be that which stings the most.

(While I used  “author” throughout, this applies to all people in fandom who create and share their works. I am an author, so that’s the perspective I’m speaking from, but there are many creative perspectives that are no less important. And of course, “writer” and “reader” are not exclusive categories and I’d guess that most of the former are also the latter. Likewise “artist” isn’t exclusive, nor “podcaster” or so on.)

One last point: I’m not sure it’s talked about how long it can take to write something? I’d guess that most of my one-shots have taken at least two or three dozen hours to write/edit/post and I’d say I’m probably of average speed (when I’m writing lol). For most authors, writing’s not quick; 5k isn’t dashed off in an afternoon but might take 40+ hours. It’s a labor and for most of us it takes time.

[kaesaaurelia]

Today was incredibly terrible in real life so imagine my surprise when I got this extremely cursed toy out of the Neopies???? (For those of you who don't go here, that's a good thing. OMG.)

Anyway, a while ago I played with a neopoints-only Malevolent Sentient Poogle Plushie custom and ended up with this very silly concept, so I might go for a silly hacker-related pet name (I found one that's free!), but I should not make these decisions this late at night.