#i see more people saying that its bad then actually seeing any bad things

[morbethgames]

The Recoding of The Bureau is Finished

I’m done recoding the game. All in all, it was honestly about what I expected to be slimmed off once I got a good look at some of the scenes. As I expected, 90% of that were from the first 3 chapters. I am a mix of emotions after arduously spending hours upon hours replacing gender variables one at a time by hand. Which unfortunately, I couldn’t think of another way for doing it, because all of the characters were using the same gender variables instead of independent ones for each character.

I’m relieved it’s done. Disappointed in myself that I had to do it at all. Irritated that some people decided to put the game on blast for it rather than give actionable suggestions on how to fix it. Excited to finally be able to continue writing both the extra scenes that need to be written and the main story. I honestly don’t know which one I’m going to continue with first.

Please leave feedback.

There are still no doubt one or two spots with maybe 1-2k words each that could be slimmed down, but that would require a lot of work for very little payoff. So yes, I’m comfortable saying, the game is almost 400k words long in total. 85k words per playthrough. That’s not including the extra scenes in the stats screen, because randomtest doesn’t go in the stats screen (to my knowledge at least, someone can correct me if I’m wrong). So you still have to play the game roughly 5 times and choose different choices to see everything it has to offer.

Is the game smaller? A bit, yeah. Is it 100-150k? It’s more than double that.

Now, that doesn’t say anything for the state of some of the writing. If I have to read someone nodding, or smiling, or ‘slightly’, ‘a bit’, or ‘a little’ something in my own work again, I’m gonna jump out a window. Obviously, back when I started writing this, I was very much influenced by Wayhaven. I’ve since grown out of that idea. Since the game has taken on an identity of its own, and while I will forever be grateful to that series and continue to support it, there’s gonna be some changes in the final version of this game. Less of what I said above, less ellipses, and the flirting (especially in the beginning) will seem much more down to earth and believable for the setting it’s in, with a bit of wiggle room since this is still very much a YA game.

Please leave feedback.

The rewrite will not be happening until the first draft of the game is fully finished. I refuse to get stuck in a rewrite phase, mostly because I would just find it way too boring.

My patreon will continue to have static fiction on it, as well as sneak peeks into upcoming stuff. In case you’ve been missing it, Love In Stasis is up to Chapter 6 at this point, with more to come. I’m also thinking about potentially starting a horror static fiction.

I’ll be relying on people to playtest this new version of the game to tell me about any continuity errors, and gender errors, any anything errors. So please, play the demo. Let me know if you notice anything. I think if I’ve proved anything at this point, it’s that I act and fix things based on feedback.

And pettiness.

But mostly feedback.

Please leave feedback.

Last thing I’ll say; I’m gonna stop saying I’m bad at coding. Someone who’s bad at coding wouldn’t have been able to implement the text boxes and fine tune them. Someone who’s bad at coding wouldn’t have been able to code Golden Eyes. Someone who’s bad at coding wouldn’t have been able to slim down the game that much from where it was. So it’s time I give myself the credit of someone who at least knows what they’re doing. I’m not adept at it, but I’m certainly not bad at it either.

I’m still expecting the game to end up over 500k words when all is said and done. It will not be one million words, but I’m actually kind of happy about that. This is proof I’m still working on this game, and the next time it updates, it will have new content. Thanks for those that are patient and stick around, your support does still genuinely mean a lot.

Please leave feedback.

Stay Brilliant,

-Vi

P.S. Please leave feedback.

🛡️Patreon | Forum Page | Demo Link🛡️

[justsomeantifas]

idk why 18 year olds who just took their second class in field are on twitter using their major to explain why they’re an expert on a topic to then parrot reactionary and false rhetoric but it is always fascinating to see in the wild.

also not to be a snob but massive prestigious universities aren’t even making their undergraduate students read full books in the way they used to, theres been a pivot to heavily teaching via excerpts. so idk if your carefully selected excerpts are going to really touch on any breadth in your chosen field. I also don’t know how confident you should be in parroting excerpts if you can’t reliably tell the difference between good and bad studies.

More on the excerpt thing—incredibly dangerous to not read books your excerpts come from in full. Anyone can organize quotes to make a book say something completely counter to its actual message. If you refuse to engage with the source material enough to understand their methodology maybe you should do so before quoting said excerpt otherwise you are just as uneducated as the people you’re attempting to own online—except you have the false belief of genuine insight.

This is kind of the perfect storm for how republicans say they want to restructure higher education and we should be more wary of calls to authority like “This is my MAJOR” and calls to degree worship like “Jordan Peterson has a PHD!!!” over proof of decent studies and quality source material. Appeals to authority will always benefit reactionaries.

At the end of the day people’s politics will color how they navigate their own field and financial interests will obfuscate the meaning of research. we see this time and time again. The first example I can think of is the IQ by nation research done by actual white supremacists.

Placing students as consumers is a great way to buy your way into a field and use whatever bad science you want to make claims based on the authority of your degree and your position in society.

I will say it again. A call to authority and a call to a degree is not the same as good research or good source material!

[febuwhump]

Honestly making it a ‘vote as many times as you want’ approach took away the joy for me. I wanted to see actual voting not spamming whatever a few people with time to kill wanted. Feels like it’s expanding beyond people who would actually participate. It’s making me want to do this event less. I don’t want to feel like I have to spend hours spamming the options I like in order to give them a shot. Voting once would have made more sense. Or parring the list down and running tumblr polls to cull the list. This just feels immature.

i totally get how you feel and your feelings are totally deserved! this is how i see it:

the poll has always been vote as many times as you want. i've never installed a limit, and historically people have voted more than once. that is how we had the actual, original voter fraud last year, where one vote per person was implied until one user started spam-voting waterboarding in order to get it in. this was funny. it is no surprise that everyone wants to try it this year.

every year we try new things and do different stuff. i don't think the prompt list that comes out of this will be any worse off for people campaigning and trying to get their prompt in; i don't think the community will be either. the members of the community who are invested and deeply involved are the ones spamming for their favourites; the people who aren't are not necessarily not going to do the event. they were always going to see the prompt list and decide based on that - and the prompt list will still be good because the top 100 prompts are all good and i will curate the winners.

the actual voting is never revealed, so at no point historically either was it evident how people voted other than for the top 30. that is done for a reason: i reserve the right to look at the winners and go, no that's got too many repetitive prompts and a few are going to get switched out. this year, people are calling this deserved tyranny. because it's funny.

and your other options aren't bad at all; they just require more work from me, the person with the full time job and multiple hobbies and the likelihood to get burned out on this event too early by doing too much who is the only admin. a single poll and then answering questions is the most viable option for me - if you want to see an event run that way, then you're more than welcome to pick a month and go for it!

i get that it feels immature, but i think that you might be mislabelling people's sincere enjoyment. i don't think there's any harm in people who really want something voting for the prompts they want more than once; just like i don't think there's anything stopping anyone at all from finding out that their prompt isn't on the final list and then writing it anyway

finally, and this might sound harsh but i say it with all the love in the world: you don't have to take part. if you aren't enjoying the way its being run this year, then you don't have to! or you can blacklist the propaganda tag and febuwhump in its entirety until january 1st when the prompt list comes out and then see if its something you want to take part in! not everyone wants to do every part of the event and that's fine!

i'm sorry that you're not having as much fun this year, but i honestly think this method has engaged the community far more than the only-vote-once route did previously, and my goal is to try lots of different things to get the biggest and best turnout. if, in the end, we get less works than we did last year, or less people actually taking part, then i'll reevaulate

and also. what's so wrong with being immature anyway?

[lexicorp]

Transformers Earthspark: Another Place, Another Prison

Officially in the era of the fic where Star gets to interact with people! First on the list is Megatron, because i very much think that if anyone, he would be the first to visit Star in jail lol. Primarily due to lingering unresolved issues/curiosity. It's always funny describing other character's actions in this style of Starscream voice writing due to the fact that he just constantly dunks of Megs XD

Previous chapter: Judgement Day

First Chapter: The Need For Read

Next Chapter: Perception

Chapter 4: Lingering Ghosts

Starscream had thought slowly rusting in the Titan was bad, but this was worse. He kept hearing pedsteps through the halls. Voices of Decepticons that had long since been liberated. Saw flashes in the edges of his optics of Soundwave, Skullcruncher, Swindle– He knew they weren’t there, he knew it. But yowling growls in his audials from the croctobot, or a hum in the walls that was typically a warning of an incoming electric shock; they were too much. The Decepticons were gone. G.H.O.S.T was gone. The Auto-glitches had just repurposed their resources for their own use. It was logical. As Shockwave would say. 

Starscream’s vents were irregular as he paced, servo’s pressed against either side of his helm. His optics were locked open, although they weren’t exactly functioning. He couldn’t focus. Surely, he should be able to think of something to escape this Pit if the Autobots wouldn’t listen to him. He’d done it before, right? He’d had the assistance of technical difficulties or a select few cons- but he didn’t need them! He just needed his processor to stop assaulting his sensors with useless noise.

Even so, this place should be a better position than trapped in the Titan, he supposed. He knew its structure far better, and there were still bots somewhere around here. Not phantom bots. Actual bots. Starscream faintly wondered where they had placed Spitfire and Aftermath. Had they been incarcerated here as well? What had happened with the Quintessons? 

Had they all died in battle? Was he all alone in here?

Starscream hadn’t actually seen any of the bots again after waking in this cell, he realized. That was not a good thought. Those Autobots were far too painfully resilient to not find some impossible way to obtain victory. Of course they were still alive, they had to be. If they weren’t, he’d find it rather insulting. Even if they’d refused his help.

How long had it been? Primus he couldn’t even track the position of the sun from in here! This was ridiculous.

The quiet had overtaken the air again, and he wasn’t quite sure if it was better or worse. Starscream slumped against the back wall, staring at the energy field that contained him. If only he could psychically will the blasted thing to erupt in flames. Wouldn’t that have been a nice outlier ability. Alas, it remained as it was.

More time passed in a storm of static. Until Starscream was suddenly snapped to attention by a familiar voice. Megatron.

“Starscream.” The ex-warlord stated his designation so plainly, and it made him shoot to his peds almost immediately. 

He had to play off the reaction in a way that clearly stated he was not startled, so he seamlessly shifted his posture to lean against the wall casually. “Megatron. How nice to see you.” Starscream controlled his vocalizer to pace his words smoothly, and with a twinge of theatrical false cheer. “I’m flattered! To what do I owe the pleasure?”

Megatron’s optics narrowed ever so slightly. “A question. What exactly do you hope to accomplish?” After Starscream just stared at him blankly for an uncomfortable amount of time, Megatron crossed his arms and elaborated. “I know of your schemes. That you always thought yourself better suited to lead the Decepticons. Yet I fail to understand how you can continue to be so dense as to reinstate the conflict after our rally against G.H.O.S.T. The war is over!” His volume rose to which Starscream’s own optics narrowed. “You are… frustratingly unpredictable. So. I ask you. What is it you aimed to gain from any of this?”

Starscream put a servo to his hip and a sinister grin came to his faceplate. “Oh Megatron… You are as short sighted as ever. Honestly, did you really think that any of the Decepticons would accept the way things ended? It wasn’t just me! Sure, the idea to forge New Cybertron was all my grand design and I will not share credit for that– but they all followed me because they craved action. It isn’t over. Even if you keep me here, Shockwave has clearly taken charge of his own direction. All you are is a traitor that we can easily move on from. Your defaction isn’t so revolutionary. Get over yourself.”

Megatron in-vented and raised his arms to gesture his exasperation, “That did not answer my question, Starscream.”

Starscream chuckled and gave him a mock bow, “Apologies if that wasn’t what you wanted to hear, my Lord.” He put as much scorn as he could into the title and revelled in the way Megatron squirmed. 

The ex-warlord balled his servos into fists, “Stop. Answer my question.” He demanded with the signature growl Starscream was used to, and his optics brightened.

“Aw, is the Prime’s passive little pet getting angry?” He taunted brazenly. If Starscream could push Megatron’s buttons enough, he’d surely open the cell to try and continue their conversation by way of his fists. The fool had always been easily baited. 

Megatron was clearly agitated, but unfortunately, made no move towards the cell’s controls. “Why do you still insist on antagonizing me? You know all about being a traitor, Starscream. New Cybertron my aft, you just wanted the power for yourself! All you did once you accomplished your goal was become an agent of destruction and swat your comrades aside to be scrapped! I acknowledge the mistakes of my past… but you cannot seem to make up your processor where your own priorities lie! I have proven myself dedicated to a reforged focus towards peace. You persist in being a weasley pest for little reason but for your own immediate gain!”

Starscream flinched back slightly as Megatron jabbed a digit pointedly in his direction. The absolute gall. Crimson lightly flickered between his wings as a power in his spark flared.

Megatron’s disgusting voice box continued to prattle on with his accusations. “When we were faced with the Dweller in that cave. When you sprang into action to the Terran child’s aid. That day, I had a sliver of hope, that you may actually be capable of changing your ways. I had never seen that side of you– but I suppose even then it meant nothing. What changed?! How could you betray her perception of you so flippantly, and offline sparklings no less?!”

“I DID NO SUCH THING!” Starscream shrieked abruptly with a step forward and his optics glitching red, which caused the other mech to straighten in surprise. “Hashtag, Spitfire, and Aftermath are PERFECTLY functional!! The latter two may still be in stasis– but there is no reason that they could not be rejuvenated if I had access to adequate fuel! Hashtag was clearly still capable as she got her own little payback with the energon extractor! My effort towards New Cybertron held no ill intent towards her, and she’s fine. Then, it is not as if the chaos kids are incapable of functioning without those Embershards. You do not see the other Terrans with them, do you!? No. You don’t. Those two just wanted a bit of revenge for their surprise sacrifice–of which was a necessity that I knew they wouldn’t relent to willingly. That is why they were determined to remain unresponsive! I didn’t betray anyone!” A small, manic laugh escaped him and he added without thinking, “I don’t even remember what happened after I put on that Primus damned corrupted gauntlet!” Apparently, even without the surges from the Titan, the chaos energy spikes had stayed with him. He was probably shaking too much to be taken seriously.

Megatron looked at him with a strange expression on his faceplate. Starscream wanted to blast it off, yet of course, no plasma cannon. Plus the cursed wall between them still. Seriously, why wasn’t the idiot breaking it down to beat him into the Pit by now!?

“You don’t…” Megatron vented in confusion, mulling over what had just been said. “You can’t possibly expect me to believe that.”

Starscream scoffed, “Oh spare me your doubt. You know nothing. You want to accuse me of betraying the Decepticons? They abandoned ME! And you LET them! I cannot say I am surprised, but for you to say it’s MY fault?? That is just how they are! That is why I cannot count on anyone but myself! And so what if I went a bit overboard with the gauntlet’s power? Earth deserves to BURN! What reason has this place given me to harbor any opinion otherwise? Cybertron is our home, not this organic mess! And YOU got the Allspark incinerated by the Prime’s moronic decision to blow the space bridge! You want to make a new life here for Cybertronians? Forgive me if I am a bit skeptical of how to accomplish that with humans running around.”

Megatron continued to scrutinize him with regard to his statements in a way that was no longer amusing. He had no right to look at Starscream that way. Like he was insane. He wasn’t insane! This fool wanted the truth and he couldn’t even take it!

“We do not know for sure if the Allspark was destroyed…” The big lug didn’t even sound like he believed it himself. He just wanted to live in the denial of his pathetic field of flowers with that equally stupid mech he pined after for vorns.

“You only attempt to believe otherwise to savor your vision of your precious Prime.” Starscream spit. This statement brought a more pleasing air of irritation to Megatron’s faceplate that made Starscream grin again. 

“Additionally,” Megatron tried to deflect, “Humans, as a general species, are not our enemy. We are perfectly capable of coexisting. Dorothy convinced me of this. Humans are just as varied as us Cybertronians. Violence… has proved itself to not be a viable means towards real progress.”

 Starscream could roll his optics at the initial drabble, but hearing Megatron try to admonish violence as a whole– Megatron? He knew he’d gotten soft, but this was absurd. Especially when that hypocrite’s first greeting card was still a signature blast of plasma to the chassis. 

He stared at the silver mech, Starscream’s optics flickering back to blue as the crimson lightning retreated into the deep seeded hole in his spark. Starscream slowly started to laugh which devolved rather quickly as he nearly doubled over, steadying himself on the wall and covering his optics with a servo. “Y-you– HAH! Oh my Primus that’s RICH! You, Megatron, the infamous warlord. You want to preach to me about violence being wrong?! Do you hear yourself?!” Starscream struggled to articulate anything more coherent than that in his hysteria.

He thought of Thundercracker, who had held shiny ideals in his spark all those vorns ago. Before Megatron had sent them into a battlefield they should never have entered. Starscream had tried to explain to their incompetent, illustrious leader exactly why, and was subsequently tossed aside as usual. Forced to lead his trine to their demise. He had slipped away from the carnage, only to realize that his trine mates were nowhere in sight. Megatron had told him to retreat and leave them. Starscream didn’t listen, yet still had only found a barely conscious Skywarp in the rubble. Thundercracker died fighting a battle he had never wanted to fight. He had constantly asked Starscream to advocate for less brutal or reckless tactics favored by the warlord, but those pleas had never been heard. Any time Starscream had offered an alternative to ramming their helms into a wall of Autobots, he would be assaulted into submission for daring to question their lord. 

Starscream can understand caution in battle, but the absence of violence in conflict is a foolish aspiration. He had explained that to Thundercracker when they first joined the Decepticons. Now here was Megatron, standing before him after all these vorns, denigrating the framework of a cause he had forged. 

The fool seemed at a loss for words as he blankly watched and waited for Starscream’s laughter to die out. Starscream’s vocalizer whirled at the strain as he finally pulled himself together, “Be-believe me, I would love to list exactly every single reason to explain just how hypocritical you have become Megatron; but I know from experience that words are useless on your thick helm.”

Megatron ex-vented and ran a servo down his face, “Starscream… would you please work with me here?”

Starscream’s optics widened and his wings flicked back. It was his turn to be left absolutely flabbergasted. This mech truly was full of surprises as of late. Why was he talking like that? What was he trying to pull now?

Starscream straightened himself and now eyed Megatron more warily, “Work with you?” He paused for a bit of drama and to analyze the ex-warlord’s frame-language, then assumed a sweeter tone as he put his servos behind his back. “I will only agree to be cooperative if I am to get something out of this exchange, my dear Megatron. As is in my oh so self-serving nature, after all.” He placed a servo over his chassis for effect. “If you wish for me to disclose anything of interest to you, you’ll have to bargain for it.” The seeker slid up to the cell’s barrier and leaned forward with a conniving smirk. 

Megatron’s faceplate looked positively disgusted. Good.

“You are in no position to make deals, Starscream.” He proclaimed like a fool.

“On the contrary, I am in the exact position to do so! What have I to lose if you refuse? Disclosing anything you desire without anything in return would still leave me with nothing in the end. So give me some incentive, hm? Or do you plan to remove this silly barrier and beat it out of me like the good ol’ days? Wouldn’t that just be easier? Oh, but that’d challenge your cute, flimsy little ploy of pacifism, now wouldn’t it?”

Megatron threw his servo out from his side like he could smack the idea away. “That is not what I’m here for!” He insisted as his volume rose again, “All I wanted, was to try and have a civil conversation with you! But I should’ve known that’d be impossible.”

Starscream’s grin dropped, and he rolled his optics with the swing of his hips which he landed his servos upon, “Ah yes, I am sure that is all you came for.”

Megatron’s servos clenched into fists as they often did when frustrated, but the slagging idiot still wouldn’t relent to his typical violent impulses. “Fine. What could you want in exchange for giving me a legitimate answer to my question?”

“Hm, I assume my freedom would be off the table?” Starscream tried, which Megatron answered with a glare. “Pity. With my vast array of skills, I would be a far more valuable asset to you all on the outside–”

“No. Get on with it.”

Star grumbled his complaints, then paused in thought. “Well, perhaps you could permit me a meeting with Hashtag. Speaking with her would certainly be far more pleasant than being forcibly subjected to your disgusting faceplate.”

Megatron’s expression shifted to that confusing state from before, then reverted back to one of stern suspicion. “Very well, but she will not be alone. She will have an Autobot chaperon close by.”

Starscream’s wings flicked in a mock shrug, “If you insist. It is not as if I intend to manipulate her to my whim in an effort to convince her to release me from this Pit. That would be absurd. Shame on your paranoid processor for thinking it.” He tisked.

Megatron actually rolled his own optics, which Starscream found extremely amusing. “Right. On that note, tell me, what are your intentions? You still seem to be fond of the sparkling, despite your recent actions. Help me understand, Starscream.”

Perhaps the Prime had put him up to this.

“A little back and forth of being at odds isn’t unheard of, especially amongst Decepticons. Why do you act like it is so strange?”

“It’s a matter of loyalty, Starscream. The infighting amidst the Decepticons was by no means an advantage, in fact, it was a constant hindrance!”

Starscream scoffed, but couldn’t think of a good retort to the statement. It was objectively true, and he would not tell Megatron he was right. He waved a servo dismissively, “Regardless, what else was it you wanted to ask me?”

“What is your endgame?”

“Ah well, ideally I would lead the Decepticons to victory and rule over a newly forged Cybertron.” He stated plainly. “Although, determining a means at which to breathe life back into the ball of scrap it’s become, is the most tricky. But if everyone had just listened to me,” He put a servo to his chassis, “then we could stop with the silly killing each other dribble and finally reformat our government as intended, on a very much alive Cybertron. On the other servo, you just decided for yourself that you were tired of playing war with the Prime. I might have agreed with you about starting some form of delegation. But no. How could any of us have any right to be consulted by the mighty Megatron. You just up and decided to go behind our backs. And now you love to prattle about being a team. Tch.”

Megatron hummed disapprovingly of the seeker’s snark. “How did your scheme to use the Emberstone to control the Titan and destroy Witwicky possibly work toward those goals? That was a rather needlessly violent approach, and aimed towards Earth’s inhabitants, not Cybertron.”

“Well I couldn’t exactly reach Cybertron, now could I? Because someone destroyed the only space bridge. And the technology here is far too primitive to rebuild a new one. The situation changed my approach. Evidently, it was a flop, but I blame Quintus and his faulty artifact for that.” The lingering energy in his spark sent a sort of warning shock that made his optic and wing twitch. He flatly ignored it. “Now if you want any more oddly interpersonal queries answered, we can discern another trade."

Megatron stared a moment before turning away, “No, that will be all for now, Starscream.”

Suddenly, Starscream actually felt as if he didn’t want him to leave. Had he bored the mech somehow? Scrap! He hadn’t even succeeded in riling him up enough to open the door! But he couldn’t think of anything else to say that wouldn’t be overtly obvious that he was intentionally aiming for a confrontational response. Then here he was, being dismissed as if he were still a soldier under the oaf’s command. No matter. At least he had scored a meeting with Hashtag. That could be something to look forward to, he supposed. 

“Uh- right then… don’t forget our deal!” It was too sudden for Starscream’s liking.

Megatron didn’t even respond to him as he rounded the corner. Conversation. Yes that mech was as skilled in that department as ever. Whether he was too wrapped up in whatever thoughts were sloshing around in his helm, or if he pointedly ignored Starscream for some reason or another; it was always hard to tell. 

Now, Starscream was left to his own devices yet again. Alone. No need to be dramatic, he didn’t actually enjoy Megatron’s company. Solitary was surely preferable. 

He just hoped they wouldn’t forget him in there for too long this time…

That’s all it was.

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[triscishistrionic]

HI SINCE U ARE THE HPD HAVER OF TUMBLR DO U HAVE ANY TRANSHPD TIPS????!!1????!1!??1!1?1!!!?

YES I FUCKING DO!!! /LH NBR POS

I meant to make a master post abt this but, HAVE SOME RN!!!!!!!1!1!1!

TIP 1: Make everything a bigger deal than it needs to be!

Even if something doesnt really interest you a lot, pretend like it does.

If someone says something kind of dry or vague, make it seem interesting!! Use all caps, or if you're irl, talk fast and loud! Say a lot about something that there isnt a lot to say about.

For example, someone says, "I'm hungry." You might sayy, "O MY GOSH, when's the last time you've ate?? We NEED to get you something to eat, what's your favorite food? OOOOO, you know what, mine is actually Graham crackers and I have some on me RNRN, do you want some?? You know you can ask for food from me ANYTIME, riiiight? You're my bestest friend, I'd do ANYTHING for you if you asked really."

If you're irl, MAKE SURE TO GIVE THEM TIME TO ANSWER U BACK IN BETWEEN!! They might be put off if they dont get to talk as well, which is bad!! The goal is to be entertaining enough to keep them around as long as possible, or as long as they're attention is worthy.

TIP 2: Fake your interests and morals to match everyone elses!

Sometimes, you'll find that your opinions or interests are different than everyone else's. This is generally not good, because it can cause conflict with other people, or they might find you angering or unrelatable. Not good for attention seeking!

What you want to do instead is fit in with everyone else's beliefs while still making a statement of your own.

For example, if you find yourself in a group of people who love the musical Hamilton, but you hate Hamilton, you should try to push that aside and fake your love for it! You not only want to be agreeable, but you also want to stand out. For example:

Person A: "Oh my god guys, I watched Hamilton again last night and it was SOOO good."

Person B: "OH MY GOSH yes, it's literally my favotieee musical"

Person C: "oh yeah, me too!"

You: "OH MY GOD GUYS, you have NOOOO idea, I would literally die to go see Hamilton again. I've seen the musical like, 20 times already and it's so GOOD it's LITERALLY like my baby."

Person A: "ITS MY FAVORITE TOO IVE LITERALLY SEEN IT PROBABLY 25 TIMES NOW"

You: "WELL, MY AUNT LITERALLY PLAYS AS ONE OF THE BACKGROUND CHARACTERS IN IT, LIKE IN THE OFFICIAL SHOW THEY DO. SHE HAD LIKE 50,000 PEOPLE WATCHING IT WAS CRAZY, SHE TOLD ME ONE OF THE MAIN CHARACTERS SHE WAS ACTING WITH LITERALLY TRIED TO HIT ON HER TOO DURING THE NIGHT OF THE SHOW."

You can see that person A is a formidable opponent here. Clearly they are a Hamilton lover and extroverted, and tried to one-up you there. But you need to be the BEST, the shining star! You are now the number one Hamilton fan and no one can prove themselves otherwise!

You might need to cut other people off before they start speaking if they're more boring, like person C. The convo will get much less exciting if they have more room to talk, and they're attention isnt as valuable as Person A's or Person B's.

Also, you dont need to know *anything* about the musical Hamilton to take the stage in this convo. Just say things that you could say about any musical ever!

I HOPE THESE HELPED, MWWWWAH!!! HAVE A LOVELY DAY ANON, AND HAPPY TRANSITIONING!!! ^w^

[bibliophilicstranger]

I investigated the TV trope page and noted something you may have missed: there are numerous examples of the same trope far predating the Harry Potter series. The idea of turning a good character bad for one reason or another, including for shipping, is not a new one. It wasn't started by Harmony fans. Someone could easily have named the same trope The Roman's Odysseus, Zeus the Rapist, or Raoul the Alcoholic. The trope may have been used by Harmony fans, and the existence of those fics may have given the name to the trope, but frankly that says more about the media preferences of the people writing the article. If I had to guess, it was created during the heyday of Harry Potter, as that coincides with when TV Tropes was getting popular (there are approximately 24 pages with Harry Potter-related titles, three of which, including "Ron the Death Eater," are fanon terms). Based on the current Trope-naming guidelines, were the same page created today it might well not mention a character at all but be named "Good Guys Go Bad."

I'm going to have to ask you to provide some kind of credible article on Harmony shippers sending death threats as unfortunately Rowling gets so many of them that my searches are turning up more recent events. Were that to be true it would be unfortunate. Disappointment is warranted, and the expression of that disappointment is allowed, but one should not send death threats, especially not over this.

I can't comment on "classist body shaming and look shaming comments" as I've never seen those particular attacks made. Unless you're referring to the bit from canon where he's got dirt on his nose? Ron is canonically tall and thin-- who on earth is body shaming him for that? And in comparison to whom? Harry is also skinny, with knobby knees.

Attacking Harmony shippers for their reading comprehension is another ad hominem attack and I must request that you desist on that front. For one, it's inaccurate to say that someone who ships Harmony lacks reading comprehension. Reading comprehension is simply the ability to read a text, process it, and understand its meaning. Two people can have equally good reading comprehension but reach a different understanding of the text by focusing on different aspects or bringing different theories to bear.

You seem to adhere to the opposites-attract, pigtail-pulling-is-cute, antagonistic-bickering-is-a-sign-of-attraction school. I concede that is a common enough trope of its own. You focus on the expressions of jealousy toward other romantic interests, the virulence of their squabbles and the explicit details provided. The very things you seem to favor, the "love-hate relationship" are the same things which concern Harmony fans, who worry that such a relationship would ultimately be unhealthy and devolve into domestic violence. If the 'hate' part of love-hate got significantly better over time, then it wouldn't be as much of an issue, but as late as book six Hermione has escalated from trading insults with Ron to sending birds to attack him. In book seven, when Ron returns Hermione punches him, yells at him, and wants her wand to curse him. We don't see them practicing a lot of healthy conflict resolution-- Hermione rightfully bears a grudge that doesn't seem to be resolved until after they visit the Lovegoods, and we don't see them have a discussion where they talk it out as much as they just go through another particularly dangerous event and it makes them ignore and forget any previous conflict-- just like books one and three. Once they're no longer fighting trolls, death eaters, and Voldemort, can Hermione and Ron actually resolve their disagreements?

In contrast, I, and many other Harmony fans, look for exchanges of support and comfort, understanding one another, prioritizing one another. I look at details such as Hermione's words to Harry in the Potions Challenge in book one, her bringing him toast the morning after the Triwizard champions are selected in book four, and his trust in her and prioritization of her desires in book five. There are also the details in book six of Harry comforting Hermione and talking her up to Slughorn and her comforting him in book seven when they visit the Potters' grave or when they learn about Dumbledore. There are a variety of times where they display compatibility by knowing what one another is thinking, or how they're likely to act. While Harry and Hermione do argue, they still treat each other with respect and even while at odds Harry usually acknowledges that Hermione's position is well-meaning. There are other examples where he expresses anger around her, but acknowledges he's not angry at her, but the situation or other people.

Before the explicit introduction of romance in book six, there were only hints in either direction. Even after book six, there was a chance that any romance or attraction wouldn't last. There are many couples who make it through all of high school only to break up as they get older. A first attraction between Ron and Hermione could have flared and burnt out, and Harry and Hermione could have gotten together in the end. Neither Harry's attraction to Cho nor Ron's to Lavender lasted, after all.

Now for the Ginny "fanfic" you mentioned. Are you talking about the forum post of that name from twenty years ago? The one that's not a fanfic, but a conception of ways that Ginny could be removed in book seven? That only actually has only 196 ways? I'll grant you they're not the most tasteful, but this has been done for many characters over the years, including Hermione, Draco, and Edward Cullen.

I'd disagree about who the most toxic people in the fandom are. You yourself reblogged a post acknowledging the toxicity of the Romione fans. In addition to having seen numerous attacks on Harmony fans by Romione fans (including yourself), I've often seen incredibly toxic behavior from Marauders era fans (ex: 1 2 3), especially the ones who ignore most of canon. I think there has been a decent amount of hatred towards Tonks and Remadora (ex: 1, 2, 3) but it's also easy for most Wolfstar shippers to ignore her existence, considering most Wolfstar occurs before the Remadora relationship is even remotely possible. I can't be bothered to expose myself to HarryxDeathEater ships to find examples of them being abusive to Ginny-- I have most of those tags blocked-- but I'm fairly certain Drarry fans have engaged in just as much Ginny bashing and the use of that love-potion trope you don't like.

Accusing someone of "playing the victim card" is a common form of gaslighting and I suggest you remove it from your vocabulary before your erroneous use causes harm. You're also applying it in a situation where it's false. To play the victim card, one must be fabricating or exaggerating victimhood. To see two asks where someone called me a bitch, look here and here. I've deleted others. Here's an out of the blue attack on Lily and here and here are some against Hermione. In your above response you validated what I said about attacks on reading comprehension, but here's another example. And here's the call for negativity against Harmony shippers. As you can see, these are neither fabrications, nor exaggerations and therefore your accusation is false.

Further, you would really rather preach that all Harmony shippers should accept being victims of cruelty, simply because some may have engaged in negative behavior in the past (and a past that in some cases is twenty years and a whole generation of fans ago)? That seems a rather slippery slope, don't you think? It's thinking like that which has synagogues in Canada and Australia firebombed, when those with particular views on Israel/Palestine attack all Jews over their disagreement with the Israeli government, even when those Jews have no say in what the Israeli government does. It's one thing to disagree with a particular person holding views you don't like, it's another to call for an attack on all shippers. Such an attitude only perpetuates toxicity in fandom.

Defend your ship if you like, but if you want a less toxic fandom, constrain yourself to arguing over the text. After all, don't you want to sow positivity for yourself, lest you dislike what you reap?

There is one thing in common with the PeterMJ (Spider-Man/Marvel) and Romione (Harry Potter) shippers; both of their pairings are 'canon' and have everything going for them thanks to favoritism by the author (J.K. Rowling)/ comic writers (Marvel). Despite all that, these

'canon' shippers aren't satisfied with having an already huge following and seek/continue to tear down on other ships (Harmione & PeterGwen) just to push their pairings to front and center. People like these are why we hate fandoms.

I can't comment on the Marvel portion of this ask as my knowledge of that universe is limited in scope and I'm not an active member of its fandom.

As for the Harry Potter part...

I think Romione fans have the issue that while their pairing is canon, it's not well developed in the text (very few pairings in Harry Potter are). We're told that they get together, marry, and have children, yet we don't actually see a lot of development of the relationship blocks that would support the longevity of their marriage. Yes, they went through the war together (although Ron abandoned them for a good portion of that) and yes they were friends, but their friendship was highly contentious and they spent significant portions of each year not speaking to one another or not hanging out (first year before they were friends, second year when she was petrified, most of third year, part of fourth where Hermione was more with Harry, part of sixth year, and part of seventh). Now, technically, first and second year don't count, but honestly, the only year they spend the entirety of together where they don't have a major fight is their fifth year. We know they like each other from Hermione's actions in book six and Ron's in seven, but we don't really see why they do, why that would turn into love rather than a teenage crush, or why they'd make it as adults.

Supposedly Hermione likes Ron because he's funny. Supposedly Hermione's maturity makes up for Ron's lack and he gets her to open up. While there's something to her liking someone who can lighten things up, if that's all then she could just as easily have liked one of the Weasley Twins instead. As a Hermione-type myself, I've often liked guys who were funny, but them being funny isn't enough. The guy I dated when I was 17 was funny, but he also lacked drive and dedication and in the end that made us incompatible in the long-run. Yeah, it's nice to have friends that can make you laugh, but in a partner for life you want someone you don't have to nag all the time when you need them to do something.

We also know that JKR admitted that Romione was her personal wish-fulfilment, clinging to her original idea of the plot, whatever that was, rather than a natural outcome of what she actually wrote. She also said they'd have needed counseling and their relationship was further questioned in the Cursed Child.

This puts Romione shippers on a weaker footing than most canon-pair shippers in other fandoms, making them defensive. Yes, they have the benefit of canon, but not the textual support, other than 'well, our people got married.' They can be threatened by Harmony supporters, who have fairly well crafted arguments grounded in the text for why Harry and Hermione make sense as a pairing. This makes Harmony a greater threat than pairings which are more loosely grounded in the books: Dramione, for instance, is never going to happen in a close-to-canon universe, but it takes very few tweaks to make Harmony work. Additionally, many of the arguments used in favor of Romione are equally as powerful for Harmony, such as the length of their friendship. Indeed, many of the arguments regarding Hermione's feelings for Harry specifically are a lot stronger, because we do see instances where she chooses Harry over Ron, such as in the seventh book.

It is unfortunate that these tend to become rather nasty fights that devolve into personal attacks on the sanity, demeanor, or reading comprehension of the Harmony shipper. I've seen many people go after another Harmony shipper on here pretty nastily, and I've heard tiktok and instagram are worse. Some screenshots I've seen are basically Romione shippers vowing to spread negativity about Harmony just because they don't like some of the fanfic people have written. As if it weren't possible to just, you know, not read the fanfic you don't like.

It would be nice not to get people randomly calling me a bitch in my inbox, but you know, such is life. I don't know if they dislike me more for shipping Harmony or Jily at this point but I really don't care.

[jazzzzzzhands]

Let me tell ya.

The Welcome Home fandom is some of the most polite and respectful people I ever did see

Also the Undertale fandom was the most wholesome and inspiring community to ever exist

Come and see the fandom for yourself! They are all such really lovely people!

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[bigskydreaming]

Imagine if you were a gay or bi man who tried a certain firefighter show because of all the attention it was getting for one of its mains having a later in life bi awakening.....and between seasons you ventured into its fandom in search of material to tide you over til the next one. And you're greeted by a deluge of posts and fics that are just cheerfully homophobic towards one half of the newly out bi character's canon relationship on the basis of 'well he's not the RIGHT gay guy' and pushing the idea that actually its fine to cheat on him because Reasons and he's sexually predacious based on......behind the scenes implications people have divined like they're reading fucking tea leaves.

But don't get it twisted....this fandom, like all fandoms, really cares about representation!

Sorry not sorry, but we really need to kill this idea that fandoms are welcoming and inviting and inherently progressive when they're frequently insular and reductive as fuck. Every single fandom I've been in has had major trends of people doubling down on their own headcanons and fanon interpretations of the characters and willfully enacting trends aimed at running off people who like the 'wrong' characters (usually characters marginalized along one or multiple axes), like the characters in the 'wrong ways' or other bullshit.

Scott is a Bad Friend fics overtaking Teen Wolf fandom was not incidental, it was a FEATURE of the fandom, because the vast majority of that fandom did not want to share its space with anyone who had the nerve to like its main character. Survivors complaining about or criticizing the prevalance of rape fics in a certain fandom has in my experience always led to a reactionary UPTICK in those fics, with gems like 'this character can, will, must be raped' in the tags making it crystal clear that some of these fics exist because how fucking DARE anyone try and push forth a narrative not agreed upon by Fandom Main.

I could cite examples for so many other fandoms, with the commonalities always being that vast majorities in these fandoms are explicitly reacting defensively to being asked to be more mindful of fandom trends revolving around or exacerbating racism, homophobia, transphobia, rape or abuse apologia, ableism, etc....

With the most prolific fucking rallying cry across countless fandoms being "No the fuck we will NOT be doing that," because lolololol.....

Fandom is an inherently progressive space, didn't you hear?

[tsukasalover]

I can think of a lot of reasons why I like and have gotten attached to tsukasa more than any other fictional character and i think if i had to keep it simple (or else id be rambling for hours) id say

1. He’s so interesting. I usually pick up the extremely mischaracterized blonde characters anyways but he gets my brain working real hard. its almost 2am and i cant think straight but theres something about his duality that keeps me glued to him and the amount of Layers he has and how removing even one layer or completely ignoring how both his huge ego and kindness + selflessness coexist can really mess up your perception of him. There was something quite short i wrote about how both sides make him. Well. Him. back when his colofes dropped since i was so annoyed at the people Not getting it (while most never even read the STORIES 😁) anf ive been screaming this for a year now Please. Also the way his dream and being a good big brother go hand in hand have captured me. I really like fictional siblings and they fill something personal i miss and Looove looking at the roots of characters. Discovering where this and that and connecting events to what started their behaviors or helped their personality bloom. So seeing saki and toya play such an important role in his life keeps me HOOOKEDDD. I took the bait like tiny fish. Dont regret it. Never will. I like my fictional characters like layered cake. Thats basically how i see them. I had a yummy chocolate cake with so mant layers the other day 🤤 but anyways. I also really like when characters have to learn and grow as people after making really bad mistakes or being straight up assholes so it really took a while even after mainstory but once i got to see more of him with saki and read dazzling i was like. This is the guyyy. Youre mine now lets go. I dont like perfect characters but.. you see.. when characters who have (sometimes way too much) confidence and are dramatic yet are shown to truly be good people who enjoy making others happy… alright.. now im listening… Sign me up…

But really he has almost everything I’ve ever looked for in a character. Starting with the fact that he’s a theatre kid. And blonde. Of course emu nene and rui + more fictional characters have made their way into my heart and ive gotten attached to them on very Very personal levels but when it comes to this Idiot who wants to be a star and reminds me of a dog its something that i dont even know how to explain sometimes. Why is he here? What are you doing inside of my head. Ill never have one solid answer because he takes up too much space in my mind and i become incoherent too often when talking about him.

2. Ignoring my first answer, He is ugly. My favorite punching bag. Cartoon character. Begins floating when he smells pie. I dont know anymore

3. he just like me fr (Which is terrible i dont like that)

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[brick-van-dyke]

If there's one thing I've respectively noticed from Zionists and defenders of Israeli war crimes, it's that every source, argument and potential avenue to explore each explanation is riddled with cherry picking, moving the goalposts and mental gymnastics to explain why their conclusions, which typically are barely even related to the sources they use, somehow overshadow literal reality and what we see with our own eyes.

While scrolling, one example I came across was the repetitive misrepresentation of BLM, antifa and quotes from Martin Luther King Jr, as well as statistics, scholarly journal articles and government website information. These are all good sources, yet every single time they're mangled completely until the only possible "interpretation" of any of them is "well Israel is right to defend itself after shorting rockets beforehand because the retaliation was brutal and all Arabs are bad by default therefore". As if any of these sources are even about individual exceptions of Israel versus hatred towards Arabs.

I think what I find most absurd, as someone in the middle of their own studies, is how every bit of critical thinking and logic goes out the window as they do every single thing possible to do what professors worldwide say NOT to do when evaluating sources. It's like watching a race to see who can tangle and misconstrue scientific information to fit their world view the fastest. Then said people say "um actually I studied at university before so it's actually not wrong that I'm doing this exact this everyone is warned not to do because I have a permit". Ignorance I can forgive, but willful and arrogant manipulation? That's another thing entirely.

[satorugojoswiife]

What do you think about gojo ships

I feel like I'm pretty indifferent to most of them. This is super cringe of me, but whenever I fall super in love with a character I don't often like shipping them romantically with anyone. 💀 (im delusional I know)

It doesn't help that for some reason the jjk fandom (especially twt) is weirdly aggressive about ships. I know it isn't all the shippers and it's mostly just the loud minority, but seeing so much of the discourse has kinda put me off and I don't really engage much with the ships in the fandom except for rarepairs and selfships bc alot of the time those communities are more wholesome and cozy (if that makes sense LOL)

[milfbrainrot]

"claire's a bad mom" claire chose to have her kids claire tells her kids bedtime stories and claire pretends not to be in life threatening danger when she's terrified for her own and her kids' safety to help them stay calm and literally only wants to know if they're okay before prioritizing herself and keeping them far away from danger by rescuing herself i think ur just racist

[james-spooky]

this is a test