#i see a good fanfic and i go

[philzokman]

i think we as a society have focused too much on definitely vs defiantly when the REAL enemy is than vs then

[writeouswriter]

My followers: And is this “writing” you’ve been “working on” in the room with us right now?

[torchstelechos]

I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.

[starmocha]

12:30 PM Checkup [Zayne + Son ★ 767 words ★ Masterlist ★ Series Index ★ AO3] Zayne has an appointment with a very adorable doctor. A/N: Maybe I’m ovulating or something lmao but I want this man’s babies. But since he’s fictional, I’ll settle for writing little self-indulgent ficlets. 🫠

It was one of Zayne’s very few days off, and unfortunately, he found himself at the doctor’s office for a routine checkup. It was fortunate, however, that the doctor was someone he was very familiar with and trusted completely with his health. As a matter of fact, the very esteemed doctor was his three-year-old son and the so-called doctor’s office was his son’s bedroom.

He watched with amusement as the little boy, a spitting image of his father minus the hair color, adjusted his doctor play clothes. Zayne could barely contain his chuckle when his son put on the faux round-rimmed glasses and walked over to him holding a clipboard while maintaining a comically stoic expression on his young face.

“Patient’s name is…Daddy!” the young doctor declared, looking expectantly at his patient.

Zayne chuckled and nodded. “Correct, Doctor.”

“I have to listen to Daddy’s heart,” the little boy said, holding up his toy stethoscope. He pressed the toy to his father’s chest, and looked thoughtful as he “listened” to the grown man’s heart. After a few seconds, he nodded approvingly. “Heart is good, Daddy.”

Zayne sighed in relief. “Thank goodness, Doctor.” He blinked in surprise as his son pulled out a reflex hammer.

“Daddy’s knee now!”

Over the next few minutes, the young doctor performed a thorough examination on his patient, checking his ear, eyes, throat, and so on, all while diligently scribbling his notes down onto his clipboard. He rubbed his chin thoughtfully as he reviewed the notes from the wellness exam.

“Well, Doctor,” Zayne started, looking at the young boy expectantly, “Is there a diagnosis?”

The boy nodded grimly. “Daddy is tired.”

Zayne held back his laugh at the child’s acute observation. “What would be your prescription for such an ailment then?”

“One strawberry candy every day,” his doctor replied, adding another scribble to his clipboard.

Zayne actually chuckled this time. “Consider it done.” His voice took on a serious tone as he looked at the little doctor concerned. “Doctor, I believe my insurance isn’t covered under your practice. May I use an alternative payment?”

The young doctor looked thoughtful as he rubbed his chin again before holding up three chubby fingers, answering with a serious expression, “Three macarons.”

“Outrageous!” Zayne exclaimed, mock-offended, “My previous checkup only costed me one box of apple juice.”

Zayne wondered belatedly if his tone and expression might have seemed a touch stiff when he realized his doctor was starting to tear up. He knelt down to his son’s level and wiped at the boy’s eyes, apologizing softly, “I didn’t mean to upset you. Daddy is just joking.” He smiled when his son calmed down and he rubbed the boy’s cheek affectionately, “Three macarons it is, but I am afraid payment will have to be postponed until after naptime.”

“No nap!” The boy crossed his arms defiantly. “I still have to check Mr. Seal and Pan-Pan and the Windy Carrots and—”

“Even doctors take naps,” Zayne interrupted with a firm voice before softening it again, “One might even argue that doctors enjoy naps the most.”

The boy looked up at him dejected. “Do you nap, Daddy?”

“Yes,” Zayne answered with a nod as he helped his son remove the doctor costume and put away some of the toys. He gathered his son into his arms as he carried the little boy to his bed. “Sometimes I nap in my car or office in between surgeries.” He tucked his son into bed, kissing his cheek. “Now, won’t you be a good boy and take your nap for Daddy?”

“Story?” his son gave him the most pitiful pout a three-year-old can muster.

Zayne sighed, half-exasperated and half-amused. “You are just like your mother,” he muttered to himself before sitting down on the edge of the boy’s bed. “Alright, one story.”

Zayne outstretched his hand, conjuring up snowy imageries as he spun a tale with evil carrots that had taken over an innocent kingdom. Thankfully, one brave seal stood up against this evil force and taken them down along with help from Happy Snowman and its friends.

The boy watched the snowy scenery with rapt fascination as it changed following Zayne’s storytelling. As Zayne neared the end of his impromptu story, he noticed his son’s sleepy face, catching sight of a yawn escaping. He smiled to himself and quickly wrapped up the story as he re-tucked the sleepy boy into bed.

“Sweet dreams,” Zayne whispered, kissing the top of his son’s head as the little boy finally dozed off, “When you wake up, Daddy will take you and Mommy out for macarons.”

[vyzz-undercover]

the voices have made this happen

[cato/f!ambassador]

(1) (2) (3) (4) (5)

(5,900ish words) (OUUGHHHHH)

CONTENT WARNINGS:

•slight dubcon

•hints of size kink [obligatory]

•vaginal fingering

•oral [f receiving]

•mild possessive behaviour

•the consequences of ignoring important medical devices

•mentions of (hypothetical) torture

•tumblrs recurringly cancerous formatting

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im back on my bullshit after having to do overnights so as payment to the dark gods of whoring and degeneracy i humbly offer this taglist of sweet darling who've indulged my insanity: @the-raven-lady, @gallifreyianrosearkytiorsusan, @bispecsual, @lemon-russ, @kit-williams, @passionofthesith, @egrets-not-regrets, @moodymisty, @sinistermojo, @justeverythingnothingelse, @pluvio-tea, @thevoidscreams, @beckyninja, @yestheantichrist!!! if you wanna be tagged (or not) in the next let me know!!! also it may take me longer to do a part four to this namely because ive got more wageslaving ahead of me soon but alas i'll definitely have rowboat girlyman catch em. also maybe give cato some top. myehehehehe,,, AND THANK YOU FOR READING AS USUAL ILY ALL!!! :3

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Cato is just about leaving.

After having spent the better part of an hour discussing the predicted destruction pathway of a hive-fleet on the system's rim with his Father; it sends his balls into his throat when you nearly run into him in the chamber's huge archway.

It only takes a fraction of a second to catalogue your presence.

You're wearing the same utilitarian blue robe as you had been last week again.

Last week, when he'd been pounding you insensible on a lounge in the library—Cato promptly quashes the insidious memory, smothering down any sort of reaction. But there is a change in comparison to the dizzying reminder: there's a new addition to the reoccurring outfit.

You've brought a navy, high-collared turtleneck into the mix, layered below your lapels.

So, the efforts of his mouth hadn't gone unheeded, then.

Throne, if he's not smug, he's got no bloody clue what he is.

Cato steps aside and turns to allow you entrance first before his exit.

"Commander Sicarius," you lilt with a soft voice and a small downward tip of your chin, all while holding his gaze.

He's transfixed periodically at the honeyed sort of warmth in your eyes.

Despite himself, he lingers and greets you with a slow, "Lady Ambassador."

The left side of his mouth twitches upward in a half-aborted smirk that he quickly tries to mask as a stern, frown-nod combination.

You break the staring match and Cato's confident he's salvaged his slip-up without detection.

Or not—because oh, fuck—if he doesn't feel the burning focus of a Primarch's eyes boring a hole into the side of his head like a brand.

It only lasts an instant, but the second is an eternity to him.

Of course, you're oblivious to this subtle exchange—and promptly trot past him to his Father's vast desk.

"My Lord Primarch," you say with a curt little bow; and then Guilliman's attention is solely on you, his favourite little pet project. "I read the data-drives you instructed from the preceding article logging. I've arranged them back to the most recent mark counts."

You're looking for an empty spot to lay them on his table, but with all the meticulously arranged stacks, it's none too easy to find one.

"Perfect," the Primarch breaths, "Just on the side there is fine, don't worry."

Obligingly, you lay them atop a small mountain of paperwork.

"Do you need anything else of me, my Lord?" You chirp brightly, the tone of your voice so very painfully sweet—Cato is nearly overwhelmed fighting a pitched battle against the urge to run over, pick you up and shake you around suddenly.

Guilliman chuckles, waving one massive hand about vaguely, "You've done more than enough for me today, why don't we leave it at that for now, hm? Go on."

"Of course; thank you, and have a good evening, my Lord," You say, bow once more, and turn on your heel from the Primarch, and—and smile at Cato as you walk back towards the exit. That's—that's the first time you've smiled at him. His twin hearts lurch, slamming forward against the inside of his fused chest cavity. It's perfect abominable. You rotten temptress, he's—he's going to rectify that audacity later. Or now, if you're... possibly heading the same direction he is. Which is whatever direction you're going, purely by chance.

It's merely coincidence, he swears.

He's certainly not planning on hounding after you like a dog tailing a bitch in heat.

He's certainly not going to drag you into a side room the second he's sure no-one with a credible opinion's around.

He's certainly not going to indulge in anything heretical, like bending you bare over his knee for daring to taunt him.

Cato makes as if to fall in step behind you as you pass the threshold before him, but is quickly halted by his Father's curt, "I do not believe you have been dismissed, Cato."

He's never been subjected to such sinking dread quite so nonchalantly.

"Approach."

Cato complies stuffily, sparing a glance at your figure disappearing down the corridor before acquiescing. He's practically dragging his ceramite boots across the intricate rugs as he nears the Primarch's seated but colossal form.

Guilliman isn't looking at him, having had returned to notating a miscellaneous form.

The scritch-scratch of his gene-sire's preferred, yet archaic method of manually writing on the parchment is like someone grating a plate with a fork to his ears right now.

"You've gotten over your petty grievances regarding the Ambassador at last, I take it?" Guilliman asks, without looking up.

It is not Cato's duty to like or dislike. Nor is it to be biased without reason—his opinions are to be intellectual, not emotional. His duty is to assess, analyse and provide feedback, so that his Primarch can take it into account when making rulings and decisions.

Cato swallows around the proverbial hunk of drywall lodged in his throat and answers, "She has proven herself... useful, yes, sire."

Guilliman finally meets his eyes but says nothing for a short while. There's dark bags under his Primarch's eyes, and the deep, stern crease permanently between his dark blonde brows is a slight bit harsher, but the only thing Cato can parse out of the expression's intent is a vague sense of knowing. Because, insofar, he's thought himself quite adept at reading his Primarch; and rather well versed in deciphering the intricacies of his moods.

And right now, he feels like he's being read like an open manuscript.

The daunting prospect Cato's caught sinks it's teeth in his gullet. It's impossible, he's not left any room for suspicion, he's covered his tracks—there's no logical reason why he should be getting raked with such a look.

His gene-sire isn't a psyker nor omniscient, just impossibly intelligent—and so absurdly good at the mathematics of plotting and planning that it only appears superficially as if he is all-seeing. He can't possibly know what Cato has been doing—or rather, who he's been doing.

"It's about time," his Father hums abruptly, suddenly disinterested. "Now you're dismissed."

Cato nods, turns on his boot heel, and nigh bolts marches out the room. His proverbial tail definitely not between his legs.

The hall outside Guilliman's apartments is a central domed area that functions as a meeting area, where people go to one of six looming hallways. It's the bottom of a series of levels; and above, three echelons encircled by arcades and balustrades, framed on the exterior by engaged columns.

But the structure itself is immense and ancient, even by Imperial standards. One of the few still-original, unaltered parts of the great Gloriana-class warship's innards. It is doused in long swathes of red carpet and great standards of Magcraggian note, alongside glorious, heroic frescoes depicting Legiones Astartes in their thousands, crusading across the heavens with the Emperor their head.

Cato keeps his head down as he passes them, uneasy with guilt. Feeling as if their lenses are following him—intent on venturing into the lower layers to brood.

Several Astartes are hovering about amongst the personnel and serfs. The baselines look up at him in awe, and his Brothers nod in respect, but he pays them all no mind.

The furthest corridor beckons him, and so he goes; down the complex system of broad walks with high, barrel vault ceilings, mazing through the vessel's higher clearance reaches like arteries through a body.

Cato is seething, and self-admittedly itching to take a howler of a swing at the next thing that speaks to him.

He cuts down the southern channel and sees one of his subordinate Victrix Guard lingering in the middle of a groin vault intersection.

The younger Astartes is about to continue straight, yet he pauses.

Brother Marcellus meets Cato's eyes for a second, clearly notes his Commander's absolutely stinking mood from a hundred meters off; nods, swallows, takes a step backward—and changes direction to go left rather than pass him.

Cato's too pissed to even linger on the strangeness of the action.

Still, he doesn't rightly blame him.

Cato strides on, back straight, chin up—the red shawl pinned beneath his pauldrons swirling behind him.

His thoughts are eating at him the whole while.

He's sure his Primarch is just trying to innocently divine his sudden change of mind regarding you. There's no way his Father's aware of why. And yet, guilt is a big black wolf nipping at his ankles, making him hasten; and unease clouds about his heart. He's mortified, for lack of a better word.

The full implications of the situation are too enormous to be faced all at once; so he picks the smallest, most banal facet he can think of.

That being, you.

You, who he'll never see again if his Primarch finds out.

You, who's practically damned him without knowing it.

You, who he's now valiantly trying not to imagine in a hundred different circumstances where he gets away with it all. Each one more heretical than the last—it's like it was before he'd managed a hand on you: his body giving in to suffocating delusions, sleepless in his cot; lapping at whatever scant, lust-soaked morsels his mind offers up.

One of his favourites remains you scantily clad beneath a moonlit night sky, on the parapet of his ancestral fortress on the coastal edge of Perusia.

He likes to fantasise you like it there.

He suspects you would.

He knows just about all there is to know about you on paper, and wonders if you know much of Talassar. Or if you've read about Castra Tanagra. He assumes Guilliman would share the tale of that famed old battle with you as a part of your readings.

Each impossible reverie is a new shiny nail in his coffin, or dreadnaut—it depends where and how he dies, and if there's anything scrape up of him when he eventually goes down in a blaze of glory and duty, and honour.

If his Primarch catches him, there's going to be none of that.

He'll be struck from living record, like Titus had been. Cato would be lucky to get a little plaque in the deepest pits of the Fortress of Hera. Reduced to a whispered memory of his achievements passed solemnly between Captains, followed up with words of disappointment. Of waste. Until his memory dies with them and his deeds fade into obscurity, lost to any new brothers.

The fate that awaits you would somehow be worse. Cato was always going to die in war, as was his right—but you—you were not fashioned for such things. Yes, Guilliman enjoys you, but that fact won't save you. Just like it won't save Cato for all his usefulness. You'd be tried as a heretic, as a source of corruption upon the Legiones, and you'd be made to suffer; because torture ever comes before execution. You're so very soft weak in so very many ways. Your life lived in a gilded cage, without pain nor discomfort that extends further than grating professional grievances—he doesn't want to imagine the sound of you screaming, but he does.

He cannot stand the thought.

The sudden urge to barricade you in his chambers for permanent safe keeping is all-consuming.

It's suddenly all he can think about.

He has to find you.

The amount of serfs passing and parting to allow his passage thin out to nothing.

Even from the sterile confines of one of the many winding hallways, Cato abruptly swears he can hear the echoed rush of sandals—your sandals—reverberating off the floor.

He hadn't notice you following behind immediately because, damn it, he's spiralling thinking.

He chances a confrontation, and rounds about-face.

You stand there in the middle of the empty hallway like you've got a bolter aimed at you, frozen.

"Come here," he says, clipped.

You do not.

"Come here."

Again, no compliance.

"Do you pride yourself on being a idiot?" His voice is scathing now, taking a heavy step into your space and being met by you staying stock stiff, still. "Do you have any idea what that stunt of yours earlier might incur?"

"What?" You blink, finally animating. "I didn't do anything—"

"You know what you did," he hisses, accusatory. "You're hollow between the ears, but you're not blind."

Lips pursing tightly in mental deliberation, you make a fey noise of annoyance as a little frown graces your features, apparently not deigning to offer a comment back.

"Do you not understand that... this," he gesticulates between you both and his voice falls to a whisper. "This... is not common allowance?"

"It's not?"

Are you being intentionally dense at this point, or is it just second nature?

Cato raises a hand to knead the crease between his brows, "No."

"That explains a lot, actually," you say, seemingly without any real comprehension on the gravity of the matter. "I couldn't find any notes or references on it."

He's genuinely stunned, "Is that what you were doing when—"

"When I was rudely interrupted," you cut in, the comment is nigh a spat insult.

Cato isn't sure what to say to that sudden display of spine, and grumbles.

He surmises the optimal action is complete disregard.

Therefore, he has no problem turning on the heel of his sabatons and starting his pace on again.

"So... this isn't normal by Astartes standards?"

He's taken aback at your abrupt want for conversation after all that. Namely because it's atypical. You never attempted small talk with him. You never do anything but scurry off when he's accosted you for you flagrant overstepping—wait.

He feels as if the paradigm between you both has shifted again since the last time for some reason. More than last time, actually. More than you just simply having the audacity to backtalk him.

It's like some symptom of a deeper sickness rising to the surface.

It makes him unreasonably curious suspicious.

He wants to see just how much ground you'll give, so he plays along and answers, "Not as far as I am aware, no."

You hum, and immediately are at it again, posturing, "Surely you have heard of cases of it happening?"

"I have not," Cato says, and you hum in consideration.

You're satisfied at that information for a brief while, but then he remembers you cannot shut your mouth for more than five minutes, and purses his lips. He's already tiring of your incessant questioning.

"But you'd done it before?"

And that's just great.

You've expertly found an exposed nerve.

More kindling on the bonfire of him having an aneurysm before the cycle's end.

Cato can feel the hint of pressure behind his eyes as he begins increasing his walking speed. "I don't think that is a relevant question."

You haste to stay in step, "It definitely is."

"You ought to learn a civil fucking tongue when you're addressing me, woman," he bites out, nose crinkling into a sneer.

Unperturbed by his short-tempered comment, another thoughtful little 'hmm' slips out of you.

"So, to conclude... you were as inexperienced as I was at the start, and all those gloating insults back then were just projection?" You suddenly blurt out at rather impressive speed, like a politician possessed—before finishing with, "Sorry, 'all those gloating insults back then were just projection,' Commander Sicarius."

Cato grits his teeth and feels his eye twitch.

He stops, turns to look over his pauldron, and stares bloody murder.

He can't even imagine the idiocy in your brain that gave you the imprimatur to say that aloud.

But Throne, the sly little glint in your pretty eyes suddenly has his face thudding with heat.

Then you smile at him for the second time ever.

Cato bites back the urge to ogle you dumbly, and actually feels himself thicken in his body-glove in real time, because oh, fuck—his hind brain practically pelts him across the jaw with the mental pict of that sweet mouth lathing up the side of his cock.

Mentally unseated for a moment, his brows furrow; and he quickly turns away, applying himself entirely to the task of trudging down the stagings.

The silence is a breath of fresh air.

Even if he can still hear your laboured breathing a few steps back him from him. You're straining to keep up with his pace, and it's an excellent punishment for you. His heavy sabatons clank-clank-clank on the steel decking, and your little shoes practically pitter-patter in contrast. It's a syncopated rhythm that he's absentmindedly trying to match—and when he lingers for a step he manages to even the beat out.

He hangs a left, and scales the wide stairs to the open intersection platform above two at a time; trying not to snort amusedly at the little groan you let out as you hurry up them behind him, heaving.

Cato realises abruptly that you're actually, really, seriously following him—and pretending you're not.

He makes a right at the top and then waits for you to fall in step.

And, pointedly, he then turns and doubles back around.

You stand there stupefied for a moment, before grumbling softly and continuing down the thoroughfare without him.

If his observation skills hold any weight, he heads straight into the nearest open room and waits for you to follow.

He doesn't activate the locking mechanism on the other side on purpose when he strides in, and lets the sliding door close behind him.

This particular room is forgettable in its ubiquitousness, though unusual. He has no idea of it's actual intended purpose. It's fitted with screens and database terminals as if it's for debriefing purposes, but he has no real way of confirming. What he can catalogue is that there's wraparound surfaces littered with candles. A few strips of harsh lighting and scant furniture—a tallish counter and a few long benches. They're thankfully Astartes sized.

Which means he can sit down and pray for you to walk right into the metaphorical snare he's just laid.

Not a minute later, the door's sliding mechanism triggers and you scurry through—only to promptly go stiff.

You stare at him like a rat he's just found by lifting a crate.

The mechanism shuts automatically behind you and it apparently spooks you enough to jump a little.

"You're disgustingly predictable," he harrumphs, unimpressed.

A flush rises to your face as you scowl, "You're disgustingly predictable," you shoot back, echoing his words.

Of course, that audacity of yours leads to a short stalemate.

He huffs out a sigh as he concedes out of sheer frustration and says, "Three-seven-five-eight-eight-two-nine-one."

You blink dumbly at him, "...what?"

"It's my locking code," he growls, and Throne, you must be acting stupid just to grate him; because there's no way your brain is so smooth as to not connect the dots. "It's for the door, moron."

A soft 'ohh' leaves you as you turn and step aside to the key pad fixed into the frame.

"Three-seven-five-eight-eight-two-nine-one," he's agonisingly forced to say once again.

"Three-nine-five-eight-eight-two-seven-one..." you mumble to yourself.

Cato hears an angry beep and suddenly wants to smash his head into a wall repeatedly.

Grinding his molars, he snarls, "Three-seven-five-eight-eight-two-nine-one," and then adds, "If I have to repeat that one more time, I'm going to throw you out of the nearest airlock."

And it seems the threat of violence works wonders, because you don't bungle the input this time.

Cato sighs, exasperated, and leans back against the lip of the table behind the bench.

He ought to start carrying around a correctional stun rod. Just for whenever you annoy him. If it's good enough for a Neophyte to suffer, it's good enough for you, he supposes.

Or it'll send you into a seizing fit.

He's not to sure of the maximum voltage a baseline can take without their singular, puny little heart giving out.

One disciplinary option scratched out, then.

But he can think of many, many more to make a model Ambassador out of you. The wonders of carefully applied violence are plentiful. A little roughing up never hurts, or at least, not for long. And fuck, do you need some lessons on proper manners. He could have you smacked into shape like a show pony in no time—even if it'd be more like teaching a grox to trot lateral movements. Then again, he also believes if he stuck a frag far enough up a Carnifex's ass, he could probably get it to play Regicide.

And then pointedly, he starts thinking about your ass.

Cato is so utterly lost on the tangent of hypotheticals that he's flabbergasted when a small mouth lands on his own.

He hadn't even been paying attention.

He hadn't even noticed you'd neared.

It feels like the breath has been knocked out him at the sheer unexpectedness of it.

The kiss is hasty, your eyes scrunched shut and cheeks flushed, scowling with focus.

All the while, his mind reels because Throne, the contact of his lips to yours doesn't really feel particularly profound aside from how soft your skin is—but the intention of it is the real reward.

Cato's genuinely infuriated when you pull away.

You blink owlishly at him, giving him a cautious look like you're trying to gauge his reaction.

There are a thousand things he wants to ask, to say, but the foremost among them is but one.

"Again," he huffs, lessening the distance between you just enough to invite you back.

And he thinks that perhaps he’s abusing his station over you, but when you tentatively find a hold on his gorget to steady yourself to give him another kiss—those thoughts are all but erased from his mind. It's a curious weight off his shoulders to have you initiate and to show you want him in return, especially since it's as new to you as it is for him.

Nonetheless, he can't even imagine finding a reason to stop you, so he starts blindly mouthing; trying to coordinate around the fact he's so much larger than you.

The angle is difficult, but he's willing to follow your lead. Your body is even more fragile when he's in full armour. The risk of actually hurting you is realer than ever, but he can't help the desire to wrap an gauntlet around your waist and pull you closer to him. Thankfully, you let him when he urges you to, trembling hands flitting across his chestplate like you're unsure of what, exactly, you should be holding—and he catches the tiny line between your brows smoothing out as you risk a peek. Only for you to yelp, nervously wrenching yourself back in flustered surprise upon meeting his unwavering stare.

It's as if you expected something else.

He senses he's made a mistake of some kind.

Then he remembers from the motion-picts he's not supposed to keep glaring at you when kissing.

Regardless, he studies your face, memorising the lingering want still clearly there like his life depends on it.

He pulls you in and kisses you again, just because he can, this time brief and chaste. And then he goes for a third, fourth—fifth, each time slightly longer, until finally he rears back; and when he does you push up on your toes just a little, trying to chase him, but lose the nerve; although to Cato the reason for your faltering is, frankly, irrelevant. Because just like him, you lack the practical capacity to really know what next step you should take. Still, you look down at his armour, as if there's a latch to pull that magically undoes all his wargear.

He knows he's not going to get himself out of his armour in any reasonable way or amount of time.

There's no way he's getting the satisfaction of having you on him right now—but he still wants to keep you near.

He thinks he hears you ask for something, but he's too distracted to catch it in time.

"What?" Cato scowls, "What do you want now?"

It's clear you've been struck by your own embarrassment, strung up somewhere between shy and wanton, "I.. uh..."

"Spit it out," he rumbles.

You wince, hesitant as you mumble, "You, uh... i-in me."

Cato's brain skids to a halt. And it's the gall of that request alone that has him sweeping you up off the ground and spinning you around to sit in his lap.

It's obvious you're overwhelmed at being held to the formidably larger size of himself in full-plate. But as usual, you're yet to actively complain. Using his vambrace as a leg-bar to scoop under your thighs, he folds you in his grasp—your knees pressed to your chest as you're tucked back against his pauldron and chestplate.

The angle forces the hems of your robe aside, and he can see the underside curve of your ass; along with the plump mound of your vulva under the white of your small-clothes.

Cato's suddenly offended by their existence. You didn't wear any last time, so why now? The irritation of there being one more thing between you and him is enough justification to yank at them, tearing them loose—before throwing them aside.

You grumble sourly, which he chooses to ignore.

The palm of his gauntlet smooths across your hip, and you make a small huff as you shiver, goose-bumps suddenly covering your exposed flesh.

Cato lets the pads graze closer and closer to your sex, content to watch you impatiently glare at his armoured fingers from between the gap of your thighs.

With little preamble, he's stuffing his middle in. You're already so wet it's practically a cake-walk. Your cunt swallows down each articulating segment of his armoured finger down to the knuckle. The fact he's going to have to personally scrub your slick out from between the joints, instead of a lowly serf, is infinitely worth the shrill whine he receives as tribute.

"Would that my wargear had a zipper," he breathes, and fuck, he grins behind the obscurity of his gorget at the mournful mewl that remark earns. "I'd have you on your knees sucking for all the cunted trouble you've caused me."

You're making a warp-awful attempt at keeping yourself together, high-strung as you evidently are. Little more than a minute of him pumping his finger in and out of you has you red-faced and panting. All it takes to get those heavy breaths of yours to change into proper whines is his large thumb-pad adjusting to rest on your clit, applying pressure. You jerk, reflexively trying to buck into every motion. Fighting and failing to withhold the stuffy little moans escaping you—trying to stave off the inevitable by scrambling at the thigh plating of his power armour with one hand and tugging at his couter with the other.

Some part of Cato wants to stop solely out of spite for you being so grating earlier, or some other stupid mercurial justification of his; but instead, he simply continues, letting you squirm on his fingers.

And squirm you do.

It's clear to him the tide of it all is becoming too much for you to resist. Your sandal'd feet kick out where he's got your legs secured, joining in on the struggling as it begins anew when his thumb starts circling. It's a good sign, so he adds his pointer into you to bolster the stretch, curling in; before letting his fingers fan out inside you, stretching rather than stabbing. Your hips try to stutter forward in time with the quick thrusting of his digits, broken whimpers resonating off the room's walls. He promptly stuffs down to the knuckle and curls them again—and you all but bleat his surname as you're dragged into a fast and apparently exhausting orgasm. Just knowing he's you got you beat has his erection ache where it's trapped under the suiting and plating of his navel.

Cato can't feel you clenching through all the layers separating his skin from yours, but he knows from experience that you're seizing in fits internally—tight little cunt trying to milk a load out of an Astartes cock that should've been stuffed in you.

Just to allow himself one last bit of smugness, he scissors his fingers; giving a final swirl for good measure.

The shivered sob is worth every possible future disciplinary action he'll receive.

He pulls his gauntlet away slowly, and the wet shlick of it leaving you is almost amusingly alike pulling a blade from sinew. It's a degenerate comparison, he knows, but it's true.

Nonetheless, he splays out his hand and swallows dryly, eyeing the sticky, clear liquid webbing out and thinning between each ridge of his gauntlet'd digits.

Suddenly focused entirely on the fluid on his fingers, he pulls his vambrace barring under your knees up away. Now limp, and without the support, you slide off his lap and onto the floor in a slow slump.

"Nn-ngh," You groan weakly, face-down, legs still juddering a little.

Seeing as you're preoccupied, Cato doesn't even dignify the concept of hesitation, and promptly jams his fingers in his mouth—lathing the aftermath of your orgasm from them. And Throne, the taste of your hormones make him groan. He's absolutely stunned, unsure of how to act. He's so fucking stupid, why didn't he do this earlier? He's practically drugged by the omophagic aftereffect—getting off on your second hand bliss. Some sort of fey feedback loop in his brain catalysing his next decision solely on instinct.

He clambers to the floor and gets to his knees guards, securing a mitt on your bared thigh to roll you onto your back.

Apparently boneless with afterglow, you're easy to manhandle.

You barely have the strength to do much more than crane your head up at him and whine as he arranges your thighs apart, settling on his front between them with a warp-awful clank; before lifting your legs up to rest onto either lip of his gorget.

You try to scud back on your ass suddenly, but are quickly halted when he holds you fast by the hip.

He raises a confused brow.

"I-Isn't—" you start, still gathering the scraps of your brain together so soon post-orgasm, "Isn't y-your saliva acid?"

Cato suddenly wants to cuff you on the ear, "Who the hell told you that?"

"M-Master Calgar," you mumble.

Oh, of course, the gossiping hen.

He's going to have words with the Lord Defender of Greater Ultramar the next time they meet—words like 'for fuck sakes, stop scaring the woman he's trying to eat out with talk of Betcher's gland, Marneus,' come to mind, but then Cato realises that doesn't sound like he's not fucking you, so he quickly settles on: 'stop dignifying the Ambassador's hundred-and-one insane questions.'

"Not Ultramarines," Cato manages not to snarl, "It's a vestigial organ in most of us."

Your voice is shaky as you parrot, "Most of us?"

"Yes," He grunts, and promptly buries his face in your cunt.

The disproportion in size is painfully apparent when he realises his whole damned tongue is able to drag a stripe up the entire splay of you with minimal effort.

The pitched gasp he wins out of you is pure sin, and he's on the brink of swooning; but then you're running your trap again.

"Please, d-don't tell me you're one that can spit acid—" you manage to warble, seemingly still stuck on the topic.

Cato sighs as he's forced to pull away from your vulva, "I think you're forgetting I had my tongue on your tonsils in the library."

"Th-that's different," you stammer. "That's not as sensitive."

A long, unimpressed deadpan paints itself on his face.

"So," he starts with a bated hiss, "And let me be perfectly clear in this—you believe your vagina is more susceptible to burns than your mouth?"

Your face transforms into a strange mix of embarrassed and angry.

"I didn't say that—"

"Yes, you did," Cato grumbles.

"Did not," you huff.

"You—you just fucking did," he snaps, frustrated enough that he can feel one of the veins at his temple bulge. "The implication is obvious, you insufferable little whore."

You snort, but stay silent.

The argument appears, for all intents and purposes, to be finished.

"Did not," you say abruptly once more, pouting.

Cato's eyes roll back in his skull as he grits his teeth.

"Throne of Terra, if you don't drop the subject, acid in your cunt will be the least of your worries," he all but snarls, and that apparently quietens you enough that he can get back to lapping at you—the flat of his tongue running over your clit and earning a jolt.

He wraps his lips around the pink little nub and sucks. And that's all it apparently takes to make up for his amateur career in the practice.

You siphon down a sharp breath and let out a garbled cry, hips canting forward into his mouth—to which he obligingly stuffs his tongue into your slick entrance.

There's a satisfaction well beyond simple pleasure that swamps him at the way your thighs shake either side of his head. His own breath is hot about him, stuffy and dizzying; and the skin pressed against his cheeks is warm and smooth.

You're panting when he goes back to lapping over your clit, perching yourself up on a bent elbow and reaching out a hand.

Your fingers card through the messed brown hair atop his head. And he stiffens without realising—but he realises something: like this, the touch is ecstasy—pure, golden ecstasy. Every bit of higher thought in his head evaporates when you stroke him again.

A long, rumbling subvocal moan tears from him.

The infrasound vibration makes you buck weakly into his mouth again, teary eyed afore him as he adjusts his grip on you and crawls closer.

He's suddenly acutely aware that in this new, much more prone position, he's able to grind his body armour into his groin guard pressed on the floor. And as soon as the action bears results—namely a scorching burr of pleasure racing up his spine—he's deadset on rutting against the ground like a slavering beast.

He's frotting himself at a pace so rabid it'd be cruel to subject your cunt to. It's brutal, and the harsh scraping sound of plasteel on steel only further proves that. It's just frantic lust—he's desperate.

It's complete insanity how close to finishing he is so quickly.

Not as close as you, though.

He can feel how your legs jump with each pass of his tongue; and then you're unraveling in front of his very eyes.

"I-I can't—I can't, S-Sicarius, I-I—" You ramble, dazed, trying to get away as he works you right through it, sobbing and oversensitive while he's rutting himself closer and closer to his own end.

It all comes to a head when your fingers dig into his hair, tugging—and his brain is overrun with static. A drawn out groan scathes from his maw as any sense of rhythm scatters like light through a prism. For a fraction of a second, the pleasure is serene.

Then it's abject agony, he feels—he feels like Roboute Guilliman himself has just taken a running start and kicked him in the balls.

"F-Fuck–ing—gh—" he chokes, vision swimming, straining against the tide of the torment. His back arches up, and he curls inward on himself; white-hot pain clocking his nervous system into overdrive. Every muscle in his abdomen is doused in acid. He's tolerated being shot, stabbed, burnt without so much as blinking—but this is an entirely new and entirely different sort of wound. It's like he's pissing promethium. It's—it's the catheter, he realises. He'd forgotten about the bloody catheter jammed up his cock.

Through the searing ordeal, he manages to force his armour's facilities to finally abide his impulses and dose him with a pain dampener.

And then everything's fine.

He opens eyes he wasn't aware he'd closed and finds your face has suddenly gotten far closer to his.

"S-Sicarius?" You stammer, and there's an honest panic in your voice. "Sicarius, p-please, please—a-are you okay?"

He realises he's on his back, and you're sitting beside him, half draped on his chestplate, frantically trying to figure out what's wrong with him to no avail.

You've leaned in so close he can feel your rushed breathing.

"I'm fine," Cato groans, and you sputter out a sigh.

"I-I don't know what happened, I-I—" you're still wildly confused and raving, and he inhales deeply; only to be greeted by the sour animal stink of fear practically dripping from you.

Cato rolls his tongue around inside his mouth and cringes knowingly at the foaming side-effect of the chem he'd self-administered, the acrid taste mixed with your slick is certainly not an ideal cocktail.

The sincerity of concern behind your reaction is baffling. He's not made of glass, for fuck sakes—and he's a bit pissy about the fact you'd actually fallen victim to the idea of him suffering some grievous injury so easily. But he supposes where there's a will of baseline overreaction, there's a way.

"You're acting like a child, woman. Pull yourself together," he sighs hoarsely, hoping the comment jars you out of your hysteria—or at the very least scares you off.

It does exactly neither, and you sidle in closer and rest your cheek on his jaw.

It’s an action so overwhelmingly horribly affectionate that it would’ve been a crime to not press into it with a lean of his head. Or, at least, that's the half-assed justification he tells himself.

Because he's loving enduring your attention, not seeking it; and therefore only humouring you when he lifts a hand and settles the wide splay of it on your flank as a comfort.

He shouldn't be, but he is.

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[cozylittleartblog]

idk if I've said it before, but your portrayals of both Rouxls and Queen are among my favorites, and the way they are when you combine the two is the sole thing that got me to say "yes" to queenkaard. When I first saw it in the game and it started catching on as a ship, I was like "nooo I hc him as gay," but then after seeing your stuff I was like "oh nvm I totally see this now."

i think hearing "i didn't see this ship before, but after your art i understand it and/or even ship it myself" is one of the nicest compliments i get, because it makes me feel like i'm representing something meaningful and sweet about a pairing and having people understand what i think is so great and captivating about them. i've gotten a couple asks like this and sometimes i forget to respond but i always really appreciate them :) thank you very much

[justaz]

semi-dark king merlin au, someone from ealdor tells king cenred about merlin and he is captured and held as a slave in essetir. since merlin despises captivity and servitude, he’d rather be dead and free than alive and in chains so he acts out and pisses people (especially the king) off so they’ll think him too much trouble and kill him. at first they stick to beatings until merlin manages to get his chains around a few necks and now has a body count so they kill him…..only he wakes back up a few hours later and king cenred is Intrigued and keeps him close. merlin keeps acting out but no matter how many times they kill him, he won’t stay dead. merlin has this moment after waking up perfectly fine after his twenty seventh death where he is hopeless and believes there to be no escape, not even thru death. a few other sorcerers in chains come and help him clean up and give him a lil peptalk, realizing him to be emrys, and then they revolt and take over the kingdom and crown merlin as king and now uther is like “wtf” bc his neighboring kingdom who was kinda sorta on his wavelength about sorcery, though uther did not approve of keeping them alive, is now a kingdom ruled by magic. he goes to war with them but with magic running free and fucking emrys on the throne, they don’t make a lot of headway. anyways merthur meet on the battlefield, enemies to lovers, you get it

[skarkkk]

It was fucking rape. That's my fucking point of view.

What do you mean he liked it? What do you mean it was cheating? What do you mean I like her?

It was rape, there is no other interpretation other than rape.

Robby lived with two addicts and yet he was abandoned in a bar with free access to alcohol, and that's where it started.

He got drunk for the first time, he drank for the first time and he has no resistance to alcohol because he stays away as best he can for the simple fact that his parents were addicts who never cared about him. So he wanted to forget what was happening, to repress all of this and he turned to alcohol because where else would he go when everyone didn't give a damn about him, or his situation with Tory or his emotions? Where else was he supposed to go when his example of dealing with emotions is aggression and addiction? So he drank. He drank to a level where he couldn't formulate a response, a sentence, when Kwon came to talk to him and provoke him, and we know that if he was sober he would have done something. It was obvious on his own face listening to Kwon that he was spaced out, drunk, and then Zara approached him. And took him to her room, from where he came out the next morning. No memory of the night before, a headache, and still looking out of it, as we can see when she kissed him and he didn't even react to it. The level of alcohol this requires is the level of alcohol that prevents someone from giving consent.

— I barely remember last night

— Good thing I do

Can we see the exact connotation that something happened? That she actually took advantage of the boy who couldn't speak to give consent, who couldn't think to say no, who was too drunk for this to be acceptable? The fact that she shows no remorse whatsoever for this happening and yet kisses him again.

Besides the fact that the writers themselves are treating it like it's some kind of cheating with Tory, the characters themselves acting like he's not a vulnerable person being raped by someone who knows better?

I hate her and I hate the writers for making this like it's nothing. I don't want to be that girl, but being that girl, if the roles were reversed, would this be in the show? Would this be treated that way? Or would they actually treat it like the SA situation that it is?

From the beginning, you can see her interest in Robby - starting with that scene in the captains' photo shoot where she talks to Tory. She knows he's in a relationship. All those teasing scenes with Tory. Her taking advantage of Robby. Then the fight scene.

— You chose her over me?

Like, girl, what the fuck did you expect? He doesn't know you, he doesn't like you, you raped him and you're going after his girlfriend - the person he loves? How high is your ego to even consider that he would choose you? Axel's obsession with Sam I can understand more, although I still have my doubts. She was the first person to understand and see his situation with his sensei, she was friendly and he developed a protectiveness towards her. Although his attitude towards Miguel was wrong, he didn't rape Sam or act like a bitch towards her.

Iron Dragons and their obsession with the Miyagi-Do captains.

Zara Malik and the fact that she raped Robby Keene.

[batcavescolony]

A Batfam AU where instead of going to get Dick to be Robin again Tim uses necromancy to bring Jason back from the dead. He just leaves Jason on the Wayne doorstep with a 'do better this time' sticky note. Batman can't find out who did it and Tim stays his little latchkey self with semi ok but distant parents (cus canonical they weren't really abusive just not there which isn't good but they could be worse). His parents bring him along on trips but again they love him but they just leave him to do as he pleases. so in Paris he ends up still getting trained by Lady Shiva. This keeps going and Tim just keeps reviving batfam members, if they fake their deaths and Tim tracks them down to check on them. They still have no idea who their shadow is, they can't find him, Tim likes it this way. Bruce goes MIA and Red Robin happens just minus Tim actually being Red Robin. The JLA doorstep gets a passed-out Batman with a 'I can't believe I have to keep doing this shit' sticky note on his head.

[spookythesillyfella]

remember when i had that dream where you [Y/N] have a sleepover with tumblr sexyman tony and sketchbook where you guys just end up in a polyamorous relationship ??? well . i tried to find a fanfic that would even slightly line up with the description. even if it was only vaguely

but uhhh ....

there were none . so i had to do it myself

[rin-solo]

Is it just me, or should we maybe talk about Poseidon's final line to Odysseus, "After everything you've done, how will you sleep at night?" some more?

Thank you to my lovely mutual @glisten-inthedark for making me think even more about the Vengeance saga ending than I already was because there is SO much there to unpack.

Because, like, if you think about that line for more than 2 seconds ... what the hell even is that? Only a complete 180 turn from his "You are far too nice; mercy has a price" attitude.

First and foremost, it feels like such a human thing to say, not least because of his tone. I don't think it is mockery or anything of the sort; it took me a while to notice, not least because he is speaking in a chopped voice due to his injuries, but he actually has the same genuine tone of voice as in his "I can't," one song earlier.

In short, it feels like something someone would say after being shown a glimpse of mortal vulnerabilities and pains, the way that I am convinced he was (for more on that, check out my full torture scene essay; I believe it's one of my best ones.)

Like, my man, are you genuinely asking the guy you specifically tried to make more ruthless how he's going to live with this newfound ruthlessness? What are you so concerned for? That it's too much? Why would you think that? Maybe ... because you've been there yourself? Is that it?

The funniest part to me here is that Odysseus is not nearly as "monstrous" as Poseidon would view him as. Poseidon only sees the "monstrous" actions, which he knows ... but Odysseus, at that point, is so much more than ruthlessness (more on that also in my essay.)

And yet here he is, essentially asking Odysseus, "How will you live in my shoes?" because that's the image that he now has of Odysseus; when he saw Odysseus wield the trident, he saw him in his own shoes, and due to personal limitations, Poseidon cannot comprehend that Odysseus isn't actually committing to a life with his philosophy because he probably doesn't understand that there is a middle way.

Honestly, the more I think about the effects such an exposure to vulnerability would have on Poseidon, the more I worry for him.

Some people point out that this defeat may have ultimately been pointless because the moment Poseidon recovers, he could just immediately come after Odysseus and drown his island or whatever he wants ... He won't do that. I can't tell you why I know this, but I am like 100% sure that he won't.

Physically, he will recover. But emotionally/mentally? My man is f*cked ... and that's putting it lightly. He will feel the effects of this exposure excruciatingly for a long, long time ... Because, in order to fully recover from this, I wager he would have to actually process what happened there and reflect on his own actions in the way that Athena did ... which we all know he won't do.

Athena managed to use Odysseus' confronting her with her own flaw/fear to reflect and grow, which is why she had that beautiful character arc and learned to open her heart. Poseidon? I mean, maybe in a couple centuries, I don't know ...

... If I had a nickel for every time that Odysseus out-topped humbled a god to the point of being forced to confront their own vulnerability, I would have two nickels, which isn't a lot, but it's weird AWESOME that it happened twice. Keep slaying, king; they need it.

[fearandhatred]

to rome: a play by fearandhatred

(5k words, 1/1 chapters)

While trying to tempt Caligula, Crowley makes a discovery that renders all his efforts for naught. But then it turns out that Aziraphale is here too, so maybe his trip to Rome isn't wasted after all.

***highly recommended to read on a phone because of the Multiplicity Of Line Breaks that just look very weird on a laptop unless your font size is huge

-----

i've always loved the idea of crowley falling in love with aziraphale in rome. in some ways it really is my roman empire so i figured i might as well make it happen! featuring many shenanigans and an annoying emperor :)

any and all support is greatly appreciated <3

anyway it all started with a dream:

so this is for @eybefioro @captainblou @crowleys-bentley-and-plants who challenged me to write a fic with no angst and also, coincidentally, for that one commenter who asked me on the same day if i would consider writing something happy for once. against all odds and with much difficulty, i have done it. love u guys sm <333

[goodomensao3tagoftheday]

[ganondoodle]

utterly random late night panic thoughts but

if you read my zelda comic and like it i love and appreciate you but i really do need to be upfront about it being very much a self indulgent enemies to lovers story with a villain at the center that has done bad but isnt bad at his core and is struggeling to come to terms with the fact that he doesnt actually want to be the evil beast he and almost everyone else believes he should be

yes im one of those people ... fake villain fans or something ... i think .. i dont know the rules to that ... q-q

[starry-bi-sky]

my body's aching like a knock-down drag-out

and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.

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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it. 

Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.

He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats. 

Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.” 

Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.  

He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died. 

Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream. 

He’s dead. He’s dead. He’s dead. 

He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.  

He has no mouth, but he must scream. 

Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood. 

Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.

With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off. 

Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts. 

Scrappy is just not enough. 

He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all. 

Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash. 

But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane. 

With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings. 

Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice. 

He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail. 

Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.

Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it. 

Being dead is agony. 

Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow. 

His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever. 

In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be. 

Being dead hurts.