#i remember years ago i watched a panel with the English voice actors | Explore Tumblr posts and blogs

just-some-random-blogger · 5 years ago

Text

Noona, You're So Pretty

SHINee + TVXQ! Lee Taemin x Actress!Reader Characters: Park Seo Joon, Choi Minho, Shim Changmin (MAX), Lee Taemin Summary: You were a big time Hallyu sweetheart. Having garnered the attention of the masses with your debut role as a high school student with the ability to talk to animals, everyone fell in love with your bubbly and quirky personality, including Shinee's maknae, Lee Taemin. And for the most part, Taemin thinks he can stand a chance with you, except--oh no, he thinks you *may* not like younger guys and your new co-star, Park Seo Joon, seems a little too taken with you. Word Count: 2k+ Warnings: Fluff, pining, typos etc.

A/N: i hope four years is okay w/u.

Two more questions.

It was my turn to chose. My co-actor, hair slicked back, snug in a cashmere top, nodded my way. The act was so simple, and yet I could practically hear the swoons of the ladies in the audience. Who could blame them, Park Seo-joon was a dashing and hardworking man.

There were flashes of light from the photographers. I tried not to squint and insyead smile softly in order to look flattering in the photos. I nodded at the man, who stood up and presented his question.

"You've done a handful of notable projects since your debut in 'Sounds of the Animals'. From then to now, what is your secret to being so graciously recieved by the public? And what can we expect in the future?"

I nod upon hearing this and break into a smile. It was so flattering that from all the questions we were asked about this drama at hand, people were interested in my career in particular.

I clear my throat and move closer to the mic, "Uh, firstly, thank you for being interested in me and for saying that I am graciously recieved by the public."

I break into a chuckle, Seo-joon beside me cracks a smile too.

"Although, I will admit I don't have a secret," I say in an unsure tone. "Hmmm, I believe I am just really blessed because I am able to do what I love and have people behind me help me and shape me into being the best I can be." I say and turn to the rest of the panel with my other co-stars, writers, and director.

"If anything, the secret is a good team. Having such great people behind us is what really makes a drama, or any project, successful and well-recieved."

I look around the reporters and watch them nod. I end my reply, "As for the future, I can't really say. I hope to keep working hard. But, er, right now, I am hoping and beckoning everyone to watch 'Replay'. We worked very hard on it and it was so much fun and such an honor to work with everyone here. Please watch it diligently and stay tuned til the end."

There was a bustle between the reporters. The flashing camera lights broke out again, and I allowed the man next to you to choose whomever he wanted.

Last question.

Seo-joon points, and the woman wastes no time, "you said a while ago that during the filming of this drama, you two got very close because you would go working out together. Besides this, what else do you two do together outside of work?"

No, there was nothing physical about my role in the drama. I just grew to like working out, and I had to because, well, I needed to keep my physique up, you know.

I turn to the man beside me and he turns to me as well. For a moment we stay quiet, as if doing so would make an answer come out of nowhere.

"Well," he starts looking at me as if the answer was on my cheeks. I hold back a laugh ad shrug, answering for him, "we eat a lot."

The room breaks into laughter.

"He treats the cast and crew to soju from time to time," another of our co-stars point out. "Seo-joon is good at keeping his alcohol."

Seo-joon sudenly remembers something, "Actually, sometimes Shinee's Choi Minho would work out with us." Minho and him were friends because they were in a drama called Hwarang before. (Legit they are, it's really good, you should watch it)

I raise my brows and nod. Seo-joon continues, mentioning my name, "TVXQ's Shim Changmin would sometimes he'd work out too." I was friends Changmin because we worked on a drama together. "And one time, she, myself, Minho, Changmin drank together--"

My eyes suddenly widen, realizing where this is going.

"--and she--" Seo-joon chuckles out.

I but in and punch his shoulder, "ya oppa!"

"--got drunk and started crying."

The room laughs and I feel my face burn. I groan and start hammering Seo-joon's shoulder, but he only bends his neck to the side, pulling away slightly, and laughs. He even continues on mimicking me, apparently.

"Ahoohoohoooo, I'm so happy to be friends with you guys. You are all so great. And so, so handsome."

I jump out of my seat and stand, "YA SHI--" I then clench my teeth and playfully place my hands the man's neck. I laugh, pull away, and sit back down. At this point, the entire room is awake with giggles. Truth be told, I wasn't really embarrassed. I just like making people laugh.

I blow are between my pouted lips and exaggeratedly whine, "Oppa, you are clearly the worst."

The man who was a year older than me basked in satisfaction, "Ye, but you still love me."

Later that day, you and Seo-joon attended a party celebrating the airing of Replay, hosted by the TV network the drama was being aired on. Many came up to you and congratulated you. Some shook your hand, others asked for a selfie. A smaller portion asked for an autograph, and your relationship status was Seo-joon.

You were in the midst of finishing a conversation with some producers when a hand came to your shoulder, followed by the greetigs of a tall man. He spoke ypur name fondly, and you broke into a pleased smile, "Changmin oppa!"

We share a quick hug and I can't help but flutter at his expression. "Congratulations on your show!" the man in a plaid, grey suit speaks with his hand on my shoulder. He pulls away and continues, "I heard the ratings are expected to go through the roof."

I chuckled and shook my head, "I can only hope so."

"Yaahhhh, you're Hallyu's sweetheart. Don't worry about."

I give a smile at his reassurance and decide to change the topic, "You here alone, oppa, or do you have a hot date?" I wiggle my brows.

Changmin shakes his head and rolls his eyes, "Well, I recall you drunkenly admitting Minho is handsome, so..."

"Ya!" I raise, "I'd admit Minho is handsome regardless of my sobriety."

Changmin snorts, "speaking of."

"Noona!"

"Minho-ya!" I coo and welcome the younger man's embrace. I chuckle and cling onto his green sweater when he squeezes tightly and pushes slightly forward.

"Ya!" Changmin scolds his dongsaeng and I can't stop laughing. "It's as if you haven't seen her in years."

Minho has a mischevious glint in his eyes. "Noona, you're so pretty," he notes, making me chuckle and Changmin snort.

"Thay's the title of his debut song," Changmin mutters to me, making me nod,

"Actually," Minho cocks his head to the side, "its english title is Replay."

My lips form a please o-shape, "Ya, you should perform that for me then!"

"No way," Minho says, "but our maknae might." The man then moves to his side to reveal a lanky man in a loose button down. "Lee Taemin," Minho introduces. The said man chuckles sweetly with his cresent shaped eyes. "Annyeonghaseyo," he greets bowing his head.

I smile back and mimic his actions.

"I've been a big admirer of yours since Sounds of the Animals. I couldn't stop watching it because I just loved the idea of being able to talk to animals."

"Wah, thank you so much," I clap my hands together and bow my head at him.

"That, and I also think noona is super pretty," Taemin says in a gradual chuckle.

The four of us break into a laugh. Changmin and Minho embrace each other in amusement. Minho is losing his mind with his distinctive high-pitched laughter, and Changmin's nose is scrunched up in glee. "Ya, I think we're just gonna get a drink," Minho says, rasing a hand. Changmin pat's Taemin's shoulder and at this point it's so painfully obvious that this was all a setup.

Taemin and I turn to each other. He chuckles to me again, "Minho's really loud."

"I know. It makes working out with him really fun."

We shuffle from where we stand and Taemin moves a bit closer, "Honestly, I don't like working out, but I would if it was with you."

I can't help but laugh and cover my face at his blatant but smooth flirting. I shake my head and feel my face wrap in warmth.

"Don't get me wrong, I don't do it like them. I don't lift heavy weights or anything. I just do what they consider a warm-up you know. The treadmill runs, which I love because I get to listen to a lot of music, and then like stretching, push-ups, sit-ups, nothing that actually requires gym equipment to be honest."

He hums, "my work-out is dance."

"Oh, no, no, I know that. I may have watched a lot of your performances during my breaks."

Taemin's face lights up upon hearing this, "For real?"

"Yeah," I nod, "you are really good at dancing. Honestly good isn't even the word. I'm good at dancing, you're on a whole 'nother level."

He claps his hands, eye crinkling, "Well then noona has to show me her moves!"

"No way, you rascal!" I shake my head profusely.

"Nooo, come on dance with me!"

"And embarrass myself in yet another dance battle with an SM artist? No way! I already did that with Changmin oppa. Besides, I might break a hip! I'm too old to be your dance partner."

Taemin tilts his head to that, and takes the statement as a double meaning. Did you not like younger guys?

I hear someone call my name. I whip my head to the direction of the voice and see that it's Seo-joon, holding two flutes of champagne.

"Oppa," I smile when he comes over. He smiles as well and hands me one of the glasses, "I got you a drink."

I look at it and take it from him with a quick thank you. He smiles down at me and moves some stray strand of hair on the side of my face away. "Joon-hee PD-nim was looking for you a while ago."

"Really? Where is she? What'd she say?"

"You look really sexy in that dress," he says, turning from his glass to me. I snort and feel my cheels burn. "Ya, oppa!" I snarl and hit his shoulder repeatedly.

Seo-joon laughs and gives me an amused side eye.

As he and I share a laugh, and then I notice Taemin's awkward expression and remember he was begging me to dance with him. My laughter faded and I nudged the chuckling Seo-joon, "Ya oppa, this is Shinee's Lee Taemin."

"Ah," Seo-joon nods and turns to the shorter man, "you're the maknae right?"

Taemin turns to him and nods, chuckling, "Ye."

"Sorry, I didn't get you a drink. I didn't know you were here."

"Ah, no, it's okay."

"Do you want mine? I haven't drank from it."

Taemim raises his hands and shakes it, "no, no, no, I'm fine."

Seo-joon purses his lips, nods and turns to me, "I guess I'll drink it then." His lips connect with the rim, and his tongue darts out afterward. A moment passes and there is an awkward silence between us. Both Seo-joon and Taemin turn to me and open their my to speak up.

I look between then and they turn to each other.

Seo-joon motions, "Please, continue."

"No, it's aright you can go first."

"No, but you were talking to her first, before I came here, so you go."

Taemin agrees with his reasoning. "Noona," he calls, "Minho hyung told me that you really like cupcakes."

I hum and nod in agreement.

Taemin smiles brightly like a while ago again, "well I got you one." He chuckles and I knit my brows upon hearing that. I look at him and purse my lips, but when he stick his hand in his pocket and pulls something, I realize what he means.

My jaw drops into a pleased smile and he dangles a small cupcake key chain in front of me. I smile at the sight of it, "Wah, that's for me"

"Yes," he says simply and grabs my free hand suddenly, placing it on my palm. I smile and feel my neck heat up at his action.

Seo-joon takes a sip on hs drink again and looks between us. He chuckles lowly and turns over his shoulder.

"Thank you so much, Taemin. You didn't have to get me anything though."

"No, I wanted to though, so please use it well."

Seo-joon speaks up, "Ye, well, I just wanted to say that we were invited to dinner next friday. Are you going to attend?"

"Ah," I nod, knowing it was a company gathering, "sure. Are you?"

Seo-joon nods simply. "Well," he gestures his head to the side, "there's someone calling me. I'll see you later."

I nod and Seo-joon places a hand on my shoulder. He then turns Taemin and gives him a polite smile and bow before going off.

Taemin purses his lips and sighs, "Seo-joon-ssi is nice."

I turn to Taemin and nod, "He is. He's a very good co-worker. Very hard working."

Taemin hums, "You seem to like him very much."

I feel the suggestiveness in his statement, but I ignore it and snort, "Well, he's pretty annoying sometimes, but you learn to love him."

"... he seems to very mucn like you too. Like... a woman."

My lips part at his words, and the next thing I know I'm at a loss for words. When I feel my face heat up, I chuckle and turn away, "Aye, it's not like that. We're just realy close because we worked together as lovers. He's really like my older brother though."

Taemin decides to believe it and breaks into a wide grin, "Really. What a relief."

My brows quirk up at that, "Why is that?"

"Because I really wanted to ask you out."

My lips part again, but this time I break into a big smile. I chuckle and take a sip on my drink for the first time. "I like how you're really confident."

Taemin's shoulders shake and she smile, "Does that mean you want to get cupcakes with me sometime?"

"Hmm," my eyes crinkle, "well, if you bought me such a cute keychain of one, then I suppose I wouldn't regret it."

Support me on ko-fi

55 notes · View notes

duhragonball · 5 years ago

Text

Dragon Ball Z Movie 13: Wrath of the Dragon

Kind of wild that I made it to Movie 13. I want to call it the last movie, but it’s not. “Path to Power” was released several months later, and while Movie 13 used to be the final film under the Dragon Ball Z branding, it was eventually followed by “Battle of Gods” and “Resurrection F” in the 2010′s. Kind of wild how the 2010′s are nearly over. I was just getting used to it being the 2010′s.

I’m tempted to think of this movie as a finale in some sense, because it’s set after the Kid Buu fight, but DBZ doesn’t end there. There’s a three-episode epilogue set ten years after Kid Buu. Really, this movie is just the first in what became a long list of Dragon Ball projects set during that ten-year period.

This was, I think, the last DBZ material released by Funimation before they started re-dubbing things for the Orange Brick Sets and Dragon Ball Kai. I remember attending a Funimation panel at a 2006 comic convention where they talked about this movie, and some of the voice actors were kind of sad that this would be the last time they would portray these characters. At the time, it certainly seemed that way.

So this movie premiered in Japanese theaters on July 15, 1995, after Episode 270 of the anime, and before 271. So if you were a fan in Japan, you could watch Vegito and Super Buu in hot vore action, then go see this movie a few days later, and then watch Super Buu turn Vegito into candy, which strangely isn’t hot vore action.

The release chronology kind of surprises me, because I just got so used to thinking of this movie as an epilogue to Dragon Ball Z. It kind of is, in a way, because the Dragon Ball manga had already finished up in May 1995, which is probably why this movie lines up so well with post-Buu continuity. Everyone who’s supposed to be dead is dead, and everyone who’s supposed to be alive is alive.

This one is my second favorite movie after Fusion Reborn, so I kind of wanted to consider what makes it the second best. I mean, it’s a matter of taste, really, but I think it’s a question worth asking.

So let’s get down to business. This one opens with a kid holding a sword. He had an ocarina, but he dropped it, and he looks like he’s in some trouble.

Then a giant monster steps on him, and he’s dead. A mysterious voice declares that Earth is next. Ominous!

Unlike every other DBZ movie, this one doesn’t feature the opening theme music, just a title card, which looks bad-ass by the way.

And here’s the title of the movie, which in Japanese was “Dragon Fist Explosion!! If Goku Can't Do It, Who Will?”

In lieu of a theme song, the credits roll over the next couple minutes of the movie, which I’ve always found to be a really nice touch. All along, I’ve been admiring the looming sense of finality in DBZ, and this is a good example of what I’m talking about. It’s July 1995. The manga is over, which means the anime will be over soon, and as far as anyone knew, this would be the last movie, and it just sort of quietly proceeds with its business. Z stands for the end.

This scene is mostly just to establish the Gohan and Videl are fighting crime as a team now, with Gohan as Great Saiyaman and Videl as Great Saiyaman Mark 2. Not sure why Gohan stopped wearing a cape, or why he still has that bandana and sunglasses. He only switched to that because his Saiyaman helmet was illegal in the Tenkaichi Budokai, but that’s long over. Videl got a helmet, so why can’t he wear one to match?

The weird thing is that Videl’s costumed identity is public knowledge, but Gohan’s isn’t? They go back to class, and everyone just seems to know that Videl is still fighting crime like always, but as Great Saiyaman 2, or Great Saiyawoman, or whatever. But Gohan pretends he just went to the restroom, like he used to do in the Great Saiyaman Saga.

Weirder still, everyone knows Gohan is the Great Saiyaman. He unmasked at the tournament, after all. I thought this movie might have forgotten about that, except Sharpner even points it out when Gohan returns to class.

Incidentally, I’m not sure it makes sense for Gohan and Videl to still be in high school in this movie. It’s set after the Kid Buu fight, but they use the Dragon Balls in this movie, which means it must take place one year after they wish for Shenron to erase everyone’s knowledge of Majin Buu. So wouldn’t Gohan and Videl have graduated by this point? They’d both be about 18, wouldn’t they?

Then Videl gets another call on her radio watch, and the cops want the Saiyaman duo to deal with a strange old man who climbed Raenzel Tower. Videl seems to think that sort of job is beneath the Saiyamen, but they hang up on her, so she’s stuck.

So Gohan has to ask to use the restroom again, after he just got back. He says he ate bad frog meat, like that does anything but raise further questions. Erasa seems really confused, like she doesn’t know what’s going on. Also, it kind of looks like Sharpner, Erasa, Gohan, and Videl are all sitting apart from each other in this movie. Maybe there was some falling out?

So here’s Raenzel Tower. I don’t know that the scenery in this movie necessarily resembles any particular real world city, but this all feels a lot more like Japan than the world of DBZ. That’s been kind of a gradual trend since DBZ began. You’d see fewer and fewer animal-people in crowd shots, and by the Majin Buu arc you almost see none at all. Now that I think of it, Satan City looks and feels a lot more like a “real” city than West City ever used to. That car at the start of the movie had wheels, for example.

Anyway, this red dude has climbed up the tower and he’s threatening to jump, because he’s so despondent. Gohan tries to talk him down, but he won’t cooperate, and Videl gets fed up and dares him to jump.

So he does, much to Videl’s surprise, and then the guy complains that they almost didn’t save him in time.

For some reason, Videl is just irritated with this whole segment of the movie. I guess she really didn’t like getting called out for this mission, and she probably doesn’t appreciate this guy pretending to be a suicide jumper just to get their attention. Also, she really wants to get back to school for some reason. Maybe she just really digs whatever book they’re reading in English Lit.

Aw, look at that dog!

So this red dude is named Hoi, or Hoy, I forget which spelling Funimation went with, but the subs call him Hoi. Climbing the tower was just a ruse to get Gohan’s attention so that he could enlist his aid in freeing Tapion, the great hero who saved Planet Conuts in the South Galaxy 1000 years ago.

Gohan wants to meet the guy, but he’s stuck inside a music box and can’t get out. Hoi wants to release Tapion, because he claims that there’s going to be a terrible crisis on Earth. That’s why he’s spent the past thirty years searching for this music box, because he thinks it’s the only way to save the Earth.

To open the box, you just have to turn the handle to play its song, but the handle won’t turn, no matter how hard Gohan tries to force it. Tapion then explains that he wants to make a wish to Shenron to open the music box, and that’s why he came to Gohan, because he found out that Gohan’s circle has had dealings with the Dragon.

So Gohan takes the box to Bulma’s house, where she scans it with her... whatever all this stuff is. This kind of looks like the bridge of the Enterprise, now that I think about it. Anyway, she can’t make heads or tails of it, and Goku can’t force the handle either, so they decide to gather the Dragon Balls.

As they head out to search for the Balls, Hoi expresses gratitude for finding this kind of help on Earth, which prompts Goku to ask him if he’s not from this planet, and he kind of backpedals and acts like he lived here his whole life. Seems to me that if he already knows about the Planet Counuts in the South Galaxy, then he must not be from Earth at all. And even if he is an alien, why would he feel the need to hide that from Goku? He’s an alien too, after all, so I don’t think that would make him suspicious.

For some reason, Videl is now really excited to see Tapion now, becase she’s “so interested in heroes.” Did she decide Hoi’s story is on the level, or is she just warming up to the idea?

Krillin searches for a Dragon Ball in a carnival haunted house. This is his only real contribution to the film.

So in no, time, the gang finds a bunch of Dragon Balls. I’m not sure how they could split up like this, though, unless Bulma made multiple Dragon Radars.

The seventh ball is in a lion cage at the zoo, so Goku just jumps in and takes it, because Goku does whatever he wants. That lion’s lucky Bulma promised him shish kebabs later, or otherwise Goku would have just eaten this guy raw right in front of everyone.

I can’t figure out Videl’s outfit in this movie. From the back, it looks like shorts, but from the front it looks like a skirt.

Anyway, Shenron grants the wish and zaps the music box so hard that it shocks Hoi.

At first, it doesn’t seem to have had any effect, but then the handle starts to turn and it plays its song.

Okay, so this is a weird place to bring up continuity, but isn’t it odd how Shenron only granted the one wish? Dende upgraded him to grant two or three, depending on the wishes, so he should have at least asked if the gang wanted something else before he split.

Anyway, there’s a big light and sound spectacular while the box opens, but Hoi’s eyes glow red and he has this extra-sinister look on his face. Hmmmm...

Then Tapion comes out, and he’s kind of pissed that they released him. He draws his sword and demands to be put back in the box, but the box fell apart when it opened, so it’s impossible.

What I don’t understand is that, later in the movie, Tapion acts like he knows Hoi, which implies that he recognizes him on sight. If so, why doesn’t he just kill him here, while he has the chance? Or would killing him not accomplish anything?

Then he leaves in a huff. Trunks thinks Tapion is awesome, but everyone else is kind of puzzled, because he didn’t even thank them for getting him out of the box.

Later, Trunks and Goten track Tapion down to... a junkyard I guess? Goten isn’t sure this is a great idea, but Trunks wants to meet this guy and hear all his hero stories.

You know, this is really a beautiful shot. Watching this again, I guess the main difference between this and Fusion Reborn is that this movie is much more grounded. There were colorful shots like this in Movie 12, but they were mostly fantasy scenes of heaven or hell, or those extra-cartoony shots of the city. Movie 13 achieves similar beauty in the mundane. Instead of a mountain of needles surrounded by crystal jellybeans, we have a crane looming over a rusty storage tank.

Inside, Tapion’s just sort of brooding and freaking out. When Trunks peeks in on him, he’s kind of taken aback by what he sees. Maybe this isn’t a tank. I’m not sure what this place is. Maybe a derelict factory?

Hey, it’s a barbecue! Goku was a good boy for not eating those lions, so he gets shish kebab. Or whatever this is called. There’s like a cocktail weenie and a shrimp and a pickle on the thing.

Everyone wonders where Hoi went off to, and Master Roshi starts drunkenly blathering about how he’s harassing women, just like he’s about to start doing. Why are Roshi and Oolong even in this scene?

Gohan knows which way the wind is blowing, so he heroically puts himself in front of Videl so Roshi has to go through him to molest her. It looks like Roshi’s poking Gohan in the dick, though. Master Roshi belongs in jail.

He gets fresh with Bulma, so she smacks the shit out of him. Why does she keep inviting him to these things?

There’s a cute moment here where Goku notices the boys trying to swipe food off the grill, so he scoots some closer so they can reach it. Again, this is down-to-earth stuff you can’t get in Movie 12.

Okay, maybe this is a junkyard, what with all the wrecked cars here. In any case, Goten and Trunks are taking food to Tapion’s lair.

Tapion keeps telling everyone to get away from him, so Trunks leaves the food behind and promises to come back tomorrow with more.

So then there’s a monster attack, and wow, these are some great scenes. Again, very real-life-y, compared to early Dragon Ball material. The only distinct Dragon Ball imagery here are the Royal Military uniforms on the soliders. Otherwise, it would be very easy to mistake these for some other anime.

That’s not a bad thing, by any means, because I’d say all these realistic city scenes help make the characters stand out more.

So it’s not actually a monster, but half of a monster. The lower half, to be specific. Gohan wonders if this was the terrible crisis Hoi warned about earlier in the movie. I guess when you’ve lived Gohan’s life, you really can’t be sure if a creature like this is related to Hoi’s warning or not. It could be some completely different crisis starting up.

Videl wants to do their usual routine on the creature, but it attacks them during their pose. For some reason, Videl is super into the poses in this movie. Other than one episode of the TV series, this is the only time we see Great Saiyaman 2 in action, but I guess it makes sense she’d dive into the role. If she was eager to wear the costume, she must be up for the whole nine yards.

So Gohan fights this thing for a bit, and he discovers that it’s intangible most of the time, and it’s only solid during the moment when it’s attacking something else. I don’t think I ever noticed before that Gohan figures this out so early in the film.

So Gohan seems to do pretty well against the creature...

And Videl thinks he’s won, but Gohan’s not convinced.

The monster has a knack for vanishing and reappearing, kind of like Janemba, but without the pixelation effect. It’s more of a fog kind of thing. But then it seems to disappear for good, and when Gohan and Videl search for it, they find Tapion playing his ocarina.

They also spot Hoi lurking nearby, but I doubt they’d recognize him in his ninja getup.

Later, Trunks brings more food to Tapion’s hideout, but he hasn’t eaten the last meal he left, and Tapion still won’t talk to him. Later that night, Tapion falls asleep and drops his ocarina, and then he’s attacked by the top half of a monster...

It nearly kills him, but he manages to pick up his ocarina and play it, and this makes the monster fade away.

The next morning, Trunks finds the place shredded from the monster attack, but he’s relieved to see Tapion is still okay, so he leaves breakfast for him.

Then we get this scene where Videl and Bulma are washing dishes together, and she tells Videl how Trunks is sneaking food to Tapion, because he looks up to the guy like a big brother figure. Trunks is an only child, you see, and he envies Goten’s relationship with Gohan. Videl’s an only child herself, so she can relate.

What I don’t get here is when Bulma replies “But you’ve been so keyed up lately”, and Videl seems unnerved by this and says “It’s Trunks’ power that is keyed up!” I have no idea what this is supposed to mean. Videl’s reaction almost resembles how she acted when Chi-Chi asked her if she had thought about marriage in Movie 12. Was Bulma trying to imply that Videl has a thing for Tapion, and it got mistranslated? I dunno.

On Trunks’ next visit to Tapion’s place, Hoi intrudes and tries to steal Tapion’s ocarina, but Trunks manages to get it instead. Hoi unmasks and asks Trunks to give him the flute, because Tapion is the danger he had been warning about earlier on. He claims that Tapion is connected to the monster that Gohan fought the other night.

You know, one thing that never really gets clarified in this movie is where all of this is happening. I would assume Tapion’s lair is in West City, since that’s where he escaped the music box, and why would he go to another town to find a junkyard? But Gohan and Videl always did their superhero stuff in Satan City, so I assume that’s where they fought the monster.

Anyway, I never understood why Hoi expected Trunks to trust him in this scene. Initially he told them all that Tapion was supposed to save them from a crisis, and now he’s accusing Tapion of being part of the problem.

Then again, I guess Trunks might be somewhat conflicted, since Tapion’s been acting very mysterious and moody this whole time. But Tapion asks Trunks to trust him, and after a tense moment, Trunks does. He gives Tapion the flute and Hoi leaves empty-handed. I guess you could say that Trunks went with his gut. From the beginning, Trunks saw something he liked about Tapion, and he decided to trust that first impression over Hoi’s exaggerated warnings.

Trunks prepares to leave before Tapion chews him out again, but instead Tapion invites him to stick around and join him for dinner. Awwww.

Later, Bulma informs Videl that Trunks has invited Tapion to spend the night at their home. Speaking of which, doesn’t Videl have her own home? Why is she spending all her time at Capsule Corp. these days?

So Trunks shows Tapion all of his toys, but a toy robot catches Tapion’s attention. It separates into two halves, sort of like that monster. Hmmmm...

Later, Tapion tells Trunks about his little brother, Minotia, but Trunks falls asleep during his story.

As he watches Trunks sleep, he can’t help but be reminded of Minotia, and just so there’s no misunderstanding, that was the kid we saw die in the opening scene of the movie.

So Tapion leaves Trunks to sleep, only to run into Bulma in the hallway. She’s wearing this shawl, or maybe it’s a blanket or something. It looks cute, is my point. It also looks very different from what we usually see Bulma wear.

She just looks a lot more like a regular person instead of some genius billionaire inventor. She kind of reminds me of the older Chi-Chi from the History of Trunks special. Anyway, she invites Tapion to stay at Capsule Corp. all the time, but he’s afraid of what might happen if he does.

She wants to know what he’s talking about, but it’s a long story, so she puts on a pot of coffee. I always thought it was tea, but that looks like a coffee pot to me. Also, there’s an entire fruit basket just in case anyone gets hungry in the middle of the night. Speaking of Vegeta, imagine if he’s in this room, just out of the frame, sullenly chewing on an orange while Tapion tells his gloomy origin story. Vegeta eats oranges with the peel because no one ever told him not to. Bulma can’t tell him now because it would be awkward after all this time.

All right, so here’s the deal. One thousand years ago, on the planet Conuts, they had this totem that absorbed all the evil will on the planet. I don’t know if that’s legit, or some kind of superstition, but the totem was this big stone sculpture. One day, this “sect of warlocks” from some other place showed up and turned the totem into “phantasm” named Hildegarn, or Hirudegarn. Then they turned it loose on Conuts’ population. Hoi was one of the warlocks.

Man, I love this shot of Bulma. This is really the difference between Movies 12 and 13. 13 has it’s share of fantasy stuff going on, but there’s a certain distance to it. In Movie 12, the characters are right in the thick of it all, but here, it’s an ancient tale being told to a regular lady over coffee. There’s a certain weight to all of this that none of the other movies really achieve. For one thing, Bulma now realizes that she was deceived by Hoi, and their fun afternoon of summoning Shenron to meet a hero was actually part of Hoi’s plot to destroy their world. So if things go badly from here, she’s at least partly responsible for whatever happens next. You don’t get that complexity in the earlier movies.

Conuts was able to defeat Hirudegarn eventually, thanks to a pair of swords and flutes that were empowered by “God” to control the totem. I think the idea is that the Kami of Planet Conuts was in charge of this, sort of like how Dende, the Kami of Earth, oversees the Dragon Balls. But they might actually mean a higher power besides a DBZ-style Kami.

Anyway, Tapion and Miotia played the ocarinas, which had the ability to immboilize Hirudegarn, and while they did that, a priest cut the monster in half with one of the swords. The subs suggest that there’s only one special sword involved here, but Tapion and Minotia are both equipped with them, so I think that means there are two. Maybe Minotia’s is just a regular sword.

Here’s the priest, by the way. I kind of like his design better than Tapions? Anyway.

So that put an end to Hirudegarn, right? Well, not quite. I guess they couldn’t just kill the thing, so they did the next best thing and sealed each half of the phantasm in Tapion and Minotia. Tapion got the top half, and Minotia got the legs. But even that wasn’t good enough, because the warlocks kept trying to attack the brothers to take back Hirudegarn.

So they ended up getting sealed inside music boxes. I think that may be the Kami of Conuts there in the background. The one with the multicolored halo. As we’ve seen, these must be special music boxes, since Goku couldn’t even turn the handle on one.

Then they shot the music boxes into space, just to make sure they would be as far apart from one another as possible. And that’s how Tapion ended up on Earth, and why Hoi came to Earth. He told Dragon Team that he wanted to free Tapion to save the universe, but he actually wanted to get Tapion out of the box so that he could get the top half of Hirudegarn out of Tapion.

Aw, man this shot from the aquarium is awesome. This really is a great movie. I think it’s a matter of taste. Critics would probably complain that the battle at the end is kind of short and disconnected from the rest of the story, but this movie is telling a quieter, more emotional story. I think Movie 12 is better, because I prefer the louder, goofier tone it has, but it really is a matter of personal taste.

Anyway, it’s a safe bet what happened to Minotia. At some point, Hoi tracked him down, managed to release the lower half of Hirudegarn, and used that to kill Minotia, as we saw in the beginning.

So it’s up to Tapion now to make certain Hoi can’t gain control of both halves, or else Hirudegarn will destroy everything. And as we’ve seen, he can’t go to sleep, or the monster will emerge from his body. That worries Bulma a great deal, so she offers to build him a chamber to serve as a replacement for the music box. At least, she thinks she can do it, since she still has the pieces from before, and she believes if she analyzes them that she can whip up a substitute.

I like that about this movie. Bulma hears out this poor kid’s story, and she’s like “Well, I’ll build you a box that’ll let you sleep!” and it won’t even take her very long. Tapion’s supposed to be this magical hero, but Bulma has a bit of that same aura herself.

All she asks in return is that he spend some quality time with her son, and he’s happy to do that. Also, Majin Buu’s dog is here for some reason. At least, I think that’s Bee.

Then she steps outside to tell them it’s ready, and she’s still in her pajamas, so I think this means she was up all night working on this thing. Bulma’s awesome.

So this thing looks ridiculous, and I have no idea how it’s supposed to work, but I guess the idea is that she reverse engineered whatever mojo the original music box had, minus the part where a grown man could fit inside it. Why did she bother adding the gold trim to the sides? Because Bulma, that’s why.

Meanwhile, the lower half of Hirudegarn is attacking somewhere else, and I guess his tail can open up to reveal dozens of tentacles.

I guess this is how Hirudegarn feeds? It’s pretty gross. It suddenly occurred to me to search for Hirudegarn fics on AO3, but I’m pretty sure I don’t wanna know.

Then Tapion gets some sort of psychic feedback, maybe? I’m not clear on what’s going on, exactly, but it blows up the bedroom Bulma built for him. So did it just never work to begin with, or is Hirudegarn becoming powerful enough to overload it somehow?

So Bulma calls in Goku, Gohan, and Goten. Goku acts like he’s searching for clues, but let’s be real here, he doesn’t know what he’s doing. He only picked up that gear because he thought it was made of chocolate.

Then Tapion stumbles back into the house, and he explains that the upper half got loose again, and he’s having more trouble controlling it. He somehow got it back inside his body, but he asks the others to kill him before it gets out again. Bulma offers to build a sturdier room for him, but he seems to think we’re past that.

Then Hoi shows up with the lower half of Hirudegarn, and they attack. Trunks gives Tapion the ocarina, but it doesn’t work this time.

I don’t think this ever really gets explained properly. Is Hirudgarn getting too strong to contain, or is Tapion’s power over him weakening? Or is this because Hoi is doing something to help get Hirudegarn loose? Or is it because Minotia is dead?

Anyway, now Hirudegarn is finally reunited, and Hoi is convinced that he’s now become invincible. In the dub, Hoi explains that he’s the sole survivor of a species called the Kashvar, who believe themselves superior to all other forms of life. The subs never get into this, but it’s a bit of lore that I enjoy.

Hoi’s a pretty cool bad guy. I like how he suckered all the good guys. I like how he resembles Babidi but not too closely. And I like his naughty red color.

So there’s not much Tapion can do from here, so Trunks moves him to a safe distance an tells him to let them handle things from here. Magic ocarinas and music boxes worked pretty well for a while, but now it’s time to do this the DBZ way, which means throwing down, mang.

There’s a trailer for Movie 13 that was included in the video file I downloaded when I first watched the fansub of this movie. In it, Masako Nozawa as Goku explains the premise of the movie, and how there’s this monster who’s going to wreck the world, and then she screams “I WON’T LET ANYONE DESTROY THE EARTH!” It’s awesome.

So there’s a couple of issues with this fight. First, the elephant in the room is that Gohan’s the strongest guy in the movie, but Goku’s the one who makes the big save at the end. The movie does a decent job working around this, but that leads into the second problem....

Which is that nobody can actually touch Hirudegarn now that he’s reunited. I guess he’s stronger and faster than he was when Gohan fought the legs, so even though Gohan knows he can only hit him while Hirudegarn is attacking, it’s a lot harder to pull that off this time. But what you end up with is a lot of footage of the Saiyans punching trails of mist, then getting clobbered. It’s good for building suspense, but it’s not very inspired compared to some other movie fights. Movie 8 was pretty one-sided, but at least the gang could hit Broly. It just never hurt him, which indicated how tough he is.

At one point, Hirudegarn turns solid so he can grab Gohan, but this sets him up for an attack by Vegeta, who finally shows up in this scene to bawl out Hirudegarn for attacking his house.

But he gets the same treatment as everyone else. Hirudegarn flings him into a nearby office building, and Vegeta expends the rest of his power just shielding himself and the bystanders from Hirudegarn’s fiery breath.

Goku tries to help him, and he just gets clobbered for his trouble.

So Goten and Trunks try to turn the tide with fusion, and for a hot minute, Super Saiyan 3 Gotenks seems to have an edge.

After a volley of ki blasts, it looks like Hirudegarn just keels over and dies. Oh, hey, that’s the same tower Hoi was climbing on when he first showed up. So I guess this whole movie takes place in West City? Only we saw Gohan and Videl in Orange Star High. Ah well.

So it looks like Hirudegarn is dead or dying, but...

It turns out he was just molting. Did Tapion have any idea that he could do this? I wonder.

So Gotenks is the first to fall. One swat from Big H knocks him down to the ground so hard that he de-fuses on the first bounce.

Gohan and Videl are next. I’m not sure why this thing keeps trying to crush Gohan, unless it’s because he’s the strongest one in the group. Maybe that was their way of acknowledging this.

So that leaves Goku to hold the line on his own, but he doesn’t last much longer. Just when it looks like there’s no one to defend West City...

Tapion returns with his ocarina. He hasn’t exactly had a winning track record with this lately, but it’s the only card he has to play, so he’s giving it all he’s got.

With a herculean effort, Tapion manages to seal all of Hirudegarn into his own body. Trunks runs over to congratulate him...

... but this was only a temporary measure. Tapion hasn’t beaten Hirudegarn. He’s just holding him for a moment, long enough for someone to kill him before Hirudegarn can escape again. And since Trunks is the only one on his feet, its up to him.

It’s an impossible choice. Trunks is just a boy. This is too much for a kid like him, but there’s no other way. If he doesn’t act now, Hirudegarn will escape, and there’ll be no way to stop him. That’d be hard enough, but he loves Tapion like the older brother he never had. It’s too cruel that he should have to do this. And yet, what else can he do?

But before Trunks can decide, Hirudegarn busts loose, and the ocarina breaks. So Tapion won’t be able to try that stunt again. I’m not sure he’d be able to stand the strain even if he could try again. Hirudegarn is just too powerful like this.

So yeah, it looks like a total shut-out for Hoi. Yessir, looking pretty rosy for the last Kashvar...

OH SHI--

HAHAHAHAHA HOI’S DEAD! I love this part! Did Hoi ever really have any control over Hirudegarn? I mean, he wasn’t exactly telling him to do anything he wouldn’t have been doing anyway. Nice knowin’ ya, you sorry bastard.

But everyone else is still screed. Hoi couldn’t conrol Hirudegarn and Tapion can’t contain him and the Z-Fighters can’t beat him, so what does that leave. Yeah, Trunks didn’t have to kill Tapion, but it looks like he’s going to die here no matter what. Z stands for the end.

But not yet.

Yeah, now I see why I had so much trouble telling what city this was. It’s not West City or Satan City. Hirudegarn needs to update his GPS, because he somehow ended up taking I-65 straight into Goku Town, population: get wrecked, son.

Hirudegarn goes to attack Goku, but before he can do that, Trunks jumps in and chops off his tail with Tapion’s sword. Yeah!

That got him good, but Goku wants Trunks to stay out of this one. Gohan tries to tell Goku that Hirudegarn has a weakness, but Goku’s already figured it out. He needs to goad Hirudegarn into attacking, and then use that moment to hit him with everything he’s got.

Fortunately, Hirudegarn is happy to oblige, and he starts punching Goku, while Goku doesn’t do much about it. He just no-sells each blow, taunting Hirudegarn to try again.

Maybe this fight’s better than I gave it credit for. The mistake the Z-Fighters made earlier was that they kept trying to strike Hirudegarn, which only left them wide open to his counterattacks. The key here is to stay on the defensive, and lull Hirudegarn into remaining solid.

Of course, you’ve still got to be sturdy enough to weather this kind of storm, but that’s why Goku’s using Super Saiyan 3. Gohan could have done this himself, but he got beaten up before he could come up with this strategy. Goku can make it work, but he can’t stay in this form for very long, so he probably only has one shot at this.

But if he doesn’t do it, who will?!

Hirudegarn goes for one more punch...

But this time Goku jumps over his fist and...

DRAGON FIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIST!

AAAAAAAGH! His punch exploded!

And it turned into Shenron this is nuts!

Hirudegarn knows he’s done fucked up now!

Yeah, say goodbye to your kidneys, asshole! You thought you could just step on Capsule Corp.! That’s where Goku gets his shish kebab, idiot! There’s gonna be hell to pay now.

OH YOU THOUGHT WE WERE DONE? Guess what, now the ki dragon that shot through you is gonna wrap around you and strangle you to death!

Also, it explodes again, so yeah, that’s the end of Hirudegarn.

Victory for Goku! And the moral of the story is, don’t send a flute to do an exploding punch dragon fist’s job.

Later, the good guys reassure Tapion that they’ll wish all of Hirudegarn’s victims back with the Dragon Balls. Well yeah, but it’ll be months before they can make another wish, so that’s kind of awkward.

As for Tapion, Bulma has apparently built her own version of the time machine used by Future Trunks in the Androids Saga. Either that, or she refurbished the duplicate time machine Cell used to arrive in this timeline. This movie doesn’t play too well with Dragon Ball Super continuity, but fuck the Zamasu arc, it was stupid and this movie rules.

So I guess Tapion’s going to go back in time to when everyone he knew and loved was still alive on Conuts. I think the dub indicated that he was going to prevent Minotia’s death somehow, but I’m not sure how that would work. Anyway, Trunks is sorry to see him go, but Bulma says they can just use the time machine to visit him. Wait, so does she mean she has a second time machine? Becase I don’t think they’re getting this one back.

Before he departs, Tapion gives Trunks his sword, saying he won’t be needing it anymore. So that’s pretty cool.

And as the time machine fades away, Trunks watches it go with his new sword on his back, and the credits roll...

... with scenes of Future Trunks in action. Clearly, Toei wanted to connect these two versions of Trunks. I think a lot of fans have mistakenly assumed that this movie is trying to suggest that this is the origin story for Future Trunks’ sword. Maybe Future Trunks met some alternate version of Tapion, but I think this story was just making the point that Kid Trunks would admire a hero who resembled Future Trunks in a lot of ways, including the sword and the stoic, selfless personality.

But yeah, that’s Movie 13. It’s not as flashy as Movie 12, but it never comes close to being dull, and the Super Dragon Fist at the end is the cherry on top.

youtube

Plus, you’ve got the excellent ending theme, “Ore Ga Yaranakya Dare Ga Yaru” by Hironobu Kageyama.

#dragon ball #2019dbliveblog #dbmovieliveblog #wrath of the dragon #movie 13 #goku #gohan #trunks #goten #vegeta #bulma #tapion #hoi #hirudegarn #videl #master roshi #oolong #krillin

57 notes · View notes

roseharlaws · 5 years ago

Text

Dearheart

Much like Helene, this friend was enchanted by books in a way that animated his every word; what resonated between Helene’s voice on the page before me and my friend’s in my memory, was the respect, need, and love for books that characterized their mutual passion.

books provide: a way of reaching out across time and space to friends and strangers, and to the absent presences that play such a large part in all our lives. I

The books arrived safely, the Stevenson is so fine it embarrasses my orange-crate bookshelves, I’m almost afraid to handle such soft vellum and heavy cream-colored pages. Being used to the dead-white paper and stiff cardboardy covers of American books, I never knew a book could be such a joy to the touch.

The day Hazlitt came he opened to “I hate to read new books,” and I hollered “Comrade!” to whoever owned it before me.

I require a book of love poems with spring coming on. No Keats or Shelley , send me poets who can make love without slobbering—Wyatt or Jonson or somebody, use your own judgment. Just a nice book preferably small enough to stick in a slacks pocket and take to Central Park.

Please write and tell me about London, I live for the day when I step off the boat-train and feel its dirty sidewalks under my feet. I want to walk up Berkeley Square and down Wimpole Street and stand in St. Paul’s where John Donne preached and sit on the step Elizabeth sat on when she refused to enter the Tower, and like that. A newspaper man I know, who was stationed in London during the war, says tourists go to England with preconceived notions, so they always find exactly what they go looking for. I told him I’d go looking for the England of English literature, and he said: “Then it’s there.”

The Newman arrived almost a week ago and I’m just beginning to recover. I keep it on the table with me all day, every now and then I stop typing and reach over and touch it. Not because it’s a first edition; I just never saw a book so beautiful. I feel vaguely guilty about owning it. All that gleaming leather and gold stamping and beautiful type belongs in the pine-panelled library of an English country home; it wants to be read by the fire in a gentleman’s leather easy chair—not on a secondhand studio couch in a one-room hovel in a broken-down brownstone front.

Thank you for the beautiful book. I’ve never owned a book before with pages edged all round in gold. Would you believe it arrived on my birthday? I wish you hadn’t been so over-courteous about putting the inscription on a card instead of on the flyleaf. It’s the bookseller coming out in you all, you were afraid you’d decrease its value. You would have increased it for the present owner. (And possibly for the future owner. I love inscriptions on flyleaves and notes in margins, I like the comradely sense of turning pages someone else turned, and reading passages some one long gone has called my attention to.)

Thank you again for the beautiful book, I shall try very hard not to get gin and ashes all over it, it’s really much too fine for the likes of me.

Write me about London—the tube, the Inns of Court, Mayfair, the corner where the Globe Theatre stood, anything, I’m not fussy. Write me about Knightsbridge, it sounds green and gracious in Eric Coates’ London.

P. S. Your mother is setting out bravely this morning to look at an apartment for you on 8th Avenue in the 50’s because you told her to look in the theatre district. Maxine you know perfectly well your mother is not equipped to look at ANYTHING on 8th Avenue.

You may add Walton’s Lives to the list of books you aren’t sending me. It’s against my principles to buy a book I haven’t read, it’s like buying a dress you haven’t tried on, but you can’t even get Walton’s Lives in a library over here.

You can look at it. They have it down at the 42nd street branch. But not to take home! the lady said to me, shocked. eat it here, just sit right down in room 315 and read the whole book without a cup of coffee, a cigarette or air.

Doesn’t matter, Q quoted enough of it so I know I’ll like it. anything he liked i’ll like except if it’s fiction. i never can get interested in things that didn’t happen to people who never lived.

Boy, I’d like to have run barefoot through THEIR library before they sold it.

Fascinating book to read, did you know John Donne eloped with the boss’s highborn daughter and landed in the Tower for it and starved and starved and THEN got religion. my word.

You want to be the murderer or the corpse?

You’ll be fascinated to learn (from me that hates novels) that I finally got round to Jane Austen and went out of my mind over Pride & Prejudice which I can’t bring myself to take back to the library till you find me a copy of my own.

I houseclean my books every spring and throw out those I’m never going to read again like I throw out clothes I’m never going to wear again. It shocks everybody. My friends are peculiar about books. They read all the best sellers, they get through them as fast as possible, I think they skip a lot. And they NEVER read anything a second time so they don’t remember a word of it a year later. But they are profoundly shocked to see me drop a book in the wastebasket or give it away. The way they look at it, you buy a book, you read it, you put it on the shelf, you never open it again for the rest of your life but YOU DON’T THROW IT OUT! NOT IF IT HAS A HARD COVER ON IT! Why not? I personally can’t think of anything less sacrosanct than a bad book or even a mediocre book.

The Book-Lovers’ Anthology stepped out of its wrappings, all gold-embossed leather and gold-tipped pages, easily the most beautiful book I own including the Newman first edition. It looks too new and pristine ever to have been read by anyone else, but it has been: it keeps falling open at the most delightful places as the ghost of its former owner points me to things I’ve never read before. Like Tristram Shandy’s description of his father’s remarkable library which “contained every book and treatise which had ever been wrote upon the subject of great noses.” (Frank! Go find me Tristram Shandy! )

THOU VARLET? Don’t remember which restoration playwright called everybody a Varlet, I always wanted to use it in a sentence.

I shall be obliged if you will send Nora and the girls to church every Sunday for the next month to pray for the continued health and strength of the messrs. gilliam, reese, snider, campanella, robinson, hodges, furillo, podres, newcombe and labine, collectively known as The Brooklyn Dodgers. If they lose this World Series I shall Do Myself In and then where will you be?

Have you got De Tocqueville’s Journey to America? Somebody borrowed mine and never gave it back. Why is it that people who wouldn’t dream of stealing anything else think it’s perfectly all right to steal books?

I write you from under the bed where that catullus drove me. i mean it PASSETH understanding.

Up till now, the only Richard Burton I ever heard of is a handsome young actor I’ve seen in a couple of British movies and I wish I’d kept it that way. This one got knighted for turning Catullus—caTULLus—into Victorian hearts-and-flowers.

And poor little Mr. smithers must have been afraid his mother was going to read it, he like to KILL himself cleaning it all up.

I go through life watching the english language being raped before my face. like miniver cheevy, I was born too late. and like miniver cheevy I cough and call it fate and go on drinking.

I am starting with a script about New York under seven years of British Occupation and i MARVEL at how i rise above it to address you in friendly and forgiving fashion, your behavior over here from 1776 to 1783 was simply FILTHY.

When, as a little boy, William Blake saw the prophet Ezekiel under a tree amid a summer field, he was soundly trounced by his mother.

I will read the three standard passages from Sermon XV aloud,” you have to read Donne aloud, it’s like a Bach fugue.

i am going to bed. i will have hideous nightmares involving huge monsters in academic robes carrying long bloody butcher knives labelled Excerpt, Selection, Passage and Abridged.

Thought of you last night, my editor from Harper’s was here for dinner, we were going over this story-of-my-life and we came to the story of how I dramatized Landor’s “Aesop and Rhodope” for the “Hallmark Hall of Fame.” Did I ever tell you that one? Sarah Churchill starred as Landor’s dewy-eyed Rhodope. The show was aired on a Sunday afternoon. Two hours before it went on the air, I opened the New York Times Sunday book review section and there on page 3 was a review of a book called A House Is Not a Home by Polly Adler, all about whorehouses, and under the title was the photo of a sculptured head of a Greek girl with a caption reading: “Rhodope, the most famous prostitute in Greece.” Landor had neglected to mention this. Any scholar would have known Landor’s Rhodope was the Rhodopis who took Sappho’s brother for every dime he had but I’m not a scholar, I memorized Greek endings one stoic winter but they didn’t stay with me.

Wasn’t anything else that intrigued me much, it’s just stories, I don’t like stories. Now if Geoffrey had kept a diary and told me what it was like to be a little clerk in the palace of richard III—THAT I’d learn Olde English for. I just threw out a book somebody gave me, it was some slob’s version of what it was like to live in the time of Oliver Cromwell—only the slob didn’t live in the time of Oliver Cromwell so how the hell does he know what it was like? Anybody wants to know what it was like to live in the time of Oliver Cromwell can flop on the sofa with Milton on his pro side and Walton on his con, and they’ll not only tell him what it was like, they’ll take him there.

“The reader will not credit that such things could be,” Walton says somewhere or other, “but I was there and I saw it.”

that’s for me, I’m a great lover of I-was-there books.

We had a very pleasant summer with more than the usual number of tourists, including hordes of young people making the pilgrimage to Carnaby Street. We watch it all from a safe distance, though I must say I rather like the Beatles. If the fans just wouldn’t scream so.

I introduced a young friend of mine to Pride & Prejudice one rainy Sunday and she has gone out of her mind for Jane Austen.

I hope you and Brian have a ball in London. He said to me on the phone: “Would you go with us if you had the fare?” and I nearly wept.

But I don’t know, maybe it’s just as well I never got there. I dreamed about it for so many years. I used to go to English movies just to look at the streets. I remember years ago a guy I knew told me that people going to England find exactly what they go looking for. I said I’d go looking for the England of English literature, and he nodded and said: “It’s there.”

Maybe it is, and maybe it isn’t. Looking around the rug one thing’s for sure: it’s here.

We all lead busy lives—perhaps it’s better so.

If you happen to pass by 84, Charing Cross Road, kiss it for me. I owe it so much.

0 notes

sound--life · 7 years ago

Text

I have had this written out for a couple weeks now, but in honor of all of Time’s Persons of the Year, today seems like a good day to post it. Below the cut is the story of my interactions with a certain anime English voice actor, and why he and I really DO NOT get along.

I’m lucky. Unlike most women I know, I have never been sexually assaulted. I can’t recall a specific time when I was catcalled or harassed. I’ve been called nasty names online, which is sadly all too common, but none of it was sexually charged. My own experience isn’t even violent, but it contains elements of manipulation that I, thankfully, was never caught by.

The first weekend in June of 2011, my best friend Sam and I drove to Sandusky, Ohio for Colossalcon. Colossal is an anime convention, and us being huge nerds and having become friends because of anime, and we jumped at the offer to room with some of her casual friends at a hotel down the road. I was particularly excited because a popular English voice actor, let’s call him Dan, was going to be there. He and I had first met at Anime Central in Chicago in 2010, and funnily enough, we were on the same flight to Japan just a week after ACen. I had noticed him as our flight was boarding, and while I was too anxious to say hi, I had been enough of a creep to sneak a picture and text all my friends. By the next day, he’d gotten wind of it via Facebook, and he told me to say hi the next time something funny like that happened.

Flash forward to Colossal 2011. After waiting in the autograph line for Dan for a bit, I finally got up to him. He flashed his usual smile and said hello. After I handed over my item to be signed, I said, “Hey, do you remember about a year ago when some random girl saw you at the airport in San Francisco? And you shared a flight but she didn’t say hi? And she took a picture of you? Yeah, that was me.”

His eyes lit up. “Yeah, I remember. That was you?” He laughed. “Well, hi there.” Then his smile changed a little. “Do you play soccer?”

“Uh, no?” I said, confused. “I mean, I played volleyball in high school, but not anymore. I ran the Illinois Marathon back in April, though?”

“Oh, so you’re a runner then.” He laughed again. “Well you have great legs, my runner.”

I blinked, a little taken aback. “Oh, thanks, haha.” I said, laughing a little. I asked for a picture, and while my friend juggled with the camera and Dan had his arm around my shoulders, I felt almost nervous. Picture taken, I thanked him, and he said, “See you later, runner.”

At this point, Dan had been working to start a fanclub for his work. I’m not entirely sure of how it happened, but somehow Sam and I had ended up roped into it, being one of the 5-6 people who were working to “recruit” people and spread the word about the group. I was a busy college student at the time, though, so while I was interested enough, my actual participation was somewhat lacking. It’s the thought that counts, I guess.

Dan had a panel later that evening, and Sam and I went. After it was done, a small crowd of fans gathered near him to ask for photos and autographs. Sam and I waited near the edge, patient, as we wanted to get a picture with both of us with him. When we walked up to him, he smiled and said, “Hey, there’s my runner!” As we took the picture, Sam said, “You know, Alison and I here are two of the people working with ——- on your fanclub stuff.”

Dan’s interest was piqued. “Really? Hey, hang back a bit when this is done. I wanna chat with you guys.”

At this point, every anime fan alive would be having their “SENPAI NOTICED ME” moment, and we were no different. Giddy, we waited at the edge of the room for him to wrap up, and then he came over to us. He asked if we wanted to go sit in the lobby, and we said sure. He ended up sitting in one chair, and Sam in another. I sat close to them on the floor.

At first we just chatted about his fangroup. He seemed very excited about it, and he told us some of the things he wanted to do with it. We added our own thoughts, and it was great. Then he asked about how we’d enjoyed the convention so far.

“It’s great!” I said. “It’s even better because it’s actually my birthday on Monday, so it’s kind of like a birthday weekend adventure.”

“Your birthday? How old?” Dan asked. I told him I was going to be 20. He smiled and said, “Wait here, I’ll be right back.” In a couple minutes, he was back with a small glass from the bar. Pink, fruity-looking, with a little ice. “For the birthday girl,” he said, smiling as he handed it to me.“

"What’s in it?” I asked. I knew it was alcohol, obviously, but I was feeling wary about this. Sam didn’t have a drink, and I knew she was carefully watching this whole thing, but it wasn’t lost on me that a man 8 years older than me had just given me alcohol that I had not seen prepared. I may have been a fangirl, but I wasn’t stupid. This was odd.

Dan just waved his hand and smiled, “Oh, ya know. It’s good, I bet. Nothing crazy.” I was not one to turn down free alcohol, and my defenses were already on alert, so I sipped the drink slowly as we continued to chat. I don’t remember a lot of the specifics, but I do know that Dan mentioned that when he was in college; he had a girlfriend who lived a few hours away, but he would drive there every weekend so they could “read books” together, as he put it, complete with a wink.

After about an hour, we mentioned we had to be getting going, as I had to drive us and part of our group back to our hotel. “Oh, you’re not staying here?” Dan asked, confused.

“No, by the time any of us planned to go, all of the rooms here were long sold out,” Sam said. “We’re staying in a creepy room in which EVERYTHING is covered in teddy bears.” (You guys should see the pictures.)

“Well, if you guys want, I have plenty of room in my room if you guys wanted to stay here instead,” Dan said. And that, dear children, is the exact moment that I really and truly understood everything that had happened up to that point. Yes, a 27-year-old convention guest, a man with rising fame and influence, had made comments about my legs being nice, bought me alcohol knowing I was only 19, and invited me and my friend to sleep in his hotel room, all in the span of about five hours. Senpai was officially a fucking creep.

“Oh, no, thanks,” I said. “Our group has to go in two cars, and I’m the driver of one, so it’s fine. We’re fine, really.”

“Okay, then. Safe drive. But remember, my room is always an option,” Dan told us as he waved goodbye.

Listen, I’m aware that I was an adult, fully capable of giving consent. And Dan was an adult, fully allowed to pursue someone of legal age. I get that. But that’s where it stops. I was a convention attendee, and he was an industry guest. There’s a power imbalance there, magnified by the huge age gap. He bought me alcohol, which anyone knows is the foolproof way to make someone more relaxed and easily persuaded (except me, whose social anxiety comes in handy when it comes to not trusting anyone’s intentions). Worst of all, he invited two young women, two attendees, to sleep in his hotel room. Besides being fucking gross and manipulative, what kind of breach of guest protocol was that? And he knew that I was essentially a volunteer for his fan group – that’s not an appropriate way to act towards someone who is basically a co-worker. From that night on, I knew that I had to keep Dan at a distance. I could manage to be cordial, but there was never going to be a chance for anything other than that.

Dan and I managed to stay relatively friendly over the next couple years, but I always had that day lingering in the back of my mind with every interaction we had, online or in person. We’ve only ever seen each other once since that night – Colossalcon 2012, a year later. He was friendly to us and would acknowledge that he knew us more than an average con attendee, but kept his distance for (what I suspected and pretty much had confirmed later) other reasons, which weren’t malicious. Over the years, though, I witnessed a gradual shift in how he presented himself online. He seemed eager to play the devil’s advocate on sensitive issues, and some of his posts made it clear that his problematic behavior was unlikely to be a one-time lapse in judgement.

We had a somewhat public falling-out in late October 2016. He had shared a comic that basically questioned why a woman was allowed to dress sexy and seen as empowered, but when men drew or designed sexy women for pop culture, they were seen as pigs. In a few comments we made to each other, I expressed my disagreement with that sentiment, and he essentially said that I and other women were being overdramatic. In his last comment, he said that he had more experience in the world than me, and he called me a child. Furious, I addressed each of his outrageous points one by one, particularly his idea that I was somehow a child. I ended my comment with a brief but very clear message: that he was not as innocent as he liked to think, seeing as he knowingly bought me alcohol when I was 19 and invited me to sleep in his hotel room.

I was content to let it rest, but he decided to keep going. Not on Facebook, which made sense –why let the public in on his dirty laundry? Nor did he e-mail, which he easily could have, since he definitely had my information. No, he decided to send me DIRECT MESSAGES ON INSTAGRAM. Which means he had to look me up on there, since I know he hadn’t followed me before. He called me cynical, rude, and “dark.” He said that our interaction back at Colossalcon was strictly friendly and a group setting (I disagree with his idea of “group,” especially when he invited both female parties of said group to his room, but whatever). He also said that he wasn’t in a great place because he was going through things in his personal life. He ended with, “I’m sorry I offended you,” which would have held some weight if he hadn’t spent the rest of the message 1. insulting me and 2. making excuses for his actions, which he admitted did take place.

Obviously, his name isn’t Dan. And a good deal of you probably could figure out who this person is, either by already hearing snippets from me or just knowing general details about Dan’s work. I’m positive most of you know who he actually is. I could use his real name, obviously, and I originally wrote this with his actual name instead of a placeholder. Believe it or not, I’m not looking for a fight. Were his intentions truly just friendly? Perhaps, but that’s not at all how they came across, and he should have known better than to do any of the things he did. I interacted with another voice actor that weekend in casual company, and he was just as friendly without being at all imposing – he was gracious and listened to us and respected us. He’s got a reputation for being a bit overly-touchy, but I never felt creeped out or like I was a target, especially when compared to the encounter with Dan.

Because that’s how Dan had made me feel. Like a target. Like I was some silly teenage girl, starstruck enough and desperate enough for attention that I would give senpai anything he wanted just to feel like I was part of the cool kids. It didn’t make me feel violated – it made me pissed off. I was angry that he had written me off, that he had tested me out to see how easily-manipulated I was, and that there was nothing stopping him from doing this to someone else. Maybe he would find that girl who was desperate enough for validation that she would do anything for him. Maybe he has since then.

It’s only been with the emergence of the #MeToo movement that I’ve been able to properly sort out my feelings about this and word it how I want. I don’t want him to lose bookings or stop being invited to conventions. It’s enough for me that he knows that I’m out there, aware and unafraid. He already knows my feelings on the matter – I made them abundantly clear in that Facebook comment. I just want him to understand that he doesn’t get to do whatever the hell he wants because he’s got this tiny scrap of fame. I want him to understand that people will always remember how you make them feel, and I will never forget that night when I experienced what it truly means to be a woman in this world.

#personal

0 notes

recentanimenews · 5 years ago

Text

The English Voices of Naruto, Boruto, and Sailor Jupiter Offer Their Advice to Aspiring Voice Actors

VIZ Media held their World of Voice-Acting panel this past weekend with special guests from the English voice casts of Naruto, Boruto, and Sailor Moon. The guests were led in a guided Q&A by Urian Brown from VIZ, and fans were given the opportunity to ask questions as well. The panel began with a rundown from Brown of VIZ titles releasing next year, such as Fushigi Yugi: Byakko Senki, How Do We Relationship?, and Ping Pong. He also announced that VIZ would be releasing Splatoon: Squid Kids Comedy Show and Junji Ito’s Venus in the Blind Spot collection in summer and fall of 2020, respectively.

He then introduced the first two guests from Sailor Moon: Amanda Miller, who plays Sailor Jupiter, and Erika Harlacher, who plays Sailor Star Maker, and began the Q&A by asking how they became voice actors. Amanda said that she had always been a theater nerd, so she ended up taking some classes from Tony Oliver when he came to her college. She enjoyed dubbing over anime and video games in those classes and Oliver saw her talent and recommended she pursue voice acting. She ended up getting an internship at a studio in LA where she occasionally filled in for bit parts until they started letting her audition for better roles.

Erika said she’d gone into college leaning towards graphic or computer design because she wanted a job related to cartoons and games. She also ended up taking classes with Tony Oliver who suggested she pursue voice acting as a career, got a studio internship, and filled in for bit parts before eventually auditioning for bigger roles. It just so happened to be the same studio Amanda was interning at too. “Know Tony Oliver is the secret here,” Brown added.

He asked Amanda if playing a role like Jupiter is fun at all. “Jupiter was my favorite character as a kid,” Amanda answered. She’d grown up relating to her as a taller, more athletic kid, and Jupiter helped show her that you don’t have to be just a tough kid or just a soft kid. When asked about her first recording session for Sailor Jupiter, she admitted that the whole process had made her incredibly nervous given her history with the character and the fact that approvals for the dub voices had gone through the original creator Naoko Takeuchi herself. The director had to take her aside to call her down, and Stephanie Shea, the voice of Sailor Moon, had to call her and tell her to “suck it up.”

“Also, I accidentally punched her in the face at AX backstage,” she said. “I had just met her that day.”

Brown asked Erika if she was as cool and aloof as Sailor Star Maker in real life. “I am the opposite of both those things,” she said. “I’m not cool at all and very high strung.” She said she had to reach deep down into her “acting database” for the role.

When asked who their favorite weird monster they fought in the show was, Amanda said there was one monster they all called the Katy Perry monster because it was themed around sweets, which reminded everyone of Katy Perry’s “California Girls” video. “It’s true. All girls from California can shoot frosting,” Erika revealed.

Brown pointed out that the Starlights in Sailor Moon are only around for one season but are still fan favorites, and asked Erika what she thought their appeal was. In addition to their fashion sense being “on point,” Erika said that their arc felt bigger and more impactful than one single season. Amanda added that there’s a “forbidden fruit” factor to it, given the season they appear in wasn’t originally dubbed before, meaning the only way to watch it as a kid was to somehow get your hands on the Japanese version. Erika admitted she hadn’t even known they existed before.

When asked if there was any pressure coming into a role that already had so many fans, Amanda said there was “a lot of pressure” given how many fans relate to the character as she did, but that the fanbase has been extremely welcoming and supportive of her.

Both were asked what their most practical advice for anyone serious about pursuing voice acting was. Amanda suggested that you pursue acting on a screen or stage first since the restrictions of voice acting add even more challenge. Theater and singing lessons are good for helping you maneuver your voice, and improv would help as well. Erika seconded the improv suggestion since oftentimes as a voice actor you won’t get scripts ahead of time or be forced to entirely change direction with a character on the fly.

With the Sailor Moon questions out of the way, Erika went backstage and Brown introduced another guest: Maile Flanagan, the longtime voice of Naruto Uzumaki. Amanda Miller, as the voice of Boruto Uzumaki, remained for the Naruto portion. A clip of the two performing together in Boruto: Naruto the Movie was played, showcasing their voices.

Brown noted that Naruto is currently celebrating its 20th anniversary and asked what that journey from the very beginning has been like for Maile. “A long one,” she joked. “I’ve aged considerably.” He then turned to Amanda and asked her what it’s been like suddenly jumping in with Boruto. She said that it’s been one thing with Sailor Moon where it ran and ended, whereas Naruto has been running for 20 straight. Fans have grown up with Naruto into adulthood, she said, so they’ll chastise her for being mad at him as Boruto. “It’s good, but it’s also funny.”

When asked about how she got into voice acting, Maile revealed she had never wanted to become an actor. She’d gone to college for math and polyscience, but ended up joining an improv group that did well and relocated to Minneapolis. She started working there before moving to LA and doing commercials. She eventually began taking voiceover classes and got her very first roles in the Men in Black and Jackie Chan cartoons within the same week.

Maile was asked what the first recording session for Naruto was like, she admitted that it had been really hard and that she wishes she could do them over again since she hadn’t gotten to know him as a character yet. She’d also found out how huge the series already was in Japan and it made her nervous.

Brown asked Amanda if she tried modeling Boruto’s voice after Naruto’s. “I couldn’t even try,” she said. “Maile has such a unique voice.” The voice she uses for Boruto is more like her natural voice, and she also realized it’s nearly identical to her “making fun of people” voice.

When asked if she sees Yuri Lowenthal as a rival at all considering he voiced Sasuke, Maile said she doesn’t consider anyone her voice acting rival, and added that men in voice acting get more work than women anyway, though the inequity is slowly getting better.

Amanda was asked if she thinks Boruto has grown at all since his story started, to which she said that it’s still too early to really tell, though she sees his frustration with Naruto as motivated by the fact that he still remembers a time when his dad was much more present before he became Hokage.

Maile said her advice for aspiring voice actors is to have confidence, because if you don’t they’ll never give you the job. Amanda added that changing your posture can help change your performance. Erika came back out on stage, and as the panel closed all were invited to give some final advice. Amanda said to be yourself instead of trying to be like someone else. Maile stressed practicing and putting in the work. Erika echoed Maile, adding that it’s both a lot of fun and a lot of hard work.

While the panel held a great deal of good advice for aspiring voice actors, it also served as a great example of how dubs can breathe new life into an old series. Sailor Moon may have ended long ago, but the recent dub delivered something entirely new to longtime fans everywhere. Meanwhile, Naruto lives on through Boruto, adding new members to its illustrious cast with every season. Who knows, maybe someday you could voice the same characters you look up to now. All you need is a little luck, a lot of hard work, and the personal tutelage of Tony Oliver.

Are you an aspiring voice actor? Do you know Tony Oliver? Let us know in the comments below!

-----

Danni Wilmoth is a Features writer for Crunchyroll and co-host of the video game podcast Indiecent. You can find more words from her on Twitter @NanamisEgg.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

0 notes

meowsaidmayaanime · 7 years ago

Text

What I'm Watching June 2016

Here I will post the anime's that I am currently watching or re-watching, of course this does not include simulcasts as they are in a separate category all together. No, this is a list of the (some partially completed) anime that I binge watch. This post is constantly updated, as I tend to go through a single anime in its entirety within a couple of days, so keep your eye out!

6/25 Blood Blockade Battlefront

Let me get this down now. This anime is visually beautiful, sooooooo much time went into the art and details. Its movie quality beautiful, which is very unusual in a series. So onto the series itself it's about a boy who began living in a post apocalyptic New York after the gates between the human world and the 'monster' world opened. The characters are great, the premise was great, the episodes were great, everything was going wonderfully. Until the anime took an arrow to the knee... Metaphorically of course. So much was left unresolved, and in the last few episodes an obstacle was haphazardly thrown at us. I didn't check the episode count before watching the anime so I was shocked when I found out that there were only 13 (well 12 really) episodes. I get the impression that the studio was initially expecting to do a full 24 ep season considering the pacing of the anime up until episode 10. Evidently this is where the anime diverges quite a bit from the manga itself (my guess is that its unfinished. SOOOOO many anime are left in disappointment because the anime company decides to start a series before the manga has a chance to complete itself leaving the anime with a weird and out of place ending. sigh)

It really is a huge shame that Blood Blockade Battlefront ended the way it did. And its a shame that this recent trend of only creating 'half seasons' has once again resulted in a poor ending. I really liked this anime too, like I said earlier it was amazing. Seriously here's a quote from Toshi Nakamura who wrote a review of the anime itself.

"All in all, Blood Blockade Battlefront was a beautiful jewelry box filled with glittering stones that are individually beautiful, but when you put them on a string to make a necklace, on a whole, they lose a lot of their shine. Plus it feels like some of the most precious gems were left in the box."

My thoughts exactly. Those loose gems left in the box being the other 12 episodes this anime deserved in order to make one complete 24 ep season. I HAVE SO MANY QUESTIONS.

Its so hard trying to recommend an anime when the end is a let down. I want people to see it because the first 9 episodes are fabulous, but I don't want to subject an unsatisfactory anime to anyone. Its not like the ending was bad, for how last minute it was, it was pretty well done, and it did make sense. It just wasn't the ending this anime deserved. If your willing to take this on I highly recommend it to anyone who loves the paranormal genre. Maybe it would just be best to read the manga. Its definitely on my list to read.

6/21 Sankarea Undying Love re-watch

Last time I watched this anime it was in high school after a friend recommended it to me. So I figured why not watch it again? Its a short 12 episode zombie love story. Haha, yup a zombie slice of life love story. In the world of American media, its a really unusual combination of genres, but in anime its no real surprise. I suppose the only real surprise about the anime is the fact that its relatively good, and not at all a harem like High School of the Dead. Its very cute and I think well done. The main female characters father is a total creep and wack-job but that is one of the reasons why he is the main antagonist. For being a zombie anime, its very laid back and you'll find out why as you watch it. Sankarea is an anime that I would recommend to people if I was aware of what kind of anime they liked. If you like the zombie scene but want to watch something not totally gruesome and hyped up, or if you like unusual/ supernatural/ paranormal/ ect. romances I think this is worth a shot.

6/17 Barakamon

WOW, this was really good. I initially started watching this because Funimation's YouTube channel posts trailers and promo videos for its anime. I watched the promo trailer for the English dub, recognized a lot of the voice actors in it and decided to give it a try. I'm gonna say this now, it's probably the best slice of life anime I have seen. and I mean full on slice of life, no paranormal or fantasy or anything else, it's pure slice of life. Its well written, the episodes flow, and its got a great story and great characters. The premise is that a young 20-something artist calligrapher Seishu punches a man who criticized his work as being unimaginative. As a result Seishu's father sends him to live on a rural island to 'cool his head'. The anime then follows the life of Seishu as he makes unexpected friendships and discovers who he is as an artist.

I just loved this anime, If you like slice of life, yes DEFINITELY watch this. Same if you like watching characters grow and their struggle to discover themselves, or if you like comedy, or if you like realism, or if you want a well made anime to calm down with after watching an emotionally draining one. Even if your not into the genre I recommend you give the first episode a try at least. I was immensely impressed with it.

Oh, and the full series won't be released in English until August 9, 2016, but Funimation is releasing the first two episodes in English on June 28th. I know I will definitely be re-watching this when the full English dub release comes out!!

6/16 Charlotte (re-watch)

I LOVED this anime when it came out last year. I remember getting to the last few episodes and going to the public library to finish watching it because the power went out in my house. I just finished re-watching it with one of my friends who had never seen it before. Haha, she was mad at me cause she got so invested in it. It is a doozy. But anyway, it follows high school boy Yuu Otosaka who recently became aware of a supernatural ability of his to be able to control a persons body for 5 seconds at a time. After abusing this power to cheat his way into a good high school, a girl named Tomoe catches him and makes him transfer to a school for people with other abilities. It goes on from there showing their lives, introducing characters and fortifying relationships until the REAL plot reveals itself~

If you like supernatural anime this is a really one, full story in only 13 episodes. It also touches up on quite a few 'heavy' topics, which it actually handles really well. I do recommend this to anyone actually, it was my third favourite 2015 anime of the one I watched that year.

(Bonus: I don't know who wrote this or how far into the anime hey were in, but I agree.)

6/14 50% Off (re-watch)

Oh man, I love this show. I just watched their two A-kon panels from a few weeks ago, and it's great. Just watch this show, make sure you watch it. Here's a link to my post on my favourite parody/abridge series where I talk about this show more. You don't have to know the original anime to enjoy it (I didn't watch Free until recently), so get on YouTube type it in and get going!

6/13 Princess Jellyfish (re-watch)

Alright, So now you guys are up to speed on the anime I watched during my vacation, I just started re-watching Princess Jellyfish. Oh man, I completely forgot about this little gem. I first watched it my freshman year of college (two years ago), and LOVED it. It's basically about a household of otaku young women, and one in particular who is in love with jellyfish, who make friends with their arch enemy, a stylish person! Haha, it is hilarious and a great commentary on stereotypes/social norms in Japanese culture (and really many other first world cultures for that matter.) I am having so much fun re-watching this series, it is slice of life so there is not much of an overarching plot so much as it is just following the exploits of the group after becoming friends with said stylish person I mentioned earlier. Each episode flows naturally into the next creating a constant story with each episode having to do with the next. So despite it being a slice of life, there are no filler episodes that forgotten or have nothing to do with anything. it also consistently references pop-culture and media not just from Japan, but from America too. Really, I can't express how great it is. Watch it, you won't regret it.

6/9 & 6/12

HEY! Sorry for the inactivity, I was on vacation out of state. While I was not able to do anything on this site for the past week, I was able to watch a few anime! AND hey are new ones!

So during my summer vay-cay (haha, thats such a terrible word) I watched:

Dusk Maiden of Amnesia

and Amnesia

Dusk Maiden of Amnesia was good. It's about a high school boy who makes a friend out of a ghost, Yuuko, who doesn't remember anything from when she was alive. In terms of content, while they do try to figure out how she died and who she is, a good portion is about tellig the story of the two main characters. Doing high school activities, developing relationships, ect. While the anime does frequently talk about the mystery and paranormal throughout these episodes, its not until the end of the series that the mystery of Yuuko ACTUALLY begins being solved, and they find out REAL information of her past. In hindsight, her past and the climax of the series is thrust upon you towards the end. It would have been better in my opinion if the events and info were more evenly dispersed throughout each episode from the beginning. I still really liked this anime, though I'm not sure as to how good it is. If your into the sort of subdued paranormal scene, then you may want to give this a shot. Its short, its sweet, I really liked learning about Yuuko's past when it finally got around to it, and I personally really liked it. But again, if you like the paranormal, you may like this. If your not into paranormal stuff, then I wouldn't recommend it.

Now Amnesia was a whole different box of pillows. By that I mean body pillows, and by that I mean I am sure that there area tons available. Why? Because this short anime was adapted from a dating sim called Amnesia: Memories. I wish I had known that before I started watching it, but no matter. In terms of dating sim adaptations, it's pretty good. In terms of an anime, not so much. The premise for both the anime and the game is that you are a girl who just woke up and knows absolutely nothing about herself, where she is, or who anyone else is. She has, you guessed it, amnesia. Amnesia caused by a fairy 'bumping' into her? which doesn't make too much sense. (but hey at least it wasn't because she performed horrific acts of manslaughter, created a patchwork monster, and played a huge part in nearly destroying humanity all so Alexander could become godlike, am I right?) Anyway, she wakes up and begins jumping alternate worlds in which she is dating different guys, thus the dating sim part comes in. In therms of the anime itself, the plot is a little wobbly waiting until the last 2 or 3 episodes to actually explain her true past and give a substantial story line. Because in the game, the female character and her name/personality is you, the anime version of her is left 'blank' for self insertion. Making a poor main character being pushed to and fro. But I will tell you this the music was REALLY good, the opening, closing and background music were absolutely fantastic. SO, if you have played this game and enjoyed it then I would definitely recommend it. If you have not, and have absolutely no interest in self-insertion romance, then its not worth the watch for the plot. Although I did like it myself. It's a good addition to my, quote-unquote, "trash anime" (watch out for a post in the maybe near future). Basically a list of guilty pleasure anime which are terrible when it comes to plot and characters, but I just can't resist. Its like reading trashy romance novels, but better and worse at the same time.

6/5 Red Data Girl (re-watch)

Another re-watch, maybe June will be a month of oldies~ (at least for me). RDG is an adorable anime, its a short 12 ep, one season series based off the Japanese novels of the same title. 6 novels (no official translation, but this person on tumblr has been translating them in their spare time), 4 manga novel adaptations, and one anime as mentioned. I'm not familiar with the novels or manga, but I do know that the anime covers most but not all of the novels. One person said it covers the first 5 novels but that's it. Anyway, the anime is super cute, and I really like the premise. My only issue is that the end felt like the completion of a smaller story arch within a larger one. Leaving no REAL ending, you can't even argue that the end is open to interpretation because they didn't leave you wondering what happened, they leave you without ever continuing the main story arch. Without explaining the endless questions that rose with the intention of it being resolved later. Hopefully the manga will give me some solace but with 4 books, i'm not sure if it will... I really like it, and I really wish it would continue.

oh btw, as of right now it's available on netflix, the English voice acting is ok, its not bad, but its also not great. The voice actors are able to but the right voice out, but not give the voice the emotion that the words give. I greatly prefer the Japanese voice acting, but I'm able to live with the English if I'm multi-tasking. (random note: the ending theme is super pretty. Actually, a lot about this anime is pretty)

6/2 Blue Exorcist Movie TOP PICK FOR THIS MONTH (new)

The movie has nothing to do with the plot of the anime at all, and takes place after the events in the series. Atleast I'm fairly certain it does? There's an important (and spoiler-y) thing that happens at the end of the series, that is never addressed or acknowledged in the movie which I think is really weird..... Either way, the movie itself is simply a completely stand alone story from the series. And it was absolutely stunning! Sooooo much detail went into all of the backgrounds and items. On top of that its very well scripted, and the plot flowed incredibly well together without being convoluted, which is surprising since a number of movie sequels to tv series's tend to go overboard by stuffing too much information into an hour and a half.

It was amazing. Its possible that someone could watch the movie without watching the single season anime, just because of how it was written. However you would not know the relationships or the back story of the main character, which helps to explain a lot of the terminology and setting. Especially the part about demons ect ect.

Either way, I LOVED this movie. I didn't even know that there was a movie at all until just now. I'm going to re-watch it with a friend when she gets back into town and I am soooooo excited because I KNOW she will love it too. I HIGHLY RECOMMEND IT. I RECOMMEND THIS SO HARD.

6/1 Blue Exorcist (re-watch)

Well I can't sleep, so what better opportunity than this to re-watch Ao no Exorcist in the English dub~ Ah, I love this anime. Its funny, has great main characters, a good story and writing, and I seem to have a week spot for exorcist anime's, haha. Man, I remember watching this when it first came out in high school, I have a distinct memory of watching one of the later episodes before going to one of my friends concerts. There was a movie made about a year later, AAAAAND a series of specials. Oh, man the movie was so amazing. It has nothing to do with the plot of the anime at all, in fact the anime wrapped up everything rather nicely. The Movie itself is simply another story in cinematic format. It was absolutely beautiful, well made, well scripted, and the plot flowed incredibly well together without being convoluted. Would 100% recommend.

Oh, right! The dub isn't that bad, I mean I wish they had a different voice actor for Rin, I just don't feel like this one really lives up to the character. The other voice actors are great though, really fit the characters. The dub is well done, but I think I preferred the Japanese voice actors (they have a better pick than we do.) I just think that someone with a slightly lower, more thug-ish voice would have been better. The English actors voice is a little too high for me, it's even higher than Yukio's voice ._.

6/1 Black Butler (re-watch)

I decided to re-watch the show (minus the second season) after writing up my post from yesterday about anime whose second season could just go and disappear from existence. I love Sebastian, he is a saint, well a saint among devils. Not only is he one hell of a butler, but one hell of a contractor too, he REALLY get into his jobs, and it is amazing. Even I would enter into a contract if I could have him as a butler~ It's a goon anime, not sure if its recommendation worthy though. I mean yes it's good but it's not something that you HAVE to see, or something you would be missing out on. It's surprisingly fun and while it can and does get intense in certain areas, its not so intense that its going to mess you up. As long as you never touch the second season, NEVER.

Bonus image, cause why not:

0 notes

janeaddamspeace · 7 years ago

Text

Featuring Jane Addams Artist and 2017 Caldecott Winner Javaka Steptoe #JACBA Newsletter 15Jul2017

Profile of 2017 Caldecott Medal and CSK Illustrator Award winner Javaka Steptoe by Azure Thompson

Javaka's commitment to this truth is evident in his more-than-two-decade career of illustrating black faces and bodies in various settings and situations. His first book, In Daddy's Arms I Am Tall: African Americans Celebrating Fathers, shows the diversity of relationships among black grandfathers, fathers, and children.

The night after Javaka won the Caldecott Medal, he told a roomful of librarians in Seattle, Washington, that the award means his voice will be amplified. It will help ensure that he continues to tell stories about the black experience, as he is committed to expanding the boundaries of how we see people of color. And it ensures that we will listen to him more than ever before.

Caldecott Medal winner for best picture book visits Skokie

It took illustrator and writer Javaka Steptoe five to six years to complete his multi-award winning picture book on the early life of artist Jean-Michel Basquiat.

It took an eager group of children less than an hour to recreate some of the book's story of Basquiat in a playful version Monday at the Skokie Public Library.

"Art is the street games of little children, in our style and the words that we speak," Steptoe writes. "It's how the messy patchwork of the city creates new meaning for ordinary things."

Hot Day on Abbott Avenue by Karen English, with collage art of Javaka Steptoe 2005 Awardee

Library: Read, white and blue

"Give Me Liberty! The story of the Declaration of Independence," by Russell Freedman. For upper age elementary students, this noted work begins with the early events of the Revolutionary War and leads up to the writing of the Declaration of Independence by Thomas Jefferson. The impact of this important document is also discussed.

We Will Not Be Silent: The White Rose Student Resistance Movement That Defied Adolf Hitler by Russell Freedman 2017 Awardee

Freedom Walkers by Russell Freedman 2007 Awardee

Kids at Work: Lewis Hine and the Crusade Against Child Labor by Russell Freedman 1995 Awardee

Eleanor Roosevelt: A Life of Discovery by Russell Freedman 1994 Awardee

Books that celebrate America's diversity and freedom

"Blue Sky White Stars" by Sarvinder Naberhaus, illustrated by Kadir Nelson, Penguin, 2017

This seemingly "simple" book with its spare, profound text and sumptuously rich illustrations should be read slowly; a quick read does not do it justice.

Blue Sky White Stars is a deep reflection on what the American flag stands for and what it means to be an American. We are a nation of proud people of every color and we stand together as one, working hard to be the extraordinary country that we are - a country that defines freedom

Check Out Kadir Nelson's Gorgeous Illustrations from Blue Sky White Stars

Blue Sky White Stars is the picture book we wish we'd owned as kids. Written by Sarvinder Naberhaus, the book features simple, stunning verses inspired by the American flag. Kadir Nelson's gorgeous illustrations bring the text to life, depicting iconic moments throughout the nation's history and celebrating the country's diverse population.

The Village That Vanished written by Ann Grifalconi and illustrated by Kadir Nelson 2003 Awardee

Heart and Soul: The Story of America and African Americans written and illustrated by Kadir Nelson 2012 Awardee

The Brilliance of Lucille Clifton

Clifton wrote about immensely intimate things with unsparing vision. She also wrote some 22 children's books. As her first collection title, Good Times, suggests, she knew how to find and exalt celebration and joy. Such a reflex was necessary in a difficult life, one that started with sexual abuse and poverty, and later saw illness (cancer and kidney problems) as well as the deaths of her husband and two of her children.

Amifika by Lucille Clifton 1978 Awardee

Samantha Smith's mother said it is a true honor that Artek still remembers her daughter

Jane Smith, mother of the U.S. schoolgirl Samantha Smith, said it is a true honor that Russia's Artek summer camp devoted its new session of the 2017 season to her daughter.

Samantha Smith visited the USSR in 1983 as the Goodwill Ambassador and became a symbol of international child diplomacy. In 1981, Smith wrote a letter to the head of the USSR with questions about concerns related to the confrontation between the Soviet Union and the United States, and two years later she visited Artek. This year, she would be 45 years old.

"It is so important that we are all continuing to work hard toward making this a safer world for future generations," Jane Smith stated.

On this day: Samantha Smith visited the Soviet Union

Mikhail Gorbachev had sent his condolences to her family, saying that "Everyone in the Soviet Union who knew Samantha Smith will forever remember the image of the American girl who, like millions of young Soviet men and women, dreamt about peace and about friendship between the peoples of the United States and Soviet Union."

Smith attracted huge media attention in both countries as a "Goodwill Ambassador" and became known as "America's Youngest Ambassador."

Journey to the Soviet Union by Samantha Smith 1986 Awardee

Authors, illustrators named for Words & Pictures series

Pittsburgh Arts & Lectures has announced the 2017-2018 lineup for Words & Pictures, its children and young adult writers series.

Katherine Paterson, Dec. 3, has twice won the Newbery Medal for "Bridge to Terabitha" and "Jacob Have I Loved,"plus the National Book Award for both "The Master Puppeteer" and "The Great Gilly Hopkins."

Bryan Collier, Feb. 4, a four-time Caldecott Honor recipient and a six-time Coretta Scott King Illustrator Award recipient who combines watercolor and detailed collage in his depictions of Martin Luther King Jr., Roberto Clemente and President Barack Obama.

Melissa Sweet, March 11, has illustrated more than 80 children's books, including the Caldecott Honor books "The Right Word and A River of Words: The Story of William Carlos Williams."

The Same Stuff as Stars by Katherine Paterson 2003 Awardee

The Great Gilly Hopkins by Katherine Paterson 1979 Awardee

Martin's Big Words: The Life of Dr. Martin Luther King, Jr. written by Doreen Rappaport with artwork by Bryan Collier 2002 Awardee

Brave Girl: Clara and the Shirtwaist Makers' Strike of 1909, written by Michelle Markel and illustrated by Melissa Sweet 2014 Awardee

Literary Festival to feature acclaimed writers, workshop, book fair and more

The first ever Flint Literary Festival takes flight July 21-22 with a lineup of four acclaimed writers with Flint roots, along with panel discussions, book-signing receptions and a fiction writing workshop.

The festival's featured authors, all acclaimed and much-published, are poet Sarah Carson, novelists Christopher Paul Curtis and Christine Maul Rice, and short story writer Kelsey Ronan.

Elijah of Buxton by Christopher Paul Curtis 2008 Awardee

The Watsons Go to Birmingham - 1963 by Christopher Paul Curtis 1996 Awardee

Edwidge Danticat Wrestles With Death, in Life and in Art

In her latest book, "The Art of Death," Danticat writes about her mother's death from cancer a few years ago, and the last months she spent by her mother's bedside remembering the stories and jokes and walks they shared, and trying to piece together - or imagine - her early life and the years they'd lived in different cities or countries.

The reader gradually comes to understand why the author is circling around and around an almost unbearable loss: As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer - a "sentence-maker," in the words of a DeLillo character - she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.

Mama's Nightingale: A Story of Immigration and Separation written by Edwidge Danticat, illustrated by Leslie Staub 2016 Awardee

ANIMATED BESSIE COLEMAN FILM PLANNED

A Kickstarter campaign launched June 20 to help provide financing for the film "The Bessie Coleman Story", which will be the fourth in a series of Sweet Blackberry's animated shorts. Award-winning actor Laurence Fishburne will narrate the film, while celebrated illustrator R. Gregory Christie will bring Bessie's story to life visually.

The Book Itch: Freedom, Truth & Harlem's Greatest Bookstore by Vaunda Micheaux Nelson, illustrated by R. Gregory Christie 2016 Awardee

The Porchlight: Episode Ten with Cynthia Levinson & Donna Janell Bowman

Episode 10 features Cynthia Levinson, author of We've Got a Job; Watch Out for Flying Kids: How Two Circuses, Two Countries and Nine Kids Confront Conflict and Build Community; Hillary Rodham Clinton: Do All the Good You Can; The Youngest Marcher: The Story of Audrey Faye Henricks, a Young Civil Rights Activist (illustrated by Vanessa Brantley Newton) and the forthcoming Fault Lines in the Constitution: The Framers, Their Fights and the Flaws that Affect us Today (with co-author Sanford Levinson)...

Our Porchlight conversation with Cynthia and Donna explores their love of discovering true stories through research and finding fascinating hidden histories. They discuss their publishing journey, as well as how illustrations enhance the tone of picture book biographies.

We've Got a Job: The 1963 Birmingham Children's March by Cynthia Levinson 2013 Awardee

What is the most popular Irish book?

One way of measuring popularity is to look at library holdings: the number of appearances by an author or work in library collections worldwide. Libraries reflect popular interest. However, they also reflect scholarly interest and have collected the published output of nations over time. Library collections are where world literature is stewarded and defined.

Rounding out the top five most popular works by an Irish author include Eve Bunting [born in Maghera in 1928, the US-based author of more than 250 novels, most for children].

The Wednesday Surprise by Eve Bunting 1990 Awardee

Children's Primers Court the Littlest Radicals

Those books and their reform-minded kin have descended like crickets on indie stores and megachains, their authors, by turns upbeat or admonitory, addressing themes of immigration, climate change, racial and ethnic diversity, feminism and gender identification, all gathered under the rubric of social justice.

This art belongs to the people - and Miami's outdoors (for now)

Through August, replicas of select artworks owned by PAMM are displayed in parks, on the beach, along a canal and throughout city streets in three Miami neighborhoods: Little Haiti, Surfside and North Miami Beach.

The project name says it all: Inside/Out.

Off Northeast Second Avenue in Little Haiti Soccer Park, visitors will find a graphic mask-like face entitled "Big Black" by Faith Ringgold, a floral riot by Beatriz Milhazes and a dramatically different take on tropical foliage by the late pop-art master James Rosenquist.

BLACK AMERICA DEMANDS POWER FOR THE PEOPLE AND FREEDOM FROM WHITE ART ESTABLISHMENT IN 'SOUL OF A NATION' EXHIBIT

Despite these disappointments, Ringgold persisted-and was rewarded for doing so. She eventually became famous for the children's book Tar Beach, about growing up in Harlem, as well as others, most notably We Came to America. I've read both to my daughter without realizing Ringgold's history as an artist. But if the children's books are popular (and they are, immensely), her political art is essential in another way. "I'm the one who has to speak up for who I am and what my story is," she says. "I'm the one gotta say what I was doing in the '70s when other people were keeping quiet."

Aunt Harriet's Underground Railroad in the Sky by Faith Ringgold 1993 Awardee

Kids Books: Carole Boston Weatherford will release four new picture books this year

Her books of poetry for children have won honors and awards almost every year, and she is on track to publish four picture books of poetry this year.

"The Legendary Miss Lena Horne" is a beautiful biography written in free verse by Weatherford and illustrated by collage and paint artist Elizabeth Zunon. Released in January of this year, the book has garnered positive reviews. Weatherford uses free verse to describe the life of the first-ever African-American actress to be under contract to a studio.

A second picture-book biography written by Weatherford and released in February is "Dorothea Lange: The Photographer Who Found the Faces of the Depression," illustrated by Sarah Greene and published by Albert Whitman and Co. In the 1930s, Dorothea Lange was a female photographer who managed to bring the attention of the nation to people forgotten and neglected during a time of national crisis.

Weatherford also will publish two other picture books in September, both illustrated by exemplary veteran artists.

"In Your Hands," illustrated by Brian Pinkney (Simon & Schuster), is a poetic ode to motherhood. Weatherford incorporates her own hopes and dreams for her son with those of many African-American mothers into a poem.

"Schomurg, The Man Who Built a Library," illustrated by Eric Velasquez (Candlewick), is another picture biography. Readers may recognize the name given to the New York Public Library's Schomburg Center for Research in Black Culture.

In 2018, readers will look forward to Weatherford's "Be A King: Dr. Martin Luther King, Jr.'s Dream and You," illustrated by James Ransome, and published by Bloombury.

Birmingham, 1963 by Carole Boston Weatherford 2008 Awardee

Sit-In: How Four Friends Stood Up by Sitting Down by Andrea Davis Pinkney, illustrated by Brian Pinkney 2011 Awardee

Sojourner Truth's Step-Stomp Stride, by Andrea Davis Pinkney & Brian Pinkney 2010 Awardee

Sherman Chamber Ensemble presents two concerts July 8

The Sherman Library and Sherman Chamber Ensemble present "Famous Children's Stories in a Musical Setting" in a free concert for families and kids of all ages at the Sherman Public Library Barn.

The Ensemble will also present "Mirette on the High Wire" - an original composition by Bailen for cello and flute. Based on the children's picture book written and illustrated by Emily Arnold McCully, published in 1992. Mirette lives in a boardinghouse in France. One day her life is changed by a man named Bellini, a famous tightrope walker, who teaches Mirette how to walk on a tightrope.

The Escape of Oney Judge: Martha Washington's Slave Finds Freedom by Emily Arnold McCully 2008 Awardee

SUNY Plattsburgh nets $13K 'Big Read' grant

The $13,500 "Big Read" grant will help fund a community-wide reading program.

The program is set to kick off in April of 2018, in conjunction with Sexual Assault Awareness Month, Celebrate Diversity Month and National Poetry Month.

Louise Erdrich's "The Round House" - a 2012 coming of age story about a Native American boy's experience in the wake of a racist attack on his mother - has been chosen as the first community read.

Six institutions and organizations elected to feature "The Round House" for their Big Reads for 2018.

The Birchbark House by Louise Erdrich 2000 Awardee

Flight School, The Musical

SYNOPSIS: It's the first day of Flight School, where they teach birds to fly. Penguin has the soul of an eagle and is ready to live on the wind. But he wasn't built to soar, as the other birds constantly remind him. Penguin's spirit won't be grounded. With some friends of a feather, and a little help on the technical parts, Penguin follows his dreams to flip, flap, fly! With book by Cara Lustik, music by David Mallamud, and lyrics by Joshua H. Cohen, Flight School The Musical is based on the book Flight School from best-selling author Lita Judge.

One Thousand Tracings: Healing the Wounds of World War II by Lita Judge 2008 Awardee

'Rickshaw Girl' Film Adaptation to Bring Bangladeshi Muslims to Silver Screen

A popular children's book about a Bangladeshi girl who decides to disguise herself as a boy in order to work and help pull her family out of poverty is being adapted for the big screen.

First published in 2007, Mitali Perkins's "Rickshaw Girl," follows Naima, the daughter of a rickshaw driver who lives with her family outside of a large city. Already acknowledged as a gifted artist with a flair for creating "alpanas"- painted designs created with rice flour and water popular in Bangladesh and West Bengal - Naima longs to be able to use her talents to help her parents. To do so, she decided to dress as a boy and go out into the working world.

"I lived in Bangladesh for three years and I speak Bangla," Perkins told NBC News, adding that she worked with several non-government organizations and became familiar with the work of the microlending platform Grameen Bank during that time.

"I was talking to women and I'd hear how empowering it was for women to be able to contribute to the family economically," she said. "The idea was just in my mind."

Given the setting and Perkins' own personal history, she said she is particularly happy "Rickshaw Girl" will be directed by a Bangladeshi filmmaker, Amitabh Reza Chowdhury, and that the Bangladeshi-American writer Sharbari Z. Ahmed will assist with the screenplay as a script consultant.

Rickshaw Girl by Mitali Perkins, illustrations by Jamie Hogan 2008 Awardee

---

Since 1953, the Jane Addams Children's Book Award annually acknowledges books published in the U.S. during the previous year. Books commended by the Award address themes of topics that engage children in thinking about peace, justice, world community and/or equality of the sexes and all races. The books also must meet conventional standards of literacy and artistic excellence.

A national committee chooses winners and honor books for younger and older children.