#i remember more series that i do movies

[spookygibberish]

Made a faintly insane list of of every animated movie I have good enough memories of to feel confident ranking, although some of them I would probably move around if I saw them more recently....

[aroaceleovaldez]

looking back at ye olde combo book fandom i can only describe the feeling as feeling like if Superwholock got a divorce

[againtodreaming]

My...comfort films? ...good question...hmm.....

1. Thor (2011)

2. ..........(• ▽ •;) can't think of anything else ashdkfkfj. Okay, let's move to series: any of those shows by Chespirito (Mexican actor and producer) (his real name is actually Roberto Gómez Bolaños) like El Chavo del 8 or El Chapulín Colorado or Los Chifladitos

3. ..............anything that is not too long and doesn't require much thinking or concentration ig?? So mostly stuff I have watched a lot of times. Nothing of the stuff I'm thinking of jumps above the others enough to be #3 tho agshsjsj

Tysm for the tag @mavr4xx and @ghostsinacoat <333 (and sorry for the really lackluster answer lol)

tagging anyone who wants to!

Tagged by @dreamweazel

Comfort films...

1) Lemony Snickets A Series of Unfortunate Events

2) Tangled (dont ask my why)

3) Cruella ?? Ig?

I'll tag @a-preferable-alternative @asakuraclown and @irritable123

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[animationismycomfort]

I feel like clumsy smurfs personality in every iteration is kinda bad

[marsixm]

im trying to wrap my head around why i dont get enthusiastic about reddit style fiction (not a dig but a descriptor) like scp and shit like that, bc its not that i can’t enjoy them but i think its like… when stuff is framed as if it were real, but its fiction, its like, well KNOWING its fiction eliminates a huge element of the intrigue, but also, crucially, i like character-driven stories, or at least stories WITH characters. but i also like it when things are interesting for said characters to experience, like, i want the ghosts and monsters and conspiracies but i want the characters to be character-ing, yknow? not that i dont enjoy slice of life and… what would u call the first thing, non-character specific horror? idk? but i prefer when its both. its like i love kirk and spock but also i do enjoy watching them Experience Situations when i watch star trek. i enjoy the idea of spooky national forest monsters that arent real but experiencing it alongside a character would be better, and i want more trans and gay characters whose lives are clearly trans and gay but i want a plotline to unfold too

[volfoss]

tagged by @yuritual to list my 5 fave movies and have my followers choose which matches my vibes the best :)

im tagging @surpriserose @fullmusicbardsquared @aquariumgirls @skullc0r3 and anyone else who wants to :)

[victorluvsalice]

Happy Birthday Newt!

@dont-offend-the-bees A combination of you telling me that anything cute and Valicey would do as a birthday fic and me knowing that you are still into Saw as a fandom led to this -- Victor and Alice reacting to the first Saw movie, inspired by a couple of posts I saw on your blog before you moved all the Sawposting to The Secret Saw Sideblog! Though the fic is technically Valicer out of necessity, because the only way I could think of to get the pair to watch it was to have it be a Halloween Movie Nights pick by Smiler's friend Thirteen, as per this headcanon post...

--

“That is unfair!”

“What’s unfair?” Thirteen asked, looking over at Alice.

“The ending!” Alice said, waving at the slowly-rolling credits on the screen before them. “All Jigsaw said to Adam was that he had to survive until six o’clock, correct? Nothing else? No other secret catches?”

“Don’t ask me,” Victor muttered, hands over his face. “I am actively trying to erase this movie from my mind.”

“There there,” Smiler said, rubbing his back comfortingly. “You’ll be fine – and yeah, ‘survive until six’ was the gist of it,” they added to Alice.

“Well, six o’clock rolled around, and Adam was still alive!” Alice pointed out, stabbing another finger at the TV. “He was wounded, sure, but he was still very much fucking alive! Which means he succeeded! Lawrence was the one who failed in his goal! And yet Lawrence’s the one who gets to crawl off and seek help while Adam gets electrocuted and sentenced to – I guess starving to death in that horrible bathroom? All because he, unsurprisingly, didn’t notice a damn key in his bathtub when he first woke up?”

“You are assuming a lot in thinking Lawrence survived after–” Victor swallowed and shuddered. “After c-cutting off his own f-f-foot.”

“Actually, uh, it’s canon Lawrence survives,” Oblivion put in, sporting a slightly sheepish grin. “He shows up again in Saw 3D.”

“Oh great – when do we watch that one?”

“Don’t worry, we don’t have time for tonight,” Thirteen informed him with a cheeky smirk.

“What, because it’s long?”

“No, because it’s film number seven.”

That finally got Victor to look up. “It’s – wait, what?”

“Yeah, for some reason they decided to name it after the 3D gimmick instead of following the numbering system,” Rita explained, leaning around her girlfriend. “And then films eight and nine are Jigsaw and Spiral respectively, though Spiral’s actually more like a spin-off of the main series–”

“Can I please fully express my annoyance over the fact that Jigsaw killed Adam despite him winning his ‘game’ before we start talking about how this series screwed up its numbering system over halfway through?” Alice cut in, folding her arms and scowling.

“Well, the thing you have to understand about Jigsaw is – he’s a total asshole,” Thirteen reminded her. “He says that his games are to help ‘rehabilitate’ people and make them appreciate life and all that bullshit, sure, but honestly, I believe the dude just wants to torture as many people as he can, both before and after he bites it.”

“I can believe that,” Victor muttered, shivering. Smiler put a comforting arm around him. “And this is probably the least bloody of all the movies, isn’t it?”

“I haven’t seen them all, but I’m pretty sure it is, yes,” Galactica confirmed, giving him a sympathetic look from the other side of Oblivion. “You know, you could have left if you weren’t enjoying it – we wouldn’t have thought any less of you for it.”

“Yeah, I’m shocked you actually sat through the whole thing,” Smiler admitted, giving him a little squeeze.

“I am too, honestly,” Alice said, wrapping her arm around him to do the same. “I’m used to horrors like these – hell, the bathroom looked kind of like one I saw in Rutledge – but I know it’s not your cup of tea.”

“I thought it would be too rude to just get up and leave,” Victor groaned, putting his face in his hands again. “And I kept telling myself, ‘it’s the very first one, it can’t be that bad...’”

“We won’t make you watch any of the others,” Thirteen promised, patting his knee. “I mean, I appreciate you making the effort, but despite appearances, I don’t want you to have nightmares.”

“Thanks.” Victor shook his head. “I know you love that sort of thing, but – it’s just not for me.”

“Me either – especially if John Kramer can’t practice what he preaches,” Alice agreed, glaring at the screen as the DVD menu came up again.

“It’s actually not my favorite series either, if I’m honest,” Thirteen confessed. “I just like this one because of all the hot gay tension between Lawrence and Adam.”

“...there was a surprising amount of that,” Victor allowed.

“Mmm – though given Lawrence is married, he’d better start talking to his wife about either opening the relationship or getting a divorce before he hobbles his way back to that bathroom,” Alice declared.

“You know, I bet there’s a fic like that somewhere on AO3,” Smiler said, pulling out their phone. “Who wants to find a nice domestic AU to help us all decompress?”

[pinolitas]

ok instead of the insurmountable task of communication I will instead try to read more for new years resolution

[thewhizzyhead]

can't believe it's been two damn years since I got into watt and yet with every damn reminder that watt exists, my head still goes haywire over ideas on how watt can be adapted/improved/put to netflix

[fighting-these-demons]

I updated my tags in case anyone is open to a mini ship manifesto. o7

cartoon network commercial from 2004

[tpwrtrmnky]

hindsight

[ID: A two-panel comic with crudely drawn stick figures.

Panel 1: The lime green person is talking to the leaf green person and the moss green person.

Lime: "I... have a confession to make."

Leaf: "Go ahead."

Lime: "I want to rewatch the Wizard Child movies."

Leaf: "Didn't the wizard author get incredibly chromophobic?"

Lime: "Yeah I just... It's nostalgia you know? They meant a lot to me when I was a kid."

Panel 2: The three are on the couch.

Lime: "All right, let's go."

Leaf: "It's so weird how the wizard author just turned chromophobic though. Like I remember this series being pretty good for its time. It'll be weird seeing their work contrasting with their views now."

Moss: "I'm just glad we got the movies for free through normal and legal means. Heh."

End ID.]

[ID 2: Scenes from three Wizard Child movies.

Wizard Child and the Simplistic Morality: A slightly round child with a propeller hat is talking to a child with no hat.

Round child: "I am so fucking fat and greedy I am textually shown to be fat because I am greedy and also evil."

Hatless child: "You are to infer my moral purity from juxtaposition with this fat child. Woe is me for our shared parent has deprived me of a propeller hat."

Wizard Child and the Goodness of Wealth: An adult wizard is talking to the child, who now has a wizard hat.

Wizard Adult: "Wizard child you are secretly extremely rich."

Wizard Child: "I will form biases regarding the bankers all being triangular for some reason!"

Wizard Adult: "Your wealth is deserved because your true parent was Good and therefore you are also Good."

Wizard Child: "Now we should acquire consumer goods. Buy consumer goods!"

Wizard Child and the Dark Family History: A blue-grey horse person is talking to the wizard child.

Blue-grey: "No, wizard child. You don't understand. I am one of the good ones, because unlike the bad ones I don't try to spread my curse that makes you a blue-grey horselike creature to others!"

Wizard child: "Wow uncle blue-grey you are one of the good ones! I forgive you for being a horse because I am so good I would even forgive horses. I sure hope you don't conspicuously get killed off later in this movie!"

End ID 2.]

[ID 3: Oh hell no there are even more of these.

Wizard Youth and the Tokenistic Relationship Dynamics: A square headed wizard youth is talking to the former wizard child, now a wizard youth.

Square Wizard Youth: "Wizard child, as the only person with a square head in this entire series it is my duty to inform you that you are the savior of all people with square heads, too. Let us build a one-sided relationship that only furthers your character development, after which I will immediately lose all plot relevance."

Wizard Youth: "I will do this because I am a maturing wizard youth and need disposable relationships that don't threaten the endgame!"

Wizard Youth and the Escalation of Stakes: The Dark Wizard, a sort of grey-green person with a cloak, is pointing at Wizard Youth.

Dark Wizard: "Wizard Youth, I have returned!"

Wizard Youth: "Dark Wizard! Why are you green now?"

Dark Wizard: "Evil magic made me green! I am green with envy towards all who are good!"

Wizard Youth: "I will not engage with how you are clearly based on fascist ideologies and yet this narrative plays into fascist aesthetic sensibilities!"

Wizard Youth and the Post-Hoc Revelations: The Wizard Youth is leaning over their Wizard Mentor, who is laying in a pool of blood.

Wizard Youth: "Wizard Mentor no! You can't die!"

Wizard Mentor: "It is fine, wizard youth. My death will further your character development into a wizard adult. Also, I was secretly a very very dark purple this entire time. I never brought it up so I could retain narrative approval.

End ID 3.]

[ID 4: Wizard Adult and the Overdue Conclusion. Three panels. I am sorry.

Panel 1: The dark wizard is dueling the Wizard Adult with magic beams.

Dark Wizard: "Evil green beam!"

Wizard Adult: "Good red beam! Despite the enormous variety of magic in this series this is what our final battle looks like!"

Panel 2: Wizard Adult stands victorious over the dark wizard, who is dying on the ground.

Wizard Adult: "In the end, dark wizard, you were defeated because I am morally superior to you."

Dark Wizard: "I was a product of systemic failures. There will be someone like me again someday!"

Panel 3: Zoom in on wizard adult, who says:

"Not if I can help it. Because I am going to be a wizard cop now. The moral of this story is that all systemic issues can be solved by finding a bad guy to beat."

End ID 4.]

[ID 5: Four panels.

Panel 1: Return to the green trio on their couch, watching the TV say "The End." All are are silent.

Panel 2: They are sitting on the couch. Moss is looking at their phone.

Lime: "Yeah so there were maybe a few signs we missed because we were children."

Leaf: "Yeah. A few. Some."

Panel 3: Continue conversation.

Lime: "So what did you think, Moss?"

Panel 4: Zoom in on Moss, who says: "I've been zoned out on my phone since the second movie. They lost me at the magic stuff. Wizards aren't real."

End ID 5.]

Start - Previous - Next

[lynksease]

its hard to be incredibly attached to and obsessed with a character in a series that I have a long term grudge against but also still kind of like sometimes

[autumnrory]

i have consumed so many fairytale retellings but there are so few good ones

[neriyon]

There's a Haikyuu movie coming out at the end of the month?? In 2024???

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.