#i really took an hour to write this

[zecoritheweirdone]

hey do you guys wanna see a comic for a msa au me and my friend ascel came up with? trick question yes you do. anyway- hehehehehhhoo body swap au <3.

okay quick context for this rq- this is an au where it diverges after freaking out- instead of possessing the truck, lewis ends up chasing the gang for a while, maybe a week or two? arthur and vivi don't know why this random ghost they met ages ago keeps going after them, but one things for sure- he really, really wants arthur's head on a spike.

cut to the present- arthur got separated from vivi and mystery, and lewis ends up chasing him into the woods!

[lovesickeros]

☆ even the gods bleed [ pt 4 ]

{☆} characters arlecchino, furina, lyney {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood {☆} word count 3.7k {☆} previous [ 1 ] [ 2 ] [ 3 ]

Fontaine was bathed in darkness, not even the moon daring to illuminate where the common man fears to walk. The streets were bleak and empty save for the constant, rhythmic ticking and clanking of machines marching on endlessly, dauntlessly wading where even the bravest dared not to venture. Not even the sharp click of the Gardes boots followed the occasional hisses of steam as they walked the barren streets.

It was haunting, and it'd been like that for days now. It showed little signs of stalling in the slightest, too. Every inch of Fontaine was practically crawling with Gardemeks– like a swarm of rats skittering about.

Arlecchino had secluded herself in the Hotel Bouffes d'ete for days at this point, waiting– biding her time. Her nails clicked against the wood as she tapped at the table in a stilted rhythm, the subtle click of the clock mixing into the clanking outside, weaving in and out of earshot as the patrols slipped by. She reached forward after a moment of thought, reaching for the white king.

She leaned back against the chaise, tilting her head just enough to catch a glimpse of a patrol of Gardemeks as they vanished behind the rows and rows of buildings. It wasn't enough to keep her attention for long, however, her features twisting in disinterest as she glanced back to the chessboard– and the letter neatly resting beside it. The seal was unmistakable and a sobering sight, demanding her attention– the soft hues of blue etched into the shape of a dragon stared back at her in a way that almost unsettled her.

She had already parsed through it's contents hundreds of times, but she was met with only vague, flowing script that only served to irritate her more then anything– it filled the page top to bottom yet managed to say nothing at all. Her hand reached out again, but instead of reaching for the letter she plucked the black rook from the board, setting it down with a soft click.

Arlecchino had all the time in the world to sit back and observe her prey, but all that time would be useless if she lacked the information to act.

And he was quite tight fisted about it, evidentially. None of her inquiries or attempts to decipher any potential codes in the letter left her empty handed. She could not act without even knowing the reason for his summons– it was almost worded like a personal affair rather then one would expect for a foreign diplomat. In truth, she'd expected a scalding report on her operatives, but it lacked any mention of anything of the sort.

She was no stranger to people masking hostility behind pretty words and compliments, not that it was ever unwarranted per se– the Fatui did not create connections through honesty and genuine kindness. They have strong armed more then their fair share of people into cooperation to the point distrust is all the Fatui are met with outside of Snezhnaya. Every word was meant to conceal the deceit, every action meant to conceal the price later paid.

So she had been..skeptical of the letter, to put it lightly. She doubted the Iudex of all people would offer a hand to the Fatui without a price attached– a trap, perhaps, meant to lure in the most powerful piece left on the board. Her eyes narrowed, reaching for a white rook and moving it to the right.

Or he was hiding something. Something that he simply couldn't risk getting out to anyone, not even the Divine themself. A tempting prize, whatever it was.

..A dangerous prize, too.

She'd considered burning the letter and forgetting it all together– the risk was great, and she couldn't risk getting caught up by whoever else the Iudex may have on his side of the board. But she could hardly pass up the challenge and the prize that he fought so hard to keep from prying eyes and ears. Even her agents came back empty handed each time. She lazily picked up a black rook, sliding the white pawn aside.

"Lyney," Arlecchino drawled, crossing one leg over the other and turning her gaze to the door as it slowly creaked open. The pale visage of Lyney stepped through, though his siblings were noticeably absent. The weariness that weighed down on his shoulders was apparent in the slightest furrow of his brows and the subtle creak of leather as he clenched his fists behind his back. "Father." He choked out, the title dragged out by the sharp inhale and shaky exhale.

He looked out of breath, she noted.

The silence that lingered after the small exchange was punctuated only by the click of another chess piece being moved. She sets aside the black rook, letting it sit among the dozen other pieces that had been wiped off the board. She can see the conviction glinting beneath the fog of exhaustion, but if he would utilize it was another matter all together.

He had seemed to make his choice quickly, at the very least.

"Our contacts and operatives within the Fortress of Meropide have gone silent– all we have is their final confirmed missive.." His voice is confident, but it is rigid as the words spill from his lips. He takes a sharp step forward, unfolding his arms from behind his back and opening his hands– the small, water stained and messily folded note catches her eye, plucking it from his palms with a half hearted interest. "They believe the Duke left the Fortress of Meropide..and that he may be coming to the Court of Fontaine."

Her eyes narrow dangerously, nearly crumpling the thin paper in her hands– yet just as quickly, she collects herself.

But she cannot get rid of the bitter taste on her tongue, lingering as she sets down the note and slides it to the side, her lips pursed into a thin line.

So the Iudex had shown one of his pieces..she tightly grasps a black rook, tipping over the white rook, letting it roll against the board.

If the Duke was involved, things were much more complicated then she expected– he would be a problem, she was certain. She couldn't blame the lamb for fearing the wolf, either. Whether her agents had been killed or captured by the man mattered little. He had his ways, and he was a force that could instill fear in even them.

Which meant the possibility that her operation was already compromised was far too real.

What had the Iudex so concerned he had gone through the trouble of bringing in the Duke and herself? The Fatui was one thing, but to specifically request one of it's Harbingers..

The Prophecy? The thought had her clenching her fist, but..no. If it were to rear it's head now, the Iudex could simply not afford to waste time on his contacts deciphering his nonsensical script– If the prophecy were to be the issue, there time would be limited to mere minutes in the worst of cases. Which meant it was worth biding his time in order to ensure absolute secrecy.

So if not the prophecy, then what?

Her next moves were..limited. She was already walking on eggshells considering her position and the reputations of the Fatui– especially with a Harbinger in the midst. If they caught wind of her operations, they'd weed out her operatives and be on guards for any snakes that lingered in their garden.

She reached for the chessboard again, picking up one of the white rooks from the board with a scowl. The sharp click as she sets down the white rook and sets aside the black pawn draws a shaky inhale from Lyney as she moves another black pawn, the dull click of the pieces drowning out the distant clinking of machines.

..A draw, perhaps.

The pieces were all falling into place– the players of this game were slowly being revealed. Whether she could secure her victory..she was unsure.

She wasn't even sure who her opponent was. Only that the Iudex himself was but another piece in their game.

Arlecchino reached for the board again, yet this time she hesitated. Perhaps she could still swipe the win from beneath them, if she played her cards right.

She would simply have to capture the king– or, if need be, let it end on a draw. Either way, she would not concede. She could not afford to concede. Down to the last piece, she would drag out this match until she was in a position to force their hand into the outcome she desired.

She stood slowly, picking up the king piece and observing it for only the briefest of moments before she set it down on the table, taking measured steps around the table and across the room. She was hunting a much more dangerous quarry today– it would be no simple runaway traitor this time.

"Do you remember the directive?" She inquired coldly, her hand lingering on the door for that long, tense moment. "..Yes, Father." Lyney faltered, taking a hesitant step back and bowing at the waist. "Then do not stray."

All that was left was the silence and click of the door shutting behind her as she disappeared down the hall, her boots clicking harshly against the floorboards. The rest of the agents knew better then to linger in her path as she stepped down into the lobby, adjusting the cuffs of her sleeves. She barely even acknowledged the Fatui agent standing at the ready by the heavyset doors, their gloves hands held out with her cloak held loosely in their palms. She quickly snagged it from them, tugging it over her board shoulders and clasping it around her throat.

With a quick tug, she brought the hood up over her head to conceal her sharp features, lifting her hand and placing a neatly folded note within their waiting hands. She had only one chance to make the right moves and secure her victory– no matter the cost.

Each piece had it's purpose.

Oft, that purpose was a bloody and horrible end– but for the grand goal of the Fatui built on the backs of the dead, it was an honor.

She didn't bother speaking a word as she dismissed them with a wave of her hand, pushing open the heavyset doors and stepping out into the barren, damp streets. The rhythmic clink and whir of Gardemeks was still distant– she needed to move. Her boots clicked and splashed in the rain soaked stone of the streets as she slithered between the buildings, ducking through the openings in the patrols.

It was almost too easy.

She tilted her head back, taking in the towering Palais Mermonia with a scowl, her hands clenched into fists. The final moves were being played– the king was within her reach, yet she felt no more confident then when she began.

The air carried a sense of unease, thick and heavy, filling her lungs until she felt her breath still in her chest– listening to the empty, bleak night that seemed so..quiet.

She'd done her fair share of research, had more then her fair share of her agents try to peer into the Iudex's office or the Archon's supposedly hidden chambers, but every attempt was a failure. She had to give them credit, they were quite elusive when they wished to be. Though now she only thought about it bitterly– this was all a risky gamble, in the end, and only time would tell if it paid off.

With minimal effort, she'd managed to pull herself to the flat, tiled roof, eyeing the massive tower peaking out of the center cautiously. At least here the wandering patrols down below weren't likely to notice her..she could hear them passing by the spot she'd been in only a few minutes ago, just beneath her. She pulled the hood further over her face, peering through the sheer darkness of the night for any oddities, but it was almost impossible to see in the dark.

Her boots clicked softly against the tiles as she approached the tower jutting out from the Palais, her hand gliding along the smooth stone, pressing against odd indents or crevices. If it was for the Archon's chambers, she doubted they made it very difficult– she'd only met the woman once, but she doubted the Iudex make it all that complex just from a brief glance. And it surprised her little when one of the stones sunk into the wall, gears whirring as the walls split open to reveal a stairwell straight into an inky black hall. Only the barest hint of light peaked under the door at the bottom, but it's occupants must have heard her, considering it went out not a moment later.

She cautiously stepped down into the small crevice, her breath visible in the bitter cold air– her shoulders tensed at the subtle sound of muffled footsteps behind the door, her vision flaring with a molten heat between her shoulder blades as she reached for the worn handle of the door. The heat of her vision was enough to just barely heat the metal, her vision flaring like a quickly building inferno.

Arlecchino was prepared for a fight, if it came down to it.

The door creaked as she pressed against it, shoving it open with a grunt of effort and surveying the room with narrowed eyes and a biting remark on the tip of her tongue– the lavish opulence was expected, she supposed, but the lack of the towering figure of the Iudex was not.

Yet before she could get a word in or even take in her surroundings properly, the light flickered back on and she had to squeeze her eyes shut with a hiss at the sudden brightness. She could hear the door being shoved closed behind her, the hurried footsteps retreating just as quickly as her eyes adjusted to the light.

..This was a joke, wasn't it? It had to be.

She'd expected the Iudex, perhaps even the Duke if she'd been unlucky, not the Hydro Archon. She had half the mind to test her worth as an Archon then and there, her temper flaring like an uncontrollable blaze, barely kept at bay. It took all her self control to force herself to smile politely at the woman rather then snarl.

"Miss Furina," She sneered beneath her hood, x shaped pupils locked onto the startled, trembling Archon with thinly veiled contempt. "What a..pleasant surprise. You'll have to forgive my manners, I assumed I was meeting with the Iudex." She observed her body language carefully– the way her eyes darted about like a frightened rabbit seeking escape, the slightest tremble of her lips..

Arlecchino opened her mouth to offer another scathing remark, but her jaw audibly clicked shut as her entire body seemed to lock up. Even her vision went cold against her back, a chilling feeling creeping up her spine as someone, or something, crept up behind her. Their footsteps were almost silent, the slight rustling of their clothes the only thing she could hear over her heart pounding against her ribcage.

Arlecchino had always prided herself on being on the other end of that sensation– she was the monster, and her target was the prey frozen like a deer between the hunters crosshair.

It was a chilling feeling to have the dynamic shifted on it's head.

She couldn't even swallow, her jaw clenched so hard she could hear it creak as she tried to reason with her quickly splintering mind– a futile effort, her joints locking up almost painfully. Black spots were quickly swallowing her vision from the lack of air in her lungs, the sound of shuffling behind her barely audible over the ringing in her ears.

For a moment – a moment too long to have only lasted the seconds that it did, yet so quick it gave her whiplash – she thought she would hit the floor dead before she could even glimpse her assailant.

And then it was gone. She came crashing back into reality with a startled inhale, her lungs burning and her knees nearly buckling under her. The instinct to lash out and kill whoever had done it was intense, yet she couldn't bring herself to move even a finger– it would be so easy to twist around and ignite them with searing flames, but her feet were rooted in place.

She almost didn't notice the surprisingly gentle hands unclasping her cloak, tugging it off her shoulders, if not for the sheer intensity of the presence still lingering behind her. Her mind was still fractured, struggling to right itself after the ordeal, and it had her seething.

"..Are you certain you held back enough?" Furina croaked, the normally soft lilt raspy and almost hoarse. "Not– not that I doubt your capability, most Divine!"

Arlecchino felt her nails dig harshly into her palms, heat swelling beneath her skin– Divine? Had she lost her mind? The Divine was..

The Divine was upon their throne where they belonged. She'd seen them!

"Hm. Well, maybe? Sorry, I didn't think it'd affect you too." Their voice was sickeningly soft as they stepped around her like she wasn't even there, focusing their attention on the Archon who seemed more then delighted about it. "What gave you that impression, most Divine? Aha, I..was completely unaffected, as you can see! Perfectly fine."

Furina let out a small squeak when they pinched her cheek, but the almost affectionate smile that tugged at their lips revealed the lack of malice behind the action.

"You're a bad liar, Furina. You might want to sit down..please?" They didn't take her protests for an answer, gently pushing her to sit on the bed before abruptly turning to face Arlecchino once more, a forced smile on their lips. "Oh, good, you're..uh, not dead. That's good. I thought I fried your brain. Sorry?"

..Had she hit her head on the way here? The Divine should still be on their throne, yet she couldn't shake the weight of their stare– it felt tangible. She felt like she was standing face to face with the stars– galaxies and constellations bearing down upon her.

She grit her teeth and clenched her hands until she felt the sting of her nails against her palms, grounding herself in the pain through the sheer overwhelming nature of their existence.

"You.." She croaks, reaching out with a shaky hand and grabbing them by the collar of their shirt, lifting them up until their feet left the floor– she pays no mind to the startled protests of the Archon. Arlecchino would crush her like a bug before she even got the chance to intervene and they both knew it. "You shouldn't exist– you aren't them, and yet you..you're the imposter, aren't you?" Her grip tightens yet they face her without an ounce of fear, meeting her unyielding glare with a pondering look.

Arlecchino wanted to make them bleed just to see if she could, the urge to sink her teeth into skin welling up in her chest to the point she visibly snarled, her mask of politeness long . "You're the imposter." Her expression falls for a moment before she schools it into one of apathy, setting them back down and holding them there for a moment, finally releasing them after a tense moment. "Or you were supposed to be."

Hers brows furrow– she wants to demand answers, to throttle them for damning them to being nothing more then dolls for the supposed Divine to break at their whim, but none of the words come to her.

"..Why now? The current Divine has been in power for years, yet you descend now?" Her shoulders tensed, lips pursed into a thin line– it's impossible to ignore the truth that lay before her. The Divine is a fraud and this..imposter is the true Divine. How many years had they been in power, now? How many years were they waiting? Why did they wait? Was the suffering of Teyvat not enough? Was the blood that painted the steps of their stolen throne not enough?

She'd personally been on the wrong end of the Divine's wrath– she wonders..had they watched? Had they seen the cruel hand of their imposter and turned their back on Teyvat?

"I.." They hesitated. It made her seethe, her hands clenching into fists at her sides– her vision flickered, flames swelling within it's casing just to be smothered by the presence of the Divine. But once that spark had been lit, she refused to let it go out. "I didn't know."

The answer does not satisfy her. There is an itch beneath her skin that she cannot scratch, a fire that burns in her chest so hot it scorches even herself.

"And what about now? Are you content to cower like prey in the safety of the Palais Mermonia?" She snapped, taking a step forward, her brows furrowed and her glare intense– she can see the slightest bit of worry in their eyes. She revels in it. "Will you let them use your acolytes like pawns? How many more need to be broken on the steps to your throne before you act?"

Again, her vision flares and dims– it refuses to be used against the Divine that created it.

"Have you no answer?"

The room is silent. They do not speak and neither does she.

Even the world itself seems to quiet in the face of her accusations, fury boiling to the surface so hot it incinerated all it touched.

"I will kill them myself."

Their words are quiet, but they are not soft– there is a vindictive, searing anger that explodes out like dying stars within their eyes. The sight of constellations replaced by a void that would not be . The smell of ichor grows stronger– to the point she feels almost lightheaded.

"..I am aware that I have failed in preventing this, but I had no choice in the matter. Still," They muse, their voice like the tolling of bells. A solemn melody that stills the swelling fury burning in her chest, if only for a moment. "I will rectify it– I will tear down their throne of lies and let not even the earth tarnish itself by burying their corpse among it's soil."

They pause for a moment, holding out their hand– scarred and bandaged by the weapons of the devout, yet still they take upon the burden of dirtying their hands to save those who did not save them.

"Do you trust me, Arlecchino?"

Did she?

"Will you help me?"

She exhales heavily, meeting the starry iris' of the Divine with a scowl still tugging at her lips. Arlecchino trusted no one but herself.

"..Yes."

[schimmelspore]

Alright, storytime.

Im telling yall rn that there will be typos, i just dont care rn

I already had a rather full day when it comes to talking to people and doing things, so all i wanted was a nice quiet evening to rp with a friend and Chat with my Partner.

Thats not what i got.

The doorbell rung and when i opened, the young mother (shes 17) that lives up on the highest floor asked me to let her and her 3 day old baby in. I did, obviously.

Turns out that her boyfriend and babydaddy (18) is incredibly aggressive and manipulative.

I knew him, i barely knew her. He was okay when they moved in a few months ago, but he was talking a big game with nothing to show. Back then i just rolled my eyes. Another neighbor from the next house did the same.

He rung up a storm at my door, so i closed my living room door to get the mother safe and answered the door. He was incredibly agitated, but lucky for me he seems to think i would break his jaw if he overstepped with me. I wouldnt lol but i like that he seems to fear me enough to behave.

I told him that with this kind of Agitation i dont care for the reason, im not letting him close to a new born.

He blamed her for how upset he was, said she will steal his child (he wanted to change the babies last Name to his own and the mother said that thats not happening and she wouldnt sign the paper like that)(the New borns grandmother has custody of the kid anyway)

He also threatened the mother with his own suicide, holding a huge fucking knife to his neck. I asked him about that and he said that he did it because his life is shit, he doesnt want it anymore and that his (ex-)gf brought him to that edge.

Now looking at both of their demeanors.... nah, she didnt. And i already knew he talks a lot of bullshit.

I managed to get him to calm down, because he didnt find a point to hit with his Aggression with me. I talked him into giving me the key for their apartment (there exists only one) and got him to go to work. He works nights.

With that he was out of the picture for a few hours.

When i came back inside, the young mom was talk with the grandmother on the phone. Granny lives halfway through the country. They were saying they had to wait until friday to get her away from here, so i asked why. No money. And i was like alright, im gonna buy you a train Ticket, give me the money back when you got it, its fine.

Then my neighbor from the next house messaged me with something unrelated and i was like "yo. Are you home?" She wasnt, but i gave her a quick rundown of what was going on and she was here 20 minutes later to help.

We went up to the apartment to get the mothers and the babies stuff and to see what to do about the dog (huge german sheppert/malinois Mix, former security dog, the goodest of boys) that used to belong to the grandmother. We decided that he needs some walkies and we would see how to get him in the morning, baby comes first. Ill tell the dog Story later.

She packed hers and the babies stuff (hers fit into half a grocery bag) and brought it down into my apartment. During this i found out that he manahed to discourage her to seek my help (i had offered her help a few times), that he had Power over all the money, always took the one key when he went out so she couldnt do anything, told her to not wear bright colors or make up, and let out his Aggression on the doors, walls and things.

Yes, he punched a hole THROUGH THE WALL.

Towards me he had said earlier "yes im often aggressive, but i dont let it out on her or the kid."

The attentive Reader might now raise their brows. "Im often aggressive, BUT-" is always followed by excuses or lies. He lets it out on things and uses that to say that he doesnt harm anyone and such. Which is bullshit. Thats no Environment for a young mother, her new born, and an old dog.

Anyway, the mom slept in my apartment and i did the best to accomodate both of them. We got 2h of sleep maximum.

In the morning, we took her to the train, rushing to the car as quickly as we could, because homeboy had spammed her woth messages and by the end he was like "i just lost my job because of you" so aside from it being the end of his shift, he could have been on his way earlier. But luckily we got her to the car without issue and he didnt Show up at the train Station either.

(Fyi no employer in germany would fire you for dealing with the birth of a child. Thats just not a thing. at least not in my experience. If he got fired it was because he didnt talk to them about it or because he was an asshole and bad at his job. Or didnt show up. But who knows if that even happened or if he tried to guilt trip her)

We rushed to the Plattform.... and the train was cancelled. Shit. Okay. She was able to take the next one an hour later and was then soon safely on her no stop 3h train ride to where the grandmother would pick them up to care for them.

Mom and baby are safe and by now hopefully settle for an actual nap.

After that me and my neighbor drove back home, to a pissed off 18yo asshole standing in front of the house in the rain because i had his Keys.

Im genuinely glad that he is too scared of us to try shit. My neighbor is a tiny petite Lady of 38 years, who used to do kickboxing and handles 60kg dogs with ease. I am a kinda broad if short 30yo trans man who looks intimidating thanks to my piercings and attitude. He went off muttering insults and we only gave him the key if he gave us the dog.

We were this insistant because he didnt take care of it. There was no dog food in the house (he didnt buy much for his now ex and the dog to eat, hes very self oriented) and he only went out with the poor doggy during the night for like 15 minutes. For a german sheppert/malinois Mix. Yes you heard right.

Its not like the young mother could have done it during her pregnancy, that dog needs someone with enough strength and calm authority. She hated it but couldnt do much about it.

And fyi, i had offered them to walk the dog sometimes. They never took me up on the offer and i think it was because homeboy was scared i would see that things were wrong.

Anyway, with that we had the dog, walked him, fed him, let him rest.

And for the first time since i met this dog, he was not whining after about 20 minutes of being in my flat, with a blanket and a bit of sausage in his belly (my neighbor later went to bring him some actual dog food.)

So now the mom and the baby are safe, the dog is with my neighbor who will either train him to be able to keep him or find him a new and better home. She is very passionate about that.

Meanwhile i am decompressing. Once everyone and dog was out of my apartment and the doors closed, i immediately teared up. Gotta love the neurodivergent overload reaction. I cried for a bit and will curl up for a little while on my couch... though i have to leave in an hour for my job Interview.

Im just happy all went kind of well.

And homeboy is going to get in trouble woth the janitor and Administrator of this house. They cone over today to check on the flat, ecause i mentioned to them (before any of the above happened) that i heard the doors are all broken and they probably need help.

Might Update once i get the tea on that.

Might have to give a full storytime on what the fuck went down that i have a mother and her 3 days old kid sleeping in my living room after i bought her a train Ticket to berlin

[feroluce]

When talking about Boothill's drink order in 2.6, like. Hoyo could have just glossed it over and described it as "a few" or "several" drinks. They didn't bother to program in the actual glasses or anything- it's not like any of us were gonna count them and notice if they put in the wrong amount.

But they specifically chose the number seven, and if it IS just coincidence, it is a very very fun one.

Hsr is also known to make tarot card references- we had the online event shortly before Penacony's release, I'm pretty sure there's at least a couple simulated universe occurrences and a curio, and then Black Swan's Everything.

The Seven of Cups is a card about dreams and making choices when you have multiple options it front of you. It represents resisting self-deception and false dreams, and not letting yourself be charmed by hallucinations. It is a warning to carefully consider what is real vs what is not, which is very important in Penacony as a whole, being the land of sweet dreams, and it becomes relevant to Boothill later, when Primon starts to fuck with his head.

It can also represent someone who is "deep in their cups," which is a more polite way to refer to someone who uses alcohol as a coping mechanism to an unhealthy amount.

I hate that this could be a serious comment on Boothill being an alcoholic to cope with how much horrifying trauma he's experienced...and I have to discuss it looking at Primon's ridiculous fucking face fjkdslajldk

The overall message of the card is to stand fast, keep a clear head, and make your decision. Which suits Boothill beautifully even outside of this patch, since he is the very picture of ruthlessness and straightforwardness- he is able to see that bright clear line between action and result, and he follows it doggedly! Everything he does, he does wholeheartedly and decisively! And we see it especially well when he fights through the partial regression Primon leads him into!

Straight and clear and sure as a bullet, baby!!!

[kit-screams-into-the-future]

POV: you roll up to your boyfriend's house to take that sweet new truck of his up to the lake on a trip you've been planning for a while but then his old scientist friend shows up out of nowhere in a delorean and the strangest fit ever and tells you two to get in and then the thing starts flying(??) and travels 30 years into the future(???) where supposedly your boyfriend and you are married now(??) and then you black out and wake up in your house but it's definitely not YOUR house and you can't leave because there's no HANDLES on the FREAKING DOORS and then you get greeted by your future son(???) (who looks exactly like your boyfriend by the way) (and so does your daughter?) (where the fuck did your genes go??? are his just that strong?? did we clone him???) (also you have a daughter by the way) and learn that your boyfriend (husband?) gets into this terrible accident that causes him to give up his lifelong passion and then you witness him commit fraud and get fired via two dozen fax machines and then when you finally get to escape you immediately run into yourself 30 years older(??????) and it's so shocking that you black out AGAIN and when your boyfriend wakes you up he's dressed like a cowboy for some reason(??) and then you almost get into that accident you learned about earlier but it's fine because your boyfriend received some character growth along with that odd cowboy fit of his apparently and he takes you to the train tracks to show you the wreckage of the flying delorean you got into earlier (and yes, it WAS a time machine and all of that was DEFINITELY REAL and NOT A DREAM) and now the weird cowboy fit makes a lot more sense, and then all of a sudden there's a flying train now too(??) and your boyfriend's old scientist friend pops out with an entire new family(???) and when you ask him about the fax you nicked from the future because like, he's the one who made the damn machine surely he has answers, he ends up telling you a really inspirational piece of advice, actually, and then his flying time machine train takes off in the blink of an eye and THEN suddenly your boyfriend has the worst adrenaline crash anyone has ever experienced ever and now you're standing in an empty railroad among the wreckage of a car-turned-time-machine with your boyfriend in your arms and absolutely no clue what decisions you made in your life could have possibly led up to this. your name is jennifer parker and you have just experienced the weirdest, most absurd hour of consciousness in your entire life.

loosely inspired by this fic i read! please check it out :] and while you're at it check out the rest of this author's fics :] im a big fan of the one where marty is a ghost

[wafflesrisa]

Charles and Carlos x Icarus, The Crane Wives

[pepperyhoney]

COLLEGE END TERM EXAMS ARE KILLING MEEEE but

I saw someone saying that he is blaming himself for something that is not his fault completely because he always does (re: AM retirement), and that katsuki is showing how much he is a soft person at heart. And how he is not to blame for this. But i have a slightly different interpretation from this.

i think Katsuki was not a soft person. and I think that here was not a show of how much he loves to blame himself. it is stated again and again how much of him is brash and callous and arrogant, and like his mother and himself said, he is given too much praise and never really tasted rejection or failure—except from himself. and even then, he never dwells too much on it and just keep having the mindset of improving and one upping everyone including himself. the sigma grindset, if you will. Even though his outward theatrics shows how explosive he is and how he gets so agitated at many things, he has shown that he has more emotional control in battle than even Midoriya-I-Will-Go-Berserk-Over-My-Endangered-Lover-Izuku. like he even has to remind Izuku to not dwell on things lest it kills him.

Then he came back from the dead.

The death itself is a significant factor. "Can I still catch up to you?" as one of his last thoughts, was something he now consider his reality, his acceptance of himself and Izuku. He reframed the way he tasted failure and rejection of what he thinks the way he is - of how he perceived Midoriya and that what he rejects about him in the first place then came to reject him in return-into something that once again motivates him to win and to always have a goal, his newborn northern star.

When All Might retires, he blames himself because all might is the symbol of peace and people around the world now lost it and there's a new imbalance that he feels are a part of his responsibility. But truly, regardless of anything, all might will retire anyway due to his injury. It is not his fault. He just hates the feeling of "failing" to save himself, that he needed to be saved. He doesn't want to accept that.

Then we get a narrative of how quirk is viewed by the world, the sides of it, and the darkest part of it. Izuku is shown to be affected by this too, while relying on his own belief that stems from all might idealism (the vigilante era). But then his class shows how much that idealism is no longer sustainable, and repeating the same things aren't going to do anyone any good. Katsuki, despite the lack of narrated inner thoughts, is a part of crowd who instill it to izuku as well. Then he apologized. He knows that Izuku is this self sacrifical because of him. That he thinks he can't truly save anyone without giving a part of himself. Which circles back to how he accepted izuku as a rival and a partner. He now see him as he is and accept the part of it was his fault. Katsuki went on with life because he thinks that now Izuku can always change for the better, like he always do, and he will be there on his heels, to be with him and to accept his hand, and i quote, "for the rest of their lives".

When izuku has to give up OFA to try save Tenko, when he really showed how much he is willing to give up anything- even the greatest gift and his raison d'etre that is propelling him to this point along with Katsuki himself (because you know, izuku extend his hands to everyone and that starts with his extension to Katsuki), That is really what hits home to him. That they're so interwined with each other, that izuku has always been a hero to him as much as he is to Izuku, that the extended hand he swatted all those years ago, is the same hand that still give a part of himself away to tenko shimura in an attempt to save him. Izuku was always a hero because he will not hesitate to save anyone.

Now that he saw Izuku as a rival, and saw izuku as what he is, he truly sees how much saving is tied to the act of being saved, that everyone has to help each other to truly win, that to protect someone, you have to be willing to be protected to save yourself, too. Now, the hand he rejected all those years ago, the person he rejected again and again, is unable to save himself from fate, and the worse part, he can't protect him from fate and himself. He saw how much his actions truly meant, he saw how apology only grazed the surface wound of the consequence of a childhood ignorance. Now he truly understands that all he wanted was to protect Izuku; that it was all a misdirection of what he truly wants, to be a hero that protects people. that misdirection in turn bites him in form of losing his hero that saved him from himself. So, with tears of realization too late, "no... just what the hell did i do to you?".

the despair he feels is because he has so much respect for izuku and that bittersweet feeling of knowing that izuku choice is going to change everything, as well as knowing he has a part on it. He can't take back anything, and izuku has to live with it, and how does it truly feel to see the one you now saw as your equal, goal, northern star, to rise and dim because of you?

Katsuki was not a soft person. he is, now. Because he is saved by the people around him. Thats why his wish was to save izuku, too. He wishes there was another way, he wishes that the fate izuku has didnt have to enforce izuku's already self sacrificing beliefs. He wish that he is saved from the fate. He cries because he knows he is inseparable from it all-even if it wasn't truly his fault. He loves and respect him and knowing he is inseparable of what makes him love and respect him is making him realize the gravity of the situation. He changed so much from the brash and arrogant kid he was, that now instead of being angry and challenging at fate not going his way, he yearns for them to change so that the person he truly cares about is saved. His admittance and heartfelt confession is one hell of a leap and show how much he changed, and reducing it to him blaming himself for something not his fault is kinda redundant and insulting to his character development.

[corpsentry]

edited my pants

[axolotlclown]

So I finished Moominvalley season 4 and here is my review:

Of course, spoilers ahead! It's long. It's detailed. It's a bit much, and I spent hours writing it.

I greatly disliked this season, not just from one particular angle. When Moominvalley first came out, it was advertised as the first narrative-style adaptation. This would imply one concrete story that ran throughout the show. They said the story would take time and required patience, but there was a larger narrative story. What was that story exactly? In the beginning, each character was established with certain flaws that they needed to grow from.

For Moomintroll, throughout season 1, we see him struggle with his father's expectations. He never quite makes his own decisions—either doing what he's told or what other people in his life would do. In the last episode of the season, Midwinter Ancestor, Moomintroll is told by Too-Tikky to not open the closet door. Going against her wishes, he does so anyway. This is the first instance of Moomintroll making a decision for himself. In the end, it was a bad decision, and he regretted it, but it still was a big moment. We understand the importance of this journey when he changes out the picture by his bedside table. It was a baby photo with his parents; now, it's a photo of Moomintroll fully grown. This was meant to denote a journey of independence.

We see him continue with this struggle in season 2. The Hobgoblin's hat adds to the internalized identity crisis. During the lighthouse arc, Moomintroll is mostly doing his own thing, somewhat. Although, I think that cutting out his glade from the book sort of hurt this theme of independence. I hoped that they would revisit that somehow, but they never did. In season 3, Lonely Mountain, we see a sort of regression with Moomintroll. (Ignore how this affected Snufkin, I'll come back to this later.) When Moomintroll unpacks his things, we see a collection of items that represent Moomintroll's past. One of these items was the old baby picture. Aside from this episode, we don't see any notable growth from Moomintroll this season.

In season 4, we watch Moomintroll fall right back into his father's shadow. He continues to struggle to carve his own path. The set up for Comet in Moominland was promising, but ultimately did not deliver. When Moomintroll goes against his friends to make a decision for himself, it turns out to be a bad decision that he regrets later, and someone else has to guide him out of the situation.

Moomintroll ends from the same place he started as a character. All growth is erased and ignored. While this is the most egregious example—with him being the protagonist—he is not the only character that this happens with.

Snufkin probably upsets me the most, as he had so much potential to be the most interesting character in the series. In season 1, The Spring Tune, we see where Snufkin is starting as far as his strengths and flaws go. What particularly intrigued me was his relationship to attachment. We see that Snufkin ultimately fears abandonment, and he copes with this in conflicting ways. He wants to be with Moomintroll out of fear of being left behind, but he is afraid that he feels this way. He tries to create distance between him and Moomintroll in an attempt to ease what he experiences as pain. This is demonstrated further in the next episode, The Last Dragon in the World, when he frees the dragon. We see his struggle with responsibility and commitment in Snufkin and the Park Keeper.

In season 2, The Hobgoblin's Hat, Snufkin is explaining to Moomintroll what the King's Ruby is. The ruby functions as a metaphor for love throughout the season. Moomintroll imagines that the Hobgoblin must love this ruby, while Snufkin argues that he only wants to possess it. While both may be correct in their own ways, they fail to understand each other. As a result, Snufkin decides to leave Moomintroll out of fear of being possessed himself under the false pretense that he is helping with the hat (he did not). We never visit this plot point again.

Snufkin has some large developments in season 3. In the Lonely Mountain, we see Snufkin break down his walls and let Moomintroll in. He acknowledges his responsibility to him and his longing to see him. Unfortunately, this aspect of his character is completely abandoned in season 4.

Back to season 1, Snufkin and the Park Keeper, we get a flashback in which Snufkin is enjoying a party with Moomintroll until he is overwhelmed by the presence of others. He winds up abandoning Moomintroll and the valley. He does this again in season 2, The Hobgoblin's Hat, as discussed above. In season 3, Snufkin and the Fairground, Snufkin chooses not to abandon his responsibility to Moomintroll or the valley. When faced with an uncomfortable challenge, he chooses to stay and support Moomintroll.

In season 4, The Great Cold, when faced with a crowded challenge, Snufkin abandons Moomintroll again. While he appears later in the episode, it felt disingenuous to me. The original problem had already been solved. In Comet in Moominvalley, Snufkin does not abandon Moomintroll. In fact, he makes an active effort to stay by his side. But it feels strange, almost undeserved? We saw so little of Snufkin this season, and when we did, he spent his screen time backtracking his progress.

In season 3, Lonely Mountain, Snufkin has a small monologue about listening to the campfire as the sparks dance and fly. Well, the whole episode was about listening. Anyway, that was a call back to the season 1 episode, The Invisible Child, in which Too-Tikky tells Moomintroll that there are many lost souls in Moominvalley that needed to be heard. The screen then cut to Snufkin leaving the valley. It would have been really cool to find out what that meant!

His abandonment issues never really get addressed. Refusing to let Snufkin meet his father was just baiting the audience. It was also just bad writing! What's his deal—where's his lore?? Who made him like this? Why is he so afraid of intimacy? Why are basic fundamental questions about this main character being left unanswered?

It really is disappointing. Every adaptation (and the books, if we're being honest) treat Snufkin like a stoic hero. He doesn't want to be looked up to, yet he's always painted as a character that you should. This is the first adaptation that gave him flaws. He felt like a character that needed growth and time. He was never given either.

I won't spend so much time on Snorkmaiden, even though she was robbed, too. She never grew to be more independent apart from Moomintroll. In the same vein as Moomintroll and Snufkin, her character ends exactly the way she started. All of her character growth vanished in seasons 3 and 4. I love this version of Snorkmaiden. I certainly prefer it to her other portrayals. But the writers screwed her over so bad, it's heartbreaking.

None of the characters actually learn or change. Everyone sort of becomes a static character, which makes any semblance of a plot impossible to write. For the fun of it, I will try to decode a plot, anyway.

So, you're not crazy. Moomintroll and Snufkin were set up to be endgame. There was a way to make Moomintroll and Snorkmaiden endgame in a satisfying way, but the writers chose against it. It's a very suspicious backtracking that reeks of queerbaiting, but let me explain the narrative romance angles first.

I feel unsatisfied with the ending Moomintroll and Snorkmaiden got. Throughout seasons 1 and 2, they would frequently lie for each other's approval, and jealousy was a common player. They would ignore each other when someone more interesting came along. Ultimately, what led to the break up in season 2, Farwell Snorkmaiden, was the understanding that Snorkmaiden was just more mature than Moomintroll. In her own way, she was ready for a serious committed relationship, and Moomintroll was not.

However, there was never a formal conversation of them getting back together. They just sort of were? And all of the problems in their relationship were never resolved. They still lied to each other and ignored one another for something shinier all the time. It was irritating. These two became no better than Sniff in the end. I'm standing on business with that.

I'm also not convinced that Moomintroll and Snorkmaiden can have a healthy relationship after the finale. They will definitely break up again. They haven't resolved any of the issues that led to their original break.

Okay, so Moomintroll and Snufkin. Let's chat about that for a while. The first three episodes establish Moomintroll, Snufkin, and their relationship together (in that order). We, as viewers, are led to believe that their relationship (either romantic or platonic) is the key to understanding the story. Throughout seasons 1 and 2, every single motif for love (lanterns, fires, the ruby, etc.) that is introduced is done with Moomintroll and Snufkin. Regardless, different expressions of love and intimacy were the focal point of the show. That was almost completely abandoned in seasons 3 and 4. While turning the focus on the greater community could have added depth, it ultimately detracted from the close personal relationships that were driving the narrative.

So, the Groke. She does not just represent fear, she is a reflection of each character's own fears. I loved this! I thought it was a really cool concept, and the ways that she was portrayed in seasons 1 and 2 were excellent. Here's the thing. In her introduction in season 1, Night of the Groke, we are also introduced to lanterns/fires as a motif about love. The Groke is chasing love and craves acceptance. It's not quite something you can catch, and trying to is a failed endeavor. Brilliant episode. We saw what Snufkin's greatest fear was earlier in the season (loving Moomintroll), but we needed to pay more attention to see Moomintroll's fear. I think it was complex. On one hand, with the lanterns, Moomintroll could also be afraid to love Snufkin. However, as we saw at the end of Moomintroll and the Seahorses, he needs to learn independence before he can love someone. This was also reinforced through Snorkmaiden in Farwell Snorkmaiden. The fires and lanterns were constant reoccurring motifs (not just for Moomintroll and Snufkin, though that's where the focus is right now). Rewatch the season 3 episode, Lonely Mountain, and that one monologue that Snufkin gives will start to make sense.

By abandoning these important motifs, the Groke's conclusion feels unfinished. It just felt wrong. In the end, she did just represent fear. This completely erased the layer of depth that she had to start.

For Moomintroll to learn to be more independent and self-reliant, he needed to learn from Snufkin. For Snufkin to learn to accept love and responsibility, he needed to learn from Moomintroll. They were the keys to each other's growth. When they were together, the plot moved. When they weren't, the episodes felt like filler for the most part.

Also, small detail, despite the change in one photo (the baby photo to grown Moomintroll) the photo with Moomintroll and Snufkin never changed. Which narratively makes no sense.

The writers originally set this up for them to be romantically involved. Which, given the context of their dynamic in the books and comics, makes sense. It's not as much of a stretch as people are trying to gaslight themselves into believing. These characters were originally heavily queer coded. However, the original text is sort of a tragedy. No matter what happened, Moomintroll and Snufkin could never truly be together—no matter how much they tried. This mirrored Tove Jansson's relationship to her first fiance Atos Wirtanen as well as her relationship to her own queerness. However, it looked like Moominvalley wanted something different. Queer people had enough tragic stories told already. This one would tell queer kids that it was going to be okay, and that they were going to find love. Tove Jansson's original message about love and freedom was finally going to be understood.

Instead, not only was this potentially beautiful story abandoned, it was mocked. In the season 4 episode, Midsummer Meddling, there was a scene I found quite shocking. Sniff had convinced himself that he was to fall in love with somebody. One of his "love interests" was a male scarecrow. This is the only openly queer semblance of romance that we got and it was played off as a joke. In the final season. They didn't even backtrack Moomintroll and Snufkin, they just completely ignored everything that was set up.

In the final episode, Comet in Moominland, there was an incredibly brief exchange between Moomintroll and Snufkin about who looked up to who. This would have been a fantastic place to give these characters some sort of conclusion, but we don't get that. In all of the 45 minute special, the characters are never prioritized. In the whole season, even. Really, not a single character got a satisfying conclusion, but Moomintroll and Snufkin were the most important.

This is a powerful and historic piece of queer media. Tove Jansson's queer legacy was so iconic that she was directly cited as an influence in the legalization of same sex marriage in Finland. Her work proved to further the queer community. Despite sodomy laws and fear of incarceration, Jansson continued to do what she could to tell her own queer story. That is what Moomin is. That is its legacy.

I was prepared to defend Gutsy if Snufmin didn't go canon. At the end of the day, it's usually TV execs threatening to pull the whole show off the air. The show was too costly to risk any interesting writing. However, the writers didn't recover, and some of the writing just felt downright melicious at times.

Anyway, if you love slice-of-life content, you probably loved this season and the show's conclusion. It is such a shame that the creators promised something completely different from what the show turned out to be. It's no surprise that viewers are disappointed.

I do have one more thing to say ☝️😀. This is going to hurt Moomin's mission to expand to the US. It's been very obvious that they have been trying to expand to North America. Brave and bold writing would have caught the attention of new viewers. Instead, few Americans are going to recommend this show to others. Aside from that, the next logical move is to make an American adaptation. Good luck trying to find a competent YA cartoon creator that won't threaten to walk off the project if they can't have Snufmin. That being said, they'll have better luck making that canon here anyway. (Everybody say, "thank you Rebecca Sugar and Pendleton Ward.")

Well, in the end, I don't think the fight to make Snufmin a real, transparent queer story ends with Moominvalley. I can say, though, that the prioritization of profit over respect and love for others is not at all what Tove Jansson would have wanted.

Seasons 1 and 2 were peak, and season 3, episode 8, was batshit insane. That is all.

[feelo-fick]

Headcanon: Chilchuck and his Bad Takes on Literature

i think chilchuck would be like my mom in the sense that he wouldnt like sad stories. dont get me wrong, cautionary tales? absolutely fine. they serve a purpose to him which is to tell people "dont be an idiot and do this or else something bad will happen"

generally sad or angsty stories though? no point to him, and in his perspective its really confusing how people just read things that make them sad. like whats the use of reading something if its just gonna make you sad. whats the lesson? its not even real so it doesnt help anyone.

whats the point in making yourself cry when you could just avoid that entirely by not reading it at all?

but the one of the biggest reasons why sad stories exist is to let you release all the built up grief in you. to send you something to let out all your emotions in a healthy way. catharsis. empathy.

even when i dont relate to the tragic experiences in some stories, several ones ive read have lead me to realize that im in a bad situation or that im following in the footsteps of the character suffering. its like a wake up call.

and making yourself cry isnt inherently a bad thing. if crying allows you to let go of building pressure and tension in you then thats good!

but chil wouldnt see that. of course he wouldnt, hes avoidant of most situations that would allow him to release emotion, and fearful of letting his mature (read: repressed) persona slip.

hes someone that runs away to quick comforts and distractions at the earliest sign of issue. hes already been in too many horrifying situations, dealing with another is a pain. and he knows denying everything and refusing to look at the situation doesnt help, but it definitely provides a quick and easy happiness in the comfort of ignorance.

because of this, reading something made to make one empathize with and confront these bad emotions is defeating the point of his cowering. if he faces his issues, even if only through the perspective of a story, he'd have to deal with acknowledging that things are bad and need fixing, and he'd feel terrible and guilty in the moment - which of course is the worst thing that could happen to a person (his thought, not mine).

which is why i find the concept of him being/becoming a tragedy himself at the same time as this headcanon soooo interesting. imagine the irony of him bashing on the protagonists of tragic stories for acting on emotion and impulse rather than logic, when he himself has fallen victim to irrational thinking while in grief.

cause... thats what people do when they grieve. they lash out, make bad decisions, ruin themselves, ruin others.

for a tragedy to be prevented, the protagonists would have to change fundamental parts of themselves, and act perfectly rational when under extreme stress. and chilchuck holds himself to these kinds of unrealistic standards because he unwittingly believes he can handle it all.

he cant, obviously. we see it for ourselves in his relationship with his wife. they were doomed from the beginning by chils already-established avoidance and lack of emotional vulnerabiltiy (and whatever else his wife had going on).

this is all just to say that if you told him about orpheus and eurydice, he'd probably be one of those idiots trying to point out the "plot hole" that he couldve "just not looked back" and "just trusted her"

i dont understand. whats the point in reading tragedies? the protagonist is stupid, anyways. why would you take bitter medicine? why subject yourself to that?

i think its just a bad story.

[ganondoodle]

Hello 👋

Swallowing my nerves at last to send you an ask! I was just wondering, what inspires your designs? Are their inspirations in stuff like movies or games? Or just things you come up with yourself?

i .. honestly its kinda hard to tell, sometimes i just randomly think of something, like some detail, or color combination and try to incorporate that into a design somehow; it can come from anywhere, like the color scheme of a pithaya/dragonfruit is something i have been wanting to make a design with for ages but havent come up with anything good in all those years ;O;

im a very easily fascinated by color, espeically in nature, like sometimes i just stop and stare at something like i froze in time bc i just woooooooooooooah color! i probably look like a weirdo doing that though

its really hard to pinpoint anything specifically, the most is probably .. other artists? i guess? which always makes me nervous bc my memory is shit in most areas of life and i worry myself to pieces whether i unintentionally "stole" an idea and just dont remember and think it was my own, it goes further that sometimes i see something that makes me want to draw a similar concept but dont bc i dont want to 'steal' even if that couldnt be further from my intention (have been accused of that before ..)

that said for my ocs specifically .. most are rather old and have just kinda evolved out of their awkward first iterations (shargons first iteration was a hauro-howl- copy that was really just some human covered in feathers .. another oc was once a hellboy copy but in green- havent drawn nor redeisgn them in ages lol), the biggest inspirations for them is a mix of animals, bonus if you dont see them often- im a big shark, whale and sea creatures in general nerd so i tend to take from them as a priority but always trying to be less directly animal and mostly just .. features that work together

Eadrya is one of the newer OCs- i started to write but then looked at my folders and oh they are from 2017 .., i even made a design timeline for them how much they, and my art, have changed back in 2020, so thats also way outdated now lol (they apparently started as a whale .. thing? its like a pokemon evolution lol)

this is them now (i like this sketch still, though shargons design is now also outdated lmao)

this ones from early 2023 so also outdated now but you get the point

for demons i try to be a bit more wild on shapes and colors while still adhering to the rules of how they work (humanoid form, demon form, animalistic, one element each and more or less made to fit that, 4 arms is very common, look to be bost scary and wild but also something that would make you stop in tracks and stare in awe and fear if you crossed paths)

often times designs just kinda .. happen, i have maybe the idea ok i wanna make something with a white and red pattern also moose or those big horned cows are cool and kinda scary so maybe sth akin to that (though this one is technically a redesign too- its also pretty much entirely different)

for non demons but still non human i go for a much more restrained design, mainly inspired directly by an animal and giving the color scheme a good spin, plus adding unconventional body shapes, like ki'ita is also a good example, her old idea was just orca anthro pirate and just by making the white green instead in her most recent redesign already adds that little spin to it

that can have its pitfalls though, as i often fall into the big arm small head small legs scheme over and over xD

alot of it is trial and error, deciding on the colors can take me hours bc im always searching for my little rule of having one contrast color that shows up in very few places to draw attention to it (like with Eadrya its those bright yellow eyes and thingy at their tail)

and that is all about myy own ocs, when its fandom stuff it works kinda similar though, either in the connections i wanna draw or just thinking it further- like how deities in destiny work also just kinda .. happened like an ever derailing train

like for demise i was at first really just im gonna give him horns bc horns are cool and he got those on the starting mural in the game- so how his hair work? well maybe it isnt hair actually and just unbound energy, im making him a deity too and fit hylias design to his so, yeah, then so how does it work, ok he gotta have a skeleton still, but what if his entire actual body is made up of pure magical energy with its core in the ribcage? with the core in the ribcage >:3c and the scales you see are just like cooled down lava as an armor bc his thing is fire and earth !! the normal blood? is a thin layer of skin imiated from mortals to keep the scales together and flexible so if he ACTUALLY gets hurt hed bleed magic that looks more like lava and any normal blood you see is just the armor- so why does he have a skeleton still instead of being just energy? maybe its gotta be bound to something OH and what if all of the deities started as mortals like a mirror to the trio later on and the gods cannot have direct influence to the worlds so they needed a right hand that is neither god nor mortal but both by killing a mortal by whatever their element will be (demise burned, hylia drowned etc) and their skeleton and spirit is kept but put into a body of magic- OH what if their spirit core is like almost piloting their bodies like a mech in a way bc if youd look close youd see that every strand of magic is actual a hand of their spirit so it makes it more weird and other bc hed be able to reach out with thousands of burning claws of all shapes and sizes like the beheaded forest god at the end of mononoke- SO if hed lose and arm or something all those strands would untangle and rearrange his bones back together-OH MY GOD the whole armor idea works so well for ghirahims dark armor so what if demise had two swords once and lost one and since has forged an armor similar to his own for ghirahim out fo fear of losing him t---

and that all is a process that happens over several weeks and months not rarely while i am drawing something mindlessly and suddendly *have a thought* and omg that makes so much sense-

so "what" inspires my designs? an ever derailing train of thought about making cool thick monsters that arent the evil thing to get rid of for once? cool color schemes? idk it just kinda happens??

[sadboytristan]

T H I S. GUuH— G U u U u Y s S

T H I S👏 H A S👏 NOT 👏

L E F T M Y M I N D🗣

I know it's a small detail but I love small details!!! way too much

Man, we don't even know if the— "loOkAtThat ✨️hiiigh D e f i n i t i o n~✨️"

Scene happened the same way! (and I just remembered she was originally gonna be,, "sTrAddLiNg" lil homie.)

But HolyShit if it WAS!! (or something similar) She used the same gun that nearly killed him,,, to shove him BEHIND HER—

The original scene had the "Fix-it, get behind me" line, but the words, with ACTIONS! Actions speak louder than words, BUT BOTH?? Calhoun, yoUR LOVE IS LOUD– nah for real, it hits different. She's (obviously) panicked, and instead of shooting right away, her instinct is to make him get BEHIND HER.

It just hit me.

1. She was behind them And sHE SPRINTED, shoved him like, fuckin- "mOVE BITCH GET THE WAY"

"NAH, NOT THIS TIME."

"Ugh.. cyb–NONOTTHEHANDYMAN" man, yall get it–

"F E L I X‼️"

2. she made sure he wasn't IN THE LINE OF FIRE.

I have NO MORE W O R DS.

Psst @bashfulgnome

"Felix and Tamora are ✨️THE COUPLE✨️"

[crippling-pages]

reasons to ship Tiana (tam and biana) <3

@innereverblaze You asked to be convinced on which ship (Tiana or Dexiana) you should ship, and I am here convincing you to ship Tiana. This is also there for anyone else wondering why I ship Tiana or why YOU should ship Tiana. Thank you.

*cracks neck* Okay lets do this

Tiana is the pairing between Tam and Biana, and their ship is AMAZINGGG. These are just a few of the tropes in their ship

Grumpy/sunshine

Opposites Attract

Emo/Bright

Introvert/Extrovert

Popular/Outcast

These are their main tropes, though there are a ton of other smaller tropes too! (Ex: Rain/Sunshine, Sun/Moon, Talks A Lot/Will Listen (for me, I hc that that one can go for both).

Moving on to moments in the book; it's a fact that all the boys (Dex, Keefe, and Fitz) had/has a crush on Sophie. One after another, they each picked Sophie. All three of them. But, when we meet Tam, instead of falling for Sophie like the others, he notices Biana. The moment being when Keefe says, "The Foster Fan club is closed" or something like that, Tam blushes says he isn't interested, then proceeding to glance at Biana,which shows that he may be interested in Biana, not Sophie. He doesn't like Sophie right away like the others did, he sees Biana and he likes Biana. And Biana has always had a problem, not being noticed or seen. She was the 3rd child of a famous family; Alvar was the oldest and already doing great things (to their knowledge), and Fitz was a super powerful Telepath. And she was just Biana, at the time. When people saw her, it was for her status or her brother. And when Sophie came along (wanna be clear that I'm not blaming Sophie; forever a Sophie stan), everyone started to talk about Sophie, including her own brother and former crush. Now it seemed like one of the few parts of recognition she got was given to Sophie, the mysterious and multi-abilities girl with humorous talent, and everyone was thinking about her. And then we meet Tam. Like I said before, Tam takes interest into Biana. Before the crew officially meets Tam and Linh, Tam contacts Biana this time, to contact the others. He could've chosen any of the others, expect he chose Biana. And since then, he's always been Biana > Sophie.

And Biana does similar to Tam. When Sophie and Fitz go to visit Tam and Linh in the beginning of the book during Lodestar, they come back and Biana complains, saying that they were lucky and this implies that she wanted to see Tam again too. Later in the book, when Sophie, Dex, Fitz, and Biana go to visit Wylie, they spot Tam reading in the sitting area, and Biana changes her mind and goes to sit next to Tam. She smiles, and then says, I quote, "Plus, I haven't seen you in forever!" Note the fact that she says "you," not "you and Linh." Biana was excited to see Tam again that she decided to say there with him instead of doing what their original objective was. Tam replies to this, smiling shyly. After all, no one has ever wanted to be with him before. He was a twin and a shade as a child, and both were taken as bad things, so he probably was very alone as a child, with no friends or anyone other than Linh to talk too. But now, he sees Biana wanting to talk to him, choosing to sit down and catch up, saying upfront that she missed him. None of the other people in the group have really directly talked to Tam before (for the whole series, if I may add) that isn't for Neverseen or Black Swan related purposes. Continuing on, Tam replies to Biana (again, smiling shyly), "I hear we'll be seeing more of each other soon." (That could be recognized as flirting but I don't think Tam knows what flirting is during this moment of time so it's probably not). This suggests that he is actually excited and eager to see Biana more often, and as we know form Tam, he doesn't that excited often. From these moments and interactions, we can confirm that both Biana and Tam, ever since first meeting, find interest in each other and want to learn more about the other and want to see each other more, are are excited when they get to be together.

There are another handful of moments in Lodestar between them, but there are two more that stand out to me the most. (Three, technically). One is the oh so famous scene when the group is at the Exilium training area, and they're talking about Marella, and the Biana points out that Marella is staring at Tam. There are a few other comments by the others. Tam himself is surprised, by this, and simply says "Okay" and lets the topic go. Biana, however, does not. She says something along the lines of, "Okay? That's it? That's all you have to say?" implying that she's shocked that Tam doesn't have another say on this, and he starts blushing at Biana questions, since they hint that she's eager to know what he really thinks. This can also be seen as possibly jealousy; She sees Marella staring at Tam, and giving him a flirty smile; she'd want to know if Tam finds her cute in return, or that he might be interested in her, and the thought of that makes her jealous. Tam is saved from responding, because Linh speaks up and says "He doesn't like her. He likes brunettes." She says this smirking, and directing it at Biana. This may mean that she's trying to subtly tell Biana that Tam finds her cute, or pretty. Tam then says, "Gross, why do you know that?" Note that he isn't denying it. He isn't saying that he doesn't like them, he's asking why Linh knows this. Linh then says, "Because you aren't as sly as you think you are." This could mean that Linh has noticed how Tam acts around Biana. She noticed how he looked at her in Neverseen after being asked about joining the Foster Fan Club, then denying it. Maybe Tam has looked at Biana other times that weren't noticed by Sophie, but by Linh.

Another moment is when Biana tells Sophie that she and Tam found something in the Silver Towers. Sophie asks what she meant by her and Tam, since to Sophie's knowledge, only Tam was was working there, and Biana explains that she went to visit Tam early that day. This suggests that Biana wanted to see Tam again. As I said earlier, Biana was and is eager to see Tam again, and this is another moment being proof of it. Along with this bit, Tam had to spend hours in the Silvers Towers per day, so that means that Biana got to spend hours alone with Tam, and they probably had learned much more about each other and had gotten closer. Later, when they're in the Silver Towers, Biana says to Tam, I quote, "Go on. Show them how cool you are." Tam blushes at this. As the statement says, Biana thinks Tam cool, and that matches up with Biana wanting to spend more time with him. This is also another time Biana has complimented him (she once complimented him about his ability in Neverseen ,calling it an 'anti-vanish'). Tam is insecure about ability, hence likely being judge a lot as a kid and his parents being disgusted, and with Biana constantly telling him its impressive and cool, he starts to feel less bad about it and left insecure.

There are a few more moments in Lodestar, but for now I shall be moving onto Nightfall, quite possibly the book with the most Tiana moments, and I'll be doing them in bullet points so I don't have to write anymore paragraphs so it'll be easier for you to read. (Hence there are a lot, we'll be doing the biggest and my personal favorites)

Nightfall Moments (With page numbers)

On page 217, when Forkle takes about sending Tam and Linh back into Foxfire, Biana squeals and gets excited, saying that they'd see each other more, hang out during study hall and team up in PE. This is another moment showing that Biana gets happy and excited at the thought of spending more time with Tam.

Page 384, when Sophie, Fitz, Tam, Biana, Livvy and Grady are in the Forbidden Cities, Biana points out that a bunch of girls are staring at Tam. This is similar to what she did when Marella was looking at Tam.

Page 387, Biana tells Sophie that she and Tam didn't find anything in Candleshade; Candleshade is big, with hundreds of floors; it would take hours and many days to search, so that would mean that Biana and Tam would have spent even more time together, just the two of them alone. Again. Multiply times. During these times, they've definitely have gotten much closer and know much more about each other. (At this point, I feel like they've definitely gotta a crush on each other.)

Page 397; when Biana, Sophie and Tam are talking about what they should wear when sneaking into Nightfall, Sophie says "What about Tam?" and Biana replies saying that he'll be alright if he "ditches his shirt." This implies that Biana wants to see what Tam looks like without a shirt on; this is also likely Biana subtly flirting with Tam. Tam is embarrassed, and says that he'll get cold, ever the oblivious.

Page 442; Marella says that Biana is possessive of her brother, and Biana replies that she isn't possessive, and that she doesn't like it girls use her to get to her brother, since to them, Fitz is the best looking boy in the school. She then says to Tam, "Linh must know how that feels." And that suggests that Biana thinks that it is very good looking, or just as good looking as Fitz, and that a lot of girls would go up to Linh because they would want to get closer to Tam. This again, could be Biana subtly flirting.

Page 447; I feel like people sleep on this one a lot. It's when they're trying to figure out where to put Alvar after finding him in Nightfall. Tam says that Choralmere could work, since it be unexpected and the Neverseen wouldn't expect it. It's basically Tam subtly saying to Biana "I'll bring your almost dead brother to my abusive home for you even if I really don't want to go see my parents and house again but it okay because your more important and I care about you."

Pages 451-452; Possibly the most underrated Tiana moment in the series, and it's when Tam and Biana talk about the the cruelty of Tam and Linh's parents, and what their parents did to the them. Biana brings up how screwed society is, and how she feels bad about how her life is/was almost perfect, and that it's that way because of the "Vacker Legacy." She said that she wished she could like others in bad situations, like in the one Tam and Linh were in. Tam comforts her, telling her that she doesn't need to feel bad, saying that it wasn't her fault. He said that she didn't know how bad the world was, that not a lot of people do. This makes Biana feel a lot better, thanks to Tam. (Not gonna lie, Sophie third wheeled in this scene.)

Page 457; Another minor one, but while they were talking about Alvar, Biana's eyes start to tear up and she moves to go look at the portrait of Tam. She was in a room full of art, with many pieces and decorations, yet she decided to look at the painting of Tam.

Page 474; This is my favorite moment in the series (I made a post about it, you should check it out!). It's when Tam stops and notices that his portrait was re-painted, and Biana says that she did it. It shows how Biana disliked the portrait, and that she didn't believe it represented Tam right. Even though it wasn't hers, and that it belonged to Tam's mother, she spent time and repainted it. I feel this says a lot about what Biana thinks of Tam. (It was basically was: Biana: *repaints the picture of you your mom made because I didn't like it and because it wasn't truly you and you're amazing and should be recognized as you are now not as you were before or like how your abusive parents see you as*). Physic/Livvy also says "not to spoil the moment" implying that Tam and Biana were having a moment.

There are a few other, smaller moments in the book, but these are the biggest and main moments. To my memory, Flashback has two moments and they're minor, but still say a lot.

It's when someone says that Tam should look in Everglen for clues and stuff, but Fitz says that his parents might not let him because of Alvar. Tam replies saying, "Don't worry. Biana would let me in." That means, despite the Alvar situation, Biana would still let Tam inside Everglen to search around. She also decided to help him.

Around the end of the book, when they're fighting the Neverseen, Umber shoots an arrow of shadowflux at Biana. Not Linh, who we knows means a lot to Tam. Not Linh, who Tam would sacrifice his life for. Umber didn't shoot the arrow at Linh, but at Biana. This could mean that Umber sensed how much Biana meant to Tam, and that he might've cared for her as much as he did for Linh.

Flashback was more of a Sophitz/Sokeefe book, so there wasn't a lot. Moving on to Legacy, there were a surprising about of moments, despite Tam not even being there. (Note that I haven't read Legacy, and that it's my least favorite book in the series, followed by Stellarlune.) I don't remember much from Legacy, but I do now some vague moments, but otherwise these won't be that good and that accurate.

Biana has mentioned, a handful of times, about getting Tam back. When she can, she brings up Tam. This means that even when he's not there, she thinks about him.

There was a few scenes in the book where Biana says that she misses Tam.

There's this one scene, and it's when Sophie and Biana are talking, and Sophie's "Happy Shadow Thoughts" t-shirt is brought up. Biana says how she really wanted to get one. This suggests Biana saying that she wanted to have the shirt because it was about/related to Tam. (She trails off, after saying that she wanted a shirt of her own, a look of longing and sadness appear son her face.) Biana and Sophie also talk about Tam's kidnapping, and Sophie comforts her.

After everyone walks up from being knocked out during Keefe's transformation, Sophie says that Tam will help them, and when Biana wakes up, the first thing she says is "Tam?" Since we already know that Biana missed Tam a ton, one can only assume that one of the first things she did after Sophie left was go and hug Tam...

And that's that for Legacy. (I swear that only good parents in Legacy was when it was about Tam).

Moving on, we have Unlocked and Stellarlune. Unlocked has this one moment (though it is a VERY important one), while Stellarlune doesn't have any Tiana (or Dexiana) moments. Let's do Unlocked.

In Unlocked, on page 676, Fitz teases Biana for rushing up the stairs to Solreef. He says that "she's dying to see Tam" and then stage-whispers to Sophie "My sister' a fan of silver bangs." While this is two facts for the price of one (that Biana missed Tam a whole lot, and that Biana finds Tam cute and likes his bangs), what Biana says next is "Really, Fitz? You want to talk about crushes?" And this is important, because Biana, sweetheart, when the hell did Fitz mention ANYTHING about crushes??? Hmm? When?? *proceeds to jump up and down because this literally confirms that Biana has a crush on Tam* (Biana also then blushes bright red after what Fitz said, and I quote from Sophie, "which was either embarrassment or confirmation. Or both." And we all know that when an author says "or both" 98% of the time, it is both.)

And that is that. All (almost all) of the Tam and Biana moments in the series, along with in-depth analysis for each.

Furthermore (yes, I'm not done), let's talk about the characters themselves.

Tam's character is shown as the stoic, quiet, and 'emo' character (he isn't actually emo, though. He's just seen that way because of stereotypes). Biana is the sparkly, bright, and the princess of the series. Their opposites. But they also have a ton in common!

Both have siblings (trust me, you can relate about siblings)

Both have expectations from society and their parents

Both have once been hated on (Biana with the Alvar situation, and Tam... in general.)

Both are underrated and underappreciated people.

Both can be snarky at times.

Both are stereotyped (Tam being a Shade and people automatically assuming he's evil/not a good person; Biana being a spoiled princess because she's the daughter of a powerful family.)

Both are important and valuable people.

Literal icons. They're so icon.

BAMF duo.

Traumatized.

There are other kinds of similarities between the two, but these are the main ones.

Either way, both would bring out the best in each other. Biana's brightness would bring out Tam's, and Tam would help Biana become more confident with herself. They would help each other with their trauma, comfort each other, and just help each be the best they can be. Tam would be able to talk to her about the Neverseen, and his parents, and Biana could talk to Tam about her scars, and Alvar. They even each other out and help each other be better. All in all, they're good for each other and would make each very happy.

And finally, here are some my Tiana headcanons to show you how cute they are <3

Biana buys Tam bouquets or flowers. One time, Tam mentioned that he liked flowers, and the next day, she arrived at Solreef, blushing a very bright red, and handed Tam a bouquet. Linh had to deal with a happily dazed and swooning Tam for a full 15 minutes.

They have movie nights at Solreef. (Solreef has a mini theater for when they watch human movies.) They'll cuddle up on the couch together, laughing and having fun, and falling asleep.

They are the MOST competitive people you will ever meet. On their own, they're competitive, but together, oh boy is it dangerous to be on the other side. Almost everything is a competition. Sometimes they've had to sit out in Base Quest because they made it too much of a deal. Sometimes the crew does Tam and Biana vs. Everyone else (Tam and Biana almost always win).

Tam's ticklish. Like, really ticklish. Biana's one of two people who knows (the other is Linh, though she doesn't really acknowledge it anymore) and she 100% uses it to her advantage. If she wants to go shopping but Tam's being a bit lazy, she'll just carefully graze her fingers on his side... Or sometimes she just wants to see Tam laugh. It makes her feel good. She loves him laughing, and smiling, and giggling. She gets all warm and fuzzy inside. ...Or when she's just bored.

Tam designs and makes clothing for Biana. (I headcanon that he's obsessed with clothing and fashion, like Biana is.) After Biana got her scars, he promised her that he'd show her that they can and are beautiful. A few weeks later, he comes to Everglen, and hands Biana one of the most gorgeous dresses she's ever seen. It was because of seeing how beautiful she looked in the dress did she start realizing that her scars were a part of her now.

Physical touch is probably their biggest love language. Like, no matter where they are, they need to be in some kind of contact. Walking in Atlantis? Arm around waist. Black Swan meeting? Hand holding. Lunch with the crew? Hand on knee/thigh.

Tam has very unnoticeable freckles around his cheeks, and sometimes Biana will just stare at Tam from across the room, counting them. (To be fair, she'd stare at him either way.)

Biana gives Tam a ton of compliments. He's never really been complimented as a child, or even now, so when they start dating, Biana's 10x more open about complimenting Tam. She'll start casually calling him "pretty" or "amazing" or "literally the best person in the entire world" etc etc. And since Tam isn't used to it, he almost always gets all blushy and shy and giggly about it.

Every time Biana hears Keefe joke about Tam being 'shady' and 'darkness in the flesh' she's smirking to herself because the Tam she knows is literally the cutest, funniest, and most adorable thing she's ever seen.

Tam's 6'2 and Biana's just about 5'5 (when they're completely grown). Tam teases her about being short.

Tam takes Biana out on dates in Atlantis often. He knows how much she loves shopping, so they'll go to a few shops and look around, and he'll get her a few things.

They're the biggest on cuddles. It's the most important thing EVER to them. They won't (intentionally) do it when others are around. Neither of big fans of that much PDA. But when its just them, CUDDLES <3

Tam's ace, so kisses are rare coming from him, and it makes Biana flustered. Sometimes, he'll kiss her just to see her blush.

They secretly date for the longest time ever, and at one point, they just don't care anymore and are way more open about their relationship in front of everyone. And obviously, they don't tell anyone about the sudden switch, so everyone's like "??? What??? When did they get so close??"

They love each other so freaking much and I ship them so hard I could EXPLODE

And you have it <3 Why I ship Tiana, and why YOU should too <3 thank you.

(tagging because I can): @keefe--sencen @swans-chirping-in-the-distance @frizzle-mcshizzle @theleopardstalker )

[becauseplot]

Penciled Lines

(Cross-posted on ao3, if you prefer to read it there. Reblogs still appreciated!)

Missa wakes up, and he thinks he might be doomed. This doesn’t scare him nearly as much as it should.

Missa is awake early—by his own metric, anyway. His nocturnal nature causes “early” for him to mean “early night” and not “early morning.” Regardless, “early” means that Philza is not asleep yet, still going through his nightly rituals. “Early” means that Philza is sitting up in (his? their?) the bed, pillows propped up behind him, notebook in his lap, sketching away.

And when Missa wakes up to the soft scritch-scratch of a charcoal pencil on textured paper, his forehead just so happens to be brushing Philza’s hip.

Missa can hardly breathe.

Oh no.

He knows that if he gives any indication that he is awake, Philza will stop sketching, close his notebook, shift himself over until he is politely seated on his side of the bed, and greet Missa with a friendly smile. Philza has done it before, when Missa wakes up early. That’s how Missa knows he’ll do it again.

Thus, Missa can hardly breathe—his breaths have to be the slow in-out of sleep. He can’t so much as twitch, either. He has to keep quiet and play dead or else he’ll be found out. Seen. Caught living the lie.

“Husband,” Philza calls him. They’re not married. They share a bed. They’re hardly ever in it at the same time. They have a son and a daughter. Neither of them know Missa very well. Philza has had an extra set of armor and a skull on his backpack for months, waiting for Missa. Missa doesn’t even know Philza’s last name.

Philza is a good man and a good friend—and Missa doesn't deserve him. Still, he takes what he can get. Curls around it. Hoarding every innocent kindness Philza extends like a starving creature: the generosity of a backpack fully stocked with equipment; the trust Philza places in Missa to watch the kids when he’s asleep; and now, the courtesy of not moving his hip from Missa’s forehead to ensure his “sleeping” isn’t disturbed. Missa clutches all of these little offerings in his greedy claws and hugs them into his chest, even as the guilt eats away at him.

Because, regardless of the lack of mutual feeling, he loves Philza. He loves him so, so much, and that is why he is doomed. He can’t afford to lose what little he has. He can’t cross that line. 

So Missa lies beside Philza, forehead pressed against Philza’s hip, pretending to sleep so he can imagine that they’re not just lying in bed together, but lying in bed, together; and later, when Missa truly wakes, he will sit on his side of the bed and look at Philza’s face soft with sleep and think about how lucky he is that he still has a side-of-the-bed to begin with.

Missa doesn’t mean to drift off. When it starts to happen, he’s hopelessly torn between shaking himself awake and thus giving himself away, or remaining how he is, silently fending off the inevitable. In the end, Missa clings to that scritch-scratch sound of Philza’s pencil on the paper for as long as he can before the fog at last pulls him under. 

Eventually, he dreams. In fact, he dreams of the calloused fingers he dreams of every night, hands like his own, an artist of Death, cradling and shading the contours of his face—a softness dashing charcoal across his jaw, and over his cheekbones, and perhaps on his lips, too, if he’s lucky. Defining every edge of him.

~*~

A deep sigh. Phil stops sketching as Missa shifts in his sleep. He tilts his head up so that the tip of his nose is now just nearly brushing against Phil’s hip. The motion disturbs the wild splay of his dark hair, revealing more of his face: eyelashes, cheeks, warmth. Tender blush of something Stygian and otherworldly. New.

Phil’s lips tilt upwards. He turns to a fresh page, and he starts again.

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[batsplat]

wait, is there a dovi/jorge feud???? i didn't know this!! also thank you so much for all you do for this community ❤️

not the only ask I've gotten about this and... look, rather than doing a proper write up that would take forever, I'm just gonna give my top ten fun... facts? bits of trivia. tidbits related to the two of them. quite long tidbits, on second glance. the highlight reel, if you will

(1) that time andrea dovizioso made 14 year old jorge lorenzo cry

the two of them already raced each other before the start of their grand prix careers, competing for the first time in 2001 in the cev when dovi was around 15 and jorge around 14. in riveras tobia's biography, here's jorge talking about their first fight:

I led the way at the start and Dovizioso and I escaped. It was our first head-to-head encounter, the first time we raced each other. My dad had heard that Dovi was a really clever rider and he warned me before the race. But just like in 1998 at Jerez, with Olive, I acted like a dummy and pushed for the whole race. I kept looking behind me to see the bastard still there! It was impossible to shake him off, he was watching me the whole race until the last lap. Three comers from the end I could hear his engine getting closer and I saw his shadow to my left, but he didn't come past. I thought to myself "This guy is going to try something in a second!" I decided I had to on a tighter line and close the door. Sure enough, Dovi went wider through that comer and then dived up the inside. I didn't close the door in time and tried to get in his slipstream, desperately hoping I could get him the next corner, but I ran wide and he won. I came back in tears, I didn't even want to go to the podium, I felt so cheated. I'd been on the limit for the whole race and I felt like I deserved the win more than he did.

so that's a nice and positive start! there's something charming about how even fifteen year old dovi was an absolute menace on last laps

also about that race:

'Jorge beat Dovi in Braga but in the previous race at Most, what a tantrum!' recalls Juanito, laughing. 'He didn't even want to go to the podium, he was crying like a baby! I can still see Dani (Antatriain) talking to him, trying to convince him. In the end he went but he didn't want to look at anybody.'

(2) the photo finish

in 2004, they were rivals in 125cc - a year in which dovi claimed the title and jorge was p4 in the standings. in the very first grand prix ever at the lusail circuit (pretty eventful weekend, you have to say), jorge and dovi crossed the line at the exact same moment

(3) dovi's top three favourite career win

dovi and jorge progressed through the categories at the exact same rate, and after their 125cc rivalry they continued fighting in 250cc. they were title rivals in both 2006 and 2007, with jorge's aprilia winning out both times against dovi's underpowered honda. (the general pattern was that dovi clawed back a bunch of points from jorge in the wet - jorge, with perhaps the exception of a few years in the premier class until around 2013, has never been much of a wet weather racers, while it's always been one of dovi's strongest traits.) for dovi's 300th career start in 2019, he was asked what his top three wins were - and one of his picks was from way back when in 2007

I'd recommend the race! which... well, I did in the race rec post - and I can only reiterate that these two kids do not acknowledge each other, not good vibes at all

(4) jorge's thoughts on young dovi from 2008

Jorge has a lot of respect for Andrea Dovizioso and feels that his two 250cc world titles have even more prestige because he had to beat the Italian to win them. 'You wouldn't label Dovizioso as fast, particularly, but he's much faster than he looks. He doesn't set many pole positions but he is always up front in a race, fighting to win. He is very intelligent and you can't trust him an inch on the last lap. He has been faithful to Honda, he has great belief in them. His negative side is that he tends to play the victim too much. He'll say that if his bike had a better engine or if it was a bit faster he would win. He's even said that if he was on the same bike as me he'd give me a hiding. I think he looks for excuses too often sometimes, but as a rider and a person I don't have a bad word to say about him.'

some dovi traits read as very familiar, from how he's a better racer than qualifier to the intelligence to the last lap prowess. as for jorge saying dovi plays victim too much? well

also this:

ER: Don't you think that Dovizioso wanted to be World Champion too in 2006 and 2007? Don't you think he gave everything to achieve it? JL: He will think he gave his maximum but he will be lying to himself because nobody does that. Nobody gets close to their maximum, not even me. He will think that he didn't win because he was riding a Honda. There are very few sportsmen who will say, I deserve what happened to me and there are no excuses. I didn't know how to do any better and I've done things wrong.' That is the only way to be the best, the only way. People who make excuses don't get to the top. I know riders who haven't made it for just that reason.

plus ça change

(5) jorge's thoughts on young dovi from 2018

when they were doing their thing as ducati teammates (bickering), here is one of the things jorge said about dovi:

dovi's been trying to undermine jorge's morale his WHOLE career... even when they were but teenagers... love it when you can really tell someone's been sitting on something for over a decade

(6) "also lorenzo is not my friend"

both of them moved up to motogp in 2008, jorge with factory yamaha and dovi with satellite honda. dovi had a very strong rookie season and finished in p5, only sixteen points behind jorge in p4 (who after a promising first few races had spent a lot of time that season crashing). after that, their fortunes diverged. dovi did not have a particularly happy time in the factory honda team and needed to do some shrewd negotiating to be retained by them for 2011 in that three-man squad, while jorge of course won the championship in 2010

here's a deep cut from 2011, a season where much of the excitement and drama was caused by marco simoncelli alone. jorge had exchanged tense words with sic in estoril, one race before simoncelli was responsible for a crash where dani broke his collarbone. the crash and sic's subsequent penalty meant that the three-way fight between jorge, dovi and valentino became one for the podium, with dovi and valentino eventually grabbing the two remaining spots behind casey. but during the race, jorge had executed a... questionable manoeuvre on dovi, one that did have some similarities to the sic/dani incident. given jorge's strong previous comments on racing standards, unsurprisingly the journalists pounced on this incident in the post-race presser and ask the podium sitters about it. here is the clip:

in this clip, dovi essentially says it was a dangerous move from jorge, but he wasn't sure what jorge's intent had been and he needs to watch the footage again. valentino (who had been the most outspokenly critical of sic of the three of them earlier in the presser) takes the opportunity presented to him to have a bit of a potshot at jorge. he says that dovi doesn't have the best relationship with sic but jorge had done something pretty similar in the race... at which point dovi goes "also lorenzo is not my friend"

which, you know. not exactly a major incident, but I find it very charming dovi felt the need to clarify that, actually, he doesn't like either of them. valentino also adds that by jorge's own standards, surely he too should have gotten a penalty. not exactly a meeting of jorge's biggest fans hm

(7) mapping eight-gate

well I can't leave it out, can I

so in 2017 jorge switches from yamaha to ducati and does not have a great time of it. a lot of weekends, he's just too slow, other times he shoots to the front of a race at the start (typically not great news for the rest of the field in his yamaha days) and then chews up his tyres before gradually dropping like a stone back through the field. at some point that year it became a bit of a running gag - especially when you saw he was the only big name to be picking a soft tyre and just went... buddy we ALL know how this is gonna end....

while this was happening, his teammate dovi was for the first time in his premier class career in championship contention. an extremely close title fight throughout the year with five protagonists until pretty late in the season, it eventually went to a title decider in valencia between dovi and marc. you know, the kind of year where every point counts. the race where marc put a bit of daylight between himself and dovi was phillip island, with marc winning a great dogfight out front while dovi had a bit of a horror show of a weekend. this meant that a lot would have to go right for dovi to have a chance of still winning the title... and sepang was already a match point race for marc

ducati had not won a championship since their 2007 title, courtesy of one casey stoner. after that year, their bike became steadily less competitive every season, reaching a nadir around the 2011-13-ish period. so by the time 2017 rolled around, they wanted this so so badly - even if they wouldn't have expected dovi to lead the charge. dovi had only narrowly beaten out iannone in the 'who's going to be fired for our shiny new lorenzo hire' contest of 2016, and really it was supposed to be jorge who was carrying ducati's dreams on his shoulders. but, never mind, they were throwing everything behind dovi now... no stone left unturned

which brings us, of course, to the subject of team orders. this discourse really took off at the penultimate race of the season at sepang, but was already brewing before that - and in phillip island, satellite ducati rider redding had been told early in the race to let dovi past

here from marc at sepang:

dovi had been in great form all weekend at sepang - and with his wet weather prowess being what it was, really there shouldn't have been any need for team orders at all. but he got a sluggish start, and the race unfolded from there... until eventually jorge was in first, dovi was in second and marc in fourth. in those positions, marc would have clinched the title there

and then, jorge got a message on his dashboard. suggested mapping: mapping 8. pit boards and dashboards and all sorts of boards will feature various codes during races, most of them completely innocuous - but of course they are a healthy source of all sorts of conspiracies. the timing of this one was certainly... notable, and speculation immediately started about how it might be a way of telling jorge that he should swap positions with dovi

jorge didn't end up letting dovi pass - it is questionable whether he really would have done so with what would have been his first ducati win on the line. in the end, he made a mistake that let dovi through so that dovi claimed the win anyway, keeping himself in mathematical contention in valencia. and jorge did say afterwards he was keeping dovi's title hopes in mind, kind of

jorge also said he hadn't gotten any message indicating team orders, and of course nobody at ducati confirmed that mapping eight did have anything to do with team orders

for what it's worth, this is what dovi said about their relationship at this stage:

lovely! let's see what the vibes are like a few months later

anyway, onto valencia. this race was pretty boring despite being a title decider, but the jorge/dovi bits were just unequivocally the weekend's most enjoyable aspect and rather nicely spiced up the whole thing. dovi's chances were always slim going in, given he'd have to win the race and marc would have to barely get any points at all... but still, you never know, right? marc could always crash (narrator: he did almost crash). jorge plays coy early in the weekend about the whole 'helping dovi out thing', and basically just started putting in place...? ... very specific conditions...? under which he'd help:

so during the actual race, dovi got stuck behind jorge in p5, with marc ahead of both of them. valencia is traditionally not a fantastic track to overtake at... so even if dovi had been faster, it's not like he'd have an easy time clearing jorge and cracking on. but they were beginning to drift further away from dani in p3 as ducati watched on, increasingly unamused by what was happening - and the tv cameras were of course kind enough to repeatedly show the ducati box looking deeply unamused. again, they went for the good old mapping eight message, which, hey, that could mean anything! they sure did keep showing it to jorge though, almost like he wasn't paying attention to it

eventually, they abandon all subtlety and go for a pit board message that does just straight-up tell jorge to swap positions. jorge kept ignoring the messages, lap after lap, and he never ended up letting dovi past. eventually they both crashed and marc claimed the title with a p3 finish, so it wouldn't have mattered anyway, but... still. the feeling was that this might things rather awkward inside of ducati

publicly, ducati was extremely keen to smooth over the whole controversy, saying they totally weren't mad at jorge blatantly ignoring team orders. jorge had, after all, explained to them (and the media, repeatedly) that he had totally been intending to help dovi by dragging him closer to dani

Giving his take on events, Lorenzo acknowledged that he ignored Ducati’s instruction because he felt Dovizioso’s chances would be boosted by having him directly ahead. “Even looking at this [dashboard] suggestion, I keep pushing until the end, because I knew it was the best thing for me, for Ducati and for Dovi,” said Lorenzo. “I helped him to improve his pace by one or two tenths, to be as close as possible to the first group. My intention was, and it was the case, that we arrive at the first group. If he had the option to win, I would have gone wide and let him pass. But unfortunately it was not like that. Maybe in some corners Dovi was close and I slow down a little bit his pace, but in general terms, having my wheel in front of him made him improve slightly his pace. I helped him stayed closer to the front group. “I knew Dovi was struggling, I knew his pace during all the weekend, and I knew he was making the best pace of the weekend just in the race. It was [because of the] help from my wheel. I’m happy because I was not wrong. If I was wrong and slowing him, I would be very sorry. But it’s not like that, my feeling was true.”

which, you know. is it really that easy to tell how much faster you are than someone who's sitting on your rear tyre? who's to say. dovi did certainly seem rather keen to get past

anyhow, of course there were plenty of fun dramatics post-race:

'our rider ignored team suggestions not team orders' is a great line, fairs. there's plenty more of this from ducati, some excellent spin doctoring - and dovi was extremely magnanimous about what had happened:

the whole thing was pretty undignified from all non-dovi parties, but it was also very funny so who's to say if it was bad or not

(8) runner-up-gate

let's check in on them in 2018, the second and ultimately last year in which they were teammates. remember that 'undermining morale' quote from above? those are from early 2018, after dovi says he wouldn't be surprised to see jorge elsewhere the following season. so, once jorge has complained that dovi had been trying to put him down his entire career, comes this:

so that's something. jorge, dovi and dani have a three-in-one crash in jerez, after which some fingers are pointed but it all remains fairly civil, and a bit later dovi says that jorge's approach doesn't work at ducati:

by the summer break, jorge's results had gotten better, but it was already too late to save the relationship with ducati and they parted ways. anyway, here's dovi and jorge having another go at it:

And while a rough patch for Dovizioso coupled with breakthrough back-to-back wins for Lorenzo in Mugello and Barcelona have now left the pair just three points apart in the standings, Dovizioso refused to back down from his claim when speaking to Spanish sports daily Marca ahead of the upcoming Brno race. “He’s won two races,” Dovizioso said. “Winning two races does not solve the problem of a year and a half. Lorenzo was not signed to win two races. Therefore I do not change my mind.” When the comments were put to Lorenzo, the three-time champion offered an ardent retort, stating that Dovizioso's rhetoric was proof of the claim he'd made back in April. “I'm a bit fed up with this situation, mainly because when I had trouble and he was winning, I was down there applauding,” Lorenzo told Spanish broadcaster Movistar. “What I said in Argentina - and the comments caused a big surprise - you can see that I was right. “He tried to undermine me, or downplay what I achieve or just attack me. As you can see, I wasn't lying. He's still doing it and now he says my method is not good, according to him.” Lorenzo intimated that Dovizioso was in no position to criticise him, as the Italian could do no better than runner-up to Marc Marquez in a 'perfect' 2017 season. He said: “I think my method has not worked too bad in my career. I've won three MotoGP titles and have 46 wins.” “In my second year in Ducati I'm usually faster than him, but maybe I should look at his method closer if in his best season, with everything going perfectly, he was second. Otherwise he's fourth or seventh usually. I'd tell him to leave me to go my way and to focus on his own and everything will be better, because when you have an angry Lorenzo it's usually worse for you.” 

fair to say that by this point the pretence at civility has mostly been dropped. I'm rather fond of the "lorenzo was not signed to win two races" line, though "when you have an angry lorenzo it's usually worse for you" is also really strong stuff. dovi tries to restore a little bit of peace:

Responding in turn to Lorenzo's tirade, Dovizioso sought to play down the conflict. “Jorge has his ideas and I think they are based on particular things. I don't think like him, but it's not a problem,” he told Movistar. “Everybody creates their own ideas based on what they see and how they live. “I don't think he has everything clear in his head about what's happened, but we continue the relationship that we started last year with respect, there's no particular problem. If he thinks this way, that's his problem."

so basically the classic 'idk what he's on about but it's not my problem' approach to attempting to defuse feuds

(9) twitter-gate

there's a few more on-track battles where it's nicely obvious how badly they want to beat each other, with jorge beating marc just ahead of dovi in austria and then dovi beating jorge in brno. jorge's season is increasingly derailed by injuries, which sets the stage for their next big spat:

The row was sparked by Dovizioso's comments to Sky Italia after qualifying at Sepang on Saturday, as he was asked what he thought of Lorenzo having to pull out of the Malaysian GP weekend with injury. "I don't know the details, I don't want to get into this, it's a bit of a strange situation," said Dovizioso."It happens often in Ducati or to certain riders, but I don't understand the details and I don't want to get into it and give my opinion." When it was put to him he was offering 'cryptic words', he added: "I leave things there, it's not my problem."

pretty vague, yeah. but anyway, I'm sure jorge had a proportionate response to this

Dovizioso's comments prompted a series of irate posts from Lorenzo on Twitter, with his first reaction being "Thank you very much @AndreaDovizioso! You are a real gentleman!". In his next post, he went on to call Dovizioso "an exemplary teammate", adding: "You applaud him under the podium when he wins and then... (That's right, he does not give his opinion, it's not his problem)." After that, Lorenzo labelled Dovizioso "envious" and described him as "a world champion... in 125cc."

the podium thing really bothered him, don't you think. their ducati in-fighting follows that general pattern where dovi says something... a little shady, a little ambiguous, where his intentions aren't entirely obvious... at which point jorge goes all in at fighting back and has a go at dovi - often not as much for what dovi is actually saying, but what jorge thinks dovi is implying. which is based on his understanding of dovi, the image of dovi he's built up in his head over the years, so that he is... predisposed to think ill of the intentions of the 'intelligent' dovi who always knows exactly what he's saying

again, dovi tried to downplay the argument, while simultaneously not exhibiting much patience for jorge's stance:

After the Malaysian GP, Dovizioso was asked about Lorenzo's responses to his comments, and the Italian accused his teammate of reading too much into headlines. He said: “Why should I talk to Lorenzo? I do not waste time on these things. He makes the usual mistake of giving too much importance to what is written, even without the context. "I have not pointed my finger at anyone and I have no problem with Jorge."

if I were ducati, I probably would've let the whole thing blow over given jorge was off soon anyway. but they decided the whole thing was so bad they had to organise a peace summit

Asked about the situation, Ducati sporting director Paolo Ciabatti admitted to Motorsport.com that the Bologna marque has already planned to sit its two riders on Tuesday in Milan to make it clear what its priorities are. Ciabatti said: “It is clear that the interests of Ducati come before personal problems between riders. On Tuesday we will be together in Milan, for the EICMA [motorcycle show] and we have in mind to spend half an hour to sit and talk to Jorge and Andrea. "We want to avoid similar things to what happened last weekend. "I understand that these kinds of situations can happen. Sometimes riders get nervous during a Grand Prix weekend and on a rainy day, with tricky conditions, sometimes they say things they shouldn’t have said."

god knows how that turned out

(10) wow, you guys aren't gonna let this go, huh

late 2020 and jorge's career is already over, while dovi's looks like it will be... paused, at the very least. which is always a good time to check in with riders on how they feel about their rivals - if they're still being nasty you know that shit was personal. from december:

some quality petty material here. "I can't understand his somewhat peculiar mind" vs "he was envious of me since 250cc, but I wanted to give our relationship a chance". note too jorge talking again about how generous he had been in the face of dovi's 2017 successes, and how he feels like this was not reciprocated at all. jorge's complaints don't stop there:

merry christmas!

not the only rider jorge has beefed with post-retirement, but compare and contrast with how he really hasn't been doing any of that with some of his biggest career rivals. valentino, marc, dani - sure, he still talks about the controversies he's had with them pretty regularly (to put it lightly), and he's hardly free of complaints... but mostly it's a distinctly nostalgic tone he's adopting with these guys. admittedly, it helps that none of those three have gone out of their way to say anything particularly inflammatory about jorge. still, the absolute lack of any sort of rapprochement with dovi of all people is pretty funny

bonus: that time when jorge skittled all of marc's rivals

you know how in catalunya 2019, jorge took out like? all of marc's major rivals in that era including himself in one go? with half a decade of hindsight, this was kind of hilarious, and it did also feature jorge having to eat a hell of a lot of humble pie and go to the three other blokes to apologise. anyway I have a lovingly assembled set of screenshots of all three of them emoting in their boxes after the incident, all suffering some form of an existential crisis. here is dovi contemplating the bleak realities of our brief lives on this planet:

truly one of the world's least enthusiastic waves

bonus 2: another one for old time's sake

already posted this elsewhere, but this from late 2023 made me laugh

"jorge came to ducati and thought he was going to beat everything, but in the end he didn't" uh huh