#i really need to rewatch the season

[thegoblinhermit]

WHAT IF OTOHAN IS IMOGENS GRANDMA???

(Sorry I had a sudden thought and had to share. I doubt that will be the case, I feel like she hasn't been described or acted in a way of recognition. Also I got the feeling she wasn't that much older than Liliana. Suddenly got the thought when they asked if any other people had Imogens lightning marks and Matt said she had always been fully covered with armor)

[luins]

[momentomori24]

THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.

And the most important scene of them all (to me):

First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.

[tubesock86]

12 and an unimpressed Clara

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[seagreenstardust]

When Katsuki Bakugo needed saving, Izuku came up with a plan where Todoroki, Iida, and Kirishima went rocketing across the sky to reach him.

When Izuku Midoriya needed saving, it was Katsuki, Todoroki, and Iida who went rocketing across the sky to reach him.

Both times, our Twin Stars decided to set their own needs aside and allow the other’s trusted friend to take the lead in bringing them home. Izuku knew Kirishima was the right choice to get Katsuki away from the league quickly and safely, and Katsuki knew Iida was the better man for the job of catching up to Izuku and bringing him back.

Can we please just take a moment to appreciate the parallels. Please.

[spookystarfishzombie]

Donnie Darko x Stranger Things

[ningadudexx]

I may seem like a fucntioning member of society but the truth is season 4 ruined me beyond a shadow of a doubt (i was shaking rocking and screamign during viewing)

Also the first idea with macaque and wukong sharing jin and yins capes were an idea from someone but i cant find who im sorry :( but that doodle is dedicated to that person!! it works perfectly with their color schemes heheheheh

[dailyish-mario-hugo]

mario hugo dressed as the rest of his co workers

* day 60!

[jewelthenerd]

Absolutely NOBODY asked for this but Papaya trio sketches because for some reason out of ALL the characters in Ninjago my brain could’ve picked to latch on to, it chose the three who have never canonically met

I’m sorry but I love them dearly

I also apologize for not allowing any character that I draw to NOT have at least one inhuman trait, as you can see Morro got the worst of it here

[scoobydoodean]

Liquor bottles all over Bobby's house | 4.01 Lazarus Rising

[total-drama-brainrot]

How would Alejandro react to Assistant Noah complimenting the charmer for manipulating Sierra WITHOUT flirting with her + for tricking Sierra into embarrassing his boss (Chris Mclean)? 😎

Well. If Noah's complimenting Alejandro for his sabotage of Sierra in New York, the first thing he'd try to do is deny it entirely.

Despite being proud of his skills in manipulation, a lot of Alejandro's gameplan rides on him being seen as genuine and trustworthy by those around him - straight up admitting that he tricked Sierra into falling out of Chris' good graces would be a blow to the manifacutred image of a chivalrous and good-spirited Alejandro, which is what he presents himself in the early competition.

He does something along these lines to Heather when she calls him out for exactly this in the episode. Though, it's less outright denial and moreso redirection of her attention... via flirting... Speaking of Heather, the only reason Alejandro is fine with her suspicion/antagonism is because he knows that no one else is going to listen to her. If anything, Heather's "dislike" of him lends credence to his act - since any enemy of Heather's is automatically a friend of pretty much the rest of the cast.

Of course, Noah would see straight through the paper-thin lies, because he's got the same perspective as the audience (that is to say, he's got a third party perspective of the competiton and can easily recognise Alejandro as the season's main "villain", plus he's seen the confessionals) and, in all likelihood, had a hand in casting Alejandro in the first place to be the antagonist; of course he knows Alejandro's true colours.

So Alejandro would be met with a conflict of interests here; on the one hand, he's been given the perfect oppertunity to build a rapport with Chris' personal assistant, potentially ensuring himself some insider help for the competition at hand and - if he plays his cards right - knowledge and blackmail material on his competitors.

On the other hand, he'd have to drop his act to do so, which could be disasterous should any of his other castmates see and/or overhear.

Plus, Noah specifying that he's impressed that Alejandro can manipulate people without flirting would be a point of contention between the two, or at least a percieved jab at Alejandro. He's a very capable and very prideful person by nature, and Noah implying that he had previously assumed Alejandro only knew how to exploit people via seduction/flirting would absolutely be taken as an insult, even if it wasn't meant to be.

Though I doubt Alejandro would put two and two together in this instance and realise that it's just a round-about way of Noah asking him if all of the flirting he'd done towards Noah himself was an attempt at manipulation or not.

Personally I see this whole scenario being a poorly worded olive branch on Noah's part which Alejandro unintentionally snubs, thus cementing Noah's initial "dislike" and distrust of Alejandro.

As a result, Alejandro would fail to react at all, too overcome with indecision to reply in time before Noah's interest/investment in the conversation wavers and he walks away. Leaving Alejandro to stand there dumbly, wondering how Noah could so easily pick up on his schemes when everyone else (sans Heather) is clueless.

[lyxchen]

I feel like I'm digging myself deep into a hole and finding nothing, trying to figure out more about In-ho's family

[thealdersgateoffice]

Jackson Lamb and Catherine Standish: glances and gazes

Slow Horses | Season 3 🐌🐎

[perfectthewayyouare]

buddie will never go canon this, they'll never make eddie gay that, we've been let down before, yes yes i agree but

[stopiwanttotalkaboutcheese]

I feel like Vi should have gotten a monologue. Vi should have gotten an 'is there anything so undoing as a daughter?' moment where she really thinks about her relationship with her sister– just vi and her thoughts. her real thoughts. I want to see why she finally felt okay with letting jinx go. I want to see her consciously deciding to choose herself for once, instead of just being dragged around by the rest of the characters' motivations or trying to do what she thinks is best for other people. I want her to be selfish and not regret it. I wanted to see Vi making the (unforced!) decision to choose her own peace over trying to help her sister. I feel like jinx saw it and wanted that for Vi, and I wanted Vi to realize that, too.