#i really could write more for this

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[tourettesdog]

I am begging people to be normal about completed fics, and in particular one shots.

I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.

I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.

Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.

[jadewritesficshere]

Steve and Eddie are sharing a joint, sitting in Steve's car. They're just talking about random shit, when Steve goes to apply chapstick. And that made him think about lipstick.

Steve likes lipstick. He voices this opinion. Likes the pop of color that draws the eyes. Likes how it emphasizes lips, makes them look even more kissable. Likes the marks they leave on the skin when kissing. It gets him all hot just thinking about the trail leading down and down-

And Eddie. Eddie just shrugs and returns to puffing on the joint they are sharing. Says he's never experienced it. Which, Steve thinks is criminal. Sure, Eddie is gay and it's the 1980s, but lipstick is just makeup and anyone should be able to wear makeup. I mean, Steve isn't shy to wearing lip gloss not that he advertises it.

So, Steve digs around his car, finds the lipstick that Robin left. He applies a thick layer to his lips, smacking them a few times. "I'll prove it, come here," Steve says leaning into Eddie's space.

And Eddie is wide eyed but agrees.

One kiss leads to two. Which leads to Steve pressing open mouthed kisses into Eddie's neck. Eddie moans and Steve whispers in his ear," I've wanted to do this for awhile,, you're so hot." Which leads to Eddie's shirt coming off. Leads to red lipstick trailing down Eddie's chest and down and down and

Yeah, Steve was right. Lipstick is hot.

[mustfindcreativeusername]

Sometimes I remember he died, he was dead for real, but SO MANY people loved him SO MUCH that he was brought back to life and got to have so many more adventures and get old and eventually retire and yes it's a fictional character but sometimes I think about that and I have to lie down and have a cry about it. We love you Sherlock Holmes

[randomminty]

Five billion octopath 2 scribbles i feel sick

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[bluerosefox]

Little Danny's Big Adventure

New idea.

Okay now hear me out.

-Pulls out AU idea cauldron and tosses stuff into it-

Let's put in some Ghost King/Prince Danny.... But also some deaged to toddlerhood Danny that gets yeeted into the DCverse!

Like imagine, tiny baby Danny with his tiny crown of ice floating above his head and his galaxy cape wrapped around him and uses it like a baby blanket. He didn't mean to fall into a different universe, a natural portal opened up and he was being a curious little thing! He didn't mean to trip and fall in during his nap time.

Nor was he expecting to fall into this realm during a rogue attack and knock out said rogue cause they were being a meanie and harming people and now Danny just wants his nap time cause he spent a lot of his tiny engery and he wants to find a nice spot.

Danny finds a place to crash, snuggling himself into his cape and the astronaut bear Danielle got him during her last visit that he takes everywhere since.

He's out like a light as the door to this safe house that belongs to one of the Bats opens up.

Meanwhile. In the Infinite Realms, Queen Regent Jazz is going into Mama Bear Jazz Mode trying to find her deaged brother, keeping the Realms in check, and is resisting the urge to put CW in time out Soup Time because he's being cyptided again about Danny whereabouts!!! UGH!

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[kayawolfhorse]

He sticks around for a while after the disappointment of his failed trap. There’s no one left to sue him over it.

The blood is just starting to crust over where it clings to Joel’s scabbard, and it flakes upon his skin. His clothing is still filthy, but it hardly matters—the grime is of this server, and will remain with it when he leaves.

Sunset blankets the world in fiery oranges and brilliant pinks, dripping darkness like spilled ink across cliff sides and into pocket-marked craters. In its wake, without the chaos of the wild cards, in the absence of any living thing, the silence is near-deafening. Joel sighs once, loudly, just to fill the space, and does it again when he thinks about how it’d annoy Jimmy if he were still here.

The bridge to the base is remarkably intact, and the planks creak beneath Joel’s steps. He spares Gem’s empty cobbled barn a fleeting glance and reminds himself that he’ll see her soon as he marches up to his car and sets about ridding his inventory of unnecessary junk in the grass next to it.

He can practically hear Grian’s insistence that he get on with it already, but one of them is dead, and the other has a car to fix, so Joel effectively banishes the thought and pokes his tongue out in the vague direction of the sky above him.

Joel works through the night. Exploded as it had been, just about every part of the car needs repairing. The exterior comes easily enough, and it’s by torchlight that he reconstructs the engine, using up the last stores of his and Gem’s iron before raiding Etho’s waterlogged chests to finish the job.

Just before dawn is about to break, Joel slides into the driver’s seat and gives the keys a turn. The engine sputters for a moment before roaring to life. Joel grins.

It’s a bumpy ride through the center of the map, and Joel doesn’t want to talk about the times he had to rapidly construct a bridge across the rivers to get across. Once the ruined bases are confined to his rearview mirror and all that stretches before him is unmarred terrain, he floors it, giving a whoop in delight as the speedometer climbs higher and higher.

The blue shimmer of the world border overtakes the frame of the windshield. The pale morning sun has just started its ascent. Joel pushes forwards, hands tight against the wheel, teeth clenched firmly together. Thirty blocks, twenty blocks, five blocks away—

Joel slams through the border to the sound of shattering glass, and his vision goes black all at once.

—☾—

“For the record, that should not have worked,” Grian says. “And did you really have to bring that here?”

Joel’s not entirely sure where here is. Grian looks mostly corporeal, though his edges waver like the illusion of water against hot pavement, and Joel himself feels pretty solid, but all around them is vast nothingness. Pearl and Scott are bright flashes of red and blue somewhere behind Grian, and Joel can just barely make out Martyn and Scar further back.

It’s a little dizzying, honestly, and Joel quickly resolves to not look down. Despite the nausea that threatens to bubble up his throat, he makes no move to stop the smirk that spreads across his face. He gives the car’s hood at his side an affectionate pat, and is smug as he says, “Much like family, the car is forever, Grian.”

Grian buries his face in his hands.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[snail-noodle]

"my my my... what do we have here?"

you shivered in fear at the gigantic being before you. you and your cookie friends had tried your best to seal the rift in the tree with white lily cookie. however, your actions proved pointless. white lily cookie's powers were still too weak and your time had run out. you all watched in horror at the towering cookie grinning down from above.

"it's been so long since we've seen new faces! we were starting to get bored being by ourselves in here..." shadow milk cookie smirked as he took a look at each cookie standing before him. when his eyes had reached you, his gaze stayed far more longer on you than the others. you trembled from his piercing stare, a small whimper escaping from your lips as you backed away and hid yourself behind pure vanilla cookie.

shadow milk cookie chortled at the pathetic display. "Oh, how I have missed the faces of fear from you cookies! Never gets old!" now that the rift had opened big enough for him to pass through, shadow milk cookie stepped out of the silver tree that had kept him and the others imprisoned for so long. the smaller cookies screamed in terror as they scrambled to get out of his way. every footstep he took practically shook the earthbread beneath their feet.

"pure vanilla cookie!" fear clouded your mind as you tugged your leader's arm in desperation. "what are we going to do?!" anxiety gripped your heart when he hesitated to think of a solution. one of the most powerful beings in all of cookiekind has just been unleashed and is ready to bring chaos to the world once more. just how on earthbread will any cookie be able to stop such beasts?

before pure vanilla cookie could even think of an answer, you cried out in alarm as you were suddenly lifted into the air. the other cookies screamed your name as you watched their forms grow smaller and smaller. you gasped as you were face to face with the grinning jester.

"what a cute little cookie you are." he eagerly examined you as if he were a child that had been given a new toy, turning you this way and that. "it's been ages since i had a little pet to dote on. you'll make a fine addition to my collection!" your mind raced as you tried to understand what you have just heard. a collection? a pet to dote on? what on-?!

your thoughts were interrupted as you heard a snap of... fingers? confused, you found yourself locked inside some sort of bird cage; the bars were thick enough to keep you from escaping. shadow milk cookie cooed as he watched you attempt to break free. "no-!" you tugged and pulled at the bars keeping you in.

"no! y-you can't keep me in here! Please!" you cried out to him in desperation. shadow milk cookie only giggled and shook his head, "ah, ah, ah! you're staying right by my side, my little cookie." you shuddered in fear as he began to summon his powers once more. shadows seeped out from your surroundings and from his body. multiple cold blue eyes stared at you and the cookies still down below.

"now, my dear..." with a clap of his hands, monsters of every kind stepped out from the shadows, ready to obey their master. with a manic grin, shadow milk cookie spread his arms out in grandeur to the cookies below. with a perfect view from above, you could only watch in horror as your friends were surrounded at every side by monsters of different sizes.

"let the show begin!"

[courfee]

it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*