#i promise this will happen again

[lillazyboithings]

Wiggly!Richie

...2...electric boogaloo

Finally digitalized him, idc if I already posted the traditional version lol, we ball

I might draw the others in this style lol, maybe soon

[gabelew]

zora armor my beloved

[paracosmicka]

what if hypothetically you shared the sonadow mpreg that you totally didn’t draw (for science) /nf

for scientific purposes i’m sharing these

[mickeywabbit]

beamed that heatstroke guy with my brainworms ray, my condolences, looks terminal

[1caru]

avenging your predecessor

[vinicenkov]

AIN'T NO SECOND DRIVER TO ME ‼️

[spam-extemporal]

Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.

Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.

So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.

This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".

The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.

Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.

It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒

And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T

[molathesunfish]

assorted lcb art

[desire-mona]

the time jumps in i saw the tv glow make me so fucking insane and i can never let it go. 2 years, 8 years, then 20, each jump taking more and more out of owen as we watch him decay into a painstakingly unvariable excuse of a protagonist. no matter how big of a jump in time, we never really feel like we've missed out on anything at all. the only real change we experience is what monotonous, yet colourfully and visually overstimulating job he's trudging through, all to live the unfulfilling life he feels is the most safe. no known ambitions, no known lasting relationships, even the family he says he loves more than anything feels less like a feat, and more like a giant step back in the journey we know he needs to go on.

3 decades pass in the span of an hour and 40 minutes, a speed that would seem overwhelmingly fast, yet we stay tuned into the comfortability of that perpetual survival. we know what's going on, and we dont need to play catch up if there's nothing to catch up on. yet despite that comfortability of knowing where and when owen's stuck, it is killing us to know that the potential of what he could be and experience goes unacknowledged through the painstaking amount of years. and it's made all that much worse when we're forced to remember that the slow death we're watching is all the more real, both literally and figuratively, to owen.

[buttonheart]

Happy late women's day!!!

[nostalgicish]

two lovers entwined pass me by !

[susiewithdauzi]

hey so. do u remember that blurrbee angst i mentioned this one time. bc i sure do

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[whimzycle]

Philtatos

[ccccallsigns-au]

PUZZLE WEEK - DAY FOUR

* [GOOD LUCK.]

DAY FOUR TASK: PRECALCULUS

[MORSE] has tasked you [the audience] with verifying this precalculus problem. You have until APRIL 11 to complete this task. You are required to submit your work showing your steps with your answer. When you are finished and you believe you have solved this puzzle, submit your answers directly through the askbox. REMEMBER: YOU CAN HELP YOUR FELLOW AUDIENCE MEMBERS, BUT ANSWER-SHARING IS NOT ALLOWED! YOUR PEERS WILL DEFINITELY NEED HELP.

Good luck!

[ocelhirapilled]

ashley is never getting rescued in these conditions

with colors and then. bonus under cut here

i am not immune to serrenedy i fear