#i never even mentioned that i like him

[pardonmydelays]

i really thought this was going to be a completely normal day at work

[choccy-milky]

clora's fav time to tease seb is when they're busy or in public and he has to restrain himself......girly knows what she's doing😇 (from my vellmore oneshot^^)

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?

[velvetwyrme]

damn those conses do quence (/j /j, unfortunately[...?] no bug mpreg took place here)

anyway, woe, grub be upon ye. tbc... whenever i finish the many other things i need to do lol.

i did this instead of making an ask blog because i dont have the time or energy to upkeep that atm, but honestly?? it probably wouldve just be easier to make an ask blog instead of... doing whatever this is LMAO,,, but i had fun so its ok sklvfjbfkbdb,,

next

[skunkes]

[cashmoneyyysstuff]

you are . . NOT !!

katsuki watches the maury show with you

you’re watching the maury show on your computer when katsuki marches into your room without a word and flops down next to you on your bed.

“ hello to you, too.” you snort. his words are muffled by your sheets but you’re about 90% sure he told you to shut up, you ignore it.

he lays face down on your bed for a while not saying anything and you know he’s had a long day and wants to be close to you without actually talking. you don’t mind, you’ll give him his space until he reaches out himself.

and he does after a little bit, turning his head around to face you as he looks from you to your computer screen, eyes focusing on the woman screaming that the man she cheated on her husband with was 100% not the father of her baby, mixed with the cheers of the audience.

he looks at you and raises a brow “ what’s happenin ?”

“ lady cheated on her husband with his brother.” you respond.

“ his brother ?” he repeats. his eyebrows furrow and you know he’s hooked. if there’s one thing katsuki loves but will never admit he does, it’s trash tv.

you nod, grinning somewhat evilly “his brother. now they’re trying to find out which one’s the father.”

he hums, scooting himself closer to you so he can see the screen too. he flips himself around so his neck isn’t craned at that awkward angle anymore and settles himself down right next to you. hook, line and sinker.

he wraps his arm around your shoulder and shoves his head in your neck, breathing you in. you both don’t say anything. “do you want me to play it from the beginning for you ?” he shakes his head in your neck. you reach your hand up to scratch at his scalp and you smile when he sighs. he holds you a little tighter, pressing feather light kisses into your neck.

katsuki’s never been good at expressing himself with any other emotion that isn’t anger. it makes him feel stupid and weak and soft. he’s had a long fucking day and he doesn’t wanna talk about it, simply wanting to indulge in you but he can’t tell you that, can’t find the words to, so he tries to find other ways to tell you and he hopes you understand and you do.

katsuki’s thankful for you because sometimes he wants to talk, wants to open up about what’s bothering him but sometimes he doesn’t. he doesn’t and you don’t pry when you know he doesn’t and he’s so thankful for you. he presses kisses on your skin and soft bites at your flesh to convey just how thankful he is, how grateful he is for having you. he hopes every warm press of his lips against your skin can convey how much he loves you loving him. and it does, because you turn your head and kiss the side of his head so sweetly and he knows you’re it for him.

he’ll tell you all of this one day, he promises. he’ll tell you all the thoughts swimming around in his head one day, but he hopes this’ll do for now. and unknowingly to him, it absolutely does.

he pulls his head out of your neck and kisses you hard on the cheek one, two, three times and you giggle. you feel him smile into your cheek when he kisses you a fourth time.

“fuck’re they screamin’ about ?” he says and you turn to look back at the screen. the woman is yelling at her husband’s brother vehemently denying the possibility of him being her baby’s father. you feel a little bad for laughing. “ she says he’s not the dad” you answer.

he clicks his tongue “ why the fuck is she on the show then.” he says, turning his attention back to your computer but his grip on you stays secure. you press yourself a little closer to him.

you’re still smiling lightly when you look back at your screen, simply shrugging. “ she said something about her having more sex with her husband than with him.” you answer and he snorts.

“ ten bucks neither one of them’s the father.”

[the-meme-monarch]

what if i Entirely made up another relationship but with the express intent that they Don’t get together actually. this started out as a lol an lmao even but honestly i think i needed this. cathartically

based on the tags of my post here

👍if you ship scc go away

[moeblob]

Nines: ... you make a solid case, Sixty.

[lizzybeeee]

Am I the only one who thinks it's fucked up that the Mortalitasi are parading about King Markus's corpse...as opposed to letting the next in line rule??

He's alive in DAI - old, but very much flesh and blood - and we know this because the venatori use blood magic on him to get him under their control. So, what is he in DATV then? Are they implying that he's a lich? That he still has his mind? That they've got a spirit in there?

What do they gain from this? Cassandra's, what, 64th in line for the throne? So there's a bunch of potential heirs just hanging about -> potential heirs who want the crown because we know that Cassandra's parents were executed for trying to overthrow him.

Cassandra may not be fond of her family, but I can't imagine her letting this slide. This is the type of shit that gets an Exalted March called down on you! Especially if she's divine?! Nevarran's can be 'death-focused'* yes, but they let the living rule and not the dead.

It's their belief that when their soul passes through the Fade it results in a spirit being displaced - so they have the Mortalitasi find the spirit a new home in the Necropolis. That is their job - they maintain the Necropolis and, according to DATV, sometimes deal with awry magic.

The potential relation to a Divine or the Head of the Seekers, the King of Nevarra, is having his corpse puppeted about by a mage...and no one seems to care?!

Is this not super fucked up to anyone else?!!!

------------------------------------------------------------------------------

Edit - I put this down in the tags but I think it's important to point out: In all the previous games up to this point not once has a mage, manipulating a corpse like this, ever been portrayed as quirky or funny. This is not the norm of what the Mortalitasi are supposed to do - they honour the dead they do not puppet them.

Thedas is a world very strongly intertwined with faith, especially the Chantry. It is Nevarra's attitudes towards death and their burial practices that distinguishes it from other Andrastian nations - they still have the Chantry, the Templars, and the Circle of Magi just as the rest of Southern Thedas has.

It's impossible to imagine any Divine (Leliana, Cassandra, or Vivienne) hearing of this occurring and not taking action against this. It's extremely strange that Emmrich bemoans that half the nobility know this has occurred when this action should be seen as nothing short of an abomination to the faithful - including Emmrich.

[backpackingspace]

Odysseus: demanding Athena take off whatever enchantment she put on him the second the situation ends.

Odysseus: who constantly reminds Athena that he has great plans to grow old and die with his wife so don't even think about getting any ideas.

Odysseus: side eye diomedes who has started fucking glowing he has so many enchantments on him: bro you should talk to Athena about getting those removed. You're going to end up immortal or some shit

Diomedes: who has been a solider since he was 5 who has intersting thoughts about his own personhood who has a much more traditional relationship with Athena and would rather literally stab his own eye out with a rusted sword than speak out of turn: I don't know what you're talking about

[fazgoo-connoiseur-1987]

Been thinking a lot recently about how William Afton definitely falls into a lot of queerphobic tropes. And how he's pretty dehumanised within the story because he does awful things. And how both of those things together feel extra icky.

I feel like Scott just gave him a bunch of things to make him feel 'creepy' and a lot of those were just him being queer or mentally ill and he's the only character who really presents that way and oh my god. He exclusivly murders CHILDREN, guys. That's TEXTBOOK gaypanic shit, guys.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[skitskatdacat63]

Vettonso complaining about each other not respecting schrondinger's track limits on the radio compilation + Seb's commentary that made me a bit feral

Must include these sexy ass pics okay, it makes me feral how hard they race each other.

Also SO upset that we got this vid and there's also pictures(and presumably a vid out there somewhere) of Fernando, back then, ALSO debriefing this race. And yet we never got them together?????? Evil. Fucked up.

Imagine seeing them complaining about each other but also having to (begrudgingly if you're Fernando) compliment each other IN FRONT of each other. Maybe its a good thing it doesn't exist, bcs then I'd have a heart attack.

[siriusly-the-best-bi]

wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.

Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.

Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.

This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.

Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.

Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.

When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.

this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.

[front-facing-pokemon]