#i need to rewatch it already

[bubaboos]

listening to the "monster" (2023) soundtrack, trying not to cry😐

[chechula]

comic diary from Finland ♥

[emofrog69]

house of usher was so good😭😭😭

[tianhai03]

i watched re death island today!!!!!1 it was really good!!!!!!!!! had to draw smth to celebrate :)

[altruistic-meme]

im sitting here wondering how the ADA would react to skks dynamic in canon. cus like..... I don't think ANYONE from the ADA has ever actually seen Dazai and Chuuya in the same room. and the way Dazai talks to and teases Chuuya is SO DIFFERENT than how he behaves with the people at the ADA that I feel like they'd get fucking whiplash from it.

[blossoms-phan]

[doctorsiren]

some mp100 doodles from the last couple days

[bisexualspaghetti]

omg they were bug-pals 🐛

now kiss

[arttsuka]

I like how in the opening we see Viktor being 'sculpted', probably to symbolize how he had to build himself up, create who he is and his legacy while Caitlyn is already a relief (a 'flat' sculpture emerging from a wall), symbolizing how her fate was already set in stone.

Something I've been thinking since arcane came out. Not a real analysis or anything (or is it...)

Also I'm stupid enough that it took me till I did a rewatch to realize this was Viktor's leg.

Edit: ok I did end up making a post 'analyzing' the parallels between Vi&Viktor and Jinx&Jayce, here

[bunnieswithknives]

AGHHhhh I swore off Inanimate Insanity after the Cabby disrespect but then I heard they were KILLING PEOPLE IN THE FINALLE???? I want to rewatch the season before I draw anything serious but Oh my god the plot twist makes me feral

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[cable-salamdr]

Your honor my client didn’t do anything wrong he’s just always been doomed by the narrative and has been inevitable spiraling towards this outcome since the first time he was introduced

[littlespoonevan]

because i was rewatching 1x04 and was reminded that episode 4 of almost every season is an absolute banger of an episode. (also i know what recency bias might do to this poll so please take a second to remember the episode 4s of seasons gone by before voting askjdfh)

[blkkizzat]

y'all new kinktober ideas wont leave me be, halloween is my fav holiday too so im all about it....so i went to the movies tonight and omfg.

what about beetlejuice!gojo ?????

lmfao no but like not really he wouldnt be as gross kjdhajsh, but i was thinking what if gojo like was a ghost who couldn't move on and was like obsessed with you and played all kind of pranks on you and especially scared away any type of guy you brought around.

idk... ill think about this more lol.

[corneredcopia]

Stone you’re the coolest person on the planet I love you so much you deserve the world and more

[darth-kote]

Obi-Wan Headcanons Pt. 1

Feels a surge of pride when he says something he privately thinks is clever that earns a cacophony of laughter from his men. He has to remind himself not to let that pride go too far to his head, but he can't help the slight broadening of his shoulders at the rare sound. He thinks the clones deserve to laugh more often, and he's more than delighted to be the cause of it, especially during such bleak times. When he hears one of the men repeat a line he'd once said or speak with a slight lilt that reminds him of his own, he wonders if fatherhood has similar moments of overwhelming pride.

Mentioned slightly in a prev post: His Padawan braid is something he keeps in his chambers on Coruscant. It's stowed away in a lockbox in his wardrobe, underneath many robes and tunics. He doesn't know why he keeps it - is aware it resembles some form of attachment. He doesn't do much with it except glance at the box it's in when his thoughts are especially unsettled. It reminds him of his master and the past... It reminds him he was chosen – trusted. As he watches Anakin's grow with time, he's caught off guard by the envy threatening to leak into his heart each time it whips over his Padawan's shoulder. When this feeling does arise, he meditates for a lengthy time, releasing anger and want for the past and replacing it with patience. Just because his master had been stolen from him does not mean Anakin is any less worthy of one. Anakin is not at fault for what happened, and resentment only leads to the dark side.

He indeed thinks about taking on another Padawan after Anakin has flown the nest, and he wonders what it would be like. Traditionally, the master chooses their apprentice, but this hadn't been the case for Anakin and himself, and it makes him wonder how he should know who to take under his wing. Qui-Gon hadn't quite gotten to that bit.. He feels unsure about his teachings at times, but watching Anakin with Ahsoka reassures him that he did well, which he hopes has made his master proud from whichever plane he resides on. He does know he feels Cody's presence strongly in the Force, and the signature he produces has become like a safety blanket for the Jedi; he likes to daydream about passing his knowledge down to the Clone, even if he wouldn't be able to utilize the teachings in the same way those with naturally high levels of midi-chlorians might... It's certainly a very non-traditional Padawan, though that's nothing new to him. He wonders - secretly, guiltily - if Qui-Gon could lend him some eloquence in persuading the Council to let him take on another unorthodox student. He's aware it will never happen. The attachment is unhealthy to say the least, which is the first of many problems the Council would list off for him if he were to ever bring it up.

After Satine's death, Obi-Wan is noticeably shaken. He does well at masking how he's truly feeling until he has a quiet moment alone in the fresher or his bed chamber, but Cody has become quite the expert at reading between the lines on the Jedi's face - which has hollowed considerably since he'd first met the general. Cody barks - yes. - at his men to stay alert and to comm him only if there is a Grievous-level emergency. As he walks through the echoey hallways of The Negotiator towards the general's quarters, his bootsteps and his heart clang loud in his ears. Once there, the doors do not swoosh open like they usually would upon his approach; he's no Jedi, but he's sure he can sense a heavy cloud of energy emanating from the room before him. A brother or two pass by in absolute silence, afraid of catching a stray from their commander, whose stress seems inextricably linked to their jetti's. Once they round the corner, Cody enters the code that ultimately leads him to quite possibly his worst fear come to life: Obi-Wan that isn't Obi-Wan. Except it undeniably is him. The typical rosiness in his cheeks has crept up to his lower lashes, and his breathing is rough and heavy. Cody's bucket is off in an instant, and he's crossing the span of the room to kneel before Obi-Wan's supine body. Cody doesn't know what happened exactly, but he can see that something is upsetting the general, and he loyally stays at his side the entire night. Eventually, once he's convinced himself he isn't a piece of human waste (and Obi-Wan asks him too), he climbs up next to the other man in the small bed and wraps both arms around him. Obi-Wan asks him repeatedly to hold him tighter, and Cody does his worst. (+ He wakes up in the middle of the night and Obi-Wan has maneuvered himself nearly completely underneath the commander. It's grounding to have Cody's weight surround him after yet another piece of his heart has been plucked out. He needs to be reassured he's not alone, despite knowing the Council would look down on him for the entire predicament.)

is 100% aware of Cody's feelings before Cody even figures out what the names of These Feelings are. And he adores, adores when the rest of the Clones hint at the fact they also see it, and Cody- Obi-Wan loves watching the copper tone of his skin stain slightly red when he realizes what his brothers are insinuating, and so openly! (The color is like the Jedi's favorite Nubian wine, which is an entirely different beast to tackle; he thinks sharing a bottle with Cody would only be right, especially considering he associates them so closely with one another now.) The point is, he thinks it's very sweet the way Cody works extra hard not to let his personal feelings sabotage the greater mission; it certainly helps Obi-Wan not feel guilty when he does the same. The Force communicates the unrest Cody's mind goes through at night, gives Obi a sense of where the commander's mind and heart are. He's flattered - hasn't thought of himself as physically appealing since that first year of the War, or maybe since that damned braid was shorn from his scalp - and smitten. He gets a warm feeling in the pit of his stomach when the Force bombards him with compliments and praise that go unspoken but not unfelt by Cody.