#i need to let you own me

[moonlitdystopia]

he's so sweet but sometimes i wish eventually he grows comfortable enough to order me around heh.

sweetheart, i love that you let me be in control but you can take it away if you want. i'd give everything up for you. you just have to ask.

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[puari-vol]

Good Girls at the Slumber Party

CW: Hypnosis

*tap*

My eyes fluttered open, where am I? Had I fallen asleep during the movie? I found myself on the floor of a dimly lit bedroom, I was restrained…no I was being held. Arms wrapped around me in a tight hug. I looked up and I saw a girl sitting in a desk chair, she smiled down at me

“Did you sleep well, pet?”

My memories started to return…the slumber party, the movie, the spiral…this girl…I started to struggle against the arms holding me, which elicited a giggle from behind me.

“Now now, settle down sweetie”

The Girl in the chair waggled a disapproving finger at me, then before I could react she reached forward and-

*tap*

…

*tap*

My eyes fluttered open, where am I? I felt arms around me, holding me in a tight embrace. And I heard a chorus of laughter and giggles from all around. I looked to see…everyone, everyone from the slumber party seated in a circle around me. They were all looking at me, smiling. All their gazes made me freeze in embarrassment. What had I done that was so funny? What happened? I remembered the slumber party, the movie, the spiral…the girl…The girl sitting in the chair just in front of me. She smiled down on me with a light in her eyes

“Oh..so precious…you’ll make a wonderful pet” 

“P-pet?” I stammered, I tried to struggle against the embrace that held me, I glanced back up in time to see her hand coming toward my-

*tap*

…

…

*tap*

My eyes fluttered open, I was staring directly into someone's eyes. I felt hands on my cheeks, holding my head

“Shhhhhh darling, shhhhhhh” 

A familiar voice…from the party…right the slumber party, the movie, the spiral…the-

“Shhhhh, just relax for a moment, don’t think just listen”

Her hand gently ran down my face, crashing my train of thought. I tried to ask a question but it just came out as incoherent babbling. Just as I was starting to get my thoughts in order I felt her-

*tap*

…

…

…

*tap*

My eyes fluttered open, I-

*tap*

…

…

*tap*

My eyes-

*tap*

…

…

*tap*

…

…

*tap*

…

…

*tap*

…

…

…

“There we go, you're ready to listen now. Kelsey, could you come over here?”

“Yes Mistress!”

“Good girl, just get on your knees right there okay? Perfect, smile at your friend. Good. Now pay attention to Kelsey here alright? She’s going to demonstrate how the button that turns off your brain works. Just tap her on the forehead and…there she goes. Look at her sleeping so deeply, so prettily. So perfectly relaxed now that her brain is off, and now we bring her back with another…tap, and she’s back. How do you feel Kelsey

“I feel wonderful Mistress”

“Good girl, now let's show your friend a new trick, are you paying attention sweetie?”

Everything felt heavy and slow, I was wrapped in a warm comforting embrace, it felt like I was in a dream

“yes…” 

“Very good, now when a good girl gets her button pressed, her brain turns off. Press it again and it comes back on. But what happens when we hold it down? Let's find out, ready Kelsey?”

Before Kelsey could answer, she reached over and pressed a finger into her forehead. At once Kelsey’s mouth dropped open she took on a vacant expression. Then her eyes rolled back, fluttering…

“There we go, now Kelsey are you awake or asleep?”

“I am awa…aslee…”

She mumbled

“That’s right, you’re not awake or asleep, you’re both!”

The girl in the chair looked at me to explain

“You see, it's kinda like with a computer. You can turn it on or off with a button, but if you hold it down you can do a hard reset, and I can install new instructions before booting it back up. What are your instructions Kelsey?”

“I am a Slumber Party Slut”

“And what does that mean?”

“It means I do whatever any girl at the slumber party tells me to do”

“Good girl! Now it's time for you to receive some new instructions, you brought a friend to take your place, so now you are a Slumber Party Slave. What are you Kelsey?”

“I am a Slumber Party Slave”

“That’s right, a slumber party slave’s job is to tell the sluts what to do, and train them to be very Good Girls for Mistress. And of course…to use them however you like. Now it seems your friend is in need of some basic training, what are you going to do Kelsey?”

“I’m going to make her into a Good Girl, I’m going to make her into a Slumber Party Slut”

“Very good slave”

She removed her finger from Kelsey’s head, and her eyes finally snapped shut. She would have collapsed in a heap if the girl in the chair wasn’t propping her up. The girl turned to me and smiled one last time

“You two have fun”

She tapped Kelsey on the forehead again and she opened her eyes. Then the girl got up from her chair and left the room as Kelsey started moving towards me. My mind was feeling less foggy now, and suddenly adrenaline coursed through me as I tried in vain to struggle free. Much to the amusement of whoever was holding me

“Kelsey! Please just…wait a second”

She just smiled at me, and reached toward me. I had to resist, I had to fight. I tried to focus on staying awake. But all I could think about was the look that had been on Kelsey’s face while she was-

*tap*

I felt myself fall asleep…but I didn’t fall asleep, it was like drifting off but never quite sleeping. Just the falling and falling…falling…falling…falling…falling...falling…

“You are a Good Girl”

falling…falling…falling…falling…falling... 

“I am a Good Girl”

falling…falling…falling…falling…falling... 

“Good girls love Mistress, Good Girls obey”

falling…falling…falling…falling…falling... 

“I Love Mistress, I obey”

falling…falling…falling…falling…falling... 

“You are a Good Girl”

falling…falling…falling…falling…falling... 

“I am a Good Girl”

falling…falling…falling…falling…falling... 

“You are a Slumber Party Slut”

falling…falling…falling…falling…falling... 

“I am a Slumber party Slut”

falling…falling…falling…falling…falling... 

“You love to serve other Good Girls, you will do whatever any other Good Girl tells you to do”

falling…falling…falling…falling…falling... 

“I love to serve other Good Girls, I will do whatever any other Good Girl tells me to do”

falling…falling…falling…falling…falling... 

“You are a Slumber Party Slut”

falling…falling…falling…falling…falling... 

“I am a Slumber Party Slut”

falling…falling…falling…falling…falling... 

“Good Girl”

falling…falling…then she lifted her finger

…

…

…

…

*tap*

My eyes fluttered open, my friend Kelsey was smiling at me. Where was I? Of course, I was at the slumber party. I was wrapped in a warm cozy hug, but whoever it was let go of me. Kelsey stood and looked down at me. I felt unsure of myself sitting on the floor in front of her

“Uh...what now?” I asked, feeling stupid. Kelsey just kept smiling at me.

“Now you can eat me out, slut”

I just nodded and crawled toward her, I was a very Good Girl

[poorly-drawn-mdzs]

Luo Binghe? Sorry, I only know Binghorse now.

[lucabyte]

Taking pride in One's own appearance.

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[zuzu-draws]

Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.

In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:

And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.

Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...

....the destination for the supposed train within Yuuji's domain...is "North".

Which means that Yuuji's taking Sukuna towards the North.......

They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q

[medicalunprofessional]

never change, man !

[arthursfuckinghat]

So, I was nosing around the gang's tents and I thought that it was honestly so sweet that so many of them have photographs of themselves or of family right?

Little baby Charles with his parents, a young Susan, young Hosea and Bessie, but then I found something interesting in that pile of junk down the cliff just behind Arthur's tent-

Dutch actually writes notes for his famous camp speeches.

And if you've seen the speech that these notes are referring to, Dutch seemed to simplify it a lot when he recited it, almost dumbing it down for the gang entirely?

Writing notes for an important speech isn't the strange part, but the fact he dumbs them down and that these notes are hidden/thrown away out of sight is really strange to me. It makes me think that this is possibly a rough draft or early version of what he wanted the speech to be, sort of implying that Dutch practices and revises his speeches.

Which, if he ultimately dumbs them down for the gang, then what is the point?

The likely answer is that he holds himself to a higher standard because he feels he's above the gang members, in a way. He's the visionary, the leader, the man in charge, the one who reads philosophy books almost exclusively, to say that Dutch didn't think highly of himself would be a lie. And because the gang is 'below' him, he simplifies his speeches for them - despite majority of the gang being well educated and understanding. He doesn't think that the gang is as intellectual as him.

I made a post previously talking about Dutch and his Evelyn Miller philosophies and how he argues with gang members that don't agree or understand. It's especially interesting how Lenny, also an avid reader, disagrees so strongly with Miller's writings when that's what most of Dutch's philosophies are based on.

It solidifies that Dutch was manipulative from the beginning, and probably long before too.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[unclewaynemunson]

Alt version of this post bc too many people asked for both <3

It's Saturday night and, like almost every Saturday night, Eddie wishes he didn't have to be at some jock party. The flashing lights, the scent of cheap mixed drinks, the incredibly mediocre loud music... And worst of all, the fucking jocks. Everywhere.

'Eddie!'

He looks up to find Steve, with a dopey smile on his face, basically skipping towards him and throwing his arms around his neck. Oh. He didn't know Steve still went to parties like those. Hadn't seen him at any of them in a while. But as soon as he gets wrapped up in an enthusiastic full-body hug, he decides there's one jock, and one jock only, that he doesn't mind running into at those parties.

'Eddie, what're you doin' here?' There's an unfocused look in his eyes and he wobbles on his legs a little bit, grabbing tighter onto Eddie for support. The touch burns through Eddie's t-shirt and he tries to ignore the shiver running down his spine.

'I didn't know you liked parties!' Steve drops his voice, slurring: 'I thought you hated the jocks.'

Eddie can't help but smile. 'I hate all jocks but one, big boy,' he tells Steve. 'Not here to party, only to get some cash.' He rattles with the metal lunchbox in his hands to illustrate his point. 'Can you let me go now so I can get on with my business, pretty please?'

'Noooo,' Steve says with an exaggerated pout. 'I'm too happy you're here! Dance with me!'

Eddie chuckles. 'I don't think you're in any state to dance right now. Jesus, Stevie, I don't think I've ever seen you this wasted before. Thought you were planning to pick up a girl tonight?'

'I was,' Steve says, suddenly sounding oddly serious. 'But it doesn't matter. Just needed to forget. The rum helped, too.' He frowns. 'Til you showed up.'

'Forget what?' Eddie asks, trying to make sense of this drunken string of words.

Something happens; something that's been happening quite often lately. Steve's eyes flash downwards, just for a second, right to where Eddie's lips are.

Eddie's heartbeat involuntarily picks up speed.

'What did you need to forget, Steve?' Eddie asks again.

'Can't tell you,' Steve mumbles so softly that Eddie can barely make it out over the loud music. 'I don't wanna make you feel guilty. I'm not judging you, y'know. 'S fine.'

He abruptly lets go of Eddie and takes a step away from him, stumbling right into some girl who pushes him back with an annoyed scoff; if Eddie weren't still standing right behind him, he would've fallen on his ass for sure.

'Alright, you're not making any sense tonight, big boy, but I can't in good conscience let you stay here by yourself. How 'bout I'll drive you home?'

Eddie glances at his watch. If he hurries, he can probably still be back to do what he came here for before the good part of the party is over. He does kinda need the cash.

'Can't,' says Steve. 'Can't go home with you.' Something in his voice is breaking and suddenly there are tears in his eyes, and Eddie still doesn't understand what's wrong; he feels like he's overlooking something huge, something that should be obvious.

'Let's just go outside to talk, then?' he suggests.

'Can't. Dance with me, Eddie.'

But when Eddie starts gently tugging Steve towards the open door leading to the garden, Steve easily lets himself be led outside. He closes his eyes and takes a deep breath when the cool night air reaches his lungs, as if one gulp of fresh air will instantly make him sober up. But he's still swaying on his feet, making Eddie grab onto him tighter.

Eddie likes to think of himself as moderately strong, but unfortunately, hauling 180 pounds of muscled jock around is starting to take its toll on him. He spots a bench in a secluded corner of the garden and guides Steve towards it.

'This better?' he asks.

'Yeah,' Steve breathes out. Even now that they're both sitting down, Steve keeps clinging onto him. 'Look at the stars, Eddie.'

Eddie looks up at the scattering of lights twinkling far above them - but he can feel Steve's eyes still burning into his face.

When he directs his gaze back to the guy sitting next to him, Steve's face is even closer than before. The starlight is reflected in his hazy eyes, tiny specks of silver hidden in various shades of brown and black.

'I wish I could kiss you,' Steve whispers, looking at Eddie with nothing but admiration behind that glassy drunk gaze.

Eddie almost forgets to breathe. He knows that it seemed like he and Steve were headed exactly toward something like this for a while now, but he still can hardly believe that it is real. That Steve Harrington is really looking at him like he's just as precious as the stars in the sky above them.

He brings up a hand, gently caresses Steve's soft cheek.

'Maybe you don't have to wish,' he whispers back, unable to stop his eyes from flashing towards Steve's beautiful lips for a moment. 'Tomorrow. When you're not drunk anymore. If you still remember this.'

'No.' Steve shakes his head, so fiercely it makes his hair flap in all directions and his complexion at least two shades paler. 'Can't.'

'Why do you keep saying that, Steve?' Eddie asks softly.

'Cause.' For a moment Eddie thinks Steve is gonna grab his ass, but then... he randomly frees Eddie's handkerchief – the one with the skulls – from his back pocket.

'Cause of the Russians.'

Eddie can only stare at him in confusion.

'They tied me up,' Steve all but whispers. Eddie hates how small and broken his voice suddenly sounds.

He has always known – broadly speaking – about what happened to Steve and Robin miles beneath Starcourt last year. He's never actually heard Steve talk about the details, though. All he knows is that he and Robin were captured by Russian spies and somehow made it out alive. He could always see how difficult it was for Steve to talk about it whenever it came up, but he never wanted to pry. And now here they are, at some goddamn high school jock party of all places, and all of a sudden Steve willingly brings it up.

'I was with Robin,' Steve continues, still in that scared and broken voice. 'And they tied us to a chair. We couldn't move. And they – they hurt me. They hit me. 'Til I was bleeding all over. I thought I was gonna die. Robin thought I was dead.'

'Jesus Christ, Steve,' Eddie breathes out, tightening his grip around Steve's torso.

'So I can't,' Steve mumbles, holding up Eddie's handkerchief as if it's some kind of logical explanation for whatever it is he's trying to tell Eddie.

'Wh- What?'

'I know what it means, Eddie,' he says, as if he's even remotely making sense right now. 'You know John?'

'Who the hell is John?' Eddie only keeps finding himself more and more lost in this conversation.

'My cousin,' Steve says, like it's obvious, like he's ever talked about some cousin named John to Eddie before. 'The one in New York. He knows all about that shit, right? He sends me the good magazines sometimes when my parents aren't home. That's how I know.'

'Know what?'

Steve only waves around with that stupid handkerchief again.

'You're flagging, aren't ya? You like pain. Like BS... BM...'

Eddie feels his jaw drop.

'What the fuck are you talking about?' he asks. 'It's – this is a metal thing. It looks metal. I literally have no idea what you're – flagging?'

Now Steve's face finally mirrors the confusion Eddie has been feeling for the past ten minutes.

'Are you serious?' he asks, for one second showing more clarity in his eyes than Eddie has seen all evening.

Eddie nods.

'So it's not...' Steve stops himself, swallows, frowns. 'You're not into, like, hurting people and shit?'

And finally, it all clicks together in Eddie's mind: the repeated chorus of I can't, the story about the Russians, the goddamn handkerchief... Flagging. BDSM.

'Why the hell would I get off on hurting you, Steve?' is all he can get out of his mouth.

And Steve honest-to-Satan starts giggling; it sounds so relieved that Eddie kinda feels like giggling too, scary metal image be damned.

'I dunno, it's more common than you think,' Steve mumbles. 'I wouldn't judge you, alright? But I knew I could never give you that. No matter how much I like you. And then you'd get bored of me.'

'Oh, Steve,' Eddie whispers out. 'You don't need to worry 'bout that, I swear. For all I care, we can have the most vanilla sex in the world forever. Or never have sex at all. As long as it's with you... I'm good.' Eddie cringes as soon as the words leave his mouth: it sounds too cheesy, too sincere. He kinda hopes Steve will have forgotten this particular part of their conversation tomorrow morning.

But Steve doesn't look at him like he thinks it's stupid at all: his eyes are wide and he's smiling a soft smile.

'You sure? You won't get bored?'

Eddie chuckles. Now that he's being too goddamn cheesy anyway, he might as well double down on it. 'I can't imagine getting bored of getting to hold this body in a million fucking years. In any way you'll have me.'

Steve heaves out a relieved sigh before he buries his head against Eddie's chest.

'Can I bring you home, now?' Eddie asks.

There's a twinkle in Steve's eyes when he lifts his head again.

'Ooohhh... You wanna have the most vanilla sex in the world with me now?'

A chortle escapes Eddie's lungs.

'Um, maybe tomorrow, when you're not drunk off your ass,' he answers with a wink. 'For tonight, just lemme get you to bed, 'kay?'

'Okay, big boy,' Steve answers, and Eddie can't help but laugh before he presses a kiss against Steve's forehead.

[wheneverfeasible]

When Steve’s parents announced their divorce, Steve told Eddie he loved him. They weren’t dating at the time, though Steve thought that the feeling was mutual to at least some extent since Eddie always flirted back with him, but he hadn’t been certain.

He had known his parents stopped loving each other years ago. Hell, he didn’t know if they had ever truly loved each other, but in any case, Steve knew.

His parents decided to sell the house, to move away from Hawkins with its cursed misfortune and small town gossip, and there was no talk of either of them taking Steve with them. Which, sure, he was grown, he hadn’t been part of the conversation at all.

Steve was left at a crossroads on what to do. So, distraught at his change in circumstances, he’d gone straight to Eddie’s and confessed his feelings because he had to know if it was at all possible for anyone to want him the way he wanted them.

Luckily enough for Steve, Eddie did!

The Munsons still had a decent amount left over from the government hush money after everything, so Eddie took his share (Wayne tried to get him to take more since all Wayne had lost was physical possessions and the trailer while Eddie almost lost his life, but Eddie would only agree to a 50/50 split) and together he and Steve threw caution to the wind and found a small place to rent together in one of the new complexes being built as part of the town’s rejuvenation project.

Things were going great. They still visited Wayne, who could now stop working such long hours at the plant and who had moved to a small fixer upper on the outskirts of town. He even moved up the ladder at the plant after some of the higher ups were lost in the “earthquakes” (R.I.P.), which offered better pay and benefits.

Wayne even started dating again, which Eddie informed Steve of in such a scandalized tone, but Steve could tell that Eddie was happy for his uncle, ribbing the older man when they had stopped by one morning and the man hadn’t even been home, stumbling back an hour later with lipstick stains on his shirt’s collar.

(Wayne had told him that he was going to call the cops on them for breaking and entering while he was gone, but there was no heat in it as they set chocolate chip pancakes, eggs, and a steaming cup of coffee before him, having made use of the kitchen while he was out.)

Wayne never introduced any of the women he dated to Eddie and Steve, saying that it wasn’t proper to introduce anyone to the kids yet until he was certain that things were serious, never mind that the “kids” were well into their 20s now.

(Steve also felt a warmth at being included as a “kid” of Wayne’s, however, filling a hole in his heart that his parents had left behind, though his mother had recently reached out to him to rekindle their relationship. His father remained radio silent.)

Eventually, however, there was someone Wayne kept seeing repeatedly, someone he’d met while outside of town when he was at some convention for work and her car had broken down outside of his motel room. She hadn’t left the motel room until the next morning, and Wayne was certain it was just a single night of passion, but…

They had really hit it off, it seemed, and though Wayne hadn’t thought such an amazing and sensual—(“Uncle Wayne! For the love of everything holy, unholy, and whatever’s in-between, please don’t say sensual!)—woman would be interested in him, they exchanged numbers. And then, the day after he’d told her he should be home again from the trip, she called him.

Things only progressed from there, and soon enough there were talks of something committed, of something truly serious, and after a while, Wayne broke the news.

“Boys, my partner is going to be moving back to Hawkins and, while we know it’s a giant leap, we decided to move in together.”

As it turns out, apparently the woman is actually from Hawkins too but had left after the earthquakes tore the town apart, so she is someone that they actually knew. Wayne still won’t tell them who it is, however. He seems a little embarrassed by that, actually, but he also tells them that he is the happiest he’s ever been and he was willing to fight to be with her, so what else can they do but accept that?

They are thus excited for him, excited to finally meet her (again?), and the plan is set that they would have a family dinner together once she was in town. Steve and Eddie are, of course, moderately worried given the whole being queer thing, but Wayne assures them that they will be safe. That Wayne had made damned certain that both his boys would be safe.

(Steve again feels that warmth of belonging to someone, of being loved and cared for and supported in a way he’d never known before.)

And then the day arrives. Steve and Eddie show up early, looking pretty damn spiffy they believe, and help Wayne get the dinner ready, though it’s more like a late lunch really. Eventually, they hear the sounds of tires outside of Wayne’s house.

Wayne, smiling and looking absolutely besotted, moves toward the front door to let his girlfriend in without missing a second. Steve and Eddie hear the door open and close from the kitchen, hear quietly murmured words and what disgustingly sounds like kissing, and then there’s footsteps and—

Steve turns around to greet this mysterious woman, a smile on his face, before dropping the bowl of salad in his hands as shock and something very much like horror make itself known to him.

“MOM???!”

~

Hostage Hotties: @derythcorvinus @katyawriteswhump @honeii-puff

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[randomalistic]

Wait you guys are actually buying Disney products I thought it was a joke

(READ TAGS FOR FULL CONTEXT Sorry it’s long dies

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[waitineedaname]

MXTX protagonists ranked by how bad their mommy/daddy issues are

Luo Binghe: absolutely nuclear level of mommy/daddy issues. this is the consequence of giving your protagonist two deadbeat dads and two dead moms, and then letting him project all those issues onto his overly indulgent teacher

Wei Wuxian: he could've had perfectly normal orphan levels of parent trauma, but what's that?? IT'S THE JIANG PARENTS WITH A STEEL CHAIR!!! the combo of fear and respect he had for Yu Ziyuan is already bad enough, but then there's also the feeling of responsibility for the Jiang siblings that they put on him, which then leads to, you know, all the Yunmeng sibling problems

Lan Wangji: this dude is so haunted by his father potentially kidnapping his mother and then locking her up and putting himself in seclusion, and this significantly shapes his relationship with Wei Wuxian. plus he took his mother's death really, really badly :(

Shen Qingqiu: he like never mentions his parents?? which is weird, but at least he's not haunted by it. however, he gets the special privilege of being the person exacerbating someone else's mommy/daddy issues. he brought this on himself. he doesn't get to walk out of a confession involving a metaphor where he'd be pregnant with his partner and act like that's normal

Xie Lian: he definitely has trauma surrounding his parents for sure, but they don't seem to have manifested as specifically mommy/daddy issues? it's just, you know. normal grief. honestly, there's so much shit going on with his trauma and baggage that he can't be defined by this one thing

Hua Cheng: does not seem to care about his parents?? at all???? he's presumably an orphan and they're probably the origin of his self worth issues, but like. in the grand scheme of things, they do not seem to be that big of a concern for him. who needs mommy issues when you have devotion to dianxia i guess