#i need to get people into the secret society!!!

[1moreff-creator]

Fool's Table MV - Analysis

I absolutely adore this MV so it's getting an immediate analysis post. I cannot fucking believe what was in it. After playing coy with Mai for so long, we get an entire MV about her and Teruko?!?! The Terumai stocks are through the roof and my adoration is immeasurable. Let's go!!!

I hope I'm able to pick up on at least most of the most important details, I am doing this a bit off the cuff lol. As always, an important disclaimer is that the following is just my interpretation, I could be wrong about some things, and others may have multiple valid interpretations, I’m not claiming that my way of seeing the MV is the only “right” one, yadda yadda, you know this by now.

First, the description:

Together, alone, until the curtains close, I want to dance on the stage with you.

Pretty straightforward. The entire MV is framed on a stage, there's curtains, Mai and Teruko even dance. Just reinforcing the togetherness of Mai and Teruko (and don’t worry, we’ll get to that).

But, wait. Not everyone knows who Mai is, or what we already knew of her relationship with Teruko. That’s understandable, she’s had literally 9 seconds of screen time in the main series, and while it’s widely speculated she’s Unnamed Classmate, that’s not immediately obvious.

If you don’t know anything about her, I'll recommend you read up on the relevant sections of my secrets masterpost, since all you really need is her profile, Mai quotes and maybe her LGI numeral to understand this post. Or, if you're down for a longer read, my only somewhat outdated Mai post.

Next, we have to ask, what is Fool's Table actually about? I find it helps to talk about the song's overall meaning before diving into any specific lines, so we can better understand them in context.

Fool's Table is a song primarily about societal rules and expectations, and what it means to live within them. You'll see plenty of references to manners, people wearing masks, etc. The song also dwells on the concept that suffering is an inherent part of being human, and how to deal with this fact. The titular Fool's Table refers to life itself; it's framed both as a table, where society would claim manners and cleanliness are important, and described as a stage in various occasions, somewhere to dance and dirty and act on. You'll see what I mean when we get to line by line analysis, which this should be enough to get us started on, I think!

We open on a shot of a table, filled with plenty of different foods. Given this is the "table of life", you can easily interpret this as a representation of the large amount of experiences which life can offer. Before Teruko and Mai appear, the following lyrics play:

I'll deliver the final blow Already, that kid has a pitiful look on their face Everything everywhere is in flames Savages acting "sensitive"

"Everything everywhere is in flames" is pretty straightforward, I think. A very Teruko-like sentiment. This sentiment is possibly why the table that represents life is shown upside down; being "upside down" is a way of showing that everything's wrong with it, and by extension the world. The "final blow" mentioned, in my opinion, is showing this "truth" to the "kid with a pitiful face." Basically, this kid, possibly a stand-in for all children, was already sad, and now you're telling them everything is in shambles because of "savages" who pretend to be more compassionate, "sensitive", than they truly are.

On its surface, this seems like exactly the kind of fatalism that Teruko has held throughout most of her life. However, the next lines actually recontextualize these statements in quite an important way.

Let's let the flowers bloom until the end From the cradle to the grave, there's not enough love! Impatient guests, in a hurry Everyone is wearing the same face

This reveals that the singer actually wants things to get better, "flowers to bloom until the end." Although discontent with the current state of the world, with all these people who have lost their identity ("wearing the same face") due to "being in a hurry" (which you can interpret in a few different ways but it's not all that important for us), they seem to believe there are ways to improve it. And this idea that the singer wishes to go against society and make a better world for themselves is immediately tied to Teruko in the next line.

"You have no manners"

(The color's not actually in the MV just to be clear lol)

So first, sick animation. DRDTDev is awesome.

Anyways, there's the connection. For all that Teruko in current canon doesn't particularly believe her life can get better, she's certainly someone who goes against what is expected of her, here represented by dropping her cutlery and eating with her mouth. That's because Teruko doesn't think acting the way others act is going to help her, so she does her own thing. For example, pushing everyone away after the first trial, when others would want her to be more approachable. And with this idea, we reach Teruko's side of the table.

Now, gather around the pure white table

"The pure white table" is an ironic statement. Remember, the table represents life, so pretending it's "pure white" would imply it's simple and orderly, which the singer obviously doesn't believe. To amplify the irony, the statement is contrasted by the image of Teruko spilling blood all over the "pure white table." The statement is pretty clear: Teruko is a challenge to the orderly nature of society. Not only because she's a disruptive person herself, but because her life of misfortune is in itself a challenge to the idea that everything's perfect and okay, the mask that the other people mentioned before in the song wear.

Dance on spinning dishes, oh no

I actually quite like this line. The imagery of dishes is obviously connected to the table, which represents life, but spinning dishes in particular is a circus trick. Literally calling the world a circus, lmao. And asking you to dance on the dishes once again invites images of disorder and going against expectations.

We've forgotten the right way to breathe

AND THE CROWD GOES WILD!!!!!

Indeed, our favorite mystery girl (and birthday girl!), Mai Akasaki, makes an appearance. Unlike Teruko, Mai's eating with her cutlery, the way society would want her to. And this isn't exactly the first time we've seen Mai be contrasted with Teruko in this kind of vibe, remember?

In the LGI MV, Teruko is described as "someone dearly unloved", while Mai is "someone dearly loved." If you know anything about Mai, you know the idea that she's perfect by all standards, including societal ones, isn't exactly new.

However, it's worth noting that this is only a first impression. We'll see Mai dancing on the table later, and based on that and the whole "document" situation with Xander and Unnamed Classmate in Visiting Graves, we know Mai's perfectly fine with going against the grain and doing what she believes is right, despite what society may think. That said, unlike Teruko, her existence isn't actually a threat to the status quo, as she's:

[Mai Quote - Min]: An average girl with nothing special at all about her.

It's worth noting, though, she seems to be eating flowers instead of food. This can be an early indication of her more rebellious leanings (you eat food, not flowers), but I think it could be meant to serve as further contrast with Teruko. Remember how the foods could represent life experiences? Well, "eating flowers" in that sense could mean that Mai actually had a pretty pleasant life, which is entirely possible as, again, ordinary girl. We know from Charles' Mai quote that she loves her family, from Whit's that she has many friends, and from Visiting Graves that she doesn't have money issues. She could certainly have other issues, mind you, but right now we don't have much indication of it.

Oh also the lyric. "We've forgotten the right way to breathe" is just another way the singer has of expressing dissatisfaction with how others act. It seems like it's explicitly ambiguous whether Mai is one of the people who've forgotten the right way to breathe, or one of the people who hold the singer's opinion, playing into the dichotomy of how Mai is first presented here (eating properly) and how she dances on the table later. By the way, the word "we" actually appears and disappears before Mai shows up on screen, while the camera is still in the middle, so take that as you will.

It's all over once we drown What a luxurious dining table!

To quickly cover the lyrics, "drowning" I imagine is an allegory for death. Remember how the singer was upset others "lived in a hurry"? Yeah that. And the "luxurious" dining table thing is once again sarcastic.

You might have been wondering if I was ever going to talk about the things on the table, and don't worry, I am about to, I was just waiting for this wide shot. In general, I think most of what's on it is decorative, as I struggle to find any metaphors hidden in most of the food. The 12 colored biscuits next to Mai may be representative of the 12 members of the cast who are still alive in the killing game, maybe, but I don't think some of the colors match all that well (where does yellow go? why do we have so little blue?). Could also be the altDRDT cast + mascot, as pointed out by accirax. I don't think it's too important to know what this is, so I'll leave it open-ended.

The candles are a point of interest to me, though. The one on Mai's side is taller, but further from her, while the one on Teruko's side is smaller, but closer to her. There are like a billion ways you can interpret that, but I'm gonna choose to think of them as the two girls' "warmth", if that makes sense. Teruko is keeping it closer to herself, not as willing to open up, and the candle's shorter, so she has less warmth to give. Conversely, Mai is more willing to give Teruko her "warmth", as she's a really nice person from what we know, and that warmth is very intense judging from the length of the candle. Works well enough for me.

Finally, the most important part of the table, the cake. Obviously the centerpiece, it has both flowers and a red liquid, which I assume we're meant to see as blood. Notably, the side facing Teruko has the blood on top and the flowers below, possibly representing the way Teruko, at least in CH2, shows off her harsher side to the world while hiding more delicate and complicated feelings. Meanwhile, Mai's side has the blood being covered by the flowers, as if implying that Mai's kindness and love hide a fiercer soul underneath. Given the whole "she was probably staging some kind of revolution against Hope's Peak with Xander based on Visiting Graves" thing, I'd say that's a pretty accurate description of her character. Not to say she's intentionally hiding an evil side or anything, just that her real feelings are more complicated than what her seemingly perfect exterior suggest.

I haven't talked about the flowers because they're drawn the same as the flowers on Mai's tattoo, the Bonus Episode text boxes, and the "flowers of an unknown species" of the LGI MV. If you know the common interpretations, you'll know the two popular options for what they are is white camellias or white mai flowers. White camellias represent purity and honor like other white flowers, though they also specifically represent adoration and respect and are popular funeral flowers in Japan; while Mai flowers represent "prosperity, happiness in the new year, as well as resilience against storms and challenges", and the yellow variation of the flowers is connected to a legend about a girl who died protecting her father and village from a snake monster. Oh yeah Mai's probably dead by the time the killing game starts. 'Cuz, you know.

See that arrow pointing to Mai's portrait when her numeral XI shows up alongside the word God?

Yeah it's not very subtle. Mai's God, Mai's dead. There are other interpretations for this, mind you, but there's also other reasons to believe she's dead, so.

Trash is trash, trash will act like trash Fools are fools, fools will act like fools That's the ironclad rule of society And there's no room to complain

You get the lyrics by now, right? I don't have to point out that this is once again talking about rigid societal rules and expectations? Good!

Everyone everywhere is a nuisance The noisy crowd from earlier

For now, let's dance in the palm of their hands

Yay more pretty animation! :D

Here, the singer once again insults society at large, but also says that "for now, let's dance in the palm of their hands." As in, they're not fully ready to complete go against society yet, and will engage with its expectations for a while longer.

However, we're actually left with a pretty important question: what the fuck is the apple? Apples are usually representative of the “forbidden fruit”, a temptation or desire which goes against what is accepted. So, perhaps Mai is doing as the lyric on screen says; by discarding the apple, she’s discarding that which is forbidden by society and “dancing in the palm of their hand.”

That’s certainly an understandable interpretation, but I don’t find it fully convincing, because it just… doesn’t fit Mai.

[Mai Quote - Xander]: She couldn’t stand to do nothing.

Not only because of the whole “rebelling against Hope’s Peak” thing, but because later in this very MV, she’s seen dancing on the table with Teruko, going against societal expectations.

Additionally, it doesn’t explain what giving the apple to the dog would represent. Dogs can’t go against human societal norms, as far as I know. So, that’s another point that would need to be explained in that interpretation.

But maybe the doggy can help us? Maybe we can get to another interpretation through it, because I feel like I’ve seen it somewhere before-

Oh for the love of- Can this stop being the most plot relevant execution of all time???????? I don't want to think about it anymore!!!!!! /silly

Yes, the presence of a black dog/wolf is an explicit callback to Min’s execution. This would draw a connection between the apple and Min. On the surface, there are a few other ways we can connect them, as apples have a lot of associations with a bunch of things. In pop culture, apples are a common gift students give their teachers, and Min is a Student who wished to be a teacher. Allow me to ignore that this could also connect to the About Page Text and altDRDT Teacher real quick, since this connection is very minor and very cherry picked and only works because of the dog that doesn’t have ties to those two things.

However, it does bring even more issues with the interpretation I previously mentioned. Because, to put it bluntly, Min is the exact opposite of going against societal norms. Her recap foil is the Rebel, she’s under the orders of XF-Ture Tech, you know the drill.

Is it possible, then, that the meaning of the apple is the opposite as well? That eating the apple represents accepting society’s rules? It may seem weird with the associations to forbidden-ness I mentioned earlier, but if you go back and look at the Lone Apple scenes again, this idea gets a bit stronger.

The apple is full when the singer talks about the ironclad rules of society, as if implying that the apple is the ironclad rule. Then, right before we hear the singer talk about dancing in the palm of the hand of the “noisy crowd”, the apple is seen eaten, as if eating it is directly connected to dancing in their palm and following the rules. This would be consistent with the apple’s connection to Min, as Min herself is representative of following societal expectations as discussed earlier.

But then, why would it be “forbidden”? Well, I propose that we’ve been thinking about it wrong. The apple isn’t forbidden from society’s perspective, but from Teruko’s perspective.

Theory: An “Unfortunate” Point of View

The idea is that the MV doesn’t show things from a neutral perspective, but rather, from Teruko’s perspective, specifically. I’ll discuss why I believe this in more detail in a bit, but for now, I’ll ask you to bear with me.

This is the final piece of the puzzle for my take on the apple. Since the world has been unkind to Teruko, playing along with the rules of the world would make you an enemy in her eyes. She has been opposed to them from the very start of this MV, after all. Thus, the act of accepting the “ironclad rules”, eating the apple and “dancing in the noisy crowd’s palm”, would be seen by Teruko as eating a forbidden fruit. Therefore, the MV presents it as such, since I believe it’s shown from her perspective.

However, Mai discards the apple, which in this case is consistent with her dancing on the table later. She’s forgoing society’s rules and “throwing them to the wolves.”

Am I cooking? Am I burning down the kitchen? I have no idea! But that’s what makes it fun! This whole thing is obviously very up to interpretation, and there’s not really such a thing as a right or wrong one, really. I’m very open to hearing other interpretations on this thing.

Btw while we’re here, the wolf thing could also be connected to Elliot’s death, since he likely got killed by dogs as well (long story). In that case, the apple could represent knowledge, as in, the “forbidden” knowledge of Elliot’s existence and death. But… that’s kinda really disconnected from the rest of the MV and I don’t know how to relate it to the other lines the apple is seen alongside. So, throwing it out there, but I don’t think there’s a connection there.

Finally, I don’t think Mai’s the mastermind. Yes, I know that her throwing something to a wolf could be an allegory to her executing Min. But as stated earlier, it’s likely she’s already dead, and it’s kinda hard to mastermind a killing game from beyond the grave. You could connect it, in a more roundabout way, to theories that Mai’s death caused the killing game, but I don’t think it can really go further than that.

Gather around the pure white table Dance on spinning dishes, oh no We've forgotten the right way to breathe Let’s continue until we drown

Same lyrics as before, except for the change of “let’s continue until we drown.” It fits with Teruko lying on the table, not really doing anything. See, I believe this moment represents one where Teruko has given up on actively fighting, and is just deciding to go along with the flawed society she lives in. If I compared her eating with her hands earlier with her attitude at the start of CH2, this could be compared to her attitude when MonoTV told her she’d get executed but before Levi jumped in. That is, resigned and just letting things happen. This bouncing between harsh and “socially condemned” methods of self-preservation and resignation to her fate is a common thing for Teruko, I find.

Go ahead, enjoy the sour and sweet as you please Forever uncertain, I’ve held onto this poison Let it make my cells dance With those sharp-edged words! Our pain, we couldn’t choose any of it Look, it’s spinning round and round On the dining table of “life”

Yeah remember that thing about Teruko resigning herself to her fate and bad luck? “Our pain, we couldn’t choose any of it” is pretty in line with that. Teruko’s just accepted that bad things will happen, the world’s terrible and her existence is suffering. Hence, “enjoy the sour and sweet as you please” while she’s lying on the table; she’s a meal ready to be consumed by those who hurt her at their whims.

And who do I mean by “those who hurt her”? Well, if you didn’t catch it, the type of knife and its placement is a clear echo of Xander stabbing Teruko. Now, judging by several of her statements through the series, Xander isn’t the only person who’s ever hurt her, but he does work as a stand-in. Someone Teruko trusted has stabbed her in the… I’d say back but it was really the stomach, and she thinks this is what will always happen if she opens herself to hoping things will be better. She wants to, to some extent (“forever uncertain”), but she knows it will still hurt her eventually (the poison “making her cells dance”).

Well, except.

Here Mai is, pointing a knife away from Teruko. Defending her, possibly. This is the same knife she held at the start, the one which seemed to suggest Mai was playing by the rules of society. Except, she’s now taken those things, and is now using it to point at whoever may want to “eat” Teruko. That could represent a couple of things, but the most straightforward idea for me is that several of the things that make Mai a standup member of society are also just good traits for a friendship, such as her kindness and compassion.

Now, the next section has a lot of repeated images, so I’m just going to describe what shows up with each lyric.

[Mai pointing knife from uninjured Teruko] Now, gather around the pure white table Dance on spinning dishes, oh no [Teruko stabbed, alone] We’ve forgotten the right way to breathe [Mai holding knife, Teruko hidden] It’s all over once we drown (What luxurious dining table!)

(Btw you can know if Teruko is injured or not by facial expression, if you were wondering how I could tell)

Chorus, we know the lyrics. However, I’d like to point out that the line “we’ve forgotten the right way to breathe” is shown with Teruko injured and no Mai, possibly implying that being alone is “the wrong way to breathe” as it gets Teruko injured. That’s my favorite interpretation for that, anyways. Also ominous showing Mai front and center when talking about drowning as an allegory for death, but frankly? This is the first “dead” allegation she’s caught this entire video, and seeing how she managed to catch, like, three in the two seconds her numeral shows up in LGI alone, I’m actually quite proud of her! She may not be beating the allegations, but at least she's not getting one per scene!

Now, play a pure black elegy Let’s dance on the palm of your hand, oh no How does it feel to be devoured by the prey you once mocked?

Let’s start by focusing on what’s happening with Teruko in in the background, because it’s quite sweet. Not only does she start smiling and crying in joy, her stomach is covered in Mai’s signature flowers. This is pretty clear; Mai’s kindness has “fixed” the injuries other people had caused Teruko, her flowers covering up the Xander related injury that serves as a stand-in for all the betrayals Teruko’s endured over the years.

Admittedly, such heartwarming visuals are a bit of a contrast to the line “play a pure black elegy”, which if you don’t know is a “poem of serious reflection, usually a lament for the dead”, and the whole “devoured by the prey you once mocked” thing. However, that’s presumably because Mai is still very much holding a knife up to someone, so we can get away with some darker stuff.

I choose to interpret these lines as these two effectively talking to the status quo of Teruko’s life, if that makes sense. With Mai’s help, Teruko’s finally regained the courage to fight against her fate and stand up again, looking to “devour” the vague enemy of her luck whom she was always the prey to. The elegy, then, is aimed at this vague enemy, who they seek to defeat and “kill.” Does that make sense?

And this is the final link I need to explain my aforementioned “this MV is from Teruko’s perspective” theory. Because, you see, I believe this entire MV shows a story, and there’s an arc about Mai and Teruko’s friendship which can be followed. I believe this MV represents the process of Teruko befriending Mai, from Teruko’s perspective.

Think about it. It starts with Teruko and Mai literally opposed to one another, and Mai effectively being shown as one of the people who “wears the same face” as the others, given she’s following proper table manners. She’s nothing special, just someone else who will betray Teruko eventually, hence Teruko’s almost angry expression on that table. Someone who will bite that “forbidden fruit” that is the ironclad rule of the world. Trash will be trash, fools will be fools, and Teruko will be unlucky and get betrayed.

But then, Mai rejects the apple. And when she grabs the knife again, she points it away from Teruko, even when Teruko was lying on the table and ready to get hurt again. This is also, by the way, the first time Mai opens her eyes in the MV; the first time Teruko and her see eye to eye (per se). Because Mai always trusted Teruko, always wanted to be her friend, and only now is that good faith being returned. Well, I assume she never had any bad intentions, anyways.

Look, from how Mai is usually presented, she may as well be perfect in my books. If I catch her burning an orphanage, I’d probably assume the orphans deserved it. This is hyperbole, of course, but only barely.

And so, Mai has officially broken through Teruko’s bad luck and allowed her to “devour” that horrid fate which had always been pushing her down, allowing them to finally dance together in the end, smiling all the while.

Now, obviously, this makes 15000 assumptions as to how Mai and Teruko actually met, what their relationship was like, etc. There are a million things I may have just gotten horribly wrong. But as always, we know too little about Mai to make any good theories without a lot of assumptions. And with the little we do know, this interpretation makes sense in my mind, so it’s the one I’m currently going with!

Go ahead, enjoy the sour and sweet as you please Forever certain, we’ve been waiting for love Let these cells dance With that completely decayed mind! Nothing will be taken from us Our pain and everything is spinning On the dining table of “life” What a luxurious fool’s table!

Look, by this point, you’ve heard what this scene is all about. Mai and Teruko finally both throw away the rules of society and dance upon the table together, not caring what they destroy or messy up in the process. They’re more certain now, because they’ve found the love they were looking for, and feel like nothing will go wrong because “nothing will be taken from us.” The pain’s still there, but they’ll face it together! What a wonderfully hopeful ending! Ignore that Mai's probably dead please.

And since this part’s pretty easy, it gives me time to appreciate the yuri!

You see, this may be something I’ve only ever brought up once, but Teru-Min-Mai is my favorite DRDT ship, and it has been for a while. And while I can’t find any excuse to talk about Min for longer than I already have (a tragedy, I know), I can spare some time to spread the Terumai side of the Agenda, at least! I’ve seen a few people start thinking about shipping it too because of this MV, so let me make a sales pitch. Ehem.

-Opposing themes: You’ve heard of the “dearly unloved” and “dearly loved” thing from the portraits, but did you know red and green are complimentary colors?

-Looking for each other: I mean, just look at what can show up on Mai’s page.

[Mai Quote - Teruko]: Some years ago, she was searching for someone named 'Teruko Tawaki.'

Come on. Why’re you so interested in looking for her if not to kiss her on the lips?

-Matching phone charms: We see that Teruko’s monopad has a phone charm in 2-1, which she shares with Unnamed Classmate. Btw, Mai’s profile states she likes phone charms :)

-Matching tattoos?: Mai’s iconic flower tattoo is on her left arm, and Teruko’s left arm has always been conspicuously hidden from us. But from the jacket off reference, it seems there is something important there. And from the only time we’ve ever had even a glimpse of it, it seems like she may be hiding the same tattoo as Mai.

-Dream sequences: Teruko literally dreams of Mai in her 1-6 dream sequence. And her dialogue there couldn’t hold more fondness if it tried.

It's strange I would remember her now, of all times. What was her name again? It's on the tip of my tongue, but I can't remember. Xander always reminded me of that girl. Perhaps that's why I'm thinking about her now. They looked similar, with that same red hair and smile. And... they both wanted to help, didn't they?

-Teruko’s favorite color is red “by association”: Considering Xander stabbed her, I think the association comes from someone else. Imagine loving someone so much they change your favorite color wow.

-Apocalyptic levels of doomed: We’re DRDT fans, we enjoy our yuri when it’s doomed. And the second anniversary art makes the doomed-ness pretty clear.

(I have to remake this collage there's like three pixels on it total lol)

The code translates to “It’s all your fault.” Combined with Mai likely being dead, you can put two and two together that Teruko might blame herself for Mai's demise, or at least she would if she had all her memories. This is doomed as can be.

-This entire MV: Like come on.

Anyways, ship Terumai. Or don’t, I really don’t care about shipping much and you can do what you want forever. This is just so newer fans aren’t hopelessly confused on why these two are together in this MV and seem to be about two seconds from proposing to each other; the basis for them being really good friends, if nothing else, has always been there.

Anyways, the video ends with a curtain closing, because we’ve been interpreting life as a stage to dance upon, so it’s a natural way to close things out. If you wanted a sadder reading, you could take the idea that Teruko ends up seeing her relationship with Mai as a play, an act that would always end eventually, because it was too good to last when taking her luck into account. The yuri is even more doomed than we expected, I fear.

-

And that should be it! What a wonderful MV this was! It’s nice to really get insight into what Teruko and Mai’s relationship looked like, sort of, and I know I’ll personally savor some of these frames forever. Loved it. Happy 5th anniversary everyone, and happy birthday Mai! Thanks for reading! See ya’!

[shysuccubusstuff]

L&DS LI are for those that... pt. 2:

Content: Gender neutral reader + Non proof-reader.

Note: I'm so glad that those that read pt. 1 saw themselves reflected on what I hc!! Thanks for reading as always, it makes me so happy to be able to read and respond to the comments, wish I was able to respond to those that repost as well... Something that I find interesting is that the people that like people like Zayne or Sylus are quite similar, at least in my opinion! I feel that the part of Caleb still lacks a bit of knowledge about him, but bear with me while I try to get to understand him better. Please let me know if I messed up big time with Caleb...

Sylus:

Sylus is for those that have spent their whole lives misunderstood. The ones that have always been seen as if they were the problem, always being left alone because of their tough/mean exterior. He is for those that have always been avoided even if they are one of the kindest people to walk on Earth. For those that have been cast away because of something that escapes their own control. He is for those that despite their harsh experiences due to their outer appearance still remain kind, fighting in the dark to prove (they aren't sure if to themselves or to society) that the exterior is nothing more than a façade, something that has no real value when it comes to loving.

Sylus is for those that have been always alone. The ones that either became accustomed or forced to do everything by themselves, the ones that were seen as people "mature" for their age. The ones that were praised for being such a good behaving child, even if this was merely a constant fear of being seen as useless or too naïve for their own well-being. Sylus is for those that have always dreamt about having someone that is always for them, the ones that enjoy having their own time alone but hate the feeling of loneliness. Sylus is for those that despite being aware of their own capabilities, need someone that is there, someone who reassures them that they are indeed able to do that and much more, even if they may fail on their first attempt.

Sylus is for those that hate lies. The ones that have always been feeling as if they are missing out on something, even if they aren't really aware of what it actually is. He is for those that have always felt as if people keep stuff away from them, because how are they supposed to trust someone that is constantly hiding vital information from them? Being able to find someone like Sylus, a person that despite having their fair share of secrets, have never tried for a second to lie to them about who they truly are and their likes and dislikes. Someone who will never make them question their true intention behind their actions, someone who will make sure to reassure them, answering to every single question that their lover may think of. Sylus' voice remaining calm and collected as they explain once, twice or as many times as they need just to make sure that their loved one is sure of his love.

Sylus is for those that live for the trope of enemies to lovers. Those that have always yearn for someone that wil love them even after seeing their worst. The ones that have been dreaming about that slow burn love, the one that despite beginning with harsh words and mean looks soon melts into the purest love, one that is born not just from love, but the feeling of pure admiration for the other. At the same time, Sylus is for those that kept fawning over the bad boys in novels and games, the ones that were always seen misbehaving in class, skipping school every single day, you know the drill. That is of course until they meet the main protagonist, the only one who is able to turn them into a better person while still maintaining that care free nature. This ties with how Sylus is for those that feel suffocated within their daily life, the ones that keep imagining themselves running away from all your responsibilities (even if it's just for a single night).

Caleb:

Caleb is for those that have always yearn for someone to protect them. He is for those that have always been forced to protect themselves, growing claws and fangs just to keep their own selves from being hurt. Caleb is for those that constantly craved for someone that would protect them, the ones that had to endure all kinds of hardships since a young age.

Caleb is for those that love hard, the ones that instead of letting go when they get hurt, choose to bite harder, deciding to sink their teeth deeper into the ones they love. After all, that's the only way you have ever learnt to love, choosing to stick to the ones that may hurt them, even if they are aware of just how damaging this is. Caleb is for those that love like dogs, tail wagging towards those that they love, even if they have hurt them before.

Caleb is for those whose love language is acts of service. The ones that pay close attention to what their loved one likes or dislikes. He is for those that love doing things for the others, making sure to listen to their every word just to make sure that they got everything right. Caleb is the one for those that have grown tired of being ignored, the ones that felt unseen, as even as they tried to let those close to them see their inner world, they simply chose to remain blind. Caleb is for those that always dreamt about being listened to, the ones that love speaking about their interests just as much as they love hearing about their lover's.

Caleb is for those that loved the yandere archetype. The ones that loved having someone head over heels for them, even to the point of causing pain, it doesn't matter if it's to him or to someone else, he is ready to risk it all. You know this may sound twisted, but how could you make someone understand just how much you needed to feel it. That desperation, the hunger... Caleb is for those that need their lover to prove just how much they love them, just how much they are ready to give up just to keep you. Caleb is for those that have lived in a constant state of unstability, the ones that have always feared waking up from that sweet dream of being loved. Caleb is for those that only know how to love too much.

[literaryvein-reblogs]

How to write diva like characters, like blingy, dramatic, cool asf characters. I feel we don't talk about socialites and PPL like these but I do wanna put them as a main character

Writing Ideas: Diva Characters

a list of related tropes

The Beautiful Elite: They aren't just beautiful looking. In addition to being healthy and fit, with beautiful skin and hair, their whole life is beautiful. They are more fashionable than anyone else, more sophisticated and charming than anyone else, and are usually both rich and socially powerful. Their clothes are all way too expensive for you to ever own. They live in an elegantly furnished Big Fancy House that is so clean and well organized they look like they are Living in a Furniture Store. They get to hobnob with famous people so much that they may casually refer to them on a First-Name Basis. To a certain degree, this is Truth in Television. In most societies, wealth and attractiveness are highly correlated; the wealthy have much greater access to resources for improving their own appearance, through fitness classes, plastic surgery, healthy food, cosmetics, hairstyling, wardrobe, etc. Moreover, attractive people often have better access to social, financial, and material success, whether through marriage or professional opportunities. And even beyond all that, the very standards of beauty itself, especially feminine beauty, are customarily centered around a demonstration of wealth.

Cosmopolitan Council: The one trait that ties everyone together is that they are all in possession of skill, authority or money, and in excessive amounts. The members will probably be heavily accessorized with gaudy jewelry or a scar to prove their moral alignment. In short, the implication is that each and every member has a varied and storied past… which we very likely won't learn.

Non-Idle Rich: A rich character does a job involving public service (often a cop, soldier, or doctor) despite obviously not needing the pay. Instead, they do the work to help people or for personal satisfaction — or to avoid boredom. They will often have conflict with both their family — who wonder what they're doing down in the muck with the "common people" — and their work peers — who class them sight unseen as a dilettante after thrills. They spend all their time proving themselves.

Socialite: Cultured and rich, and knows how to handle any social situation (or at least upper-class ones).

Socially Scored Society: A setting where everyone's reputation is ranked/scored, and it affects their quality of life.

The Diva: The strong, dark, beautiful woman. She's often a go-getter, chasing stardom, wealth, or just recognition for her talents. If she becomes an Idol, she's not constrained by the pressures of always appearing youthful, innocent, and approachable.

The Prima Donna: An overbearing, egotistical entertainer.

Hidden Heart of Gold: Someone is mean, has become famous for it, and is proud of it, so when they do something nice, they keep it secret.

No Fame, No Wealth, No Service: Places that only let in celebrities.

Old Money: Families that have been wealthy for many generations, and maintain their lifestyle through stewardship of an existing family fortune.

The Sheltered Aristocrat: A character who has lived a life surrounded by luxury and pomp and shielded from the everyday trivialities and mundane issues which the lower classes have to contend with. They see themselves as pure and untainted by the hardships of the outside world, but their Ivory Tower worldview is based on books and tutoring, so they are in for a rude awakening when they leave the castle.

You Are the New Trend: A famous person has his mannerisms copied by everyone.

Examples

Brave New World is one of the most famous examples. A Dystopia where everyone is raised to be a Stepford Smiler, and everyone looks twenty years old (except the Epsilons, the lowest caste; they are barely human).

F. Scott Fitzgerald was fond of The Beautiful Elite trope: Dick and Nicole Diver appear to be Beautiful Elite at the beginning of Tender Is the Night. But deconstructed it in The Great Gatsby, a classic novel that starts off by showing all the glamor of the rich, then revealing the ugly truths behind why some of them are this way. The Beautiful and Damned also starts out with this in play until the main couple's awful life choices start catching up with them.

Elizabeth Roffe in Sidney Sheldon's Bloodline. Despite being able to simply sell her shares of her family's company, she decided to run the company.

George R. R. Martin's A Song of Ice and Fire: House Lannister is the richest and most glamorous of the Great Houses. They are tall, beautiful and golden-haired. Jamie and Cersei Lannister are regarded as some of the most dashing and beautiful members of the nobility. The expected physical perfection of the Lannisters is part of why Tyrion Lannister, a deformed dwarf, is so reviled by much of his own family.

The Park family in Parasite live in a large, isolated house in the middle of densely packed Seoul to symbolize how sheltered they are from the real world. They casually spend large amounts of money with no real thought, as exemplified by how they ask for "ram-don" — which combines two full servings of instant noodles — topped with expensive sirloin steak for a snack. They serve as Foils to the poor Kims, who are of such modest means that they have to fold pizza boxes to try and make ends meet.

Pride and Prejudice's Lady Catherine de Bourgh is a widow of Blue Blood with a vast fortune and huge income. She's nosy, haughty, and extremely meddlesome. She thinks everybody will do what pleases her.

Sleeping Beauty (1959): As a baby, Princess Aurora is given the gift of beauty by the good fairies, as grows up into a lovely young woman.

Darling (1965) is about Diana Scott, a beauteous model from Swinging Sixties London, who gets into multiple romantic entanglements, attends high-profile charity galas, and flies around the world for various jobs. However, her personal unfulfillment, amorality, and disillusionment with the jet set are running themes, and the film ends with her stuck in a marriage to an Italian prince.

Soul (2020): Dorothea is a downplayed example. She's framed as the height of jazz performers, and definitely has sway over who plays and how in her band. She's quick to hire, fire, and challenge her bandmates to keep up. Her experience in the field also gives Joe the advice he needs to hear about the difference between chasing the dream and living it.

The Great Gatsby: Tom Buchanan and Daisy come from old money and high society. It's put in contrast with Jay Gatsby, who is Nouveau Riche and must engage in Conspicuous Consumption to appear to fit in.

Sources: 1 2 ⚜ More: References ⚜ Writing Resources PDFs

Here are some tropes and examples you can use as inspiration. You can find more in the sources linked above. Choose which ones you would like to incorporate in your story. Hope this helps with your writing!

[plumbogs]

i am only thankful that the sorority is the one with the bar and the frat isn't. this situation + the alcohol mod would have gotten so far out of hand

but I think there's another graduation at the sorority so we're not out of the woods yet.

could I just Not make everyone on campus be at one party at the same time and do the bare minimum of damage control? yes. but this is the only way to make the university expansion fun to me

[katyspersonal]

[ratatatastic]

i cant believe "hey do you play basketball" tall jokes evolved into "so remember in utah when you were chatting with markkanen" to "oh yeah i knew him in the finnish army :)" what insane lore drop is this what the fuck

BMW Teammate of the Month | 1.31.25 (x)(x)

[krispiecake]

you know when you get those adverts for like protein shake meal replacement bullshit products and people say shit like ‘im just so busy with work i never have the time for breakfast or lunch or dinner or snacks, so this horrible brown powder milkshake is a huge life TIMEsaver!’ and ‘its so convenient! i just swallow a glass of tasteless powder to meet my basic vitamin needs and then i have all the time my employer wants from me!’ and then you have to keep watching the unskippable ad only for the person not to become immediately radicalised by what they were just forced to say. I genuinely cannot fathom how people write these scripts, say them out loud, film these videos, edit them and publish them and nobody involved in that process is going insane. are you even listening? are you reading those words? cant you see the exploitation of workers is forcing you to stop performing even the most necessary of tasks like eating real food? and cant you see we have been so convinced that is normal that there are entire businesses and ad campaigns based on it?

food, actual real good normal food, is a human right, but also part of your culture, your family, your community. Its a source of joy, health, fun, love and creativity. please dont let these fucked up companies convince you its just time that could be better spent slaving away for the rich monsters that hold your contract.

[thespoonisvictory]

btw if people start saying the FDA caused events in acoc I’m going to start killing and biting and that is not a joke

[viulus]

Endgame spoilers for AITSF I guess but how is Date still in that body in the second game? The little quiz that you do at the start of AINI mentions Mizuki getting shot and Saito being the Cyclops Serial Killer, so that to me suggests that AINI is set after the events of the Resolution route (instead of, say, the Mizuki route). We literally saw Saito's head get blown clean off his body on-screen how the fuck do they explain Date being back in that body in the second game

[yuri-alexseygaybitch]

Serial killer horror almost always falls flat with me, not only because by default it has to frame the police (usually the literal FBI) as an unquestionable force of good, but because I know just enough about IRL serial killers (thanks 3 years of my life I wasted "studying" criminology) to know they are unanimously deeply uninteresting and pathetic people. The most common type of serial killer is a guy who kills vulnerable people (sex workers, substance users, racialized women and girls, queer people) because he can and gets away with it for a while because he's targeting people whose lives are explicitly devalued by the society he lives in. That's it. There's no secret pattern that needs to be uncovered, no cryptic messages that need to be decoded, and definitely no "Satanic" shit. The handful of times there is weird "occult" stuff involved it's literally just untreated mental illness and/or fascist mysticism/religiosity. There's genuinely nothing interesting or scary about these people, just a bitter and depressing distillation of the thousands of routine violences needed to maintain the status quo.

[monsterblogging]

"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

[emberwhite]

Not everyone likes my book, and I'm OK with that. There are many classic children's books some people just don't like because of their message or how they portray it, but I love them because they offer something a little different.

I made something straight from the heart and took a big chance on it. It caters to no one and breaks many conventions you find in children's books. I wanted adults to be able to enjoy the story as well, so it's not afraid to get a little sad. There were a few children's book bloggers I had emailed who wouldn't review it because of that reason. And there were Read Aloud YouTube channels who wouldn't make a video on it because they didn't like the ending.

But there were also many people who absolutely loved the book. They got what I was trying to do, so I know there is an audience for this sort of thing. The more secluded you feel you are from society the better the chance you'll like it. This isn't the case for everyone but just a trend I noticed. Reviews on Amazon have been overwhelming positive, and hey, my mom liked it too. And the book has sold almost a 100 copies in its first month.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

But then again, I also get these drive-by reviews from window shoppers. This is just the reality of trying to do something a bit different with a kid's book. People absolutely judge a book by it's cover.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I know how to write things that are guaranteed to sell and make money, but this ain't one of them. Doing what is guaranteed to work gets boring after a couple of years. It's too safe. It's fulfilling work to make a product that people need but also empty at the same time.

This was a complete gamble. I have been publishing on Amazon for the last 8 years now, and I haven't felt this excited since I released my first book. And thinking back on it, that first book was also a bold gamble as well. And it sold very well. Maybe then, that's just the secret to success.

Anyways, the book is on Amazon. You can also find the full story and illustrations on YouTube for free as well. If you would like to support the book, a quick rating on Amazon or Goodreads is one of the best ways to do so.

[aliyahwritings]

THE CONTRACTED HEART — Rafe Cameron (01)

MASTERLIST | Basketball Player & Model!Female Reader

Summary: Rafe Cameron, a basketball star, needs a marriage to fix his image, while Model!Reader needs one for citizenship. They may be the perfect solution for each other.

Warnings: smut, descriptions of violence, jealousy, usage of drugs, talks about body image/ed, angst, and lots of bickering. Reader is confident, a people-pleaser, has a traumatic past, and is a sunshine with an attitude. Rafe is a whore, possessive, cocky, and secretive about his past.

Word Count: 4.2k

Aliyah's Notes: this is my first series on here so go easy on me (#adele) pls + some things are not going to be obx canon ... at least some of yall are warned. anyw im so excited for this cause lord knows the amount of time ive wanted to make a fake dating fic!!!!!!! anyw i hope you all will enjoy this i had so much writing the first chapter

The clatter of high heels against the marble floor echoed in perfect sync with the ticking of your watch. Every step was deliberate, poised—just like your life had to be. Perfection, it seemed, was not a choice but a requirement for survival.

You adjusted your sunglasses, your gaze skimming over the glamorous expanse of the fashion agency's lobby. People buzzed around you like bees in a hive, their worlds spinning, fueled by the weight of names, status, and flawless images. You smiled politely at the receptionist, offering a nod, though your mind was miles away.

To the outside world, your life was golden. The covers of magazines, the invitations to high-society events, the million-dollar deals with luxury brands—it was a fantasy that others could only dream of. It was your dream some time ago, too. 

But today, your reality felt like walking on the edge of a tightrope, the safety net fraying below you.

Your phone vibrated in your purse, interrupting your thoughts. You fished it out, your pulse quickening when you saw the text from your lawyer. Three words that sent a chill through your carefully constructed façade.

"We need to talk."

Your heart sank. The issue of your visa had been hanging over your head like a storm cloud for months now, growing darker by the day. You’d known this was coming, but knowing and confronting it were two different beasts.

Fame didn’t shield you from the cold bureaucracy of citizenship laws, and your time was running out. One misstep, one delay, and your golden empire could crumble. In a matter of months, you could be deported, left behind by the very country that had built you up.

With a deep breath, you silenced your phone and slid it back into your purse. This wasn’t something you could dwell on right now, not in public. Your expression remained serene, even though your mind was anything but. You had a shoot in an hour, a charity gala that evening, and at some point, you had to meet with the lawyer to discuss "options"—a word that had started to feel more like a trap than a solution.

As you exited the building, the cool breeze caught your hair, the city unfolding before you like a glittering stage. New York City. You looked out at the streets, the people, the life you fought so hard to build. The car pulled up to the curb, and you climbed inside. On your way to your lawyer.

You stepped into the law office, the familiar scent of polished wood and stale coffee wrapping around you like a tight band.

"Ms. Y/L/N, good afternoon," Nicolas Ramirez, your lawyer, greeted you, standing behind his desk. His expression was composed, but you knew him well enough by now to spot the unease in his eyes.

"Hi," you softly smiled at him. Your heels clicked softly on the floor as you sat down, crossing your legs tightly, as if holding yourself together. "Let’s just get straight to it, okay? How bad is it?"

Nico sighed, adjusting his glasses. "Your visa expires in less than three months."

You felt your stomach twist, your worst fear inching closer to reality. You swallowed hard, trying to keep your voice steady. "And what about the appeals? The extensions?"

"We’ve exhausted every possible option—work visas, artist visas, even humanitarian grounds. Immigration laws are tightening, and without a permanent solution like citizenship or residency, you’ll be forced to leave the country."

"Leave?" Your voice was barely a whisper, but it carried the full weight of the nightmare you’d been living with. 

Leave? Go back there?

The country you had fought so hard to escape. The country where your childhood had been marked by suffocating poverty, where your parents had already planned your marriage before you even turned 15. Where your dreams had been a distant, impossible hope until that one person changed your life forever.

You felt your throat tighten. You couldn’t go back.

Nico’s gaze softened slightly, his voice gentle but firm. "I know what this means for you. I know how difficult—"

"You don’t know," you cut him off, your voice sharper than you intended. "You… You don’t know—I can’t go back there, Nico. I just… I can’t."

He nodded, giving you a moment of silence to compose yourself, but the pressure in your chest only grew. You took a deep breath, trying to keep the panic at bay.

"So what now?" you asked, fighting to keep your voice steady. "Is this it? Am I out of options?"

"Well… There’s one option we haven’t explored yet." his tone was cautious, like he knew what he was about to say would open a new can of worms.

You furrowed your brow. "What?"

"Marriage."

The word hung in the air, thick and heavy. You blinked, unable to comprehend at first. "Marriage?" you repeated, as if saying it aloud would make the absurdity of it clear.

"It’s one of the few legal paths left," he explained, leaning forward slightly. "Marriage to a U.S. citizen could secure your green card and, eventually, permanent residency. It’s a legitimate route—many people in similar situations have done it."

You sat back in your chair, the tension in your body coiling tighter. The thought of marriage, of attaching yourself to someone you barely knew for the sake of staying in the country, made your skin crawl. You had already sacrificed so much for your freedom, for your career. And now this?

"You’re telling me the only way to stay here is to marry someone I don’t even love? Just to avoid being sent back to a country I don’t belong in anymore?"

"Not necessarily," Nicolas said, his tone measured. "It wouldn’t have to be a traditional marriage. Think of it as a business arrangement. It’s a legal partnership—nothing more. And it could save your career, your life here."

You crossed your arms tightly, your mind racing. Marriage. It was a word that had haunted you ever since your parents had tried to force you into it as a teenager. Back then, it was their way of controlling you, of keeping you bound to a life you didn’t want. Now, it felt like the universe was throwing the same chains back at you, just in a different form.

"I’ve compiled a list of potential candidates," Arjun continued, sliding a piece of paper across the desk toward you. "People who might be open to an arrangement like this. Athletes, businesspeople—individuals who might benefit from a similar deal."

You glanced at the paper but didn’t pick it up. The names blurred in front of your eyes. This wasn’t how your life was supposed to go. You’d already lost your family, fought tooth and nail to get out of your country and build something for yourself in the U.S. And now you were at risk of losing everything—again.

"I don’t know if I can do this, Nico," you said quietly, shaking your head. "I’ve already sacrificed so much. My family… I gave up everything to be here. And now you’re telling me I have to give up even more?"

"I’m not telling you that you have to do anything," he replied, his voice calm but firm. "I’m saying this is an option. One that could keep you here, legally. But the decision is yours. I’m just laying out the possibilities."

You swallowed the familiar knot of anxiety tightening in your chest. 

"I can’t go back there," you whispered, more to yourself than to him. "I’ve worked too hard to get here. I can’t lose everything."

He nodded slowly. "Then maybe it’s time to consider unconventional options."

You finally picked up the paper, scanning the names but not really seeing them. Your heart was racing, your mind spinning with a thousand thoughts. Marriage. It felt like a trap, just like it had back then. But maybe—just maybe—it was the only way to keep your future intact.

"I’ll think about it," you said, standing up and smoothing the front of your dress. "But I’m not making any promises."

"Of course," he said, standing as well. "Just let me know. We’re running out of time, but I’ll support whatever decision you make."

You nodded curtly, turning toward the door. As you stepped out into the cool city air, your chest tightened with the weight of everything you stood to lose. The lights of New York City flickered ahead of you, just out of reach, as though the life you’d built here could vanish at any moment.

And for the first time in a long time, you felt truly afraid.

Your phone buzzed, dragging you out of your spiraling thoughts. You fished it out of your purse, heart skipping a beat when you saw the name: Nina. Your agent.

With a shaky exhale, you answered. “Nina, hi.”

“Hey, babe!” Nina’s voice was all cheer, a stark contrast to the storm inside you. “So, I have amazing news! Guess who just got major campaign offers coming in? You! Chanel, Loewe, and oh my God, don’t even get me started on Louis Vuitton. The year starts beautifully for you!”

You should’ve felt ecstatic, but instead, the words passed over you like an echo. All you could think of was the countdown Nico had set in motion: three months. Three months before everything you’d built here would be taken away from you. 

“That’s… amazing, Nina,” you managed, trying to muster some enthusiasm. “Really amazing. Thank you so much.”

“Are you okay? You don’t sound like your sunshine-self.” Nina’s voice softened, concern creeping in. “What’s going on?”

There was a pause. Nina had been there through all your ups and downs, from your rookie days as a model to your rise in the industry. But the immigration issues, the fear of being sent back to a life you couldn’t return to—that was something neither of you could control. 

“Three months?” she repeated, her voice going higher. “Oh my God—what the fuck? I thought… I thought you had more time.”

“So did I.” You swallowed the lump in your throat. “Nina, I don’t know what to do. I’ve called Nico and he tried everything—extensions, appeals—but the laws are tightening, and he said there’s only one real option left.”

There was a brief silence before she asked, “What option?”

You bit your lip. “Marriage. Nico says I could marry someone for a green card.”

“Marriage?” Nina’s voice came out in a shocked squeak. “Like a fake marriage? Babe, are you serious?”

“I don’t know!” you burst out, frustration and fear colliding. “I don’t know what to do! I can’t go back there. I can’t. My parents… My parents already wrote me off as dead, and if I go back, I’m stuck in a place I spent my entire life trying to escape.”

Her voice softened. “I know, honey, I know… I’m sorry. I didn’t mean to sound—God, I can’t imagine how scary this is for you.”

You took a shaky breath, grateful for her understanding. Nina wasn’t just your manager—she was one of the few people who you actually close to. She was a 34 years old American-Filipina woman. You trusted her with your life. 

“Okay,” Nina said, her voice more focused now. “Okay, now listen. We’ll figure this out. I know Nicolas wouldn’t suggest something like this unless it was a real option. Do you trust him?”

You sighed. “Yeah. I do. But the idea of marrying someone just to stay… it feels like another version of what my parents wanted for me. Like I’m back in that same time of my life.”

“I get it. But this isn’t like that. You’re in control this time,” Nina said. “If this is what you need to stay here, it’s not about love or being owned by someone.”

You nodded to yourself, trying to absorb her words. “Well, um, Nico gave me a list of potential candidates—people who might be willing to make an arrangement. You’ll never guess who’s on it, though.”

“Who? Shawn Mendes? Harry Styles? Tom Holland—”

“Rafe Cameron,” you said, cutting her off. “The basketball play—”

“Yeah, I know who that man is, Y/N. His reputation is a total mess right now. It’s not surprising for him to be on that list.”

“Exactly,” you muttered. “It’s a perfect business arrangement for him, too. He needs a way to look respectable again, and I need to stay in the country.”

“So, you’re actually considering this?”

You leaned against a streetlamp, staring at the city around you. “I don’t know. Maybe? It just feels wrong. Like I’m giving up a part of myself.”

“As nicely as this can be said, you are being dramatic here, babe.” Nina sighed softly. “Look, I’m not going to push you either way, okay? But I do think you need to look at it from a different angle. You’re not giving up on yourself. You’re doing what you need to do to stay here, to keep fighting for your career and your future. And Rafe—or whoever you’ll end up marrying—is not your parents. He’s not going to control you or he’ll get slapped.”

You closed your eyes, trying to let her words sink in. She was right—you were in control now. This wasn’t the same as being forced into a marriage you didn’t want. This was about survival. About keeping your life in the U.S. intact.

"Yeah… I guess you’re right," you said softly, feeling some of the tension release from your shoulders. "I just need time to think."

TWO WEEKS LATER.

The soft glow of the late afternoon sun filtered through the curtains, casting warm light across your living room. After two relentless weeks of back-to-back fashion shoots, campaign meetings, and gala appearances, you had finally found a moment of peace. You curled up on the plush sofa, sinking into its embrace as the hum of the city outside became a distant murmur. The oversized, loose pajamas you wore were a far cry from the designer gowns and couture you’d been draped in recently, but they were yours—soft, comforting, and familiar. Your hair was twisted into a lazy bun under a satin bonnet.

You exhaled a sigh of relief, finally feeling the weight of exhaustion slip from your shoulders as you closed your eyes.

Buzz. Buzz.

The sound of your phone vibrating on the coffee table pulled you from the calm. You groaned softly, reaching for it with one hand, expecting to see another notification about a meeting or event. Instead, it was a message from Nicolas.

“Any thoughts on who you're going to marry? We need to move quickly if we want to ensure everything goes through in time.”

The familiar weight of the situation you’d been trying to avoid crept back into your chest. Two weeks had passed since your lawyer had first laid out the reality of your visa situation. In those weeks, you'd thrown yourself into work, hoping the constant flurry of activity would drown out the anxiety. But now, in the quiet of your home, the decision loomed large again.

You typed back, hesitating for a moment before hitting send.

"I haven’t decided yet."

A few seconds later, the reply came through.

"We need to discuss this in person. Can you come to my office today?"

You frowned, your eyes darting around the cozy room, not quite ready to leave your home.

"How about you come here instead?" you typed. "It’s been a long week, and I’d rather talk in private."

There was a pause before the three dots appeared, and then the message followed.

"Sure. I’ll be there in about an hour."

You put your phone down and leaned back against the cushions, staring at the ceiling. This wasn’t a conversation you wanted to have, but it was necessary. Time was running out, and you knew you had to face it—whether you wanted to or not.

An hour passed in a blur, and soon enough, you heard the knock at your door. You padded across the room in your socks, your oversized pajama pants swishing softly as you walked. Opening the door, you found Nicolas standing there, looking as composed as ever in his tailored suit.

“Come in,” you said with a smile, stepping aside to let him in.

Nicolas entered, his eyes scanning the room before they landed on you. "You look... relaxed."

You gave a soft chuckle, gesturing to your pajamas. “Don’t mock the pj’s until you’ve tried them.”

He smiled slightly, but there was a hint of emergency in his expression as he took a seat in the armchair across from you. “I know you’ve had a lot on your plate lately, but we really need to make a decision.”

You nodded, sitting back down on the couch, hugging a pillow to your chest. “I know… I’ve just been avoiding it.”

“And I noticed,” he said, pulling out a folder from his briefcase. “But with the visa expiration approaching, we don’t have much time. We need to find someone—someone who understands the situation and won’t make things harder.”

You bit your lip, holding a smile, glancing at the folder in his hands. “You bought the list?”

He nodded, and handed it over, and you flipped through the names, recognizing some immediately. Athletes, businessmen, even a couple of actors/singers. And then there was Rafe Cameron, his name standing out like a bold headline.

“I’ve looked at these,” you said quietly. “I just… I don’t know who to choose. None of ‘em feel right.”

Nico leaned forward. “It's not about right or wrong. It’s about who can offer the least amount of personal complications and help you secure your residency. Rafe Cameron, for instance—he’s someone who could benefit from this arrangement as much as you. His reputation needs mending, and this could be a mutually beneficial situation.”

You stared at Rafe’s name, the memories of seeing his name in the news about how much of a womanizer he was… Could you really tie yourself to someone like him in a fake marriage?

“Alright, but I need you to help me decide,” you admitted, looking up at him.

He nodded, his expression understanding. “Of course, that’s why I’m here. Let’s break it down together and figure out who makes the most sense, not just legally but for your peace of mind.”

Nicolas opened his briefcase again, pulling out more detailed files on the potential candidates. He laid them out neatly on the coffee table, each name with a stack of information—financial records, personal histories, public perceptions. It was all very businesslike.

You leaned forward, looking at the pages in front of you. Each one represented a major decision, a shift in your life you weren’t entirely ready to accept, but you knew you didn’t have much of a choice.

“Let’s start with the most practical options,” he said, sliding the file on Rafe Cameron toward you. “I know his name has come up before. He’s wealthy, influential, and… well, let’s be honest, he could use a boost to his public image right now. It’s a good match on paper.”

You stared at Rafe’s name again, tapping the edge of the file with your finger. “Yeah, but he’s also a bit of a mess, isn’t he? I mean, the media paints him as this… whore, and his personal life is always talked about. What if that blows back on me?”

Nicolas raised a brow. “That’s something to consider, but you also have to think of the benefits. His public image might not be very clean, but he’s powerful. Marrying him would put you in a stable position, and if it’s a business arrangement, his private affairs don’t have to concern you.”

You exhaled slowly, still feeling uneasy. Rafe Cameron was trouble, and you knew it. But at the same time, trouble might be exactly what could make this work—for both of you.

“What about the others?” you asked, flipping through the files. “There has to be someone who’s… less complicated.”

“Well,” he said, tapping another file. “there’s Owen Turner. He’s a succesful tech entrepeneur, keeps a low profile. No scandals, no messy reputation. He’s reliable, but you’ll have to approach this differently. He’s more private, less likely to want his personal life on display.”

“And boring—plus, he seems like the type of white guy to want a traditional wife. Like he would expect me to cook for him every night… and he has an ugly name.”

“Owen won’t be expecting home-cooked meals, Y/N. He’s a tech guy; he probably lives on energy drinks and instant ramen,” Nico pointed out, trying to steer you back to the serious topic. “But if we position it as a legal arrangement, he could see the value in it.”

You sighed, leaning back on the chair. “Okay, maybe Owen is the safer options. But can you imagine our wedding announcement? ‘Succesful Tech Entrepeneur Married Famous Model: They Share a Love for Cats and Instant Noodle.’”

Nico shook his head, trying not to smile. “Focus, please. This is a serious matter.”

“Right, right, sorry…” you said, wavering your hand dismissively. “But, what do you think about Rafe?”

“Rafe Cameron is the most straightforward option,” he said, his tone now more measured. “He’s already in the public eye, which means there won’t be as much of a shock if you’re suddenly married. Plus, his need for good press aligns with your need for stability.”

“And personally?”

He smiled softly, a rare gesture from him. “Personally, I think you should go with the person you think you can manage.”

You nodded, appreciating his honesty. Staring at the stack of papers in front of you, Rafe Cameron’s name glaring up at you from the top of the list. Every name on the list had its pros and cons, but something about Rafe’s file felt different. Maybe it was the intensity of his media coverage, the scandals, or the way he dominated the headlines for all the wrong reasons. But as much as you hesitated, his name kept pulling you back.

“I know his reputation isn't spotless,” Nico said, sensing your hesitation, “but in this situation, a clean reputation isn’t the priority. You need someone powerful, someone with enough influence to make this arrangement stick without getting tangled up in emotional complications.”

You nodded, again.”But I don’t know if I can handle all the baggage that comes with Rafe Cameron. His public image is a trainwreck. Wouldn’t that only complicate things more?”

Nico leaned back in his chair, looking thoughtful. “Possibly. But think of it this way: his personal life is already so chaotic that a stable, respectable marriage might be exactly what he needs to repair his image. And that’s where you come in. You’d be helping each other.”

Your eyes dropped back down to his file. "Do you think he'd even agree to something like this?"

Nico chuckled softly. “If there’s one thing I know about men like Rafe Cameron, it’s that they understand deals. His reputation is hanging by a thread, and a marriage to someone like you—someone with a pristine public image—could be the ticket to restoring his credibility. It’s a win-win, really.”

You considered Nico’s words. He was right. Rafe had everything to gain from a marriage of convenience, just like you. And while his scandals were messy, they didn’t define him entirely. He was still an elite athlete, one of the best in the game, and with the right PR strategy, you could both come out looking better.

But the thought of marrying someone like him—a notorious playboy with a history of messy breakups—made your stomach churn. 

“You know,” Nico continued, “if this were just about your visa, we’d be having a different conversation. But this is about your entire future. Your career, your freedom to stay here, everything you’ve built. I’m not saying it’s an easy choice, but it’s one worth considering.”

You sighed, the weight of the decision pressing down on you. "What happens if it falls apart? What if things with Rafe go wrong?"

"That’s why we’ll draft a contract," Nico reassured you. "This won’t be a traditional marriage, Y/N. You’ll both have clear boundaries, and legally, we’ll protect your interests. If things go south, you’ll be covered."

You stared at the file a little longer, then closed your eyes.Rafe Cameron. He was cocky, possessive, and reckless—everything you usually avoided. But maybe that was the key. You wouldn’t have to worry about him trying to control you or make this anything more than a business transaction.

It would be messy. It would be complicated. But it would also keep you here, in the country you’d fought so hard to call home. And maybe, just maybe, it would be the solution you both needed.

“Okay,” you said softly, your decision finally settling. “I’ll do it.”

Nico’s eyebrows shot up, a little surprised at how quickly you’d made up your mind. “You’re sure?”

“No,” you admitted with a weak smile. “But I think this is the best option. I’ll marry Rafe Cameron.”

Nico nodded, closing the folder with a satisfied smile. “Good. I’ll set up a meeting with him. We’ll get the ball rolling.”

Oh God, you were going to marry Rafe Cameron…

chapter two

[grison-in-space]

from the number of asinine complaints about how "voting is NOT a form of harm reduction" because harm reduction is for ADDICTS! ONLY! I'm seeing around... all coming from OP blogs I don't recognize and which otherwise don't have much presence... well, that coordination alongside the timing of US politics sure feels like the Russian troll bots agitating again. (Yes, they absolutely infested Tumblr; I think @ms-demeanor had a great post about what the bots looked and felt like somewhere that I will have to try and track down tomorrow.)

The thing is, if you actually do know harm reduction well, the complaint makes no sense. It's not as if the origin of harm reduction is a secret or especially hard to find out more about. I am not exactly an expert in the field: I have a educated layperson's interest in public health and infectious disease, I'm a queer feminist of a certain age and therefore have a certain degree of familiarity with AIDS-driven safer sex campaigns, and I'm interested in disability history and self advocacy (and I would in fact clarify harm reduction as a philosophy under this umbrella). So I have about twenty years of experience with harm reduction as a philosophy basically by existing in communities whose history is intertwined with harm reduction, which means I know it well from many different angles, and I know how the story of the philosophy is generally taught.

See, this is a story that starts, as so many stories do, in the 1980s with something monstrous President Reagan was doing. In this case, it was the AIDS epidemic, and Reagan refusing to devote any money or time to what eventually became called AIDS (rather than the original GRIDS, which came with its own baked in homophobia). Knowing themselves abandoned by society in this as in all things, and watching as friends and loved ones died in droves, queers and addicts are two communities who see that they are the only resources that they collectively have to save each other's lives. Queers know that sex, even casual sex, is an important part of people's lives and culture... and people aren't going to stop doing it even if there's a disease, so how can it happen safely? Condoms. Condoms every time, freely available, easy and shameless, shower them on people in the street if you have to. (And other things: this is the origin of the concept of "fluid bonding", for example... both of which were concepts that were immediately adopted in response to COVID, like outdoor socially distsnced greetings and masks and "bubbles." That wasn't an accident. Normalizing sexual health tests and seeing hard results on paper before sex was a thing, too.)

Addicts, too, knew that using was going to happen no matter how earnestly people tried to stop. If it was that easy, addiction wouldn't exist. So: how do you make using safer for longer? If you could stop someone getting HIV before they could bring themselves to get clean, that's a whole life right there. If you could stop someone overdosing once, twice, a dozen times, that's more time you're buying them to claw themselves out of addiction and into a better place. Addicts see, right, needle sharing is getting the diseases spread, so cut down on needle sharing. Well, needles aren't easy to get hold of. Their supply is controlled because people who aren't prescribed needles are theoretically junkies, so taking the needles away makes it harder to use, right— and no one is complicit, and also you see fewer discarded needles lying around where they're unsanitary and unsafe, right? Except that people want to do a buddy a good turn, so they share if there's no other option, and they'll keep a needle going until it's literally too blunt to keep using if need be. So fighting needle sharing means making it easier to get needles to shoot up with: finding a place to discard used ones and get as many fresh ones as you need to use safely!

Making free needles available to junkies and free condoms for the bathhouses was not a popular solution with politicians, for perhaps obvious reasons. Nor was routine testing of the blood supply, because that cost money too. But these things work to stop the spread of disease. Thus the principle of harm reduction: policy interventions in response to communities that frequently engage in risky behavior should focus on whatever reduces aggregate harm by reducing the risk rather than by trying to reduce the behavior. The homos and junkies say look, all your societal judgement in the world hasn't stopped us being homos and junkies yet. You ain't going to look after us? We'll look after our own. And this is the form that takes. Not increasing the pressure to act like people who aren't is, but making it safer to be the people we are while we try to be the happiest versions of ourselves. Even if that means being morally complicit in a whole lot of casual sex and drug abuse.

The thing is, harm reduction is a philosophy rooted in the defiance of people who knew that their society thought they deserved to die painfully, young, invisible and alone. This is not the kind of thing that people come up with and get mad if you adapt it and share it, especially if you tell the story of where it came from. And importantly, harm reduction is not purely the child of addiction: that philosophy, from the get go, was cooked up to apply both to substance abuse and casual sex. It didn't just spread from addiction care; it was born straddling addiction care and queer & feminist health care.

So it doesn't make sense to see actual activists who know harm reduction well complaining that this is a term exhibiting semantic drift when we talk about voting as harm reduction. It's actually a good metaphor: you're reducing the overall risk of the worst case scenario metaphors by voting Democrat, at least until future votes can install a system where multiple parties can flourish on the political scheme. (Democrats and Republicans are essentially coalitions of a pack of arguing factions anyway, and those factions are essentially what would be classed elsewhere as a party in its own right; the US essentially just lumps political granularity rather than splitting it in our political system.) And anyone who understands harm reduction itself knows that.

So it's this wildly inorganic complaint being voiced repeatedly by different sources. Sounds like a pretty good flag for a potential psyop to me.

If you want to learn more about harm reduction and its history, especially from an addiction perspective, I cannot recommend Maia Szalavitz's Undoing Drugs: How Harm Reduction is Changing the Future of Drugs and Addiction (2022) highly enough. Szalavitz has a history of addiction of her own as well as being a clear and accessible writer with an excellent grasp of neuroscience and history. I have a lot of respect for her work.

[hexhomos]

Hello fellow Jayce defender.

First off, virtual kisses on both your cheeks for your Arcane analysis. They're refreshing to read, and insightful as well.

Something that's always bothered me about the way fans interact with Jayce is assuming that he's always the one making the mistakes in any of his relationships. It's almost funny in a way how they strip other characters of their autonomy and arcs just so they can point out how Jayce is failing his partners.

With Mel and Viktor especially, there's this narrative that Jayce simultaneously ignores both of their needs while also prioritising one over the other. Either he neglects Viktor to go and swoon over Mel, or he abandons his relationship with Mel to go play science with Viktor, or he neglects both to go do his own things while they suffer through their own plots.

And it's fascinating how incredibly mistaken these people are, and also how they reduce his character to only being important when he's in a relationship.

I'm here like, "hey, do you wanna discuss the reason for how Jayce seemingly knows how to navigate the ways of high class society very easily is probably because he's had to rely on sponsorships and donations for most of his youth to find his research because his house is too poor to be able afford it?"

Or "It's canonical that Jayce only ever had one friend in his youth before Viktor, and that was the daughter of his main sponsor, do you think it's interesting that this indicates he probably had difficulty making or maintaining friendships and that this is possibly a symptom of the Academy mainly housing elite and rich students so they couldn't relate to his struggles and he couldn't relate to theirs?"

But no, people just want to hate on him for not being the picture perfect boytoy in a relationship.

And I mean, it's not like it's just reduced to Jayce either. So many other characters have had similar treatments where they're reduced to either their most basic qualities or mischaracterised entirely. And I'm really not trying to be the fandom police or whatever - everyone interprets differently - I just find it frustrating is all.

Anyways, you're cool.

YES I never have time to talk about this bc people don't give a fuck but in Jayce's journals we even see him stewing with envy and petty rage at this star-rising student on the academy that he sees as the example of a perfect prodigy (in opposition to how much Jayce fucks things up...)

It also strongly suggests he's on a scholarship, which ties into his suicide attempt.

Jayce is keeping his experiments a secret from everyone to avoid the blowback and isolating himself further and further when they don't work. Jayce is flawed! He's proud of his dream pitch to the point of hilarity. Jayce doesn't like socializing, he does it out of obligation! Even when he's being raised to a councilor position in s1 he's PANICKING. He doesn't want the fucking job, he doesn't like the parties nor the people, his truest honest self is that moment in season 2 where he declares the lab was always his home, and so was Viktor.

But even then he subsumes his own wants spends most of s1 trying to attend to the needs of other people. He routinely asks Viktor if he's alright, if he wants to come up to do the presentation, if he's sure those experiments are safe, etc. He tries to make Heimerdinger proud despite his constant rejections of their projects, and only turns on him when he threatens viktor's wellbeing. The reason why he doesn't announce anything on progress day is that he Was listening to Heimers so-called wisdom and it only bit him in the ass. Jayce gets himself in trouble with the council by being too naive and assuming his new post will allow him to crackdown on Piltovan corruption aided by the Hexgates. Majority of the complaints wrt relationships I see people making of him are just wildly exaggerated. "He was neglecting viktor" bro he talks about viktor in nearly every scene he has with mel 😭 viktor is the one who isolates himself and randomly disappears at times bc he's a grown man with his own boundaries.

Jayce's entire life is defined by the transactional nature of his existence, his work, the patronage receives - all depending on how much he can play the showpony role without fucking it up. It's not a comfortable position. Jayce is stressing out the whole damn show because if one person isn't pissed at him, someone else will be, and it always comes down to revokable money, investments, social standing. if he really was as uncaring and well-off as some claim he wouldn't give a shit. He could just coast along life, but that's not what he's doing ever. He only 'frees' himself in season 2 by abandoning his life's dream and the rotten reality that existed around it. Which is kind of bleak, but at least its over.

[zombolouge]

The thing is, it's not about the Therapy Speak. It's not that everyone who disliked DAV hates healthy communication as a dynamic in fiction. It's not even about only being allowed to be a good guy, really, because most of us did do that anyways (though the option not being there is a loss I grieve even if I never chose it myself, but that's another rant for another day).

It's that DAV does all that stuff at the expense of being believable. At the expense of characters being permitted to have personalities. At the expense of emotions behaving the way emotions actually work for people. At the expense of letting the plot build tension through the stakes we're forced to grapple with.

Half the fics out there take the conflicts between the characters in the previous games and resolve them. I do it myself ALL THE TIME because I like to find a path to resolution through just about any conflict, that's what fascinates me about telling these stories. But the higher the stakes, the harder a conflict is to resolve. You CAN resolve any conflict, you CAN communicate healthily through any emotion, but you can't skip the time it takes to process it all to even be able to communicate it. As someone whose got CPTSD and recovered from many Traumas, I can tell you that the TIME it takes to work through it is not something you can fast track, and the ups and downs of your emotions on that journey can't be skipped. It doesn't matter if you know exactly how to do it, exactly how it's going to feel, or exactly what the end state will be, you CAN'T speedrun it.

DAV has stakes that are astronomical, but nobody treats them that way. Nobody experiences denial - a common psychological reaction to being presented with information that shatters your worldview. Nobody expresses any distrust in the establishments handing out this information - something common among cultures that have at times been at war, even if those wars are "resolved" in the present. Nobody really ever breaks down - something that any person is capable of under extreme circumstances, especially when facing multiple crises of faith that challenge everything they thought they knew about themselves. Nobody blows their lid because they've been repressing the hell out of everything. Nobody grieves for southern Thedas, the entire thing dying off screen and giving you, the player, NO way to engage with it in any way.

Not to mention there are barely any inter-party conflicts, when there should be a lot more. Why is everyone (except Spite) fine with it if Emmrich sacrifices Manfred to become a lich? Why is everyone fine with Illario potentially being set free if he was working with the venatori and Elgar'nan, two sources that have actively attacked everyone in the party? Why doesn't Neve resent Lucanis if Treviso is picked? Why doesn't Harding get pissed off at Nevarra for having a secret society of liches that never helped during the Inquisition's war against the breach and corypheus? Why doesn't Harding feel ANYTHING about Ferelden and the rest of the south? Shouldn't Harding resent the fact that she's stuck in the north while her home dies?

All of these conflicts ARE resolvable, but not easily. And it's not believable that they're never brought up. It's not believable that these characters skip through everything that happens with like, barely a frowny face most of the time. In DAO, Alistair leaves if you don't treat his conflicts with respect. In DA2, your party members try to kill each other if you don't pay attention to their conflicts/emotional needs. In DAI, people can leave or betray you, Cassandra throws a chair at Varric and tries to body him out a window. ALL of these can be resolved but it takes effort, and the characters get to SHOW that they're bothered by them and struggling the way a person would when faced with those emotions.

The problem isn't the therapy speak, or that everyone is loyal and won't leave, or that they aren't mean to each other enough. It's that it's toxic positivity. It's toxic as fuck to imply that anger or grief should be smiled over or else you're giving up, and it's damaging to people to avoid engaging with their own negative emotional responses to extremely negative stimuli. It's pasting optimism over very real, very weighty issues, sweeping it all under the rug, and you keep waiting for the lid to blow off the pressure cooker that creates, but it never does. It never becomes anything that emulates real emotions, which is why the whole damn thing feels hollow. Everything's dying and nobody cares, not even about themselves, and that's NOT healthy communication.

It's bullshit, half-assed storytelling that didn't tell us the actual story, just the vague idea of what it could have been.