#i missed you guys so much. i really missed my family

[buckevantommy]

Buck could fill a small bakery with the amount he's baked in the past few weeks. He cleaned out the flour shelf at his local corner market, used a coop's worth of eggs, pushed his mixer to the limit, and had his oven working near constantly. Every neighbor on his floor and everyone he's passed in the lobby has had a loaf of some kind left on their doorstep or politely shoved into their hands. Everyone at the station is begging him not to overload them on anymore sugar - they'll take the carb-loaded meals he makes at work but avoid Buck the moment he enters the bay doors with a basket of saran-wrapped sweet bakes.

The worst part is that it's not even working anymore. It never really distracted him enough to not want to call Tommy, just put his hands and head to use for an hour or two at a time so that he couldn't text or call.

But now there's nothing left to bake with. And Eddie is looking at houses in El Paso. And everyone has family to go home to, except for Buck. And every reason he has for not being the one to reach out first goes out the window.

After a few rings, Tommy answers with a questioning: "-Buck?" and it's a gutpunch he doesn't need today but he's already feeling like shit so the pain just gets absorbed into the rest of it.

"H-hey, Tommy." It feels good to say his name under- well, not better circumstances than addressing his broken heart, but something with a bit of tentative hope at least.

And it's good to hear his voice. The voicemails and audio notes and videos from their time together have soothed him and tormented him at different times, but hearing Tommy respond sends a pang of longing through him.

"Um. I-I, uh."

"Are you okay?"

A bitter sound trips its way out of Buck's mouth. "No. No, I-I'm not okay."

"Are you hurt?"

The urgency in Tommy's voice thrills him; he still cares. But Buck doesn't want to misrepresent himself, doesn't want to trick Tommy into caring about what he's going through.

"Guess that depends."

"On what?"

"What kinda hurt you mean."

There's an inhale across the line. "What can I do?"

Tears prick at the corners of Buck's eyes. "I just- need someone to talk to." He doesn't say: even though we're not together anymore, can we still be friends? because even though he's missed Tommy being in his life, he doesn't know if he could be just friends.

"Okay." Buck hears some rustling in the background, footsteps, background noise receding. "I'm here. Talk to me."

Tommy wants to hear what Buck has to say, he always did. So Buck talks. He tells Tommy about Eddie moving away, and Tommy listens. And when it gets too much he tells Tommy about a new niece or nephew of his on the way, and Tommy offers his sincere congratulations. And then he tells Tommy about his baking coping mechanism and Tommy quiets.

So much so that Buck checks to see if the call dropped.

"I'm on my fifth engine," Tommy admit. "I keep taking them apart and putting them back together until they work better than before. But everytime I was done I had to start again, fix another broken thing, because I couldn't fix.."

Buck takes an unsteady breath. Us. "Me."

"No," Tommy says emphatically. "I couldn't fix me. Too broken to be good enough for you."

It's a heartwrenching confession, but Buck feels a smile beneath the tears sneaking down his face. "You don't think I'm broken? Nobody stays for me, Tommy. At some point I gotta realize I'm just not someone people wanna stick around for in the long run."

"Evan.."

Buck breezes over the sound of his name in Tommy's mouth, can't dwell on how good it feels because it won't last. "Guess neither of us are forever guys, huh." His heart, bruised and battered, bleeds a little more. The tears stream freely now. He sniffles, but manages to steady his voice as he says: "I loved you. That was real."

Tommy's breath hitches. "I was a coward."

Buck nods. Cries some more. They're both fucked up.

Tommy hesitates, but then: "I'm off-shift soon. We could.."

He leaves it hanging. There's so many ways Buck could finish that sentence, most of them unbearably hopeful. He doesn't want to stay in his empty apartment anymore. "Yours?" His voice is a little wet. "Maybe I could help you with that engine."

Tommy's breath of amusement is a balm to Buck's aching heart. "You know something about vintage cars I don't?" It's teasing, and gentle, and Buck has missed this.

"Maybe. Maybe trying to do it alone is the problem."

Another breath of laughter, followed by resignation in Tommy's voice. "Yeah. Maybe you're right."

Buck listens to him breathe for a moment: in, out, in..

"I'll meet you at mine."

Buck's poor heart beats a little stronger.

*

It was more than an hour later, of battling crosstown traffic and then letting himself into Tommy's house because Tommy had explicitly told him to use the spare key. They never gotten to the point of swapping keys. That probably should've been a step they didn't skip over. Buck's too-long legs had skipped too many for Tommy's comfort.

He pushes all thoughts of that aside. He's not perfect, he's too much, but Tommy agreed to see him. Tommy wants.. he's not sure.

Buck stands in the little living room, surveying Tommy's space while his mind spirals, heart yoyo-ing between hope and hopelessness. He doesn't know how much time passes when the front door opens and Tommy appears in the entryway.

He looks good. Tired, if the dark circles under his eyes are anything to go by, but good. His hair is a little longer all over, and it suits him. Buck wants to tell him as much but he can't seem to say anything.

Then Tommy says, "Hey," soft and concerned and fond, a sad smile at the corners of his eyes.

And Buck's tears threaten back into his own. "Hey." His voice is watery and brittle.

Tommy's there in three strides, gathering Buck into his arms, and Buck lets himself be wrapped in an embrace. Winds his arms around Tommy and presses into his solid warmth. Breathes him in as the tears come.

He feels safe. Seen. His heart cradled in care the way his body is cradled in Tommy's arms.

Buck takes a deep, steadying inhale of Tommy's scent and pulls back enough to look him in the face. His hands loose their grip at Tommy's shirt, smoothing to palm him through the cotton.

"About that engine.."

Tommy's smile is wide enough to crinkle his eyes in that way Buck loves, with joy etched in the creases.

"I wanna help you, if you'll let me. We could make it work. Together."

Tommy's eyes glisten. His smile breaks into a grin. "I'd like to try that."

buck probably called tommy every chance he got when they were together. driving home from work and stuck in traffic, it’s time to call tommy and tell him about his shift. late night in bed and he’s struggling to fall asleep without him, tommy’s soft voice will lull him to sleep from the other side of the phone. both on shift and the calls had been particularly slow, he will go and sit on the roof with tommy on loud speaker and they will just talk about anything and everything.

and when buck finds out that eddie is thinking about moving back to texas, tommy is the only person who he wants to talk to about it. so he finally gives in and calls. and of course, tommy will answer.

[takumiraine]

Once Upon A Time chapter 5

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Jason Todd knew it was only a matter of time until his bubble burst and one of his brothers found out what he was getting up to. He was just hoping he could pull it off for a little longer. Even though the pit still reacted at the strangest times, he felt calmer, more normal, than he had in years. He wanted to hold it close and make sure nobody could take it from him.

From Replacement: you went back to college? Does B know?

Fuck.

—

Danny had been wary at first. Rich boy Jason Todd-Wayne in his college classes. The man was older than Jazz, though not by much, and a freshman with him. Either the guy was a bad influence or Danny just had really shitty luck.

He and the universe both knew the answer to than one really. But 60 bucks a week to reteach the guy basic math and Jason always gave him dinner in the deal? Danny wasn’t going to look that particular gift horse in the mouth. If there was one thing Danny had forgotten during the past almost two years it was how hungry his human side got. Not having money and being on the run meant opportunities to eat were few and far between.

What Danny didn’t expect was how sarcastic and assholish the rich guy could be. He loved trading snark. Danny assumed that it came from them both having older siblings. But between that and the half formed core that was slowly shoring up, Danny found himself growing attached. He had missed having friends. Getting to talk to Sam, Tucker and rarely Jazz through a conspiracy message board wasn’t enough. Most of the time it was just a way to make sure that nobody had been captured by the GIW. They had a way to pass longer messages but to do that too often would be suspicious.

“So I don’t get it,” Danny said, gesturing at Jason with some fries almost a month into tutoring, “What do people actually do at Galas? The tabloid pics just show a bunch of people in uncomfortable looking suits standing around with champagne.”

“….thats really it. It’s boring as shit.” Jason kicked his chair back on two legs, leaning against the wall. “If I liked you less I’d invite you.”

“If you liked me less?”

“Oh yeah. Because then you’d have to meet my brothers, the assorted not quite adopteds, my dad and scarier yet, our butler.” Danny choked on his laugh.

“Your butler is the scary one in that situation?”

“Alfred is like a ghost. Always there when you turn around.” Jason put on the accent “Master Jason, you really must come home more. Nobody quite enjoys my cooking like you.” He let the chair legs settle on the floor. “Now imagine that from behind you in a dark kitchen at two am while you’re half drunk and trying to make a sandwich.”

“Okay, yeah, I could see it being that scary. My sister was….” Shit he hadn’t meant to mention Jazz. “She was the only one who cared sometimes.” May as well rip that bandaid off.

“Yeah?” Jason asked, taking a drink from his coffee cup. “Didn’t know you had a sister.”

“My family and I don’t see each other anymore. It’s for the best.” He hoped Jason wouldn’t ask more questions, because ‘my parents sold me out to the government that only knew where I was because of the Justice League which is why I hate them and by association your dad, and now my sister is in hiding in a different state with a new identity’ was way too difficult to explain. “I left before they could kick me out.”

Danny watched Jason’s face twist into a frown. “Bigots suck. Sorry man.”

“Yeah…. Well…” Danny busied himself with finishing his burger. Then, once he chewed and swallowed. “Wait. Is your dad the one that fell into the champagne tower last year?”

Jason groaned, “he’s not always like that I promise.”

“No I get it. A weird ‘Family Friend’ invited us to his fancy party so he could hit on my mom once. I accidentally on purpose took out the entire buffet table including a cheese fountain so we had to go home.”

“Cheese fountain?”

“You know those chocolate fountains?” Danny asked. Jason nodded. “Like that, but with fondue cheese instead. And before you ask why, all I can say is it was in Wisconsin.”

Jason watched him with an unreadable expression for a moment, and Danny assumed he was processing it, because when the expression broke, Jason was laughing.

He looked so much younger when he laughed like that, and Danny remembered that they had both had, in their own ways, a rough life. “Yeah. I know. I was finding cheese in the weirdest places for weeks.”

“Did you get invited back?” Danny’s heart ached with the fact that a month or so later, Everything Fell Apart.

“No… I…” he cut himself off, remembering the horrified looks his parents gave him as their weapons, the ones he fixed, were turned against the ‘beast’ that ‘possessed’ their son. The looks mimicking the ones they gave him when the party screeched to a halt as he did his best impression of a Scooby Doo villain being unmasked. The screams of shock turning into ones of horror. The -

“-anny? Danny?” He blinked and shook his head.

“What? Oh, sorry.” He took another drink from the coffee, emptying the cup. “No. I never was asked back. You done?” He looked at their empty plates and grabbed the tray. “We should get to the library. Though I’m sure someone as good looking as you has plenty, these x-es won’t find themselves.” He was overcompensating for zoning out now, words coming out faster than normal.

“Yeah… are… you okay?” Jason asked, as Danny bussed their tray and grabbed his backpack, a backpack bought by his tutoring money. A tutoring gig he desperately did not want to fuck up with his own bullshit.

“Me? Fine. More than. I just zone out sometimes. Come on.” Danny’s words were still coming out too fast. He took a few breaths during the couple seconds Jason took getting his things, trying to ground himself as much as possible. He was going to be normal. He was going to be normal if it killed him. Again.

The walk to the library was quiet and Danny was thankful for that. He needed to get his head on straight if he was going to be any help to Jason and he still had his own homework to do after. As they walked in, both Danny and Jason instinctively looked towards the desk where Barbara usually worked, but she wasn’t there, some other guy was checking in books with quiet beeps.

Danny had learned over the last month that while Dick, Tim and Damian were Jason’s official siblings, Barbara was an unofficial one and he liked her the most.

It made sense, since she didn’t seem to pry into Jason’s life the way Jazz would have if she was here. Not that he would have minded her prying for how much he missed her, but four years ago he would have hated it.

—

Jason knew the haunted and hunted look that had settled into Danny’s eyes. The way he trailed off into something vacant. How his breathing seemed to get stuck in his chest. Which is why he tried to interrupt the cycle before he could spiral. Something big happened to him, and Jason knew he wouldn’t want to break down in a cafe in front of people.

Thankfully he seemed to snap out of it quickly, instead overcompensating into energetic. The message was clear. ‘Don’t ask about what just happened.’ Carefully, Jason let Danny lead him into the library, aware of his positioning and making sure not to follow too far behind or loom too much. Considering he had at least six inches on Danny, that last part was hard, but he tried.

He could feel the pit spiraling in him, circling and coiling like a dragon deep in his chest. Itching to do…. Something. It wasn’t punch or claw or fight. This was new. He didn’t like it in the slightest.

He looked over to where Babs usually was, then remembered she had a class, criminal justice degree, how apt, as he and Danny went towards what was now their spot. Jason found he had the sudden impulse to pull Danny’s chair out for him, and shoved that particular useless idea back down into the abyss it belonged in.

—

Danny looked over at Jason who stood at the edge of the table looking…. Angry? Confused? and pulled out his own books. “I promise, my zoning out isn’t contagious.” He said, looking up at Jason and kicking the chair across from him out from under the table for Jason to sit. He gave a wry smile, “if it was, I don’t think anyone in my high school would have made it.”

Jason snorted a laugh, snapping out of whatever thoughts he had been thinking. Jason pulled the chair out further and sat, sitting more comfortably than he used to. More of the true Jason, Danny was realizing, less of the person he was supposed to be. In another lifetime…. But no. He couldn’t… not while he was being hunted. It wouldn’t be fair to Jason to have to hide such a huge part of himself and his past.

Not to mention he hadn’t ever come out to Jazz and his friends. Well he had…. But more in the ‘hey I’m dead but not really’ way and less in the ‘so I like guys’ way.

But in spite of those barriers, this tentative friendship with Jason was enough to keep him happy.

Which made the next kick in the teeth from the universe completely expected.

All he had wanted was to walk home in peace. Sure it was almost midnight, in Gotham, but still. He made it most of the way, and was slinking through the Bowery when it happened.

Guys with dark clothes and weapons were suddenly in front of him. He turned only to see more at his back. There had to be five in total? Or was it six? Danny didn’t have time to count.

“Hey guys.” He hedged, muscles tensing as he raised his hands to show he wasn’t a threat. “Don’t mind me, I’m just trying to get home. Long walk and all that. If I could just…. Scooch past you?” Danny took a step to do just that and the lead goon swung at him with a baton.

He hopped back slightly, dodging the hit when it came. “Not a chance. Boss needs some…. Help with his latest ideas. You’re coming with us.”

Danny ran through his options in his head. Option 1: get kidnapped. Option 2: get the shit kicked out of him. Option 3: beat the shit out of them and get labeled as a possible bat to be or possible rogue to be. Option 4: go fully ghost and either escape unscathed but wind up more firmly on the GIW’s radar.

Option two or three would wind up happening, because he wasn’t going to put himself at the mercy of the Bat-ass again, and he wasn’t going to offer himself up on a silver platter to the GIW.

The moment one tried to grab him, Danny dodged out of the way, and that seemed to bring the goons on him en masse. They seemed well practiced, but considering it was Gotham, there wasn’t a big surprise there. The next few minutes were a flurry of elbows and knees, punches and kicks, batons and clubs.

Danny would dodge and counter, disarm one and fling their weapon across the street. He would have sore ribs and bruises from his elbows to his knuckles come morning but he was slowly winnowing them down. He had a brief thought about the conservation of ninjutsu, as the fewer goons there were the stronger they seemed to get. The realistic answer was they were less concerned with hurting each other when there were fewer of them, he knew that. But everything was more fun with ninjas.

When there were three left, one threw a punch that connected with his nose. There was a pop and crunch and a hot rush of blood down his face even before the pain set in. He spat out the blood that collected in his mouth from the way his head snapped back when he was punched. Another one came at him, and his own years of training caught the guy’s arm, judo throwing them into another look and sending them both careening into a wall. The move was trickier with gravity, but he made it work.

Danny looked up at the last remaining goon. He grinned, teeth too sharp and stained with his own blood, eyes glowing just the faintest green. “Run.”

They did.

Unfortunately for the goon, they ran smack into the chest of one Batman.

[hestzhyen]

An Extremely Subjective HakuHiro Romantic Trope Breakdown

Greetings, void. This arc is rough and the brainworms won't let me write my own hurt/comfort fan fiction- they demand half-baked analysis instead of lovemaking. So have the closest thing that passes for fluff from yours truly.

In essence, this is just a list of the explicitly romantic tropes I love applying to HakuHiro with varying degrees of gushing ship babble as justification. Some are definitely skewed hard towards headcanon but there's always at least a tenuous connection to something that's demonstrated in the work itself. Proceed if this kind of brain rot sounds like your jam! Otherwise just please let me die from cringe in peace.

Battle Couple

Offense and support working in perfect harmony.

So this is just one of my personal favourites, but Chihiro and Hakuri definitely have strong vibes for this trope. They fought together in an absolutely stunning display of mutual trust and understanding in the Rakuzaichi Arc. Seriously, these guys pulled off some truly spine-tingly good moves to take down Kyora despite Hakuri only just awakening to his powers the very same day.

They demonstrated this again in the train fight protecting Uruha- Hakuri and Chihiro only need the bare minimum of communication between them to fight in style. I look forward to more chances for them to show off their teamwork! If they end up fighting back-to-back in canon I'll probably just straight up ascend to fudanshi heaven on the spot. I LOVE BATTLE COUPLES.

Love at First Sight/Rescue Romance

"This is the kind of man I need in my life."

Love at First Sight is pretty self-explanatory: person A sees person B and immediately falls head over heels. It's easy to slap that on Hakuri in his introduction chapter- he's only missing an invitation to get to know each other over some coffee when they finally meet up, really. Unless asking someone to help you kill your family is the Kagurabachi universe's equivalent...?

As for Rescue Romance, it's another very simple scenario: person A is saved by person B, which causes them to fall in love. Chihiro saves Hakuri with the other random people at the site of Sojo's massacre attempt, and Hakuri... yeah. You get it.

I think there's a better trope to associate to this later on in the list, but Love at First Sight and Rescue Romance are still apt and very funny tropes to apply towards Hakuri's first impression of Chihiro. The way he waxed poetic over the mystery samurai who saved and inspired him had me in stitches. Seriously, my oldest notes on Hakuri from that chapter are mostly just laughing about him being really passionate about Chihiro for someone who's not intended to be a love interest! Go get 'im, Hakuri. He needs you in his life just as much as you need him in yours.

Mindlink Mates

Don't need to hear each other at all if you just "get" them.

This is something I like to apply as a Fanon concept based on what happens in canon. Hakuri and Chihiro aren't literally linked mind-to-mind via telepathy, but both of them have a deep understanding of what the other's thinking and feeling at any given moment. I really like the concept that they understand everything about each other on an instinctual level. It's mostly fueled by the Aun concepts that have been associated to them, which I'll get into during a later section. But yeah. Hakuri and Chihiro being borderline telepathic in how they can sense the other's status. That's crack cocaine to me and it's not too far removed from canon so I'm running with it.

I also really like the idea of their strong emotions and desires bouncing off of and amplifying each other's, but I don't know if there's a specific trope for that, so it gets placed here at the end of this tangentially related section. Also not something far removed from canon given how they both fuel each other's self-destructive savior tendencies because they feel the same way!

Moe Couplet

They're so cuuuuuuuuuuuuuute

A Moe Couplet is essentially a pair of characters that enhance each other's cute traits. Separate, they are perfectly fine individuals with their own appeal. Together, they are adorable and capable of some tooth-rottingly sweet moments. This trope isn't typically associated with romantic duos in stuff aimed at general audiences, but it's common in BL as the basis for "fluff" works and wholesome pairings.

This is probably the biggest stretch to apply towards canon on the list, honestly. We haven't seen that much moe moe action from Hakuri and Chihiro- they're kind of busy fighting for their lives or hurting themselves to save others most of the time. But the few moments we get send me straight into cuteness agression-induced brain rot every time I think of them.

Most of this trope label for HakuHiro comes from little details. Like Chihiro often being shown reassuring Hakuri, and Hakuri getting some of the sweetest smiles out of him in return. Hakuri brings out Chihiro's soft side when Char's not around to do so and Chihiro helps Hakuri be his absolute silliest. These guys are are so good to each other! They melt the ice around my cold, dead heart into a slurry of hnnngh and incoherent shipper screeching.

What's it actually based on though? Well, I thought I was just doing normal delusional fudanshi things by thinking Hakuri is extra cute when he's around Chihiro and vice versa. But then Hokazono-sensei threw me a bone in an interview by saying he intended for Hakuri to "bring out Chihiro's personality and add some cuteness". And I. Just. I exploded into confetti on the spot. MOEEEEEEEEEEEEEEEEEEEE

One True Love

This ship is not merely an OTP to me, if you haven't noticed.

Note: "ai" is not inherently romantic despite it being the end-goal of pretty much every romance novel out there. It's for deep, profound affection felt for someone- friends, family, even pets. It's rare and not commonly said aloud outside of the climax of a love story is all!

This is mostly tied to Hakuri's experience with love growing up and how he can find out what 愛 [ai, purest and deepest love], really means.

Hakuri probably has no fucking clue what love of any kind is really supposed to look or feel like, much less the ultimate form of it. His father threw ai around as something to manipulate his children into serving the family tradition. Soya used it as an excuse to torture him. This was deliberately done to contrast with the love that Chihiro knew growing up- true ai between father and son, which was cruelly ripped away from him.

So let Chihiro teach Hakuri, and Hakuri provide in return. They're already each other's perfect partners anyway so just put a romantic spin on it!

Hakuri finding unconditional love he doesn't fear in Chihiro and Chihiro finding the same in Hakuri once more. Neither of them ever needing to fall in love again because they slot together so perfectly to fill the gaps in each other's hearts. Oh I'm gonna die...

Opposites Attract

If not meant to be canon, why colour coded as opposite compliments? :thonk:

This is the trope that activates a primitive part of my brain that overrides all thoughts with eeeeeeeeeeeeeeeeeeeeeee noises when it comes to HakuHiro. Hakuri and Chihiro are true opposites that are perfectly balanced to contrast and compliment each other, resulting in a duo greater than the sum of it's parts.

Hokazono-sensei made his intentions about Hakuri and Chihiro extremely clear by going so far as to colour code them for us. This is the protagonist and his foil/deuteragonist guy who is Important as Fuck. The level of detail in designing and writing them reads like he took this trope extremely seriously and said "let's save the Hero + Lancer coding for Hiyuki instead". 'Cause as much as I love her, Hiyuki's got nothing on Hakuri when it comes to this trope. Her thing is closer to being the same person as Chihiro with the opposite frame of mind and mode of expression- it's Hakuri and Chihiro who are the true manifestation of Opposites Attract down to the tiniest details. I'm ready to die on this hill so come at me and put me out of my misery.

I mean just look at these guys:

Chihiro: black and red, stoic, reserved, serious and polite, slim and straight profile.

Hakuri: white and blue, emotive, outgoing, silly and casual, loose and boxy profile.

They invert the same ways under pressure; Chihiro stresses and falters while Hakuri focuses and buckles down. Their fucking backstories are in on it too: they both lost their father's love but under distinctly opposite circumstances. Even the love they received was contrasted since Kunishige was a perfectly wholesome dad while Kyoura used love in an abusively manipulative way! And that laid the foundation for the premise of the Rakuzaichi arc- Hakuri wants to destroy his family's legacy while Chihiro still wants to do right by his. It would take a whole 'nother post to list everything between them because every single detail about one is carefully crafted to be present in the other in order to complete their characters. It's absolutely insane and it's what really sold me on the ship.

The level of care put into writing Hakuri and Chihiro as opposites who complete each other is out of this fucking world. I'll feel sorry for whatever girl gets assigned to be a mandatory heterosexual love interest for either of them because there's just no way to compete when two people are written to be so thoroughly intertwined with each other.

(To clarify just in case: I don't think Chiyuki is a bad ship. I'm not trying to trash it and say HakuHiro's better or more legitimate somehow. I just have an issue with shounen romance in general because the girls don't get nearly as much narrative effort to make them compelling companions to the MC compared to the "best friends" and Kagurabachi is doing nothing new in that regard so far. Hokazono-sensei can actually make a bigger impact by refusing to tease Chihiro and Hiyuki at all instead of going down the tired old path of obligated sub-par heterosexual ship tease/romance IMO.)

The Power of Love

Nice Heroic Second Wind you got after thinking about Chihiro there, Hakuri.

So this is definitely skewed towards pure delusion on my part, but that's what we're all here for anyway. Power of Friendship? Never heard of it.

Basically, person A uses their love for person B to power up and overcome the hardship they're facing. In this case, I'm interpreting Hakuri's tendency to think of Chihiro when he's in dire straits as romantic!

Hakuri comes in clutch a lot and his feelings abut Chihiro are the reason he can do it. The memory of his samurai refusing to yield gives Hakuri the strength to keep standing and finally put Soya down in chapter 36. He does it again in a sadder way in Chapter 58 when he thinks of Chihiro and musters the last of his strength to summon him too late to save Uruha. I have no doubt that he'll have more of these moments as the series goes on, too. Chihiro is kind of hope incarnate to Hakuri.

Chihiro's drawn strength from his feelings for Hakuri too, but not in a pinch kind of way like the Power of Love trope typically implies. I'm just waiting for the day when it's his turn to use memories of Hakuri to keep standing (never gonna happen)!

Ship Tease

Putting this here for lack of a better term, but there's a running gag about Hakuri and Chihiro's relationship that's been escalating in intensity since the early parts of the Rakuzaichi arc. It only comes across in bits and pieces in English compared to Japanese, sadly, but I'll do my best to explain it.

Basically, I'm interpreting the jokes about Hakuri acting like a dog as deliberate ship tease for the lols from the author.

"Paw. Shake. Good boy."

It starts in chapter 28 with Hakuri dropping everything he's doing to run over to Chihiro when his name is called. It's really cute and funny and not something that can get lost in translation- Chihiro calls, and Hakuri comes. Just like a loyal dog to it's master.

It's set aside for a while until the Sword Bearer Assassination Arc starts up and Hiyuki drops this banger during the trial in chapter 46:

"But where he [Hakuri] stands is a big pain in the butt. He's not the one calling the shots." - official TL

Of note is the term Hiyuki used to say that Chihiro's the one in charge: 舵取り [kajitori]. The normal meaning for it is "steering a boat" or "helmsman" with the secondary being leader/director, so it's not like the English TL messed up. Same meaning different wording. What's lost is the subtext: 舵取り as Hiyuki's using it can also imply that Chihiro's in charge of Hakuri like the owner of a dangerous guard dog would be lmao. Hakuri kind of earned that jab after threatening to leave her in the storehouse to die if she hurt Chihiro, though.

And then there's this completely unnecessary scene from Ch. 50...

"Who's this? This little squirt smells like Chihiro, but he's not Chihiro."- official TL

The TL again isn't bad here but it really downplays just how fucking weird Samura is (which downgrades the rocket propellant to mere ship fuel). Samura's phrasing about Hakuri smelling like Chihiro was so batshit insane in Japanese that fellow JP shippers felt compelled to reach out to the rest of us in English to let us know, which is almost completely unheard of.

Basically, Samura wasn't saying that Hakuri merely smelled like Chihiro. He actually said that Hakuri was wearing Chihiro's scent, completely enveloped in it to the point of smelling identical to him. A native JP reader (in the link above) said that in their interpretation, the word "まとって [matotte]" isn't really used for friends, but more for lovers, family members, or dogs and their owners in the sense that being so physically close all the time causes their scents to rub off on each other.

It's not a normal term used to describe smelling like someone in the first place. When Samura meets younger Chihiro in the flashback and says he "reeks of Rokuhira", he uses the typical word for "smell/scent" (香り [kaori]) in Japanese. So for some reason we just had to know that Hakuri smelled like Chihiro in the way dog or a lover would, huh... so much so that Samura thought he actually was Chihiro... (I can't get over this, it sends my sides into orbit every fucking time).

So yeah. That's some top-tier ship tease if I do say so myself. What that dog doin'? What did they get up to on the train before meeting with Uruha? That's for us to decide!

Soulmates

It's not exactly hard to see that Hakuri and Chihiro have a bit more going on between them than standard friendship or brotherhood, even for a shounen series. Even some dudebros acknowledged this before the fandom gave over to homophobic trash anyway.

It all stems from Hakuri invoking one of the most potent romantic tropes there is as soon as they meet:

"That day, a samurai lit my helpless existence on fire."

Jesus Christ Hakuri, that's some passion!

I think the "soulmates" trope is the most fitting description of what's going on between Hakuri and Chihiro from the very first time they meet. I'll even go so far to say that it actually has a pretty damn good case for being canon in a platonic sense!

For the uninitiated (like I was), the soulmates trope is invoked when two characters feel a strong and immediate connection upon first meeting each other. It can be one-sided or even completely rejected by both at the start, but they will always find their way to each other since they are fated to be. The whole world falls into kilter when they get together even if they were perfectly functional people on their own before. HakuHiro is this trope to a fucking T in my mind. Absolutely flawless execution, 10/10 no notes.

Hakuri's part is obvious- he sees Chihiro and decides he must have this amazing person in his life no matter what. He feels the pull of destiny and answers the call with an overabundance of enthusiasm.

Chihiro's part is more subtle. He does the one-sided rejection thing at the start by running away, but fate pulls them together via circumstance and he takes Hakuri back with him. And somehow, for some reason, Hakuri is the first person he opens up about his genuine feelings to in a surprisingly raw way:

"If I don't do something, and a sacred blade takes the lives of innocent people... I wouldn't be able to bear that..."

He met the guy minutes ago, tried to run away from him, then decided to bear his heart to him in the elevator. Chihiro's a natural stoic who doesn't show much of what he's feeling and generally keeps thoughts like this to himself. But Hakuri brings out this softer, more vulnerable side to him that no other character has before. Then as the arc progresses, Chihiro comes to rely on Hakuri more and more until it's crazy to think that he ever ran away in the first place. It's like they were always meant to find and save each other.

I'm not looking too hard at this with shipping goggles strapped to my face. We get confirmation that this is what's going on with them via The Word of God Himself:

From the Volume 4 description: 一方、兄からの愛と暴力によって地に伏した伯理。今際の際に脳裏を過ったのは、ある少女との日々だった。極限の中、二人の少年の魂が呼応する。

"Meanwhile, Hakuri is struck down by his brother's love and violence. On the brink of death, he remembers the days he spent with a certain girl. In the midst of this extreme tension, the souls of both boys resonate with each other."

The last sentence is basically more total harmony/Aun imagery for Hakuri and Chihiro. 呼 (ko) means to call and 応 (ou) means to respond. Together, 呼応 means to act in concert. So Hakuri and Chihiro's souls call out and respond to each other in perfect sync when they're in dire straits. It's canon!

If that's not enough, then there's also the Aun imagery. It was left out of the EN Chapter 38 colour page as usual (never gonna forgive the EN version for removing the text), but basically the author used deliberate religious imagery to tell us that Chihiro and Hakuri have an inherently harmonious relationship. A and Un, in perfect sync- whatever one starts, the other will finish. The beginning and end of all things. A perfect pair.

They demonstrate this lethal effectiveness by working in tandem during the storehouse fight, with Chihiro only needing to yell Hakuri's name for Hakuri to perfectly interpret everything he's thinking and execute on it flawlessly. It's absolutely insane stuff even if we disregard Hakuri only woke up to his power less than an hour ago in-universe isn't it?! And they repeated the stunt the next day while protecting Uruha, so it wasn't just a one-off for a cool moment. It's core to their dynamic for their souls to resonate in total harmony!

And just to top it off, we got a funny little gag of Chihiro and Hakuri passing out and waking up at the same time side-by-side after the auction, totally in sync.

All of this within a week of meeting each other.

Some actual romantic soulmate couples don't get this much effort put into coding their relationship, just saying. I also don't think people would be so quick to jump on the sibling interpretation after Shiba's "What are ya, twins?" joke if Hakuri and Chihiro were a heterosexual ship option, just sayin'.

Unknowingly in Love

No sad pictures of dead Kunishige in this post!

This is another one that's far closer to fanon than canon. It banks on the fact that both of them grew up isolated and, quite frankly, probably poorly socialized compared to the rest of the world.

Chihiro lived with just his dad in a remote mountain home and only occasionally visited the town nearby with Shiba. No friends, no school even. Hakuri lived on the secluded Sazanami estate surrounded by his family and saw some of the outside world, but likely only the criminal elements of it. Plus there's the whole growing up only knowing love as something abusive and manipulative thing; even his parent's marriage was strongly implied to be arranged and joyless. Neither of these guys have anything decent in their personal lives to reference from!

So in my mind, while Hakuri and Chihiro have certainly heard of romantic love and thought about it themselves, they wouldn't really have an idea of what it feels or looks like to them. Couple that with being each other's first friends ever and you've got some extremely potent fluff (or angst) about them being unaware that what they're feeling isn't platonic.

You Are Worth Hell

I will follow you into the dark.

And to round things off, one of my favourite romance tropes ever! But it's not canon at all- YET.

You see, Hakuri and Chihiro are constantly pulling each other forward. When one stumbles, the other's there with a helping hand. But what happens when one descends into hell like Chihiro says he's doing this very arc? Will the other try to throw them a lifeline and hope for the best?

Nay! The other will stay by their side out of love.

This trope can veer too close to toxic situationship scenarios for comfort, it's true. Characters staying to "save" someone or letting themself get dragged down at their own expense is not healthy at all. But the core sentiment of this trope is that anything is bearable if you're with the one you love. The emphasis isn't on the mutual suffering but rather the comfort of being together despite it all.

My personal interpretation of the relationship between Hakuri and Chihiro is that one was born in hell (Hakuri) and the other has condemned himself to it (Chihiro). Hakuri's trying to rise up while Chihiro has consigned himself to sink further into the darkness. They met at at a crossroads on their respective journeys and are walking together for a while. And when Chihiro takes a turn to keep going further down, I think Hakuri will stop him from going too far. Hakuri will be the light in the gloom until the mission's over. Then they'll figure out if they can make it back up or not. And if they can't? Well, he was already at rock bottom before Chihiro came into his life. It's worth it to stay in hell at his side and face everything together.

So I think this can apply very well to HakuHiro as the current arc progresses. Hakuri choosing to stay as a partner to provide support rather than trying to save Chihiro at his own expense would be huge character growth for him. And Chihiro accepting Hakuri's gesture would be growth for him too- he doesn't have to do this alone. There's no truly Bad End for their stories if they are walking side-by-side to face the hardships together until the end.

That's it. If you got through all this, thanks. Yap at me about tropes I missed! I love hearing the myriad ways other people interpret this ship. Unless you think fixed left-right boring seme/uke stereotype ChiHaku is the only valid interpretation, in which case we can never be friends. Sorry not sorry.

[tkwrites]

https://www.tumblr.com/tkwrites/767817406031806464/oh-same-as-much-as-we-thirst-over-these-gorgeous

oooooo this was not me but i would like to chime in now and ask…. how does sarah feel about the prospect of having kids with quinn while he’s still playing? cause i would imagine she would have these concerns as well. and the idea of being away from his kids so much would definitely tear quinn up too

(i actually think about this frequently when i think about WAGs. i’d be up for it if i loved the guy ofc but that is tough for sure)

captainlexaproluvr asked: after seeing your original post that i had missed at first….. now i want to add onto my ask. sarah gives birth right before a roadie - is quinn staying home? is this a discussion they have or is it an immediate no-brainer? does the fact that he’s the captain make it more complicated for him? give me all the thoughts tory (i love thinking about dad quinn)

If they do have kids and they happen to be born during the season - because you never know how long it'll take for someone to get pregnant - there are a few factors I think we have to take into consideration:

Sarah's mom won't be there, which already puts her in kind of a vulnerable position. Rachel (her sister) could be there, but she also has a family of her own to care for, so she wouldn't be there for the customary first month like a mom would. She has friends, but they're in similar positions as Rachel. I say these things as a woman who has lost her mother, and what I worry about when thinking about having children.

Ellen would definitely be a factor. I'd imagine Sarah would reach out to Ellen to try to gauge what she can practically expect so her ideals don't take over too much. I also think a big thing depends on how much time Ellen and Jim can come stay with them/her.

What time of year is it? How far are they into the season? Do they have a chance at a playoff spot?

Overall, I think Sarah would be quite hesitant to have kids while Quinn is still playing. Then again, she's running up against her biological clock, and I think they'd like to be young parents, so there's only so long they can wait. She would at the very least insist they wait until Quinn has signed an extension so there's a little more stability on that front.

As much as I'd want her to demand that Quinn stays home for a month, team be damned, I know she would never ask that of him. She's much more entrenched in that life and understands all that goes into it, so she's not about to demand.

If she happened to be giving birth right before a roadie, a lot would go into that decision including, how the team is doing, who they're playing, how long they're gone for.

I think Sarah would, at the very least, ask Quinn to stay home for a few days. I also agree that I think Quinn would have a hard time leaving his baby so soon after they were born. If it was a short roadtrip, he might stay home all together. If it was the long 14 day roadie, he would likely miss a few games and then fly out to meet the team. I don't think he'd be comfortable leaving unless he knows his mom, and someone from Sarah's life are there to help out.

I'd like to think that with his captaincy he'd like to set an example of taking time to take care of yourself and those you love, and that there are things that have to come before hockey.

Thank you for asking such thought provoking questions! This was really fun to dive into with Quinn & Sarah!

Quinn & Sarah Snapshots Masterlist

[cakepoppresent]

Let Me Beat His Ass

A few things

Lol poor Daisuke his future wife is going through it and hasn't been returning his texts or calls

Malcolm truly is a big baby. Since Malcolm has been told "no" by Luna he doesn't know how to react. He's taking her wanting to see Andre as a personal attack against him rather than his sister just wanting to find out the truth.

Love Veronica and Luna, in an alt time they would have been GREAT

Transcript under the cut ~

Luna: She’s looking into it, she trying to find this “source”, Chantel isn’t saying who told her

The comments under the pic (it's much smaller on a phone than a computer)

@toucanman - I fucking knew it a rich girl like her would never actually be nice, she was just hiding her bitch ass attitude

@coochielicker - This isn’t the Luna I stan! All SMZ does is lie lie and LIE. Shes been acting for years and its only now shes a diva? Stop playing with my good sis!

@flo- Hmmm...I can see it tho, shes from a super wealthy family its probably her way or no way but who cares was anyone even hurt?

@fruitysims - LOL ive been waiting on something to come out on this hoe. Her nice girl shtick was so overbearing now her true colors are coming out. Thank god

----------------------

Veronica: What did Destiny say? Is she gonna do anything about this?

Veronica: You should send her bitch ass a lawyers letter or something. Can’t be legal to spread malaious rumors like that

Luna: I dunno. I’d rather find this source

Veronica: Where the hell is that man of yours? He must have connections he can use

Luna: Probably... he’s been calling but I don’t even have the time to deal with him right now. Malcolm that bitch still won’t talk to me and now Andre’s face is all over the news and my bitch Dad hasn't even called. It's...a lot right now

Veronica: Let’s travel then, How about Tomarang or Tartosa? Just until everything dies down and you figure out what to do next

Luna: No...I don’t want to leave Andre to deal with this alone and Malcolm is gonna crash out once he sees this online...I can’t leave right now

Veronica: Get off your phone babes. Reading all these comments is going to make you feel worse.

Luna: This is fucking awful and I miss Malcolm, can’t believe his ass won’t talk to me. Benji gives me updates but I’d like to meet Andre with Malcolm.

Veronica: Malcolm is the biggest fucking baby you gotta force him to see reason. If you don’t he’s just gonna pout and mop all day. Let me talk to him

Luna: What are you gonna do? Beat him up?

Veronica: Yes? Beat him up verbally at least. You’re hurting and he needs to get over himself, I'll help him see reason

Luna: He really does listen to you. Don’t be too harsh on him

Veronica: Hush. It's important you guys deal with this Andre thing. Malcolm needs to at least hear him out and stop punishing you for wanting to talk to Andre

Luna: Hahaha Malcolm has always been so sensitive, I wonder where he gets his bitch ass attitude from

Luna: V... it's been hell these past few days. It means a lot that you’re here with me now

Veronica: Babe. You’re basically my sister and I love you. Whatever is happening now will pass I know it will.

Luna: Feels like it's never going to end everything is going to fucking shit. I’ve never fought with Malcolm like this and Benji doesn’t know what to do he hates being in the middle of all this

Veronica: Sleep it off. I can’t help with what's going on online but I can and I WILL speak with Malcolm okay?

Luna: Okay...

Veronica: No more tears babe. I’ll beat his ass up if I have to. Just wait for my call okay?

Veronica: Love you too babes

Luna: Love you V

[lostsyren]

idk kinda need to see rafe jealous of sofia with another guy before this show ends, it'll be so satisfying to see especially with the current circumstances, like rafe one of the first times comes back to kildare and sees sofia he sees another guy flirting with sofia and rafe is seething about it maybe even causes a scene then queue an angsty scene with sofia getting mad at him because he broke up with her via a phone call and did not let her explain, but i know it'll never happen😭

knowing the pates they'll make rafe spend most of his time in lisbon and then like an episode back in kildare and then suddenly rofia get together after rafe realises he made a mistake bc their ass at writing😒

like i know they said their story will continue and i believe they will too but i want there to be good writing this time around, a rofia and sofia backstory!!!! they could insert them both so easily, like moments in s5 where any of these where she's thinking of rafe, something reminds her of him or doing the typical scrolling through picture scenes that elite tv ships do when the other misses the other and after any of these there's a slow fade to a flashback of their first meeting, it also makes no sense for them to put these lines here and there plus the showing sofia's family and then proceed to not explain them further or have an episode dedicated to her, they can easily do either but they aren't bc of time constraints and they deem the pogues storyline more favourable, idk maybe cut out those useless topper scenes for sofia the character people actually care about!!!!

I LOVE THIS SOOOO MUCH!! THANK YOUUU!!

Like yes, Sofia trying to move on and forget about him and Rafe seeing this and getting super jealous and mad, which only makes her angrier, because how dare he get mad when he was the one who ended their engagement so quickly? No because I need this scene for my sanity. Cue angsty argument which ends with Sofia being like

“Why do you care huh? You broke up with me and kicked me out of your house?”

“Because I love you!” (*impassioned declaration of love from rafe!*)

“Then why did you throw it all away?” (*her veneer of anger breaks and she shows him how much he really hurt herrrr!!*)

Someone write this or I will (after I get through my requests🙏😞bear with me)

Yessss totally!! I need to see how she reacted to his cruel break up and how she moved on/dealt with it. I neeeeed Sofia scenes outside of rafe, and I also need rafe to yearn for her in Lisbon!! Like yes, the elite looking through the camera roll and reminiscing!! Like Rafe wistfully looking at Sofia’s picture whilst he’s away from her and he suddenly regrets everythinggg!!!

No literally, why dedicate an episode to her family life and situation– they need to bank on it and show her family again, make them important to Rafe’s story in some way!!

Hahahaha the topper hate is so funny😭I love Austin thoooo, but I agree, replace his character’s screentime with someone else I BEGGG

[anonymousgayrobot]

bestie you're the only person i agree with about the finale of the penguin

everyone seems so surprised that os is a villain and im ????? did everyone miss that time he set a guy on fire in front of his mother??????? did everyone miss him leaving sofia for dead after she found out he was manipulating her????? he's been a monster all along, that doesn't make him any less of a layered character

i really wish vic hadn't died but his death didn't feel like a revelation of how evil oswald is to me. i think this episode was more about the lies that os tells himself to feel better about his life than it was about "he was evil all along and you too fell for his manipulation". why else would he say all that as he strangled him? vic was dying. if it was about getting rid of him because he didn't need him anymore, why would he bother saying anything?

also that last scene with os pretending to dance with his mom was fucked up but it also seems to me like another way of showing how he's choosing to live in a world of his own lies. he can't deal with the truth, so he doesn't. it's easier that way. and this doesn't make him any less of a monster; it just makes him a complex one.

anyway your analysis is on point and i can't believe they killed off vic to progress os's character

HI! YES i totally agree; please don’t mind my lengthy yapping— i have sooooo much to say about this show

one thing I noticed predominantly throughout the show is the level and intricacies of complexity the characters were given, which you typically don’t see in the average shows pumped out these days, where good and bad is black and white and behavior will always be ‘straightforward’ with the character, unlike in real life where a person’s true nature will more than often contradict their actions, whether that be in acts of denial, or repressing something. whether large or grand, we all do it—so I kind of disagree with people only seeing this finale at surface level.

I really do think Sofia kind of ‘cracked the egg’ with dismantling or at least shaking loose oz’s denials through aggravating the unhealed wound of his brothers and the unspoken wounds between him and his mother; i saw that scene as sofia trying to force out feelings of remorse from oz, which I believe he repressed x100 after his brothers’ deaths, as seeing his expression struggle to remain stoic and continuously denying the truth even if it cost his mother her finger (if he did lack any true guilt, he would’ve admitted it much sooner with indifference ; and if he didn’t feel guilt but never admitted the truth to solely benefit his mother, he would not have hesitated to admit the truth with that priority over his mother. But he doesnt) . But by ‘dismantling’ oz himself, she unleashes this newer version of himself—she showed an opportunist what happens when he slips up with his greed and pauses to care for someone other than himself/guard. before sal and sofia find his mother, sal angrily comments that oz has no one—no one they could weaponize. family is weaponry, a step above simpler loyalty. someone can have as many allies as they want, but it doesn’t mean anything if they’re expendable. oz has viewed all of his allies as expendable, like sal, sofia, and the rest of the gang leaders. victor was an ally initially expendable and a failsafe for alberto’s murder, but upon becoming his protégé, an emotional tie was thrown in.

So in order to fully prevent his guard from ever slipping up again (caring for his mother despite the endangerment), he cannot similarly care for anyone else again (caring about victor despite the endangerment). so vic has to be shut out completely now both for oz’s self-preservation and possibly vic’s ‘preservation’ in a more morbid sense, by knowing his life is now endangered by his own care for oz likewise. who knows what sofia could do to him and what she could wrench out to harm oz again. and when he ‘shuts’ vic out, he has to shut out any sympathies/empathies that follow.

when he steals the money from his wallet, I saw it more as a not-wasting-resources gesture (sewers blown up + crown point hideout raided) rather than genuinely-indifferent disrespect, which goes in hand with that ever-prevalent opportunistic characteristic. “it wasn’t for nothing.” throwing away his ID also appeared disrespectful, but with how his expression froze, it was clear he was shutting out unwanted feelings of regret, perhaps a rogue emotion (seeing as he expresses nearly no remorse for his actions and lies his way around it to avoid it altogether), and threw it away briskly. He needed that reminder gone before the feeling could settle in. (a lack of expression does not always mean a lack of feeling)

If anything, killing victor could also symbolize oz killing his former self—tragically fitting for a finale and change of occupation/direction. it was obvious that he saw himself through vic, or at least began to until it reached a point of no return. That idea could also be applied through vic finding strength in family—oz realizes that was his own undoing, family, and that vic was officially non-expendable. It’d already been basic knowledge that non-expendable people are lethal tools of manipulation (using taj to also kill nadia, and their deaths against sal, alberto against sofia even if it was pinned on the maronis anyways).

And you’re right about him killing vic differently. In the beginning of the show, if he’d done what was expected and had shot vic while his back was turned—it’d be quick and easy, indifferent like everyone else. Same with the second time he nearly killed vic, Oz gives in and spares him, giving him yet another chance even when it didn’t benefit Oz at the moment. Oz centers those around him with how they benefit him, so choosing to spare victor despite the potential burden is an obvious sign of care. Although it makes it much more twisted, oz killing victor the way he did was the furthest thing from indifferent. He could’ve lifted his hand at any moment, but didn’t until the end, further exposing his need to snuff out his own weakness, his care for victor. its the ultimate and worst father-son moment— oz recognizing his care for victor as his protégé to be non-expendable, and the recognition that he couldn’t let himself genuinely care for another person again. i see a lot of people saying that there was no reason for oz to kill victor after everything he did for him—but that’s the exact reason why he needed to. Vic did all of that because he was just that close to Oz, not even taking that exit when given, his loyalty had become familial which could become just as dangerous as Oz’s love for his mother. I also think Oz’s care for vic was similar to the nature of his lies regarding his brothers—not it being a lie itself but rather getting caught up in the short term benefits and attention while blocking out the long term consequences waiting—perhaps distracted by becoming this fatherly figure as a fatherless son himself to a fatherless boy, and avoiding the inevitable pain at the end of the road (their criminal circumstances/predicament) until it’s too late and boils over from his mother’s incident. its also important to note the unique situation this is and how heavily survival and preservation is involved here. Oz can’t care about anyone, it’s dangerous and just as dangerous for everyone else involved in crime (alberto to sofia, nadia + taj to sal). its why he was untouchable when his mother was still hidden, he had nothing to lose—but after sofia, oz learned his lesson the hard way about exceptions, urging him to turn his attention towards vic for the last time.

It could also be similar to how he never returned his brothers despite having time and even staring out the window (slowly killing victor with time to change his mind). It could be that in the moment as a child he was accepting the situation for what it was, he’d killed his brothers and needed to assess what to do, but us the viewer have to keep in mind his opportunistic personality (hinted by oz’s admiration of rex despite his older brother’s moral aversion) and the possibility of shock feigning as indifference (i say this because of the severity of oz’s denial reminds me of a trauma response). as many children do, he sought the short term benefit—the short term benefit was keeping his mother’s affection over disrupting that current peace and causing long term harm. (i don’t really believe the real reason was to have it solely for himself, mostly because it was only from his mother’s bias/pov and then by sofia who was only out to hurt him—but i think he just wanted to sustain it). by seeking the short term benefit of saying nothing and sharing a nice moment with his mother, it also further highlights, as you said, his inability to deal with the truth and the lies he upholds to keep his own peace (something his mother also did by constantly lying to oz that she didn’t know what he’d done and actually loathed him for it instead)—a ticking time bomb which sofia uses and demolishes completely, or at least enough for the viewers to realize the severity of oz’s delusions, which as you said, had been prevalent since the beginning, but never quite the full depth or scope of.

[mikewheelersfanfic]

OMG OMG OMG

ok i'm mostly focusing on my polycule i have going on so uh bear with me cause i can ramble (one song per guy bc of this)

1.mike

calico kid - humorus ; smalltown boy - bronski beat ; geyser - mitski

calico kid:

"You’ll see what we all thought you knew Confusing reflection for truth"

you think you know what people think of you; mike is someone that spends a lot of time reflecting on what people think of him, especially as a lgbt middle class boy from small town 80s midwest america. his family isn't the richest but they do live in a place where appearance is important.

this often means he looks for his own faults in what other people see in him, as neglect doesn't leave you with much confidence especially if your support system in 3 other kids and your best friend's mom and older brother when they're poor and probably living paycheck to paycheck.

"Things get hard when your heart is missing Calico, you have known all along Calico Kid you’re not broken Feel so hurt but you’re still hoping"

my S/I doesn't come in until after all their upside down stuff, so this is about will, his best friend, moving to california in 1985. he was lost, depressed, but he hoped that seeing will again would magically fix everything and he can go back to being okay for a while, even knowing he just wants the care will gives him in general

"Why try keeping it inside Let yourself let go, enjoy the ride"

he's autistic, he has a lot of trouble with "presenting correctly" even if he has obvious anger issues. he often struggles sharing his feelings about his trauma because people often brush him off because his default is anger. i help him quite a bit with that in our canon (will and i tackle it together), just learning he can still be loved even if he's hurting and angry and he can enjoy his life

"You’re still waiting for the dogwood trees But these seasons change as they please If you’d take some time to let what is be Then your words can match the world’s melody"

pretty much the same. i'd say he embodies this more towards when we meet, but meeting me is kind of a sign that he won't have to change alone (adding will into it too as soon as i meet him)

2.will

nobody - mitski ; boys don't cry - the cure ; car lights - james marriott

car lights:

"Some more fake smiles, I'll just nod my head For one small glimpse of your breath"

will, my love, has always been a quiet guy. a romantic from the background by silent yearning. he'd rather watch his crushes from afar than actively seek them but he'll also do anything just to spend more time, stay a little longer, talk a little more... "c'mon just one more movie?" softie. and with mike and el (his sister, mike's ex)... he was pushing them together using his own feelings in canon when mike nor el really wanted to date each other but had serious comphet

"Forget my fears, ignore all my frets Just lay your mind on my chest"

he's tactile, though not as much as mike, but like before, just wants to stick as close as he can before he's left behind when his feelings are found out. mike and i love hanging off him so we can convince him to do cuddle piles

"You sure we're out of their sight? They're staring, through the car lights I hate what you're doing, I hate that it feels so"

he's self-conscious, aware of what being gay means for him and with everyone expecting him to be queer, of course he's paranoid despite liking small moments with mike and i even in the forest, our bedrooms, or next to the lake when it's empty.

"I'm not scared there's nothing to run from, well I feel like I'm falling for someone"

technically same as before, but because of all the overt homophobia he's afraid of being in love, of liking someone, even if he knows it's okay (we remind him all the time, though, even when he doesn't ask bc we want him comfortable)

You there. Selfshipper. Tell me what song(s) you associate with your F/O(s), and if you want to, say why! This is an open call to nerd and gush to your heart's content! Bonus if you do full lyric analysis bc that's my jam :)

[maxbytes]

THE BITCH IS BACK, BABES !!

[probayern]

i miss germany, i miss the euros, i miss june

[aromanticasterisms]

this whole epilogue is just a little treat for me oh my god. "familiar faces arrive in simulanka" does not even begin to cover it

[orcelito]

Ok I'm thinking about kabuto backstory again and thinking about how unfair and fucked up it all is like

> be Danzo

> threaten local orphanage mother into returning to being a spy (by threatening the kids there)

> force them to send One Kid too because he "lost a man" while obtaining the intel he's threatening her to spy over (the kid is Kabuto, who volunteered bc he overheard them threatening the mother over this) (Danzo knows he overheard)

> train kabuto to be a spy while orphanage mother is off on her long spy job as well

> bait spy mom with the promise of keeping kabuto safe to keep her agreeing to work with you

> decide they both are too good at their jobs (????) Of being spies (that work for you?????)(they've been loyal this whole time????) So they're too dangerous and both need to die

> keep mom and kid away from each other as kid grows up

> literally DOCTOR FAKE PHOTOS of the kid growing up to make it seem like he looks totally different now???? So she won't recognize him?????

> give her the assassination assignment of killing the Real Kabuto (who she won't recognize) so they'll kill each other

> whoops, Kabuto survived and killed her instead, oh well at least Orochimaru's watching him now

I'm just like. How fucked up is it to threaten these people into working as spies for you "for the good of Konoha", and then decide that these people (who have given NO INDICATION of intending to betray Konoha) are too good at being spies and thus Too Dangerous and should be killed for it. But no he can't just kill them in a normal way. He had to manufacture an entire scenario so that they'd kill EACH OTHER while making the mom not recognize him (with the express purpose of breaking the kid's spirit) like BROOOOOO I know you ordered the whole Uchiha clan to be massacred (conducting genocide for the sake of 'peace') actually now that I think about it he ordered this of itachi. Ordered him to kill his own family. Of course Danzo would get off on making a mother and son kill each other "for the good of Konoha" he's almost fucking cartoon villain level of horrible past the point of logic EXCEPT there really are people this awful that have existed. Plenty of them. And they have also justified it as being "for the good of [nation]" like that's the Thing, he's a war hungry nationalist that has decided He Knows Best so he's going to fuck up SO many people's lives, up to and including his own damn citizens!!!! And this bitch thinks he deserves to be kage?!?!?! Fucking Hiruzen letting him run wild like this. He knew Danzo was stealing children and indoctrinating them into a murder cult (where, keep in mind, he purposefully raises kids in pairs so they view each other as family AND THEN ORDERS THEM TO KILL EACH OTHER)(AGAIN!!!! with the family killing, what is his PROBLEM) but Hiruzen just let it fucking happen. Spineless fucking piece of shit. He fucked Naruto up he fucked Orochimaru up he fucked up Royally with Danzo like come ONNNNNNNNNN

Rattling the bars of my cage rn at how awful Danzo is and how he was able to just. DO THIS???? I know the bitch is dead but he's not dead enough. Give me the glock.

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[sysig]

Size difference.png (Patreon)

[christmassavestheyear]

maybe it's time for me to move on.............

[girlcrushau]