#i might write more later idk.

[divinelolita]

AHEM

yk about like bills and toms hands righttt(we love georgs arms but this aint abt him rn)

ok so maybe do smth for headcannons or full fic when they find out their bf(reader like duh and obv together cuz u made smth where reader dated both of them soooo😍) has a hand kink specifically for hands like theirs, toms hands AND arms and how they get veins and stuff and for bill how they just LOOK

like they would probably notice reader acts a certain way when they touch his thigh or smth and they thought it would be the touch itself but nahhhh its they handss(u can put other stuff too)

and later on they prolly tease reader abt it a lil(mostly tom) and then they canoodle(most likely bottom reader) with way more touching and body squeezing or wtv tf u call it

did i make this too long??? yo i think i talk too much😭😭😭

KAULITZ TWINS X MALE READER: HAND KINK

(OH MY GOD THEIR HANDS IN THIS PIC WJHRBDKREBEDJHCB (i think i have a problem) )

・They didn't notice it at the beginning

・Like if your breath slightly hitched if Bill grabbed your thigh or how you got flustered when Tom gently ran his hands up your arms

・They then started to notice how you would always look down at their hands whenever they grasped you, or just ran your fingers over their veins whenever you held hands.

・Oh my god this made them so giddy

・They thought it was slightly funny but it also made them kinda....whats the word...powerful?

・Just the fact they could touch you in the slightest way and you'd be blushing made them feel some kinda way.

・They would touch you so much more now, oh my god.

・Just coming out of nowhere and grabbing your wisst as they pull you near them, hands over your hips

・Bill couldn't help but smirk if you flushed or stuttered on your words, leaving soft kisses on your neck as he gently rubbed his thumbs over your waist.

・The teasing would be ENDLESSSSS from Tom.

・He'd always lay his hands on you, whether it be on your thighs or hips, neck or arms.

・Chuckles to himself if you blush or if your heart beat speeds up

・His stomach hurts from laughing

・Bill would point out how your cheeks would redden

・Rubbing his thumbs over them in circular motions- oh my GOD.

・im blushing while writing this 😻

・The twins set up a plan together, just to see how far it will be until you break your silence.

・Going to you at the same time, maybe they put on a movie and sat on the couch with you inbetween them.

・Then they start to rub their hands down your body, Tom squeezing your thigh as Bill rubbed his hands on your stomach

・They couldn't help but laugh if you flushed or covered your face.

・They didn't stop- oh no.

・Nah, they keep grabbing you and touching you at every given moment, the movie just background noise at this point

・If you happen to quietly whimper or whine at any given time, they look at each other and quietly laugh to themselves.

・Tom rubbing over your thighs, fingers trailing to your inner thighs as Bill leaves hickeys all over your neck as he wraps his hand around your neck

・They're enjoying this far too much.

・If you're starting to get horny, they make you beg. You're being so quiet right now, apart from the soft whimpers leaving your mouth, afraid they will become louder.

"What was that, sweetheart?"

・Tom would ask, his hands rubbing your inner thigh as his fingers trail higher and higher-

・Bill chuckles into your neck, teasing you slightly

"Cmon, let's hear that pretty voice, M/N."

・His voice is slightly muffled but it sends vibrations up your neck and tingles down your spine due to his dominant tone.

・How can you deny him?

・You feel Tom gently tug at your waistband with those dammed perfect hand as Bills fingers travel up your shirt and to your nipples-

・OHMYGODOHMYGODOHMYGOD!!!!!

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[milf-harrington]

hi i wrote a short little something inspired by this post bc it wouldn't leave my head

season 2 canon divergence, in the aftermath of Steve being taken in by Hopper (don't ask me why it's happened, bc i dont know it's just how the story took shape in my head)

--

Steve was pulling a pizza out of the oven when El drifted into the kitchen, bumping hear head against his arm like one of the Henderson's cats. Her hair was starting to curl at the ends, longer than when he'd met her.

"Can you please tell Hop to go to the store? We are out of Eggo's."

She was already holding the walkie when he turned to give her a look, eyes wide and quietly expectant in that intense way of hers. He rolled his eyes, sucking pizza sauce off his knuckle as he reached for the walkie.

They had a quiet stare-off as he held the button down.

"Hey Hop, you there? Over."

Soft static buzzed through the speaker as El leaned further into him, turning her gaze away to inspect the pizza, before Hopper's voice came through with a crackle.

"I'm working." A pause, and then a reluctant: "Over."

He and Hopper shared a similar opinion on walkie-talkie etiquette, but the kids were insistent so they did their best. El looked from the walkie and back to Steve without blinking. He sighed a short laugh. Pressed the button again.

"Jane needs you to go to the store. Over." Better to use her other name if he was working.

"Eggo's?"

"Eggo's."

Satisfied that her demand request had been passed on, El slipped out of the kitchen and plopped down in front of the tv, crossing her legs underneath her as the screen flickered to life. The remote remained untouched on the bench. She wiped her nose with her sleeve.

"Well, I currently have an 18 year old in the back of my car and I'll have to run him to the station first." Another pause. "-ucks sake, over."

The words fell out of his mouth without any real thought, a years worth of comfort in himself dissolving any filter he might've had. "Is he cute?"

The walkie crackled. Steve wanted to smack himself in the head with it.

"My son wants to know if you're cute."

Oh, he was going to kill him, even if he did feel warm and fuzzy over being called Hops' son.

"Uh, I want to say yes, sir?"

There was a second of loud laughter before the walkie cut off and Steve pressed it to his forehead in silent mortification. From the living area, canned laughter from Happy Days burst out of the speakers like the universe was mocking him.

When he looked up, El was smiling at the screen in bemused wonder, colours flashing across her face.

He cleared his throat, eyes shut as he held down the button again. "Please remember the Eggo's on your way home, we're having pizza. Over and out."

He pressed the antenna down for his own dramatics, before quickly pulling it back out again so he could be reached for emergencies.

It wasn't that big a deal, it's not like he'd ever actually meet whoever had been in the car.

[loseractivities]

Ok time to yap about Billy Loomis. What is bros sexuality?

Billy is 100% gay. I also think that he’s on the aromantic/asexual spectrum, with the best label fitting him being demiaroace. In simple terms, I think the only way he feels authentic romantic/sexual attraction is when he has a very deep emotional, (whether he likes to admit that or not), bond with someone.

People often like to bring up his romantic relationship with Sidney and his sexual affairs with other women, one of which we have proof of in the later movies. Because he was dating Sidney before his mom even left, and they were known to have started off “hot and heavy”, (as Billy likes to call it), he didn’t really have any reason to be doing that. Or did he?!

It goes without being said that Billy is a conventionally attractive white male in the ‘90s. In the movie, we already see Billy’s efforts to appear as normal as possible, wearing bland clothes with little room for interpretation and speaking very little to others. Which leads to why Billyboy was sleeping with girls when he was a big fat QUEER!! …

Billy loves control! He loves it, he loves planning everything out and acting it out like it’s a movie because of his dumb special interest. He loves predictability, he loves feeling normal, and he loves having control over people. What better way to feel in control, (perhaps of his own sexuality), than by sleeping with and casually dating girls!! It makes so much sense.

How does Stu play into this?

Well firstly Stu is Billy’s only real friend. Through subtext we can tell that Billy trusts Stu a lot, considering he trusted him to 1. Call Sidney while he was in jail. 2. Be ghostface with him and have him not tell anyone. 3. Literally fucking stab him… The list goes on. People like to say that Stu didn’t know Billy’s real motive too, which is fucking stupid because why wouldn’t Billy tell him this?? One entire year between murdering Sidney’s mother and then eventually attempting to murder her and all her friends, and you’re telling me Stu wouldn’t have suspected a thing? Just for fun?? Yeah right!

Also people try to say “okay, well then why did Billy stab him so much in the kitchen if he wasn’t trying to kill him”? Firstly it was always part of the plan for Stu and Billy to be the only survivors because only one survivor is extremely suspicious. Secondly you can tell he was just not thinking clearly, he acted on his anger and lost focus of his goal (KILLING SIDNEY??NOT HIS BF??) which is something he NEVER DOES!!

Man,, the whole final act is my favorite, because it really shows both Billy and Stu coming apart and quite literally COMING OUT as the killers. Come on guys. Media. Fucking. Literacy. They literally penetrate each other right in front of Billy’s girlfriend, and that shit was freaky as fuck.

ANYway I’m going off on a tangent. I do wanna talk about why Billy didn’t explicitly say anything about being gay when he so very obviously is. Billy, in all areas, is much less obvious than Stu.

He’s closed off, secretive, keeps up a pretty believable facade to everyone until the finally is able to drop the act. It makes sense he isn’t as physically or verbally affectionate with Stu, and for this reason people are more inclined to believe Stu is gay and in love with Billy more than Billy is gay and in love with him. Well, in order to get a good sense of Billy’s relationship with Stu, you have to look deeper. Let’s start with some things from the script, since there are very few scenes with the two interacting.

Stu and Billy, in the script, are best friends, have known each other since kindergarten, and are partners in crime. Billy obviously is capable of forming strong bonds and connections with very specific people. Even unhealthily so, and we see this in the relationship he has with his mother. He idolizes her, victimizes her, makes her more than she was as a coping mechanism and never officially comes to terms with the fact his mom probably wasn’t as great as he remembers. And when his mom leaves, he breaks, needs control (as stated previously) because his life is suddenly unstable and who does he turn to? Stu!

Also I just wanna say when Stu drapes over his back Billy leans into him okay thanks. Body language in this movie means SO FUCKING MUCH TO ME these actors did amazing. When Billy follows Sidney inside the look of CONTEMPT ON HIS FACE!! The way he looks through his eyelashes. The acting is impeccable Skeety, I love you!!!! 😐😐 Also the way Billy looks at Stu before stabbing himmm…He;s in love I promise. In whatever way he knows how

Lastly the boy has autism

Passionate interests, he loves horror movies and constantly references them throughout the film. Even at unconventional times, like when his girlfriend is venting about her dead mother. Eye contact and too much staring. Meltdowns when overstimulated. The whole last act was just him stimming and destroying shit because stuff didn’t go his way. Bad reactions when plans are interrupted. At the staircase when Sid runs away he punches himself in frustration. Talks with hands in Sidney’s room about The Exorcist. Favorite person/people (his mom and Stu). Extremely overdramatic. When he got fake stabbed. When he falls down the fucking stairs for no reason. Finally, just socially awkward. Any word out of his mouth makes people uneasy. Ez

…Finally for Billy I js wanna say he arches it a lot and I think only someone who takes it like a good boy wpu;ld do that Ok im done by.e

LIKE AND SUBSCRIBE FOR MORE BANGERS LIKE THIS ONE

[wu-wakfu-undertale]

he'd have the strangest convos with the trans eliatropes guys (yes based off of that one mp100 post)

bonus of the eliatrope on the left, her name is amura! :]

[moeblob]

Reverse!Gavin

[ganondoodle]

so, inspired by the warm welcome the captain received with that rough doodle i posted, i made an updated design for Ki'ita as well (basic and with clothes)

i removed the piercings she had bc considering that they spend the majority of their time in arctic waters i think having metal directly in your skin is a bad idea, no matter how thick your blubber is; i also gave her typical white markings a green hue bc ... i liked how it looked and makes them stand out a little more

(i will not repeat what i wrote on the post about the captain but wanted to add a bit of more info about Ki'ita herself)

(i dont have ALL of their backstory done yet but) the captain and Ki'ita worked together in another organization, one in which the father of the captains child also worked at, before being betrayed and barely managing to escape, after which the both of them founded their pirate crew (possible name is the Solar Pirates bc of their solar powered boat stuff); since the captain had her daughter shortly afterwards Ki'ita managed most of the organisational matters at first, including the construction of their base on an abandoned island they had initially fled to

over the years they invented the solar powered ships that allowed them to gain control over a large part of an important trade route, leaving normal ships (mostly) alone but attacking those of hunters and similar, rescuing demons and mutants, even some humans from them, most of which also join the crew and it quickly lead to them becoming their own little community

Ki'ita does not like to spend alot of time among large groups of people, no matter how much she cares about them, and her originally being from norther lands gave her the idea to explore, and if viable, do underground missions in those norther areas to disrupt the infrastructure the hunters had built in recent years and overall keep the crew informed about things that may otherwise stay hidden; with each of their travels her time absent from the base increased but the patience of the captain is wearing thin so its likely a serious talk is underway on Ki'itas third solo mission she nearly died due to entanglement in abandoned nets made by hunters from an unknown material that she could not break, the massive scars on her tail especially come from that, only surviving bc the date they were supposed to return to the crew had passed and the captain grew to worried about her and made the entire crew rush into an emergency search, including the captain herself and her toddler, who were not suited for the cold climate just like the rest of crew, taking a huge risk that Ki'ita still feels ashamed of for causing; they stayed within the base for a whole year afterwards, not just to recover but also as a silent apology, taking time preparing herself to ensure theyd not get into a situation like that again

(before departing on their next mission the captain gifted her a sword with the blade made from the material of the net, a wooden handle, bc of the cold, and a blue wrap around it reminiscent of the captains striking blue teeth; a reminder of what had happened, a means to defend herself when their strength and teeth are not enough, and also a promise to always return again)

the oldest members of the crew know Ki'ita well and treat her like an old friend, among the newer members she has more of a .. cryptic status, the mysteriously absent vice-captain who only appears every few months or so out of thin air, throws a big party, sleeps for a few days and then vanishes again, the only hint to when they will return soon again being the captain getting noticably grumpier

(OC art, Ki'ita, she/they)

[gayeddie-saved-me]

it’s a selfish thought and arthur knows it because merlin has spent so much time hiding a vital part of his existence, his very being, all because of arthur. so he presses it down into the deepest recesses of himself and focuses on doing everything he can to support merlin, to give merlin the world he deserves. a world where he is free.

but sometimes, when he’s alone in his room surrounded by his endless responsibilities, he will think to himself, i am nothing.

merlin and the old religion hold him as this once and future king, but no matter what they say, he can’t understand why they think any of this is about him. it was never him. everything he’d done, every accomplishment and fight he’d won had never been his to claim. he was a fraud. he was a lonely king with nothing to his name beyond the blood on his hands, the blood staining his every crevice.

he isn’t the once and future king. he doesn’t deserve any of the praise. he is the moon, a piece of rock in the sky that shines only because of the sun. without the sun, the moon is worthless. without the sun, no one would have ever looked at the moon twice.

arthur had never been proud of his mistakes and his inaction when it came to his father’s slaughter, but he had been proud of the things he had done to keep his kingdom and his people safe and healthy and happy. he has fought and fought and fought only to discover he had never even landed a punch. every knockout, every victory he had held up to hide the ugly nothingness of his true, empty self was never his to hold. with the discovery of merlin’s magic, any worthiness he thought he’d earned had slipped through his fingers like sand through a sieve.

merlin is beautiful and powerful. merlin is a god amongst men, a gift given to this world, given to arthur, and for what?

this prophecy for arthur was always about merlin. he carried the weight, he fought and fought and fought and he won, merlin was the one who had carried this kingdom on his back until they reached the safety of the golden era of the current day.

it’s a selfish thought, to be thinking of himself in relation to merlin’s magic when merlin has suffered every single day because of arthur. and yet, in those moments, he can’t help but wonder why he was born at all, why he was named savior of a group of people who would’ve never died if only he had stayed unmade, a whisper of nothingness in his mother’s womb.

his first breath caused a massacre, a genocide, and yet he was given an angel and a title and a prophecy of greatness he could never actually fulfill.

he would never tell merlin about these thoughts he had. merlin would end up feeling guilty somehow, would carry the weight of arthur’s worthlessness even more by taking on the deserved revulsion arthur had for himself.

no, he couldn’t tell merlin about this. merlin would tell him he was wrong, would try to talk him up and fix it. would use that endless kindness to tell arthur endless stories about his own importance. merlin would shine his sunshine on arthur until arthur forgot he was just a lump of rock. he wouldn’t rest until arthur loved himself, until arthur took all the credit for merlin’s own accomplishments again.

no, he would keep this to himself. he would give merlin the attention and love he deserves. this story isn’t actually about arthur pendragon. it never was.

[jadecantcreate]

Kremy Lecroux and Gideon Coal had forgotten they were a simple flinch, a passing breeze, a slippery hand, or a drop of rain, away from ruin, and that ignorance was the beginning of their downfall. Hubris and rage, greed and wrath…no matter its origin, sin leads to sin, and sinners attract other sinners. Whether due to chance or fate, two paths cross and intertwine, never to split again.

my take on how gideon and kremy first met & what led up to it! beta read by my beloved mutual @szaryherbatnik

its 6.2k words so a pretty short (but hopefully enjoyable) read, id really appreciate it if you checked it out! <3

[cowboycatss]

the true lives of the fabulous umm.. um. catjoys.. kittyjoys… no the furbulous ??killjoys?? the mew lives of th

[shower-phantom-ideas]

Yall imagine Danny getting help from Batman and tells him about how hes on the run (it was a joke in passing smh) and how he has no home (it was ment to be funny man) then all of a sudden Bruce way shows up on a totally casual stroll in his neighbourhood. “Oh look a child who is in need laaa dee daa let me help you poor random child who I have no idea who you are.” As if Danny is an idiot. He isnt fooled in the slightest. He knows when something is up. Batman clearly is using Bruce Wayne to help kids off the street.

Danny is staying at Wayne manner and notices how no one really talks about the bats. Or tif they do Bruce gets this look then quickly changes the subject. Hes putting so much effort into it too. And at first Danny hardly noticed. Now it’s obvious theres a connection. At first he thought Bruce Wayne hated batman with how often he refused to comment or gave his kids a glare when they mentioned the big bad bat. But now it’s clearly something else. Danny got a chance to talk to the commissioner alone and then it clicked. Danny had asked whats Mr.Waynes beef with Batman and the commissioner seemed so confused. Quickly telling Danny about how the two have worked together. How Bruce has even helped the bat with information or a distraction from time to time. Why would Danny think that he hated him???

And BAM Danny had it. Bruce Wayne is dating THE Batman!!! Holy shit it makes so much sense. Danny would often find batgear around the house. Bruce probably got targeted a bunch and thats probably how they met.

Now hes trying so hard to be supported of his clearly closeted father figure. He also gets why it’s not public info too. Paints a huge target on Bruce. Plus his many many kids. Must be hard for them. What a crazy life they live. Jason would probably be so jealous of their literal fairytale romance.

Danny tells Bruce that he is supported by him and that his secret is safe until hes ready to tell anyone else. Bruce niw thinking Danny knows hes batman shows up no mask and Danny goes nuts. “You can’t out yourself in danger to protect him bruce!!! You are just some himbo man!!! He wouldnt want this!!!” Thinking Bruce is going to try and fight in Batmans place.

Then Danny walks up and places a hand on bruces should (he has to reach lmao shorty). “I will go. I will keep everyone safe. You can count in me” transforms snd flys off to defeat the big bad. Leaving a fully stunned and confused bruce.

[skydrag0n]

Faerie AU :D

*Tim outside the manor with folder of blackmail*

Alfred: “Hello young man do you need something?” *pauses and squints his eyes* “You again.”

Fae!Tim: *giant grin* “Me! Been awhile hasn’t it?”

Fae!Alfred: “132 years as I recall, you don’t usually present so young… Why are you here?” *cautious suspicion*

Fae!Tim: *sigh* “Usually I’m not trying to tell a suicidal father that just lost his son to stop hitting petty criminals too hard and to get therapy. I figured appearing younger would guilt him into listening to me” *shrugs*

Fae!Alfred: *more suspicion* “And when did you start caring about humans?”

Fae!Tim: *another shrug* “Frustration mostly, I have to deal with half dead people on the street”

Fae!Alfred: “Why are you of all creatures healing the injured? Last I recall you were off just running around and causing havoc, you have not been known to have a change of heart in the past”

Fae!Tim: *pouts* “Oh you wound me Alfred, that is the name you’re going by these days correct?

Fae!Alfred: *eyebrow raise* “Correct”

Fae!Tim: “Back to your question, it’s mostly that death has a lot on her plate at the moment, no need to give her more” *waves hand* “She’s dealing with? Jason I think his name was? Waking up in his grave unexpectedly, one of the Al Ghuls took him in. I’m sure he’ll come back in a couple years for revenge, you know I would usually just kill a troublesome human but if Jason comes back to that it’ll cause even more problems for me”

Fae!Alfred: “…Master Jason is back from the dead?”

Fae!Tim: “That is indeed what I said”

Fae!Alfred: *sigh* “You are going to attempt to convince Master Bruce to get therapy because it will cause more issues for you in the future if you kill him?”

Fae!Tim: *grin* “Mhm! and you’re gonna help me!”

Fae!Alfred: “Oh dear gods”

[lesbianherald]

kind of curious why the majority of jayvik smut focuses on bottom! viktor only. like no one wants to clap the golden boy's cheeks or smth 😔 anyway can't wait for your new AU because I know you won't leave me hanging in this top! jayce world.

i usually disengage with top/bottom discourse completely because 9/10 times I find it deeply stupid but this was so fucking funny. also "bottom!viktor" I know what you are. Fandom Vet.

[winn-wynn]

Foodcourt Au !!! (Magic Modern Times)

w/ Percy, Oliver, Marcus, Penelope, and Audrey

to start it off it’s the summer before college. They all need jobs to tie them over before school officially starts

Percy works at Smoothie Paradise. He’d be really good at memorizing the recipes. Usually the only one on shift because it doesn’t get that busy. Has fought with a Karen at least once per shift. Has tons of overtime. He needs the money. Manager has talked to him at least for it but at this point lets him have his overtime. Percy is his only regular full time employee.

Penelope works at Cinnabon. She’s really extroverted and friendly with customers. Is very fast and efficient. Always on cashier. Is also the caller to shout out customers names because she has the loudest voice.

Oliver works at Auntie Anne’s. BELIEVES HIS PRETZELS ARE SUPERIOR!!! Runs his little store like a quidditch team. Fast and efficient. Will win. Believes in teamwork but will kick your ass if you’re slacking. Works very fast. Has the pretzel shapes engrained in his mind and hands. Can do it in sleep.

Marcus works at Wetzel’s Pretzels. HIS PRETZELS ARE SUPERIOR OLIVER!!! Works in the back, mostly is the one shaping and baking pretzels. Do not put him on cashier he has no patience. Probably has threatened to kick out customers out at least once per shift.

Audrey works at Panda Express. She loves cooking the back. She does not want to talk to customers. Will do it begrudgingly though. Half -Chinese, so she makes jokes at least once that she’s working for her people even though Panda Express is not authentic. (It’s really Chinese American.) She always cleans as she goes. Refuses to do overtime because of dishes or cleaning the floor. Will get out on time. She will make sure of it.

NOW FOR THE FUN STUFF

They all met on accident because they were closing shifts. They all had a similar break time and sat at the food court tables to eat.

Percy knew Oliver from school so they were eating together. Penelope just plopped herself down and declared she was going to be friends with them because she’s seen them around school. Percy and Oliver just let it happened. They were to shocked. Percy didn’t mind. Oliver was like bombastic side eyes. Penny won Oliver over by her knowledge of quidditch.

Penelope brought Audrey over. They were friends before. Funnily enough Audrey brought Marcus over because she likes drama. She just thought Oliver and Marcus has a lot in common.

Oliver and Marcus were Not Happy TM. They fought like cats and dogs. They growled at each other once. Percy was not amused. He locked them in a janitors closet and said to sort it out.

They did it eventually. They’re still rivals and agreed to a truce. They still fight though.

Obviously, Oliver and Marcus are rivals. They work at different pretzels shops. They go over and fight each other at their place at least twice per shift. Percy is unfortunately stationed next to them and has to stop their fights. Penelope is across from them and watches while eating her cinnamon rolls. Audrey watches exasperated but she can’t say shit because her and Penny bet on when Percy will snap or who will win the fight.

That’s all I have for now. Tell me if you want more !!!

Also in case you don’t read tags, which fair I write goddamn essays, im Chinese. So please don’t take the Panda Express joke too seriously. I make that joke everytime I eat there.

[nowimabeliever]

just imagine. professor dougdoug

You show up to Professor Wreden's class with a sinking feeling in your gut. Your advisor told you last term that every student in your major should take a programming class at one point- sure, it's not in the degree requirements, but she said it's very relevant to the field.

She even told you the registration number to put in- it's really on you that you didn't realize she gave you the wrong one.

Because you didn't register for CS 110, Fluency with Information Technology, the intro to computer science class for people like you whose programming experience extends to underlining text in HTML.

Instead, you registered for CS 210, Computer Science I, a class whose description clearly reads Prior programming experience expected.

Maybe it won't be so bad, you thought, until your roommate's friend showed you the syllabus from last term. Last night. And yeah, you're fucked.

You'll have to go to the advising office right after class, get this figured out. Surely there's spots left in the 110 class.

As you take your seat, all the way to the side and halfway back in the lecture hall, you pull out your phone to search Rate My Professor. If nothing else, maybe he's not a harsh grader? That's your only hope of passing, really. C's get degrees- if you can even manage that.

Thankfully, his initial rating is pretty good, but that's all you have time to look at before a voice at the front of the room stops all the conversations around you.

"All right everyone, welcome to CS 210, Computer Science I," the voice says, and oh, you must be dreaming.

Tall, brown hair, glasses, facial hair- and those shoulders. Compared to the guys sitting in the seats around you, Professor Wreden (Just call me Doug, he insists) is a Greek god. You barely hear the rest of his introduction as his TA passes out the syllabus, instead staring at his arms and chest. He's wearing a V-neck sweater with the sleeves pushed up to his elbows, revealing copious chest hair and arm hair.

You kick yourself a little bit for sitting further back in the lecture hall- everybody in the front rows is getting an excellent view of the way his sweater and jeans hug his muscles as he paces the front of the room, gesticulating broadly.

Goddamn is the only thought in your brain as he finishes explaining the syllabus and jumps into talking about Python. Even from back here, you can see his eyes get a little brighter when he starts talking about programming.

Gorgeous and passionate- it's hard enough to find a professor that has just one of those qualities, let alone both. And in the computer science department, no less.

How has nobody told you about this guy before?

As you leave class that day, you make sure to take note of his office hours. You'll be going to every single one.