#i might write a sequel to this at some point ?

[ganondoodle]

what was something you didnt like in breath of the wild?

especially something a sequel could have done better?

im asking bc, while again im not promising i can make a big totk rant video- at least i want to try and write a script, even just to get all my thoughts into one big document, and one of the points i want to make is compare the problems botw had that totk could have done better (or changed/removed) and instead didnt, did it only on surface level or even made it worse

things im well aware/heard of already, but you can mention again, are:

the slipping while climbing in the rain (better on surface level, not actually better)

weapon breaking (better on surface level, actually worse)

dungeons are all too similar mechanically (same problems, possibly worse?)

shrines + dungeons same aesthetic (same problem + better?)

main bosses (except koga) extremely similar (better)

story too much in the past/doesnt feel like you are an active part much (worse)

rewards for exploration almost exclusively shrines or krogs/koroks (better on surface level, actually worse)

shrine puzzles often too short/easy (worse)

too many blessing/combat shrines (worse/better)

too many shrines (worse)

treatment/design/writing of the gerudo (same problems- worse)

writing itself on the weaker side (WORSE)

combat simple/broken in perfect dodges (same problems)

enemy variety too low (better on surface level only)

(i might be forgetting some well talked about points, but this is what i thought of now, im not counting the 'has no music' complaint bc thats just a straight up lie and im not validating that lol)

[fakeosirian]

"house of anubis has bad writing"

so i have a bit of a pet peeve when it comes to critical discussions about tv, and i'm going to use house of anubis as a vehicle through which to talk about it since i think it's a very good case study of this particular problem.

it's pretty simple: "x has bad writing"

saying something has "good writing" in passing is fine -- not every conversation needs MLA citations -- but for the sake of this post not being a million words long to account for every nuance possible, let's discount those situations and suppose that this is in the context of an extended critical discussion about something, and specifically calling out the "writing" as the culprit.

the funny thing about "writing" is a lot of the time, that...isn't what's being identified in a statement like this. this is where i'm going to start talking about house of anubis so i can give you an actual example

house of anubis has what i would call strong writing for most of its run, with a few notable exceptions (that i'd like to note are localized, specific problems!). when i say this, i'm thinking about specific parameters: the coherency and structure of the story, the pacing, the tone, the consistency and fidelity of the characterization, the quality of the dialogue (doing everything possible to only consider the words themselves, not the performances from the actors), and bells and whistles/creative choices that elevate it past functional narrative and into a piece of art. that is writing.

things that aren't writing that have a huge impact on how the writing/story is digested and are heavily influential creative choices in their own right BUT are literally just. not writing. that get commonly conflated with writing: ACTOR PERFORMANCES (i would write this one 100 times if it made a difference), shot composition, editing (both cut-to-cut and structural editing), and in some cases production design (so sets/props/costumes).

house of anubis is a great case study for this because oftentimes (especially in this VERY cynical phase of pop culture we're in) people conflate things that are earnest, low budget, or camp (especially when talking about elements in the "not writing" category) with "badness" when, while you don't have to like it, if you changed the lens through which you observed them, "bad" would be...not apt as a description. that being said, house of anubis isn't a great case study just because it's camp, but because, as the strongest example here, sometimes the performances are just Not Good. i will not name names (especially since everyone has their moments/odd line reads AND you can see clear improvement over time). but hopefully you know what i mean. it CAN affect your opinion of the story as a whole in a way that like...okay if you were watching season one for the first time as an adult, i wouldn't blame you for being turned off by the pilot, or hell, even a solid 80% of the entire first season.

i've attempted hoa watches with rl friends 3 times now, very recently finished s1 with someone actually, and noticed that more often than not, it was the acting (either because it's a very characteristic/camp/borderline theatrical style that takes getting used to or because it's...roughest at the beginning) that was turning them off. sometimes that was highlighting existing writing issues, but especially during arcs like the play/patricia's kidnapping that are structurally sound, perceived "cheesiness" in the acting would leach into the perception of the writing. we actually skipped the first 5 episodes entirely to try and mitigate the parts that are a bit hard to sit through without prior investment (i showed them the recap portion of the video essay i'm working on instead because they'd seen the pilot before and quote "could not handle that again" LMAO) but i noticed something interesting: while it took them a while to come around to fully enjoying the show, there was a period before that where i could tell that something shifted -- they were invested in the story, but they were still reacting like we were watching a neil breen movie. once the acting picked up, "oh this is garbage" (affectionate) turned to "wait a minute this is good."

that is the difference between bad writing and bad [something else].

this is a post about how house of anubis has good writing more than anything, but i do have to talk about the actual bad writing to make this point. early s1 has a particular type of writing flaw that's both INCREDIBLY interesting to break down, requires good writing ability to make in the first place, and unfortunately, is a KILLER for interest in a show like house of anubis, especially when it's taken out of its original context of being released every couple weeks in runs of 4 days of a new episode each night (which side note: COOLEST release schedule i've ever seen a show do. BRING THIS BACK) and binged instead.

quick interjection because i realized that how i define the plots in this show is not at all universal and i haven't talked about it before/released that damn video yet so you won't know what i'm talking about: until episode 9, season 1 has TWO A plots -- whatever nina/fabian/amber are doing (A1), and whatever patricia's doing (A2). at episode 9, they converge, so it's a more conventional singular A plot, but the reason i insist on it being 2 A plots before that instead of the show having an A/B/C/D plot and then A/B/C is a) for clarity's sake since the other plots don't change at all so why shift their categorization b) calling patricia's plot the D plot so you don't have to do that would imply it's the least important when it's easily the MOST important (it gets all the coolest reveals let's be real) + the C plot usually changes every episode/couple of episodes so putting a long-running plot after what is usually just a runner in the hierarchy makes things needlessly complicated c) they DIRECTLY converge in a way that's well telegraphed from the start. you KNOW whatever nina's doing is related to what patricia's doing from the pilot, and that's good.

so let's be real here: the A1 plot kinda sucks. not because the content itself is bad on its face -- that part of the writing is fine -- but because the individual scenes and what information they drip-feed the audience are poorly paced. the most egregious scene is the one in episode 5(!!!! FIVE) where fabian finally notices the eye of horus in the stair railing (by getting his shoelace caught on the doorknob somehow -- don't get me started), shows nina, and they come to the EARTH-SHATTERING realization that robert frobisher-smythe was really interested in egypt! 💀 it's not so much about them...coming to an obvious conclusion...even if that was what caused my ??? kneejerk reaction, but more that we spent an entire scene on this information (that even to a kid wouldnt bear stating), and it's not the first (nor the last) time that something like this happens in the A1 plot. meanwhile, in the A2 plot, patricia is learning something LEGITIMATELY earth-shattering once or twice a scene, and with multiple scenes in an episode for her, it's difficult for the A1 plot to keep up in terms of intrigue/information weight. the audience can tell that nina's the main character and that whatever she's doing is the "main point," but it gets increasingly difficult to make that case when patricia is getting gangstalked while they're visiting sarah over and over without learning anything new.

the real rub here isn't even in the comparison itself but in the fact that they're still, ultimately, both the A plot, and the characters in each need to get to specific places in the information they have/things they've experienced before their plots can converge properly at victor kidnapping rufus. when you compare them, there's a discrepancy pretty quick: patricia has way more things she has to piece together than sibuna do. thus, the sibuna plotline is artificially sandbagged with repetitive scenes, reveals that don't deserve the fanfare they get relative to the actual content of the reveal, and contrivances (see: fabian shoelace doorknob scenario) so it won't outpace things going on in patricia's plot and undermine the reveals there. when you add in how the B/C plots tie in and have impacts on the A plots or vice versa, it makes sense that something would end up being sacrificed in the pacing department. it seems kinda nuts that it'd be A1, but at a certain point of fiddling with events/moving stuff around, i can see why it had to be A1 that got this treatment.

i'll add that while it was airing, i didn't mind that and even liked how things felt ""sort of normal"/not that supernatural relative to where it was going to end up for a WHILE so when, say, the elixir is introduced and alfie gets trapped in the cellar and they REALLY start using their effects budget, it feels like a considerable shift in the setting. a mystery story that lets you get used to some sense of normal first before yanking the rug out from under you is the best kind, but striking a balance between "something weird is going on here that needs my urgent attention" and "but it's still not THAT weird" so the reveal is both shocking but entirely appropriate and satisfying is VERY difficult. (it's also a move that improves the rewatch at the expense of the initial watch, which i can't help but have a soft spot for as a certified Pretentious Bitch.) that's what i mean by it being a problem that comes from a good writer -- they're trying something! it might not be working perfectly but they're trying and to me, that's far more interesting than technically "clean" but very unambitious writing! but i digress lol

something neat that scene i ragged on early does do is the presentation of the information, though, and it makes me trust this was a particularly thorny structural issue and not amateurish writing. it seems to us that the takeaway is that they need to look into egyptian mythological sources for further information, and that the rollers likely belonged to the frobisher-smythe family. what ends up actually being relevant, though, is a) the naming of the eye of horus for the scene later where rufus asks patricia to look for them (specifically the locket, as we find out later, but he doesn't give that away, same as the scene not giving away why it used the eye of horus in the railing to clarify ^ the above dubiously useful information) and b) the subversion of the audience's attention. i'm not sure if this was intentional, but there's something magical about the way it primes the audience to be dismissive of nina and fabian's discoveries and investigative ability early on. for one, it makes the scenes where nina makes fun of amber for investigating every nook and cranny extra ironic in a way that i love (yes! giving your prototypical blank slate audience insert main character hints of a personality that ends up commenting on the nature of blank slate characters/how their behavior would actually come off if they were real people later down the line!), it makes the audience more likely to get invested in making connections/speculation independent of the characters solving the mystery (audience engagement is critical in a good mystery!), and by hiding the "most important information" in plain sight, it reinforces the illusion that this is a living, breathing world where everything is interconnected in unexpected ways. sure, it's cheesy and may feel cheap, but through that, it hits something real.

to sum up, i can see why if you're just turning this show on expecting a straightforward supernatural teen drama you wouldn't see this stuff first (especially since that genre is predominately cynical in tone right now and house of anubis is reminiscient at first blush of the type of show that a lot of other shows in the genre are...making up a guy like and parodying (badly)) and feel inclined to call it bad, especially without watching season 2. if you're someone new to the show, hi! i hope i haven't scared you off! if you don't mind spoilers, i did a writeup about a scene in late s2 that's an example of both good acting and EXCELLENT writing, both in dialogue but most importantly on a structural level. while it is a standout phenomenal scene, it's only that good because of the writing around it supporting that level of subtext in the first place, and the bones of that are present even in early s1.

i'm holding myself back from writing about cynical vs. earnest media because that's better saved for another post (specifically the fabled s3 writeup i will do someday i promise), but i cannot overstate how much of an impact that has on this, too. to state that conclusion as concisely as my verbose ass can manage: you need both cynical and earnest media in your media diet, elsewise your taste and critical skills will just Be Bad. too much cynical media, in particular, can trend towards a lack of appreciation for the earnest media it needs as reference material to respond to, and at that point, you're just adulating hatred ("intelligence") over loving, y'know, love. earnest media can suck, but at the very least, it's less insufferable to argue with.

(also, sidebar that's been said a million times, but these are TEENAGERS!! so many teenagers on tv are written like adults who make bad decisions, but there's an inherent corniness to being a teen that IS sorta "cringe," and you can't take that out without ruining the experience. i'm a super risk-averse person, but i'd be willing to bet a considerable amount of money that if you wrote up some early-ish s1 dialogue in script format (incl. action lines, etc.) of a scene with all kids and compared that to a scene of just adults, so stripping out the performances/keeping those from interfering in your interpretation, the dialogue that comes off "cringe" would read like perfectly fine, age appropriate language/cadence. i HEAVILY respect a show that doesn't pretty that up, even at the risk of coming off "amateurish.")

in conclusion, i asked my friend when their opinion of the show shifted from essentially "well i'm having fun watching it with you at least" to "ok wait a minute this is actually good," and they said the last four episodes of s1. while i'd place the "officially Good" marker for myself somewhere around episode 9, maybe a little later, i can see exactly why it'd be far later (and at that point specifically) for someone else, particularly someone that hasn't taken...extensive notes on every single moment of s1 and poured over them like it was my job for a solid couple years.

episode 23 and onward has: jerome and alfie getting more complex material to work with AND get to play off one another (and thus two of the show's best actors get to show us that), the rube-goldberg-machineification of the plotlines is setting in (the scene where mick and mara are playfighting while doing the dishes (as a result of their relationship turmoil up to this point??) and spill water on victor right when jerome chases alfie into the kitchen with the drawings of the ankh pieces?!?!?!??!?! LIKE!!! YOU CAN'T CALL THAT BAD WRITING...); reveals are paying off; stakes are high without spiraling out of control; actors in general are refining what elements of their characters work the best/need highlighting; beyond that the characters have weathered enough conflicts that their choices are cropping up to be consistent and solid characterization with a direction; it's clear that this is a campy endeavor with writing chops to back up the cheese.

the way that manifested in my friend's reaction was "wow, that was a good scene." "wait, that was acted really well. everyone did a good job there." "oh my god, they're not. theyre not doing this. oh my god, they are."

that is the essence of house of anubis, i think. it's not for everyone, but "bad writing?" a bit unfair, if you ask me.

[destinywillowleaf]

how to go from a one-shot/conversation spawned from thinking too much about an unseen father to more than a dozen fic ideas and an overarching narrative about family heritage (and the generational trauma that comes with it), the importance of communication, and how all lives touch other lives to create something anew and alive in one easy step

[definitely-not-an-alb]

I think the Hunger Games (& related Teen-Media-With-Adult-Actors-Discourse) is one step further from the other idiocy I'm annoyed by, which can be summarized as the experience of people prioritizing their own feelings of discomfort with a fictional situation they encounter over the safety of the people making that art (aka the 'in all my love for art and the freedom of art, knowing what I know about the treatment of child actors, I question if we should make movies with them' vs. 'seeing Jodie Foster play a child prostitute made me uncomfortable because it reminded me child sex exploitation and trafficking, like, exist in the world, and that's why Taxi Driver is bad/we should ban Taxi Driver/I'm bald and Martin Scorsese personally killed and ate my cat' debate (the latter is an unhinged, and also considering the previous point, fucking CALLOUS take imo) (like, mate, there's actual things to be worried about that are, quiet frankly, more important than your feelings about a fictional scenario) (like whether the pre-teen was PAID for her WORK)), because it (the Teens-Played-By-Teens-Argument) actively demands more vulnerable people (children and teenagers) be put in situations rife with harm (Are they paid? Fairly? Are they put in harms way on set? Are they kept emotionally safe at set? Did they consent to this line of work, or to work at all? Are they being exploited, emotionally pressured, abused, neglected or bullied by parents, agents, co-stars, set-workers, directors, promoters or producers?) to lessen their (the people making the argument) emotional discomfort at seeing the product of said work (/exploitation).

[parissfrogg]

Tango wakes up in Tumble Town only to find that Jimmy has gone missing, and nobody in town knows where he is. While searching for his rancher, Tango finds a strange portal that pulls him into a void where he sees Jimmy, having an intense conversation with beings that have far too many eyes.

Or: Tango gets pulled into Jimmy's Watcher Problems

[queenlucythevaliant]

A Liturgy of Surviving

Scarlett always wanted to be like her mother, and maybe in another world she could have been. If the war never happened, she could have grown softer instead of sharper. She could have curbed her temper, married well, and been received in respectable homes all her days. Maybe, if it hadn’t been for the war, Scarlett O’Hara could have lived out her days in genteel artifice, just like Ellen before her.

Maybe. Maybe not. If you asked her, Scarlett would say that the question was irrelevant. “God’s nightgown!” she would exclaim. “Don’t ask me what could have been. The war happened and that’s that.”

          I won’t think about that now.  

The day after Scarlett’s world ended, she swore an oath that she would never be hungry again. 

She woke in pain. Her muscles ached and her joints creaked. She was nineteen, but she felt like she had a hundred years weighing her body down. Morning light slanted through the window and her head ached with the moonshine liquor that she’d downed the night before. From another room, she heard an infant crying. 

She passed through the dining room without eating, pausing only briefly beside her grief-ravaged father. She found Pork on the porch shelling nuts. The sun was up. Scarlett O'Hara drew herself tall and began to marshal her troops. 

Melly and her sisters were still infirm, so they were useless for now. Mammy could tend them, and Pork and Prissy were to round up the livestock. Dilcey to Macintosh, herself to Twelve Oaks; perhaps they’d find food. Yes, I know. I’ll worry about that tomorrow. Now get going. 

Those days as the war staggered to its end were some of the longest of her life. In between them, Scarlett would collapse into bed and rub the welts on her feet with clumsy fingers. Sometimes she’d picture Ellen and all her gentle admonitions to kindness and refinement, and she’d say aloud to the walls, “What happened to me? What am I doing?”

She didn’t dwell on the question, but somehow, she always knew the answer. “I’m doing what I must,” she would answer herself. “I’m surviving.”

People didn’t talk back to Scarlett anymore. They were all afraid of her sharp tongue, of the new person who walked in her body. This Scarlett bullied and cajoled until everyone obeyed her, and inevitably her orders were to work. She was all edges; any softness that she’d once possessed had been sanded away splitting rails and picking cotton. Good, she thought. Let them fear me, if it keeps us all standing. 

          I’ll think about it tomorrow. 

Scarlett was sixteen when the war began: sixteen in green muslin, fearless and unencumbered. She had her mother’s slim waist and her father’s square jaw, but her clear green eyes were her own.

She was sixteen when she married Charles Hamilton and lost him, seventeen when she bore his child and draped herself in black crepe. She got Melly and Wade in the bargain, but she didn’t want either of them. She wanted Ashley. She wanted to dance! She wanted, she wanted. She wanted Scarlett O’Hara back. 

At nineteen years old, Scarlett survived the destruction of her whole world. She could have cried for the loss of her girlhood, for her old self long gone with the soft hands and dancing slippers, but what good would it have done? Curled up in her childhood bed at Tara, Scarlett didn’t cry. Instead, she folded in on herself, knees tucked up to her chest, and tried not to feel her muscles aching. She would have to get up again tomorrow, no matter how badly her shoulders still hurt.

She had strong shoulders, Scarlett O’Hara. That was maybe the most important thing about her. At any time, at any age, her shoulders could bear whatever they were given. “I’m surviving,” she would say each morning when she rose. A stranger’s freckled face greeted her in the mirror, but Scarlett only squared her small thin shoulders, breathed in, took one step and then another.

          Tomorrow, when I can stand it.

Calluses form like this: repeated pressure or friction is applied to the skin, most often of the hand or the foot. The outer layer, which is made of dead cells, begins to be retained rather than flaking off normally. The dead cells accumulate, forming hard layers sometimes hundreds of cells thick. 

They form like this: you use your skin. The shell of hardness around it slowly thickens. 

          I can stand anything now. 

The day after Rhett left, Scarlett packed up Wade and Ella and she once again drove the long road home to Tara. She pushed her way past Suellen at the threshold, exchanged brief pleasantries with Will, and then fell into her old bed as she’d done so many times before.

The next morning found Scarlett basking in the slanting yellow light that struck the porch from the east. Her eyes were fixed on the fields beyond and there was a devilish look on her face. 

When Rhett came back—and he would come back, he had promised he would—he would find her here at Tara, where she was strongest. “He liked when I was strong,” Scarlett said to herself. That was something she’d always known, for all that she’d been blind to the true dimensions of it.

Day after day, Scarlett rose and moved through Tara’s halls. She ate her breakfasts in the place where she’d faced down the Yankee army, sorted through figures where she’d once debated with Melanie over whether they ought to risk sending Pork out on the horse to look for food. Twenty times a day, she walked past the place at the base of the stairs where she’d shot her deserter dead. Here, in these halls, she had made her greatest stands.

She’d stood more rigidly then, threadbare and starving and uncertain. She’d come to the end of herself, only to find that she had wells of strength hidden deeper than she knew. Her hands were calloused and dirty. What else could she do?

          I’ll never be hungry again.

It’s easy to view Scarlett as hard and amoral. Even those closest to her would not have contested that characterization. Perhaps Melly would have argued, but then, Melly always saw the good in everyone. Scarlett killed and she stole and she schemed and she cheated, and she did it all in cold blood. What a selfish, conniving bitch, you might say.

It’s easy to forget Scarlett’s compassion. When she beat that poor horse to keep it trudging the long road home to Tara, she regretted hurting a tired animal. Her concern for Melanie, her friendship for Will Benteen, her joy when Rhett made her laugh: these were all true and genuine.

Didn’t Scarlett love her father and mother? Didn’t she grieve to see her friends and neighbors ruined by war? Scarlett O’Hara risked her life to save Charlie’s sword for Wade to inherit, and she built her mills for him and Ella both.

None of this negates the ruthless things she did in the name of survival, but it does begin to explain them. Scarlett made herself hard when hard was what she needed to be. She determined to live without reservation, without softness and with little kindness. Rhett called her cruel, and maybe he was right. But Melly also called her sacrificial and devoted, and maybe she was right too. 

          No, nor any of my kin.

On that road home to Tara, Scarlett once said, “If the horse is dead, I will curse God and die too.” Someone in the Bible had done just that—cursed God and died. Scarlett remembered feeling like that person, a despair of Biblical magnitude.

But the horse was alive, and so Scarlett did not die. Later, she thanked God that her knees still had the strength to support her, that her neck was still strong enough to hold her head high. Scarlett was not Job’s wife, nor even Job himself. She was Rahab, who escaped the destruction of Jericho, who saved her whole household and survived.

“What a fast trick,” said the Old Guard when she stole Frank Kennedy away from Suellen. No, Scarlett could never be Job. She was Jacob, the trickster and supplanter.

          Just a few more days for to tote the weary load.

Scarlett was easily provoked into courage; that was one of the first things that Rhett learned about her. A few insults, a pointed comment, and Scarlett lifted her chin and flounced off to prove just how brave she could be. She shed her crepe years early, and to Halifax with anyone who objected.

Rhett did that same thing to her on the awful day that Atlanta burned. He insulted her and laughed at her, and when Scarlett spat, “I’m not afraid,” it was true. Her hands, which had moments ago been shaking too badly to hold anything, were steady now, and anger had crowded all the fear out of her voice.

Rhett kept needling her all the way out of the city, until they reached the Rough and Ready where he left her. The banter kept her sharp. As long as her eyes were flashing in indignation, she hardly noticed the fire.

Even after Rhett left, his jabs stayed with her. “What would Rhett say if he knew I couldn’t do this?” spurred her back into action more times than she would ever admit. It was a petty kind of courage, and it felt smaller than the great, soaring motivation that came with thoughts of Tara, of the O’Hara name and Irish pride and red earth, but sometimes petty courage was enough to bridge the gap between strength and exhaustion.

He gave her something to hold onto, something to ground her, and even Rhett only halfway understood what that meant. I want you at your best, he never told her, but he pulled her into it by taffeta ribbons and witticisms. As the years rolled by, she rose to meet him. They swapped sharp words and insults, him always claiming to know her and her shouting, “You don’t know half!”

One day on the jostling ride out to her mills, Scarlett told Rhett about the fire that the Yankees set in Tara’s kitchen. “I’m not afraid of fire anymore,” she declared with something like pride, and Rhett remembered goading her past the flames the night Atlanta burned. “I beat it out with my skirts, and then Melly had to beat me out when my back caught,” she went on. “Now I’m not afraid of anything but hunger.”

I don’t want you to fear anything in all the world, Rhett didn’t say. Once they were married, he laughed at her appetite and teased her, “Don’t scrape the plate, Scarlett. I’m sure there’s more in the kitchen.”

           No matter, ‘twill never be light.  

After the war, Rhett had his millions. Ashley had his honor. Melly had the Association for the Beatification of the Graves of Our Glorious Dead. Scarlett held a ball of red clay in her fist and whispered, “I have this.”

Her father built Tara from nothing and he loved those acres like they could love him back. He had come to Georgia a poor immigrant boy and he had won that red earth. Whatever Gerald could do, his daughter could do too: of this she was certain. This land, this firm red clay on which she stood, was both her battlefield and her prize; her birthright and her hallowed ground. She gripped it tight with all the passion of a lover. She longed for its rolling fields on cold nights in Atlanta, sleeping beside Frank Kennedy.

“Yes, I have this,” and she let the dirt run between her fingers and lodge beneath her nails. Melly had Ashley and Ashley his senseless honor. Scarlett had Tara.

          I’ve still got this.

When she rode out in her buggy with her lap robe pulled up to her bosom, Scarlett heard how people whispered. She felt indignant about it the first time, and the second time she worried what Ellen would have thought. The third time, she decided not to care.

She still complained to Rhett about the whispering as he was holding the reins one afternoon. He didn’t laugh at her, just looked sideways from the road with his dark eyes and nodded like he understood. “Be different and be damned!” Rhett said, and his tone was like a soldier who’d heard the bugle. It was so strange, how Scarlett could tell him all the worst things about her and he would always answer back like they were medals instead of secret shames. 

Most of the city was in mourning, but Scarlett wore colors. She pilfered the store’s inventory in search of bright green, washed and mended her curtain dress as many times as it would stand, and when the money came she wore gowns of emerald, blush, indigo, and scarlet. Let them stare, she thought. See if I care.

At twenty-two, Scarlett rode up to Pittypat’s in the evenings, long after Frank had come home from the store, and she felt condemned. To the well-bred folks of Atlanta, she was as bad as a Scallawag. But sometimes, when she was alone, Scarlett ran her hands beneath the lap robe and hoped that Rhett was wrong about children and grandchildren, that the child she was carrying would understand one day. I hope you’re nothing like Frank, she thought. I hope you have shoulders like mine.

           I’ll never be hungry again.

“It’s no use, Scarlett. You can’t scrub out the past,” said Rhett when at last he came to Tara. “You can’t take back the last ten years, no matter how you’ve come — to appreciate my charms.”

“You think I don’t know that?” Scarlett snapped. “There’s never any going back. Not ever. But Rhett—” she reached for his hand. “I love you, and at last we understand each other. We can build something out of that.”

They argued about it until Rhett left again, fuming and bitter, his Panama hat pulled low over his face. Scarlett made an unannounced visit to Charleston the next month. “I was thinking,” she suggested, “That we might sell the Peachtree Street house.”

Scarlett knew all the words for making men love her, so long as she understood what it was that they wanted. The Tarleton twins had wanted merry excitement; Charles had wanted to feel important and Frank had wanted to feel like a strong, successful man. Ashley had wanted someone braver and better than he was, and he’d found it in Melanie without having to risk himself on Scarlett. Scarlett had never understood what it was Rhett wanted, but she did now. Why, it’s always been my love he wants! So Scarlett spoke the right words, and this time she meant them.

“You were right when you said that we’re alike. Only—you’ve always known about me, whereas I’m just starting to know you. Will you tell me about that knife fight in California again? About the sail boat you won at cards?”

“You know those stories,” clipped Rhett. “You don’t need to hear them again.” So Scarlett went downstairs and pried the stories out of his mother instead.

The house on Peachtree Street sold within the month, snatched up by some Carpetbagger who wanted it for a hotel. Rhett traveled to Mexico, and returned to find Scarlett back at Tara preparing for spring planting.

“What do the women wear in Mexico?” she asked him, leaning on the porch railing in the slanting light. “What is your favorite place you’ve ever traveled?”

Rhett indulged her in brief, but then abruptly he chuckled and shook his head. “I know what you’re doing, you little minx.”

“Yes,” said Scarlett. “Of course you do.”

           Tomorrow, oh tomorrow!

The clay soil of Georgia is red from iron oxides. It’s red the way rust is red, the way blood is red. If a blister splits open and your blood falls on the ground, that iron-red soil will just swallow it up. You can bleed and bleed, and the stuff in your blood will always be one with the stuff of the soil.

When cotton and vegetables sprout from the ground, it’s easy to believe they grew from your very own blood, and that your own sweat and tears watered them.

           Never look back.  

“We women were soldiers too,” Melanie said once. Scarlett didn’t respect her yet—at least, not consistently—but this might have been one of the moments where she first looked at Melly and thought not that her heart was soft and timid, but that it was a sword.

“We never expected to be – or at least I didn’t.” She looked around the circle of ladies, at India and Fanny, until her eyes came to rest on Scarlett at last. “We were children then. We all imagined the world far simpler than it was.”

Melly, India, Fanny, Scarlett. These women had all been girls together. They knew one another at seven, twelve, fifteen, swaddled in silks and trying to seem more grown-up than their playmates. They’d competed for beaus and Scarlett had mostly won, except where Ashley Wilkes was concerned. They had lived through the war together. Now, Scarlett sat among them on Melly’s front porch and tried to remember if she’d ever in her life felt like one of them.

For Christmas, Melanie gave Scarlett a small book of poetry. Scarlett never read it, except for the one verse which Melly had marked with a green ribbon. She bit back the urge to sigh when she undid the wrapping, but Melly pointed out the bookmark and said, “This one made me think of you, dear.”

Scarlett didn’t like to think of it now, but once she’d been sixteen in green muslin, confident that dimples and a clear complexion were the only weapons she’d ever need. She had been a child, but that child had not died when Atlanta burned. The belle of Clayton County was not in the grave with all the boys who’d never come riding home from war. Scarlett was alive. She was right here.

“What is a dead girl but a shadowy ghost/ Or a dead man's voice but a distant and vain affirmation/Like dream words most? / Therefore I will not speak of the undying glory of women. / I will say you were young and straight and your skin fair/ And you stood in the door and the sun was a shadow of leaves on your shoulders/ And a leaf on your hair—"

Scarlett came home from her mills in the gray evening and she made her way back to the Wilkes’s ramshackle front porch. She left her buggy feeling condemned and she sat with the other ladies feeling alienated, but all the same she couldn’t bring herself not to go. The war was over, and these were the survivors. They were through fighting, hung up on glory, but Scarlett still hadn’t holstered her guns. 

“We were soldiers,” said Melanie, and in her heart Scarlett added, “Some of us still are.”

           I won’t let them lick me.

Supposing that Ashley had married her. Perhaps the sight of her in green makes him brave enough to shed his veneer of honor and say, “Yes, you’re right, I can’t live without you.” It’s a minor scandal when he casts Melanie off in her favor, but not for long. The war is beginning and besides, good men have made themselves fools for Scarlett O’Hara before. By the time the soldiers march away, the scandal is all but forgotten in favor of the fine figure they cut as they embrace at the depot: Ashley so brave in his uniform, his young wife radiant as she clutches him.

Ashley sends her long, meandering letters full of philosophical musings. Scarlett reads them uncomprehending and sends back missives full of I love yous. She kisses them when she mails them, sometimes with a Hail Mary for her husband’s safety.

Rhett doesn’t notice this Scarlett at Twelve Oaks, and so he’s caught off guard when he hears the young Mrs. Wilkes say something blunt and scathing at the Bazaar. He chuckles to himself in delight and later he asks her to dance, and of course Scarlett simpers and agrees, and it’s a merry night. But Rhett doesn’t come back to Atlanta for the rest of the war.

This Scarlett leaves for Macon with the rest of the women when the Yankees come to Atlanta; after all, she has no Melly to keep her in the city during the siege. She takes Ashley’s child with her, and it’s in Macon that he finds her after the war. He waxes poetic about the Old Days, the Horrors of War and Götterdämmerungs and the like. He looks at her with sad, tired eyes and Scarlett says yes, I heard you the first time. But what are we going to do?

Twelve Oaks is razed. They go to Tara. Ashley tries his hand at farming, but it’s Scarlett who manages to pick and plant and organize while Ashley’s fumbling attempts at working with his hands yield scant success. His heart isn’t in it, which infuriates Scarlett. C’mon, get up and fight! She looks into the tired face of the man she loved so ruinously at sixteen and wonders what she ever thought was so noble about him.

When taxes come due there’s no way to pay. What’s more, Ashley doesn’t even try. It’s here that Scarlett breaks with her husband. Between Ashley and Tara, it’s Tara every time.

So Scarlett bullies her husband into calling old debts in from a few impoverished friends and when that isn’t enough, she goes to see the tax assessor dressed in green velvet and makes some very personal insinuations about Mr. Jonas Wilkerson. From there, Scarlett bullies her one-time-beloved and does as she pleases, and Ashley has to live with the fact that it’s his wife who provides for the family. In every world, it is Scarlett O’Hara who keeps Ashley Wilkes alive after the war.

His pride lays down in the dirt and dies. Scarlett Wilkes shakes her head bitterly and plants more seed in her red, red earth.   

Supposing Scarlett could have imagined all this. What do you think she would say? Perhaps in her youth she would have cherished the idea, but the hard-eyed Scarlett who emerged after the war would have only leveled her small shoulders and said, “What does it matter what would have happened? I’ll think about it later.”

           There but for a lot of gumption am I.

The day after Bonnie died, Scarlett called for the buggy and went to her store. Rhett took this as proof that Scarlett had never really loved the little girl, that she was devoid of maternal affection as he’d always suspected, but Scarlett was grieving in her own way. She threw out two uncut bolts of blue velvet: expensive fabric over which she’d have upbraided a clerk to hell and back if he’d wasted even a few inches. 

It was true that Scarlett had never wanted any of her children when she’d carried them. She had not felt joy or love or any of the feelings that other women described when first she saw them. What she did feel, in the moments after Dr. Meade placed each child in her arms, was a fierce surge of protectiveness. She was certain that she would work and sacrifice and even die for her children, if need be. They were her blood, her flesh, her kin.

Scarlett had hated pregnancy each time it happened to her. She hated feeling large and lumbering, hated the way that her tiny waist bloated and grew until even her modified dresses didn’t fit right. She hated the inconvenience of morning sickness, the limitations on what she could do, the necessity of seclusion as delivery drew near. It was nine months of hardship and frustration capped off with many long minutes of excruciating pain. 

Bonnie had died in an instant. She’d been flying towards the hurdle and then, half a breath later, she’d been gone. Standing in the back of the store with two bolts of blue velvet before her, Scarlett swallowed back tears that Rhett would never see. It wasn’t right that a child who’d taken her so much time and effort to bring into the world could be gone from it so quickly. 

When she returned to the house a few hours later, Rhett had locked himself in the bedroom with Bonnie’s tiny body. Scarlett paused for a moment outside the door, but then she squared her shoulders and kept walking. 

          Just a few more days for to tote the weary load. 

Scarlett had a habit of humming “My Old Kentucky Home” while she worked. Splitting wood, planting and picking cotton, driving between her mills, keeping the books—even sewing. The song was a thoughtless thing, an instinctual thing. She hummed it the same way a person might worry lips between teeth or tear at nails. 

She repeated the words again and again until her heart pulsed to their rhythm. Just a few more days for to tote the weary load. I’ll think about it tomorrow, when I can stand it. Tomorrow, tomorrow. No matter, ‘twill never be light. I’ll never be hungry again. No, nor any of my kin. I’ll never be hungry again. They were a mantra: something to hold onto when the whole breadth of her world had narrowed to a single point. A refrain. A liturgy of surviving.

          Just a few more steps

Rhett loved Scarlett and it was terrifying. He feared that she would treat him like one of her country beaus: a lovely toy to play with and to tear to ribbons when she was done. He was afraid, so he hid his heart behind his impressive poker face and said “I want you” instead of “I love you.” He called her “pet” instead of “sweetheart.”

Scarlett loved Rhett and it was slow. He brought her bonnets and bonbons and Scarlett thought, “Why, it’s almost like I was in love with him!” He came to help her the day Atlanta burned, and Scarlett thought that she’d like to stay in his arms forever. When he chauffeured her to the mills, she thought that he was the only person in the world to whom she could tell the truth.

"You never told me you loved me, you know," Scarlett said the next time she visited Charleston. "I never knew. That's not to say you were wrong about me - about what I would have done if you had said something. But you should have been brave enough to risk it all the same."

Rhett closed his eyes for a moment and his mask slipped away. It was doing that more and more these days.

"But I did tell you — once."

"I think I would have remembered that," said Scarlett, pursing her lips.

"Ah. ‘It is far off; and rather like a dream than an assurance that my remembrance warrants.’ I suppose my humble confession was the least of your worries that day."

Scarlett wrinkled her nose. "What?"

"The day Atlanta burned, my dear."

After a long moment, Scarlett gave a little gasp which turned into a sigh as it ended. "Oh. That's right, you did then, didn't you?" She shook her head. "Rhett, I do believe you have the worst timing of any person I know."

          As God is my witness

The day she married Charles, she wore Ellen’s cream-colored silk gown, aired out in a hurry from the chest where it had been sitting since the O’Haras married back in 1846. She couldn’t breathe for how tight her laces were —sixteen inches, like Ellen’s waist was when the dress was purchased— and perhaps that was a good thing. Scarlett was light-headed throughout the ceremony and she scarcely remembered it afterwards. 

The day she decided to have Frank, it was raining hard. Scarlett left the jail in sodden velvet and was grateful for the drops falling on her cheeks to disguise the tears. It was sunny the day of the wedding, but she scarcely noticed that. Afterwards, when she thought of marrying Frank, Scarlett would always remember the rain. 

There was a fine mist over everything the day she got Rhett back for good. Scarlett was wearing her work clothes when he came riding up to Tara; she’d been walking the cotton fields that day, overseeing the progress of the crop. They were both a little damp when he kissed her.

        ��  I’ll never be hungry again.

O’Haras and Robillards had always known how to dig their nails in, and by God, Scarlett was both. Her namesakes had long ago fought for their own plots of Irish earth; had survived and died and been hanged fighting to hold onto it. All Scarlett’s forebears, her folk, had left crescent-moon imprints on all that was theirs when it was finally pried from her hands. Scarlett gripped her little ball of clay and felt her nails dig into the heels of her hands.

She was her father’s hot-tempered daughter, but she had her mother’s steel-hewn spine. All the years of her life, she never saw Ellen Robillard O’Hara rest her back against a chair.  When Scarlett’s own time came, she held herself every bit as straight as her mother: she didn’t rest or lean, just stood and stood.

Maybe this is what she was always made for. Her green eyes weren’t for charming young men, they were for seeing dresses in curtains. Her hands were never supposed to be soft; they were meant for digging in the red dirt. Even her lips—Rhett was wrong, they weren’t meant for kissing. Scarlett’s lips were as sharp as the words that she spoke when she wasn’t afraid what anyone thought. They were meant to draw blood.

She had been sharp all her life, even when her edges were carefully concealed in layers of satin. Scarlett was not made to be soft; her core held no gentleness. She could not pretend otherwise. All she could do was stand straight, and hold up her tired old shoulders like they were the strongest thing in the world.

           I’ll think about it tomorrow. 

One day, at the Butler home in Charleston, Rhett taught Scarlett how to play poker, and subsequently how to cheat. They were still playing hours later, counting cards and hiding them in sleeves and making all kinds of ridiculous bets on losing hands. Just as she was taking off her right earbob to call, the thought rose to Scarlett’s mind unbidden: “What on earth are we doing here?” And just as quickly, there was the answer. “We’re living.”

At the end of this most recent road home, weary and damp from running through the fog, Scarlett found her way back into Rhett’s arms. In the evenings she listened to his stories and witticisms, and late at night she listened to the sound of his breathing. I will not speak of undying glory, she thought. Rhett was still here, and so was she. They were both still here.

Scarlett took off her left earbob too, for good measure. “I’ll raise you,” she said. “I have a good feeling about this hand.” There was still an ace hidden up her sleeve, but if Rhett noticed it he didn’t say anything. 

They survived together. They built something new. There is always profit to be made in building things, and these two were nothing if not industrious.

           After all, tomorrow is another day.

[theajaheira]

figuring out The Jenny Backstory is uhhh not taking me as long as i was expecting it to. i think i might actually be halfway decent at this kinda thing

[insert-game]

i got my copy of the paper mario ttyd remake yesterday in the mail and i’m very excited about it.

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[nerdallwritey]

Just to Ruin Me

Summary: “You don’t have to tell me any of this right now,” you said. “A lot has changed in the past few hours and there’s no rush in sharing these things with me. I know how hard it was to talk about your past the first time.” “It was necessary, though,” Astarion looked over at you, his expression determined. “You needed to know what we might be up against. And you might need to know this too.” “If you want to tell me, then I’m happy to listen, but please don’t force yourself for my sake.” Astarion released a puff of air from his nose. “You keep doing that.” “Doing what?” “Asking me what I want. Letting me choose.” OR The morning after you spend the night with Astarion, you learn another thing or two.

Pairing: Astarion x f!reader Rating: 18+ Word count: 12.5k CW: smut, reader is new to sex, piv sex, vaginal fingering, dry humping, mentions of Astarion's past trauma, blood drinking, mild angst, soft Astarion, porn with feelings, reader is an idiot (and a bard), so is Astarion (not a bard, just an idiot), the other companions are also idiots, but don't piss of Shadowheart Spoilers: Minor spoilers for Act 1 (in-game dialogue, plot points, etc.), as well as Astarion's plotline Also posted to: AO3 FAIR WARNING: This is PART 2 in my series, "Beauty and the Bard." Find Part 1 here. Find the masterlist here.

a/n: Thanks to everyone who read Part 1!!! Your kind comments and encouragement spurred me to write Part 2 and I hope it's a sequel that lives up to expectations!! I know the summary is a little angsty, but I promise there's more banter to be had. Everyone is still a goof, after all. Please enjoy :) (Thank you to @kermitwazowski for beta reading!) As a reminder, the last part ended with the following few lines: “For now, you were content to sleep under the stars in Astarion’s arms. It was the best sleep you’d ever had.”

Taglist: @a66-1 @khaleesiofthewolves @khywren @lollipopsandlandmines @minestrones

Okay, so maybe it wasn’t the best sleep you’d ever had.

Though you’d grown accustomed to roughing it in the last few weeks since the nautiloid crash, waking up in the forest was still a shock. It had its charms, sure, like the fresh air and the breeze blowing in off the mountains, but the appeal was starting to wane. Especially after one too many nights of having to take a dip in the frigid lake next to camp to rid yourself of gnoll blood. 

This morning however, you found yourself surrounded by blankets and pillows from your camp in the middle of a clearing surrounded by large pine trees, all of which had been thoughtfully arranged by the figure trancing beside you. Your own sleeping figure sighed comfortably, unbothered by the lack of a mattress or a hot bath, just a nice deep sleep-

Astarion whacked you in the face.

Your eyes shot open.

“OW?” You scrunched your nose and blinked a few times to get your bearings. 

It was still dark. The forest around you was painted a delicate shade of periwinkle. You’d hazard a guess that it was just a little before dawn. 

At some point in the night, you’d rolled onto your back, away from Astarion, who was now curled to your right, his back facing you. He must have just rolled over, explaining the harsh wake up from his forearm. You smiled softly and instinctively brought your hand to rub your forehead where he’d made the unfortunate contact. 

Blinking a little more, your eyes were beginning to adjust. From this angle, you had a clear line of sight to the large scar that overran a majority of his back. You squinted in the dark to try and get a clearer view of the terrible thing, but came up short due to the shadows of tree branches being cast from above. Still just a mandala of jagged lines and brutal curves. When you got your hands on Cazador, you’d…

No.

No, that wasn’t your fight. 

But you’d be gods damned if you wouldn’t be there for every bloody moment Astarion faced him, giving support however you could. Though you had to admit that it would be so gratifying to corner the bastard and cast a quick little Otto’s Irresistible Dance… Assuming you’d be strong enough to cast it by then… Gods, he’d look so fucking stupid just before Astarion plunged a knife through his heart-

Enough. Battle strategies and sick, twisted (but satisfying) revenge fantasies later. Right now you noticed that the shifting of the shadows on his back wasn’t from a breeze shaking the branches above you, but because Astarion himself was trembling. 

Your first instinct was to reach out and touch him, but you quickly retracted your hand. Based on the short whimpers he was letting out, it seemed like he was having a nightmare.

How was one supposed to wake someone from a nightmare again? With Astarion you’d have to be extra careful; you wouldn’t be surprised if he’d stowed a knife somewhere within these blankets that he might reach for in a surge of waking fear. 

That… would not be pleasant. 

You shifted to sit up and look around.

Ow.

A dull throbbing made itself known between your legs.

No, that was great. Spectacular, in fact. You’d have to stop and assess later.

Gingerly, you got onto your knees and peered around at your surroundings. Astarion had done a decent job of cleaning up the clearing to make room for this blanket nest, so there wasn’t a poking stick to be seen within reaching distance.

Not that you were going to poke him with a stick… but the thought had crossed your mind. You were still tired! You’d been fucked for the first time last night! There was a lot going on! 

You shook your head to clear the stupid overlapping thoughts and set to looking around for a wayward pillow. You spotted one in the far corner and made your way over to it carefully but with some haste to end Astarion’s unconscious suffering. 

You crawled back over to him. And then backed up a little. Just in case.

“Astarion,” you sang quietly. 

Astarion continued trembling, but you heard him inhale sharply. A good sign?

You raised your voice a little, but kept the same musical cadence. “Astaaaarioooon.”

Nothing.

Okay fine. 

“Sorry,” you said quietly, then threw the pillow at Astarion, hitting him squarely on the back of the head. You leaned forward to grab your own pillow as a protective shield as he gasped and shot up.

“What the hells? What’s happening?” Astarion rolled onto his back and frantically looked around until his eyes landed on you. 

You smiled sheepishly and waved at him lamely from behind your pillow. “Hi.”

Astarion narrowed his eyes, confused. He shook his head, then lifted a hand to the back of his head where the pillow had hit him. “What did you do?”

“You were having a nightmare.”

“Oh, I know what I was doing,” his tone was sarcastic. “What were you doing?”

You looked down at your lap, guilty. “I couldn’t remember how to wake someone up from a nightmare.”

“So you assaulted me?”

“I didn’t know if you had a knife!”

“Why would I have a knife? What is happening?!” He sat up fully and brought a hand to his forehead as if he were in pain. 

“Are you okay?”

“Thankfully, I’ll live,” he opened his eyes and looked at you, his hand still on his forehead. 

You huffed. “I meant with the nightmare.”

Astarion sighed and closed his eyes again. “It’s far too early to discuss this.” He tilted his head up towards the sky, which was getting brighter with every passing moment. A practiced smirk appeared on his face and he looked at you once more. “I’d much rather know if you’re okay, darling.”

You narrowed your eyes at him. 

“We had a lot of fun last night, didn’t we?”

“Seeing as how I’m always a lot of fun, I don’t understand why you’re posing this question.” You looked down your nose at him. 

He hung his head and sighed exasperatedly. “Will you simply allow me to work my charms on you?”

You tutted. “Is that what you were trying to do just now?”

“Attempting to, yes.” Astarion crossed his arms. “I’m usually irresistible.”

You snorted. “Okay,” you said, a small smile appearing on your face. “I’m going to ignore your lack of an answer about your nightmare and will elect to wait until you’re ready to tell me about it yourself.”

Astarion pursed his lips.

“But go ahead,” you rearranged your legs, wincing mildly as you moved to sit cross legged, “charm me.”

A look of worry flashed over Astarion’s face when he saw you wince, but the concern was quickly overtaken by an all too self-satisfied grin. “Feeling it this morning, are we?”

You rolled your eyes. “I knew you’d be happy about this.”

“Positively delighted, my sweet.” He leaned forward and kissed you gently, bringing a hand up to your cheek. You brought your own hand up to lay against his. He pulled away and appraised your face smugly. “I was completely enamored by your performance last night.” You were about to open your mouth to say something, but Astarion interrupted. “Don’t even think about mentioning that you’re a bard and that of course you’re good at performing, or something like that.”

You closed your mouth. You were going to say something like that. Instead you said, “You were pretty good yourself.”

He brought his hands up to make air quotes. “I’ve ‘ruined you,’ from what I recall.”

You groaned. “I just said that to make you cum.”

“Whatever you need to tell yourself, my dear.” His face was still smug, but he motioned for you to come closer. You scooted forward and he lifted you slightly to sit on his lap. 

He leaned up and kissed you deeply, his tongue swiping your bottom lip for entrance. You moaned in response and opened your mouth for him. Though the rest of his body was cold, his mouth was warm and inviting, and you leaned in further to try and get closer. You wrapped your arms around his neck and tilted your head slightly to get a better angle. You’d been mildly distracted last night; had he always smelled this good?

When Astarion pulled back suddenly, you couldn’t help the whine that escaped at the loss. He hummed in satisfaction, and his voice was low and seductive when he spoke.

“Every part of your perfect body whispers temptations-”

You giggled. “What?”

“Shush dear, I’m charming you.” He cleared his throat, “-it’s as if the gods made you just to ruin me.”

“So now I’ve ruined you?” You raised your eyebrows teasingly.

“Wait, no-”

You leaned your forehead onto his and laughed. “And that one usually works?”

He blew out a puff of air. “You’re an unusual one, I’ll give you that.” 

You shrugged, pleased with yourself.

“But yes,” Astarion continued, “I’ve made plenty of previous lovers swoon with that particular line.”

“Show me what else you’ve got, then,” you challenged.

Astarion tilted his head in thought. “Let’s see… I can’t use the ‘cried from your lips’ line because I used that one last night…” You scoffed joyfully, mockingly scandalized that he’d already used a line on you. He met your eye and smirked. “How about this one: When I’m with you, I feel practically alive, yet I crave only to die again, with you.”

The sultry tone of his voice did send a pang of want through your body, reminding you that you were only wearing Astarion’s shirt and nothing else. You shifted uncomfortably. 

“How romantic,” you said, trying to keep your voice nonchalant. “I didn’t think you liked dying the first time.”

Astarion narrowed his eyes, sensing your deflection and smirked, looking down at where you sat on his lap. He rolled his hips, which made you inhale sharply. “I see that one did do something for you,” he leaned forward and kissed your neck. 

You exhaled slowly, “I blame that stupid sexy voice of yours.”

Astarion growled against your throat and you shivered, bringing your hands up to his back. 

“Astarion,” you sighed and he hummed in response, licking over the twin wounds he’d left the night before. You sat up a little straighter. “Wait.”

He immediately pulled back and looked at you with concern. “What is it?”

“I just thought of something,” you said.

Astarion raised his eyebrows and nodded, wanting you to continue.

“Can I borrow your fangs?”

“My-?” His tongue instinctively flicked over his teeth.

“Because I want to leave a lasting impression on you,” you tilted your head at him to show off the marks he’d left on your throat. You shimmied your shoulders a little for good measure. 

“I’m leaving,” Astarion made to get up with you still on his lap and you laughed loudly.

“No! No! I’m sorry! I’m sorry! I wanted to try a dumb line on you, too!” You threw your arms around his neck and hid your face in his shoulder. You felt him kiss your hair.

“You’re lucky I don’t travel with you for your personality,” he joked. 

“I’d say ‘I’m a lot of fun’ again but I think you’d actually stop talking to me.” You pulled back to look at him.

“And you’d be right.” He kissed you chastely and then adjusted you on his lap. You winced a little again and he looked genuinely sympathetic. “I might have a way to ease the pain from last night,” he said. “Do you trust me?”

You smiled at him. “Yes.”

He smiled back. “Good.” He positioned your arms over his shoulders. “Hang on, my love.” You crossed your arms where they hung behind him and waited to see what he would do. 

Without warning, you felt one of his cold fingers slide through your folds. You hissed at the sensation and looked at Astarion. 

“Supposedly, massaging the area can help,” he was trying to sound knowledgeable, but the look in his eyes was one full of lust. Then he tutted, looking down. “You could be wetter, darling.” His thumb began to circle your clit.

Your eyes rolled back at the sensation, and you leaned forward again to rest your forehead on his shoulder. 

“Do you want my cock again, love? You took me so well last night, I was so proud of you,” he’d moved his mouth next to your ear and was speaking with the same sultry tone that he had a minute ago. You whimpered at his praise and rolled your hips to get his thumb to press you harder. Astarion let out a low groan. “That’s it, you’re getting so wet for me, you’re so good.”

After a few more tight circles, you practically sobbed when you felt him take his thumb away from your clit.

“Shh, shh, I know,” he cooed, “but we want you to feel better, remember?”

You let out a frustrated sound. “I already was feeling better.”

Astarion chuckled. “Trust me, would you? Impatient.” His tone was nothing but fond.

His other fingers began massaging the area around your entrance. You winced and bit your lip. 

“Are you okay?” he asked.

“Fine,” you confirmed. “I assume this will get better?”

“That’s the idea,” he kissed your ear and you nodded against his shoulder. 

You rolled your hips, attempting to get friction where you needed it. 

“Just a little longer,” Astarion said, moving his fingers gently around your cunt.

You hummed an acknowledgement and kept rolling your hips, trying to combat this weird form of edging that was happening. 

Finally, Astarion ceased his massaging and brought his thumb back to your clit. You let out a long shuddering breath and squeezed your eyes tight, adjusting your hips to roll against his thigh. 

“There you go, my love,” Astarion said, voice still in your ear. “I’ll make you cum for behaving so well.”

You whined loudly as his thumb picked up the pace. You began rolling your hips at an equally fast pace. “More,” you whined, willing your climax to approach faster.

“Not right now, darling. Let’s give you a break there, shall we?” Astarion used his free hand to pet your hair. 

“But you asked if I wanted your cock again,” you whined.

“And while I’m pleased to hear that you’d like it again, let’s relax and get you off like this for now, okay?” 

You groaned but nodded, squeezing your eyes shut again and focusing on the pleasure Astarion was currently providing. “Harder,” you instructed.

Astarion pressed down harder on your clit with his thumb. He swept his index and middle finger through your folds, coating them in your slick. He quickly swapped those fingers with his thumb, changing the sensation by swapping one finger for two and adding more of your arousal to the mix. 

You keened and gripped his bicep. “Harder!” You instructed again, desperate and approaching the edge. You could feel the coil in your stomach preparing to let go.

Astarion pushed again and brought his lips to your ear once more. 

“I just thought of something, precious thing,” he murmured.

You blinked at him, your eyes unfocused and half lidded.

“More of a question, really,” he clarified.

You squeezed your eyes tight, nodding. You were on the precipice of your orgasm and could feel it fastly approaching. You slammed your hips against Astarion’s thigh as he continued to rub your clit brutally. 

“Do you believe in love at first bite?” He leaned forward and kissed your throat, then began to suck a new mark into the flesh there. Contrary to his pun, he wouldn’t drink from you without your expressed permission first.

It did, however, send you crashing over the edge. You moaned loudly, Astarion’s name tumbling repeatedly out of your mouth. The vision behind your eyelids was white and you reached out blindly to grip Astarion’s shoulders. His lips detached themselves from your throat and found your own. His tongue was immediately in your mouth, swallowing your moans and shouts of his name.

When you came down, you disconnected from the kiss and opened your eyes, a lopsided grin on your face. 

“Thank you,” you said. “I do feel better.”

Astarion smirked. “I knew you would.” He brought his fingers, still coated in your essence, up to his mouth and sucked them clean. You watched, mesmerized by the way his cheeks hollowed and his eyes fluttered shut. He pulled them out with a lewd pop. “Delicious.”

You felt your face flush, embarrassed by his display, despite just cumming in his lap. 

“You shouldn’t feel embarrassed about this,” Astarion said, reading your expression immediately. “What you should feel embarrassed about is the fact that you came because I told a joke.”

“I did not!” You protested.

“You absolutely did,” Astarion said. “And it was a particularly bad one, too.” He clicked his tongue. “You must feel so ashamed.”

You groaned. “I came because you started kissing my neck!”

Astarion raised his eyebrows, clearly not believing you. “It’s okay, darling, no one here was under the impression that you aren’t incredibly lame.” He gave you a pitying look, then kissed your nose and you laughed. He pulled back and looked at you fondly, a dopey half smile on his face. Then he looked up at the sky.

The periwinkle you’d awoken to was now vibrant shades of orange and pink. 

“Are you okay if I move you?” Astarion asked.

“Um… sure?” You weren’t sure why he was asking, and helped to move yourself off of him. You did feel a bit less sore thanks to his help. 

He stood up and stretched his arms over his head, then bent to pick up a rag to wipe off his pants. 

“Sorry,” you said.

Astarion shook his head. “Comes with the territory.” You were about to make a joke but he held up a finger and gave you a warning look. “Don’t.”

You held up your hands innocently. 

He tossed you the rag after and then your pants and underthings.

“Clean up,” he instructed, “then get dressed.”

You furrowed your brows, your stomach dropping suddenly. He didn’t expect you to leave right now, did he? He hadn’t fucked you last night, then brought you more pleasure this morning, only for him to send you back to camp like it hadn’t happened, right?

Astarion snorted. He was watching you as he slipped on his shoes. “Relax, darling, I see that face. I just want to show you something.” He held out a hand to help you up.

“Okay,” you smiled, soothed by the pleasant look on his face. “Do you want your shirt back?” You made to lift it over your head.

“Keep it for now, dear,” Astarion said. “I rather like that on you, truthfully.” The collar was slipping off your shoulder as you pulled on your pants, and you made no move to adjust it, opting not to put your bra back on yet.

“Do you want to wear my shirt?” you teased.

“Tempting, but I fear I’d look better in it than you do.”

“Excellent point, don’t do that.” You adjusted the ruffles on Astarion’s shirt and felt a light breeze on your cleavage through the lacey opening at the collar. 

“Gods, you’re beautiful,” he said. You looked up and caught Astarion staring at your chest.

You laughed as he cleared his throat, then gestured deeper into the woods with his head. “This way.” He held out a tentative hand and you took it eagerly, bringing the back of his palm up to your face to leave a gentle kiss. Astarion squeezed your hand slightly at the contact, and began heading further into the forest, away from camp. A pleasant silence hung between the two of you and you rubbed your thumb absently along the back of his hand.

It wasn’t long before the trees started to thin and you heard the sound of rushing water somewhere close by. You emerged from the trees to find a cliff overlooking a ravine below. On the other side of the ravine was more forest, and beyond that, you could faintly see the Sea of Swords. The sun peeked out over the horizon, bright reddish orange in the distance. Its glow was a welcome sight and you found yourself in awe of the view.

Astarion let go of your hand and sat, dangling his feet over the edge of the cliff. You hesitantly stepped forward and sat beside him, opting instead to sit with one knee up, the other leg crossed beneath it. Astarion sat back on his arms. The sun reflected off his skin in the most beautiful golden and magenta hues. His hair, somehow still perfect despite your night together, was being jostled lightly by the breeze. He’d closed his eyes and tipped his head up, basking. You couldn’t help watching him as you rested your cheek on your bent knee. 

He didn’t open his eyes when he said, “I try to come out here every morning.” 

You sat in silence, continuing to watch him as you prepared to listen to whatever he’d say next. 

“After two hundred years in darkness, you forget how lovely the sunrise is,” he said. “I don’t ever want to miss another.”

“I can’t even begin to imagine what that must have been like,” you said softly. 

Astarion hummed in acknowledgment and opened his eyes. “I’d catch glimpses while lurking around the city for too long before dawn, hopping from shadow to shadow until I made it back to Cazador’s manor.” His eyes didn’t waver from the sun in the distance. “But there were moments where I’d catch a glimpse of it over the Chionthar.” His tone became sardonic. “The promise of a new day emerging! Something that I would never get to participate in.” He sighed. “I’d linger as long as I could in those moments.” 

You nodded, picturing a hopeful Astarion hiding behind buildings and in alleys, trying to get a fleeting look at a phenomenon that occurred every day, one that you took for granted. Your heart ached for him. 

He continued. “I never quite told you what Cazador made his spawn do for him.”

You tried to recall what Astarion had said to you before. Only that he’d been made to go out into the city and bring back “the most beautiful souls” he could find. Then Cazador would make him either drink from a disgusting dead rat, or abuse him for refusing. The thought made you visibly shudder. 

“I know that you had to bring people back to-” you lowered your voice, as if saying his name might summon him, “-Cazador, against your will. And that he’d kill them.” 

Astarion nodded his head once, remorsefully. “I never told you how we lured them.”

You could see pain etched into his features. You reached out a hand and placed it on his shoulder. He flinched a bit at the contact, but settled when he looked over at you.

“You don’t have to tell me any of this right now,” you said. “A lot has changed in the past few hours and there’s no rush in sharing these things with me. I know how hard it was to talk about your past the first time.”

“It was necessary, though,” Astarion looked over at you, his expression determined. “You needed to know what we might be up against. And you might need to know this too.”

“If you want to tell me, then I’m happy to listen, but please don’t force yourself for my sake.”

Astarion released a puff of air from his nose. “You keep doing that.”

“Doing what?”

“Asking me what I want. Letting me choose.” 

You cocked your head sympathetically. “And I take it two hundred years as a slave hasn’t really afforded you any choice.”

“Correct,” he sighed. “As a spawn, your vampiric master has complete control over your body and your actions. Even in moments where I wanted to defy or fight back, I was powerless to do anything.” 

Your heart jumped into your throat. You hadn’t realized that was how it worked. Having no control over yourself or your actions sounded like a complete nightmare and you were glad that you’d hopefully never have to experience it. Knowing that that had been Astarion’s entire existence for the past two centuries made you sick to your stomach. 

“I’m sorry,” you said, just as you’d said the last few times he’d shared glimpses of his past.

Astarion’s eyes were closed once again as he inhaled deeply, then exhaled. He continued to bask in the rising sun for a few silent moments and you watched as it slowly rose higher into the sky. 

“That nightmare I had,” he said, his voice coming out quiet, “I’ve had it before.”

Again, you said nothing and waited for him to continue.

“I actually had the same one the night you let me drink your blood for the first time.”

“Oh, please don’t tell me that drinking my blood was some sort of revenge plot against me for haunting your nightmares.”

Astarion smiled a little. “No, it wasn’t about you. It was about Cazador.”

“You know, I’m really starting to dislike this guy,” you said, knowing how difficult this was for him and trying to keep his mood up with another little joke. 

“You and me both,” he sounded tired. “In the dream, I’m in the forest. Cazador appears and recites the rules of being his vampire spawn.” He held up his hand and recounted them on his fingers: “‘First, thou shalt not drink the blood of thinking creatures. Second, thou shall obey me in all things. Third, thou shalt not leave my side, unless directed. Fourth, thou shalt know that thou art mine.’” 

You listened patiently as Astarion recited each rule almost mechanically. You scrunched your nose with each passing instruction and rolled your eyes dramatically when Astarion finished.

“What a prick.”

He smiled again. “With an archaic speech pattern.”

“I was going to mention his archaic speech pattern.”

The smile faded slowly as Astarion returned to his thoughts. “The dream ends with Cazador telling me I’m his forever. That I can never escape.” 

You let the words hang in the air for a moment. “And yet, here you are.”

“Here I am,” he said humorlessly. He laid down fully on his back, the sun high enough to bathe him completely in its glow. He rested his arms behind his head and angled himself to look at you. “I realized, if I could walk in the sun, what other vampiric laws could I break?”

You looked down at him, admiring the light glinting off his bare chest. “So you decided to test your theory on me? I’m touched.” You held a hand to your chest, pretending to be deeply moved.

“In all honesty, I thought you were the least likely to kill me if I got caught.” He smirked at you. “And it would seem I was right.”

“I wouldn’t have let any of the others kill you,” you said firmly.

Astarion chuckled. “How sweet. My brave little protector.” He reached over to pinch your cheek.

You swatted him away. “Hey, who saved your ass from a bugbear yesterday?”

He shrugged. “I would have been fine.”

You leaned forward and shoved him lightly, making him laugh and throw his arm forward as a shield. 

When his laughter died down, his face grew a touch more serious again. “When you so graciously assaulted me this morning, he’d just finished telling me rule number three; that I can’t leave him unless he tells me to.”

You thought for a moment. “Which begs the question,” Astarion looked over at you expectantly, “how did you end up out here? From what I recall, the sun was still out when the nautiloid reached the Gate. You didn’t have the tadpole yet, so how’d you escape?”

“I wouldn’t say it was much of an escape.” His eyes shifted up to the sky, his expression thoughtful. “I was looking for new victims for Cazador. It was dusk and I had just been given the order to go out and hunt. I was weaving through shadows, avoiding the setting sun, but there’s only so many places one can hide from a giant tentacle that won’t burn you to a crisp. One of the tentacles caught me when I attempted to flee down an alleyway. A complete accident.”

“If it helps, I tripped while running away.”

“Of course you did.” He sighed. “Figures it would take an alien invasion to finally free me from his clutches. Not some,” he waved his hands in the air, gesturing to nothing in particular, “heroic figure sent by the gods to save me and smite that horrible man down to somewhere further and more vile than the Nine Hells.” His hands fell ungracefully to his sides.

He wasn’t wrong. How could any god worth their salt claim to be holier than thou when such suffering was occuring right under their noses? And you were pretty sure, based on tales you’d heard of Mystra and Shar from Gale and Shadowheart, that the gods hadn’t planned for the nautiloids or the rise of the Absolute. Yet if it weren’t for any of that, Astarion would still be trapped in Baldur’s Gate and your adventure thus far would have looked very different.

“If I’d known, I would have done something,” you said, knowing it was more complicated than that, but still wanting to help somehow. 

“Darling, if I’d met you in Baldur’s Gate, I would not have hesitated to take you to Cazador.”

That hurt. 

You said as much. “Ouch.”

“Well,” he sounded angry, though he directed it up towards the sky and not at you, “I wouldn’t have had a choice! Sure, it would have been a little novel, given how inexperienced you are, but regardless, I would have handed you off to him as soon as I’d made you finish.”

Ah. So that was how he lured people. It made sense, now that you put the pieces together; Astarion was so experienced because he had to be. Of course unsuspecting victims would fall prey to the allure of an eternally beautiful vampire, especially the one laying next to you. Of course the promise of pleasure from someone that sexy would be the obvious thing to agree to. It was a wonder your paths had never crossed before the nautiloid. 

“Once,” Astarion broke the silence that had fallen between you, his tone distant, “in the first decade of my slavery, I found a darling boy who I couldn’t bear to bring back to him.” He finally looked over at you, his eyes full of sadness. “So I ran, instead of hurting that sweet man.”

You reached for his hand, then thought better of it. All his snide “don’t touch me’s” on the road now held a new, terrible weight.

“After Cazador caught me, the bastard sealed me, starving, inside a dusty tomb, all on my own, for an entire year. A year of silence”

A hand flew to your mouth. “Astarion…” you felt your eyes begin to prick with tears and did your best to will them away, fearing that they might make Astarion stop sharing.

He went on. “Months of scratching my hands raw, trying to carve my way out, more months of not moving at all. Months wishing only for death.” He took a deep breath, then blew it out shakily. “So no, I wouldn’t have hesitated, had we crossed paths.”

You opened and closed your mouth several times, attempting to find words that could possibly compose an appropriate response to the horrors you currently refused to picture. “I have no words,” is what you finally settled on, followed by an, “I’m sorry.”

“Nothing can make up for that,” he said quietly. “Not even Cazador’s death.” He paused. “Well, it would help a little, but the coward deserves a fate worse than death.”

“Can I hug you?” you blurted, unable to stop yourself.

Astarion blinked a few times, then sat up. “What?”

“I just… you’ve been through such hell and I want to hug you, but I don’t want to touch you without your permission.”

He looked you up and down and saw the sincerity evident on your face. “I… suppose.” He pulled his legs up from where they were still dangling above the ravine and turned to face you head on. 

“Thank you,” you said, still attempting to keep your tears at bay.

You leaned forward and weaved your arms beneath Astarion’s, hooking your arms up and placing your hands on his shoulder blades. You settled your face between his neck and shoulder and could feel that his arms were frozen rigidly in place in front of him. You took a shaky breath and stayed still, allowing Astarion to move at his own pace. 

His arms finally settled around you and he bent his head so his cheek rested against your hair. 

The two of you stayed like that for a while, relishing in the other’s closeness. You moved your hands back and forth across his back absently. When you caught yourself, you pulled back to look at him and asked, “Is it okay that I’m touching your back?”

Astarion chuckled softly. “Yes, my dear. It’s rather nice, actually.”

You smiled and nuzzled your nose into the crook of his neck. Seriously, did he always smell this good?

Despite the pleasant distraction, something was nagging at your thoughts.

“Can I ask you something?” you murmured into his skin.

Astarion sighed dramatically. “If it has anything to do with my fangs, I’ll rip your throat out.”

You snickered to yourself. “No, not another dumb joke, I promise.”

“Then by all means.”

You pulled back once more to look at him in the face. His eyes widened when he saw your nervous expression. You avoided holding his gaze, feeling a little small. 

“Do you… want to be with me?”

Astarion looked taken aback. “What?”

“I mean… well…” You were having trouble sorting through your thoughts. Who were you to make this moment about yourself when Astarion had just been so open with you? And why couldn’t you trust him in what he had told you last night? Still, you had to know. You’d made it clear how much you cared for him and how much sleeping with him had meant to you. 

Given his past experiences, it made sense why he’d sleep with you, but you wanted to hear him say it. If this was all some ploy to manipulate you into doing what he wanted, even without Cazador’s instruction, you needed to know now. 

“Was I… just another conquest?” you asked, your tears reemerging. “Because if that’s the case, then I think we should end whatever this is.”

Astarion’s face was now inches away from yours. He moved a hand from your back and shifted it up to wipe a wayward tear that had escaped. He said your name softly.

“No, my sweet,” his other hand started rubbing soothing circles into your back. He pulled back a little. “Well, yes.”

You scoffed, another tear rolling down your cheek. 

Astarion was quick to correct. “No, no! I mean, at first, yes, it was my plan to seduce you and sleep with you.”

You let out a small whimpering noise and he tried to catch your eye. You kept your gaze glued on something in the distance, unseeing.

Astarion cleared his throat. “You- You’re valuable; someone willing to feed me, someone who advocated for me to stay with you all, even though you knew vampires were dangerous, someone who would protect me in battle, even if it meant sacrificing something important to you.”

Try as he might to get your attention back on him, your face remained blank as you stared into the distance.

“I wanted your continued protection.” He shrugged. “Habits from two hundred years of charming people kicked in and I thought I could secure that with sex.”

That got you to look at him, a sour expression on your face. “Have you met me?”

Astarion chuckled. “Yes, I have. And that’s what threw me for such a loop.”

You humphed.

“When I realized you’d be more of a challenge, I modified my plan.”

“I don’t love the direction this is headed.”

“Stay with me, darling” he said, “I promise I’m going somewhere with this.”

You exhaled and nodded for him to continue. 

“I did want to give you a good first experience, that much was true, but I will admit that I was still planning on using you.”

You narrowed your eyes. “You realize how bad this sounds, right?”

“Will you-” he sighed. “Let me finish, damn you,” he brought his forehead to yours briefly, then pulled back. “So imagine how stupid I felt when I realized I genuinely felt something for you.”

That made you smile softly. 

He groaned. “And yes, it is because I find you to be… a lot of fun.” The last phrase sounded like it hurt coming out. 

Your soft smile transformed into one of smug satisfaction. “And when did you come to this conclusion?”

“Well first of all, look at you.” He smiled slyly and you playfully pushed his face away from yours, just as you had last night. After a moment, Astarion looked up, as if searching through his thoughts. “I suppose I’ve always found you to be amusing. You were so easy to fool in the beginning. I mean, the very first day we met, you thought I had one of those brain things cornered.”

“I had no reason not to believe you! And then you held a knife to my throat!” “Ah, memories,” he sighed wistfully. “But then we started traveling together, and I don’t think I’ve ever laughed more. Killing those goblins outside the Grove, fooling those trolls into working for us, taking out those Paladins of Tyr… you always had a sarcastic comment to contend with my sarcastic comments. Which is saying something.”

You snorted. “As if I wouldn’t have something to say.”

Astarion nodded. “You do talk a lot.” 

You chuckled softly, feeling better. Your arms were still wrapped around Astarion.

“It was when I kissed you.” His tone was thoughtful.

“Hmm?”

“When I really kissed you for the first time, there was something different about it.” His eyes flicked down to your lips momentarily. “Suddenly everything we’d been through came rushing back to my mind and there was this… pleasure I hadn’t felt. In an awfully long time.”

You smiled like a dope, bringing your forehead to his.

“I realized you weren’t going anywhere. And that you genuinely cared about what I thought and what I wanted.” He looked at you almost shyly. “No one in the past two hundred years has stayed.” Astarion pulled back and his inflection became flamboyant and playful: “Not that they had much of a choice, but it was a somewhat shocking revelation.” His tone then returned to one of sincerity: “And no one has cared for me as you have.”

You looked away, embarrassed by the kind words.“What can I say, I’m incredible.”

Astarion blew out a cool puff of air that tickled your face. “Annoyingly, you are.”

You looked back at him and smirked. “For me, it was when you asked me how I’d want to die.”

Astarion snorted. “Pardon?”

“When you asked me how I wanted to die on one of our first nights at camp. I genuinely had the thought, ‘Now here’s a guy who knows how to have a good time.’”

Astarion laughed brightly. You mirrored his grin.

“You said you wanted to be decapitated.” 

“How romantic of me,” he said, raising a seductive eyebrow. 

“Well it did spark the crush I’ve been harboring this whole time,” you felt your face heat up at the admission. “That, and your stupid beautiful face.”

Astarion sniffed mockingly. “Thank you, not enough people mention that.” Then he looked at you fondly. “But that long, eh? How adorable.” He rubbed his nose against yours teasingly. “And here you thought nothing would come of it.”

“Nothing usually does!” you exclaimed.

He laughed and leaned forward to kiss you once. “Not so loud.”

You lifted an eyebrow and gestured to the empty landscape around you. Astarion shrugged. You lowered your voice despite the lack of other people to bother.

“I am glad something came of it this time.” You settled your forehead onto his shoulder.

“As am I, my love,” he kissed your hair. “Though I have something else to admit.”

You pulled back and looked at him curiously.

Out of nowhere, he presented you with a knife.

“I did have a knife.”

You scoffed incredulously and whacked his arm. “I KNEW YOU HAD A KNIFE, YOU BASTARD!” You laughed loudly and pushed him backwards. 

He fell back onto his arms, laughing with you as you crawled on top and kissed him deeply. 

“Careful darling,” he murmured against your lips, “don’t move.”

You paused your movements, your lips still pressed firmly against his own. Astarion turned his head slightly to look over to his left at the treeline you’d emerged from not too long ago. You pressed a kiss to the side of his mouth and felt him grin. Then you felt his right arm come up and jerk slightly, followed by a “THUNK” sound off to your right. 

You waited a moment before you asked, “Can I move?” Your mouth was smushed against his face and your voice came out muffled.

He chuckled. “Yes, you can move now.” 

You sat up and looked to your right, the knife Astarion had pulled was now wedged deeply into the trunk of a nearby tree. You raised your eyebrows at him.

He stretched out like a cat in a sunbeam, his voice straining as he went. “Impressed?”

“Honestly? Yes.” You leaned back down and kissed him again. 

He hummed and his mouth moved against yours at a leisurely pace, his hands coming up to tangle in your hair. You kissed down his jaw and throat before coming to his collarbone and stopping.

“You’re sure you don’t want to fuck me again?” Your words came out a little shy and Astarion laughed. 

He twirled the ends of your hair around his finger. “Delicious as you were, my sweet, I think I’d prefer to take my time with you.” 

You pursed your lips, disappointed. 

“That’s not to say I don’t want to, darling, but…” His fingers stopped twirling your hair as he thought. “Like you said earlier, so much has changed in the last few hours. I’ve only just discovered that I can sleep with somebody because I actually want to.” His hand moved from your hair to your cheek. “I think I need some time to adjust to that.”

You nodded and bent to kiss him. “I’ll wait as long as you need me to.”

He smiled up at you. “Thank you.”

You spent a few moments just looking at him, admiring how his eyes sparkled in the sun like rubies. You sighed noticeably. 

“What is it, love?”

You shook your head. “It’s nothing.”

“Darling…” He raised his eyebrows at you. 

“No, it’s inappropriate right now.” You looked away.

You felt his hand in your hair, and his voice was conspiratory, “I love when you talk dirty.”

You sighed again and looked him in the eye. “One of these days, when you’re ready, I’m going to look into your gorgeous eyes as I make you come.”

Astarion sputtered out a surprised laugh. “Easy there, lover,” he gave you a sultry look, “I may just take you up on that.”

You sat up and spread your hands over his chest. “I want to make you feel good, too.”

He brought both hands up to his face and groaned loudly before dragging them back down his face and looking at you. “Come lay in the sun with me, will you?”

You pouted but rolled off of him and curled into his side. 

“There now,” he said, arching his chest upwards towards the sky where the sun had now risen for the day, “isn’t this nice?”

You inhaled deeply, taking in the scent of the trees and the sounds of the ravine below. You exhaled and closed your eyes, warmed by the sun and comforted by the presence of Astarion beside you. He himself had his eyes closed and looked peacefully content. You nuzzled further into his side, enjoying how his cool skin contrasted with the warmth coming from above.

Before you could even register that you were still tired from your early wakeup call this morning, you’d drifted back into a comfortable sleep.

~~~~~

You were awoken some time later by a lick to the face. 

You shut your eyes tighter and groaned. “Gross, Astarion, I’m trying to sleep.” You threw an arm over your eyes, the sun now directly overhead. 

“Did you find them, boy?” A voice shouted from the distance.

Your eyes shot open and found Scratch panting above you, wagging his tail excitedly. 

You sat up quickly and immediately leaned over to shake Astarion who appeared to be trancing soundly. 

“Astarion,” you shook him anxiously. 

He scowled, his eyes still closed. He groaned lowly.

“Astarion, my dear, my sweet, my beloved,” you shook him harder and his eyes opened immediately. He sat up, fast as lightning.

“What’s happening? Where’s my knife?” He looked around frantically until his eyes landed on you. “Ah,” he said, calming, “déjà vu.” 

“They’re coming,” you hissed.

“Who?” Astarion narrowed his eyes, thoughts still foggy from his trance. 

“No FUCKING way!” Came Karlach’s voice from the treeline. 

You looked over and found her with an elated grin on her face and her hands on her knees. She started laughing loudly and you hid your face in your hands. 

“You guys did NOT,” she wheezed. 

“Hello Karlach,” Astarion’s voice sounded nonchalant beside you. “What brings you out to ruin our beauty sleep?” 

“Did you find them?” Shadowheart soon emerged from the forest and stopped in her tracks. She surveyed the area and pinched the bridge of her nose. “Astarion, tell me you didn’t.”

“Did what, darling?” He sounded smug and you looked over at him. His expression matched his tone. “You’ll have to be more specific.” He rested his chin on your shoulder.

“I fucking knew this would happen,” Karlach said, coming down from her laughing fit. “Soldier’s had her eye on you for a while now, Fangs.”

“Karlach!” You whisper-shouted.

“Oh, I’m aware,” you felt Astarion turn his head to look at you. 

Suddenly Gale, Lae’zel, and Wyll joined the fray. Scratch ran to them and happily weaved between them as they emerged. 

“We heard a commotion, did you find them?” Gale halted when he saw you and Astarion sitting together on the ground, him shirtless, you wearing his shirt. “No,” he said, shaking his head.

“Yes,” Astarion said, tilting his head against yours. You gave him a dirty look. 

“Chk! Was that filthy nest of our blankets your doing?” Lae’zel asked, cradling her greatsword proudly. 

You groaned and hid your face in your hands again. 

“It would appear so,” Wyll confirmed awkwardly. 

“You vampires have a disgusting way of mating if that nest was any indication,” Lae’zel narrowed her eyes and lifted her nose in the air judgmentally. “Far too soft.”

Astarion scoffed and pulled back from you. “I’ll have you know that vampires mate in the most satisfying- well, we don’t mate, necessarily, we’re not dogs, but we, well at least I, am always an exemplary lover.”

Shadowheart ignored him and walked forward, crouching down and resting a hand on your shoulder. You looked at her. “Are you okay?”

“What?” you laughed in disbelief. “Yes, I’m fine.”

“He didn’t… coerce you into something, did he?”

“Excuse me?” Astarion sounded insulted. “I always ask permission first, darling.”

“Your charms can be quite overwhelming at times, Astarion,” Gale said. 

“And wouldn’t you like having my charms turned on you, wizard,” Astarion sneered. 

“Well, let’s not jump to any conclusions,” Wyll held up his hands, gesturing for the others to relax.

“Everyone!” You raised your voice. All eyes settled on you. “Nothing happened between us that I didn’t expressly and happily agree to.”

Karlach started chuckling again. “Good for you, Soldier.”

“Thank you, Karlach,” said Astarion. 

You narrowed your eyes at him. 

He shrugged. “What?”

You groaned and stood up, wiping grass and forest debris off your clothes. You adjusted Astarion’s shirt on your shoulders, making sure you weren’t showing off too much to your companions. 

“Is there a reason you all came out here? Or was it just to mortify me? Because mission accomplished!”

“It’s midday,” informed Wyll. “We grew worried when the two of you seemingly vanished and didn’t return.”

“Halsin and the tieflings are coming to camp tonight to celebrate our victory against the goblins,” Shadowheart crossed her arms. 

“Yes, and it wouldn’t be a great look if our leader and the gangly one were missing,” Gale said.

“Gangly?!” Astarion exclaimed, very clearly not gangly. 

“You’re- okay, well, I hadn’t seen you shirtless before now,” Gale amended. 

“Like what you see?” Astarion teased. 

“Astarion,” you scolded. 

He sighed and got up, wrapping an arm around you and resting a hand on your hip. 

You went red as you watched your companions track his hand. 

“Listen, people,” Astarion said, sounding serious. 

You saw your companions’ eyes shift to the vampire. 

“Don’t give her a hard time. This was my doing.” Shadowheart was about to say something but Astarion raised his voice a bit. “While yes, she gave permission in everything that we did, this wouldn’t have happened if I hadn’t suggested it in the first place.”

“I could have suggested something much better, surely,” Lae’zel huffed.

“I mean, did you-?” Karlach thrust her hips in the air with her fists at her sides.

“Oh my gods,” you groaned.

“I don’t kiss and tell, darling,” Astarion said, squeezing your hip slightly. 

Karlach smirked smugly and winked at you both. 

You shook your head and looked up, silently begging any god that was listening to kill you and to do it quickly. 

“We should get back to camp,” Wyll suggested diplomatically. “Let these two collect themselves.” 

“So what does this mean?” Shadowheart asked, ignoring Wyll. 

“Shadowheart,” Wyll warned but she waved him off.

“What do you mean?” You asked.

“Are you only going to sleep with the pathetic vampire moving forward?” Lae’zel stated bluntly.

You and Astarion looked at each other. You saw the slightest flash of uncertainty in his eyes and smiled. “If he’ll let me,” you said. 

A small smile appeared on his face in return.

Lae’zel groaned. “K'chakhi. Your loss.” She turned and walked back into the forest, slinging her greatsword over her back.

You bit your lip, feeling guilty about Lae’zel’s feelings, but Karlach soon slid into your vision. “Congrats, you crazy kids,” she laughed and pretended to punch your arm, then followed on Lae’zel’s heels, Scratch bounding close behind her.

Gale walked over, his face stoic. He stood in front of Astarion and held out his hand. 

Astarion scowled. “What is this, do you want some sort of handout?” 

“I want to shake your hand, you buffoon,” Gale sounded frustrated. 

“Gale…” you said sorrowfully. 

“No no, think nothing of it,” he waved you off. “The right man won out in the end.”

Astarion took his hand and shook it. “Better luck next time,” he jeered. 

“Astarion,” you scolded again. “You both know I’m not something to win, right?”

“Of course you’re not,” Gale nodded. “Apologies, I misspoke. I’ll see you both at camp. Lunch is bread and cheese to save room for tonight’s festivities.” He stiffly turned and walked back towards the trees. Wyll gave him a sympathetic look, then caught your eye. He nodded somewhat sadly and followed after Gale. 

“Well that certainly doesn’t feel good,” you said, holding a hand to your chest and breathing deeply.

“Not quite finished yet, love,” Astarion nodded over towards Shadowheart who lingered nearby. 

She approached slowly, holding her hands behind her back. Astarion released your hip and moved away, sensing what Shadowheart aimed to do. You looked at him curiously, but your attention was drawn back to Shadowheart as she threw her arms around your neck. 

“You’re happy?” She asked softly.

“Shadowheart…” you smiled into her hair. “Yes, I’m happy. Thank you.”

She pulled back to look at you in the eyes, double checking your expression. When she saw that you were genuine, she nodded. She cleared her throat and looked over at Astarion. 

She pointed an accusatory finger at him. “Hurt her, and you will never know a happy day again.”

Astarion held up his hands defensively. “I won’t-”

“You have never known the pain of Lady Shar’s wrath, and you’d be smart to keep it that way, so help me gods, Astarion.”

“I got it,” he said flatly. 

“Our Lady of Loss would not hesitate to strike you where you stand-”

“I think he gets it,” you said, placing a hand on her shoulder. “Thank you, Shadowheart.”

Shadowheart narrowed her eyes at Astarion before she looked back at you. “I’ll see you at camp. Don’t dally.” She looked pointedly at Astarion who shrugged helplessly. 

When she headed back into the forest, you and Astarion were finally alone. 

You let out a heavy sigh.

“That was a lot,” Astarion joined you at your side.

“Wait, did you know those people?” you smirked at him.

“Vaguely,” he smirked back and caught you in a kiss. “At least I don’t have to hold back from doing that at camp now.” He held you close in his arms.

You sighed again and laid your head on his shoulder. “You were right. I didn’t realize so many of them felt something for me.”

“That seems to be because you block out the advances of others.”

You shoved him playfully. “How dare you turn my pitiful backstory against me.”

He smiled and held out his hand. “Come on, let’s go dismantle that ‘disgusting’ nest.” He did his best to impersonate Lae’zel on “disgusting.” 

It made you laugh. “Okay.”

You took his hand and let him lead you through the trees back to the blankets and pillows that you’d spent the night on. 

When you arrived, you picked up your shirt and bra, feeling mild embarrassment that the others had probably seen them and drawn (correct) conclusions. You removed Astarion’s shirt and threw it back at him, hitting him in the face and quickly covered your chest with your forearm. 

Astarion laughed as his shirt fell into his awaiting hands. “Darling, you don’t have to hide from me,” he narrowed his eyes seductively. “I’ve already seen it all.” He tossed the shirt aside and made his way over to you.

“Feels different in the light of day,” you admitted self-consciously. “Worse, I guess.”

“Now, now,” he said, gently pulling your arm away from your chest, “let me see you in the daylight.” You allowed him to move your arm but didn’t look at him. “Lovely,” he breathed, and kissed you hard. 

You inhaled in surprise, but immediately gave in and slipped your tongue into his mouth and your arms over his shoulders. His hand came up and began massaging your left breast, his icy touch sending a shock wave through you and making you moan. 

Instantly, you pulled away and took a step back. “Careful,” you said as Astarion stared at you wide-eyed, his hand frozen in the air where he’d been palming your breast, “I thought you wanted to take things slow?”

He made a sound somewhere between a groan and a dry heave. “Stop being so nice to me,” he avoided your gaze. “It makes me want to… be nice back.”

“Gods forbid,” you laughed, and bent to pick up your bra which had fallen back amongst the pillows. 

All of a sudden, you found yourself face down in the blankets, the wind knocked out of you and Astarion’s body weight pressed firmly on top of you.

“Astarion,” you wheezed, “what are you doing?”

His voice was sultry in your ear, “If you’ll remember, I said I wanted to take my time with you.”

Sexy as that was, you couldn’t breathe. You reached behind yourself and smacked Astarion’s back with your palm. “Living creatures need to breathe, idiot!”

“Oh,” he realized his error and rolled off of you. You had no time to adjust yourself before he flipped you over and hovered above you on his hands and knees. 

You blew some hair out of your face, irritated. “Did you just tackle me like I was some sort of prey?”

“My dear, I would never,” he bowed his head and kissed your neck.

“And yet I find myself on the ground, even though I didn’t put myself here,” you tangled your hands in his hair, your voice wobbly. 

“You’ve always been rather clumsy,” he murmured teasingly. 

You took a deep breath and pushed him away. His lips were still puckered, making you giggle. “Shadowheart told us not to dally,” you reminded him. “And she threatened to kill you, what? Three times?”

“You forget that I’m already dead,” he smiled. “What’s another little death?” He raised his eyebrows suggestively.

You snorted. “Bad.”

“I thought that was rather clever, actually.”

You rolled your eyes affectionately. “We should really head back.”

Astarion whined and hung his head. “Let me have you again, woman!”

“But you said-”

“I know what I said!” He lifted his head and looked you in the eye. “And while I appreciate your concern, right now, I very much want to be inside of you again.”

You smiled cautiously. “Are you sure?”

He rolled his eyes and kissed you, lowering his body to roll his hips against yours and making his erection very obviously. You jolted at the unexpected sensation and he pulled back.

“Unless this is too much for you,” he searched your face for hesitancy. “You’re probably still sore and we don’t have to rush anything-”

You gripped the back of his head and tightened your fist into his curls. “Please,” you whispered, “fuck me again.”

A wicked grin bloomed on Astarion’s face and he kissed you passionately, rolling his hips against yours for friction. You moaned into his mouth, but he broke the kiss after only a few moments. “Like I said, love, I want to take my time with you.”

He rose up onto his knees and began untying the laces of your pants. You watched him intently and bit your lip as he removed them fully from your legs. He made quick work of his own and crawled back on top of you. His thumb hooked under your panties and his eyes met yours. You nodded and he pulled them down gently and discarded them close by. He then laid beside you, his eyes heavy with lust.

“Come here, precious thing,” he purred and you inched yourself closer to him. “Turn around,” he instructed. You gave him a confused half smile but did what he asked. He reached forward and pulled your hips back, causing you to feel his still-clothed cock against your ass.

“What are you doing?” you asked nervously. 

Astarion chuckled. “Not that, fear not.” He kissed your shoulder as he slid his left arm under you and settled his hand on your lower stomach. A chill ran through you as he nuzzled his head onto your shoulder. “Fair warning,” you could hear the mischief in his voice as his right hand made itself known in front of your face. He wiggled his fingers in a delicate wave, then brought it down between your thighs. 

A gasp escaped your throat when you felt his fingers swipe through your folds.

Astarion tilted his head and kissed your throat. “So wet already, darling.”

“You’re handsome,” you said by way of explanation.

He hummed against your shoulder and began to rub your clit. A shuddering breath left your mouth and your eyes fluttered shut. Astarion paused for a moment to lift your leg and hike it back over his. “This will feel good,” he said against your skin and dragged his fingers through your folds again before inserting a digit into your cunt. 

You threw your head back in surprised pleasure, which made Astarion turn and nip at your ear. He began pumping and curling his finger slowly inside of you. Your breath caught when his thumb resumed its spot on your clit and whined when his finger inside of you hit a particularly sensitive spot. He adjusted his angle to hit it repeatedly. 

“Astarion,” you moaned, your head clouded with nothing but ecstasy. 

“Yes, my sweet, you’re gripping me so tight,” his voice was sensual in your ear. “Do you think you can take a little more?”

You nodded, your eyes shut tight. 

“Words, darling.”

“Another…” you said breathily.

“Another what?”

Your voice was sing-songy. “Astarion, if you don’t put another finger in me right now, I’m leaving you.”

He laughed loudly before moving his mouth close to your ear again. “You like me too much.” Then he leaned up a little to catch your eye, his finger still pumping between your thighs. “Right?”

You smiled sympathetically, seeing your words had spooked him a little. You reached a hand up to cup his cheek. “I’m not going anywhere,” you clarified. “But I might kill you.”

“Got it,” Astarion dragged his index finger through your folds, then carefully added it to your cunt alongside his middle finger. 

You exhaled, moving your hand down from his cheek to his hand resting on your stomach. You laced your fingers together and squeezed when he hit a particularly good spot, getting you to moan out an, “Oh, gods.”

“Like that?” He asked cockily, reaching and curling to hit the spot again. 

“Yes, my love,” you sighed, grinning upwards with your eyes closed. 

Behind you, you felt Astarion’s cock twitch.

Your eyes opened and you looked back at him. 

He smiled back at you sheepishly. “It does that sometimes, darling. When something is particularly arousing.”

Your breaths were coming out short and keeping in time with the pumping of his fingers. “Was it… ‘my love?’”

Astarion let out a low moan and hid his face in your shoulder before reemerging and nodding. “Coming from you while you’re in the throes of passion with me is really… something.”

You laughed between whimpers. “My… loooooove,” you sang, squeezing his hand again. “Your fingers feel heavenly, my looooove.”

“Fuck this,” Astarion said, pulling his fingers out of you unceremoniously and curling you forward with his body so he could shimmy out of his underwear. 

“What are you doing,” you winced and whined childishly, “I was so close!”

“Unfortunately, darling, if I’m not inside you within a matter of seconds, I’m going to lose it completely.”

“Wouldn’t want that,” you said, half dazed and still coming down from your almost climax. 

You felt his hand bump your ass as he pumped his cock and you instantly went stiff. “You’re not going to…?”

Astarion let out a breathy laugh. “Oh, my sweet, you’re not nearly ready for something like that yet.”

A relieved sigh escaped you. 

“We could always work our way up-”

“No, that’s okay,” you said quickly. 

“There’s nothing wrong with-”

“No, of course not-”

“But we can-”

“Let’s not talk about this now,” you patted Astarion’s cheek.

“Understood,” he nodded and resumed pumping his cock. “Hook your leg back over mine, darling.” When you followed his instruction, he kissed your shoulder once more. You felt the head of his cock glide through your folds until it prodded at your entrance and you let out a shaky exhale. “Don’t be scared,” he muttered, squeezing your hand. “Are you ready?”

You inhaled. “Yes.”

Just as he had last night, Astarion was slow to enter you. This time you heard him whimpering with his mouth so close to your ear. 

“Fuck,” he murmured, dragging his fangs from your shoulder to your neck, “still so tight.”

“Obviously,” you said, squeezing your eyes shut, but not feeling nearly as uncomfortable as you had the first time he’d entered you. You let out a satisfied exhale when his hips bumped your ass. 

“Let me know what I can move,” Astarion said against your skin, his words barely recognizable. 

“You can move,” you said almost immediately, reaching a hand up behind you and twisting it into Astarion’s hair. You moved it over a little to play with the tip of his ear.

He let out a loud groan and snapped his hips forward, probably with more force than he meant to. “Apologies,” he whispered, “that felt heavenly.”

“Keep going, my love,” you encouraged and he caught your eye with a seductive smile. 

He continued to pump his cock into your dripping hole and brought his right hand down to your clit. He licked a stripe from your neck up to your ear. “You know, I really did intend to take my time with you just now,” he spoke lowly from the back of his throat. As if to illustrate his point, he slowed his hips to take long, languid strokes out, and then moved back into you at an equally slow pace. His thumb on your clit slowed as he disconnected his left hand from yours and brought it up to fondle your breast. He kissed up your shoulder to your neck sloppily and sucked on the fading bite marks from last night. 

You moaned loudly, hooking your foot around his calf and tightening your fist in his hair. “We’d really be dallying, then,” you commented.

He made a frustrated noise. “Don’t even allude to the cleric right now,” he pulled away from your neck. “Unless it’s to tell me I’m a much better lover than her.” He snapped his hips into you, hard. 

“I don’t have much of a reference, genius,” you responded breathlessly. 

“Right,” he said, and picked up speed at your clit. His mouth returned to sucking on your throat. 

“Oohhh,” you sighed. You let out a gasp when Astarion’s left hand pinched your nipple.

“You feel wonderful, my darling,” spit connected him to your neck.

“So do you,” you brought your hand up to cover Astarion’s that was kneading your breast. “You can bite me, if you want.”

He groaned loudly and bumped his nose against your jaw. “Well,” he said between thrusts, “if you insist.” 

He kissed your throat before biting down, his hips instantly picking up speed. 

The ice that shot into your veins was a shock as always, but melted into a fuzzy pleasure that had your eyes drooping in ecstasy. 

Astarion took long pulls of your blood as he continued thrusting, circling your clit, and needing your breast. How he was keeping track of everything at once was beyond you in this pleasant, foggy state. 

“Darling,” he pulled away suddenly, swallowing loudly and seemingly out of breath. “May I taste you as you come?”

Your tongue lolled to the side, but his voice snapped you out of it. You nodded up at him. “Yes, please.”

“What do you need?” He licked the wounds on your neck. 

“As much as I’m enjoying you taking your time,” you said, “harder and faster.”

“Easy,” a cocky grin graced his face as a drop of your blood dripped down his chin. 

His hips picked up a brutal pace that nearly had you reaching your peak, and he pressed further onto your clit, his tight circles picking up speed as well. 

“Oh, Astarion,” you moaned loudly, reaching back again to grip his hair.

“Come for me, dearest,” he spoke softly against your throat, but loud enough that you could hear, “I want to hear you sing again. I want to taste how sweet your blood is when I make you cum on my cock.” He continued leaving sloppy kisses against your neck.

“I’m close,” you confirmed, your eyes shut tight and your body tensing. 

“Go ahead, love, I’ve got you,” his hard thrusts were becoming uneven, but ever the professional, his voice remained mostly even. “You’re so tight and warm, thank you for letting me taste you.” He kissed your mouth. “Darling.” Another kiss. “Beloved.” One more. “Mine.”

You cried out as you fell over the edge, your cunt squeezing his cock repeatedly, only to cry out again as you felt Astarion’s fangs enter your neck once more. 

“Astarion!” You shouted, squeezing his hand and pulling his hair and wrapping your shaking leg around his. Almost simultaneously, you felt Astarion spill inside you as he moaned your name loudly into your neck, his hips pulsing clumsily against you. 

The sensation of him drawing your blood was still pleasantly fuzzy, but you could feel yourself becoming light headed. You tapped his arm twice, your signal for him to stop, and he pulled away, leaning his forehead against your temple and breathing heavily. 

“Still cumming,” he groaned and clenched his teeth, his hips faltering in their rhythm. 

After another moment, his body finally relaxed and he pulled you closer into his chest, catching his breath. “That was… amazing,” he sighed happily, leaning forward to lick the remaining blood from your neck. “If I knew blood could taste that good-” His voice trailed off. “Well, I’m sure I’d do something about it if I could.” He seemed pleased with his own answer and hummed contentedly behind you.

“I’m glad it was to your liking,” you said, looking back at him with a smile. He bent forward and kissed you happily. “I’m like a fine vintage,” you teased.

Astarion pursed his lips. “You’re far from vintage, darling, you’ll have to work on your wine related japes.” 

You laughed and a comfortable silence fell between you. Astarion rested both of his hands on your stomach. Which growled suddenly.

“What’s that like?” He teased, licking a wayward drop of blood from the side of his mouth. 

Your body tensed. “Oh gods, bread and cheese!”

Astarion blinked at you. “Are those some sort of new deities I’m not aware of, or-?”

“No, that’s what Gale said we’re having for lunch.”

“And that’s important because-?”

“Because we DALLIED and there’s a PARTY tonight and now Shadowheart is going to KILL us.”

“I see.” Astarion remained still, fixed in place. Then suddenly he was pulling out of you at a breakneck speed and reaching for his clothes. 

You winced a little at the sensation but scrambled for your own clothes, wiping yourself down with the cloth Astarion provided again and got dressed in what was probably record time. 

Incredibly, you both looked presentable. 

“We do make a gorgeous pair,” Astarion cocked his hip and smirked at you, going in for a kiss.

You swatted him away. “Enough flirting, loverboy, we can talk about us later!” You started reaching for blankets and pillows. 

“Us,” Astarion stood on the sidelines, testing out the word on his tongue. “I do so like the sound of that.”

“Help me, would you?” You threw a pile of blankets at him, hitting him in the face and blowing his hair back. 

He groaned. “It should be a crime to rush after you’ve just made love to the most amazing woman.” He came up behind you and smacked your butt teasingly. 

You stood up straight and tried to look angry. “We are going to die if we don’t head back right now.” Astarion wasn’t buying your anger, so you turned bashful. “You made loooove to me?” You clasped your hands together by your face. “You think I’m amaaaazing?” You twirled some of your hair for good measure.

Astarion sighed. “Be serious, woman, we’re going to die!” His voice was exasperated but he smirked at you. He bent to pick up more blankets and pillows and you did the same until you both had piles you could barely see over and nothing was left behind.

“Ugh, I’m going to have to do so much laundry,” you muttered. “Seriously, how did you manage bringing all this out here?”

“Well first, everything was folded neatly.”

“We don’t have time.”

“And second, multiple trips, darling.”

“We can’t afford to leave camp EVER again.”

Try as you might to rush back to camp, you still had to maneuver through a forest and be careful where you stepped. The pair of you moved as quickly as you could, which wasn’t as fast as was probably necessary to avoid Shadowheart’s ire. 

“Soooo…” You broke the silence after a few moments. 

“Gods,” Astarion rolled his eyes, “what?”

“‘My love,’ huh?” You waggled your eyebrows at him.

“What about it?”

“You liiiiiiked it,” you teased. 

“I-” You could see that he thought about arguing but decided not to. “I’m not used to the pet names turned on me. It’s… nice.”

“You’re cute,” you said, looking over at him affectionately and nearly tripping over a tree root as a result.

Astarion snickered, then made his face serious. “I’m the furthest thing from cute. I’m a horrifying monster.” He lowered his voice as if that would back him up.

“Yeah, but you like being mushy.” 

“I do not.”

“You do!” You moved closer to him and bumped his hip with your own. “You were so sweet to me yesterday. And just now.” 

“It’s different with you,” he said quietly.

“Oh?” You raised your eyebrows.

“It’s… um… This is stupid, I hate it.” He tried to walk ahead of you but you caught up easily.

“No, no! Please.” You gave him a reassuring look. “I, of all people, will not judge you.”

He sighed. “It’s just… nice to feel like something is mine.” He was quick to correct, “Not that I own you but… I don’t know. You’re not a victim. Not a target. Not just… one night it’s better to forget. You’re something entirely new.”

You smiled over at him. “I like you too, weirdo.”

Astarion humphed. “Whatever.” He moved closer and bumped your hip with his own. The two of you shared a fond look, then turned back to the path ahead.

If Shadowheart was going to kill you, at least you’d die together. 

You both quickened your pace to try and avoid that fate, but it was a lovely thought.

Soon, you began to make out the bright colors of your tents through the trees and the sound of your companions chatting by the fire. 

You turned to Astarion. “See you on the other side.”

He nodded, determined. “It’s been a pleasure servicing you, darling.”

“I hope she kills you first.”

You shared a laugh before you took a calming breath. 

And stepped into camp. 

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[scoonsalicious]

A Scoonsalicious Masterlist

All fics are 18+ Minors: GTFO; I don’t serve your kind here. I exclusively write for Bucky Barnes x Fem!Reader at this point in time, for maladaptive self-indulgent purposes.

If you ever feel so inclined to support my work, hop on over to buy me a coffee; it's much appreciated! <3

Individual fics will contain individual warnings.

Bucky Barnes

(Fluff 💖) (Smut ❤️‍🔥) (Angst 💔) (Horror 🖤) (Violence ❤️‍🩹) (AU 💞) (1k+ Notes 🏆)

Series

⚜️ The Pocket MCU: ❤️‍🩹 A series of miniseries and one-shot prequels featuring the MC from Unwanted, integrated into the existing narratives of the MCU films. ONGOING (Updated 5/20/24)

⚜️ Unwanted: ❤️‍🔥💔🏆When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn't be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust. COMPLETED 155.4k words (Epilogue Posted 4/27/24)

⚜️ Post-Unwanted: ❤️‍🔥💔💖 A series of miniseries and one-shot sequels set between Unwanted and Unbroken. ONGOING (Updated 7/11/24)

⚜️ Unbroken: An Unwanted Sequel: ❤️‍🔥💔💖‼️ It's a secret, but doesn't that title sound ridiculous?! BRAINSTORMING

One Shots

⚜️ Like a Fairy Tale: 💔💖🏆 Dating Bucky Barnes had been like living a fairy tale, but as he distances himself from you and your relationship, you come to the realization that maybe fairy tales aren't meant to come true. 3.4k words (Posted 3/4/24)

⚜️ Your Choice: ❤️‍🔥💖💞You're minding your own business at home one evening when local police Sergeant James "Bucky" Barnes comes knocking on your door. Someone's reported a crime being committed on your property, and the sergeant can either bring you down to the station, or get you off with a warning... it's your choice. 4.3k words (Posted 3/5/24)

Series On Hiatus

⚜️ With Friends Like These...: ❤️‍🔥💔Lily McIntyre, trainer for new SHIELD recruits at the Avengers Tower, has been in love with her best friend, Bucky Barnes, from the moment she met him. She's been content with her role of the #1 girl in Bucky's life, even if it means she has to sabotage a romantic relationship or two. It'll be worth it when he realizes that they're meant for each other, right? There's just one small problem: Lily McIntyre never expected Bucky Barnes to fall for You. ON HIATUS (Updated 6/17/24)

Upcoming

⚜️ Hunted ❤️‍🔥🖤❤️‍🩹 A plane crash leaves you stranded in the Canadian wilderness with the one person who can't seem to stand you: Your mission partner, Bucky Barnes. You'll have to work together and put your differences aside in order to survive and get rescued. Only, the two of you aren't alone; someone, or something, is watching you from the woods. WRITING

⚜️ Boys of Summer ❤️‍🔥💔💞 Every summer, the wealthy Barnes family escapes the heat of the city to their beach house on the New England coast, and every year for as long as you can remember, your father has been the caretaker of their property. Now your father's gone and you haven't seen Bucky Barnes since you two spent a summer night together when you were eighteen. Four years later, Bucky's returned with a slew of college friends in tow for the ultimate beach summer to celebrate his college graduation, and his recent engagement. PLANNING

[fatesundress]

⭑ settle soft and as pure as snow. tom riddle x reader

summary. he’s tender the way snow is. devout as a prayer that it will clear come spring.

tags. gn reader, ooc tom to 99% of the world but man do i love the 1% to whom it isn't, short little blurb, fear of death / discussions of mortality, fluff, hurt/comfort if you squint but mostly comfort, just. lovers! being lovers! kind of a sequel to your kitchen table in that it's as much an analysis of tom's fears and desires as it is an x reader, i needed this so i wrote it idk what to tell you okay

note. in my long absence i hit 1k followers (!!!???) and while i've struggled to write anything substantial, i really enjoyed this and wanted to share something to somewhat express my gratitude :') have some healed tom (inspired by hozier) and as always, my requests are open in case something sparks inspiration. in the meantime, thanks for everything!!

word count. 791

He’s so suited to this. Beautifully, frustratingly so — born in its longest nights and shaded in its sundry tones; its stellular blues and soft, powdery whites — Tom Riddle is December made mortal. (An offensive turn of phrase, you’re sure, but he’s suited to mortality too.) You think he used to charm his cheeks not to flush but relented the effort at some point, some years ago with you, because the cold splashes them pink to his ears now, snow dotting his tousled hair. He has the integrity still to deny your caps and earmuffs with a signature scowl, but — one day.

It’s a walk through the night for no particular reason, with no particular direction. There’s moorland past the trail that winds around your shared abode, tall and dense and magical. It satiates something in him. The unknown. The need for it.

Sometimes he gets restless and doesn’t tell you, only stares furtively from the northernmost window, fingers conjuring spirals of ice on the sill absentmindedly. You take his hand and kiss the cool digits one by one. To remind him of intention.

It’s the decay, you presume. A little voice always tugs him that way, but it gets louder this time of year. With everything shedded, rotted, buried and slumbering, Tom endures watching the cycle he hates most echo into spring. Rebirth, yes, but not how he pictures it. What he knows in the steepest dusks is that one winter will come where he will not wake up again with the flowers, where you might vow to tend whatever garden someday blooms over his grave, a name etched into the stone that none but you will remember. Many winters after that, when you follow him into death and the house is mildewed and lichen clusters his favourite window, the grave will wear until even that is gone to time.

It terrifies him.

So you walk. Intention. Your hand is in his.

The magic of a simple charm warms you somewhat, but you enjoy the subtle sting of cold. You can feel it because you’re alive. It’s the same life that strung you to him in a way that can’t be severed, and now you make new trails in pathless woods and wonder at constellations, spiles broaching syrup into buckets from the trees. You collect them for potions. You invent new ones together, and tease him over a coughing fit in cauldron smoke that immortality is more than living forever.

He kisses you quiet, but he’ll listen later. There’s so much time.

You wonder if it suits you, too — winter — by the way he tends to you when it comes. Doting. You would never have imagined considering him having such a virtue when you met him, but he’s… tender, the way snow is.  Devout as a prayer that it will clear come spring. Stinging, soft, ephemeral. You weather him. But how he keeps you warm when the night drags on, and talk of constellations turns to talk of grief, he shelters you.

When your back is bare and you’re laid away from him, he traces the skin like he’s never seen it before. It’s a wonder, you think, to learn the mechanisms of touch like a foreign language. Perhaps it would feel the same for the first thousand times. How many winters did he trace the cool tile of his bedroom wall just like this, with skinny fingers scraping at the mortar on another empty birthday? There are questions even now you think to ask but don’t. He offers the answers mostly as he’s reminded of them: that a clearing in the moors evokes a memory of a bad field trip, a mantelpiece of tchotchkes echo a stolen box in a burning wardrobe, that most things, at times, feel fleetingly disparate, ready to be returned to their right place. Tea will go without sugar again as he will go without you.

Nonsense. This is yours, you tell him, the word sewn between you.

His pink cheeks are all the colour you see in the dark. The tree sap is sweet and light. You write a letter to a potioneer in New Guinea to draft, and turn left instead of right the next night, a new forest discovered within the first. Your New Year’s Eve is a swell of light in birthday candles, laughing into his cheek at some bad joke until the sound is smothered by a kiss he breaks too soon by laughing too. It’s a sound you can’t invent or imagine, words failing you even when you find them for everything else he is. 

Spring comes one unsuspecting morning, twice and twenty times, greys strewn in the black of his hair. You smile with crow’s feet into winter again.

taglist. @lyis @indimoss @poddzi @esolean @d1anna @maripositanoctruna @mentally-in-northern-italy @ronniemaximoff1234 @moobell55 @jaerang @ramayantika @saltwaterbythesea @acube07 @togenabi @adazito @kitcat334 @blaurghhh @shutupfinn @jaymeeshayden @lilu842 @leaosee @garfunkelworld @definitely-not-captain-america @multiplefandomstan @mangoesareorange

[solarmorrigan]

( @nitro502-the-sequel​‘s tags on this post made me ugly laugh and then I had to write something, I hope that’s okay??)

Wait, no, this is hilarious, hold on

Steve drops Eddie off at home later that night, where Wayne is awake and puttering around in the kitchen making what might possibly be lunch (he tends to keep overnight hours even on his days off, so as not to completely fuck his sleep schedule, but hell if Eddie can keep track of what time of “day” it is for him).

Wayne gives Eddie a nod of acknowledgement and turns back to the pan he’s stirring on the stove. “How was your–”

“HE CROCHETED ME A SCARF.”

This was a little louder than Eddie had meant to be, but Wayne, to his credit, doesn’t even flinch. He turns back to look at where Eddie is standing in the middle of the living area, clutching the ends of the aforementioned scarf like it’s a towel at the end of the world.

“Who did?”

“Steve.”

“Huh,” is all Wayne says. “Is crocheting the thing with the…?” He holds his fists out in front of him, rotating them at the wrists like he’s rowing a very tiny boat.

“No, that’s knitting. Apparently, they’re different,” Eddie says, brows raised and hands held up in front of him, like he can fend off the ghost of Steve’s surprisingly enthusiastic lecture on the subject. “Crocheting is with a hook, like–” Eddie holds out one curled fist, trying to demonstrate, but it mostly just looks like he’s either stabbing something or failing to pick up some invisible spaghetti. He gives up and flutters his hands in front of himself, clearing the image. “He showed me – never mind, it’s – you’re missing the point!”

“And I’m sure you’re gonna tell me what that is,” Wayne says, turning back to the stove before the beans (Eddie’s pretty sure it’s beans he’s smelling) start to burn.

“Steve crocheted me a scarf,” Eddie enunciates, because putting the proper emphasis on certain words will definitely solve the problem.

Wayne just hums. “Well, that was nice of him. Lord knows I can never get you to wear anything warm.”

Eddie groans, clutching at this scalp and then running his hands through his hair. He’s at least seventy-five percent certain Wayne is being obtuse on purpose.

“But what am I supposed to do about it?” he laments.

“Wear it, I’d say,” Wayne replies. “Can I see it?”

Eddie hesitates for a second, because it’s his scarf and Steve made it for him, and he doesn’t want anything to happen to it when he hasn’t even had it for twenty-four hours, but then he decides he’s being ridiculous, because if he can trust anyone with his stuff, it’s Wayne. He unwinds the scarf from around his neck and passes it over.

Wayne’s brows go up as he looks over the close, even stitches, running his fingers over the little ridges Steve somehow made with yarn. He nods appraisingly. “It’s nice,” he says, handing it back.

“Right?” Eddie tosses it back around his neck with a sigh.

“Did you say thank you?”

“Yes,” Eddie says, before thinking back over the moment when Steve had told him that the scarf was for him. “…more or less.”

Wayne shakes his head, turning back to his food with some unfavorable mutter about Eddie’s manners.

“Okay, but I think you’re still not seeing the problem here,” Eddie insists.

“Looks like the problem is that you’re having a conniption over a scarf in the middle of the damn living room,” Wayne shoots back.

“No, that’s– well I mean– no,” Eddie sputters. “Okay, look, what would you do if a girl made a scarf for you?”

Wayne pauses, and Eddie loves his uncle with his whole shriveled heart, but it is always funny watching him try to shift gears when he realizes they’re talking about gay things now.

“Well,” Wayne says slowly, “pretty sure I’m a little too old to have any girl knitting me a scarf.”

“Oh my god,” Eddie groans. “Fine! A mature woman, then. Work with me here!”

Eddie gets a raised eyebrow at the mature woman comment, but Wayne lets it slide. He tilts his head consideringly as he spoons some beans out onto a plate by the stove, where he’s already got toast waiting. He tilts the pan at Eddie, wordlessly offering, and Eddie shakes his head.

“I suppose I’d have to get her something in return,” Wayne finally says. “Or make her something, if I was the creative type.”

Eddie gets another pointed look at those last two words, and he groans again, letting his head fall back in defeat, because he’d been afraid that would be the answer.

“I don’t know what the hell I’m supposed to make. It’s not like I can make him warm clothes or do anything useful,” Eddie says, so caught up in the sudden and dramatic realization that all of his hobbies are entirely useless that he doesn’t manage to duck in time when Wayne gives him a not-entirely-gentle smack on the back of the head as he passes by into the living room.

“Stop that. The things you make are just fine. It doesn’t have to be useful, it just has to be thoughtful,” Wayne says, settling into his chair. “So quit standing around whining and go come up with something you can make to woo your boy.”

“Oh my god.” Eddie covers his face, even though Wayne will definitely already know he’s gone red. “You’re actually the worst. I don’t know why I talk to you.”

“You’re welcome for the advice,” Wayne drawls.

“Yeah, yeah.” Eddie waves a dismissive hand at him, but the quick “thanks” he throws out afterwards is entirely sincere.

He retreats to his room after that; apparently, he has some thinking to do.

[Part 1 | Part 3 | Part 4 | Epilogue | Ao3]

[forjongseong]

pine-fresh // jay (ENHYPEN)

pairing: slytherin!jay x gryffindor!fem!reader

genre: hogwarts!au, somewhat rivals to lovers, smut (minors dni)

warning: profanity, a lot of making out, fingering // word count: ~4k

summary: a dash of bickering and a whole lot of miscommunication in Potions class landed you and Slytherin's Park Jongseong in detention. did you ask for it? no. did you regret it? also, no.

author's note: at last, the Slytherin!Jay of my imagination has now, sort of, come to life...

ever since I came across that edit you see on the header, I've thought about him A LOT. now that his hair is actually silver, I have thought about him MORE. especially when @jaylaxies made this, which I thought about ALSO a lot... let's just say that Slytherin!Jay has been occupying my mind a lot more than I expected.

my knowledge on the HP universe is quite limited, so please excuse if some scenes don't seem too believable (like Snape somewhat being less strict here, or detention being scrubbing the bathroom). the title of this fic refers to the password that is needed to enter the Prefects' bathroom.

now, I know I say when I post oneshots I intend for them to be standalone fics, meaning that I most likely won't write a part two. but for this one??? if a lot of you like it, and a lot of you ask for it, I might be open to writing a sequel (once I conduct a lengthy research on Hogwarts grounds)

anyway, I hope you enjoy this little treat! I'm trying to shake off my writer's block, so please expect secretary!Jay to return soon.

taglist: @jaylaxies @excusememissiloveyou @thots4hee @end-hyphen @nyanggk @maggstar @bucketofhiros @shinkenprincess-oh @mydarlingjay @mochimchimo @jongseonglogy @strawberrification12 @xiaoderrrr

permanent taglist is open! send an ask or DM if you want to be tagged.

As your House’s Prefect and one of the smartest students at school, you thought it would be impossible to dislike a class. Getting good grades in almost every subject seemed to prove that you liked learning everything, but by God, you hated Potions. Other than the fact that the lessons took place in a literal dungeon, which made it colder than any of the classrooms above, you always had to deal with the unpleasant smell of whatever was brewing in the room. Add the inconvenient detail that half of the class consisted of Slytherin students, which was more than you could tolerate.

You did not know when it started, maybe since the Sorting Hat placed you in Gryffindor or when you witnessed one of your classmates getting teased by a Slytherin, but you had a strong aversion to anything related to that house. It became so bad to the point that whenever you got paired with a Slytherin for an assignment, all you wanted to do was to get the job done quickly for the both of you so you could leave the class as soon as possible.

“Miss L/N,” called Professor Snape. Your head snapped up and you locked eyes with him, somehow convincing him that you had been listening to all his instructions despite staring into the empty vials on your table. “Today you’ll be working with Park Jongseong.”

You nodded softly and once Snape turned his head towards another student, you made an audible groan and leaned back on your chair.

“You don’t sound so happy to be paired with me.”

Jay took the now unoccupied seat beside you and sat with a force that made his robe flutter. The flash of green caught your eye, and you hesitantly pulled your books to your side, making room for his on the table.

“I’ll handle the mixing,” you replied, completely unrelated to his remark.

Jay frowned before letting out a soft chuckle. “Wow, I guess you really aren’t in the mood today.”

You turned your head only slightly enough to shoot daggers at him with your eyes, and his response was just a huff to his face, messing up the silver bangs on his forehead. The sound of Professor Snape’s voice caught your attention, so you straightened up and listened intently, but also noticed how Jay was mimicking you. Once you were all instructed to begin, Jay grabbed his quill and started making notes for the recipe.

For the first couple of minutes, the process went well. You were mixing and adding stuff according to Jay’s dictation. However, after he misread the measurements for a certain ingredient, causing your brew to bubble uncontrollably, you began scolding him and blaming him for everything.

“What’s distracting you? How could you have misread that?” You half-shouted, a handkerchief in your hand as you attempted to clean up your surroundings.

“Maybe if you weren’t shaking so much when you’re holding the vials then I could have paid more attention,” Jay retorted, snatching a vial from your other hand to prevent more spills. “We should switch. You tell me what to do and I’ll redo everything.”

“That will take us even longer, and everyone else is already halfway done,” you complained as you looked around the class. You saw Professor Snape eyeing your table.

“Do you have another solution?” Jay asked, staring back at you.

You reluctantly agreed to switch tasks, but it turned out that Jay was worse than you. He kept spilling liquid, pouring more than needed, and overall causing more chaos than when he was just giving you instructions. Your grunts and groans were starting to gain the attention of the whole classroom, and by the time you were almost done, the bell rang.

The sound of your quill hitting your book was silenced by the footsteps of the other students exiting the classroom. They had finished their potions, and your table was literally the only one in the room that was still messy, with a mixture that looked too suspicious to be called a potion.

“I have been patient enough to let you two bicker the whole time, but for you to not finish making your potions,” Professor Snape said as he walked back to his desk, his cape almost floating behind him.

“Great, he’s gonna put us in detention,” you muttered to yourself.

“That is correct, Miss L/N,” Professor Snape continued. “Once you’re both done cleaning up your table, meet me in my office.”

The frown you wore on your face was so bad that anybody who saw you could easily tell that you were pissed, but between gathering the books and papers and wiping off spills with a cloth, you could have sworn you saw Jay smirking to himself.

---

As you placed a bucket of water in the middle of the Prefects’ bathroom, you sighed at the exhaustion that you felt despite not having even started your detention. You and Jay were both assigned to clean up the bathroom, which, despite only being restricted to use by the school Prefects, Head Boys, Head Girls, and Quidditch captains, was in an alarmingly grimy state.

You purposefully steered away from the side of the room with the toilet stalls and stood by the large, swimming pool-like tub sunken into the ground with bath taps surrounding it. The tub was drained, and you much preferred scrubbing it to cleaning all the toilets.

Jay was standing by the bath supplies on one side of the pool, staring at the different kinds of soap, bath oils, bath salts, shampoo, and conditioner. It took a while for him to realize you were glaring at him, basically waiting for him to start working already.

“Damn, it would be worth becoming a Prefect just to be able to use this bathroom,” Jay muttered, placing a small bottle of bath oil back in its place. “You must take baths all the time.”

You snorted, audible enough to make it echo throughout the whole room. “I don’t have time for baths.”

“Really? What a shame,” Jay sighed, rolling up his sleeves. “How long do you think it would take for us to finish?”

“If you keep using your mouth instead of your hands, probably a lot longer than I expect,” you replied without a pause, sounding annoyed.

Your snarky remarks did not bother Jay at all. In fact, it amused him, and the way he was laughing softly was not helping at all. He walked over to the stalls and finally began to work only minutes after you started.

“Today is really not your day, huh?” Jay’s voice echoed behind the stalls.

“Thanks to you, it’s not,” you answered, polishing one of the hundred golden bath taps that surrounded the tub.

“You know,” Jay started, only to pause to flush the toilet so he wouldn’t have to compete with the sound. “I have a feeling that you don’t like me.”

You rolled your eyes and moved your bucket to polish the other bath taps. Jay cleared his throat as he waited for your reply.

“Is it because I’m a Slytherin?” He asked. “I mean, it’s kinda unfair that just because I’m in this House, you automatically hate me—”

“I don’t hate you,” you finally responded. “Hate is a strong word.”

“Alright then,” Jay walked out of one stall and looked in your direction before entering the next stall. “So, what’s the story?”

You let out a heavy sigh and wrung out the cloth you were holding. It was a long story, you thought to yourself. You came from a family of Slytherins—both your parents and your older brother were—but since you were old enough to understand and remember things, you had always been the odd one out in your family. They would excel academically and go on to achieve things you never even dreamed of. Your interests were always different, and what got you far at school was thanks to your personality and smart work.

It was still a vivid memory to you, the moment you sat down and let the Sorting Hat analyze you. You thought you would hear a confident ‘Slytherin!’ from the Hat, but after a couple of seconds of deciding, it placed you in Gryffindor. Switching houses was never a thing, so you did what you could and made good friends, studied hard enough to make the professors notice you, and eventually, you earned the title of Prefect as you entered the fifth year.

Despite that, throughout the years in Hogwarts, you kept hearing and witnessing stories about Slytherins, how they always happen to achieve so much but at the same time are notoriously problematic. The house you once dreamed of being a part of quickly became one that you were relieved to be excluded from, but somehow, the longing remains.

Around your third year in Hogwarts, you began hearing chatter about Park Jongseong. He became popular, it seemed, after he was assigned to be the Keeper of Slytherin’s Quidditch team, and also after he had an insane glow-up. You then noticed that he was the quiet nerd who used to bury his nose in whatever book he was reading in a dark corner in the library, but since then, he had ditched his glasses and styled his luscious silver locks in a way that—

“Y/N, are you okay?”

Jay’s voice woke you up from your extensive daydreaming, and it made you realize you were polishing one bath tap for way too long.

“How long were you polishing that tap?” Jay asked, tilting his chin towards your hand.

His question spooked you, and you were beginning to think he might have heard your thoughts. You cleared your throat before moving to the next tap. “Not long, why?”

“Because I’m done with all the toilet stalls, and I noticed you haven’t moved an inch.”

Well, that’s embarrassing, you thought. How long exactly did you zone out for?

“Should I start cleaning the pool’s floor then?” He asked, fixing his folded sleeves before squatting down and then jumping into the empty pool.

“Sure,” you said, immediately picking up your pace and trying your best not to steal any more glances in his direction.

“Listen,” Jay began, both his hands firmly holding a mop. “You got really silent after I asked a question, so I’m sorry that I made you uncomfortable. We can continue to work in silence if that’s what you prefer.”

You smiled as you moved on to the next tap. “It’s fine. I was just tired.”

You refocused on your own task, determined to leave the bathroom spotless, but after a moment, you noticed Jay moving oddly around the pool floor, dragging his mop in a way that was not normal. When you lifted your head to look at him, you saw that he was singing, no, lip-syncing a song and using the mop as a mic stand, completely immersed in his imagination but being considerate not to bother you with noise.

At this sight, you burst out laughing. Jay stood up straight and turned his heel to face you, looking surprised.

“Please,” you said after you contained yourself, “do continue.”

“Miss Prefect,” Jay sighed, “this bathroom is way too huge for only two of us to clean. Do you think we can sneak out and get our wands from Snape’s office?”

You shook your head. “The door is locked with a password.”

“But you’re Miss Prefect,” Jay said, matter-of-factly. “Don’t you know the password?”

“He literally changed it after leaving us here with these cleaning supplies, Jay. I don’t know the new password.”

Jay paused and for a moment you thought he was figuring out a way to escape, when in reality, his stomach just did a backflip from the way his name rolled off your tongue.

“So, what you’re saying is there is literally no way to get out of this bathroom unless we finish cleaning it?” Jay asked.

“That is the point of detention, yes,” you replied, shrugging.

Jay groaned and turned around, pushing his mop and reluctantly continuing to clean the pool floor. You were almost halfway done with polishing all the bath taps, and you sighed as you looked at all the mirrors waiting to be scrubbed clean too.

After a while, Jay finished scrubbing the floors, and you began to wonder if you should have taken his work instead since the bath taps seemed like a never-ending task to complete. He loosened the tie around his neck and undid the first few buttons on his shirt, making you quickly look away.

“Should I help you with the bath taps or start doing the mirrors?” Jay walked over to your side before pushing himself up the edge and then standing up, towering over you.

“Mirrors, please,” you answered, this time tilting your chin to point at the direction of the sinks.

“Really? Because you seem like you’re taking your sweet time polishing all those taps,” Jay said, tilting his head to one side.

You looked up at him and he had this teasing, lop-sided smirk. Meanwhile, the unintentional doe eyes you were giving him made him almost choke on his own saliva.

“Just do the mirrors, Jay.”

You saw him smile the second you finished your sentence, and when he turned his back to you, it somehow looked like his shoulders were happy. He stood in front of the sink and did a quick count on the number of mirrors he had to clean. You saw him start from the far left, where one of the mirrors was cracked on the edge.

“Be careful with that one. Ravenclaw’s Head Girl almost—”

“Fuck!”

You heard Jay groan as he stumbled a few steps back, wincing in pain and shaking his left hand.

“Jay,” you sighed, standing up and throwing the cloth you were holding to the floor. “I didn’t even finish my sentence.”

You walked up to him and stood before him with your hand out. He looked at you questionably before lifting his left hand for you to take a look.

“Is it bad?” He asked, slightly looking away. “I don’t like the sight of blood.”

“That explains a lot,” you muttered, placing your hand carefully over his. “Oh, my God.”

“What? What is it?” Jay asked, his right hand shaking in panic.

“Your fingers are so thick and stubby, like cocktail sausages.”

Jay snorted before pulling his hand away and you giggled.

“It’s just a scratch,” you said in an attempt to calm him down. “You can carry on.”

“Well, do you have something I can use to treat it?” Jay asked.

You were already sitting by the edge of the pool to continue with your polishing. “Do I look like a walking first aid kit to you? Just spit on it and move on.”

Jay looked at you, unsure of your advice. He then turned around and decided to wash his hands with soap. The suds obviously stung, so he was flinching and wincing quietly, but he could see you giggling silently from your reflection in the mirror in front of him.

“Do you really mean it?” Jay spoke, looking at you through the mirror.

“Mean what?”

“That I have stubby fingers,” Jay clarified.

You were unsure what to make of his tone. He sounded curious but also hurt, or maybe…

“So what if you do?” You asked back, not paying attention to him.

The strands of your hair were becoming loose and covering your eyes, and you were dying to fix the scrunchie on your ponytail, but both your hands were wet and occupied with polishing. You kept huffing and puffing and even attempting to move your hair using the movements of your shoulders until Jay sneaked up behind you and tapped you on your arm.

“Here, allow me,” Jay said calmly, tugging on your scrunchie.

You sat up straight and let him pull your scrunchie off, letting your hair cascade to your back. He began brushing your hair with his fingers before gently bunching it into a ponytail. He skillfully tied your hair up into a bun that was less messy than before. You were about to thank him, but he moved from behind you and jumped back into the empty pool, standing in front of you and tucking the loose strands of hair behind both your ears.

His fingers brushed against your ear, and for a moment, you were lost in his eyes. The next thing you felt was his hand behind your neck, pulling you closer as he stood in between your legs, his lips crashing against yours. You sighed as you let yourself be enveloped in his warmth—his tongue tugging yours, his lips devouring yours, his palms pushing against your back, and his breath mixing up with yours.

You felt his hand travel lower down your back, settling on your ass before he pushed you closer to him, earning a soft yelp from between your lips. His mouth detached from yours only to give you a sly smirk before he dove back into you. Your hands rested comfortably on his shoulders as you gave into his every move, and when you felt one of his hands grazing the exposed skin of your thigh from the gap between your skirt and your knee-high socks, you gasped.

“Wanna see what these fingers can do?” Jay asked, speaking right against your lips.

Your eyes searched for his before you nodded a little too eagerly. He chuckled before sliding his hand between your legs and under your skirt. His fingers easily found their place on your clothed cunt, and despite his gentle moves, you could not hold in your moans.

“Jay,” you whimpered, hands bunching up his shirt.

“Oh, I like it when you say my name like that,” he teased, leaving a wet peck on your chin. “Can you say it again?”

He pressed his thumb on your clit before sliding it down your folds, and he could already tell that you were soaked. You were biting your lip, and he chuckled, bringing the same hand that was caressing you up and towards your chin.

“Come on, now,” Jay cooed. “Prefects are usually good students. You’re a good girl, aren’t you?”

His thumb slid upon your bottom lip, and you could almost sniff the scent of your own arousal. You were trembling at this point, desperate to feel more of him, so all you could give as a response was a nod.

“Say my name.”

“Jay—”

Your voice was muffled as he slid in a finger when you opened your mouth. You instinctively sucked on it before he entered another one, and then he hurriedly placed his hand back between your legs, pushing your panties to the side before easily sliding those two fingers inside of you.

“Jay!” You moaned loudly, spreading your legs wider so he could do whatever he wanted to do to you comfortably. Your fingers reached for the back of his head, pulling on his silver locks before you pushed his head to your neck. He began licking the soft skin under your chin before placing wet kisses down your neck. With one hand, you unbuttoned your top and pulled your collar open, giving him more access to your skin. He sucked on your collarbone softly and, at the same time, curled his fingers inside of you.

You repeatedly moaned into his ear, and at some point, you thought you sounded way too pathetic, but the way Jay was thrusting his fingers in and out of you and the way the squelching sound was echoing throughout the whole bathroom made you believe that the sounds you were making were actually quite tame.

“Jay,” you sighed. “Oh, my God.”

Jay lifted his head from your neck and flashed you a proud smirk before leaning in to kiss you again. You whined at the contact, and as your hands found his face, you began to caress him, pull him, and do whatever was necessary to send the message that you wanted him bad.

You felt the increasing pace of his fingers between your legs, and you began to feel the ache in your ass for sitting on the edge of the pool for too long. Jay pressed his thumb on your clit, and you threw your head back in pleasure, grabbing onto his biceps for support. When your moans started to sound higher and more in sync with the movements of his fingers, Jay leaned in and pressed his cheek onto yours before speaking right into your ear.

“Cum for me, will you?”

The deep tone and gentle vibration of his voice sent shivers down your spine, and with that, you finally reached your high. Your legs were shaking, and to soothe you, Jay began kissing your cheek softly. He kept kissing you and moving towards your lips, giving you a long peck before moving down to your chin and neck. He kissed the parts of your skin that were beginning to turn purple, and once he heard your leveled breathing, he pulled away to take a good look at you.

“Good girl,” he said right to your face.

You playfully, and very gently, slapped his face. He let out a wholehearted chuckle before pulling his hand from between your legs. Just seconds later, you heard the sound of footsteps approaching the bathroom door. Your eyes widened, and Jay quickly registered the situation. He fixed your collar for you to button up before he sprinted back to the mirror he was supposed to be polishing while you frantically searched for the abandoned cloth that you had been using the whole time.

“Why am I not surprised that you haven’t finished cleaning the bathroom?” Professor Snape stated after scanning the area. “It’s almost curfew, so wrap up and continue cleaning tomorrow. I’ll consider your detention done once this place is spotless.”

You stood up and observed as Professor Snape reached into the pocket in his robe and took out your wands. After he handed them over to you and Jay, he turned around without further question and left the bathroom. Jay looked at you, and you sighed in relief, almost collapsing to the floor because of your weak knees, if not for Jay holding you up by your elbows.

“That was too damn close,” you commented, standing uncomfortably since your panties were not fixed the right way.

“I’d say it was exciting,” Jay said, leaning into you and sniffing your neck.

“Jay, stop it,” you said, placing your palm firmly on his chest.

“That’s not what you wanted me to do when I had these stubby fingers inside you,” he teased, raising his hand and wriggling his fingers in front of your face.

You smacked his hand away, and he cackled, almost making the room shake from the echo.

“We still need to come back tomorrow and whose fault is that?” You asked, your back turned to him as you were tidying up the supplies.

“Fault?” Jay tilted his head. “No, favor. You’re missing the point. We get to come back here tomorrow.”

You stood up straight before turning to face Jay. He boldly took a couple of steps towards you, closing the distance and pulling you by your waist to press your body against his.

“Are you honestly telling me you’re not looking forward to it?”

With Jay’s arm firmly around your waist, the heat of his body against yours, his eyes boring into yours, and his silver hair messy from the way you were pulling on it earlier, there was no way you could lie to his face.

“Okay, I am looking forward to it,” you said after gaining enough courage. “Maybe instead of your stubby fingers, you can show me something else.”

Jay’s eyes twinkled at your daring tone, and you both chuckled before letting each other go, nagging at him as he collected your supplies while shamelessly ogling your body.

-END-

© forjongseong 2023, all rights reserved dividers by @cafekitsune

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