#i might write a more detailed review soon

[vraisetzen]

Are you tired of being nice?

Don't you just want to go ape shitt?

[jessread-s]

TW: kidnapping, sexual assault, sexual harassment, drugging, misogyny

✩🎁❄️Review:

If you are hoping for a fluffy, festive romance, this is not it. 

Set after the Caraval series, “Spectacular” follows Donatella Dragna as she embarks on the ultimate holiday adventure to find the perfect gift for Legend. 

I LOVED the first half of this book. It was a joy to return to Valenda and spend more time with Scarlett, Tella, Julian, and Legend. Rosie Fowinkle’s gorgeous illustrations truly bring them to life! The red accents Fowinkle added to her images paired with Garber’s whimsical writing definitely got me into the holiday spirit. 

Unfortunately, this book took a turn for the worst near the halfway point that left me feeling uncomfortable. Simply put, this book fails to take consent into consideration. 

🚨‼️SPOILER ALERT‼️🚨

To go into more detail, Tella is drugged and kidnapped at one point in the story. She wakes up in the Spice Quarter—a place riddled with gambling pits, drug dens, and brothels. Soon after, she is forced to change into an outfit that leaves her scantily clad so that she can show off her backside to a man whose identity is not known. She is then taken to his private room where she is blindfolded, gagged, and restrained. Once there, the man touches and kisses her without her consent. The reader ultimately finds out that the mystery man is Legend, but honestly, that did not make the whole series of events better in my eyes. Had she known it was him all along, what transpired would still be considered assault given that she did not consent to any of it. Readers fresh off of Finale might be able to connect what happened here to the letter Tella wrote in which she asked Legend to kidnap her. Why Legend thought this would be such a great holiday gift is lost on me. As someone who hasn’t read Finale in years, I did not make the connection. Neither did Tella, which is what made the whole thing icky. 

🚨‼️END OF SPOILERS‼️🚨

I was hoping for more ScarJulian content at the very least, but their presence is more akin to a cameo. I hope that the next one (which is alluded to in the epilogue) does not follow in its predecessor’s footsteps. 

Cross-posted to: Instagram | Amazon | Goodreads | StoryGraph

[srovtl]

(in here, a magic that connects hearts) Faust SSR Card Story Translation

Translator note: This, and all the fifth anniversary card stories, reference each character’s affection story (which can be read here) and I recommend reading them beforehand.

also thanks for Sra and nor from twitter for providing me with the raws

Don't go easy, but let your heart be at ease - Episode 1

Akira: (Faust wasn't in his room. Is he out somewhere?)

It's been a while since I started living at the magic manor.

I was going around asking everyone for interviews again, hoping to add to the contents of the sage's manual.

Faust: Sage. We're back.

Figaro: Hello, Master Sage.

Akira: Welcome back. So both of you were out?

Figaro: Yeah, we went to a store I'm familiar with.

Akira: There are all kinds of flowers in this basket. They're beautiful.

Faust: They're all rare varieties. I'm planning to use them in the next class.

Faust: For example, this blue bud is for Shino. It's a flower that is sensitive to people's gazes, and if you stare at it for five minutes, the bud will open.

Figaro: But if you look away for even a second, it won't bloom, even if you wait five minutes. It's perfect for training your patience.

Figaro: The blue flower next to it was for Heathcliff, right? It scatters pollen irregularly and makes you sleepy.

Faust: The more sensitive you are, the more sleepy you will be. I hope this will help him practice using magic to defend himself instantly.

Akira: Wow, they were chosen to suit each individual's personality. Interesting.

Akira: Then, is this bushy grass that looks like a cat toy for Nero?

Faust: Yes. We talked about this plant in detail in the last lesson. This is to make sure he actually reviewed it.

Figaro: It's like a surprise test. I'm looking forward to seeing Nero's reaction.

Faust: I wonder. He's not the type to review things frequently, but he has a good memory.

Faust: Well, if he can't do it, Heath will probably help him.

Akira: ……Huh? Now that I look closely, there's another purple flower. Who did you prepare this for?

Faust, Figaro: ………

Faust: .....It's for me.

Figaro: The student is our Faust, and the special lecturer is me, Doctor Figaro.

Akira: What! Figaro and Faust are teaching together?

Faust: You don't need to be so surprised.

Figaro: Teachers need to work hard together too. Or we might get overtaken by the younger kids in no time.

Blinking rapidly, I looked at the two people before me.

Akira: (...I cant believe a day like this would come. I never imagined it when I came to the magic manor.)

Days living under the same roof. Days working on the same missions.

All those experiences must have changed something in them, little by little. Now I can feel that with my very eyes, and my cheeks relax.

Faust: What is it, Sage? It seems like you have something to say.

Akira: No, it's nothing! …Wait, I completely forgot that I had something to ask of you Faust.

Faust: Me?

Akira: Yes. Actually, I'd like to write about you all again in the Sage's manual.

Figaro: Master Sage's re-interviewing each of us. I had a talk with them the other day.

Akira: So, would you mind giving me some of your time soon, Faust?

Faust: If that's the case, I'm free after this. If you'd like, we can talk in my room.

Don't go easy, but let your heart be at ease - Episode 2

We immediately headed to Faust's room, and found Lennox standing at the door.

Lennox: Lord Faust, Master Sage. Hello.

Faust: What's the matter, Lennox? Do you need something?

Lennox: Lord Faust, I wanted to give this to you.

Faust: A candle...

Faust: I was just about to buy another candle for my amulet, since I was running low on it.

Akira: Really? What a coincidence.

Faust: Lennox, why did you give this to me? 

Lennox: I thought it was about time you would need one.

Lennox: I accompanied you when you went to buy the same thing before, didn't I? It's been some time since then so…

Lennox: Besides, you've been busy lately, Lord Faust, so I thought you might not have time to go and buy it yourself...

Akira: Is that so...? As expected of Lennox, you really pay attention to the people around you.

Lennox: No, it's not that serious.

Faust: ……..

Faust stared at Lennox for a while with his violet eyes.

Then he takes a faint breath, lowers his eyebrows and smiles.

Faust: Really… I just can't hide anything from you.

The voice he speaks is endlessly soft, and gives the impression of a definite passage of time.

His gaze, shifted to the candle, is still gentle. Surely memories of the past are shining deep in those violet eyes.

Faust: There's no need for you to go that far.

Lennox: I'm sorry for doing something unnecessary.

Faust: I don't mean it like that…..

Faust: Hmm? Haven't we had this conversation before?

Lennox: I think we did...?

Faust: ...Haha. Anyway, you helped me out. Thank you, Leno.

Lennox: No. If I was of help to you, nothing makes me happier.

Their mutual consideration, their trust and respect for each other were all indicative of their attitude. It naturally warmed my heart.

Akira: (Faust and Lennox have helped each other out so many times like this.)

Akira: (I'm sure it will continue to be the same from now on…)

Don't go easy, but let your heart be at ease - Episode 3

When I entered the room, Faust put the paper bag he was carrying on the desk and waved his finger.

A chair floated through the air and was presented in front of me.

Faust: Sit down. I'll make some tea now.

Akira: Thank you! Hm? Is this the same tea from our last interview?

Faust: Yes, it is. You have a good memory. Now then…

Faust handed me the cup and sat down opposite me.

Faust: You can start right away. Where should I start?

His fingers were clasped together just like that time.

It showed his seriousness, and I thought it was a beautiful, elegant sight.

Akira: May I ask you about all sorts of things that have happened since we met?

Akira: If there is anything hard to say you don't have to—-

Faust: ……..

Faust's eyebrows twitch, and I involuntarily gasp.

Then I straighten my back and reword what I had said earlier.

Akira: ...I might be asking some questions that are hard to answer. I'd be happy if you could answer as much as you can.

Faust: Heh.

Faust: You've gotten a lot tougher. That's right, there's no need to go easy on me.

Akira: (Hahaha. ...Even though his words are harsh, it feels like he's praising me by saying "well done.")

I don't know how nervous I had been, but I noticed that my shoulders had suddenly relaxed.

After that, I asked him the questions I'd prepared, one by one.

Faust answered sincerely and carefully, carefully choosing his words. The pages were filled with information about him.

Akira: Thank you for answering so many questions, Faust. This is my last question...

Akira: ...This may be difficult for you to answer. But, please let me know.

Faust: ………What is it?

Akira: Faust……. 

Akira: You like cats, don't you?

Faust: Huh?

Akira: During the first interview, you stubbornly denied it, but this time I'd really like to ask you about it!

Faust: ……Pff, Hahaha.

Faust: You really are, above my imagination.

Akira: R-Really...?

Faust: Well, never mind. To answer your previous question… Well, I don't hate cats.

Akira: You wouldn't say you like them, would you?

Faust: I'm a curse worker, after all. That kind of thing doesn't look good on me.

Faust shook his head with a smile on his face, and I remembered when we first met.

Akira: (Come to think of it, last time he said "There's nothing in particular" that he likes...)

If only one day he could tell me something that he would say he likes without hesitation.

what a joyous thing that would be.

But that's why I want us to get to know each other little by little, without rushing.

Feeling that he has a much softer air about him than when we first met... I gently put my pen down.

I can only say because it’s now - Card Episode

Akira: Faust, thank you for taking the time for the interview!

Akira: Also, this is something I've been asking everyone...

Akira: Is there anything you can talk about because it is now?

Faust: Because it is now...? That's a difficult question.

Faust: ……

Akira: (He's really thinking about it seriously. Ah, he looked at me...)

Faust: I wear that hat sometimes.

Akira: ......That hat? 

Akira: Wait, what? You mean that wool one?

Faust: Yes. The one you bought me as a souvenir when you went to the central city.

Faust: ......you gave it to me yourself why are you so surprised.

Akira: Haha, sorry. I've never seen you wearing it before, so I was surprised.

Akira: I'm so happy that you actually use it. Thank you for letting me know!

Faust: Don't mention it. I would feel uncomfortable if I didn't say anything about it.

Akira: (You're so serious, Faust...) (But I really love that about you)

Homescreen Voiceline

Hearts change with time. Even if we exchange a promise, can our hearts stay the same forever? I won't believe it. What about you, Sage?

[tnbc-thoughtsandheadcanons]

The Battle for Pumpkin King #5

Here are my thoughts on the last issue of the comic. After this, I'll be writing a full review looking at the series as a whole. As always, Spoilers under the 'Read More'!

The last competition for the title of Pumpkin King between Jack Skellington and Oogie Boogie is designing and carving their own giant Jack-o-Lantern. It's clear that they must complete it on their own, even cleaning out their pumpkins, and will be judged by 5 Townspeople.

Edgar suggests for Oogie Boogie to break the rules (again) by using Lock, Shock, and Barrel, this time to clean out his pumpkin for him. He says if Boogie wins, he can continue using his Lair, even having it as his own. While they clean out his pumpkin, Oogie wastes time by talking to the Judges and even taunting Jack, who questions why he isn't dirty from cleaning his pumpkin.

Jack starts to have doubts about himself and wonders why he's working so hard while things come 'naturally' for Oogie. He is comforted by Sally, who tells him he workd hard because it's natural to him, too, and is giving his all.

Oogie sends some bugs and snakes Jack's way to bother him while he carves. Lock, Shock, and Barrel start throwing pumpkin guts at each other inside, which sends a flurry onto Jack's pumpkin. Thinking quickly, Jack meshes it to look like hair on the jack-o-lantern. In contrast, Oogie's pumpkin is a mess from the trio's mischief.

The judges (as we all know) choose Jack's jack-o-lantern unanimously over Oogie Boogie's, winning him the crown of Pumpkin King. Boogie is furious and stomps the winning pumpkin down, arguing with Edgar and claiming his Lair as his own. He officially ends his friendship with Jack and storms off. Elsewhere, Jack suggests using Oogie's mess for a pumpkin pie, along with the Mayor's suggestion of a party to celebrate his victory.

Edgar congratulates Jack on his winning and claims he will retire to the pumpkin patch since Oogie is now in his Lair. He lays with the pumpkins lamenting Oogie's loss and their wasted potential as a team, but now he can finally rest.

Oogie, now in Edgar's Lair, claims everyone is against him, and vows no one will ever cheat him again.

---

This comic was a LOT of fun to read and buy, much like Mirror Moon was. But I think I enjoyed this one more, despite TBFPK not having as extreme concepts. I will go into more detail in my full Review - keep an eye out for it! ;)

#5 was a great wrap to everything, showing us how Oogie ended his ties with Jack and what happened to Edgar in the end. Crazy to think the previous Pumpkin King might be one of the many pumpkins in the patch now, if he's not already long gone by this point.

It's interesting how Oogie was easily manipulated by Edgar, cheated in the competitions, yet feels betrayed and cheated HIMSELF after he loses. He gave up his friendship with Jack over a potential team-up with Edgar, only to lose THAT in the end(except gain his Lair). I can see why he would take control over the trio down the line, seeing as they indirectly caused his loss for the crown. I bet he forever holds that to them....

Also, very sweet little moments between Jack and Sally. I wonder how their friendship grew in this way. And I'm happy to see how Jack won his crown, it's fortunate it hadn't been Oogie(unless, without Edgar's influence, he would have wanted to rule Halloween Town...better? And possibly had a greater chance in the Competition without his help?)

I have a lot more to say about this series, so I'll start on the overall review soon. If you can, consider buying the Issues, or the Graphic Novel that comes out next month!!!

[beatlesbookblog]

This Boy: The Early Lives of John Lennon & Paul McCartney by Ilene Cooper

(welcome to the very first book review!!)

So, I read this book on the infamous anniversary of John and Paul's meeting a few months ago, and it was a simple and quick read for the most part. I was going to review this book hard because of its simplicity (which ultimately is not bad, it just depends on the book). However, I soon realized this book is meant for a more younger audience, so I'll cut it some slack.

Cooper is generally known for her children's books, so perhaps I wasn't the target audience for a book such as this (I found this as an ebook on my library website so I had no idea it was a YA historical book). Though, there were some aspects to this book I liked, genuinely.

I think this book did detail a lot about John and Paul that younger/newer fans may not know about. Though, I did notice there to be 2-3 chapters dedicated to John's childhood versus the 1-2 chapters about Paul. This obviously could be because of John's more troubled childhood versus Paul's, but I did find the John chapters to be more detailed than Paul's. I wouldn't say the author had more of a bias towards John, but I would have liked more of an equal amount of prose for both of them. It would have properly illustrated the equality amongst John + Paul's writing partnership once their friendship is established.

Another thing I really liked about this book was the introduction of the Quarrymen and more insight into them. Though, again, this book is generally geared towards a younger audience so there aren't insane amounts of detail you'd find in a proper historical book about the early Beatle days. Though, I think introducing the other Quarrymen members to the John + Paul story is a nice touch to this book. I tend to notice some Beatle authors sort of brush off the Quarrymen members to the side of the story, so this was nice to see in a newer book.

Is this book adding anything to the John + Paul story? No. Not really. If you're looking for an introduction to John and Paul as a newer or younger fan, I would recommend this book. It gives the basic history of John and Paul's early lives, their meeting, and the beginnings of their partnership. The book stops before the band goes off the Hamburg, giving the book a sort of "Nowhere Boy"-esque storytelling, which might be appealing to some people. Personally, I think it leaves too much out. Overall, I do think Cooper does a good job in telling the story of John and Paul to a younger audience, though I would have liked more detail. Then again, I'm not the target audience for this book so 🤷

------

Rating ⭐: I'd rate this book about a 6.5/10 given it's a basic introductory book, and that it's fairly factual.

Further Reading 📖: Though, if you are looking for a more detailed, thorough book of John and Paul's meeting, I would recommend The Day John Met Paul by Jim O'Donnell.

[miss-mossball]

hi!! im the same anon who sent that ask, that makes me really happy to hear!! we were worried it may have come across as rude somehow but we're glad it meant well as intended!!! and heck yeah!! we're so glad to hear you're doing good.

DID rep is something that matters a lot to us,, to where we were actually very nervous engaging with the idea and showing our own perspectives on it. because we somehow got it in our head that people would accuse us of faking it. or misrepresenting, or whatever the sort. which! seems a little silly, now that it's put into words,

but those types of insecurities rule over us, so seeing it elsewhere is very deeply encouraging!! we're two years out of our bad life, and like... a year into figuring out who we are. so i think that'd be a good start! ehehe...

it's hard to accept the idea of being treated softly, even Now, but maybe it'd be easier to get used to the idea and the feeling if it's not.. Directly us experiencing that gentleness. hard to say, but an exciting experiment to conduct in soon time.

....this got deep i initially came here to make an amusing observation,

wanted to say 'wassup fellow ally of the Moss Allegiance' because i used to be called moss online, so my partner whose also been very deeply supportive of us and our explorations of our everything calls us marimo!

I only took your ask as something nice, please don't worry <3

DID rep is super important for me too! (which is why I have a review blog specifically for reviewing DID in media - @bunnidid-reviews ) I haven't done a proper review in a while, but I'm always trying to sniff out pieces of media that treat DID with compassion most of all

About your insecurities of being fakeclaimed, I can relate to that. I've done many things to mitigate ever being directly pointed at for having DID, like partitioning off my parts stuff and integrating them into stories so they're more like OCs, as well as changing details so when people do get nasty, at least I have some distance. It's not a silly fear, it can be very destabilizing when the disorder is based on denial itself. However, I've only ever had two people try to fakeclaim me, and one is a stalker who doesn't understand DID but I trusted with details with, and the other was someone who seemed very insecure about their own DID. Both those people don't know me well enough to actually say if I do or not, when I've been knowing and working around this for about 8 years.

And as for not feeling worthy of being treated softly, you are. But I also understand the struggles with not feeling worthy or conflicted about it, which is a major theme of my art. It might be worthwhile exploring the darker themes of the disorder in your art and stories. I find it helps me a lot to put my feelings into some sort of form that I can also look at later.

Also, no one says you have to post it publicly! I have dozens of writings that the public will never see. I have art I don't share with anyone at all. I just post here so Rou and Chime can see it without me shoving it in their face =v= )b (I also cant tell when im developing OCs or if parts are drawing always)

Ummm anyway thank you for your asks <3 Sorry for the super long ramble, this is stuff I'm passionate about. Much love and care your way fellow Moss!! (moss is great, I love Marimo as a name)

[the-tmnt-ficfinder]

Ficfinder finds: The Lemonade Leak

Chapter 23: The Warden

Chapter 23 Summary: No Summary

The Warden: Appraisal and Ratings

(Don't know what fanfic "Appraisal and Ratings" means? Check out my explanation on my Main Masterpost! Looking for a different fanfic to read? Head on over to my Fanfic List Masterpost!)

Disclaimer: This fanfic is only available to those who have an Ao3 profile. This fanfic is written by @turtleinsoup, so go show them some love and support!!

The fanfic ratings are not based on quality, favoritism, or how good I think it is, but rather, how intense a subject may be. Like a movie review, or the tags on Ao3, letting the readers know what to expect.

Plot: 💛💛💛💛💛

"Plot is five out of five!! We get a little bit of a flashback to the childhood of the disaster twins, which is wonderfully fascinating!! Then, after that, you get dumped straight back into the stress of the current situation. A lot of things happen in this chapter. Plot important thing!

Suspense/Mystery: 💛💛💛💛🖤

"Suspense/Mystery is four out of five!! In the beginning of the chapter, there's not as much mystery, and mostly just confusion, though during the second half, the suspense and mystery levels ramp right up!!"

Angst/Hurt: 💛💛💛💛💛

"Angst/Hurt is five out of five!! This chapter has a lot of angst and hurt, and sad little bits that will absolutely tear your heart apart! The first half of this chapter, is more on the sad side, while the second half is more on the stressful side."

Fluff/Comfort: 💛💛🖤🖤🖤

"Fluff/Comfort is two out of five! In the first half of the chapter, there is some comfort, but only just a little bit. As soon as the writing progresses, that comfort goes right away."

Emotions Conveyed: 💛💛💛💛🖤

"Emotions Conveyed is four out of five!! This chapter has wildly intense emotions!! From the sad little confusion of the beginning, to the wild fear later on!! This chapter really encapsulated a lot of emotions!!"

Drama/Tension Level: 💛💛💛💛💛

"Drama/Tension Level is five out of five!! The drama and tension is completely through the roof in this chapter!! So many things happen!! The second half of the chapter has the most tension, with high amounts of it being between Donnie and Leo."

Triggers: 💛💛💛💛💛

"Triggers for this chapter are five out of five. This chapter has a lot of triggers in it. A lot more than usual, though that's for a good reason. In the authors note, these are the triggers listed.

- Non-consensual drugging | touching - VERY UNCOMFORTABLE "MEDICAL INTEREST"-MOMENT IN THIS GUYS - Dehumanization - Gun Violence

In the beginning of the chapter, there is also implied starvation and hunger in children, and child neglect. There are other triggers, so make sure to keep in mind that this chapter is not for the faint of heart."

Legibility (Reading): 💛💛💛💛💛

"Legibility (Reading) is five out of five!! This chapter reads really smoothly! It has minimal amounts of crazy texts in it, but is rich in detail!"

Legibility (Audio): 💛💛💛💛💛

"Legibility (Audio) is five out of five!! As this chapter has no crazy text or anything like that, its able to be listened to in audio book format!!"

Length: 💛💛💛💛🖤

"Length is four out of five!! Chapter 23 of The Lemonade Leak takes about 43-44 minutes to listen to!!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Next Chapter ->

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The Lemonade Leak: Story Ratings and Chapter List

Personal thoughts on chapter below cut (Contains Spoilers)

Content Warnings: Donnie & Leo (No fr. This is the censored version of the chapter! I got too nervous before uploading so I went back and edited out the most fucked-up parts. I might upload the uncensored version separately one day, or have some of it happen in the final fight, but rn I’m too nervous to do that today :’) <3)

What you mean, ‘censored version’?! Like, I wanna see what you had planned!! Seriously, for reals, I hope what you originally wrote is included later on or something, I’m so incredibly curious now!! 

Donnie had been alive for five whole years when he finally felt like he had acquired a good enough grasp of the English language to vocalize his first-ever sentence. “Do this again and I’ll kill you with my teeth.” “Okay,” Leo said and did it again.

Awwwww ^^ that’s surprisingly adorable!! I’m assuming that this means Donnie was nonverbal till he was five. It’s cute thinking about this from Leo’s perspective. While Donnie is massively annoyed by him, Leo’s just so thrilled to hear his twins voice, that he does the annoying thing again, as any five year old would. 

Donnie was lying on his tummy, so the pressure would keep his hunger-pain at bay.

Oh no… :( poor boy 

“Fine, I don‘t care.” Leo laid down. Which was to say, he ruffled through their newspaper blanket, plucked the stuffing from a burst pillow seam, and shuffled otherwise through their nest in ways that more-or-less exactly failed to make it more comfortable. “Hey,” Leo whispered, ten seconds later. “Dee. Donatron? Daddy thinks you can’t talk out loud. Do you wanna prank him? Doniffer? Can you say ‘Bumbershoot’?”

Ha!! This is even funnier after understanding what bumbershoot means lol. It means umbrella. It’s an old slang word that was around the year 1800. Bumber referred to the umbrella bit, and shoot referred to the handle!!

“Oh, I know that one!” Leo leaned in and squinted at the bloated pulpy cover. “Ox of- Ox fox dinosaur!” “Oxford Dictionary. Volume three.” Donnie shifted back onto his tummy and pried the book open with care because the pages that weren’t part of the pulp fell out easily. “Volumes one and two were about other languages, probably. That means there are at least three languages in the world,” Donnie explained.

Oh my gosh, they are just far too precious!! This entire scene is so sweet, but also heartbreaking. The poor boys, hungry, reading wet ruined books. They’re trying their best.

Papa used to pat his shell and try to make Donnie eat by cooing and using airplane trickery – scoff. Donnie had endured those displays with grace, though it was hard to look dignified while having a napkin tucked into one's collar. The wrongness stayed on the bottom of every spoon, and Dad had stopped his trickery a while ago. Today he just placed their food in front of them and stared at nothing for a whole while after. (Donnie missed the airplanes.)

I’m going to cry. Whyyyyy the poor boys?!? Hhhhhhhh poor boys T^T

“You,” Donnie cleared his throat, “You know when the TV receives a dead channel? That dancing static, Papa sometimes complains about? It’s from the Big Bang that made everything. He hates it, but he can always watch the birth of the universe.” “No way!” Leo whispered, eyes sparkling, and Donnie felt something warm swell up in his chest at his brother’s flapping hands. “The static is stars! That’s so cool, Dee, we gotta tell people!”

This little misconception is incredibly adorable. I’m enjoying how though Donnie is smart, as he is lacking information, he has the incorrect perception on things, so instead, he and Leo fill in the blanks. It makes sense!

Donnie pushed Leo’s hands off. “There is no obligation on your part to do anything. Such is the essence of the matter.” “Oh boy, Dee,” Leo grinned. “You saying that just broke the irony meter!”

Y’know, something I’m enjoying seeing, is how they talk. Despite being five, they speak quite uniquely. To be honest, the way Leo talks reminds me of old movies, like romcoms, or talk shows. Like the kinds they’d play in the 80’s and 90’s. Perhaps, as Splinter watches high amounts of tv, the boys learned to talk from some of his programs. It would make sense, as children adopt their speaking habits from what they hear most of, and in this case, I believe that to be the tv. 

“That nickname is ancient,” the young voice answered. “You won’t be around long enough to find use for it. Call me Bishop.”

When I first read this fanfic, I hadn’t seen any other TMNT iterations. Now that I have, I catch small things like this!! The name, Bishop held no importance to me before, though now? It’s very important. 

“Thank you,” Donnie said. He re-angled the Wardove against Rook’s cheek, turning the barrel against the bone. “Bishop, please turn to my brother; - don’t look don't look around so blankly; I'm talking about the other bipedal turtle in the room - he keeps his phone in his hoodie. Go retrieve it from him.”

Just- this whole situation-oh gosh, the tables have turned!! This part was honestly so wildly surprising!! A sudden plot twist, completely unexpected!!

The lines of Leo’s expression didn’t change, but his eyes opened. Perhaps reflexively, perhaps controlled. The wet pull of Leo’s second eyelids flashed white for a second before Leo looked at him. His familiar sweet eyes were colder than starlight on steel.

I love how well the pacing is!! Particularly, I love how small bits are highlighted like this, really pulling attention to small actions. It really helps slow down a wildly speeding moment to drag out the tension, and improve the suspense. 

[the1975attheirverybest]

Hi lovely just been checking up with your blog and earlier you asked about the ideas for one little scene moments ( btw I loved the one you posted, what I love about your writing is how detailed you are I can see that and feel it in my head love you so much for that seriously ) so I love angst (i'm sorry ) so wanted to send you this. Girl/reader is being done with Matty's unwillingness to understand her pov during a fight and is out of words, gives up and agrees with him without any emotions and this is where it hits him. He then tries to show her he does get it which is hard bc she gave up. i Hope it makes sense sorry that might be a complicated

Omg this is so so so sweettt???? 🥹💗💗💗 and it makes me happy to hear that cuz I often feel like I’m better at writing dialogue than I am at scene-setting, plot, emotions, etc. and it bugs me sometimes hahaha. So this means a lot to me for real 💗💗

anyways, I THINK, I know what you mean. Let me know if this is not it. I’ll be happy to give it a second shot.

———

“I just don’t think it’s unreasonable to expect my girlfriend to be on my fuckin side.” Matty huffed, the heat of the argument making his skin feel too warm for him. He looked down at the marble of kitchen island as he sat at the barstool, pushing his half empty cigarette packet around with his finger, and watching it slide from one side to the other. his knees began to bounce as soon as he sat down, the nervous energy flowing through him, but he did his best to avoid looking into her eyes.

“I’m just pointing out that irony has its limits. I’m not saying abandon the entire show-“

“No, not at all. but you ARE saying you wouldn’t enjoy seeing it.” His lips moved before his brain could think, still addressing the sliding cigarette packet, he spoke with a clenched jaw. “‘So, how’s the new tour Matty? Seen the reviews, it looks great!’ ‘Yeah, yeah, thanks, mate. My girlfriend hates it, but hey, at least Rolling Stone thought it was alright.’” She shook her head in disbelief, walking around the kitchen island and towards the fridge to pour herself a glass of water.

“I am, and always will be, you’re biggest fan and you know it.” She grabbed an empty glass off the dish rack, pulling the fridge door open with her free hand.

“Didn’t sound like a fan when Brad asked you what you thought. Sounded like a- a- Twitter troll.”

in the silence, Matty could hear the gulping sound of the water pouring down her throat. She set the now empty glass of water on the marble counter, inches away from his cigarette packet.

In a calmer, more composed tone, she restated the point that she felt she’d been making all day. “I merely pointed out that, as it stands right now, the show feels like it’s more of the same thing. And that if your goal is change, evolution, a female perspective on this whole question of masculinity wouldn’t hurt”

“But that’s the fuckin point!” Finally, the frustration feeling bigger and stronger than his body, Matty stood up, sighing loudly and pulling at his own hair. “To take the thing to his absurdist limit such that it becomes a parody of itself. Besides I refuse to participate in the false dichotomy of male versus female. To fix one you must become more like the other? What kind of bullshit artist do you think I am?”

He finally picked up the cigarette packet and lit one, taking a drag that forced him to stop and breathe in for a moment.

her lips parted, instantly, ready for the rebuttal. Ready to explain to him, for the hundredth time in the past hour, that she wasn’t suggesting what he thinks. That she wanted him to try harder to practice all the things that he theorizes. To ask himself what he’d feel if he were to be vulnerable, without the safety net of a joke, or an act, to fall back on. But as she prepared her next argument, running through her thoughts before she spoke them, the feeling of defeat overwhelmed her. She’s been at this a while. Trying to explain what she meant in different ways. Some gentler, more indirect, leaving it up to Matty to draw his own conclusions, others louder, more blunt, unequivocally disagreeing with him. But Matty was so trapped in his own vision to step outside of himself and entertain an alternative. She took a deep breath, squeezing her lips shut. Then, she exhaled, looking at Matty as his fingers nervously tapped against the marble surface. “okay.” She said simply. “I get it.”

Matty blew the smoke up towards the ceiling. “I’m just saying” he spoke authoritatively, like a lecturer clarifying complex concepts to a room full of novice students. “I know what I’m doing. And I wish I could the sense that you believed in this thing as much as I do.” He finally turned to meet her eyes.

“I do. I believe in it.”

“I trust the audience. They’ll get it. I don’t think they’ll think it’s the same show all over again.” He was doubling down, but the more he spoke, the more he seemed to doubt his own words.

“yeah, you’re right. I think they’ll get it.”

she walked in a semi-circle, around Matty’s body, retrieving her empty glass. It still held on to some of the coolness from the water that had left it. She set the glass down in the sink, turning on her heels and walking out of the kitchen without sparing him a second glance.

she felt foolish that this had even turned into an argument. She was certain that normal couple had communication issues, or argued about whose family they should spend the holidays with or whose turn it is to do certain chores, not, the limits of irony is performance art or Matty’s fear of and simultaneous desire for sincere self expression. The thing is, she knew that to their relationship, this is a communication issue. It was important to Matty that she be a fan of his artistic choices because his work is who he is. She often looked at what he did and saw him. Saw the way his mind works, how he feels about important parts of his life, what he’s proud of, what he’s afraid of, what he loves or hates, what he wants to change. She got to know him this way. To her, his inability to concede to her judgment wasn’t just a difference in aesthetic theory, it was an unwillingness to relinquish control over the argument. He wasn’t even trying to put himself in her shoes and see things her way. he felt attacked by her criticism of something that came directly from the depths of his mind and heart, and his response what to push back. She’s been lost in thought, so she had no idea when Matty had appeared in the living room doorway. His head cocked to the side, his gaze downcast. “Do- do you really think there isn’t enough honesty in the new show?” His tone was inquisitive now rather than accusatory. hesitantly, he walked towards her on the couch, one step at a time.

“the shows fine, Matty.” She looked right through him, at the wall behind him.

“it’s important to me that you like it.”

“I do. I like it.”

matty clicked his tongue. “Please, don’t be like that.”

She looked directly into his eyes, this time, and he could see her anger. “Like what, Matty? Supportive! I thought that’s all you wanted from your girlfriend. Well, here I am. Being supportive.”

He stopped inches away from her, dropping to his knees and hopping to be at eye level with her waist. He placed his hands into her lap, palms down, gripping the tops of her legs desperately. “I want- I need to - need you to be proud of me.” He rested his head against her knees, begging for physical intimacy to bridge the emotional gap that had formed like a chasm between them.

reluctantly, her hands found their way to his hair, caressing it lightly, a sign of compromise. Meeting in the middle. “I do want you to be supportive.” He spoke into her legs. “I’m being supportive. I’ll be supportive.”

He shook his head, his curls moving around her fingers. “No, not like that. I think- I think you were being supportive before. By pushing me to be better. I don’t want a cheerleader, I want you.” hid hand reached over his head and grabbed her wrist. “I love when you argue with me. Please never stop arguing with me.” Pulling his head off of her, he leaned over and kissed her hands. “Please promise me?”

[ecargmura]

The Case Study of Vanitas Volume 2 Review

Is it just me or is the second volume a bit thicker than the first one? Anyways, this volume covers the second half of Episode 3 to the end of Episode 5. Like what I said with my review of Volume 1, it’s the same as in the anime, but I can see that, in this volume, the anime did take away a lot of small, important details. You can’t take away small minor details in a Jun Mochizuki story! They’re all so important or the overarching plot or for characters!

I don’t remember if Babel was mentioned in the anime (it’s been so long). I know for a fact that it’s going to be important in the story later on. Because if Babel was an incident that changed the world, it’ll definitely be visited in the future. I know how manga writing works—specifically Jun Mochizuki’s.

Why I say to pay attention to small details is because the anime took away Dominique’s flirty personality! Her being extremely flirty towards Orlok’s female assistant is a vital part of her character. If you didn’t know, Domi is canonically bisexual, and her flirty behavior is an important part of her character that won’t be revealed until later on. Because you can see that she was demure and sweet as a kid in Noe’s memories with Louis, but changed into a flamboyant character who is rather androgynous.

Another small detail the anime took out was that Noe was once raised by an elderly couple that he called Grandpa and Grandma. They died and he was alone. This is why Noe’s rather fond of humans. I don’t remember if this was revealed in the anime, but my reviews don’t point this out.

Okay, small detail ramblings aside, I think this is as good as the first volume because of all the intensity. This volume introduces the vampire world, Atlus. What I liked about reading this volume is the fact that the more I read, the more I realize that Vanitas is a total bottom. He gets manhandled by Noe, bound by Domi, and gets his blood sucked by Jeanne. There is zero top energy from Vanitas. He is a total bottom. Even if you ship him with Jeanne, he’s the one that gets pegged. I really wanted to get this out of my chest. Disagree with me all you want, but it’s true.

There are a lot of Pandora Hearts easter eggs. In Noe’s flashback, there’s a panel where Domi and Noe were playing with black and white rabbit dolls. While they’re different from the dolls in Pandora Hearts, black and white rabbit dolls is a huge easter egg. They didn’t add these dolls in the anime too! These dolls aren’t important in this story, but if you’re aware of the story of Pandora Hearts, you might understand why I pointed out the dolls. I won’t spoil, but Domi, Louis and Noe’s story reminds me of Lacie, Glen and Jack. In fact, I think why I’m so fond of Domi is because she’s basically a ‘what-if’ scenario of Lacie if her situation was switched with Glen. Lacie is also a character I love in Pandora Hearts, hence why I like Domi. She reminds me a lot of her in a way.

I’m sorry if this doesn’t feel like a review. It’s basically 85% similar to the anime. All my thoughts are still the same thing I wrote in my reviews for Episodes 3-5. I bought Volume 3, so I can’t wait to read it soon! If you have read this volume, what are your thoughts?

[frownyalfred]

Hi, Res! Glad you're back! I love your writing (and your posting in general) and missed it. I hope everything good for you and your family!

I was wondering how you come up with fic ideas? That are so natural and realistic yet never came into my mind, like "let the light in" or "end of line" or "come morning light" or–

And also also!!! How you're able to write while you post (like post the first chapter and not have the rest completely planned) and not lose yourself on the plot/details?

Sorry if that's annoying in any way! I I just love love love your writing and I look up to you a lot!

Thanks 🥰🥰🥰

Hi! Not annoying at all, I appreciate you asking. For those fics, they kind of just came to me in slice of life moments? Maybe I can explain below a little better:

let the light in - this came to me while I was thinking about shoulder injuries (my parents both had rotator cuff injuries and PT afterward) and how it must feel very vulnerable for the human members of the League. Especially Ollie who would never want to appear weak because of his stubborn pride. Bruce as a foil/complement made sense as soon as I tried thinking it out. I knew I wanted to write a scene where Bruce inevitably confronts/witnesses Ollie's weakness, and the dialogue kind of spun out from there.

end of line - this fic bloomed into existence because I was pondering what would happen if you full-force punched Clark in the face. If you punch a normal person you can break bones, so what happens when you clock Superman? Again, this was another fic where the dialogue just kind of led the story forward. I knew I wanted it to be outsider!POV for added angst, and swiftly realized I could add in Bruce as Clark's "fixer" for even more hilarity.

come morning light - this one came from me pondering Clark's anxiety at his own near-immortality. I was trying to come up with the best scene to showcase that fear/anxiety, and the morning of his wedding made sense. It also allowed Bruce's careful adjustments and reassurance to shine through in contrast. I also wanted to challenge myself to write something with them both that was purely platonic, which I think I somewhat achieved (mixed reviews LOL).

so I guess a lot of these fics tend to come from "what if" moments, usually prompted by irl events.

As for being able to post a WIP and not know where the story is going, that might be because I am a "feel" writer. I don't think that's a good thing but I digress. I "feel" like I know where the story is going, but I don't know exactly what will happen between point A and point B until I'm writing dialogue. Usually it leads me to the right place, so I know if I post the first chapter without a solid plan for the next 3-4, I can still "feel" I'm on the right path.

Diving in to update is probably the easiest and hardest part of this method. I find that if I re-read the entire fic, my brain generally knows where it wants to go next and the story just naturally continues as I write. However, with borderline that meant I was rereading a 60k fic every few days and definitely wasn't efficient. Plotting the final act of stories generally requires me to abandon this method and reach out to my lovely beta, who is a mensch.

I'm not sure if that was very helpful, but that's kind of an overview of how my brain works while writing. It might not work for you, and that's okay! Try out some different methods and just keep writing! Do it as often as you can, even if it's stupid or never shared or only a few snippets here and there.

<3

[cog5]

Ludo-Labo

Running and playing pre-written adventures, I don’t think I always clue in to what makes an encounter effective, not “in the moment”, anyway. I’m too focused on the moment itself to parse why what’s on the page is translating into a good time. After reviewing the text, post-session, one key ingredient seems to be whether or not the text is providing enough information to telegraph danger to players. It’s not something I always do consistently well in my own writing, but it’s something I’m more mindful of lately. 

For example, I’ve just completed edits on a hazards table, where players encounter a room full of crates filled with dangerous chemicals in a laboratory setting. Originally, I focused on the hazards themselves, describing the effects of the chemicals, and what happens when the players are already exposed to the danger. 

We're talking about room #5 here.

On the second pass, I made sure to include simple details, to alert the players to potential danger, or a way for them to react, or avoid the danger, even if they were unsure of the specific outcome.

Let’s have a look at each.

Chemical Hazards (1D6):

Incendiary Tar: A dark sludge slowly expands, creeping into adjacent rooms. The slightest spark will set the mud ablaze. This one is fairly visual, easy for players to spot. There’s nothing really to tell them that it is tar, or that it is flammable, perhaps an odor could be written into this, to make it clearer. But the fact that the tar expands slowly gives players time to react, even if they do throw a fireball at it.

Explosive Reaction: Chemicals stored here are marked as highly volatile, the slightest impact will cause a violent explosion. Here, the danger is much more sudden, explosions happen fast! Big warning signs filling the room are easy to notice and avoid. Perhaps the players could use this knowledge to their advantage, setting a trap.

Noxious Gases: Spending any time in this room will cause one to become light headed, intense nausea is soon to follow. While not immediately evident, the gradual sickness helps to alert players to a more severe outcome, allowing them the chance to escape the area.

Acid Puddle: Recklessly treading through this room, the soles of one’s boots will be eaten away after a few minutes. This one is probably the least telling, and speaks more to the GM than the players, leaving more work for the GM to make it fair. I’ve not explicitly written what the hazard is here, or how it might be noticed. But the stakes are not as high either. It takes some time for the acid to take effect, and, at worst, they are out of a pair of shoes. Still, I’ll admit, it’s the worst of the bunch.

Oxidizing Vapor: A pungent, yellow cloud fills the air. All metal will rust after a few minutes of exposure. A tell that’s a bit more overt, featuring sight and smell, to alert players in multiple ways. The stakes are higher here, strolling through this room is likely to damage a players armor and weapons, making them less effective overall.

Liquid Nitrogen: A pale mist wisps across the floor. The air becomes colder upon approach. Exposed skin will become frostbitten within seconds of stepping into this room, joints will seize soon after. Pale mist on its own might not be much of a warning, depending on where players encounter it, but given that this is an indoor area, that should put them on alert. If that’s not enough, the addition of increased cold as players approach should make it especially clear that this is not a normal room.

I could probably keep editing forever, but at the moment I’m feeling good with my progress on this kind of thing. Being able to identify that things could be better is a good place to be. I’m willing to bet that it means things will be even better on the next adventure.

I'd love to see some good examples of telegraphed danger in TTRPGs, hit me up with your favorites!

[mediaevalmusereads]

Dracula. By Bram Stoker. Dover Thrift Edition, 2000 (originally 1897).

Rating: 4.5/5 stars

Genre: Gorhic, horror

Series: N/A

Summary: When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.

***Full review below.***

CONTENT WARNINGS: disturbing imagery, blood, animal cruelty, racism

OVERVIEW: This was my book club's pick for June 2024. I've read Dracula before, but it was a while ago, so I loved having the opportunity to revisit an old favorite. It reminded me not only why Dracula was so influential, but why I fell in love with Gothic storytelling in the first place. It gets 4.5 stars from me for no other reason than it being a classic that I adore.

WRITING: Stoker's writing is interesting in that it makes use of a lot of scientific language, blending it with the supernatural to create an atmosphere that is sometimes dark and ancient, sometimes modern and philosophical. I love the way Stoker blends these modes and champions characters who are smart and have an open mind (though that openness is lacking when it comes to things like gender and racial dynamics).

I also appreciated the way Stoker tries to differentiate between character voices. Though not every character sounds unique, there is a difference in how Mina writes versus how Dr. Seward writes versus how Van Helsing speaks. It makes the book as a whole feel more polyvocal, which in turn enhances the sense that the story is made from pieces of diaries and newspaper excerpts.

PLOT: The plot of this book follows a number of English characters as they try to defeat a powerful vampire known as Count Dracula. The story is told from a number of perspectives in the form of diary entries and occasional newspaper clippings and memoranda, all of which detail the strange occurrences surrounding the Count.

This book is less of a spooky horror and more of a classic Gothic novel. That isn't to say that there aren't some disturbing images, but if you go in expecting a lot of blood, gore, and jumpscares, you might be disappointed. Instead what we have is the gradual realization that there is a vampire in England, and after some bizarre occurrences and a tragic death, our protagonists team up to defeat the monstrous Count once and for all.

I love the Gothic flavor of this plot and the way Stoker plays with folk belief and superstition in the age of science and advancing medical knowledge. I also just generally love Stoker's descriptions and some of the absolute weirdness that pervades the novel, from fly-eating lunatics to bats and wolves acting unlike themselves.

If I had any criticism, I would say that there are places where the pace seems a bit slow, but I don't know if it's slow because Stoker actually wrote it that way or my perception is off because I'm familiar with the story.

TL;DR: Dracula is a classic and influential novel for a reason. With evocative supernatural imagery, a clever multivovalic narration style, and a Gothic flavor that is sure to delight lovers of the genre, this book stands out and is worthy of its place in vampire lore.

CHARACTERS: There are a lot of characters in this book, so I'll try to keep things brief.

Jonathan Harker, our first narrator, is relatable as an average working class man who gets caught up in the world of the supernatural. He seems rather brave and sweet, as evidenced by his devotion to his wife, Mina, and his heart always seems to be in the right place.

Dr. Seward, the head of a psychiatric institution, is sympathetic in that he has to watch the girl he loves suffer. I really did feel bad for him and admired the way he stepped up to lend his expertise, even though the situation has little to do with him personally.

Mina, Jonathan's wife, is just so great. Everyone seems to adore her and I love that her intelligence is constantly praised. Stoker isn't without bias, however; there are numerous instances when Mina is said to have the "brain of a man" or is described as a woman in opposition to a man. The gender essentialism is sure to make some readers uncomfortable, but it's not particularly surprising given the date of this novel.

Characters who do not get POV sections are still charming in their own ways. I liked that Van Helsing was eager to assist people he didn't know and constantly championed having an open mind. Renfield was interesting and his fly-eating helped create some nice parallels with vampirism itself. Lucy, who has a couple of POV sections, sounded sweet and it's a shame that so many adaptations portray her as overly sexual when in reality, she's a victim who just wants to make people happy.

Most of my criticisms regarding character lay with weird gender politics and racial prejudice. I've already described the gender stuff in my discussion of Mina above. The racial dynamics, while not overwhelming, are present enough to be noticeable. Stoker describes a number of Romani and Romaniam peoples as superstitious, which in itself might not sound horrible, but does play into some negative stereotypes. Again, these dynamics are not so present that they distract from the main storyline, but they are on the fringes and shape the way we understand Stoker's world.

[moonshadowmystique]

Starting My Tumblr: Figuring Out What to Post

Hey Tumblr friends! 👋 I’m super excited to say this is my very first post! After finally creating my Tumblr, I’m still figuring out what kind of content I want to share. There are so many cool options, and honestly, I’m a bit torn. Should this space be for personal thoughts, creative work, or just a mix of everything I love? 🤔

What Should I Post? Exploring Ideas

There’s a ton of inspiration around Tumblr, which makes it exciting but also tricky to decide on a direction. Here are some of the options I’m considering:

1. Personal Blog

I could use this space like a journal, sharing daily life experiences, thoughts, or even mini life updates. It would be a more casual, authentic vibe, letting me connect with others who might relate to what I’m going through. Plus, it could be a great way to document life and look back on my personal growth.

2. Creative Writing and Poetry

I’ve always had a passion for words. Whether it’s short stories or poetry, Tumblr seems like the perfect space to share that creative side. I could post snippets of my writing or even work on a longer project in chapters. There are so many amazing writers on Tumblr that I’ve come across, and it would be fun to join in on that creative community.

3. Book Reviews and Recommendations

As an avid reader, I’m always discovering new books and authors, so why not use Tumblr to share my thoughts on what I’m reading? Whether it’s detailed reviews, quick recommendations, or even bookish discussions, it could be a great way to connect with fellow readers. Plus, I could keep track of my reading journey and maybe even inspire others to pick up a new book.

4. Reblogging and Curation

Let’s be real: Tumblr is a goldmine for cool content. I could simply focus on reblogging things I love, like funny memes, aesthetic photos, inspiring quotes, or interesting posts from others. Curation is its own form of expression, and it might be a fun way to explore and share my favourite rite things without overthinking it.

Finding My Style

One thing I’m quickly learning about Tumblr is that it doesn’t have to be just one thing. I can combine different types of content — writing, reblogging, books, and more. My Tumblr can be a mix of everything I enjoy, which feels true to who I am. Right now, I’m open to experimenting and seeing what resonates with me (and with all of you!).

What’s Next?

For now, I’m going to try out different types of posts and see what feels right. Maybe this space will evolve over time, or maybe I’ll find a clear direction soon. Either way, I’m excited to start this journey, and I’m grateful to have you along for the ride!

[victorianwhitechapel]

The Long Shadow review – a shattering serial killer drama that breaks all the rules

A mighty cast including Katherine Kelly and Toby Jones tells the stories of the women murdered by Peter Sutcliffe. Finally, the focus is on the victims

By the end of the first two of the seven episodes of ITV’s new drama about the Yorkshire Ripper made available for review, Peter Sutcliffe has barely been glimpsed. This alone marks it out from the herd of serial killer dramas, let alone documentaries, of which every streaming platform has a full quota. The general rule is that, however much the makers stress that their creation will centre the victims instead of the perpetrator of the crimes, they somehow all end up in thrall to precisely that person. Even when there really are intentions otherwise, the perpetrator inevitably becomes the dramatic focus and the narrative engine.

The Long Shadow – so far, at least, which is already further than most – shatters the general rule. Written by George Kay (whose last outing was the very different, very fun Hijack starring Idris Elba) and directed by Lewis Arnold (Sherwood, Time, Des – the Dennis Nilsen drama starring David Tennant), it is based on Michael Bilton’s book Wicked Beyond Belief, plus additional research and with the consultation and blessing of the families.

More than any rendering of a notorious case that I can remember, the attention is on the women. Specifically, the living women. And, when they are gone, the people they leave behind. After Wilma McCann’s (Gemma Laurie) murder, and the investigation that will take five years to apprehend Sutcliffe despite the police interviewing him nine times, the focus moves to Emily Jackson (Katherine Kelly). The opening episodes concentrate on presenting her situation to us in the round, as dire financial straits drive the embattled wife and mother to sell sex and put her fatally in Sutcliffe’s sights.

The Long Shadow deals in details. It is not simply poverty that leads the Jacksons to extreme solutions, but the social pressures and the desire not to lose face in front of the neighbours are all carefully and accurately drawn. So too are the subtle prejudices that nudge Irene Richardson (Molly Vevers) out of the chance of a job as a nanny that might have saved her from becoming Sutcliffe’s third murder victim.

After her, there is Marcella Claxton (Jasmine Lee-Jones), who survives a hammer attack by the man who will soon be tagged “the Yorkshire Ripper” by the media, though the moniker – hated by the families – is barely used in The Long Shadow. She miscarries at four months as a result of the attack. Back home from hospital, we see her gently touching her terrible head wound, trying to see it in the mirror and gauge its extent, with the empty cot in the background – a moving evocation of the literal and metaphorical extent of trauma; how much we want to find its boundaries and how impossible it can be to do so.

The police investigation weaves round the women’s stories, and although it hits many familiar beats, the quality of the writing and presence of the likes of Toby Jones, David Morrissey and Lee Ingleby as the various detectives in charge over the years means that this too is better done than usual. We have come to expect virulent misogyny and racism to be on show in dramas set in earlier decades and involving the police – or any other unwieldy, male-dominated institution – but The Long Shadow succeeds in embedding it more quietly but firmly. It is a way of life, a way of thinking rather than a succession of big instances (though it still has its moments, such as when the detectives’ hospital interview with Claxton turns into an interrogation, as their engineered politeness in front of a black woman begins to fail).

This all means that we better understand how the investigation went so wrong so many times, with even “the good guys” believing that the deaths of sex workers (and assuming that any woman near a known streetwalking area was one) were not worth much effort, or that any woman drunk and out after dark got what was coming to her. And it means we can better see its descendant attitudes now and how insidiously they still work against women. Big, sexist/racist set pieces or a clear divide between bad cops and the angelic few who have managed to transcend their eras allow us to believe that things are different now. The Long Shadow’s subtlety and care denies us such mistaken comfort.

The Long Shadow is on ITV and ITVX in the UK, and on Stan in Australia

==

I hope one day they do the same with the Whitechapel Victims... RIP.

[thedinanshiral]

Exciting times

As we enter the last leg of this race, please beware of the SPOILERPOCALYPSE.

The reason i'm not here much lately is precisely because of spoilers. I think marketing has done more than they should have, i don't need to see more of the game, i just want to play it. Now just checking my socials puts me at risk of getting major spoilers i'm trying so hard to avoid at all costs.

Yesterday the embargo on the preview event was lifted and all the people who was fortunate to be invited have been sharing their reviews, impresions and recorded gameplay. Unfortunately for those of us who wish to experience the game ourselves instead of having the first Act spoiled, not everyone uses spoiler warnings, hashtags or keywords one can mute or block while this lasts. Personally i'm mostly on twitter and there i muted +130 words for 30 days only to have a spoiler about Rook's origins in one of the factions still slip through.

I've been checking on YouTube carefully like it's a minefield -because it really is- for some of these content creators' videos, for the most part just to listen and what i've gathered so far is they were allowed about 7 hours of play, including the character creator and 5 selected missions from Act I, but there's a couple of late Act I missions they weren't allowed to record or talk much about, and they weren't allowed to show some menus, namely the accesibility menu as it seems there's official marketing coming up centered on that.

The big and main positive i can take from these recent developments is that there's a new consensus: Dragon Age The Veilguard looks good. Long gone are the days of first trailer bad impressions and Fortnite accusations, now that some people finally got to experience the game themselves the reviews are mostly positive, excited, and i've seen some content creators change their minds about the game entirely. Bioware took notes all these years and are ready to deliver an unexpectedly very polished game as a result. People at the event were told the game has 3 Acts and i've heard this from several people, if the rest of the game keeps up the rhythm from what they saw of Act I, then Bioware is back. GOTY contender. IMO BW was never "gone", they were just slowly cooking this upcoming full meal

Sure, combat may not be for everyone, a more linear experience may not be for everyone. But personal preferences aside all seems to indicate The Veilguard will deliver as promised.

Spoilers are unavoidable sometimes so i've actualy looked for some, namely the Character Creator, the different factions origin stories, the different surnames. I had to go out of my way to see these things tho, intentionally spoiling myself these details because I have as of now 12 different Rooks planned and i needed to know if the stories i made for them would conflict or not with what the game will offer. Only one origin has a detail that might restrict things a bit.

There's apparently also a scene from a mission i'm not sure they were allowed to show, i skipped through a video about it without really looking and just now saw something from it on my dashboard but i scrolled down as fast as i could because it's something i really want to see in game first. It's such a big thing, it shouldn't have been showned or leaked at all. All i'll say is it's about Solas, and something many of us wanted to see for a long time.

All this said, while we wait for October 31st to come quick we still have the podcast Vows&Vengeance each Thursday. I might write on it soon. This podcast is safe from spoilers, it's set pre-Veilguard and introduces the companions one per episode, and the original characters are apparently a V&V exclusive and won't show in game. I think this podcast series is currently the only safe marketing material available until release. Meanwhile the IGN coverage continues, full of minor spoilers sprinkled all over so i'm also avoiding all of it.

We're now 41 days away from an event we've been waiting for 10 years! The waiting has never been harder.

[semperintrepida]

Despite my current creative uncertainty, one thing's for sure: I'll be writing at least one more fanfic before everything's said and done. Perhaps it will be yours?

My Fandom Trumps Hate profile can be found here. Bidding starts March 5th!

Organizations this auction benefits: Winning bidder's choice of any of the listed non-profit groups (See full list.)

Type of fanwork: Written fanwork Subtype(s): fan fiction (new) Fandom(s): Assassin's Creed, Horizon Zero Dawn, A Plague Tale (Videogame Series) Highest rating: E Length/scope: 5 -10k words. Minimum Bid: $5

Especially interested in: I write F/F and gen stories about "Assassin's Creed: Odyssey", but could write for the "Horizon Zero Dawn" and "A Plague Tale" series of games as well. I'm at my best writing stories from the POV of the main protagonists or major NPCs: Kassandra, Kyra, Aloy, and Amicia, but if you've got someone else in mind, let's discuss. I'll write F/F smut if you want; please take a look at my profile for examples. Prompts involving consensual BDSM/power play are welcome if that's your jam. My OTP is kyssandra (Kassandra x Kyra) but if you're my highest bidder, I'll make an exception for you if you're hankering for something else. (That said, please do review my NO list below.) I can write fluff, angst, and pretty much anything in between. Third person, first person, past or present tense are all fine by me.

Things I won't write: male protagonists (sorry, I can't do them justice!), kasspasia (Kassandra x Aspasia), X-reader/reader insert, Omegaverse, genderbent characters, non-con/dub-con, underage, BDSM involving scat/watersports/bloodplay

Other notes: The development of your prompt will be a collaboration between us. You've gotta bring big ideas you're excited about, and I've gotta vibe with your prompt to write something good. I work best from generalities and broad sketches—if you're looking for a very specific scenario with lots of fine details you're expecting me to include, I might not be the writer for you. After we agree on a prompt, I'll write a brief plot treatment and run it by you. Then I'll write the first draft, which you'll be welcome to advance read (AR) and offer feedback. Then I'll edit the work to the best of my ability, and if all goes well, we'll end up with something we're both proud of. My goal as a writer is to make you feel like you're right there in the action, fighting and fucking, laughing and playing. I will make you feel like you're somewhere else, somewhen else, someone else.

[Bidding instructions soon to come...]