#i may have played with the concept a bit

[poorly-drawn-mdzs]

Thank you all for voting in the poll to decide who was going to be the leader of the band! It turned out to be such a close race!

[thewhizzyhead]

okay but AJR'S new song "Yes I'm A Mess" is one of their coolest concepts to date cause like, AJR has been hyping up the chorus for a long while now and from the frequently tiktoked verses "I could hate my guts when the sun comes up but I like myself like this" and the overall tune of the chorus, the most common impression on the song is that it's a song about the brothers "blowing up their lives" through partying and all that because they "like themselves like this". Basically it's your "wooo let's fucking party song" but in the perspective of them using it as a means of escape in a way. This impression is confirmed with the release of the full song whose lyrics include them wanting to quit their jobs and start over ("I'm in it now, I'm in it now, could I start again somehow?)

And of course, the theme of wanting to escae start over and becoming what you like yourself to be even if you make yourself into a mess is something quite relatable especially for young adults right? So that concept is good in it of itself but what makes this song so much fucking different IS HOW AJR FLIPS IT BY THE BRIDGE. By the time Jack sings "I could hate my guts when the sun comes up but I guess that's what this is. I like myself like this", there is a layer of acknowledged resignation that them blowing up their lives and escaping in the interest of starting over and "liking themselves" is something that's not that all good AND THAT POINT IS ESTABLISHED WITH HOW THE SONG ENDS - WITH THE OUTRO BEING ALL SLOWED DOWN AND REVERBED AS IF THE PARTY IS STOPPING AND YOU'RE COMING DOWN FROM YOUR EUPHORIC PARTY HIGHS.

This part especially took a lot of people off guard because they simply weren't expecting this shift of tempo to happen in a song marketed as a partying fun song and holy shit that's the whole point! The constant escape for a new and clean slate through indulging yourself into becoming someone you like to the point of self sabotage won't ever end up well - cause sooner or later, the tempo will turn slow, verses will be slurred, and the fun beat and whistles will stop. And for a band who prides upon having their songs be fun to dance to while being relatable in its woes of having to grow up and wanting to escape that, holy fuck is that an amazing point to make.

[fragmentedblade]

I think I've become an official HI3 player. I check the HSR leaks hoping for iterations of HI3 characters now

[good-beanswrites]

Hello again, I'm here to request once more. Feel free to take all the time you need btw! I would always be patient for your wonderful works ^^

This time I'd like to request from the Drabble List#2 - 47 with the 020607 Trio (mainly Mahiru though). And yes, this is hugely inspired by that one minigram with Mahiru. And as usual, feel free to change the scenario and/or the characters.

Thank you again, good luck with your future studies and take all the time you need!!

Woo thank you so much!! :'D This one was a ton of fun (and once again led me to get smacked in the face with unlikely character parallels I wasn't aware of before). It's from Kazui's pov but it's still mainly about Mahiru. I ended up going canon-compliant, but I did consider sticking super close to the minigram and do a little normal-au where Mahiru drags them across Japan to make a perfectly homemade cake 😅

Everyone knew Mahiru had a tough time distinguishing genuine from joke, but Kazui hadn’t expected it to come back to bite him. Mahiru wasn’t stupid by any means; sometimes she just forgot that others weren’t as unabashedly honest as herself. When she said something, she meant it. Kazui… not so much.

Which is why, following a conversation about her skills in the kitchen, in response to being pressed about his own household, he thought it would be inconsequential to utter the following words to her.

“Bake me a cake, and we’ll talk.” 

Kazui had laughed his booming laugh, Mahiru had giggled in her sweet little way. Neither realized what had just transpired.

That is, until Yuno dragged Kazui across the prison the following day to make him aware of the monster he had released upon the kitchens. The two hurried over to find a massive operation underway: Mahiru had several layers in the works, she was stirring multiple fruit fillings, decoration choices scattered across the countertop, and anyone who dared venture too close was shooed away with a slap from her wooden spoon. 

It took a few minutes to get the situation all worked out.

“So… you didn’t really want a cake…?” She asked, pausing mid-stir. Her eyes were so big and round.

Yuno came to the rescue. “Of course he does!” She interrupted. “Everyone here would die for a taste of your baking~” 

Kazui nodded. “I just didn’t mean for you to work so hard for my sake. I’m really not worth all this effort…”

Mahiru’s jaw fell, offended on his behalf. “Yes you are!” Her attention was momentarily caught by a timer chiming. Kazui took the bowl from her so she could take a pan from the oven. He picked up where she left off stirring. 

“Either way, why don’t I help you out?” Yuno had grabbed some ingredients from the counter as well. “While we bake, I’ll tell you a little bit about myself. A little,” he repeated. 

And he did. Her questions were easier than he’d expected. While the others knew how to poke and prod about each other’s murders, Mahiru really did just want to know about his home life. While she buzzed around the kitchen switching pans and creating intricate icing patterns, she asked him about his childhood, his hobbies, his job. As soon as she saw his wife was a touchy subject, she let it drop (though with a bit of disappointment, to be sure). He scrambled a bit as Yuno the human lie detector would shoot him a look now and then. Overall, though, his measured answers managed to satisfy both women without giving much of himself away.

When they carried the spectacular cake into the common room to everyone’s amazement, Mahiru prodded him with her elbow.

“We should talk more! I mean, come on. How difficult was that?”

If only she knew the half of it.

———

“Hey, Mahiru.” Kazui traded weak smiles with Yuno as he joined her by the bed.

“Oh. Hi Kazui,” came her weak voice. She tried her best to smile under the tangle of bandages that surrounded her. Then, silence. 

Aside from a few coughs and small requests, that silence stretched on for hours. He and Yuno usually had a lot to talk about, but neither could muster anything up today.

He thought Mahiru had dozed off, but she surprised him by taking his hand. “Kazui?”

“Yes?”

“Do you really think I’m unforgivable?” 

He blinked. “I can’t really say.” 

The moment the words left his lips, he knew they were the wrong ones. Well, the glare that Yuno was trying to murder him with also helped. “Er, I forgive you, of course. But… I don’t know anything about you, Mahiru. Not really. I can’t say why others would think you’re unforgivable or not.” 

“...I see.”

Yuno looked like she wanted to add something, but couldn’t find the words. Traces of emotions flickered over her face before she could cover them up. Kazui guessed she wanted to defend Mahiru. But maybe she also agreed with him. And that was when the realization struck him.

“I guess, I always thought you were so much better than me and Yuno when it came to talking about yourself. You do it all the time, and very easily. But now that I think about it, I probably know just as much about your situation as you know about mine. For such an honest person, you hide everything just like we do. Or maybe, you hide from everything, like we do.”

More silence.

A teary smile appeared on her face. “You know… you could bake me a cake… and maybe we’ll talk.”

Kazui didn’t laugh, and she didn’t giggle. He nodded, solemnly. “I think that’s a good idea.”

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[fisherrprince]

Although - let me premise. I like Lyse. I don’t think Conrad choosing her to lead the resistance was earned, it felt very fast and a bit out of nowhere because she’s not a leaderly type and the traits she gained were in Doma (he didn’t see that happen), but you actually don’t have to change anything major to fix or at least better it in my brain, you just need to swap around some dialogue. Don’t have him talk to you about choosing her, have her take the reins herself or with encouragement when he dies. thassit I think itd give her some je ne sais quoi

[astrxealis]

sorry to ffxivlovepost always anyway Man the way the devs & game did so good in making an mc that is Basically a blank-slate for the players, and there's so many opportunities to make your oc However you like but. the game itself adds so much story and character to that blank-slate guy. amazing

[soft-serve-soymilk]

I ALSO LOVE DRUGGING MY TEENAGE HEAD CHILDREN !!!!1!!1 ✨🎉🎊💯✨🎉🥳

[pigeonliker420]

whenever i go looking into help or random talk about bg3 i keep seeing people like comparing it to dragon age either in expectations or selling points and bro. ghirl. its not dragon age. its baldurs gate

[dinerfries]

playing around skipoung around spinning

[sysig]

Me, looking at Charm: Mm, she’s not deranged enough Me, looking at [Purple Text]: Mm, they’re not deranged enough!

Ft. an old idea (Patreon)

[empyreanmirror]

i hope you know im selectively uploading things to protect you all from lies of p content

[arolesbianism]

I have been playing beastieball and first of all very good game second of all smth smth Olivia Broussard

[camping-with-monsters]

Had both the DUMBEST yet SMARTEST combination of tales to mix for a character (set of characters but there’s only one of importance) for Tags of Whistlegrimm y’all will not believe me. I’m so serious with this inclusion. This is a legitimate character.

Have y’all ever heard of “The Deer of Nine Colors/The Nine Colored Deer” story? In simple terms, the deer saves a man and brings it to a secret land he should not speak of, but he reveals the existences of it out of greed. So like, with that being said, what other stories feature a deer of interest? Do you recall any? Do you recall… the most famous reindeer of all…

YEAH. RUDOLPH THE RED NOSED REINDEER.

Both are deers named with the mention of color, both just ARE DEER, both from presumably mystical lands (we can assume the North Pole would be magical in some sense if Santa was there). And like. If you think about it… Santa has nine deer. Nine colored deer. Nine individually colored deer? Red is typically the lead of the rainbow and Rudolph is the one that leads the sleigh.

Anyways here’s my concept for Rudolph himself. The colored pattern the Nine Colored Deer typically has is depicted as a “rein” type formation over him. There’s some implied albinism type thing going on with the color palette which would typically give deer a pink nose anyway, plus it calls back to the nine colored deer’s main body color typically being white. I haven’t felt this smart in a while this is SO funny. I love him. He’s perfect.

Right now he’s planned for Blind Man’s Bluff’s cast ;)

[berryblu-soda]

literally *how* have i never talked abt seedling???? i have soooo much brainrot abt it bite bite bite bite bite bite

[narcjsistx]

𝐕𝐀𝐑𝐈𝐎𝐔𝐒 𝐇𝐂𝐒 𝐈𝐍 𝐀 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄𝐌 | sae, shidou, rin (part two)

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

— sae itoshi

✶ Sae seems like someone who actually likes to wear bracelets, rings or necklaces, but can't wear them often due to the matchs he plays, where he would risk breaking them. going back to the basic concept, his gifts would probably be matching jewelry, especially rings... so, in case you were someone who wears them and rarely takes them off, he would try to do the same thing. during matches he would hang the ring on a string that he would put in his pocket or around his neck, kissing it before starting the match or squeezing it after scoring a goal

✶ I don't know exactly why, but beyond the canonical fetish for the ass, I see him as someone who would aim to have a partner with well groomed hands, like nails with polish, smooth and without calluses. he's not a big fan of PDA, the only thing he would do is hold your hand and occasionally leave a prying kiss on the back. in private he is certainly more open, and one thing he loves is massaging his partner's hand; it's a gesture he now makes almost unconsciously

✶ Sae didn't have instagram until he met you, you practically forced him to create an account! he resisted his manager telling him to do the same for a long time, but for you it was only enough once. he just put a profile photo, you had to do it for him the bio and some highlights, about past or future matches. a few days later you opened instagram and noticed that his account had a highlights that you hadn't created, entitled "her": you opened it and there were some photos of you, the ones that Sae considered most important (even if he loves them all). needless to say, your heart was about to explode

what would he post on socials ↓

✶ as a child he may have thought about it a bit, but after joining ReAl he didn't have the time to think about it again. he wouldn't mind having a family sooner or later, but probably after winning the U-20 world cup. two children would be fine, possibly a boy and a girl. he just knows that in some way his children would remind him of him and Rin as lil kids

✶ jealosy level: 5/10

✶ flirtiness level: 7/10 (let's specify, ABSOLUTELY NOT in public, but in private maybe he would indulge in some jokes)

✶ pet names: "amor" / "y/n" / "pretty"

—————————————

— ryusei shidou

✶ even if it doesn't seem like it, Shidou is relatively a normal person as a boyfriend... is there a concept of personal space? not that, but otherwise it's normal. the only "flaw" he may have is that he must CONSTANTLY have his hand touching you when you're together, whether it's a hand on your thigh or an arm around your shoulders: he simply needs to feel you. PDA is no big deal for him: he want to kiss you in front of everyone? he will do it, whatever the cost. if you say he can kiss you after winning a game and it's live nationally, why can't he do it in front of his group of homies?

✶ Shidou seems like someone actually very deep, or at least that seems to be described in some parts of his character sheet. Late night chats are literally the level of mental intimacy he hopes to achieve with his partner... he's someone who doesn't sleep much, so he has a lot of energy and hardly gets tired even after hours of talking. You and him tightly hugging on his bed, lights off and just everything that goes through your head... doesn't everything seem perfect?

✶ you know very well that every time he has a match he makes comments that, let's say, put him in a "bad light", or in any case make him seem less interested in you. before being with you he didn't mind saying things like that on the field, and more or less the same thing has remained since you got together as a couple... BUT THERE IS A BUT! every time, once the game is over and above all won, he makes sure to run to you before even celebrating with his teammates: whether you are in the VIP area or not, he will come to you to kiss you with all the passion he has. let's say he uses his method to reconfirm to the people that he is happily taken

what would he post on socials ↓

✶ GET MARRIED AND HAVE MANY CHILDREN AS POSSIBLE? YEAAAAH. no okay maybe not like that, but on the issue of children he doesn't lie... certainly with the career as a striker he has, he has no problems with money, and therefore with maintaining kids. let's say that for marriage it's different... he doesn't find any sense in it, in reality, he only sees it as something superficial: if he loves you and you know it, why have such a ceremony?. so let's say it's 50/50: he would do it if you asked him but at the same time he wouldn't mind not being married

✶ jealosy level: 1/10 (he trusts you too much to even think about it)

✶ flirtiness level: 10/10

✶ pet names: "doll" / "darling" / "love"

—————————————

— rin itoshi

✶ Rin hides under his serious and calculating gaze a boy who simply needs to vent after everything that happened with his older brother. Before being together as a couple he would never have expected to be able to cry in front of someone, but with you it was all quite natural: it took months and a lot of patience to show him that you really cared about him and that you wanted him to feel comfortable with you, but in the end he let himself go and was finally able to tell someone what not even he himself could explain. he'll never admit it but he believes that was the moment he realized how important you really were to him, and how much he simply wanted someone who could understand him

✶ He has a sort of fetish for seeing you in his clothes: it doesn't matter if the clothes are tight, big or the right size, just seeing you in that black sweatshirt of his or in his PxG uniform is enough to send him into crisis. he can't even explain to you why he likes it so much, but the fact that you're wearing something that smells like him is definitely a valid reason. you once surprised him by showing up at one of his matches wearing a jacket with "rin" written on the back, and we can say that he appreciated it to the point of having to prove it to you in some way: that time the match ended 9-0, goal all marked by him

✶ He may be one of the best if not the best, but after finishing the practice he simply needs to rest with you next to him, even more so if the coach was more unpleasant than usual or he simply did a lot of things wrong due to distraction (which is impossible considering it's Rin). Whether on the couch after cleaning himself or in the shower, while you rub shampoo into his hair it doesn't matter, he just needs to feel your presence

what would he post on socials ↓

✶ as a child he often saw other children playing at being married, but he was never actually interested, also because on the one hand it disgusted him to think of having to be tied to a person forever and kiss them on the mouth. as he's grown up he's changed his opinion, he's definitely the marriageable type and he'd actually like to get married as soon as possible: what's the point in leaving you legally free if you've stolen his heart?. let's say that he has a fairly positive opinion about children, he just knows that they arrive after a certain amount of time after marriage: he would like to have two girls... growing up as one of two brothers, both boys, he knows how boys are more problematic than girls

✶ jealosy level: 6/10

✶ flirtiness level: 3/10

✶ pet names: "y/n" / "love"