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amphtaminedreams · 4 years ago

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Spring/Summer & Haute Couture Week 2021: Whoops, I’ve Missed a Loooot (Part 2)

Hey to anyone reading,

I’m so sorry for the gap between the last fashion week review post and this one! Argh. I had no idea I posted it as long ago as the beginning of March but I think we can all agree that lockdown has fucked with our perceptions of time completely. I wish I could say the delay in posting was as simple as me being busy but I’ve also started to reflect on whether or not I want to carry on this format of posts for the time being; on the scale of problems, this one is wayyy down there in the very lower quartile of the first world region, but my motivation to carry on this kind of content in the form of long-winded text posts is...meh...not so much there anymore. At first I was thinking the issue was that working on these was my last priority on my daily to-do lists but as I’ve got back into writing fiction, it’s kind of occurred to me that the fact I was putting these posts on my to-do lists in the first place along with things like doing the ironing and contacting student finance speaks volumes. When I’m back from work or winding down, opening up Tumblr and coming back to this draft isn’t something that I think of as a fun stress reliever in the way drafting stories is. It doesn’t feel like I’m using my imagination or my creativity or expressing myself in any way and it’s not much of an escape from day to day life in the way that writing dialogue or exploring characters is. Maybe it’s because I’ve done quite a few of these posts now but I just tend to feel like I’m repeating myself, you know kinda like when you’re writing an essay and trying to fill up a word count; of course there are collections that I do have a lot of opinions on but by and large, sometimes it boils down to THESE CLOTHES ARE JUST FUCKING PRETTY, OKAY?! There’s only so many things you can say about a tulle skirt or an exaggerated collar before you want to strangle yourself with said tulle. I used to think iF VoGUe RuNwaY wRitErs CaN dO iT WhAT's MY exCusE until I realised that 1). Vogue Runway writers actually get paid and 2). for the most part all they do is explain the designer's intentions behind the collections verbatim without giving a critical opinion anyway.

I think a lot of the pressure I feel to justify what are in reality quite simple observations and opinions goes back to some of the feelings I explained in my first ever fashion week review where people who know more about fashion and have a formal education in the subject tend to be kind of gatekeep-y and elitist. It can never be that you appreciate different things about a collection but rather than one of you has taste and the other doesn’t and if it wasn’t obvious, the taste level assigned to you by the powers that be tend to positively correlate with the amount of money you have available to spend on a degree that has a reputation for failing to provide a steady income, which for most makes it an unrealistic avenue to pursue. I know, I know, the pressure is totally self-inflicted and wholly imagined seeing as I have under 500 followers on here and those who do interact with these posts most likely do so for the pictures but I still feel it, and given that I’m going to have enough external pressure to write essays when I return to uni in September, why on earth am I wasting time putting it on myself? When just posting photosets of my favourite looks is not only actually enjoyable for me but is also what other people WANT to see too? Nobody wants to read a self-indulgent paragraph like this when they’re here for the clothes and to be honest, for the most part I don’t want to write them anyway unless it’s something I have strong feelings about or if a collection can only be properly appreciated with analysis. I think I’ve made pretty clear which designers I’m a fan of, do you really need to hear me raving about Gucci or Zimmerman or Miu Miu or Balenciaga again? Is there gonna be anything revolutionary in yet another rant about Maria Grazia? Course not. I mean, if you are reading, you might have to witness those things one last time because I do intend to finish off this season’s review in this format for consistency purposes and because I’ve already got all the notes now but on the whole, I doubt anyone will miss my rambles.

So, with all that in mind, I think after I finish my S/S21 posts I am gonna start just uploading these posts without the written part. I mean, for one, the simplicity of doing this means I’m much less likely to procrastinate making them which in turn means I’ll be able to get them out right after the shows as a kind of summary as opposed to months later when they’re no longer as relevant. This will also give me more time to work on the writing I actually enjoy. Right now I’m going through and editing my 17 year old self’s “grown-up” take on the Pretty Little Liars blackmail murder mystery style plot line which I wrote back when I was completely and utterly obsessed with the show and bitterly disappointed by the last couple of seasons. The writing is pretty mediocre and often hugely cringey to read back now but I am still a fan of the basic plot and I’m genuinely motivated to see if I can make it something actually worth reading, and to get onto that ASAP; this feels especially important right now given that the HBO version of the series’ apparent upcoming release has sent that ever-present writer’s fear of seeing-your-same-storyline-done-better-by-somebody-else-thus-forever-relegating-your-version-to-being-the-poor-imitation-so-you-gotta-get-there-first into overdrive (or maybe that’s just me and my neuroses). Again, it’s a totally unfounded fear based on the fact that the HBO show will probs get millions of viewers whilst I will be doing little more than shouting into the void but anybody who’s used Turnitin to submit an essay that ultimately counts for little more than like 1% of your grade or degree will know that no matter how irrelevant your work is, the concept of failing a plagiarism check, be it via a computer algorithm or one random stranger on the internet’s assessment, is enough to conjure visions of the 4 horsemen of the apocalypse galloping towards you screaming “START THE WHOLE THING AGAIN” before releasing a hoarde of 2015 Chanel vs. Walmart style comparison memes.

Now, speaking of Chanel, I should probably get back into the reviewing.

So for the last time for a little while, here’s Christian Siriano:

Siriano’s designs are a great example of work I feel guilty enjoying. I know that when it comes to quality, the high fashion community have a lot of (negative) things to say and I really can’t speak to that because quite honestly, I know very little about textile manufacturing. Solely from my own point of view though, I do like his work a lot. I wouldn’t claim for a minute that he’s a pioneer in terms of his creations but I would 100% love to wear them and I DO hugely admire his commitment to putting women of all sizes on the runway and designing pieces that don’t simply cater to straight up and down types which is more than can be said for most brands. I get that his collections are pretty formulaic, taking what has worked for the likes of Chanel and Alessandra Rich, De La Renta and Carolina Herrera, Michael Kors too (who is kind of guilty of the same thing himself), but that’s not to say his work is bad. Let’s be real, we’ve been on this planet thousands of years, we’re all taking inspiration from someone, and maybe figures like Kors and Siriano could wait a *little* longer before taking said inspiration but their aim at the end of the day is to sell clothes, not break barriers, a task which although often left to the big name brands, they too often fail at. I’m not going to lie, I’m feeling this whimsical mid-century tea party vibe, it’s elegant and it’s cutesy and My Fair Lady-esque, and you bet your arse I would be absolutely thrilled to wear one of these looks on a summer red carpet. I just can’t say no to anything tulle-maybe it’s that I was on Toddlers & Tiaras in a past life or maybe it’s that I watched too many Barbie Princess films growing up, but I like pretty much everything going on here, especially Siriano is giving us matching fedoras too. Plus, can we take a moment to praise Siriano for his COVID relief efforts? Near the beginning of the pandemic, he turned his studio into a mask manufacturing factory in order to send them out as donations, and I think that is very cool.

Then there’s Christopher Kane who once again came through with the most insanely gorgeous prints:

I mean, paint splattering is hardly a new technique but I haven’t seen it done as a print so tastefully before-it eats the Moschino biro scribble print (which apparently was copied too speaking of the tendencies of designers to “borrow” inspiration) for breakfast. It’s shit because there weren’t many looks in this collection and they weren’t really shot in a way that does them any justice but I thought I’d include the few I saved.

Comme Des Garcons is a fave of the high fashion community and one I look forward to seeing at fashion week but can never quite get behind. I appreciate the what-the-fuckery of it all with this show totally being able to pass as a run-through of some kind of nuclear waste themed scare house at one of Thorpe Park’s fright nights. I assume given that and the plastic Mickey Mouse print it’s supposed to be some kind of reference to the part late-stage capitalism has played in the hellish landscape we find ourselves in today? Or something all intellectual? In which case I made my interpretation with farrrr too much confidence. But Anyway! Who knows! I’ll leave the analysis to the fashion students, and give it one word: trippy.

Onto Dion Lee, a brand I truly do get excited to talk about because it’s rare that I don’t LOVE his work.

Without fail, Lee manages to be confidently ahead of the curve without going out of his way to announce it and his genius to everyone with flamboyant shows and exaggerated designs and extortionate prices. He is very much an underdog in the fashion world in terms of big names but you’ll be hard pressed to find anyone who doesn’t love his collections. His S/S21 collection is one of my favourites of the bunch. I love seeing something I’ve never seen before and the palm leaf breast plate is so odd but so cool and so perfectly Dion Lee at the same time; we’ve seen jungle/tropical inspired collections sooo many times *cough cough D&G cough cough* and THIS is how you make them fresh and unique. I mean, never in a million years did I think I’d get behind the resurgence of the gladiator sandal trend but Lee has me changing my mind. This is one of the very rare times you will ever see me using this meme to praise a man but:

I mean, he has Fernanda Ly modelling for him, that the man has taste goes without saying.

Now for a bit of a full circle moment, given that I did actually praise Dior’s haute couture collection in my first ever post; Maria Grazia did GOOD. Well, with haute couture at least.

She’s always pretty hamfisted with her references, there’s no denying, with that Grecian Goddess style RTW collection typifying that statement completely, but luckily she struck gold this time round; as someone who studied the Tudors for A-level history, seeing a modern take on the exaggeratedly feminine renaissance silhouettes with the baroque prints and the deep jewell tones got me super excited especially when you throw in the dreamy tarot theming and the nods to the mystical and arcane. Seeing as the Heavenly Bodies Met Gala (I know, I know, I need to move on) was some time ago now and Cersei Lannister’s *SPOILER* been crushed by a rock (could also be seen as a metaphor for the irrelevancy David Benioff and D.B Wise condemned GoT to when they aired that shitty ending tehe) and so probably won’t be getting a collection based on her costumes any time soon, this is the only fashion take on this kind of period dress I’m going to get…and you know what? I’m okay with that. Thanks Maria, I guess?

Her RTW collection wasn’t absolutely awful either, and slightly better than the past few collections at least. Put a monkey in a room with a typewriter (or show it enough similar well-received collections) and it will eventually write something that makes sense, don’t they say? I like the nomadic feel of a lot of the looks and there’s beautiful layering going on but the aura of exotic opulence unsurprisingly didn’t stick around for long and I found that there was a decline in quality in the midsection of the show that landed a lot of the outfits in either awkward mother of the bride at a beach wedding or The Only Way is Essex Ocean Beach PLT sponsored poolside party territory. The looks picked back up a bit towards the end stretch of the show but I wasn’t a fan of the Gucci style oversized glasses which were so out of place with the rest of the theming that if anything they seemed like a cheap grab at relevancy. So yeah, a middling, subpar Etro-esque collection which is better than usual for Dior I suppose.

Next, Elie Saab, whose S/S21 collection was kinda disappointing, tbh. Oh how the turns have tabled given that positive Dior review and my usual love of Saab’s collections.

I know his dresses lose some of their appeal when we can’t see them in motion but even ON the runway I can’t see myself being dazzled by any of these pieces the way I usually am. They’re lacking the level of detail and craftsmanship I associate with the brand seemingly in favour of block colours and suits and the issue is that the whole Disney Princess fantasy has always been the appeal for me because the silhouettes aren’t interesting enough on their own. They’re not ugly pieces, they’re nice, but does nice really have a place in high fashion when the pieces are so basic in both their design and presentation that the shots could pass as ripped from a catalogue? The strongest parts of the collection were when it did go down the more delicate route with the muted blue suits and the white feather trimmed dresses, the small, ornamental gold details reminding me of a very toned down nod to Schiaparelli’s hardware, but with regards to the bright coloured pieces, I can’t lie-they did look like something you could find in the M&S Per Una holiday section. Then you’ve got the weakest parts, which were just flat out ugly: sheer giraffe print, sweat band style elasticated waits, and long chiffon shirts that I hate to admit read as frumpy. There are times where I’ve not been particularly excited by an Elie Saab collection in the past, but I do think this is the first time I’ve actively disliked parts of it.

Conversely, Erdem’s S/S21 collection was super strong, and solidified the brand’s place in my mind as a dependable source of kooky maximalism, this time round giving us Anya Taylor Joy’s Emma wardrobe on speed. You could tell me Erdem Moralıoğlu had just raided the Bridgerton set’s fitting rooms and put it on a runway and I would 100% believe you and I mean that in a positive way because to give my unpopular opinion, the clothes were the only good thing about that show. The endearingly florid details of exaggerated bows and clashing florals were still there but this time in a way that felt more subtle and self-assured, as if the calming influence of the wooded set’d had a direct hand in the designs, giving the rugged, ethereal feel to the collection I associate with brands like Brock and Simone Rocha, all whilst keeping the parts of Erdem I’m so fond of.

Is it really much of a shock that I included pretty much every look from the Etro S/S21 show? Like, you know that Christian idea of God, like, (the voice in my head is very much taking on the dumb valley girl voice that anybody who reads this is most probably getting too) knowing our souls? I think Veronica Etro knows mine. So no, no surprise. Though there were a few unconventional touches thrown into these looks (the campier prints and nautical theming we see with the 80s beach towel print, for example, reminded me a bit of Versace) the mystical bohemian it girl that Etro designs for would still be highly satisfied. Sure, it might be a wardrobe fit for a holiday less adventurous than backpacking but if she wanted a tropical poolside holiday, this collection is the one, the paisley print chiffon mini and maxi dresses especially. I’m just gonna pretend I don’t see the monstrosity that is leggings worn as trousers-it’s a fashion rule I refuse to abandon-because they are the only stain on an otherwise expectedly gorgeous collection.

Next, an unusually reserved RTW collection from Fendi:

More in line with the wardrobe of a European fashion editor than the glamorous trophy wife (who let’s say uses that facade as a guise to ruthlessly run her husband’s whole business empire from behind the scenes because in this house we do complex female characters only), these pieces are lot “smarter” and more professional looking than Fendi’s typical offerings; where I feel Fendi usually designs for the society girl who wouldn’t mind a front page scandal, these are the kind of outfits a young member of Monaco’s royal family would wear for a positively received but business-as-usual press tour. I know, Fendi is an Italian brand, but this is more Southern France to me. We’re talking some 2nd page shots of a Kate Middleton type on a yacht on the Riviera smiling and waving as her PR team’s ideal scenario. Still, whilst fewer exaggerated silhouettes, animal prints and overtly luxurious fabrics (real leathers, silks and furs for example) mean that the drama’s a little toned down, it’s all still very expensive looking and combines the classically feminine glamour of the past and the minimalism of modernity in the artful manner that we’re used to. Maybe it’s me being a basic bitch but I always love seeing Ashley Graham on the runway too, even if brands to tend to use her as their single token plus size model.

Kim Jones’ debut haute couture collection for Fendi, however, wasn’t a very well received one. I don’t hate it personally but I can see where the criticisms are coming from. Whilst it’s closer to the version of Fendi I’ve come to expect and there were some stunning pieces which completely encapsulated that distinctive aura of luxe and glamour, there were quite a few lazy pieces which could’ve been from any designer. I also felt the collection was a bit upstaged by what seemed to be a who’s who of the modelling world; having Bella, Cara, Kate and Naomi ALL walk in one show was a bit distracting and took the focus off the clothes completely.

Giambattista Valli’s RTW collection was gorgeous as ever; the man has undeniably mastered the art of delivering classic, objective elegance, the kind of designs I feel would make you light on your feet and smell like strawberries and cream the minute you put one on. Whilst as a brand his RTW shows are rarely trendsetting, they reliably produce a plethora of unfailingly graceful and demure pieces, as appealing to your mum and your grandma as they are to young women and little girls, and this collection is another victory lap for Valli when it comes to upholding his signature tea party and artisan cupcake making and rose garden strolling and bottomless rosé brunch appropriate aesthetic. There were a lot of outfits that were bordering on overly juvenile, with structures a little too basic to justify the amount of sequins thrown on, but when it’s good, it’s so sweet that regardless of how to formula it is, I can’t help but fall in love.

Valli’s haute couture collection was stunning too and for sure a more exciting offering than the RTW. There was of course a lot of the signature tulle but it was head-turning, over the top in a way that leant far more towards the experimental than I expected. The photos themselves are 100% believable as a some kind of Vogue behind the scenes editorial shoot on the set of live action Disney princess movie (in between takes of the climactic ball scene if you wanna get specific with the vision); if you are looking for a prettier alternative to the primary colours and disruptive shapes of a Molly Goddard collection, this is the one. It’s giving the themes of excess and abundance I associate with that of the Hunger Games Capitol but through the softer lens of a Sofia Coppola movie, and being the typical cinema loving white girl I am, I’m obviously on board with that vibe.

I did SUCH a 180 on Givency’s S/S21 collection from when I first saw it to writing a review. My initial reaction was one of disappointment, I guess simply because Givenchy has given us so many bold pieces and presentations over the last few years whereas this is more low-key. After properly considering it though as I would any other brand, I came to the conclusion that I do actually really like it. It’s still got the strange, androgynous silhouettes popping up throughout and the futuristic space-age details but with a more down-to-earth, streetwear feel, albeit a very slick, glossy spin on the trends of the rabble (that’s us guys) of course before we go believing it’s achievable. On the one hand, the devil horn accents are a touch Claire’s accessories halloween range but at the same time, done with confidence they’re kind of cool and bring something new and fun to the table in line with the dark theatre of Givenchy’s last few shows.

Now for Gucci, which for the first time I have to say, if I'm attempting objectivity, is not a standout.

Like, can I just start by saying though the format it’s presented in is cute, it’s not ideal as a way of actually showing the collection. I get that the vintage shop bin vibe is a huge part of Gucci’s brand but polaroids make it SO hard to actually see the clothes, and that’s what we’re here for right? I don’t want to give the impression that I don’t like what I see here-the clothes are gorgeous, an idyllic ode to the off-duty wardrobes of Studio 54-ers, bohemian style icons like Charlotte Rampling and young Olivia Newton-John, psychedelic rock guitarists and the inhabitants of San Fransisco’s Haight during the late 60s and early 70s, Alessandro Michele’s favourite period of reference. I can’t pretend otherwise, or act like I wouldn’t want to wear the shit out of this collection. Buut, for Gucci? It’s a little underwhelming. These are the kind of filler looks we get in a typical Gucci show to go alongside the more statement pieces, which this collection is lacking. It’s just that these are designs which usually gets people talking and these pieces don’t do that. It sucks because for most other brands this would be a stand out collection, an immersive, luscious vignette of what people tend to think of as a cultural golden era, but when you’ve had a show that involved models carrying replicas of their own decapitated heads down the runway in the last 5 years, of course something more toned down like this is gonna generate a lot of “is that it?”s.

I owe Hermes an apology. Looking back, I have disliked all their previous collections for the same reason that I now really like this one; maybe it’s in part down to the frustration of still having to whack out the winter coat on occasion in May (fuck British weather and climate change), but suddenly I really appreciate the value of some good quality, versatile outerwear. Hermes is giving us that in spades here and for that, I bow down to them. The pieces on offer are clearly well-made and genuinely practical, and through the minimalist approach manage to retain both an air of timeless sophistication whilst also being youthful and on trend. The leather tactical vest co-ord I can easily see edged up and taking centre stage on one of those insane Seoul street style slow-mo TikToks that were big a couple of months ago and there are several pieces that could tie together a grunge influenced k-style look just as well as they could exist for years on end as the wardrobe staple of a high-powered businesswoman. Designer Nadège Vanhee-Cybulski’s strengths really come through with the simpler looks and it’s the patterned pieces that drag down an otherwise flawless collection; I guess because the aesthetic is very minimalist, the patterns can’t be anything overly decorative but unfortunately this has a bit of a dowdy effect when you pair it with such modest silhouettes. Disregarding those elements of the collection though, it was super good.

It goes without saying that Iris Van Herpen’s haute couture collection was breathtaking; if the fashion community can agree on anything, it’s that this woman’s work is consistently awe-inspiring. She captures the wonder of the universe, the biological structures and kaleidoscopic colours we don’t even register, through fashion in a way that others can only imitate, to mesmerising, truly transcendent effect; I can only assume Van Herpen has mother nature whispering into her ear because how the hell else do you explain her ability to take the kind of microscopic organisms they show you images of in an outdated GCSE science powerpoint and make a dress that resembles one so stunning? Care to explain, Iris? Because if there is some kind of line of communication between the two of you can you please tell the bitch I’m over this weather and that I have cute summer outfits I’m waiting to wear so can she pack this torrential rain shit in? K, thanks xoxo

See it seems shady as fuck to go from IVH to Isabel Marant like this because we are talking 2 designers with totallyyyy different approaches to fashion; Iris Van Herpen is haute couture for starters whereas Marant is commercial, and that’s her thing, but unfair comparisons aside this collection is still a bit of a let down. This is considering I do usually really like Isabel Marant collections based on whether or not I’d wear the pieces, which seems a more appropriate barometer to use to come to a quality verdict. Whilst there were a few of the elegant bohemian pieces my mind goes to when it comes to her brand, the steps outside of that comfort zone didn’t pay off; graffiti print (can be cool if done with some subtlety which apart from a few exceptions was not the case here), cheap looking reflective fabric, and MC Hammer style dungarees, it seems to be an attempt to merge 80s trends with modern urban culture, and an attempt that at times verged on the disastrous. It’s good for a brand to experiment, of course, and appeal to a wider client base than usual, but when it’s bad the unfortunate take away is that the design team don’t have the chops to pull off straying from familiar territory; designers wouldn’t be showing at fashion week if this was truly the case because disregarding the influence of nepotism, fashion is an area you need real talent, perseverance and business smarts to excel in, and so it doesn’t do a team justice when they do fail.

J.W Anderson, on the other hand, really put his best foot forward this season and presented this work in a really cool way too which only added to the positives; whilst the way the shots were edited was funky af, it didn’t detract from the actual outfits, and if we are to see the same limitations when it comes to the F/W collections being released, this is something a lot of designers and editing teams should take note of. The idiosyncratic exaggerated shapes that we see as a recurring feature of Anderon’s collections were still on show but this time round with added femininity, billowing skirts and trailing jewellery that channel the stage looks of Stevie Nicks in a way that’s modern and functional and maybe even fit for the office if you were to work in a more creative industry with a chill boss. Could also work for a coven of witches who practice meditation by bonfires in the moonlight and burn the letters of men who wronged them in some Arizonian desert, so like I said, functional! Who doesn’t like versatility? The only thing I’m not too keen on is the shoes but they’re not so bad that it affects my opinion of the collection and they look comfy I guess.

Lastly, we’ve got to talk about Jacquemus, one of the most influential names in fashion at the moment. And yes, this time round, I’m doing it: I’m buying into the hype.

This collection is gorgeousss! I can see already that a lot of the recurring elements of the show are going to be big summer trends for this year (the cut outs and strappy details on the blouses are everywhere already) even though it isn’t hot enough to have collectively decided the time to start dressing for heat is upon us yet, and that’s always a good indicator of how successful the designer was in their vision and attempts to assess the needs and wants of fashion enthusiasts; whether I’m as big a fan of his work as everyone else seems to be, there’s no denying Simon Porte Jacquemus has always excelled at this practice if the buzz around him is anything to go by. It makes sense given the last year of us all being stuck in and suppressed that a lot of us are already romanticising the summer ahead, anticipating picnics and beach days and general Theresa May running through wheat fields type shenanigans galore, in spite of how dubious an assumption it is to make that British weather will allow for this; Porte Jacquemus has very much catered to this wishful thinking and the popularity of the whole escapist “cottage core” aesthetic, sexing it up a little bit with pieces that hug the body in ways only Mugler knows how whilst being lightweight and relaxed enough to look good with windswept, sandy hair and a little dose of sunburn. I’m talking enough to give you some cutesy freckles and rosy cheeks not PSA on the importance of suncream territory, guys, what is it with those of us on the gen Z/millennial cusp not taking sun damage seriously!? Why do I have to beg so many of my friends to wear it!? Does nobody else remember those photos they’d show you in PSHE in English primary schools of burnt people’s skin under UV lights? Or is that just me being weird and only having such a vivid memory of the images because teachers told us we had to wait until year 6 to see them due they to their “graphic” nature only for my gore-loving self to be extremely underwhelmed when we finally did get that lesson? They showed us a woman giving birth in year 4 for fuck’s sake. THAT was traumatising.

Back to the actual point anyway, with just a couple of negatives, the first of which being that the pieces are very similar to those feminine looks we saw dotted about the Jacquemus menswear collection from last year that were all over fashion Twitter. In Simon Porte Jacquemus’ defence though, it makes sense that those tones and silhouettes would be revisited in a full womenswear collection for that very reason; considering they went down so well and that lockdown gave us a bit of a half-baked summer in 2020, expanding on those elements enough for a whole new collection makes good business sense. We did get some cool additions too, mainly in the form of accessories, with the hardware details on the belts similar to those included in the Givenchy collection and the abstract hair slides being standouts for me. It was all exquisite-the shoes, the jewellery, the styling, everything 10/10. My other nitpick, and I say nitpick not because it’s not important but because it’s an issue that’s hardly restricted to Jacquemus (this casting team are far from the worst offenders, Saint Laurent I’m looking at you), is that I WISH we’d see more diversity with the models. Despite what my body dysmorphia yells at me, I am small, and yet seeing all those fucking minuscule waists made me die a little inside; it’s crazy to me that in 2020 the lack of variety in body types on the runway is still such a problem.

I must have said this a million times but I don’t want to end on a negative note so let me reiterate: this collection was STUN. NING. Plus there were some others I’ve talked about in this post that I’m sure will make it into my top 20 in the final part, Jacquemus, Dion Lee and Etro for sure; we even got some gorgeous pieces from Maria Grazia which I thought was a sentence I’d never type out. Have I said enough to not leave a bad taste in the mouth of anyone who read to the end of this post? I hope so, lol! TBH, it’s impressive given everything that’s going on that the majority of designers did roll out collections in September as usual so serious respect to them and their design teams for that.

In the next post, I’ll fingers crossed be able to include everything from Kim Shui (exciting!) through to at least Off-White (actually pretty good this time?!) and make this whole thing a 4 parter before getting straight on top of the photo posts I’m thinking about doing for the time being for the F/W21 shows. So as usual, if you did read to the end thank you so much and I respect the perseverance you must have to get through all my rambling, lmao. Hope everyone is well and coping okay and again, my inbox is always open for any post suggestions, constructive criticism, or just a chat for anyone who needs a listening ear.

Big love and thank you again!

Lauren x

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northsouth12 · 4 years ago

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How to actually do goals according to science

Every year I kind of sort of commit to some ~New Year’s Resolutions~ and every year I kind of sort of make progress on them. This year I was diagnosed with depression and that led to me doing a bunch of research on how brains work and working with a therapist (bless them) to learn how to be kinder to myself.

In 2021 I’m setting goals again, but also approaching my goal setting with a different, more compassionate, and more informed mindset. I think I’ve done a pretty good job of setting myself up for success and I wanted to put it out there a) because I learned public sharing helps with goal achievement and b) in case this information/plan could help anyone else. So if you are also tired of making aspirational lists of all the stuff you’re going to do with nothing to show for it, come on over!

PEOPLE WHO KNOW MORE THAN ME

For quick and easy learning, I recommend the following podcasts/websites, from where I have drawn most of this information:

(1). VOLITIONAL PSYCHOLOGY with Dr Joseph R Ferrari, Ologies podcast ( 1:05:56, transcript and notes on website). A podcast interview explaining what procrastination is and what we can do about it. Also be nice to yourself.

(2). FEAROLOGY with Mary Poffenroth, Ologies podcast (1:13:49, transcript and notes on website). A podcast interview explaining how stress is equivalent to fear and how to interrupt our body’s stress response to regain our health and sanity.

(3). “Golden Rules of Goal Setting” on MindTools.com. A website covering most of the actually scientifically backed goal setting advice without a lot of life coach BS.

(4). My therapist. Credit where credit is due, they are a godsend. I highly recommend these conductors of light.

BASICS OF GOAL ACHIEVEMENT

For people who hate reading, here are the spark notes. There’s more information and tips in the long version, but I understand that some people put together IKEA furniture without looking at the directions.

Use the SMART method to write goals:

Specific - well defined and clear how to accomplish

Measurable - precise definition of success

Attainable - doable but still challenging

Relevant - aligned with personal values

Time-bound - must have a deadline

Put goals in writing. Use “I will” rather than “I want to” and frame statements positively.

Write down why specifically you want to achieve each goal.

Make an action plan breaking goals into individual steps. Break tasks into smaller and smaller chunks until you get to a place you can make progress. No judgement, just move the bar until you can move forward.

Schedule regular check-ins to evaluate your progress.

Post goals and progress publicly.

Incentivize achievement.

Surround yourself with doers rather than (fellow) procrastinators.

ABOUT SUCCESS AND FAILURE

If you can achieve 80% of your goal, that is success. In fact, happiness peaks at 85% success and 15% failure. People feel happier failing a bit because then their goal feels challenging and worthwhile.

YOU WILL FAIL. It will happen. It is okay. Focus instead on how you will react and grow from your failure.

“Stress” and “fear” are effectively the same thing. Recognize and own your fear; don’t be ashamed of it. It is a natural response. Also, recognizing your stress as a fear response helps you determine the root cause, and then address it, or even use it as a growth opportunity. Successful people freely use the word “fear”.

For many procrastinators, their fear of failure also includes a fear of success. You are afraid to do the work because you are afraid of not being good enough. These people (me) are practicing “social esteem protection” - thinking that if I don’t finish a task, I can attribute it to a lack of effort rather than a lack of ability because it’s a “time management” issue. It’s not. Time management is a myth, and the end result is that you are letting down the same people you want so badly to like you.

Procrastination is a learned behavior, which means that you can unlearn it. The best way is through CBT (cognitive behavioral therapy) to reprogram your thinking for people who have a persistent issue with procrastination.

Forgive yourself for your failures the way you would forgive other people.

HOW TO SET GOALS STEP-BY-STEP

Sorry this section is long, but it turns out a lot of the keys to success in achieving goals starts with actually writing them properly. Who knew?

Set a deadline. The traditional New Year’s Resolution is supposed to last through the end of the year, but I’ve found that is too long a span. I end up procrastinating because “there’s so much time left” until there’s not and then “it’s too late to start now”..... So now I’m setting my goals seasonally: four sets of three months. My deadline for winter goals is March 21st, the Spring Equinox. As part of my public accounting, I have told everyone this, including a bunch of internet strangers.

Also key for us procrastinators is setting a start date. I gave myself a week to write my goals and make my action plan. I have to keep track of my progress starting Monday.

Determine your priorities and set limits. You cannot do everything, no matter how much you want to (procrastinator, remember?). Looking for layout inspiration on Pinterest I came across so many bujo people with 8 million goals on their page layout. That’s not happening. Remember that your goals are meant to create positive change and a sense of accomplishment, NOT cause more anxiety. So make limits. How do we do this?

Make a big list of aspirations first. You can do this by identifying your personal values and generating ways to emphasize those more in your life. You can make a list of everything that you’re afraid of (aka causes you stress) and then think about ways to address or confront those fears. For example if getting a bunch of work emails into your personal inbox every weekend ruins your Saturday, aspire to set some work/personal life boundaries! Or maybe you have something you’ve always wanted to do, like learn a language or set time aside for a hobby. Put it on the list.

Now you have to edit the list. You can keep it to refer back to for the next round of goals, but choose out the top priorities for the next three months. To help you do this, refer back to your personal values, or just ask yourself “why do I want to do this?” If the answer is because someone else thinks you should, nix it. This is for you and only you. I originally chose 8 priorities, and then cut it again to 6 aspirations total - keep the plan simple and manageable to set yourself up for success. Remember, 85% success is what we’re aiming for. I also tried to choose a mix of difficulty levels of the individual aspirations (exercising = freaking hard; keeping a gratitude log = pretty easy) so that I might get some early wins and momentum.

I also recommend that at least one priority is just something you know will make you happy. We all need to set aside time and energy for ourselves, and to stop feeling ashamed about doing stuff that makes us happy. What the actual f**k. Choose one thing you love -- reading, baking, petting animals, being outside -- and make it an official goal to do it more often. NO JUDGMENT.

Okay, now to format your priorities into achievable goals. You are going to take each one of those aspirations and put it into an “I will” statement with a quantifiable definition of success. For example, my aspiration to “sleep more” became “I will follow a bedtime routine for 21 days straight.” You want to make sure your statement is framed positively (rather than “I will not eat junk food”, try “I will eat healthier snacks”). Also think again about making your goal challenging but achievable. I did not write “I will sleep 6 hours a night” because I can’t control that. I chose 21 days straight as my success measure because I anticipate I’ll fall off the horse a few times before I get a successful streak, and three weeks would be good progress for me. Another thing you can do is use ranges like “I will pick up 1 - 5 items in my room each day.” This is a bit of a mind game where the low end of the range is easily achievable so you have no excuse not to do it. Often once you get started, you might find that you have energy for 5 items after all.

Now that you have your goalposts set up, write down those “whys” you thought about when you were choosing them. Recording why you want to do this specifically is helpful for your motivation as time passes and further clarifies your goal.

As we’ve learned, accountability helps! For each of your goals, write down how you will share your progress. I’ve asked different people to check in with me about my sleep and exercise routines. I’m reporting about my ongoing issues with procrastinating on my schoolwork to my therapist each week. For my goal to read more books, I’m posting a picture of each book I finish on my Instagram. And for my goals to keep a gratitude log and consume news in a healthier way, I’ve decided I can hold myself accountable. In addition, I’m using my journal to keep track of my progress towards all six goals.

Set a reward for each goal. This could be anything from a pack of your favorite chocolates for completing an easy goal to giving yourself permission to buy that sweater you’ve really wanted for achieving a super challenging goal. I am also trying out having bonus rewards such as a small reward for an 11-day streak on my sleep goal to give me a push of momentum. For my hardest/most important goal I also decided to do a “stretch goal” like with Kickstarter where I get a reward for overachieving. So maybe I went a little reward crazy, but we’ll see how it goes!

Finally, for each goal write down the actions you’ll need to take to achieve it. For me this is stuff like “draft a bedtime routine and share it” and under that, I plan to research by “listen to somnology podcasts” and “read sleep solution book”.

HOW TO MAKE PROGRESS

Whew, you made it through writing the goals and now you are set up for success! Here’s a few more tips to keep things moving.

Now that you’ve got your goals all set up, share them with the world! (Or at least the people you’ve decided to help keep you accountable). Sharing goals and progress publicly is proven to increase our likelihood to achieve them.

If you’re a journaler, make a nice goals layout and a tracker for your progress. I did not find good examples for achieving goals in a scientific way when I looked for inspiration on Pinterest. If there is a journaler out there who read all the way to the end of this post and made a nice layout, please share your artistry. My “layout” is just a list. :/

Surround yourself with doers. If you have trouble motivating yourself (me), ask a friend to pair up with you. I am doing a remote master’s degree. It is not going well. However, setting up a regular Zoom “work date” with a friend who is currently working from home has forced me to sit down and look at my schoolwork on a regular basis.

Schedule regular check ins to evaluate your progress and write them down! I have a combination of check-ins with my “accountants” as well as a plan to review my goal progress every Sunday when I plan my week. This is written on my to-do list on each Sunday to make sure I do it.

Go forth and conquer! And remember, failure is a fact of life and does not make you a bad person. It just means you are learning more about how to set your goals for next time!

#goals #2021 goals #new years resolutions #goal setting #goal achievement #science

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itsdannyg · 6 years ago

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James Roday on Reddit discussing Treehouse

Reddit with JAMES RODAY

I’m James Roday from Psych and A Million Little Things. I also directed two horror movies for Blumhouse’s Into the Dark Horror Anthology Series on Hulu. AMA!

JAMES RODAY: Roday here. I think. I'm typing things in a box so that seems encouraging.

JAMES RODAY: I think I'm an hour early. That's the first time in my adult life this has ever happened. I'll pop back by a little later. And I'll be READY.

JAMES RODAY: Yo! How about I knock out these early bird questions like a baller.

QUESTION (CharlotteBeer): Given your latest is part of a seasonal series, when did you start work on the script -- and how long did it take you? How did y'all settle on the Ides of March?)

JAMES RODAY: CharlotteBeer -- it all came together very quickly because of my schedule on AMLT. Got the thumbs up in April and we were shooting in early June. It was an idea I had been kicking around for years but current climate and conversation definitely opened a window and my collaborators and I jumped through it.

CharlotteBeer -- Oh, and we settled on International Women's Day. Hulu made it Ides of March.

ASSHOLE QUESTION (yanderebeats): So uh what the fuck was that scene with them putting the snake on his arm? Like what was the direction given to mcpoyle exactly, did you specifically tell him to do the worst job possible or what

JAMES RODAY: Yandererbeats -- 1. Well, the dude is tripping on psychotropes so he's seeing all kinds of shit and the ladies are using that to their advantage. 2. No, I think Jimmi Simpson is a genius and generally requires little direction from me 3 (bonus) You sure this is what you want to be doing with your time?

QUESTION (ConicalSun): What advice would you give to someone that wants to pursue work in film? Directing in particular.

JAMES RODAY: ConicalSun -- Make something. Get familiar with a camera and how to shoot. If you can afford to take a filmmaking class that provides instruction and equipment, sometimes that helps speed the plow. But I'm guessing you know what you like and don't like about movies and it's easier than ever to get out there and make your own content so give it a whirl.

QUESTION (psych-o5life): Out of every character you have ever played, which one are you most like?

JAMES RODAY: psych0-5life -- Probably the dude I'm playing now on AMLT.

QUESTION (seppukuu): What is your writing process like? Do you live out the stories in your head or, since you usually have a writing partner, do you prefer a more systematic approach that involves discussions and outlines?

JAMES RODAY: Seppukuu -- Todd and I have been writing together for over 20 years now. We have such a great shorthand that we can accomplish a lot quickly without spending much time in a room together. Vodka helps. We talk story, specific scenes and generally write the stuff we see best in our heads, respectively. Once we have a very rough draft, everything becomes much easier and the streamlining and polishing begins. That's generally when character voices really start to take shape as well.

seppukuu: In vodka veritas!

QUESTION (Nikesneaker): Hi James!

Do you have a favorite director/actor/actress that you look up to as a “hero”?

P.S. supa excited for Psych: The Movie 2

JAMES RODAY: Nikespeaker -- I grew up an enormous fan of Val Kilmer as an actor, Rick Baker and a SPX Make Up Artist and Stanley Kubrick as a director. I'd add Bergman, Wes Craven, John Landis and Quentin Tarantino to the list of directors I've really appreciated over the years and Lynne Ramsay is an absolute force of nature. I also CANNOT WAIT to see what Julia Decournau does next after RAW...

QUESTION (mooviescribe): If you were to direct another horror feature (not for Dark Horror), what type of script catches your eye?

JAMES RODAY: mooviescribe -- I will def be directing more horror. I love the genre and believe there are plenty more good stories to be told. As for scripts -- anything that moves me catches my eye. Being scared is fun but if it makes you think and feel -- that's the real fire starter

JAMES RODAY: I just realized I can reply to questions by hitting reply. This is GOOD SHIT.

QUESTION (Wizardmer): I am such a huge fan of Psych, and some of my favorite episodes were the fun homages to classic horror movies, here's lassie was my personal favorite. Was there any other horror movies you wanted to do as an episode?

How did the costume design come to life for treehouse? I loved those awesome outfits, super dope

JAMES RODAY: They let me check most all the remaining horror boxes in A Nightmare on State Street. It's just a big sloppy buffet but I loved every minute of it. Costume and mask design were the work of the incredibly talented Diane Crooke. She was one of a whole team of lady designers that elevated every element of Treehouse and I am eternally grateful.

QUESTION (UHeardAboutPluto): Have you heard about Pluto?

JAMES RODAY: That's messed up, right?

UHeardAboutPluto: James, you have made me the happiest I’ve been in a long time. Pysch is my favorite show ever, and that response from you was perfect. Thank you for being awesome!

QUESTION (AsymptoticGames): I just want to point out that I love when co-stars of some of my favorite shows hang out outside of the show. On that note, how was Dule Hill's wedding?

JAMES RODAY: Beautiful.

QUESTION (psych-o5life): Are you helping with production on Psych the Movie 2?

JAMES RODAY: Co-wrote the adventure and we're prepping it now. Steve will be directing and it's gonna be sweet.

QUESTION (bakuryu69): Hey big fan James - what drew you to directing horror. Will you be doing more work in the genre (possibly pineapple related)?

JAMES RODAY: I've been a fan of horror since I was old enough to know what movies were. Somehow convinced my mother that I loved being scared and wanted to learn how all the cool special fx and make up worked. She went for it.

QUESTION (Maxzhouse): Hey man, I really dig your work. I was wondering if you’re into writing and if so what your process looks like? Thanks mate!

JAMES RODAY: It generally looks like one inspired hour of writing a day and 23 hours of procrastination and thinking I should never write again.

Maxzhouse: Ah a man after my own heart! Thanks for answering brother, Hope the best for you and yours. Peace, love & Mercy

QUESTION (seppukuu): You said before that your high school production of Elephant Man was the most challenging acting gig you've ever done. Is this still true, and would you like to do it again now that you have considerably more experience under your belt? What would be another (type of) character you'd find most challenging/exciting to play?

JAMES RODAY: I'm too old to dip back into John Merrick's skin but man that is a tough play to pull off. Moving forward, I think characters that are well written with a real point of view (good or bad) are the ones that we all want to play as actors.

QUESTION (TheReelPliskin): Hey James. I just wanted to say you're awesome! I've been watching everything you're in or a part of ever since I saw a little movie called Rolling Kansas. Can't wait for the new Psych movie and I fell I'll hafta get Hulu now so I can see your new movies. Ok. Enough of that. Now for the question. Outside of Psych and Little Things, what is one of your personal favorite movie or show you've been a part of? P.S. . . SUCK IIIIIIT!!!

JAMES RODAY: It's gotta be Treehouse. And a tiny film I was lucky enough to be a part of a few years back called Pushing Dead directed by Tom Brown. Worth checking out. Important subject matter.

QUESTION (deadpool902): Hey James!

Quick two-part question:

What aspect of anthology storytelling entices you the most?

Were there any horror stories or films that you turned to for inspiration when directing for Into the Dark, and if so what were they?

Thanks for stopping by and I can't wait for your return to Santa Barbara!

JAMES RODAY:

The fact that, in this case, 12 different filmmakers got to come in and do anything they wanted without worrying about stepping on toes or syncing up with any of the other films

Raw, Thelma, Goodnight Mommy -- 70s horror.

QUESTION (tedlogan43): Mr. Roday - Gravy was fantastic, A Million Little Things blows my mind, and Psych is a part of who I am at my core. I wanted to ask what it is like to get to continue working with so many great professionals like Dule Hill, Michael Weston and Jimmi Simpson. Do you feel like your continued projects with them are improved by your on-going relationships with them? Thanks for the profound impact your roles have had on my life!

JAMES RODAY: I am tremendously lucky to have so many insanely talented besties. I am no dummy. I surround myself with ladies and gents that make me look way better than I deserve and will continue to do so as long as they'll let me.

QUESTION (fangirl005): What is the best thing about working on AMLT?

JAMES RODAY: The cast. And knowing that we're dealing with issues that affect so many people every day. It feels good to be a part of those conversations in even the smallest of ways.

QUESTION (jmsturm): Hi Mr Roday, big fan.

Who would win if Shawn went head to head with the Mentalist?

JAMES RODAY: Well he'd def be the comic relief.

QUESTION (TheWalkingGamefreak): Good evening James, just want to say hi

JAMES RODAY: sup

QUESTION (seppukuu): Marvel called and wants to give you half a billion dollars to direct Guardians of the Galaxy 3. Do you accept, and would you still try and shoot it in 3 weeks on a 200 dollar budget instead?

JAMES RODAY: hahaha. that's a great answer and the honest to God answer is that I'd only do it if I thought I could bring something unique or unexpected to the fanbase. Otherwise there are plenty of ladies and gents for the job.

QUESTION (FusionCinemaProd): What would you say is the most creative horror film of the last decade?

JAMES RODAY: Creative? That's pretty subjective. I'd say last years reboot of Suspiria was a pretty big creative swing that mostly succeeded IMHO. And I stand by RAW as one of the best films of the last decade, period.

FusionCinemaProd: Raw is a fantastic film. I’ll have to check Suspiria out on blu ray when it comes out here in the UK.

QUESTION (modsrfagbags): What was your favorite “Gus don’t be...” line from Psych? My favorites gotta be either “eleven and a half pound Black Forest ham” or “the 100th luftballoon”

JAMES RODAY: I am a sucker for a luft balloon

modsrfagbags: Oh shit thanks for responding

QUESTION (imdannyg): Have to admit, the torture scenes with Peter Rake (Jimmi Simpson) gave me flashbacks to your work in Blood Drive. Is there any connection there at all and/or did it prepare you in anyway for this scene in Treehouse?

JAMES RODAY: Welcome Daniel. You know I hadn't thought about it until just now. The two projects are so tonally different but I'll say this -- shooting scenes designed around a character that cannot move is challenging to say the least. Blood Drive probably did serve as a dry run for me without even realizing it.

QUESTION (seppukuu): Have you ever done special effects make-up on another person? If not, would you like to try or are you happy watching the professionals do it for you?

JAMES RODAY: I used to do it quite a bit as a kid. There's a reason I didn't end up being the next Rick Baker.

QUESTION (HippoMafia42): Hey James, huge psych fan here, I know psych the movie 2 will start production sometime this month, but when will that be? Hopefully within the week?:)

JAMES RODAY: Soon. We need a little time to find and build things.

QUESTION (miatosc): What was your favorite scene to shoot this season on a million little things?

JAMES RODAY: There were so many. My scenes with Colin the dog in the "day before" episode were especially sweet.

miatosc: haha! I was guessing any scene with Colin since he’s such a sweet dog.

QUESTION (thepineapplesplat): James! Man glad to hear your free-spirit self. Huge fan of Psych and no matter how much I’ve watched the episodes over and over it never ceases to make me smile. You were apart of a master piece and taught me to always stay true to the inner child in me. Absolute master piece!

Serious question, do you see yourself doing any meet and greets with fans in Canada? Perhaps in Vancouver where Psych was shot?

JAMES RODAY: thanks! So glad it resonated with you. As for meeting fans, I'm always happy to say hi -- I struggle with the format of conventions because I wish fans didn't have to spend their money. They already do so much by just watching and keeping shows on the air....

thepineapplesplat: Yeah definitely makes sense. Meeting you and Dule Hill is definitely on my bucket list. I’m not a huge on meeting celebrities (I think of them as regular people) but psych stars will definitely hold a place in my childhood/adolescence memories. Thanks for bringing it to life! Sorry if I seem like I’m fan girl-ing out haha!

QUESTION (seppukuu): Will we ever see a new play written (and directed) by you?

JAMES RODAY: someday.

QUESTION (psych-o5life): What was your favorite episode of Psych to film?

JAMES RODAY: Probably Dual Spires because it was the closest I'll ever get to being in Twin Peaks.

QUESTION (NateLeport): What was your favorite episode of psych to work on? What was your favorite running gag like the pineapple, I’ve heard it both ways, come on son, I’m Shawn spencer and this is my partner ____, etc.

JAMES RODAY: I became partial to singing suck it towards the end

QUESTION (leeselislisuh): What was your biggest recurring nightmare as a kid? Mine happened a lot when my mom was pregnant with my little sister, and I kept dreaming she'd be born with a full set of very pointy teeth. Horrifying. Huge fan and excited to see more of your work!!

JAMES RODAY: What a question. And what a nightmare. I used to dream that I was a werewolf but I thought that was awesome and didn't want to wakeup

QUESTION (bsischo): When does the next Psych movie come out? I loved that series and I really enjoyed the last movie.

JAMES RODAY: Good question and not sure of the answer. If I had to guess I'd say around the holidays again

bsischo: Really looking forward to it!!!

QUESTION (imdannyg): How did the music choices for Treehouse play out? Priscilla Ahn's Under the Covers is the bomb!

JAMES RODAY: All those needle drops are in the script. I tend to write very specifically to music and, knowing we'd have little to know music budget, I chose songs we had shot at getting. We got all of them. Priscilla, per usual, stepped up and wrote something incredible just for the movie. Another ridiculously talented dear friend who I will employ forever and ever as long as she says yes.

QUESTION (TheWriteOwl): James, thank you so much for doing an AMA and letting us all fan-girl our hearts out. I think it's rare to see someone who moves as smoothly as you do from being a comedic genius in a show like Psych and a thrill master in movies like Treehouse.

What attracted you to these two, disparate genres, and can you speak a little bit about why you think you've seen so much success in both?

JAMES RODAY: Better to be lucky than good and I've been very lucky. I have dedicated myself to being as good as humanly possible to try and make sense of how blessed I've been. Growing up, horror and comedy were the genres I gravitated to the most so they've been in my bones for a very long time. I still remember seeing An American Werewolf in London in the theaters as a six year old. That just about sums me up.

TheWriteOwl: Your dedication and your inherent love for what you do really shows up in your work. As a fan, it's awesome to see - thank you!

QUESTION (eppukuu): Film or digital?

JAMES RODAY: Film. But I do understand the revolution. We shot the first three seasons of Psych on film and Tuesday the 17th was shot on Super 16 which is one of my very favorite formats. There's something truly special about knowing you only have so much film to shoot on and so many takes to get it -- really brings a crew and cast together. And it just looks so good. Though technology has definitely curbed that with HD.

QUESTION (angelusgirl): I started watching Psych after I watched the awesome episode Dual Spires. What was your favorite Twin Peaks Easter egg in the episode or memory of filming it?

JAMES RODAY: The last scene in the diner was a blast because it was a basket of easter eggs. And I'll never forget watching the cast of my favorite show reunite in real time at the Sutton Place bar. Some of them hadn't seen each other in 25 years.

angelusgirl: And a follow up if I may, what did you think of the showtime season?

JAMES RODAY: Well. I loved it because it felt like the deepest recesses of David Lynch's mind were turned loose and who knows if or when we'll get to experience that again. That said, I understand why it wasn't for everyone and if you came in expecting an evolution of the original series....well, you probably didn't get what you were hoping for.

QUESTION (cabose7): How is Timothy Omundson doing?

JAMES RODAY: He's such a badass and he's doing great. He has exceeded expectations at every turn and I cannot wait to bring Lassie back home.

QUESTION (]miatosc): what’s it like working with Allison Miller? She seems super funny and passionate about her work.

JAMES RODAY: Miller is a truly gifted performer. I lucked out getting her as a scene partner. She pushes me, carries me and makes me better. No question.

QUESTION (imdannyg): Did you write Agnes with Nancy Charles in mind? She (and all the cast) is incredible!

JAMES RODAY: We did not but boy did she come into her audition and own that role. When she left we all looked at each other and were like "well, that's that."

QUESTION (seppukuu): You survived the (non-zombie related) apocalypse. The planet is a wasteland. What do you miss most?

JAMES RODAY: Dogs and pals.

QUESTION (mndrlyn): Hi James! Two questions. 1. Does the beard stay for the new Psych movie? 2. What do you do in your off time that makes you happy?

JAMES RODAY: You'll just have to wait and....oh who are we kidding, Shawn doesn't have a beard. I generally spend as much time in NYC as I can and relax by thinking about the next juicy thing I can make. And vodka and sports.

QUESTION (psych-o5life): Do you know what's gonna happen in AMLT season 2?

JAMES RODAY: I may know a thing or two -- which still leaves close to a million

JAMES RODAY: You awesome ladies and gents I'm gonna wrap this up in the next five minutes. We've actually gone over an hour and I don't want to break Reddit.

QUESTION (imdannyg): What are the most difficult constraints to overcome with a limited budget such as this? Is it just time, is it human resources, is it gadget/technology oriented issues? What extra thing would help the most with a limited budget like Treehouse?

JAMES RODAY: All of the above. And I would always choose time over money.

QUESTION (SydneyHollow): Shawn was a big hero of mine for a long time. Then I realized over time that Shawn is a huge dick. Nevertheless, your ability to breathe such life into his character is nothing short of amazing. All the actors on Psych, really, are truly gifted!

Did you ever have doubts about how successful Psych would be?

JAMES RODAY: Hahaha! I love this. And believe me the longer the show ran, the more challenging it became to keep a character like Shawn digestible. It's like watching Puck of Peter Pan for muuuuch longer than a movie or a play. But yes, that was a wonderful group of actors and humans and we are family. Lightning in a bottle to be sure. The success of Psych never ceases to amaze me. Truly. And that's all because of the fans. 100 percent.

QUESTION (JessicaSimbro): In writing a female role for one of your films, what personality traits does an attractive woman have in your mind? And what then makes that same woman gaspingly frightening?

JAMES RODAY: I believe attractiveness lives primarily on the inside. I'd say the same for what makes anyone frightening.

QUESTION (woahbells): From interviews you seem introverted and introspective but not uncomfortable being questioned about both work and personal topics. Assuming I'm correct and that you are an introvert, how do you reconcile that aspect of your personality with fame?

Also, I noticed the subtle pineapples on Peter's daughter's shirt at the end. Was that intentionally done?

JAMES RODAY: Not my choice but I also didn't veto it so...

QUESTION (firmhair): Come back to White Rock. Our Pier is gone :(

JAMES RODAY: Deal. And with that, thank you all for joining me. It's always a pleasure to connect with you all. If you haven't checked out Treehouse on Hulu, give it a spin. I am enormously proud of the work from all involved and especially grateful for the opportunity to work with and learn from so many talented and insightful women. Be kind to yourselves and others and get ready for a million little spoonfuls of delicious flavor in the future....

#treehouse #jamesroday #james roday

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gryndboxstudios · 6 years ago

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Artist Profile: Boton de Rosa

I have been following Boton de Rosa, (or Mirsa, as I know her) since we were both in high school and I can say with confidence, she is one of the most talented artists I’ve ever had the pleasure of knowing. Seeing the evolution of her art has been awe-inspiring, and I have no doubts that we’ll be seeing her art everywhere in a matter of time. I had the pleasure of asking her a couple of questions as part of our first ever artist profile!

First off, do you prefer Boton de Rosa or Mirsa? Where’d you come up with that name?

I like Boton de Rosa! It’s a nickname my mom gave to me when I was little, it’s Spanish for “rose button”.

I know you’ve been drawing since before I met you in high school, did you ever see yourself making prints, stickers, commissions, etc. Did you see yourself becoming a professional illustrator?

To be honest, I saw myself being a zoologist or something in the veterinary field when I was in high school. I completely put the idea of ever being a professional illustrator aside. I knew I was a decent artist, and most of my friends encouraged me to do something in the animation field or have a career with art. I just didn’t think of that as a possibility. When I took my gap semester in between high school and college, I started to reevaluate what I wanted, and since I wanted to go through a technical college instead of an actual university, I looked at their course curriculums to see what they had to offer. Digital media was the closest thing to anything I like, so I took that route. Best decision I ever made. It was until I moved to Brownsville that I actually started to get a small following, and my partner at the time was very pushy about “getting me out there”.

Would you say you have any overall themes in your art, any parts of yourself you like to put in your pieces?

I think a lot of my pieces just reflect emotion. For the most part, I tend to create bigger, significant pieces when an emotionally important part of my life has occurred. Theres a few undertones of heartbreak, betrayal, things like that.

What artists inspire you or taught you how to be better?

I started following Audra Auclair a couple of years ago, she’s one of my biggest influences. She is actually one of the main artists that got me into doing this again. Corpsetits is also amazing, Matt Bailey, Alex Pardee. I’ve been following him ever since he did an album cover for The Used, the bright colors and the grotesque. I live for it haha. Gabriel Picolo is also someone I started following more recently.

How has the criticism you gave yourself when you started different from the criticism you give yourself now?

I’m always criticizing myself, but I will say it’s gone down quite a bit. I think it has a lot to do with the fact that I’m a lot happier with where I am now compared to where I was three years ago. I can see that reflected a lot in my art, I do always push myself to do better.

Are you happy with your art? Are there older pieces you wish you did better?

So far, yes! To be honest, I am very much a people-pleaser. As much as I do this for myself, just the feedback I get is more than enough. And yes, there’s a Bee and Puppycat fanart sitting on my old laptop I want to redo completely. Plus a million other sketches I have in my old sketchbook, all in due time haha.

What do you think about people buying your art? Would you buy your art?

It blows my mind! It makes me so, so happy, I put a lot of love in my work, so it means the world to me. I think I would, I always try to draw things that I would like to have. Not gonna lie, I have three of my stickers on my car and a few others in miscellaneous places.

What frustrates you while drawing?

As I mentioned before, I tend to draw some pieces when I’m in a certain emotional point in my life. Sometimes I run out of that “juice” and I have things sitting on my mac for weeks. I have a piece I haven’t been able to finish for the past month, I just haven’t found myself in that mindset anymore. I’m also somewhat of a procrastinator, so that always sabotages me in the worst of ways.

How often do you draw, be it doodles or projects?

Multiple times a day, I have a scratchpad full of doodles in the office where I work. Plus sketchpads scattered across my apartment and in my car for whenever I get some inspiration.

Would you ever consider any other mediums?

I really would like to! I’ve always wanted to have an anime series or something of the sort. When I lived in the valley I started writing rough drafts of a zombie apocalypse short called “Maya-Pocalypse”. Basically, it would be a small dog (inspired by my own Maya) surviving the zombie apocalypse and trying to find her way back to her owner. It was great, but I never set time aside to do research on how to animate or maybe have it set into a comic.

What are some of your other hobbies?

I love to take my dogs out on hikes, write poetry, play ukulele (albeit badly), and occasionally play video games.

When do you know when a piece is finished?

I don’t think I’m ever finished, haha. Even when I send something out to print, I sometimes add little details here and there. There’s always something changing.

I know you do both traditional and digital, what’s your setup for digital look like?

Digital art consists of my iPad Pro, Apple pencil, my Mac and the magic mouse. I use Procreate and Illustrator Draw on my iPad, which is really useful. I really recommend the iPad Pro, it lets me start off a drawing in the app, then I can transfer it over via the creative cloud and I can finish it up on my mac.

Where do you start when starting a piece?

The eyes, eyebrows and eyes help me set the tone to what I’m drawing.

Where can you see your art going?

I’m hoping to get it on an album cover someday, or even on a movie poster.

What are you working on now? Any big plans for your art, have you considered entering shows?

Yes, I’ve been invited to do two shows, one in February and another in March, so I’m hoping to have something really neat ready for those two. I want to sell my work at a vendor spot sometime this year. Just to be able to get over my shyness and talk to people and sell them my art would be cool.

That’s about all the questions I have for you, anything else you’d like to add?

I would like to say that no matter how many times you get stuck, don’t ever stop! We all have our own creative processes and just take a little while to get where we need to be. Trust yourself and just keep going!

You can follow Mirsa on Instagram to keep up with her art here! Follow Gryndbox Studios as well for cool shit here and there! IG TWITTER

#boton de rosa #artist #interview #gryndbox studios

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effing-efflorescence · 7 years ago

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✰ tag yourself ~ cities ✰

new york: gets no sleep ever, definitely an extrovert, the burn of a good workout, afternoon runs to the dog park, christmas lights up in march, laughing with friends, leather jackets, tangled earbuds, music playlists for when they’re just ready to go, listens to literally anything and everything (except country), elaborate drawings, “shut up and get me more coffee”, doing things “because why the hell not?”, has a lot of friends but only a few close ones, would die for the people close to them, easy to get worked up, “fight me, susan”, dares, hours spent looking for new songs, long camping trips, the thrill of running away, a flower growing in a crack on the sidewalk, movie posters, that moment when your brain has to buffer because there’s so much going on, “guys i just remembered something”, paint everywhere, knows how to pick locks, gets easily overinvested in projects, long debates over the meaning of life at midnight, road trips, can’t sit still, lowkey touch-starved, has 7 dogs, secretly loves to read, procrastination!!!, “wait, we had homework?”, a messy-yet-organized room, dog person, keeps stuff that’s important to them under their pillow, remembers really random facts but can’t remember where they were this morning, “i swear i just had it a second ago”, leaves notes and reminders everywhere, easily distracted, swears a lot, good at holding grudges, looks tough but is really a sweetheart, binge-watching tv shows, forgets to eat because they’re glued to their computer, existential crises at 3 in the morning, sleepovers, “are voids sentient?” “yes.” “how do you know?” “i’m hungry.”, the feeling when you can’t stop laughing, loves being up early but hates getting up early (there’s a difference), best friend you’ll ever have

paris: the smell of books, a quiet coffee shop, string lights, “it’s for the aesthetic, karen”, very specific meaningful photos, gets lost in bookstores, glances from across the room, very quiet until you get to know them, the smell of fresh bread, pages and pages full of notes and song lyrics and doodles and ideas, walking around in the snow, a windowsill garden, sunsets, brainwaves at 2 am, no sleep cause they were up reading all night, warm sweaters, big soft hoodies stolen from a partner, scarves, looking out over a city at night, falling alseep right away after a long day, the absolute best book hangovers, the feeling of being productive, adorable but doesn’t know it, definitely an introvert, stargazing, falling asleep on a book, study playlists, classical music, movie soundtracks, photo edits, tries their best, probably anxious, cat person, organizes their pens in mugs on their desk, a neat room, minimalist aesthetics, notices things others don’t, looks like an innocent flower but is actually way more badass then you’d expect, listens to hard rock music, gets weird looks when they tell people what’s on their mind so they don’t talk much, actually doesn’t shut up once they’ve decided they trust you, long text messages at midnight, is terrified of losing the people close to them, smol, wicked good at eyeliner but doesn’t wear it very often, hours of music playlists, very huggable, looks like they get good grades without trying but they actually spend hours stressing and studying, keeps all their library receipts, has a box full of sentimental stuff, is scared of opening up to people because then they can hurt you with the things closest to your heart, vivid dreams, dependable, will drop everything to help a friend

london: very organized, plans their day to the minute, stresses about small details, freaks out if anything goes wrong, uses public transit, always has a mug of tea in their hand, electronic music, quiet museums, picking wildflowers, has big ideas but doesn’t talk about them very much, probably a pyro, running through an empty field, looking through old photos, talking about stuff that feels important, probably a cat person, the colour red, crowded streets, the smell of food being cooked, sitting in the park with friends, photos that make you think, those warm flannel shirts, always gets there 10 minutes early, simple-yet-elaborate patterns, pen drawings, neat notes, hours spent writing, 53 drafts of the same chapter, lowkey wants to be an author but doesn’t think they’re good enough, needs more tlc, wants to know everything there is to know but doesn’t know where to start, always up early in the morning, sunrises, tshirts stolen from a partner, early morning pancakes and waffles, fresh fruit, walking down the street late at night, staring at the moon, “what if?”, has a group of close friends they would die for and knows they would do the same, thinks about societal problems a lot but has no idea how to fix them, notices when something’s out of place cause the room feels off, loves thunderstorms, watching for lightning from a window, wearing a long black coat and definitely pulling it off, the thrill of being up high, pressing your forehead against a window to see something outside, carefully placing a ladybug on a leaf, finding a lucky penny on the street

rome: walking contradition, a bit of an introvert but craves social interaction, has trouble really opening up to people but is easy to talk to, probably has a mysterious past, walking through a quiet hallway, the feeling of being completely alone in a silent room, the sound of heels on a wooden floor, museums, huge doorways, empty churches, small cafés, drinking hot chocolate while the sun comes up, parted curtains, steaming plates of food, high archways, the tingle in your toes you get after sliding down a hallway in socks, total architecture nerd, definitely wants to work in architectural design, “it’s obviously a conspiracy against you”, staring at a wall and thinking up designs in their head, 3D thinking, well-framed photos, a long relaxing bath after a hard day, weaving through crowds, a fast learner, hours spent practicing something they’re passionate about, city lights, definitely knows a lot of important people, “it’s complicated”, knife-sharp sarcasm, quick comebacks, always alert, could probably kill you but won’t, silver jewelry, ivory, marble sculptures, shameless flirting, “just one more.. little touch.. shit wait no go back”, helping someone who’s crying because no one should be made to feel bad, secretly plays god in their head, walking home in the rain, catching a snowflake on your tongue, feeling homesick for places you’re never been but have read about avidly, living a lifetime inside a book and then needing a moment alone staring at nothing before returning back to the real world, thinking about everything at once and nothing at all at the same time

#sorry this is long #i'm a little like paris like that #once i get started it's hard to stop #but yeah i'm a mix of new york and paris i think #probs more like i'm a bit of all of them #mostly paris though i think #idk man #oh well #tag yourself #they speak

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