#i made a master post

[waywardstation]

Look for anything (or anyone) that could be familiar

For part two:

❤️ 300 likes

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Reblog with the hashtag:

🔼 for Ingo to find Emmet

🔽 for Emmet to find Ingo

[deadrobinsclub-est1988]

[lilybug-02]

Dewi's Adventures in Hollow Knight: 𝐕𝐨𝐥𝐮𝐦𝐞 𝟏

A Buggy Beggining ... 2 ... 3 ... 4 ... 5 ... 6 ... 7 ... 8 ... 9 ... 10 ... 11 ... 12 ... 13 ... 14 ... 15 ... 16 ... 17 ... 18 ... 19 ... 20 ... 21 ... 22 ... 23 ...

24 ... 25 ... 26 ... 27 ... 28 ... 29 ... 30 ... 31 … 32 ... 33 … 34 … 35 … 36 … 37 ... 38 ... 39 ... 40 ... 41 ... 42 ... 43 ... 44 ... 45 ... 46 ... 47 ... 48 ... 49 ... 50 ... 51 ... 52 ... 53 ... 54 ... 55 ... END

Non-Cannon Adventures: Bug Dewi // Crossover // Moth Dust // Ugly // City of Tears // Sam's Adventures // The Hunter // Swordplay // Dewi's Dad in Dirtmouth

All other tagged posts

𝐕𝐨𝐥𝐮𝐦𝐞 𝟐 𝐎𝐮𝐭 𝐍𝐨𝐰

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"A curious young boy has stumbled across the most unusual bug in his backyard. He soon finds himself in an adventure spanning much more than he could have ever imagined."

This fancomic is based within the Hollow Knight Games, where Humans and Bugs collide!

[worstwolverinesbf]

these make me giggle

[ilovemedia]

Hey, so remember when I made classic doctor who characters as memes? Welll

May or may have not done it again I'm not very sure

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[aq2003]

tensimm

[spoopup]

(art from april 2022)

i was looking at my old submas stuff and realised ive never posted any of it here because i had my train guys obsession prior to being active on tumblr, so here’s something i made from back then … marnie helping out ingo

p.s sorry if the formatting is weird? i made this when i primarily posted on instagram so i made everything square, i hope it looks alright

[stromblessed]

Mizu was wrong to let Akemi be taken because they both deserve better

First, a confession. When I saw this for the first time:

I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.

When Akemi does this:

I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.

So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?

Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.

Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.

Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.

Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.

But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."

"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.

One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.

In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.

Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.

Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.

Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.

Mizu had the power to help Akemi, and simply chose not to.

Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.

Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.

All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.

[xochimillilili]

Kinktober day 7: Somno

Really think that'd I love to slowly grope my beloved cute puppy while they sleep. Whine and rut my cock against their soft ass needily until they softly and sleepily turn to kiss my cheek, guiding my hand to their hips, letting me know I can give them a little sweet dream, as they turn to sleep again.

Wanna be gentle and soft with them as I softly get them ready, drooling all over their shoulders as I sleepily bite and whimper while pushing my throbbing cock into their ass. Properly stretching them out as I fuck myself in deeper, feel them clenching tightly around me.

I want to take a picture, want to show them how cute they are all cuddled up to me, my precious little spoon, who takes my cock so good even while asleep. Fuck and stretch their ass out, slow and deep, as I flutter between wake and sleep, hugging onto my honey and my favorite plushie as I cum. Leave their cute little ass messy as I pull out, taking yet another picture for the morning.

Sleepily clean us up before snuggling back into my pup, making us into a little burrito out of our mountain blankets. Kissing their plushies and mine and my precious pup good night again, as they pretty ass is slowly leaking my cum~

[lost-in-yahargul]

For research purposes:

[hipsternumbertwo]

Favorite Angela Moments 49/∞: "You guys love each other, you f*cking freaks."

[luminlunii]

can you do a comic or multi panel art of Rocky dressing as all the other Lackadaisy characters?

Here he is in Mitzi's, Wick's, and Lacy's outfit!

Because this is a long enough post as is I'll be splitting this in three parts :)) There are 21 characters in total so it works out quite well!

Part 2 | Part 3

[holmesandbees]

Can we all say thank you to Granada Holmes for showing Holmes and Watson reacting this way to a blackmailer bringing up how he destroyed a gay man’s life?

[bagofmice]

Here's my take on the appearence of the Celestial Realm's sweet-loving Prince of the Heavenly Host, Michael! My, my, this took a while to make. An even longer while given that i've designed him back in january :/. I need to get better at outfit design because these are so simple compared to the clothes in obey me😔 also what the fuck could make a man order 7 liters of honey and 700 sweets mikey baby are you alright? do you need to see a therapist? you could probably make a trail of candy leading to an obvious trap and he'd get in willingly

[thetwiggiesttwig]

alright so i was rewatching 73 yards bc i remembered that qr code that the camera lingered on and wanted to see what that was all abt and tho it didnt lead anywhere i got talking w @spooked-skull-studios and we're now going absolutely bannanas

SO. couldnt find anything on the qr code, BUT that means the real focus of this shot turns into kate's red nails

and of course, being the sane and rational peeople we are, we immediately connected this to the red nails in The Giggle.

ive seen some people saying that the felt kate was acting strangely in this scene and im inclined to agree. whilst im not sure EXACTLY what this implies, this feels like a deliberate connection, reminding us that she very well may have picked up that tooth. again, ive got no concrete ideas on what this implies for the rest of the season, but i thought worth pointing out (to silas, who then told me to make this post lol) and would love to hear where people think this might go