#i love you SO much till

[nocek]

Is it a stupid idea? Yes. Did I have to go overboard and animate it? No.

But I had to and I'm not sorry ;P

[fantasykiri5]

Fabian Seacaster, Maximum Legend that you are

[luna-loveboop]

'I've never been in a dungeon before' and 'Who's Ganon?' have literally made some of the BEST reaction panels in Lu I just-

They are very similar conversations- where a Link is pointing out/asking about something that the others have experienced and they haven't. Which is really cool to compare and contrast but they all just freak out about it

Genuinely some of the best conversations in Lu

The lesson here is that apparently the Links will always be freaked out when one of them has missed out on one of the Zelda Fundamentals™

.

Art by Jojo @linkeduniverse au :)

[satoumafuyuss]

Still getting used to drawing them but I'm happy with how this turned out so I will post it :)

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[cenomatic]

Pretty boy makes his return / redraw of this

[topnotchquark]

Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.

Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.

And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.

But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.

[naiart-i]

Ivantill |¦ ♡彡 ALNST

Princess treatment!

[sketchy-tour]

He has!!! ARIVED!!!!!

He's here he's here he's here!!!!!! Safe and sound!!! We sat down and did some coloring together!!!!

And also made sure he met his new neighbors! Had a nice chat with my childhood stuffed animal! Asking all about what his new home is like. And of course, he had to meet Boober Fraggle!

Watched some Winnie the Pooh together! I think he really liked it. I hope he felt warm and welcomed in my home. A nice and cozy first day here!

[rockwgooglyeyes]

Taking into consideration Till's history with sexual assault (i will be tw and cw tagging for this), it puts the Ivantill kiss in round 6 in so much more perspective for me. Not only that, but it gives a lot of context and reasoning to the way that Till interacts with other people (as well as his rapid, violent mood swings) into perspective.

I just to preface with this- I have never been the victim of sexual assault or sexual harassment, so my discussion on this purely comes from what I know at a psychological angle, in addition to what I know based on this video from pop culture detective on Youtube and his videos on the male interaction with abuse and generally seedy behavior in media. It's really good, I enjoy his content a lot. Anyways analysis below the cut. Content and trigger warning for discussion of sexual assault, sexual abuse, psychological abuse, and pretty much everything else relevant in this fandom (slavery, child abuse, etc)

Out of all of the characters in Alien Stage, Till is the most openly dehumanized. Sua is treated like a doll, Ivan is treated like a trophy horse to parade around, Luka is something of a combination of both- but Till is the lab rat. He's the losing dog that Urak is betting on. They're all dehumanized to a degree but Till is dehumanized so much so that his defining feature is his rebellion. Even amongst the fandom, he's made into Ivan's side piece or the idiot who's hopelessly in love with Mizi and yeah, I do think Till is a dumbass but I say that out of the deepest affection possible, I love this little freak and I want the best for him. I truly do.

He's so smart and talented and yet, he hates himself. He's passionate about music, he uses it to express himself in ways that he can't otherwise, and he's so good at music, too. He's not good with people and he has a temper and he's easily flustered, yes, but he's so complicated. He was hopeful and innocent to the ways of the world but when he was bought by Urak, he was shown how utterly and hopelessly cruel the world could be. Comparatively, even Ivan and Sua got lucky, with their absent and emotionally abusive owners- Till was put through hell, experimented on, forced into a cage and treated like a feral animal that needed to be shown who was boss- even when he was willing to go along with anything at the start. He wanted to be loved. He wanted to be cherished. Children always want so desperately to please their authority figures, I can't imagine that he would have resisted in the beginning, hoping that if he went along with whatever Urak told him to, that he would be rewarded and treated with tenderness and care.

He never was. He was beaten and broken and thrown through the wringer time and time again. They made him miserable because that's what Urak wanted- that's what makes good art, after all. A tortured artist who cuts off their own ear but paints the most beautiful night skies.

Even in Round 2, we see this dehumanization. Till has a tether, keeping him to the stage, because he's "dangerous." He's marketed as this rebel, who needs to be tied down, who needs to gagged and muzzled, we can't let him speak because if he opens his mouth, he'll bite. He's pushed down to the ground, subdued, IN HIS MARKETING. This is how he's presented FROM THE BEGINNING. He is forced into this role of the mad dog who screams and claws and bites because this is the mold he was given, he pushed himself into it because that was all he could do. He's giving Urak what Urak wants and even that isn't enough. Because he might be broken, he might have given in, but he's still a stubborn bastard.

Before Round 6 (but after Round 5), Till refuses to sing Mizi's song in the bar. He gets angry with a member of the audience for implying that Mizi is dead, maybe even saying shitty something about her, and he goes at them with a bottle. As @a-star-that-burns-brightly said, he's the only human we've ever seen to get violent with an alien within the bounds of Alien Stage, which makes Till all the more impressive- which means that they have to bring him down all the more forcefully.

I will admit- I didn't understand the scene to be SA until it was pointed out to me (not that I thought it wasn't, it just went over my head) but it adds so much to Till's character to analyse it through that lens.

They rape Till, punishing him for refusing to sing and punishing him to attacking an audience member. Terry Crews, who some may know from Brooklyn-Nine-Nine or other media, is a survivor of sexual assault, and he talked about it before the United States Senate Judiciary committee. He was assaulted by his manager, who was a man. And you may be wondering why I bring this up, and it's simply because I want to remind people that sexual assault is not about sexuality. It can be connected but correlation is not causation. Sexual assault is about exerting power over an individual to make them feel weak, lesser, and show them who is in control of the situation. It's not dissimilar to bullying (but far, far worse). After all, why would corrective rape be a phenomenon if it wasn't about exerting power over the victim and showing them that they don't have autonomy or agency? Because if they had autonomy or agency, they would be able to consent or conversely, the ability to say no.

Of course they don't have autonomy/agency, though, right? Because they're pets. They're possessions. It's akin to how we treat dogs and cats, we breed them and we don't let them say no, because they don't have an understanding of consent like we do, why would they need to say yes or no? They can just fight someone off if they don't want it, right?

Right?

Something that @k9punkout (Numso) said stood out to me, though, is that this might not even be the first time that this has happened to Till. This breaks my heart. Like, legitimately, it made me nearly cry when I read it, because the idea of sexual abuse being used as a form of regular and routine punishment against someone is horrible- but at the same time, that already happens. In prisons, in war zones, in households, sexual abuse is used as a regular punishment against people and that's horrible. The way that Till's experience specifically reflects that of a child in a toxic and abusive household is immensely interesting because of how people forget about that, how people don't seem to really care. He's a sopping wet kitten, yeah, he's a silly little guy, but he's been abused for his whole fucking life. He has a superiority complex that's teetering on an incredibly thin knife's edge and sometimes it wobbles into self-hatred and an absolute absence of self worth.

It's no wonder that Till clings so fiercely to the idea that Mizi is innocent and pure and hopeful, like he once was, because if she isn't- then does that mean he was stupid to ever hope at all? Was he stupid for expecting love and affection, from the people who were supposed to take care of him? Does that mean he's suffered for no reason, save Urak's amusement? Does that mean he's miserable just because, just because Urak demands that someone be miserable in order for them to be great? Does that mean he's been beaten, broken, made into this wretched, ugly thing simply because he's around? It's not so much that his suffering needs to have a purpose, it's more that if it's pointless and based on whim, then that says something about Till himself. That says that Urak saw something in him, something sturdy enough to be broken again and again and get back up. It says that he deserves this. (He doesn't, no one deserves that and deserving things is horseshit, but I can't imagine Till to be thinking anything else.)

Back, finally, to the whole reason I started writing this fucking thing: the Ivantill kiss in Round 6. I've seen some people call it SA, and while I can see why (and of course, I respect their opinions), I disagree.

Ivan shouldn't have continued to kiss Till after Till pushed him, yes, but at the same time, through the narrative of their kiss- it wasn't really a kiss at all. Not in the sense that it was an expression of sexual intent. And maybe this is because I'm on the acearo spectrum but. I don't believe Ivan wanted to kiss Till, it wasn't a romantic kiss, it was one last attempt to get Till to wake up, before it was too late.

Through the lens of knowing that Till is a survivor of sexual assault, the way that Ivan kissed him and his reaction to Ivan kissing him is all the more impactful because Till pushed Ivan away, yes, but he didn't seem horrified, or hollowed out like he is post assault in the bar scene. It shows his trust in Ivan, and maybe even the fact that he knows that Ivan isn't doing this to hurt him, Ivan is kissing him in a final effort to say "I love you. You're loved. I'm sorry."

Blue (@bluemoonscape) talked through this with me a bit earlier and he said something that stuck out to me as well "The kiss, if anything, shows how much control the aliens assert over them to put them in a position where this would be two friends’ last chance to communicate with one another, hence how desperate it is on Ivan’s part. (...) Ivan wasn’t trying to assert power over Till in any way; that just isn’t in his nature. Over the years, he basically lets Till dictate every aspect of their relationship, hell, he even gives power to Till over Ivan’s own freedom (power that Till didn’t want but nonetheless got)" and he really summed it up beautifully in my opinion. The ivantill kiss WASN'T romantic because it wasn't meant to be- Ivan was just saying that he loved Till period. It was a fucked up way to do it. I wish he hadn't.

But he was just trying to say goodbye.

(@atrophiedemotion because i mentioned this to you! <3)

[mouse-fantoms]

Thinking about this 🥺😭

[ahalliance]

antoine + étoiles insane moments, p.2. aka the ass saga. p1 here

transcript + context for some of the clips below

[Video Transcript:

[First clip plays.]

Rivenzi: You want to see Etoiles’ ass, of course…

Antoine: Yeah, I’m gonna stare at your ass, Etoiles…

Etoiles: Fuck, what dread, during Popcorn [a talkshow Etoiles had been invited on the previous week], when I went up to the map and you said that, and I thought ‘whoa—‘

Antoine: Sorry

[Second clip plays: the moment during Popcorn]

PA/Domingo: Antoine Daniel has posted a tweet for us: ‘I wanted to look at this map of Africa, but Etoiles’ ass in the shape of a standing bell is driving me crazy. Smiley face with eyes in the shape of hearts.’

[Third clip plays: a continuation of the first clip.]

Antoine: Sorry, bro…

Ponce: Oh but that tweet, besides

Rivenzi: A standing bell…

Antoine: What’s more is that I never tweet and when I do it’s to tweet this sort of shit

Ponce: That’s exactly what I told myself. When PA read the tweet, I thought to myself, ‘but he never tweets!’ And he tweets to talk about Etoiles’ ass

Antoine: There needs to be a good reason, you see

[Fourth clip plays: a clip from the Team du Lundi’s minecraft server.]

JDG: Someone (in chat) said, ‘I can’t tell whether the atmosphere is good tonight or—‘

Antoine: It sucks, it sucks

Florence: You don’t need to ask every time, it always sucks

Baghera: Always sucks. Especially when Etoiles talks about ass [which had been a previous topic of discussion for him that night]

Antoine: Stooop, I enjoy it

Mynthos: You enjoy it?

JDG: It’s true tonight that it’s more weird than bad

Antoine: I like it when Etoiles talks about ass….

[Fifth clip plays: a second and different clip from Popcorn.]

Etoiles: —you’re not allowed to tell me that [Xari claimed to not know much about cinema]. I know you, I studied, because you’re my rival [in pop culture]. I really enjoy what you do in life, Xari, and you’re really knowledgeable about cinema

Antoine: What do you mean he’s your rival? And I’m just shit?

Etoiles: You, you’re my lover

Antoine: Oh yeah, sorry, my bad

PA/Domingo: One of the three is gonna die soon. There’s a whole situation, there’s a whole lore

[Sixth clip plays: a clip from the QSMP.]

Antoine: Don’t you want to get married, dude?

Etoiles: Well, I don’t have the time to fuck

Antoine: What the fuck?!

Etoiles: I don’t have time to fuck, dude. I just need to kill everyone

Antoine: No but just a marriage, you see. You’ve watched Game of Thrones— you haven’t watched Game of Thrones, you can’t know how marriages work in that series

Etoiles: I’ve watched it, but I’m married to the street, dude. I can’t give out my heart that quickly

Antoine: Yeah but you can give out your ass quickly, no?

Etoiles: No, frankly, my ass—

Antoine: What the fuck?!

Etoiles: Giving out your ass takes time, dude

Antoine: What the fuck…

Etoiles: Then again, I need to think about it. I’ll give you my answer. I need to discuss, and everything

Antoine: I’m tired of getting betrayed. You get married with someone else—

Etoiles: Never in a million years!

Antoine: —it’s like yesterday. Apparently Maximus got the mic from his ass removed while I wasn’t there. I was supposed to be the one to do it

Etoiles: Oh okay, so I’m your second choice?

[Overlapping]

Antoine: No! It was just to help him—

Etoiles: No, but, okay

Antoine: He got— listen—

Etoiles: There’s no problem!

Antoine: Fuck, nevermind

Etoiles: There’s no issue! Oh, so you’re opening my chest and stealing?

Antoine: I was just looking! Out of curiosity

Etoiles: Yeah, that’s it

Antoine: I don’t even understand what’s in it

Etoiles: Yeah, out of curiosity. Dude, your opinion on my cave?

Antoine: Well frankly it’s big

end Video Transcript.]

[l-e-i-k-o]

3 male sims for @kashisun upcoming nose presets!

[chrisbangs]

231003 ♡ Happy Birthday Bang Chan!

[pain-in-the-butler]

A compilation of art for my Dadbastian fanfic Coattails that I commissioned from the incredibly talented @tomoyoo! They went above and beyond with the details... Each picture feels as cozy and warm as a storybook, right? I'm so delighted with how they turned out!! Thank you for making each one so beautiful! 🥹🥹🥹