#i love when an artist really LOVES the medium

[revscarecrow]

hi rev i just wanted to come here and rant for a second because i feel like you'll understand. i hope you dont mind.

i'm really, REALLY frustrated that a lot of the current culture around artists complaining about ai is people being like "ugh artists are so sensitive, this use case isnt even that bad, its just funny, its just a meme, etc etc"

as an artist myself i feel like i cant even complain about it in my current online social circles because i will be met with people being like "its not that serious when its used to make memes"

i fucking hate seeing ai. period. it doesnt matter if its google gemini, or chat gpt, or some rancid ai meme, or an ai voice. i hate ALL of it because it reminds me that the ONE THING i thought couldn't be taken from me by robots (my ability to make art/video) is being taken from me in front of my eyes.

even my other artist friends partake in this culture. i seriously dont understand it. it is DEEPLY upsetting and makes me feel so hopeless and powerless.

maybe it's an "if i dont laugh, i'll cry" situation. i dont know. i want to hear your thoughts on it. much love

I talk about AI "art" on my art youtube channel. Suffice to say that generative AI and neural nets can be used for good things like mapping the human brain to help better understand the systems at work and how to help with dementia (this is a real thing that's being done and it's rad btw). While this tech does a lot of energy I think it's worth it to learn how to cure horrible diseases. The tasks that this can do helps solve problems that are either too complex or time intensive for humans to do. Art is about expression to some degree. Some people are just about the aesthics but for me personally I think that the process of coming to and finishing the idea is the art and the canvas is the record of the process happening. As such the spirit behind the creation of an object is core to the aesthic of the piece. If I make a painting out of shit or blood it's going to have a very different vibe than one done with paint. Why was that choice made? Artists make these choices at every step. Some just pick things as a default but that is in itself a choice. I use acrylic when I paint canvases because of the drying time and because I fear my cats will attempt to eat the sugary smelling liquin medium used with oil. The nature of my work area I have means the canvases I paint are smaller. These are choices that change how my work looks but also speak to who I am as a person. AI art does not consider this because how could it? It does not think. It's a disgusting similacrum of the human experience. Memes still gross me out I'll be honest.

[the-everqueen]

like truly stephen graham jones LOVES horror, he loves the genre, he appreciates what it can do, no one else does it like him, petition to give custody of the corinthian to stephen graham jones please

[yuriyuruandyuraart]

aqshfjf it's THEm!!!!! the boys the legends the sweethearts<333

i still can't believe i didn't see the updates to COLORS of LOVE before today i am in utter denial</3 well to make up for that some fanart for this awesome comic!!!

colors of love belongs to @kotikaleo

studio au is by @zu-is-here

[sysig]

Just thinking about @10yrsy’s Things, y’know, casually (Patreon)

[heyitsphoenixx]

ever since i was a little [redacted] i always wanted to be a person who has a place in society

[steakout-05]

ok as an artist i personally find traditional painting to be. really really annoying. like. i do not have the patience for it and i just find it to be really frustrating to set up and actually do and i end up not liking the results. i find that there's little room for mistakes and trying to fix them usually ends up with me making 50 other ones, paints can be so inconsistent and having to rely on availability and certain brands to continue making the paint is really inconvenient, not to mention expensive. spending a bunch of time trying to mix the right shade of paint, only for it to go down a completely different shade of colour and not being able to do anything about it is so frustrating as someone who likes consistency and having things just, y'know, not change colour as soon as it dries. plus, they all use different chemicals and can go off really easily or change textures and i am just not ok with having all my materials having an expiration date like food. lead and graphite pencils just don't do that and they can last for years, they're more reliable. every paint is drastically different and trying to find the right one is not only time consuming but, again, expensive, and i don't even see the point in experimenting when most of my materials end up not even getting used if i don't like using them. plus, i'm just.... really impatient. waiting for paint to dry sucks and is why i much prefer digital or just drawing something because i don't need to wait for anything, it just works. and then when i do want to take my time and work slowly for a better result, it dries too fast. it's kinda hellish trying to balance that time, especially considering how inconsistent paints are.

i like to use guidelines when doing art and i find painting straight onto a canvas to be really tricky because there's a lack of direction for me to actually paint. i'm at a complete loss at what to do when i pick up a brush because i can't map it out first without risking screwing up the paint. there's just so many things to keep track of and so much wet paint to avoid and i just do not have the mind for it. putting colours on a canvas and praying that it works just isn't it for me and requires a discipline that i just don't wanna involve myself with. painting is also just like... really exhausting and kinda painful. i got some pretty bad back issues and my arms tire and get sore easily and quickly when i'm standing in front of a canvas. it's a really physical activity for me and i just don't find something to be very fun to do at all when it's physically hurting me. i know drawing on a canvas has this issue too, which is why i prefer sketchbooks. sitting down and drawing something that doesn't break my entire spine every time i do it is much more preferrable than questioning if i should go to the doctor every time i make a brushstroke, lol

that's not to say that there's nothing i like about painting though! i can paint simple little things, and i like doing that. i like mixing colours with a palette knife and i find it fun and even a little relaxing. i painted some cute little chibi cardboard cutouts of the mario brothers one time and i found that to be really fun and i think i'd like to do that again! but apart from that, i just do not have the patience for it. i love the look of traditional paintings and i find many to be really beautiful, but i could never get into actually doing it myself because i hate the process. i'm content with just sketching and doing digital stuff because that's more fun to me and less stressful of a process to do. it's fun, it allows for more mistakes, it's easier to build up layers of shading and lines, not to mention using building up a figure with guidelines is super helpful with visualising what i want it to look like, and i can just erase something if i don't want it there or want to change something. it just makes sense to me.

tl;dr i dont like painting because it's inconsistent, expensive, time-consuming, directionless, frustrating and it makes my back hurt really bad. i'll just stick to drawing stuff :)

[mistninja]

Have i mentioned that i love the one piece cover stories? I love the one piece cover stories

[britneyshakespeare]

I love drawing faces. Tell me what's better than making a few lines and then OOP there's a beautiful person

[cyrsed]

you ever think about how mainstream gaming is the way it is bc it evolved from arcade games?

[intomybubble]

The artwork in Phantom Tales of the Night is so gorgeous. In a couple volumes there’s even artwork inside the front and back covers (before getting to the actual pages).

(It’s a but confusing to read, but the English release is completed with 12 volumes!)

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[renthony]

Movies are getting longer and TV seasons keep getting shorter, and it's muddying what I love about each medium.

A good movie is a short story--sometimes self-contained, sometimes part of a series, but still a single serving that I can enjoy in one sitting.

A television show is a novel, building over time, allowing me to pace myself chapter-by-chapter or race through each installment as I choose.

It sucks when I watch a movie that feels like it wants to be a long-form TV show, and WOULD be if it weren't for budget limitations and executive meddling. It also sucks when you can tell a movie/movie series was TRYING to be a simple short story, but is getting arbitrarily extended by the studio in order to Make More Money.

I hate it when I watch a TV show that SO CLEARLY wants to lavish attention on all its characters and settings, but is being crammed into movie pacing because the artists are scared they won't get another season and the network only gave them ten episodes to tell a story that deserves three times that.

I wish artists could make the art they want, in the medium they want, without getting constantly fucked over by capitalism. I really, really do.

[peapod20001]

When I love a song, I’ll love it forever

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[alpaca-clouds]

Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

[rikkivoid]

this is my final post! the past few years have been amazing - thank you for everything <3 (more info below the cut)

I will no longer post on this account and wanted to write a note to explain and say goodbye.

Bnha and the bkdk fandom have been a constant source of joy and excitement in my life since 2018 - you were all so kind and encouraging towards me, and I grew so much in skill and confidence as a result! I’ll really treasure my time in this fandom. I loved experiencing so much incredible fanwork and freaking out over exciting moments from the series with everyone in real time. (I still remember choking on my drink and falling to the ground when I saw the vol.29 cover on my tl omg… it was life changing.)

I went on hiatus last year to reconnect with my passion for making art outside of bkdk and learn what I wanted to create without the influence of external validation. I had time to reflect on how much I was influenced by numbers on social media. I thought they didn’t affect me, but in truth, they completely ruled my artistic judgment and decisions. I found new hobbies, new media, experimented with different mediums and subject matters, and in the end… I rediscovered my joy for making art! 

This year, I gave myself a fresh start instead of returning to this account. This is partly because I really enjoy exploring erotic and transgressive themes and I don’t want to share it on a large account to people who followed me under a different pretense haha. But the main reason is that I wanted to create a space without any expectation for what kind of art I should make based on my previous work (since I know the majority of people follow me because I draw bkdk, and I mainly draw ocs and unrelated fanart now). 

All this to say, I hope we can cross paths in the future, but if that day never comes, thank you for the wonderful memories and support you’ve given me over the years! This fandom has so many incredible people in it and I sincerely wish you all the best. PLUS ULTRA!!!! and farewell! :’3

Lots of love,

Rikki <3 

[This account will stay up, but I won't be checking it much. If you have any questions or would like to get in touch, email me at rikkivoid@gmail.com and we can go from there!]