#i love this shot so bad

[narliee]

BUFFY THE VAMPIRE SLAYER 2.06, "Halloween"

[poorly-drawn-mdzs]

His palms are sweaty, knees weak, arms are heavy.

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[avephelis]

NEED to check these things for fleas. take them to the VET! so sad they can't have deviantart they would have loved deviantart.

[nosnexus]

Losing my mind about Red and the Big Bad Wolf still

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[ilk-insolence]

Raph Is A Great Strategist

Numerous times in the show Raph has shown to have a preference for straightforwardly punching his problems away rather than think up a more complex solution. Like how his immediate fix to getting Mayhem out of the mirror in Mystic Library was to punch everything in the bathroom but the mirror. However, when Raph understands the situation requires more in depth strategy, he’s shown to be an incredibly capable tactician.

(long post ahead!)

In nearly all the plot heavy episodes like Shadow of Evil, Many Unhappy Returns, and the season finales, Raph gets moments where he’s highlighted for his strategic thinking. In Insane in the Mama Train, he’s the one who figures out which eyeball-button goes to the front car with the dark armor, because “‘it was the only button [the Foot Clan] didn’t want me to press!’” [21:05]. He’s also the one who came up with the scheme to defeat all the (known) combatants in the train, with Leo specifically attributing Raph as the deviser during their mind meld [19:46]. In Many Unhappy Returns, after spending a single night waylaying the Shredder, Raph formulated a plan using all the tricks the team learned, seamlessly transitioning the mystic collar Leo acquired into it [19:53], to defeating the Shredder. Additionally, he’s repeatedly called for a retreat during fights, like in Shadow of Evil, Shreddy or Not (Finale pt 2), and the movie, when he can tactically recognize that a battle couldn’t be won. Each time, the show/movie implied that that was the right call, for the family to lose the fight but win the war.

And it’s not just that Raph is good at strategy when he’s pushed to be more serious; the show characterizes him as passionate about creating plans, he enjoys doing it. Literally in the first episode, Mystic Mayhem, after the turtles’ initial plan failed of getting Splinter out of the living room to touch his Do-Not-Touch Cabinet, Raph immediately started devising a new plan that involved “ten chickens [and] a gallon of rubber cement” [9:35]. It was convoluted, sure, and they didn’t end up using it, but it was inventive and the opposite of reluctant. This is also shown in Bug Busters, where Raph planned out dousing Mikey in honey to attract the oozequitoes [2:52]; Snow Day, with the idea to freeze Ghost Bear like in Jupiter Jim Pluto Vacation 4; and Raph’s Ride-Along (and also Bad Hair Day), where Mind Raph created multiple schemes to get the criminals arrested. The show wouldn’t have made Raph be so creative with his plans if they were trying to characterize him as someone who didn’t like strategizing.

So does why Raph do stupid shit sometimes where he doesn’t think things through at all? Well, even though Raph is good at strategy and enjoys doing it, it’s clear his immediate impulse is still “punch the problem in the face”. In fact, all the turtle boys contain the fascinating dichotomy of being incredibly smart in some areas, and the dumbest teenagers alive in others. Just look at Donnie. It’s also how Raph is a loving protective older brother, and the guy who shoved Leo into a wall so hard he disappeared in one frame for shits and giggles (The Mutant Menace x). None of this means that Raph is bad at strategy though.

tldr: Yeah, Raph has a lot of dumb and, frankly, insane moments in the show, but he’s still an incredible tactician who’s plans consistently saved his family and sometimes the world. He's a great strategist.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[coca-lastic]

Character: Hawks (Takami Keigo)

Warning: sugestive temes all the time, bites, reader Is not a hero, dom!reader

Hawks would have no shame in showing how much he loves you. He can't do it so openly because of his job, but if he didn't have to keep up a constant facade he'd probably walk the streets with lipstick marks and bite marks, it's not like you'd complain about creating that image.

But that is not possible, unfortunately. But it's not all bad either, you can brag that you have that whole view to yourself, you can mark it and then watch it like an artist after creating his best work, one that he is proud of and loves.

But the process, oh the process, hearing the little noises of pleasure, tickling or just happiness that come out of his mouth.

Yeah, you want to do that, after a while without doing it, without doing your works, you want to jump into your man's arms and attack him with your brush of lust and possessiveness.

And when you hear the door open you know it's time to start.

"I'm at home Dove" You hear from his mouth with a casancio tone.

You approach the entrance to see him take off his hero suit, leaving himself only in his wide, comfortable pants, thus exposing your blank page to you.

"Hey handsome, how was work?"

"Shit. All damn day there were stupid villians who don't even know how to do their job well, they just come out of nowhere to attack hoping that we'll come to the fucking rescue one more time and try to beat them as if they weren't so weak that even you could beat them up." "He said, dropping onto your shoulder and burying his face between your neck and jaw, now smiling at the harmless insult.

"hey! Asshole" you lightly hit the back of his head following the joke and pretending to be offended. All with a purpose. "You say it as if I couldn't bring you to your knees."

"Oh, really?" He poked his head out of her previous position, with a now mischievous smile. "Show me".

Is so easy. The thing is that you are happy to mark it and paint it to your liking but he is more than happy to be your canvas.

So he doesn't object when you take him to the living room couch, sit on top of him and look at him with sweet eyes and a happy smile. And he returns the same gesture, because it is more than a simple desperation to share a moment with honeyed caresses, or for what he may come next. It's the simple fact of valuing the moment.

That is exactly the reason why your lips run to his in a soft but long kiss, making you start your work now.

You lightly bite his lower lip and return to his lips a few more times, drinking in the taste of him like your favorite nectar.

Then, you decides to lower your lips to a place on his strong body, a little lower, on his marked jaw.

You leave bites and wet kisses, just so that the sensation of your actions last longer on his skin,

Then you manage to go down a little. right on his neck and the different areas of his, just when you bury your face in the area you manage to hear a hoarse laugh from the man below you and you feel how he moves his head to the side to give you accessibility.

"U looked so cute biting me and marking me like that" and you couldn't say anything else about him because the image of him with red cheeks and teeth crushing his lip was too attractive for him to want to talk.

You continued your work paying close attention to the sounds. Light "fuck" and "ohh~" could be heard every few seconds, the heavy breathing and gasping was even more constant. And it just motivates you to keep going and going.

You brought your hand to his hair, pulling it and then kneading it. While now your lips were on his collarbone and shoulders, looking for the points that pleased him the most.

"Oh god- ahh" "that tickl- wai- ugh" "right there...hmm"

Yeaaah, you loved him, it was your hobby to just ruin him.

And how beautiful it is to finish your work and see your man with bites everywhere.

On the neck, on the jaw, on the lips, on the shoulders, on the collarbone, on the pectorals and any area where you felt it would look perfect.

His hair was disheveled, his eyes moist and looking straight into yours, lips half open, hands clinging to your thighs and legs tense with an ache between them.

"And then you insult my strength when with just a few bites I can have you like this" you mocked, reaching for his lips again.

"Fuck you, but if you want I'll do it for you"

"I would be delighted, but I would like to remain the strong one today..."

Today you two would have a very very very long night.

Yei!

[swan2swan]

Jurassic World: Camp Cretaceous

Running Gag: Yaz Crashes the Car

It's a scientific fact that if you put Yaz in control of a wheeled vehicle, eventually, you will no longer have a vehicle. It may be deliberate, it may be the fault of the vehicle, she may not even be in the driver's seat, but if any insurance company were to find out, her premiums will be through the roof.

[sollucets]

love for love's sake || episode three

[petricorah]

uhhh messy no context zukka wip

[tiny-feisty-gay]

sorry i was just thinking about them during the final battle interacting and being so connected while fighting for their lives

the wives ever

[ordordordordord]

thinking about transfem sanji and "apparently-bisexual-now" zoro.

Sanji comes back to sabaody post ts with long hair and fem presenting, yet kicks zoros ass even harder than before and he's immediately smitten.

Zoro who's never been attracted to a woman before, but now all he can think of is sanjis long hair and pretty eyes and "yeah, okay, I guess this is it now."

[tragicsiblings]

[chrisbangs]

BANG CHAN — S-Class (특) KCON LA (230821)

[jimmyspades]

ENDLESS LOVE (1981) COCAINE: ONE MAN'S SEDUCTION (1983) THE FAMILY TREE (1983) A KILLER IN THE FAMILY (1983) THE NEW KIDS (1985) TUFF TURF (1985) LESS THAN ZERO (1987) JACK'S BACK (1988) SEX, LIES, AND VIDEOTAPE (1989) WHITE PALACE (1990) BAD INFLUENCE (1990) DREAM LOVER (1993) CRASH (1996) DRIFTWOOD (1997) SUPERNOVA (2000) THE STICKUP (2002) SECRETARY (2002) BOSTON LEGAL (2006) THE OFFICE (2012)