#i love their respective roles as mothers also

[monstersinthecosmos]

I read your answer, where did you say "Pandora is his actual type and Armand was his pet"

But how could Armand be just a pet for him? He is one of only three of his turned children. Marius speaks of him as the greatest love (along with Pandora). Although I see some hypocrisy in this. Marius loves no one as much as Pandora. But certainly more than just a pet

Well !

Babe the thing is that, I said what I said and it’s okay if you don’t agree!!! And I’m gonna take this opportunity to double down. (Assuming that you’re asking in good faith and not to pick on me for my analysis lmao please this fandom has traumatized me too much.)

(((TLDR the text never treats Armand like he’s Marius’s equal but also I never said that being a pet was a bad thing.)))

I want to start by talking about the concept of MAKER in VC and how canon tells us that vampires exist outside of human social constructs, including traditional family roles right? Like for example, the moment Gabrielle is turned, she ceases to be Lestat’s mother. 

But with Marius I think a lot about how he’s crafted a persona for himself, and tries to operate in a very rigid set of rules. And part of this is like, how determined he is to live by stoicism even when he’s a mess on the inside, but I also think about in TVL when he says that thing about how it’s easier to just knock a glass on the floor, and how he goes out of his way to appear more human and retain human gestures. 

So like, in the way a MAKER is kinda like, a parent/lover/companion/something too big for our tiny human minds to comprehend. We still get a Marius who is determined to be a father & mentor, and I think a lot about how his need for stoicism and humanity is probably also expressed with his need to be the paterfamilias. 

I’ve been also thinking a lot lately about Bad Fathers in Media—specifically people like Tony Soprano, Logan Roy, Roderick Usher—and how the toxic patriarchy affects their relationships with their sons. Tony Soprano in particular is one who resonates with me a lot when I think about Marius—Tony often indulges in anger because he enjoys being feared (he thinks it’s respect but it’s usually fear), and that’s a bit different on a material level from Marius “anger is too pathetic” de Romanus but they’re both sort of obsessed with the idea of stoicism and trying to be a ~ strong silent type ~ on the outside, even when they’re actually quite messy and emotional underneath.

But wait — put a pin in this for a second. We’ll come back to this, and the concept of fathers and sons. I want to pause real quick to swerve to clarify:

Armand being a pet isn’t a bad thing.

It wasn’t “pet (derogatory) 😒” —  it’s “pet (adorable creature that I care for) 🥰”.

Here’s the thing about MARIMAND if you will (I hate ship the VC ship names oh my god theyre all hideous lmao) but like OKAY OKAY. THE THING IS. WHAT ARE WE HERE FOR IF WE’RE NOT INTO THE FUCKEDUPEDNESS ? 

Like I’m not telling anyone how to enjoy a ship, please have fun ! Do you! But to ME? That inter-species friction and 1,517 year age gap is like WHAT THE DYNAMIC IS ABOUT, THAT’S THE FLAVOR BABY!!! Anne Rice herself even said the book was about “a boy’s love for a monster” !!

WHAT’S THE POINT OF MONSTERFUCKER EROTICA IF HE’S NOT A MONSTER LOL

And YEAH I get that not everyone wants to read TVA as a monsterfucker story. That’s okay! It also reads as a savior fantasy. But I enjoy the messiness of it—I LIKE that Marius is an apex predator & ghoulish ancient thing. I like that it’s problematic. I LOVE that Marius really does love him, though, amidst all these other themes. I find it SO compelling.

But I never once said that Marius doesn’t love him. Of course Marius loves him. What I said is that he loves Armand the way we love a pet. I would fucking die for my cats. I regularly burst into tears looking at my cats because I love them so much. But they’re fucking cats lmao.

I never for one minute forget that Marius isn’t human. He’s operating on a whole different wavelength with different points of references and ethics and life experiences. Like, people get so hung up on Armand being 17 and IT WOULD BE JUST AS BAD IF HE WAS 18 OR 25 OR 30 LOL. A frail little human cannot comprehend !!!!!

What’s interesting with Marius’s fledglings though is that he tends not to treat them as equals. Like I think you could read TVA thinking: Once Marius turns him, they’ll be real partners. But no, they stick to their mentor/mentee, dom/sub, father/son roles. We don’t have tons of examples in canon of other maker/fledgling relationships but it’s not a coincidence that Roman Patriarch Marius maintains status over his fledglings. Even once Armand is a vampire, he’s still not Marius’s equal, and Marius’s age and power are still held over him. 

BUT LIKE.

That’s weird, right?

I MEAN THE DARK GIFT IS DIFFERENT FOR EVERYONE but it’s interesting to me that Lestat & Gabrielle’s relationship completely dissolves once she’s a vampire, but Marius & Armand’s doesn’t.

(Sidebar that like, I think there’s also ways to acknowledge that if we think their relationship is good that it’s OKAY for them to maintain these roles because Armand WANTS to be his sub but let me focus on my point here. We should also make time to talk about diegetic BDSM and whether or not it’s appropriate to use a D/s framework for this discussion if the roles are baked into the text and not a choice for the characters and not a game they are agreeing to but that’s for another post.)

So back to the thing about fathers.

I’ve been thinking a lot about bad father characters, specifically Logan Roy and Tony Soprano (also bad mother Margaret Chenowith) and the impossible standards they give their children. Logan and Tony are both men who are disappointed in their sons for being soft, because they were able to provide better lives for their children. They both spoil their sons with all the material wealth that they did not have in their own lives. For Logan we see how badly he resents his kids—Kendall even accuses him of being jealous of what they have—and for Tony he seems to be at a loss on how to parse his feelings. Part of him literally hates AJ for being such a whimsical little fuckup, and at the same time he wants to protect that part of AJ and doesn’t even WANT AJ to follow in his footsteps. Still, he hates to see that AJ is spoiled with no work ethic, and doesn’t know how to set an example for him.

Everything in Venice is designed to spoil Armand with all the things Marius didn’t get—it’s such a specific & deliberate opposite of how Marius was turned. And I think him seeing Armand as a pet puts a little bit of distance between the hurt he’d feel if he thought of Armand as a true son, or even an equal. He doesn’t have to resent Armand for having it easier than he did, but also doesn’t have to feel extremely betrayed by Armand fitting in with the cult. Like, let’s never 4get that by the time Marius catches up with Armand, Armand is right at home and thriving with them. A CULT? THE THING THAT KILLED ME????? Marius has no idea what the fuck they did to him, he just knows that Armand settled in just fine and has discarded everything that Marius tried to teach him. 

I think these roles are appropriately all muddled because it’s VC—like we said, the No Social Constructs series—so like, how do we compare the words SON and PET and FLEDGLING and SUB, I’m not sure. But my point is that he’s never seen or treated Armand as an equal, and perhaps never even a full adult person. 

ARE THESE IDEAS CONFLICTING? A little. But that’s okay. Am I incoherent and ill-equipped to tackle this analysis or is it because Marius is not a consistent person and never quite lives up to the ideal he’s trying to be? Does he want Armand to be his pet but secretly has feelings? Does he fail at being a father figure? Is he brushing off his Big Big Emotions so that he doesn’t have to admit how wrecked and destroyed he is and how badly his feelings were hurt? Idk man. I’m sure you can send me another anon to tell me I’m wrong. 

I wonder sometimes if like, keeping Armand at this lower status (like a pet) actually protects Armand from Marius’s ire and disappointment. Marius is sort of a father, but sort of not. He’s crafted a role for himself that is never all the way sincere, and it allows him some space to protect his own feelings of betrayal and disappointment when it comes to Armand. Marius is also classically bad at following his own rules, and never quite sticks the landing on the people he’s trying to be. 

I can imagine a version of events where Armand does gain some ground with Marius, maybe pays his dues and matures into someone that Marius trusts and respects, but that’s not the version of events we get in canon. Marius turns Armand, Armand remains his pupil, they visit Kiev and Marius is jealous of Armand’s father, they make it all the way to the raid without Marius ever confiding about The Parents. Even in the present day, during a dispute, Marius tells Armand he has the savage & ignorant soul of a child. Even in the present day, Marius won’t stop calling him Amadeo!!!! 

And like!!!!! It feels like Marius is more upset about Santino wronging him by ruining his home and taking his toys than he is about what Santino did to ARMAND. It’s more about Marius’s own feelings and possessions than it is about Armand’s own feelings and experience of what happened. AN ARMAND FRIDGING, IF YOU WILL. 

Anyway.

By never seeing Armand as a complete person, Marius never has to feel threatened by him. We see this in toxic parents a lot. Like, I want you to be good, but I’m insecure if you’re better than me. Or I can never fully respect your feelings because I always see you as a child and not a fully grown adult. And the truth is that Marius is actually quite threatened by Armand, on the inside. He is very hurt. He cares what Armand thinks of him. He’s relieved at the end of BCtu when he assumes that Armand wants to open his heart again. 

So idk like. I think the books end with a little bit of a hope for them; we see a lot of growth and self-acceptance from Marius in the last book and it’s reasonable to assume that he and Armand might have a long chat and nice long cry and work it out. I don’t think it’s completely set in stone, but it’s nice to think about! A nice happy ending. And I wonder if this is when Marius finally takes Armand seriously and listens to what he has to say without demeaning him! 

Am I gonna add 2000 more words to this point by tying it what the whole like “I fear him because I could love him again” thing in TVA means? No I’m not. But like. Again! It’s okay to be a pet, I think Armand liked being his pet. :) 

[carmenscarnations]

I know people go off on Apple when she says; "but Briar, we all have our part to play" however I think it's clear this line has been drilled into her by authority figures a thousand times, which we see throughout the series from both Grimm and her Mother.

You can tell in the past there may have been times she's tried asking related questions about stories and ways to go "off the page" but as a result she received the "we all have our part to play/we all must do our part" line as an answer and sort of as a "comfort" with the explanation that everyone must play their roles or "poof"

Yes, it was insensitive and a bit ignorant of her to say that to Briar but imo she was only reciting to Briar the same thing that she has had fed to herself for years, like a sick and twisted way of "comforting" them both and that all of this will be worth it for their "happily ever afters."

She's not the delusional, selfish girl a lot of the fandom has made her out to be, she's scared. She's been raised with the belief that nothing good comes from straying from your story and seeing those closest to her (Raven, Ashlynn, Hunter, and now Briar) not want to follow their respective stories? It TERRIFIES her!

She loves her friends and being raised knowing all the horrors that come with not following your story petrifies her for her friends' sake. She's divided between wanting them to be happy but also not wanting them to vanish and endanger others in their stories.

[themagicalwriting]

Open letter to all GL fandoms with a dive in the Thai GL History created by @Kguardian0805 on X

Each GL brings something different to the table that helps to expand the industry that until 3 years ago was non-existent, only served for secondary characters with 10 minutes of screen time. FreenBecky not only designed but also built the table and they were the first to serve the main dishes and prove to everyone that it was possible, necessary and profitable.

And I'm not eliminating the importance of Tina & Aom, their film was Thai's first success in GL, so much so that it even won a sequel, but despite the international success, it failed to open the Thai industry to GLs. Because after Yes or No sucess GL entered a limbo for more than 10 years, with GL only appearing with secondary roles and seconds on screen.

It was only in 2021 with Chen, Saint and FreenBecky that things started to change because they announced Thai's first GL series and no one I repeat NO ONE but themselves believed it would work and there was worth it do it. Producers, companies, sponsors, fans even other actors continued to say that it would be a fiasco, a disaster so they all refused to support or be minimally associated with FreenBecky at that time.

But the girls and IDF were producing GAP for the right reasons and they didn't give up no matter the difficulties and the no's. Saint used all his money and his mother's savings to produce GAP and if he failed IDF would go bankrupt along with them. And was with a that perseverence and good representation mentality that GAP, the underdog show, beat all BLs in 2023 become a phenomenon and opened up the industry to GLs.

it was due to the success of GAP's exhibition on CH3 that made the channel want to produce and invest in their 1st GL; it was the success of GAP that moved Blank's CEO to make the series happen using a direct continuation of the story on her own terms and artists; it was FreenBecky's phenomenon that proved to GMMTV that GL is worth it so they finally stopped rambling and unshelve ML and their fandom unleashing their 1st GL; and the list of impact could go on with several other names and situations like the government support bc either directly or indirectly it was the success of GAP and FB that start the GL wave and made viable and visible our needs and existence as an audience to the Thai Industry.

admitting that DOES NOT make inferior your favorite couple/GLs because now with the industry growing many fans entered the industry for other artists/series and thats is a big win cuz was always the main goal of FB/IDF see that happening when they produced GAP, but please don't try to rewrite history or erase, belittle the sacrifices made by FB and IDF so you could today have a wave of GLs to choose your faves from; being true to this fact, liking FB or not, only proves your character and respect for the GL history.

So if u are a multifandom or just a GL enjoyer, respect everyone equally without differential treatment; if u are fans of other couples/series focus on them and appreciate their work, no need to minimize FB, their importance and work to value your fave,there is room for everyone. Remember if everyone always occupies different seats at this table, making different dishes, if the artists can respect each other and support, the fandom should at least respect each other or stay, know their place.

also stop harassing artists and their companies for things that don't belong to them, dont match their profile, each duo and company works in a different way; just demand for better productions and representation, better management of artists and not about other things. Lets make this space the most health possible we will disagre in a lot of things, we will fight over awards but pls be smart about it cuz a lot ppl, especially men, would love to see us fail, so stop playing their games but just uplift the woman in this field and the GL wave.

I wish all the best to all artists in GL world with special shoutout to MilkLove and their new series and Englot with Petrichor cuz I've been following their fight, struggles since 2022 and only wish the best for them over their really difficult company. Lets keep growing, all of us!

I wish all the best to all artists in GL world with special shoutout to ML and their new series and Englot with Petrichor cuz I've been following their fight, struggles since 2022 and only wish the best for them over their really difficult company. Lets keep growing, all of us

PS: I decide to share this thread here cuz dont only I agree but the GL world need that positivity and also really know their history and real adversaries which is a industry full of men, people who make GL and woman work difficult. Within our comunity and as woman we need at least respect each other and fully protect us from a place who always use and belittle our work and value.

[powwidge]

"Mother, where've you been? You look so worn, so thin."

I'm reading the Squirrelflight special Edition right now and it's making me feel things

[charminglygrouped]

For the past several years (and perhaps longer) in the P&P fandom I've seen a lot of people who want to rehabilitate Mrs. Bennet: like, sure, she's uncouth and seems greedy, but it's because she cares so much about her daughters' futures; her situation is actually really stressful and uncertain and she's powerless to change it and her husband makes fun of her, and so it's natural that it would cause her to be anxious all the time; maybe she doesn't have the intelligence or social awareness to understand that her behaviour is actually harming her daughters' prospects, but at least her heart is in the right place.

I'm usually not the type of person who argues that fandom is actually being too nice to a female character, but in this case I don't buy the counter-narrative (which I think is popular enough at this point to be fanon / a narrative in itself) about Mrs. Bennet.

For one thing, she was never really powerless in this situation. These people are rich even for gentry. Mr. Bennet's income was always good, at 2,000 pounds per annum (even though I can't believe he isn't neglecting some practices that could raise it higher). Mrs. Bennet had 4,000 pounds from her parents and a further 1,000 from Mr. Bennet. Invested in the 4 per cents (for example), this is 200 pounds per year in pin money that Mrs. Bennet could spend without touching the principle of her dowry, and without affecting Mr. Bennet's income. This is more than some people's entire yearly incomes.

The picture of Mr. and Mrs. Bennet that we get in P&P is not of people who are helpless against their circumstances, but of people who are extraordinarily neglectful. We're told that:

Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. [...] When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy; and her husband’s love of independence had alone prevented their exceeding their income.

We also know that the "continual presents in money which passed to [Lydia] through her mother’s hands," plus her allowance and food, amount to about 90 pounds per year. Rather than saving up from the beginning in case the entail is not broken, rather than beginning to save once it's clear a son will not arrive, rather than making Jane's dowry the full 5,000 from her mother (which would be something) and saving up for the younger girls' dowries thereafter—which is what would be typical, and that's why Lady Catherine was so shocked that all the girls were out at once—Mrs. Bennet's housekeeping, dress, the girls' allowance, presents of money over and above their allowance, plus whatever Mr. Bennet is spending money on (and other expenses relating to servants, carriages, maintenance &c. which are unavoidable), add up to their entire income. The only reason why Mrs. Bennet doesn't overspend even that is that that's where Mr. Bennet puts his foot down.

Mrs. Bennet is actively harming her daughters' prospects, not even of marriage, but of living respectably if they don't marry, because she doesn't have the temperance not to spend all of the income that is allotted to her. It is the role of the woman in a marriage to take charge of the housekeeping, servants, cooking, furniture, and all expenses relating thereto (plus certain attentions to her tenants and any living in genteel poverty in the area, though presumably this will depend on her income and whether there's a parish church with a parson's wife who's doing some of these things). She's an adult who should be competent to manage these things in a reasoned way without needing to be dictated to.

It is supposed to be the role of the woman in a marriage to take charge of her daughters' education—and yet Mrs. Bennet did not hire a governess, and Elizabeth says that she didn't spend much time teaching her daughters anything (it's not clear to what degree she's educated herself). Granted, the girls did have masters—but, from the sounds of things, that was only if they requested them. No one was required to learn much of anything, which will probably further harm the marriage prospects of the girls who "chose to be idle."

I think the "point" of Mrs. Bennet is that she is one half of one type of bad marriage which the novel illustrates, in contrast with the Gardiners' marriage. These marriages are two possible models for the Bennet daughters to look to. At one point, Elizabeth's prospective marriage is explicitly compared to her parents', with her in the role of her father: Mr. Bennet says "My child, let me not have the grief of seeing you unable to respect your partner in life" (emphasis original).

We might wonder whether Elizabeth saw herself potentially in the role of her father, in a marriage that was very intellectually unequal, when she rejected Mr. Collins; or whether she also saw herself in the role of her mother, married to a man who insults and doesn't respect her, when she rejected Mr. Darcy. Ultimately, she accepts Mr. Darcy after she realises that he is nothing like her father; that he is diligent in attending to his responsibilities, and that he does evidently respect her mind.

This isn't me defending Mr. Bennet, who is also a bad parent and a bad spouse. I do, however, find it a little disturbing when people suggest that Mr. Bennet is at fault for not controlling or curtailing his wife. His wife is a grown woman. Surely we don't actually believe that a situation where a man is legally in complete control over his wife, merely because he is a man and she is a woman, is in any way natural, moral, or just? (This also goes for people who suggest that Mr. Bingley needs to get his sister 'in line' 😬😬😬.)

Mrs. Bennet should be competent to manage her household and her daughters. Given that she's not, yes, Mr. Bennet, according to Georgian and Victorian ideas of the role of a man in a marriage, "should" have stepped in and started dictating to her. But I don't really think that's what Austen is suggesting went wrong here. The models of good marriages we have—the Gardiners, the Bingleys and Darcys after their weddings—are all ones in which the women were basically sensible people to begin with. In the latter two cases, we are told of particular ways in which the men stand to benefit from some mental quality of their future spouse (Elizabeth's good humour and ease in company; Jane's steadiness and determination).

The ideal which some Georgians had of a husband's role being to shape his wife's intellect doesn't seem to be what's being advocated here. If Mr. Bennet made a mistake, it was in marrying a silly, selfish, ill-tempered woman to begin with, not in failing to browbeat her into submission once he found out that she was silly, selfish, and ill-tempered. The idea is that you should choose your spouse carefully. But that message doesn't work if Mrs. Bennet is just a woman in a difficult situation who has her heart in the right place.

[yeetmeoutthewindowdaddy]

Y'all ever think about how Gale has daddy issues?

Y'all ever think about how Gale is very close to his mother?

Y'all ever think about how Gale deeply admires and respects his mother?

Y'all ever think about how Gale and Tara only talk about his mother, and not his father?

Y'all ever think about how the way Gale's father is seemingly, purposefully, never specifically mentioned implies that he walked out on Gale and Morena when Gale was young?

Y'all ever think about how Elminster was a young Gale's replacement father figure? (Gale was 8)

Y'all ever think about how Elminster, hopefully unintentionally, primed Gale for Mystra's grooming/abuse?

Y'all ever think about how Elminster used to be Mystra's lover?

Y'all ever think about how Gale was also Mystra's lover?

Y'all ever think about the fact that Gale knows Elminster used to be Mystra's lover?

Y'all ever think about how it was Elminster who told Gale that their ex-lover, and their literal goddess, wanted him to kill himself?

Y'all ever think about how the way Elminster told Gale their ex wanted him to kill himself was the Faerun equivalent of a video call?

Y'all ever think about how Elminster couldn't even be assed to deliver the "request" to Gale in person? (He used a simuclarion? Idk how to spell it, basically a shadow clone)

Y'all ever think about how Gale has never had a stable, healthy, normal, loving, relationship with a father figure?

Y'all ever think about how deeply and intensely Gale feels his emotions and feelings?

Y'all ever think about how Gale says he thinks he'd make a horrible father?

Y'all ever think about why Gale thinks that he wouldn't be a good father?

Y'all ever speculate on how Gale's reluctance to see himself in a paternal role might have something to do with everything mentioned above?

Because I do.

[circesastro]

Circe’s Observation: Moon Sign and Your Mother

Note: These are just my own observations, ideas, thoughts and theories. This is just for entertainment purposes. Also, please be respectful of my observations! It is perfectly understandable to not resonate with some of my personal observations but please do not leave any disrespectful comments! Lastly, please don’t plagiarize any of my works!Without further ado, enjoy!

**All photos are from Pinterest**

Aries Moon:

✿ On the bright side, Aries Moon have mothers who are very independent and strong

✿ They can be seen as someone who can handle a lot of things without having to seek someone else’s help

✿ They are mothers who are often the head of the house and makes the rules

✿ They are also people who are very driven in the things they do and someone who is always active

✿ The more dominant parent/figure in the family

✿ Mothers who make most of the decisions for the family

✿ Mothers who are protective over her children

✿ Their mothers could have been or are very active/athletic

✿ Yet, on the negative side, they can be seen as mothers who are impatient and domineering.

✿ Someone who seeks control all of the time and someone who is very argumentative

✿ I think Seventeen Joshua might be an Aries Moon instead of a Taurus moon because he stated that his mother was very hardworking and raised him all by herself (this is just my opinion btw)

Taurus Moon:

✿ Very protective mothers

✿ These mothers are viewed as strong-willed, stubborn and patient

✿ Natives tend to have a close relationship with their mothers

✿ Mothers who would constantly check up on their children to ensure their child's safety and also for security

✿ Very responsible mothers

✿ Someone who likes to dress their children up (especially daughters)

✿ Mothers may often feel comfortable sharing their clothes with their daughters as they grow older. (I seen this happening with both my cousin and my friend)

✿ On the other hand, their mothers can also be viewed as someone who is very materialistic and superficial

✿ These mothers may also show their love language through cooking for the native or just something related with food

✿ My cousin is a taurus moon and my aunt would be very picky about what foods my cousin consumes especially as an infant (Like no salt in the food and vegetables only).

✿ But also, my aunt spends a lot of her income into makeup, bags and jewelries, etc.

✿ The natives can inherit the mother's relationship with food for some reason...

Gemini Moon:

✿ Mother might gossip a lot

✿ A little bit scattered but also someone who is very mentally stimulating

✿ Mother may be someone who values intelligence or socialization

✿ Native may see mother as someone who is very chatty/gossipy

✿ Mother may also look very youthful

✿ The type of mother who may be mistaken as their child’s sister

✿ Someone who is very versatile and flexible with their ways

✿ Natives may view their mother as someone adaptable but also someone who is very flakey

✿ Natives may also admire their mother for their intelligence and adaptability

✿ Also, natives with Gemini moons tend to have siblings as well (ex: Rachel McAdam, Heidi Klum, Ateez's Hongjoong and Yunho, Seventeen's Hoshi, Monster X's Minhyuk, Itzy's Yuna, NCT's Doyoung, it goes on and on.)

✿ Also, mercurial moons tend to look like their mothers?

Cancer Moon:

✿ May have mothers who are nurturing and maybe even baby their child a lot

✿ Mothers who are very attached to their kids or their children plays a huge role in the mothers life.

✿ May be a bit too smothering and places too much emphasis on the child

✿ Cancer moon individuals typically have a good relationship with their mother

✿ Cancer moon natives who have good relationships with their mother tend to take on their mother's nurturing energy in their own lives

✿ On the other side, cancer moon individuals may view their mother as overemotional and hard to communicate with

✿ They may also be very manipulative and unstable

✿ Oftentimes, the mother may get very emotional and might cry when the native upsets them

✿ Cancer moon mothers tend to be the 'stereotypical' mothers in a way

✿ They tend to follow the traditional gender roles in their home

✿ Seventeen's Dokyeom have a cancer moon and they always say that he was 'raised in a warm home'

✿ Additionally, Enhypen's Jay is also a cancer moon and he has a really wholesome relationship with his mother too

Leo Moon:

✿ Mother tend to fixate more on themselves than their children

✿ A little self-centered and dramatic

✿ Someone who appears very confident and sure of themselves

✿ On the bad side, someone who may have a narcissistic personality

✿ And the individual moon may view their mothers as someone who is in constant need of attention

✿ May be the one with authority in the family/authority parent

✿ Most Leo Moon friend I have does not have the best relationship with their mothers

✿ One of them, her mother values popularity and is a drama queen...

✿ Two of them, their mothers tend to prioritize their other children over the native

Virgo Moon:

✿ Mothers who pay close attention to their child's lifestyle and health

✿ Mothers who may be very critical

✿ Mothers who are detailed-orientated when it comes to their child like walking a specific way or the child's postures, etc.

✿ Shows their love through acts of service

✿ They tend to be very keen about being clean

✿ First to point out the native's flaws

✿ The native may think that their mother do not care as much for them as they do with their siblings

✿ The character Hong Haein from Queen of Tears have a virgo moon and her relationship with her mother is often strained because she always thought her mother cared more about her younger brother than her (which was true tho...)

✿ Additionally, her mother saw Haein as the child who was more capable of taking care of herself which Virgo Moon mothers tend to do

✿ They put their child in a more responsible position than their other children

✿ The type of mother who their child can rely on like a safety net at the end of the day

✿ The mother may expect the native to be more productive in their day to day life compared to their siblings. More towards the way of "I expect the house to be clean by the time I'm home from work."

Libra Moon:

✿ Prioritizes beauty and focuses on the better things in life

✿ May prioritize their other relationships over their children especially romantic relationships.

✿ Very beauty-orientated

✿ May be just as superficial as Taurus moons too

✿ Gossipers!!!

✿ Libra moon natives are usually (not all) more cared for than their siblings as kids for some reason? May be the golden child when younger.

✿ These individuals can be very close with their mother.

✿ Jackson Wang have a libra moon, need I say more?

Scorpio Moon:

✿ Very private and protective mothers

✿ These individuals tend to learn and take after their mother's emotional strength

✿ A lot of scorpio moons tend to have single mothers but also their mother tend to provide financial security (ex: Jennie from Blackpink, Cai Xukun, etc)

✿ Also another one that tends to have a close mother-child relationship, for the better or the worse...

✿ Scorpio Moons remind me of Ms. Moh and Eungseong in Queen of Tears (He's either a Scorpio Moon or a Capricorn Moon... but I'm leaning towards Scorpio due to his abandonment issues and his mother's way of compensating for her absence was literally through giving him the money she obtained from chairman Hong).

✿ Someone who may be manipulative, calculative and sly

✿ However, they will always back their children up

✿ They type of mother who never sees their child's wrongdoing...

✿ May have a hard time expressing their love and affection towards their children

✿ Even though the relationship between the native and their mothers are most often described as "intense" and "complicated" the mother will protect their children even if the child is at fault.

✿ I think scorpio moon mothers either trust their child 100% or put little trust in her children.

✿ I think scorpio moon mothers prefer to be private but they will show themselves if they think their children is in danger. (ex: Cai Xukun using him as a example again 😭)

Sagittarius Moon:

✿ Social butterflies!

✿ They may have travelled a lot or just someone who enjoys traveling

✿ Mother may be someone who always seek knowledge

✿ Mother may also put a lot of emphasis on higher education

✿ May be impulsive...or just quick tempered

✿ 0 to 100 real quick as they are Jupiter-ruled

✿ I remember when BTS Namjoon said that his mother ruined his computer and mic because she wanted him to focus on his studies

✿ Mother may be the type to take their children traveling to learn about the world

✿ May also be the type to take interest in trivia or just have a lot of random knowledge

Capricorn Moon:

✿ Another one whose mothers tend to be very private

✿ Another one of mothers may have a hard time expressing their love and affection outwardly/towards their children

✿ But may also be very cutthroat and focuses on business more than their family

✿ A lot of Capricorn moons in my life typically do not have a good relationship with their mothers

✿ Natives with Capricorn moons may view their mother as someone who is very stern and unsympathetic

✿ Capricorn moon mothers are the type of mother to use authoritarian parenting style along with Aries moon (just my take, not every Capricorn/Aries moon mothers are like that!)

✿ On the bright side, like most earth moons, Capricorn moon mothers may be perceived as someone responsible and mature

✿ They are someone who is practical and ambitious

✿ Usually, the native with Capricorn moon will take on this trait too

Aquarius Moon:

✿ Mother either acts like a friend to the native or they are very detached from the native...

✿ Mother may be very open-minded

✿ Song Jia have an Aquarius moon and she stated once that her only friend is her mother

✿ Celebrities/idols who have Aquarius moons, their mothers tend to be loved by the community

✿ May appear in social media more than other moon signs

✿ Mothers who may be very involved with their communities

✿ Billie Eilish and her mother have both taken part in promoting a healthier environment and sustainability for the world

✿ If cancer moons are like the "traditional" mothers, then Aquarius moons would be like the opposite

✿ These mothers values eccentricity, intelligence and community.

✿ For some reason, Aquarius moon mothers gives me the PTO mom vibes 😅

Pisces Moon:

✿ Mothers may be very spiritual or religious

✿ Great manifestors lol

✿ It always remind me of that one story of Seventeen Mingyu’s story of his mother where she went to pray for someone to take him away because he was such a difficult child, and guess what? A week later, he was taken to Pledis as a trainee 😁

✿ Pisces Moon mothers may also be very artistic or creative

✿ Mother may be very deceptive

✿ They say one thing and do the other

✿ Mothers may either be very emotional or too distant

✿ Because of Jupiter + Neptune influence, they can be very ambitious and dream big

✿ A negative manifestation of those with pisces moons may be that their mother may struggle with some sort of addiction. (gambling, drinking, smoking, drugs etc.)

✿ Mother may oftentimes isolate?

MASTERLIST

[weirdmageddon]

i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag club full of queens and trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[writtenbymoonflower]

If it's ok can I request Headcanons on what it's like dating poly!maruaders please? Female reader?

yes ofc! if anyone else has hc requests please gimme! also these have no theme and are just off the top of my head (and not proofread I'm so sorry)

firstly I feel like all the boys have different 'roles' in the relationship

Sirius is (obviously) the troublemaker. He will shamelessly flirt with the three of you in public, he will stir the pot whenever possible, and loves to distract you all from whatever tasks you have.

James is like a mother hen. He's just so loverboy T-T I also feel like he is equally as loud as Sirius with his affection, but it's more sappy, whereas Sirius is more salacious.

Remus is the calm, collected one, but occasionally he will just do something completely unexpected.

Like Sirius and James will be being all sappy to you and Remus will be dead silent until he just says the most flustering, X-Rated comment the three of you have ever heard, and then he just shrugs it off.

I feel like James and Remus will also good-cop/bad-cop you and Sirius sometimes.

Not to say that Remus is mean, but I just think he can be more stern if that makes sense.

Also imagine you all cooking together :D

I feel like James is in charge for any meat/protein you cook, while Remus reads instructions and you chop things up.

Sirius will sit there as eye candy UNTIL something needs to be stirred. And then he's all like 'can I do it?' *puppy eyes*

I think they would all have very different tastes in movies too

James loves a good rom-com. I feel like he would also be obsessed with Pride and Prejudice or Bridgerton. I think he could also appreciate a good emotional move but he would cry every. single. time.

Sirius either wants to watch a really cheesy horror movie or a silly superhero move. Like I feel like he would eat up the new Deadpool movie. Anything very emotional would make him cry, even though he would also make fun of you if you did.

Remus would like really well done psychological horror. He would be the one to suggest Hereditary or something really messed up like that.

James would just sit there in absolute shock as horrors unfold before his eyes, and Sirius would scream like a little girl at absolutely everything.

Every time Remus picks a move you would joke that he's never allowed to again (even though you all would completely respect his turn when the time came around)

But don't worry, he would comfort you all after.

Lastly I think they all have a distinct smell.

James smells like old spice. Just very clean. Also I think he would use oils in his hair that smell so so so good.

Remus smells like coffee and cigarettes, but I think if he bakes the scent sticks to his clothes for the whole day.

Sirius would smell like rich-boy perfume. OR he would steal your hygiene products and come out of the shower smelling like a pumpkin pie or something like that.

Basically they are all very different but somehow so so perfect.

[lilia-calderus-pet-goat]

Found-Family headcanons for a³'s coven of chaos, part 4: (because they all deserved more time with each other)

(warning: drinking)

(part 3, here) - (part 2, here) - (part 1, here)

Everyone loves to give Señor Scratchy treats, even when Agatha insists they shouldn't.

Señor Scratchy especially loves Billy, Lilia and Sharon. He does likes to cuddle everyone, though. Except Jen, who he's always trying to bite, (???) because he wouldn't be Agatha's familiar if he didn't.

One day Jen jokes that she will turn him into a purse if he rages against her again—and everyone defensively yells at her at the same time. “Okay! Okay! Jeez! I was joking!”

Sharon cuts fruit for everyone every time they hang out together and forces them to eat it before doing anything else.

Jen usually pays for everything. It's the price of her constantly bragging about her, “real job.”

Agatha always teases her about it. One time, Lilia felt bad—and so she “went to the bathroom” and payed for everyone herself.

Billy himself got his first bad alcohol experience at age seventeen at his first big teen party, which Eddie took him to.

He got very fucking wasted very quickly because turns out he's not great at holding his alcohol. So—he begged Eddie not to call his parents, because, “they've bEeN through enOUGH I'M A HORRIBLE SON AND NOT EVEN reALLY THeirS--”

So, Eddie sighed and called Agatha to get him instead. And yes, your girl did drive ALL the way to Eastview—and spent the whole night sleepless, sobering him up to save him from the hungover. She was just glaring at Rio all night long, telling her to go make coffee and no funny business, while holding his head over the toilet. She was surprisingly gentle and comforting during the experience—because she does have her moments—like when Lilia had her traumatic hallucination in Jen's trial and Agatha gently went, “okay” instead of mocking her. That's the vibe.

BUT he still got the scolding of his life the next day. The whole neighbourhood heard Agatha yelling.

During the argument Agatha yelled that, “I'm not your mother!” and he shot back, “I know that, do YOU know that??” Which caused her to avoid him for a few days.

Later, Rio told him how much it actually affected her and why—and Billy felt really bad about it. On mother's day, he gave Agatha a gift basket of stuff he made himself, (with his bio-mom's help.) Agatha said it was tacky and unnecessary—but she actually teared up a bit. She opened the window and yelled at Wanda's abandoned lot to make an insensitive joke about how, “suck it, Wanda, you rank last in the mom list—” as to not show too much vulnerability. But Billy is used to her by now—and he knows that she appreciated it.

Alice always feels sad on mother's day. She visits her mother's grave site and tells her how bad her life is. This year, Billy went with her. And for the first time, Alice only had good things to tell her. About how she broke the curse—and she can finally do something with her life now. About how she got a new job, and a coven.

Also, to cope, Alice got a gift for Lilia and one for Sharon. They may not be her actual mothers—but she appreciates them both endlessly and their support means the world to her. She got them both protective crystals.

You know who ELSE got Sharon a gift??

Well, Sharon doesn't either. She just received an anonymous bouquet of Azaleas and she had no idea who sent it to her.

It was Agatha, but she'd die before admitting it. She's the last person you'd suspect, since she still calls her Mrs. Hart despite how triggering it is, or pretends she doesn't remember her existence at all. In reality, she's grown fond of the Westview residents despite her best efforts not to. She doesn't particularly respect them and she does view them as “lesser,” but she doesn't wish them harm. They did take care of her for three years—and the Agnes role does have bits and pieces of Agatha in it.

Billy finds out through Rio and accidentally tells Alice. Alice tells Jen, Jen tells Lilia, (because she's not about to hide Agatha's embarrassing secret.) and Lilia tells Sharon.

Sharon is surprised but also extremely moved, considering she doesn't have any living family. She wants to thank Agatha, so she gets the idea to throw her a surprise party. (Since she herself hasn't been to a party since Mr. Davis passed away and she really wants to attend one!!)

She gets help from the coven but also invites all the main Westview residents that we know and love. Rio proposes the idea of writing, 'Agnes of Westview' on the cake, to get back at Agatha for always calling them by their Wanda-branded names. Sharon doesn't want to, but everyone else finds it hilarious, so they do it.

Agatha pretends to be extremely annoyed.

She isn't. She just never expected this to happen to her. For people to want to be there—and to see her as someone at least capable of good—someone who deserves a second chance.

They eat and drink together, having a blast. Billy isn't allowed to drink, but Agatha sneaks him a glass. Just ONE glass. You know, to teach him responsibility, as if she's the queen of it. “It's about knowing when to stop, teen.” “oh is it? tell us more”

Sharon is the opposite of a light-weight. She chugs down those shots like they're nothing—and if you ask her, she'll dismissively wave and say she's “lived a life.” Still, she doesn't seem to know her limits, and she gets carried away. At least she prepared some bomb ass charcuterie for everyone!!

Jen is a classy drinker, picky with her alcohol. She knows her limits and always drinks just enough to “make the company tolerable,” since, “no sane person could ever find you idiots amusing without a few shots.”

Lilia becomes incredibly talkative when she drinks and she loses whatever filter she may have otherwise had. Not to say that usually she has too much of a filter, but drunk, she literally becomes Patti Lupone. Jen finds it endearing and listens intently, Alice finds it sort of amusing but also a bit shocking, Rio matches her freak and Agatha just finds it fucking terrifying.

You'd expect Rio to be wilding, but she already does that sober. No, instead, she becomes very clingy and very affectionate—just whipped over Agatha. And she's kind of a light-weight too, which surprises everyone at first. It's because her real form is literally skeletal and her human form is probably maintained magically—so there's less actual real body mass to dilute the alcohol. So, death can tear through the fabric of reality, but metabolising alcohol is just too difficult.

Alice can hold her alcohol very well. She was once the definition of a teenage dirtbag, so she has experience in the field. Now she's pretty sensible. She's also the most clear-headed, even when she's drunk enough to stumble around.

Agatha herself is a slow drinker because she wants to make fun of everyone else for being less sober than her. She's developed a fair bit of tolerance over the years, but when it finally hits it really hits.

During a particularly rough case of drunkenness her and Jen sung karaoke together. Not during Agatha's party, though. Neither of them can quite recall the incident, or so they claim. Unfortunately for them, Alice recorded the whole thing. Rio made it her ringtone, as did Lilia.

Jen forces Lilia to get a skin-care routine. “Doll, I actively choose to look like this because I don't have the time or energy to maintain a youthful appearance. What makes you think I'll spend money on these products that capitaliSe in womeN's InsEcuriTiEs—I'm a divination fraud, you're a beauty guru fraud, we're both senior citizens, I don't care for this—”

And Jen is like, “okay ouch but nO this is nOt what I've been selling. This is new. We're not talking about just a luxury—the skin is the largest organ of the body and is exposed to various environmental stressors like pollution, UV rays, and temperature changes, as well as internal factors like stress and diet. I'm giFting these products to you I mAde them in a cAuLdron.”

Lilia is so flabbergasted by the clarity of Jen's explanation that she agrees. However, she constantly forgets to actually apply it.

Fortunately, Jen never forgets. And Lilia is probably the only person that Jen tolerates to constantly give reminders to.

[blue-devil-of-the-lord]

Cute little Bamf

Kurt Wagner x fem!AFAB!reader Words: 1.3K Summary: Kurt is absolutely smitten by his little daughter. A/N: I used a gif of Alan Cummings Nightcrawler, however it works coompletely fine with any Nightcrawler, really.

As gently as he could, Kurt brushed a strand of hair from her face that was stuck to her forehead and smiled slightly as he looked down at her sleeping form. She looked exhausted, which she was, and her hair was messy with sweat, but he was glad to see that some colour had returned to her cheeks.

Lightly, so as not to wake her, he ran his hand over her cheek. No matter how exhausted she might look, for Kurt his wife was the most beautiful woman on earth, an angel sent by God. His attention briefly shifted to the small bed beside hers, and a surge of emotion washed over him. Here lay not just his beloved wife, but also the embodiment of their love—a pure, innocent soul they had brought into this world together.

When she had first brought up the subject of children a few months after their wedding, he had been sceptical, unsure.

On the one hand, he wanted nothing more than to have a family with the person he loved above all else, a testimony to their love.

On the other hand, he didn't know if she was aware of the full consequences. She was human, not mutant, and so far there had hardly been any offspring between mutants and non-mutants, especially not with mutants, whose physical appearance was so different. Kurt himself had taken a long time to come to terms with his outward appearance, and the thought of a child, his child, having to go through the same problems because of him didn't sit well with him.

She had shown remarkable patience and understanding, gently nudging him towards their shared dream of parenthood with unwavering reassurance. Never once did she pressure him, always respecting his hesitations and doubts. She made it clear that if he truly didn't want children, she wouldn't press the issue further. After two years of marriage, their mutual longing for a family outweighed his reservations. The journey to parenthood had been arduous, with Kurt feeling torn between his desire to fulfill his wife's wishes and his fear of the unknown.

He watched as his wife endured the challenges of pregnancy with strength and grace, feeling powerless to ease her burdens.

The birth itself had been a taxing ordeal, yet, in that moment when their daughter was placed in her mother's arms for the first time, any traces of pain or exhaustion vanished.

Their daughter.

Kurt's gaze shifted to the small cot beside his wife's hospital bed, ensuring she remained peacefully asleep before gently disentangling his hand from hers. With cautious steps, he approached the cot, his heart swelling with emotion at the sight before him.

She was perfect and the sight of her alone was enough to bring tears to his eyes again. When she had placed her little girl in his arms for the first time, he had been unable to stop the tears and had silently sent prayers of thanks to heaven.

In that sacred moment, he had made vows to cherish and protect this precious gift with all his being. And as he beheld his little Rachel, he felt a profound sense of responsibility and love wash over him, promising to fulfill his role as her father with unwavering devotion until the end of his day.

His wife had suggested the name because, on the one hand, it was a biblical name to honour Kurt's faith, but at the same time it was a normal name in both German and English, albeit pronounced and spelled differently.

Kurt would have married her again at that moment if he had been able to.

Rachel slumbered peacefully, mirroring her mother's deep rest, granting Kurt the opportunity to kneel beside her bed, captivated by her presence. As he observed her features, a mix of his own and his wife's, he marveled at the unique blend they had created. Though she inherited many of his distinct characteristics, they were softened by her mother's genetic influence.

Her complexion, not as deeply indigo as his own, resembled a more fainter blue, while her hair cascaded in a shade darker than his signature black-blue hue. Her eyes, previously open wide and full of curiosity, gleamed gold, not as intense as his, with larger pupils than he possessed.

She had one more digit on each hand and foot than he did, but they were just as long and slender as his. And while her body lacked the fur that adorned his own, the presence of a small tail with its distinctive spade-like tip unmistakably marked her as his.

Kurt felt a surge of gratitude that his wife had agreed to give birth at the Institute, recognizing that their daughter's unique appearance might have drawn unwanted attention in a non-mutant hospital. Just like her father.

Kurt lost track of time as he sat there, mesmerized by his daughter's stirring movements. When she finally awoke, her tiny face contorted in a mixture of confusion and discomfort, he swiftly rose to his feet. As she began to emit soft, plaintive sounds, Kurt instinctively hushed her with a gentle shushing noise.

"Shhh," he murmured softly, scooping her into his arms with a tenderness born of love and instinct. "Beruhige dich, mein Liebling. Sonst wecken wir Mama." He knew she couldn't understand his words, but the soothing tone seemed to have a calming effect on her. Her cries quieted as he rocked her gently, his movements lulling her into a peaceful state. Instead, she looked at him curiously out of her large, golden eyes while her tail whipped lazily through the air.

A tender smile graced Kurt's lips as he gently nudged Rachel with the tip of his tail, ensuring not to cause her any discomfort.

To his delight, she responded by wrapping her own tail around his, emitting soft sounds that tugged at his heartstrings. Kurt continued to rock her gently, minimizing any noise that might disturb her fragile peace.

In his arms, Rachel seemed impossibly small and delicate, igniting a fierce protective instinct within Kurt. The overwhelming urge to shield her from harm, to safeguard her against any obstacle that dared cross her path, surged through him like a tidal wave. It was a primal instinct, a father's love in its purest form, driving him to do whatever it took to ensure her safety and happiness.

He didn't know whether this thought should frighten him or whether he was justified as a father after all, so he pushed the thoughts aside.

A soft rustle drew Kurt's attention, and he turned to see his wife awake, her gaze filled with warmth and affection. Despite the traces of fatigue, a broad smile graced her lips as she looked upon them. Kurt hurried to her side, Rachel cradled in his arms, concern evident in his voice. "Did we wake you, Liebling? I'm sorry-"

He glanced towards the bedcovers, but his wife reached out for his hand, squeezing it lightly. "Don't be," she reassured him, her tone gentle. "I had the pleasure of waking up to this beautiful view." Kurt smiled slightly and turned in a sitting position so that she could look down at their daughter as well.

Kurt's wife continued to stroke Rachel's forehead tenderly, drawing out a few indistinct sounds from the baby. As Rachel's tail tightened around his own, Kurt let out a yelp of surprise, a sharp twinge of pain shooting through him. His wife couldn't help but chuckle at his reaction, the sound filled with affectionate amusement.

"Headstrong and cheeky like her Papa," his wife remarked, affection lacing her words. "And she looks like him too. If I hadn't given birth to her, I wouldn't even know if she was my child."

Kurt pressed a tender kiss to his wife's forehead before leaning against her, his tail finding its place around her hip. "Maybe at first glance. But she looks more like you than you realise," he murmured, his gaze drifting back to Rachel, who was lazily lashing her tail and blinking her eyes, yawning softly.

"To be honest, I don't care what she looks like," she whispered, her voice barely audible as they watched their daughter drift off to sleep. "She's our daughter. She's perfect." Kurt looked down at the little blue bundle - now asleep again - in his arms and smiled slightly.

" Indeed she is.“

[watcherintheweyr]

I saw a post earlier talking about how Alicent is not being rewarded by the patriarchy she has served so faithfully, and how the son she and Otto raised to the throne 'to protect his life in the way they knew they must' and I just... I have Thoughts so I'm gonna say em.

Alicent thought that by weaponizing the patriarchy against Rhaenyra and by serving it and it's goals, she'd be the exception to their sexism and disdain of women. She thought she'd be rewarded by signing with the oppressors and the oppressive system and it's values, and she's now facing the reality and the consequences of what's happened. And she's also getting a taste of the undermining and humiliation that she turned against Rhaenyra for years.

Honestly the fact that she even has a seat in the Small Council makes no sense at this point - it barely made sense with Viserys, given Alicent's views on women having power. That they should not have the power but should 'gently guide' those that do. In truth it's tragic irony and yet somehow comedic, seeing her realize that she will not be rewarded or exalted in Any way for all she's sacrificed and betrayed.

But also: Otto knew that Rhaenyra wouldn't turn on her siblings. He never really believed she would kill them. Those were lies he fed to Alicent that she in turn poisoned her children with in order to serve his ambition: which was originally to have his blood ruling on the throne but has become to have his blood on the throne as a puppet-king that he can control.

The MOMENT they moved forward with the usurpation, Otto attempted to have Rhaenyra and her entire family- including two toddlers- assassinated- the very thing he claimed Rhaebyra would do. Because he was never horrified by such a concept, and he never genuinely thought Rhaenyra was the sort to do such a thing. But he absolutely is- and entirely unprovoked. And yet somehow Alicent is shocked by this- somehow she never realized that to 'secure his succession, Aegon and his faction would have to do to the true heir and her family what she thought the true heir would do- which is either incredibly poor writing, or just blind, willful ignorance of what a usurper would have to do to stay secure from rival claimants.

Otto suggested Rhaenyra as heir to further distance Daemon from the throne (which was due to his hatred of Daemon, his knowledge that Daemon saw hom as he was, and his.. greed and possessiveness of Viserys, which was referenced now on s2e2 in how Otto spoke of Viserys, the man he puppeted, controlled, and manipulated for decades with total reverence.)- and because he thought she would be immediately displaced once his daughter gave Viserys the son that Aemma was killed for.

He never thought that Viserys would seriously hold her as his heir- and never thought she would be so difficult to manage or control, either. We see the horrified realization in his eyes in episode 2 when she shows him up at Dragonstone- that she is actually something formidable, that she just succeeded at something he did not- and saved his life from Caraxes in the same breath. That she, a girl, was taking this role as heir seriously, and that she might actually be able to play the part, and do it well.

So he made a new plan- to fill Alicent's mind with poison and lies about her once best friend, to ensure she would turn her children against Viserys' heir, and thus help him to further his goals.

But he miscalculated. Deeply. Because now Aegon's jealousy, insecurity, and hatred are running unchecked as he sits as the most powerful man in the realm. Now his grandson's depravity guides his choices, and Aegon's hatred and jealousy of Rhaenyra, his desperation for love and attention, and the power cirrently goong to his head... All are far stronger than any respect he may have once held for his grandsire- and his mother.

She betrayed and destroyed herself and Rhaenyra for nothing. She will never be rewarded for what Otto made her suffer or for what she did to disparage and demean Rhaenyra in the eyes of the men of the realm. She has served her use, as far as the men she thought to guide are concerned.

[natsaffection]

Wait and Hope. Pt 2 | N.R

Warnings: gun shots, blood, gore 'traumatized' children, just angst

Word Count: 9,8k

A/n: Okay, it's a lot..The Request you can find here.

The first few weeks after Lila, Jacob, and Mia moved in were an emotional whirlwind. Mia adapted quickly, her boundless energy and cheerful nature filling the house with light. She often clung to you and Natasha, seeking your warmth and affection, while Jacob remained quieter, but slowly began to open up. But Lila..Lila was different. You and Natasha had expected some challenges. Lila was, after all, fifteen and had been through more than any teenager should. But as the days turned into weeks, it became clear that Lila's walls were still firmly in place, and she wasn't ready to tear them down anytime soon.

Natasha, who had taken on the role of disciplinarian, had set clear boundaries from the start. She was strict but fair, and the kids quickly learned that pushing those boundaries or talking back wouldn't get them very far. Lila start to respect Natasha, yet there was still a certain distance, an unspoken agreement that Natasha wouldn't push too hard as long as Lila didn't push back. But you..you were also different. You were the heart of the family, always warm, always understanding, always trying to reach Lila with kindness and patience. And that's where the problems began. Lila wasn't ready for that kind of affection, not from someone she still saw as a stranger, and her rejection often manifested in anger. It had been a long day, filled with the usual ups and downs of settling into a new routine.

Natasha had just returned from work and found you in the kitchen, preparing dinner. The tension in the air was palpable, and Natasha could sense that something was wrong. "What happened?" Natasha asked gently, stepping beside you and placing a hand on your back. You sighed, your shoulders sagging slightly. "Lila and I had another argument.." you admitted, your voice tinged with frustration and sadness. "She shut me out again, and when I tried to talk to her about it, she just..exploded." Natasha frowned, her protective instincts kicking in. "What did she say?"

You hesitated, clearly reluctant to relive the exchange. "She told me to stop pretending I care, that I'm not her real mother, and that I don't understand anything she's been through." you said quietly, your voice cracking slightly. Natasha's heart ached for you, knowing how hard you had been trying to connect with Lila. She wrapped her arms around you, pulling you into a comforting embrace. "I'm sorry, Detka.." Natasha murmured, her voice filled with empathy. "Lila's hurting, and she's taking it out on you because she doesn't know how else to cope."

"I know." you whispered as you leaned into Natasha's embrace. "But it's so hard, Nat. I just want her to see that we love her and that we're here for her. But no matter what I do, it feels like I can't get through to her." Natasha tightened her embrace, her heart breaking for the woman she loved. "You're doing everything right." she said gently. "It's just going to take time. Lila's been through a lot, and she's scared. She's not used to people being kind to her without expecting something in return."

You nodded as you tried to hold back your tears. "I'm so proud that the kids are bonding with you, especially since you were the one who was most worried about it. But..I can't help feeling like I'm failing somehow." Natasha pulled back slightly, cupping your face in her hands and looking into your eyes with unwavering love. "You're not failing." she said firmly. "You're the heart of this family, Y/n. The kids are struggling right now, but they will open up. And when they do, it will be because you never stopped believing in them."

You sniffled, a small, sad smile tugging at your lips. "I hope so." you whispered. "I really hope so." At that moment, you both heard a door slam upstairs, followed by the sound of quick, stomping footsteps in the hallway. Natasha sighed, knowing that Lila was in one of her moods again. She pressed a quick kiss to your forehead. "I'll go talk to her." Natasha said gently. "You can finish up here, okay?" You nodded, grateful for Natasha's support. "Thank you." you whispered. Natasha gave you a reassuring smile before heading upstairs. She found Lila in her room, sitting on her bed with her arms crossed, her expression set in a defiant scowl. “Hey..” Natasha said, her voice calm but firm. “We need to talk.” Lila looked up, her eyes flashing with anger. “What?” she snapped. “What now?”

Natasha wasn’t fazed by Lila’s hostility. “You need to stop taking your anger out on Y/n.” she said, her tone measured. “I know you’re going through a lot, and I know you’re hurting, but she is trying to help you. She doesn’t deserve to be treated like this.” Lila’s expression faltered for a moment, a fleeting look of guilt crossing her face before it hardened again. “I didn’t ask for her help.” Lila muttered, her voice full of bitterness. “I didn’t ask for any of this.”

“I know.” Natasha responded, her voice softening. “But this is your reality now. We are your family, and we’re here for you, whether you like it or not. Y/n cares about you, and she’s trying so hard to make this work. You need to meet her halfway.” Lila looked away, her jaw clenched tightly. “I don’t need a new family.” she mumbled, her voice barely audible.

Natasha sighed, feeling the weight of Lila’s pain. “Maybe not.” she said quietly. “But that doesn’t change the fact that you have one now. And part of that family is Y/n. She’s not trying to replace anyone in your life, she just wants to be there for you.” Lila didn’t respond, but Natasha could see the inner conflict in her eyes. She was struggling, torn between her fear of being hurt again and her deep, unspoken desire for closeness.

“I’m not asking you to change overnight.” Natasha continued, her voice gentle. “But I’m asking you to try. Give her a chance. She’s not going away, and neither am I.” Lila’s shoulders slumped slightly, the fight gradually leaving her. She said nothing, but Natasha knew the message had been received. It would take time, but Natasha was willing to wait, to keep pushing until Lila was ready to let them in.

“Okay.” Natasha said softly as she slowly moved toward the door. “Take some time to cool off. We’ll talk later.” She left Lila’s room, her heart heavy from the weight of the conversation. She knew this wasn’t the end of the struggle, but she hoped it was a step in the right direction.

When Natasha returned to the kitchen, you were setting the table for dinner, your expression a mixture of sadness and determination. Natasha walked up to you, wrapped her arms around your waist, and rested her chin on your shoulder. “How did it go?” you asked quietly as you leaned into Natasha’s embrace. “It went as well as it could.” Natasha replied, her voice filled with quiet confidence. “She’s still hurting, but I think she’s starting to understand that we’re not going to give up.”

You sighed and closed your eyes for a moment. “I just wish I knew how to help her.” you murmured. “You’re already helping her.” Natasha said gently. “Just by being here, by being patient, by showing her love even when she pushes you away. It’s not easy, but you’re doing exactly what she needs.”

You nodded, your heart still heavy, but you felt a renewed sense of determination rising within you. “I’m not going to give up..” you whispered. “I won’t give up on any of them.” Natasha smiled, kissed your cheek. “And neither will I.” she said softly. “We’re in this together, Y/n. We’ll make it through, one day at a time.”

Months passed and Mia had quickly settled in, her cheerful nature and boundless energy bringing a light into the house that you and Natasha greatly appreciated. Jacob, though quieter, had also begun to open up and was gradually finding his place in the family. Since you allowed him to buy his own things, you both stumbled over piles of books every day,. But Lila? She was still struggling. The walls she had built around herself remained firmly in place, and despite all of your and Natasha’s efforts, she seemed determined to keep you both at a distance. It was a constant source of tension in the house, especially between Lila and you, as you bore the brunt of Lila’s anger and frustration.

One evening, Natasha was in the kitchen preparing dinner, while you were just on your way to join her. Mia was sitting at the table, doodling on a piece of paper, and Jacob was nearby, quietly reading a book. The atmosphere was calm, a peaceful routine that you had worked hard to establish. As Natasha stirred a pot on the stove, she heard Mia’s small, sweet voice call out, “Mommy, can you help me with this?”

Natasha’s heart skipped a beat, her hand pausing mid-motion. She turned to see Mia holding up her pencil with a confused expression, waiting for Natasha to come over. It took Natasha a moment to process what she had just heard. Mommy..Mia had called her mommy! The word hit Natasha like a wave, the weight of it filling her chest with a mix of emotions she wasn’t prepared for. She had been so focused on making sure the kids felt safe and loved that she hadn’t expected this moment hadn’t expected one of the children to call her by that name.

“Mommy?” Mia repeated, looking up at Natasha with wide, innocent eyes. Natasha blinked, quickly collecting herself and forcing a smile. “Of course, sweetheart..” she said, trying to keep her voice steady as she walked over to the table. She crouched down next to Mia and helped her with the drawing, but her mind was spinning, her heart filled with a mixture of joy and vulnerability.

You noticed the change in Natasha’s demeanor, how her eyes were a little brighter than usual, and you knew what had happened. You reached out, placing a comforting hand on Natasha’s arm and giving her an encouraging smile. Both of you had been waiting for this moment, and now that it had come, it was as overwhelming as it was beautiful. But the quiet joy of the moment didn’t last long. As Natasha returned to the stove, she heard the front door slam shut. Her heart sank, knowing that could only mean one thing. Lila was home.

You sighed, your expression growing more serious as you stood up. “Let me handle this.” you said quietly, knowing it would likely lead to another confrontation. Natasha looked at you sympathetically. “Do you want me to come with you?” she offered, knowing how difficult these moments were for you.

But you shook your head, determination in your eyes. “No, I need to do this.” you said gently. “She needs to know that I’m not going anywhere, no matter how much she tries to push me away.” Natasha nodded, watching you with a mix of admiration and concern as you left the kitchen and headed upstairs. She could hear the music blasting from Lila’s room, a clear sign that she was trying to shut out the world.

You knocked on Lila’s door and waited for a response that didn’t come. You took a deep breath, opened the door, and stepped inside. Lila was sitting on her bed, earbuds in, her face set in a grim expression as she stared at her phone. She didn’t even look up as you entered. “Lila.” you began, your voice calm but firm. Lila didn’t react, her fingers angrily tapping on her phone as if to drown out your voice. You moved closer and gently placed a hand on Lila’s shoulder to get her attention.

“Lila, please.” you said, your voice softening. “Can we just talk?” In that moment, Lila exploded. She ripped the earbuds out of her ears and turned to you, her eyes blazing with anger. “leave me alone!” she snapped. “Stop pretending you care because we both know it’s not true!” You recoiled slightly, the words hitting you like a physical blow. But you didn’t back down. You had heard this before, you had felt the sting of Lila’s rejection countless times. But you weren’t going to give up, not now, not ever.

“That’s not true.” you said, your voice trembling but determined. “I care about you. We both do. And I’m not pretending. I want you to feel safe here, to know that this is your home.” Lila scoffed, crossing her arms over her chest in a defensive posture. “Home? This isn’t my h-home. It’s just another place I’m stuck until you decide you don’t want me anymore..!” Your heart broke at Lila’s words, at the deep-seated pain and mistrust they revealed. You knew Lila had been through so much, that she had every reason to doubt the stability of her situation. But that didn’t make the words any less painful.

“That’s not going to happen.” you said, your voice filled with quiet resolve. “We’re not going to give up on you. No matter how hard it gets, no matter how much you try to push us away, we’re here. And we’re staying.” Lila’s eyes flashed with anger, her voice rising in frustration. “Why? Why do you even care? I’m just a burden to you, right? You’ve already got Jacob and Mia, so why do you even need me?” Lila finished, her voice cracking under the weight of her emotions.

Your eyes filled with tears, but you fought to keep them from falling, refusing to show Lila just how much her words hurt. “Because you’re part of our family!” you said, your voice trembling with emotion. “You, Jacob, and Mia, you’re all part of our family, and that means we love you, no matter what.” For a moment, Lila seemed to waver, her anger flickering as she looked into your eyes. But the years of pain and disappointment were too deep, too ingrained. She shook her head, her expression hardening again. “I don’t need your love..” she muttered, turning away from you. “Just leave me alone..please..”

You stood there for a long moment, your heart heavy with the weight of the conversation. You wanted so badly to reach Lila, to break through the walls she had built around herself. But you knew that it wouldn’t happen overnight. It would take time..time, patience, and a love that wouldn’t give up, no matter how much she resisted. Finally, you sighed and took a step back. “Alright.” you said quietly. “I’ll give you some space. But I want you to know that I’m here, whenever you’re ready.”

You turned and left the room, closing the door behind you with a soft click. As you made your way back downstairs, you felt the tears you had been holding back begin to fall. You quickly wiped them away, not wanting to break down in front of the children. When you returned to the kitchen, Natasha was waiting for you, her expression full of concern.

Without a word, she pulled you into a tight embrace, holding you close as the emotions of the day finally overwhelmed you. “You’re exactly what she needs, you know? She just doesn’t realize it yet. But she will, Y/n. I promise you, she will.” You clung to Natasha, finding strength in the quiet presence of your partner. Despite the challenges, despite the heartache, it was undeniably comforting to know that you weren’t facing this alone. You had each other, and that was enough to keep you going.

As the evening progressed, you both tried to push the tension aside and focus on the positive moments. Dinner passed quietly as Mia and Jacob chatted softly about their day at school. Mia, as always, was full of energy, telling stories about her friends and her new favorite game, while Jacob listened more than he spoke, but with a calmness that reassured you and Natasha that he was finding his way.

Lila, however, remained in her room, the door closed, shutting herself off from the world. Your heart ached every time you glanced down the hallway, wishing you could somehow reach through that door and pull Lila into the warmth of the family. But you knew it wasn’t that simple. Lila needed time, and more importantly, she needed to feel that she could come to you on her own terms.

After dinner, you and Natasha took the younger kids to bed. Mia was eager for her bedtime story, snuggling up to you with her favorite stuffed bear. As you read, her eyes slowly drifted shut, the words of the story lulling her into a peaceful sleep. Natasha tucked Jacob into bed, sitting with him for a few minutes as he quietly told her about a book he was reading. She listened attentively, offering encouragement and gentle advice, her heart swelling with pride as he began to open up more, sharing his thoughts and feelings in small but meaningful ways.

When the children were finally asleep, you and Natasha found yourselves alone in the living room, the house quiet except for the occasional creak of the floorboards or the distant hum of the refrigerator. You sat together on the couch, the weight of the day heavy on your shoulders. Natasha wrapped an arm around you, holding you close. “You’re helping them more than you realize.” she murmured. “Just by being here, by being patient. They been through so much, and they had to protect themselves for so long. And Lila maybe doesn’t know how to let people in, but she will. She’s starting to see that we’re not going anywhere.”

You nodded, though the doubt still lingered in your heart. “I just wish I could do more.” you said quietly. “You’re doing everything you can.” Natasha reassured you, pressing a kiss to the top of your head. “And that’s enough. We’ll keep being there for her, for all of them. And one day, Lila will realize that she’s not alone anymore.” You closed your eyes and let yourself relax in Natasha’s embrace. “Thank you.” you whispered, your voice full of gratitude. “For being so strong, for holding us all together.”

Natasha smiled, her heart swelling with love for you. “We hold each other together.” she said gently. “We’re a team, Y/n. And nothing will change that.” As you sat there, wrapped up in each other, the weight of the day began to lift. The challenges you were facing were real, and there would be more difficult days ahead, but there was also hope..hope that your love and determination would be enough to carry you through.

5 months had passed since the Kids had come into your lives, and while some things had improved, others remained heartbreakingly stagnant. Jacob and Lila had gradually opened up to Natasha, and over time, both had begun to call her “Mom.” She had never imagined herself in this role, but now that she heard those words, everything felt so much more real. But you still found yourself on the outside. Mia had also completely bonded with you, with the same boundless affection she always showed. But Jacob and Lila had yet to overcome that final hurdle. They hadn’t opened up to you in the same way they had with Natasha, and every time they called her “Mom” without including you, it chipped away at your heart a little more.

You tried not to let it show, tried to stay strong and hopeful. You knew that these things took time, and you didn’t want to rush them. But as the days turned into weeks, the constant reminder of your position on the sidelines began to wear you down. In this fragile time, you received an unexpected call from Nick. You and Natasha had all but retired from active duty, focusing on raising your new family. You had only agreed to take on missions when absolutely necessary, when no one else could do the job. But this mission was one of those cases. Fury’s voice was firm, almost apologetic, as he explained the situation.

“I wouldn’t be calling if it wasn’t absolutely necessary.” Fury said over the secure line. “But this mission requires your particular set of skills. We need both of you.” You and Natasha exchanged a look, both feeling the weight of the request. You had built a new life, a stable life for your children, and the thought of leaving them, even temporarily, felt like tearing apart the foundation you had worked so hard to build.

“We have a family now, Nick.” Natasha said, her voice strained with frustration. “You know that. We can’t just drop everything and go on a mission.”

“I wouldn’t ask if it wasn’t critical, Natasha.” Fury responded, his tone serious. “I know this is hard, but you’re the best we have for this job. If there were another way, I’d take it.”

You felt a lump form in your throat, the pressure of the situation bearing down on you. You had always known that this was a possibility, that your previous lives as Avengers could come back at any time. But now, with your family still so fragile, it felt like the worst possible timing. “How long?” you asked, your voice tense with emotion.

“Two days.” Fury replied. “We’ll have everything you need at the Compound. The kids will be safe and well taken care of.”

After a tense moment of silence, Natasha finally spoke. "We need to talk to the kids about this." she said, her voice resigned. "But we’ll do it." You looked at Natasha, the silent communication between you carrying the weight of your decision. You didn’t want to do this, didn’t want to leave your children, especially not when things were still so uncertain. But you also understood your responsibility, the trust Fury had placed in you, and the greater good you had always fought for.

That evening, the family gathered around the dinner table, the usual chatter quieter than normal. The weight of the day hung in the air, and even Mia seemed to sense that something was different. You cleared your throat and exchanged a glance with Natasha before speaking. "Kids, we need to talk to you about something important."

Mia’s eyes lit up with curiosity, while Jacob and Lila looked up from their plates, their expressions more guarded. "We got a call today from work." Natasha continued, her voice calm but tinged with a slight hesitancy. "There are some things we need to take care of." Mia’s excitement was immediate. "Are we coming too?" she asked, her voice filled with childlike wonder.

Natasha smiled gently and shook her head. "Not quite. You will come to work with us, yes. But we have to do the rest ourselves. You’ll stay there while we’re away, and we’ll be back as soon as we can." Jacob’s face brightened at the mention of the Avengers Compound. "Will we see the Avengers? The compound?!"

Natasha nodded, her heart aching at the thought of leaving them behind. "Yes," she said. "and we’ll make sure you’re safe and well taken care of while we’re gone." But Lila’s reaction was immediate and hostile. Her fork clattered against the plate as she dropped it, and her expression hardened. "So you’re just going to leave us there?" she snapped, her voice filled with anger and fear. "What if you don’t come back? What if this is just another way to get rid of us?"

Your heart sank at Lila’s words, the familiar sting of her mistrust cutting deep. "Lila, that’s not true." you said gently, trying to keep your voice steady. "This is just for the mission. We will come back, I promise you." But Lila wasn’t having it. She pushed her chair back and stood up, her eyes blazing with a mix of anger and betrayal. "That’s what you say now, but how do I know it’s true? You’re just like everyone else! Making promises you can’t keep."

Natasha reached out to Lila, her voice firm but gentle. "Lila, listen to me. We’re not like the people you’ve known before. We’re not going to leave you. This mission is something we have to do, but it’s just for two days. We will come back." Lila’s gaze fixed on Natasha, and for a moment, there was a flicker of vulnerability in her eyes. She opened her mouth to speak, but hesitated. When she finally did, her voice was quiet, almost trembling. "Mum, I don’t want you to go.."

The word hit Natasha like a blow to the chest. Lila had called her that a few times before, but the way she said it now, with such raw emotion, nearly broke her heart. Natasha wanted to hold her, to promise her that everything would be okay, but she knew it wasn’t that simple. You, standing beside Natasha, felt a sharp pang of pain. Lila had called Natasha "Mum" with such sincerity, and yet there was still a distance between her and you, a barrier that hadn’t been broken.

"We’ll come back, Lila." Natasha repeated, her voice firm but filled with emotion. "I promise you, we will come back." But Lila’s anger flared up again, defensive and protective of the wounds she still carried. "Promises mean nothing!" she snapped. "You’ll leave, and then you’ll realize you don’t want us anymore, and we’ll be right back where we started!"

Jacob and Mia watched in stunned silence, the tension at the table palpable. You felt the weight of the moment pressing down on you, the overwhelming feeling that no matter what you said, it wouldn’t be enough to ease Lila’s fears. She turned and stormed out of the room, the door slamming behind her and leaving a heavy silence in her wake. You stood there, your heart breaking as you stared at the closed door. You felt Natasha’s hand on your shoulder, a silent reassurance, but it did little to ease the pain in your chest.

Mia, ever the optimist, broke the silence with her soft, hopeful voice. "You’ll come back, won’t you?" she asked, her eyes wide and innocent. You forced a smile and knelt down to hug Mia tightly. "Yes, sweetheart." you whispered, your voice thick with emotion. "We’ll come back. I promise." Jacob, still sitting, looked at Natasha with a mixture of trust and uncertainty. "And you’ll be okay, right?" Natasha nodded and gently ran her fingers through his hair. "We’ll be okay." she said softly. "And we’ll come back to you. To all of you."

As the evening wore on, the atmosphere remained tense, the shadow of the upcoming mission hanging over you all. Natasha and you tried to maintain a semblance of normalcy, but the weight of the situation was impossible to ignore. Later that night, as you got ready for bed, you could no longer hold back your tears. You sat on the edge of the bed, your shoulders shaking as the emotions of the day finally overwhelmed you.

Natasha sat beside you, wrapping her arms around you, holding you close as the tears began to flow. You leaned into Natasha, your head resting on her shoulder as you let out all the pain and frustration you had been holding inside. "I don’t know what to do.." you whispered, your voice trembling. "This mission..I’m so scared that we’ll lose everything we’ve worked so hard for." Natasha tightened her embrace, her heart aching for you. She knew how much you had invested in this family, how desperately you had tried to connect with everyone, to be the mother they needed. But she also knew that some wounds took time to heal, and especially Lila’s wounds were deep.

"We’re not going to lose this." Natasha said firmly, her voice full of determination. "We’ve worked too hard, and we’re not going to let this mission take that away from us." You sniffled and wiped your eyes, trying to steady yourself. "I just wish I knew how to get through to them." you whispered. "Lila’s starting to trust you, and that’s wonderful, but I feel like.." You took a deep breath, trying to calm the storm of emotions inside you. "I want to believe in us." you said quietly. "But its so hard..."

Natasha kissed your forehead, her touch tender and soothing. "You don’t have to go through this alone." she whispered. "We’re a team, remember? We’ll get through this together." You nodded, feeling a glimmer of hope in your chest. "I know." you whispered. "And I’m so grateful for you, Nat. I don’t know how I’d get through this without you."

Natasha smiled, brushing a strand of hair away from your face. "You’d make it because you’re strong, stronger than you think. And we’ll make it through this, all of us, together." You sat there in silence for a while, holding each other close, finding comfort in the quiet strength of your bond. The challenges you were facing felt overwhelming, but there was a deep, unshakable love between you that kept you going.

After a while, Natasha spoke again, her voice gentle but resolute. "We need to talk to Fury before we leave." she said. "Make sure everything is set up for the kids while we’re gone. And we need to make it clear to him that this is the last time for a long time. Our family needs us here." You nodded, your resolve returning. "You’re right." you agreed. "This is the last time. We need to be here for the kids, especially now. They need to know they can rely on us."

"And they will." Natasha said, her voice firm. "We’ll do this mission, but after that, we’re done. Our family comes first." With that decision, you both felt a sense of calm settle over you. The upcoming mission still weighed heavily on you, but you now knew where your priorities lay, and you were ready to fight for what mattered most.

The next morning, you both rose early to make the final preparations. You called Fury and made it clear that this would be your last mission for the foreseeable future. Fury understood, and though his tone was brisk and professional, there was a note of respect in his voice. “We’ve got everything set up for you at the Compound.” Fury said. “And I’ll make sure the kids are well taken care of while you’re on the mission. Maria has come forward to take care of them."

With heavy hearts, you and Natasha packed your bags, the reality of leaving your children, even temporarily, weighing heavily on you. But you proceeded with a clear goal in mind, the knowledge that this step was necessary to ensure the safety and protection of the world, a world you wanted to safeguard for your children. Before you left, you gathered the children in the living room. Lila sat on the edge of the sofa, her expression wary, while Jacob and Mia sat close to their parents, their faces a mix of excitement and nervousness. Maria already waiting for them.

Natasha knelt in front of them, her voice calm and steady. “We’re leaving now.” she said, her heart aching as she looked into their eyes. “But we’ll be back soon. While we’re gone, you’ll be safe at the Compound, and you’ll have everything you need.” You reached out and gently touched Lila’s arm, your voice soft. “Lila, I know this is hard, but we will come back. We promised you, and we’re going to keep that promise.”

Lila didn’t respond immediately, her eyes focused on the floor. But when she finally looked up, there was a faint glimmer of something in her expression, something you couldn’t quite decipher. “Be careful, please.." Lila murmured, her voice barely audible.

Natasha smiled, her heart swelling with emotion. “We will.” she promised. Mia, always a bright light, hugged both Natasha and you tightly. “Don’t forget us!” she whispered earnestly. “Never.” you whispered back, your voice full of love. Jacob, who had been quiet until then, finally spoke up. “I’ll take care of them, mum.” he said seriously, his small face determined. “I’ll make sure they’re okay.” Natasha felt her heart swell with pride as she ran a hand through Jacob’s hair. “I know you will, buddy.” she said softly. “You’re so brave.”

After a final round of hugs, Natasha and you stood up, ready to go. You looked at your children, your family knowing that you were leaving behind what was most important to you. But you also knew that you would return. As you walked out the door, you glanced back one last time, your heart heavy but resolute. Lila stood in the doorway, her arms crossed, watching you with an unreadable expression. You wanted to run back, to tell her again how much you loved her, how much you would miss her, but you knew this was a moment Lila needed to process on her own.

Natasha and you got into the car, your hands finding each other as you drove away from the house. The upcoming mission was crucial, but equally important was the promise you had made to yourselves, to each other, and to your children. You would come back. And when you did, you would continue to fight for your family, no matter how difficult it became.

The mission briefing was straightforward but dangerous. A covert Hydra base had been discovered in the heart of the city, suspected of holding critical information about upcoming terrorist attacks. Natasha and you were assigned to infiltrate the base while Steve and Bruce took care of the outside world. On paper, it was simple, but both of you knew how quickly things could go wrong.

Natasha glanced over at you, her concern evident in the furrow of her brow. "We can do this. One last time." You met her gaze and forced yourself to smile confidently. "I’ve got your back, Nat. Always." Natasha shook her head, though the worry didn’t leave her eyes. "Just stay close. We go in, we go out. No unnecessary risks." You knew what she was really saying: Don’t be a hero. But that was easier said than done when it came to Natasha. You’d do anything to protect her, even if it meant putting yourself in danger.

The Quinjet landed on a rooftop a few blocks from the Hydra base. The city was always quiet, the only sounds were the distant hum of traffic and occasional gusts of wind. Natasha led the way, moving with the silent grace of a predator, and you followed closely behind her. You descended a fire escape and disappeared into the shadows as you approached the building. The Hydra base was hidden beneath an abandoned warehouse, a perfect cover in a city full of forgotten buildings. Natasha scanned the area, her sharp eyes catching the faint glow of surveillance cameras hidden in the corners. She signaled to you, and you nodded in understanding. You had to be quick and silent, any alarm would mean a swarm of armed Hydra agents descending upon you.

With her Widow’s Bite, Natasha disabled the cameras one by one, clearing a path to the entrance. Your heart pounded in your chest as you approached, the weight of the mission heavy on you. You couldn’t shake the feeling that something was off, that you were walking into a trap. But you pushed the thought aside and focused on the task at hand. You reached the entrance, a steel door with a biometric lock. Natasha pulled a small device from her belt, attached it to the lock, and watched as it began bypassing the security system. The seconds dragged on, each one filled with the suffocating silence of anticipation. Finally, the device beeped, and the door slid open with a soft hiss.

You slipped inside, the darkness of the corridor swallowing you whole. Natasha led the way, her senses on high alert as you navigated the labyrinthine interior of the base. The air was thick with tension, every step bringing you closer to the heart of the Hydra operation. You reached a large, dimly lit room filled with computer terminals and stacks of documents. Natasha’s eyes locked onto the central console, where a data drive was inserted. "This is it." she whispered.

Your grip on your weapon as you positioned yourself by the door. Natasha moved quickly, her fingers flying over the keyboard as she initiated the data transfer. The seconds ticked by, each one a small victory as the progress bar crept closer to completion. But just as the transfer was nearly finished, your worst fear came true. The door to the room burst open, and a group of Hydra agents stormed in with weapons raised. You reacted instinctively, firing a shot that took down the lead agent before he could pull the trigger. Chaos erupted in the room, bullets flying as the two of you fought for your lives.

"Nat, we have to fall back!" you shouted over the noise, your voice laced with desperation. But Natasha was focused, too focused, her eyes locked on the last remaining agent standing between you and the exit. She went in for the kill, but in that split second, everything went wrong. The agent, a hulking figure with a cruel grin, raised his weapon and aimed directly at Natasha. Time seemed to slow as you recognized the danger. Without thinking, you threw yourself in front of her, your body acting on pure instinct. The gun fired, the noise deafening in the enclosed space.

The sharp crack of gunfire echoed in Natasha’s ears, a sound she had heard countless times before, but never with such devastating clarity. It was as if the world had frozen, everything narrowing down to that one terrible moment as you threw yourself in front of the bullets meant for Natasha. The world around her dissolved into chaos. She barely registered what she was doing as she took down the last enemies, her body moving on autopilot, but her mind was solely focused on the woman lying in a growing pool of blood.

"Y/n!!" Natasha’s voice was a rough, tortured cry that echoed off the cold metal walls of the base. She dropped to her knees beside you, her hands trembling as they hovered over your body, unsure where to touch, where to press, where to begin mending what had been so horribly destroyed. Blood. So much blood. It stained your clothes, your skin, and Natasha’s hands as she finally pressed down on the gunshot wounds, trying to staunch the unrelenting flow. The blood was warm, sticky, seeping through Natasha’s fingers no matter how hard she pressed, and it filled her with a fear she had never known before.

"Why did you do that?!" Natasha’s voice quivered with a mix of anger and despair, her green eyes blazing as they met yours. "I told you to be careful! Why didn’t you listen to me!" Your breathing was shallow, each breath a painful struggle. Your face was pale, your eyes glassy as you looked up at Natasha, a gentle, sad smile playing on your lips. "I couldn’t… let him.." you whispered, your voice weak but resolute. "I had to protect you."

Natasha’s heart clenched painfully in her chest, a sob threatening to break free as she pressed harder on the wounds, desperately trying to stop the blood, trying to keep your life from slipping through her fingers. "You’re an idiot!" she choked out, her voice breaking as tears streamed down her cheeks, mixing with the blood on her hands. "You stupid idiot. You should have let-" She cut herself off, her throat closing up as the truth hit her like a sledgehammer. She had failed. She had failed to protect the woman she loved more than anything in this world.

Your hand, trembling and weak, reached to Natasha’s hands, "Don’t blame yourself.." you whispered, your voice barely a shadow of its former strength. "You couldn’t have known..Please, don’t blame yourself."

But Natasha couldn’t hear you, not over the deafening roar of her own guilt. She reached for her radio, her hands slick with blood as she brought the device to her lips. "I need a MedEvac now!" she called out, her voice breaking with desperation. "She’s been shot- two bullets to the chest, she’s losing too much blood!" She dropped the radio, her hands returning to your wounds, pressing down with all her might, even though she knew it wasn’t enough. She could feel your life slipping away, like sand through her fingers, and it was tearing her apart.

Your hand, weak but determined, found its way to your chest, pressing against one of the gunshot wounds. Your fingers came back bloody, and you stared at them, a strange sense of calm washing over you. "It’s..a lot.." you murmured, almost to yourself, your voice distant, as if you were already slipping away. "Don’t look." Natasha pleaded, her voice shaking as she gently took your hand and pulled it away from the wound. "Don’t look, just focus on me. Look at me, Y/n."

Your eyes flickered back to Natasha, your gaze softening as you saw the tear-streaked face of your wife. "Nat..it’s okay." you whispered, your voice growing weaker with every word. "I love you..I love our kids..Tell th-"

"Stop it." Natasha snapped, her voice hardening with a desperation that bordered on hysteria. "You’re going to tell them yourself. You’re going to be fine. We’re going to go home, and you’re going to see them. You’re going to hold them in your arms, and you’re going to be fine. Do you hear me? You’re going to be fine!" Your eyes grew heavy, the pain and exhaustion too much to fight against. But you could still hear Natasha’s voice, that beautiful, strong voice that had always made you feel safe.

Natasha had to keep you awake. She had to make you talk, keep you focused, keep you alive. "The Kids are waiting for us." Natasha began, her voice trembling but determined. "Mia..shes probably drawing on the walls, and lets Maria wipe it away.." Natasha continued, forcing a smile despite the tears streaming down her face. "She never listens when it comes to her art. And Jacob..he’s probably curled up in that old chair, reading another one of his books. He’s so thoughtful, so kind. Just like you"

Your lips twitched in the faintest hint of a smile, your eyelids fluttering as you struggled to stay awake. "Lila’s probably got her headphones on, blasting that awful music she’s into these days.." Natasha said, trying to keep her voice light even as her heart shattered with every passing second. "She thinks it’s cool, even though it drives us all crazy. But she’s strong, just like you. She’ll be okay."

You managed a weak chuckle, but it quickly turned into a wince of pain. Natasha’s grip on your hand tightened, her other hand still pressing desperately against your wound. "Natasha, I’m so..proud of them.. proud of you.."

"And I’m proud of you." Natasha whispered back, her voice cracking as she leaned closer, her forehead resting gently against yours. "You’re the strongest person I’ve ever known, Y/n. You’re going to get through this. You have to." But despite her words, she could feel your life slipping away, your breaths becoming shallower, your skin growing colder. Panic clawed at her insides, a deep, primal fear that she had never felt before. "Stay with me!" she pleaded, her voice breaking. "Please, stay with me. I can’t lose you. I can’t do this without you!"

Your eyes opened one last time, meeting Natasha’s gaze with a softness that broke her heart. "I love you." you whispered, your voice so faint it was almost lost in the air. "I’m sorry..I couldn’t-"

"Please, no." she whispered, her voice choked with sobs as she held you close, her tears mixing with the blood that stained both of you. "Don’t leave me, Y/n. Please…" The world seemed to narrow down to the sound of Natasha's frantic breathing, the steady dripping of blood on the floor, and your weakening heartbeat that she felt under her trembling hands. The walls of the Hydra base seemed to close in around her, the oppressive silence only broken by the distant echoes of their previous fight.

But then, there was sudden movement, heavy footsteps echoed on the concrete floor, voices shouting commands. The door to the room flew open, and Natasha barely registered who it was until she heard Bruce's voice. "Natasha! Step aside, let me through!" Bruce's voice was firm, but there was an urgency in it that Natasha had never heard before.

Natasha didn't want to let you go, couldn't let you go but she forced herself to move just enough to allow Bruce to kneel beside you, his first-aid kit already in hand. His face was hardened with determination as he quickly examined your wounds. His eyes met Natasha's for a brief moment, filled with something she couldn't name and didn't want to name. "This doesn't look good.." Bruce muttered quietly as he pulled out an improvised bandage and pressed it firmly against the wounds to stop the blood flow. You groaned in pain, your body jerking under his hands.

"Stay with us, Y/n.." Bruce said, his voice deep and calm, though Natasha could hear the pressure beneath it. "I need you here, okay? I'll do everything I can, but you need to hold on." Steve appeared in the doorway, his faces serious and tense as he took in the situation. Steve acted quickly, his gaze hardening as he recognized the severity of your injuries. "We need to get her out of here, immediately." he said, his voice leaving no room for argument.

"Steve, be careful." Natasha warned, her voice laced with fear as she watched him kneel beside you. She knew what needed to be done, but the thought of you being moved, the pain it would cause you, made her stomach twist with anxiety. Bruce looked up at Steve, his face grave. "I've managed to slow the bleeding, but it's not enough. We need to get her to the Quinjet quickly, she doesn't have much time left."

Steve nodded, his jaw clenched as he carefully slipped his arms under your limp body. The moment he lifted you, your eyes shot open, and a blood-curdling scream escaped your throat, raw and filled with agony. Your hands clawed at Steve's arms, your fingers digging in as the pain shot through your body like fire.

"I know it hurts." Steve said, his voice strained as he tried to keep you calm. "But we have to move you. We have to get you to the jet." Natasha was immediately by your side, her hands reaching for yours, her voice soft and soothing as she tried to calm you. "I'm here, Malysh. I'm here. Hold on, okay? Focus on my voice. We're getting you out of here."

Your eyes were wide with pain, your breaths coming in short, gasping bursts as Steve carried you toward the exit. Natasha kept pace beside you, her heart breaking at every tortured sound that escaped your lips. "Think of the kids, Y/n." Natasha murmured, her voice trembling but determined. "Lila, Mia, and Jacob, they're waiting for us. We're going home to them. You just have to hold on a little longer."

Your grip on Natasha's hand tightened, your eyes finding hers as if drawing strength from her words. "I'm..I'm trying," you gasped, your voice barely audible, but Natasha could hear the desperation, the fear. "You're doing so well, baby.." Natasha whispered, her own voice breaking. "You're so strong. Just a little bit more, I promise. We're almost there."

The Quinjet came into view, the cargo door already open, and Bruce was shouting instructions to Sam, who was preparing the medical area for emergency treatment. Steve moved as quickly as he could, his face set in determination, while your blood soaked through his uniform. Natasha stayed close to you, her hand never leaving yours, her voice a steady stream of reassurance even as her own fear threatened to choke her. "We're almost there. Just a few more steps."

Your eyes fluttered, your strength fading fast as Steve carried you up the ramp into the jet. As soon as they were inside, Bruce was there, helping Steve to gently lay you on the medical bed. The moment your back touched the bed, you screamed again, your body convulsing with pain.

Bruce moved with controlled urgency, his hands flying over the medical equipment as the jet's engines roared to life. "We need to stabilize her." he said, more to himself than the others. He inserted an IV, pumping fluids into your body to counter the blood loss. "Her pulse is weak, Natasha, keep talking to her. Don't let her drift away."

Natasha nodded, her tears flowing freely now as she leaned over you, her lips close to your ear. "You're doing so well. I'm so proud of you. Keep your eyes on me, okay? Just look at me." Your eyes fluttered open, glassy with pain, but you managed to focus on Natasha, your lips trembling as you tried to speak. "I..love you.." you whispered, your voice so weak that Natasha had to strain to hear it.

"I love you too." Natasha whispered back, her heart breaking at the sight of your pale, bloodless face. "So much. You're going to be okay. You have to be okay." But even as she spoke, Natasha could see the life fading from your eyes, your body growing colder under her touch. And then, in a moment that would haunt Natasha forever, your eyes rolled back, and the heart monitor emitted a long, shrill beep.

"Y-Y/n?" Natasha's voice was a broken whisper, her hands shaking as she shook your lifeless body. "No, no, no..Bruce do something!" He was already moving, his face pale as he grabbed the defibrillator paddles. "We're losing her! Clear!" The shock jolted your body, but the heart monitor remained flat, its unbroken tone slicing through the air like a knife. Natasha's breath caught in her throat, her entire body filled with cold terror. "No! You can't leave me! You can't leave me!"

Bruce pressed the paddles to your chest again, his voice tight with concentration. "Clear!" Your body convulsed with the shock, but still nothing. Natasha felt something inside her break, her knees giving out as she clung to your hand, her tears falling onto your still, lifeless body. "Don't do this!" Natasha sobbed, her voice breaking. "Please..I can't lose you. I need you!"

Bruce was relentless, refusing to give up as he administered another shock. "Come on, Y/n!" he muttered through gritted teeth. "Come on." Ad then, like a miracle, there was a flicker on the monitor..a weak but present heartbeat. Natasha's breath caught, hope flooding her like a wave. Bruce immediately switched tactics, working quickly to stabilize you, his hands moving with a speed that only came from years of practice.

"She's back.." Bruce said, his voice trembling with relief but also with the realization of how fragile this life still was. "But she's not out of the woods yet. We need to get her to the MedBay immediately." The Quinjet accelerated to full speed, racing toward Avengers Compound. Natasha stayed by your side the entire time, her hand gripping yours so tightly her knuckles turned white. "You can't do this to me again, you hear me?" she whispered urgently, as tears continued to stream down her face. "Do you hear me, Y/n! You can't leave me."

Natasha held on to the faint pulse under her fingers, to the fragile heartbeat that was all that kept her world from completely shattering. The flight back to the Compound felt like an eternity, every second stretching out as Natasha watched Bruce work, her heart heavy as a stone in her chest. But she refused to let you go, refused to let you slip away again. She kept talking to you, whispering promises, clinging to the hope that somehow, someway, they would make it through this. The Quinjet landed with a jolt on the grounds of the Compound, the ramp lowering before the engines had fully powered down. Natasha didn't wait for the jet to come to a complete stop, she was on her feet immediately, running alongside the gurney where you lay, pale and motionless, as Bruce and a team of medics rushed you into the medical wing.

The blood seeping through the hastily applied bandages was a constant reminder of the bullets that had torn through your body. Natasha's hands were still stained with that blood, her mind fogged with fear and despair as she clung to the edge of the gurney, her eyes never leaving your face for a moment.

The medics burst through the doors of the medical wing, but in that moment, Natasha's breath caught. In the hallway, eyes wide with fear and horror, stood her children. Lila, Jacob, and Mia. They were supposed to be with Maria! Safe and far away from the nightmare that was unfolding. But there they were, huddled together, their faces pale with fear and confusion. They must have sensed that something was wrong, must have noticed the change in the air when the Quinjet landed.

“Mom!” called Lila, her voice cracking under the weight of fear and anger. “What happened?? Is Y/n okay??” Jacob clung Lilas arm, his face contorted with worry. “Why is there so much blood?” he asked, his voice trembling. “What happened to her?” Mia, held onto Lila's other arm, her big eyes filled with tears as she looked up at Natasha. “Why are there so many poeple?” she whispered, her voice small and full of fear. Natasha's heart broke at the sight of the Kids, standing there so vulnerable and scared. This was the last thing she wanted..that they had to see you like this, that they had to be exposed to this kind of fear. She wanted to protect them, to shield them from the harsh realities of the life she led, but there was no time to think, no time to find the right words.

The medics paused for a brief moment, a fleeting second, as they maneuvered the gurney through the door. In that instant, the Kids saw you, your ashen face, the blood-soaked bandages, the way your body lay motionless and lifeless. It was only a brief moment, but it was enough. Mia let out a small, sharp cry. She turns to Lila's to press her face into hers and Jacob's eyes widened, his grip on Lila's arm tightened until his knuckles turned white. Even Lila, who was trying so hard to be brave, took a step back, her face drained of all color.

“oh my god, what happened?!” Lila asked, her voice rising in panic. “Why does she look like that? What’s going on?” Natasha felt her throat tighten, her breath catching in her chest. She needed to be with you, needed to be by your side as the doctors fought for your life. But she couldn’t leave the kids like this, couldn’t just walk away without giving them some kind of explanation, some kind of comfort. She knelt in front of them, her hands reaching out to pull them close. “Listen to me.” she said, her voice trembling with the effort to stay calm. “Y/n..she's very badly hurt, but the doctors are going to do everything they can to help her. You need to stay with Maria now, okay? I have to be with her.”

Mia's tears spilled over, her little hands clutching at Natasha's suit. “But why did she get hurt?" Jacob was crying now too, silent tears streaming down his face as he shook his head. “I don’t want her to die, mum. I don’t want her to die..” Lila, her face pale and drawn, looked up at Natasha, her eyes a mixture of fear and anger. “She won't, will she?” she asked, her voice breaking. “Why did this even happen to her and not to you?”

The question hit Natasha like a physical blow, the guilt she had been trying to suppress rising up and choking her. How could she explain this? How could she make them understand that you had taken those bullets for them, that she had made the ultimate sacrifice because she believed they needed Natasha more? But there was no time. The medics began to move again, pushing the gurney through the doors and out of sight. Natasha’s heart twisted painfully as she looked at her children, their tear-streaked faces filled with confusion and fear.

“I promise I’ll explain everything.” Natasha whispered, her voice thick with tears. “But right now, I have to be with her. Please..please stay with Maria. I’ll come back as soon as I can.” She pulled back a little and looked directly at Lila, who was trying so hard to hold it together. “Lila.” she said, her voice firm but full of urgency, “I need you to be strong now. Your brother and sister are going to need you. I need you to take care of them while I’m with Y/n. Can you do that for me?”

Lila’s eyes widened, the weight of what Natasha was asking settling on her young shoulders. She hesitated, fear and uncertainty flashing in her eyes, but then she nodded, her jaw setting in determination. “I can do it.” she said, her voice steady despite the tears she was fighting back. “I’ll take care of them.” Natasha reached out, cupping her face with one hand, her thumb brushing away a stray tear. “Thank you." She whispered, her voice filled with gratitude and love. “I know it’s a lot to ask, but I trust you, Lila. I need to know they’re safe with you.”

Lila nodded again, this time more decisively, and took Jacob and Mia’s hands, squeezing them reassuringly. “We’ll be okay, Mom. You go take care of Y/n.” Natasha swallowed hard, fighting back the tears that threatened to overwhelm her. “I’ll come back as soon as I can.” she promised, pressing a kiss to each of their foreheads. “I love you all so much.” With that, she forced herself to turn away, even though every instinct screamed at her to stay with them, to hold them until the fear subsided. But she couldn’t. She had to be with you, had to be there while the doctors fought for your life. She hurried after the medics, her heart pounding in her chest as she rushed through the doors of the medical wing, leaving her children behind, their tearful eyes searing into her memory.

[deadbaguette]

Day 2: High Fantasy ft. Sorcerer!Odysseus and Witch!Penelope with some AU ramblings

(Everything for this month will be very quick and not rendered most likely! So please take my doodles <3 )

High Fantasy AU:

I LOVE HIGH FANTASY! But I am too uncreative to actually give this the love and lore it deserves 😭 But I will do my best to give the details I have thought about:

The gods are still gods in this AU! But I would love them to look a lot more eldritch and don’t take human forms very often. As a result they get mixed up in a lot of the folklore of their respective regions of influence

Sometimes the gods will take on apprentices of sorts, and depending on what type of god they are, they will teach them the ways of their craft. Often times thought this is through magic or fighting/weaponry

Odysseus in this AU was picked up by Athena hence why he is a sorcerer. He did not inherently know magic, but was taught it by Athena. Sorcerers are quite rare since magic is a sort of gatekept art form, and it’s not common for non-witches to know magic

Diomedes is also in this AU because I can’t not have him.. He’s also under the apprenticeship of Athena but he’s a knight. He’s not currently serving under any royalty, and instead has just taken to travelling around with Odysseus wherever he goes. Athena is a master with weapons and Diomedes is as a result really REALLY fucking strong. If Odysseus’ spells don’t work, Diomedes will brute force it

Penelope is a witch! Her mother was a sea witch, so her medium of magic is often channeled through water. I don’t know if anyone knows Witch Hat Atelier but you can think of her magic as similar looking to Qifrey’s!

Folktales are SUPER important to this AU! Despite it being high fantasy, I do like the thought of a lot of creatures being in obscurity. If you’re not 90% human looking, the likely hood of you being part of the active civilisation is small. Things like merfolk, dragons, etc are all part of tales im the area believed to be extinct or not real. They ofc are, but live much deeper in the thick of a magical place otherwise more difficult to reach. The gods have created these creatures/are in contact with these creatures which often leads to their connections in folktales as previously mentioned

I would normally rapid fire some characters and their roles but that would in case only to actually make me think about lore to back it up so I cannot this time HAGSGHSG.. might come back with some concept art tho

Prompt list below the cut!

[eyecan02]

Alastor Analysis

Alastor's background regarding romance and sexuality goes all the way back to early drawings that depict Alastor crushing on Kay-cee.

The story then moves on from a crush on Kay-cee to a full on relationship with Mimzy.

It makes me wonder how Viv jumped from Alastor in a relationship to Alastor being ace. It feels like quite a wide leap. With Viv being the creator, I have nothing but respect for her but I feel like Alastor can still love/possibly do sexual acts while still keeping in character and looking out for #1.

I feel like while Alastor was alive, he leaned toward graysexual and this is why. I don't believe this man died a virgin. As we all know Alastor is from the 20s. He's in his late 30s/40s, meaning that it would've been uncommon for a man his age to still be unwed/unattached to someone. I'm sure he went on blind dates set up by his mom, and even occasionally slept with women in order to keep up appearances. He most likely did this in order to make his mother happy since any mother would've liked to have seen their child happily married.

And after Alastor became an overlord, the occasional sex probably didn't stop there, because Alastor is all about about keeping up appearances and deals. He definitely comes off as someone who would use sex as a means to and end. If a woman wanted to trade their soul in exchange for Alastor's protection and one night with him, I feel like Alastor wouldn't turn her down. It would be a decision that would end up leading to an increase in power for him. He just likely wouldn't kiss during the act.

Now finally onto Alastor's relationship with Charlie. From the beginning, we've all known that Alastor has his own agenda and reasons for involving himself with Charlie. He's a master of manipulation, knowing love is a powerful motivator (the way he manipulates Vaggie by making her feel bad about Charlie and the commercial) and also digging into Charlie's daddy issues.

It was clear that Alastor tried to play the boyfriend card to piss off Luci. It was only after Charlie introduced Vaggie that Alastor changed tactics and switched to the daddy card.

This means that Alastor would be willing to play any role to get what he wants from Charlie, whether the endgame is obtaining her soul or becoming her royal advisor or whatever. If Vaggie had been introduced in the pilot as a mere crush, Alastor would've caught onto the daddy issues quick and would've angled for a romantic role in Charlie's life since love and sex would be easy things for Alastor to manipulate (if my theory is right about him using sex as a means to an end).

I feel like this kind of materializes during the pilot with the way Alastor keeps pushing Vaggie out of the way, and how Vaggie seems jealous whenever Alastor impresses Charlie.

We don't know if this weird competition for Charlie's attention will persist between them as the series goes on considering that behavior was absent in season one. What's interesting is that the jealousy aspect switched from Vaggie to Alastor. The second Luci hugged Charlie, we're shown Alastor looking maliciously at Luci with his eye twitching in irritation.

What do we know about Alastor so far? He's an attention whore . He's used to being one of the strongest demon lords (at least from the pride ring) so suddenly not having attention, particularly Charlie's attention is making him act nuttier than usual.

Usually, it's hard for someone to be jealous without at least having some feelings toward the one they're feeling jealousy over. "Ah, an enjoyable collective to be around. I admit that one could get accustomed." This line is for the entire Hazbin gang, but also a real sign he cares for Charlie.

He can still have his own hidden agenda while caring about Charlie and being attracted to her. And he definitely is attracted to her. Calls her "charming and adorable". The constant touching.

Some might argue that that's just a part of Alastor's power play/dominance but he already knows that those types of moves don't intimidate Charlie. In fact, she never seems bothered at all when Alastor tries physically to get closer to her.

Also, the animators placing Alastor in Charlie's bed with both of them on a HEART pillow is insane. They know what they were doing. We see the way Alastor's hands possessively spider crawl up Charlie's shoulders and the way he grips her face.

And by the looks of it, Alastor seems to lust after Charlie's soul almost as much as his freedom. Viv has said that Alastor can't love anyone because he loves himself too much. Yet, she has also described Charlie as "Alastor's mirror".

The fact that they even made Charlie's color palette similar to Alastor's. Her hot pink jacket is almost a reddish color and they both wear bow ties. If Charlie is a reflection of Alastor then wouldn't that mean he does technically love himself by loving Charlie? He could be Charliesexual.

Not saying Viv will change her mind. She already chose her endgame. BUT what if Prime and Viv compromise and we get to have one sided Charlastor where Alastor admits to someone or even directly confesses his romantic love to Charlie herself (without actually trying to steal her from Vaggie)?