#i love their earnestness

[wordspinning]

.

[fallen-goldfishcracker]

Wyll is so fucking funny and no amount of acknowledgement about this could ever be enough. He's literally walking around being so casually hilarious completely under-the-radar. He calls Halsin a "thick hunk of an elf". He once accidently implied that he was fucking an ogre instead of killing it and then proceeded to absolutely stumble his way through explaining. He gets excited by Lae'zel talking about carnal pleasures. He canonically tells his pessimistic thoughts to shut the hell up. He volunteers to babysit Shadowheart's hypothetical werewolf babies as long as she gets him gloves. He tries to give Gale a hero moniker like his own. He jokes that his father, the Grand Duke of Baldur's Gate, can't spell. He calls Astarion "Mister Fangs". He makes up storybook chapter names for his own fucking adventures. As a child he got chased by the Flaming Fist for stealing fruit, nearly drowned trying to find mermaids in the harbor, and almost successfully broke into the Counting House. He reads monster erotica, and is not ashamed to tell you about it. He ranks eating pudding among life's greatest moments. He will, without shame and completely unprompted, meow at you. He is 24 years old.

[tenowls]

bro hes literally just standing there

[albaharu]

It killed me seeing Wyll laughing at the worst joke in existence in game, and then praise the fucking clown so earnestly, but even more seeing later in youtube everyone absolutelly loathing the clown except him and jaheira fksksjdjdks

[saturdaysky]

when your waterdhavian crush ambushes you with extremely cheesy flirting and to your deep horror, it works

if you respond equally cheesily — "Read it? I could've written the thing 😏😏😏" — he hits you with this:

i'm afraid there was simply no one else for me after that

[tentacle-therapissed]

manga Light: *loses 10 pounds in the first 5 days of using the Death Note and is constantly plagued with nightmares over the guilt of what he is doing*

drama Light: *literally tries to kill himself because he can't come to terms with the fact that he murdered two people who were directly endangering his loved ones*

anime Light, approximately 15 seconds after using the Death Note for the second time: this is great actually now I don't even have to join the police force in order to murder criminals

[paintedcrows]

Are you alright...?

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[lazer-meme]

love love love steddie + supportive wanye

thinking about wayne and eddie going on an annual fishing trip (like thee Munson Men Annual Fishing Trip™️) just like a little weekend away. and the first one is coming up after eddie and steve starts dating. over breakfast eddie jokingly complains about having to go and tries to get out of it. but wayne is used to his dramatics so he just gives hmms when appropriate because eddie’s whole spiel never got him out of it before and he tells eddie that.

steve watches the whole exchange with amusement when wayne asks if he’s looking forward to it. and he’s like ??? because he assumed it was just a wayne and eddie thing. and wayne is like i just told eddie all munsons must go can’t get out of it kid.

steve gets flustered and is internally is like oh??? all munsons,,,

or like after the trip a neighbor asks wayne if they caught anything and he pulls out his wallet to show a picture they took on the trip. wayne passes it with ‘here’s a picture of my boys’ and to steve’s surprise it’s a picture of both him and eddie with their biggest catch.

and just idk wayne casually accepting steve into their family and throwing steve off guard with it.

[bold-embrace]

I need to draw Natori more often

[cubbihue]

Hi! this is kinda an art request if u dont mind. And it's angst related, can you draw like where wanda and cosmo obvs have seen for a while how (human) timmy has been treated by his real parents. I just want to see like the "last straw" which lead Cosmo and Wanda wanting them to make Timmy as their own. (IM HAPPY THAT TIMMY HAS A FAMILY THAT LOVES AND CARES FOR HIM)

The "Last Straw"?

Cosmo and Wanda have seen humans at their best. They've seen humans at their worst. They've seen anything and everything that they've gone numb and used to what humans get up to.

But nothing's shaken them quite like Timmy's case did. Nothing has ever made a Fairy feel such strong human emotions than what Timmy made them feel, on that one particular night.

The thing that broke Cosmo and Wanda was Timmy himself.

Bitties Series: [Start] > [Previous] > [Next]

[butyouaremymess]

Colin + his (many) love confessions for Penelope

[it-came-autumnally]

I really do love how this manga talks about education and the process of learning in such a heartfelt way… it’s so sweet

[heartorbit]

i just wanted to draw the ave mujica outfits .

[teaitis]

Silly little darling!

[motleyistheonlywear]

Robbie Daymond is so impressive. Here he is, relatively new to D&D, stepping up opposite the king of rpg romance Liam O'Brien, and delivering PEAK ROMANCE.