#i love the way this is written
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THE IMPACT OF THE SURF REVERBERATES LIKE THUNDER
It is a common thing for people who visit great steamships to exclaim as they examine the massive fittings, that it is incredible that seething water could create havoc and make playthings of such ponderous things. Let them climb aboard the Gluckauf where everything bears the mark of the ocean's fury - where nothing is quite erect or straight, or whole, where everything is bent, twisted or broken.
Down in the main cabin, by means of the now crazy steel stairs, the impact of the surf reverberates like thunder, driving the more timid visitors to the deck. Bits of seaweed and sand fill what once was a comfortable cabin. Everything that man or the elements could carry away is gone. In the cook's galley souvenir hunters have even pried up the encaustic tiles; every bolt or nut that could be unscrewed has been taken. Made bold by familiarity and the absence of any caretaker, people have brought axes, saws, and hatchets with them with which to hack away trophies.
What they cannot carry away they disfigure. Some wretched vandals even succeeded this Summer in tearing away two of the brass letters of the name "Gluckauf," on the port side. The letters K and F are gone. Those who carried off the K and the F must have had a cold chisel with them. A recent visitor managed to chop off a copper bolt from one of the hatches: later he had the name of the Gluckaut, with the date, engraved upon it for a young woman who wanted a paper weight.
Where people have failed to get a piece of the Gluckauf, they have vented their spite in scribbling their insignificant names in conspicuous places, upon the masts especially. Worse than that, some pill-maker has scrawled the name of his nostrum in letters 3 feet high on the sides of the ship. It appears to be only a question of time when every available square foot will be covered by these signs which deface our trees, fences, and big rocks.
It was here on this beach last year that a Long Island genius plastered the advertisement of his cough syrup upon the broad back of a dead whale that drifted ashore.
- excerpt from the New York Times, published November 10th, 1895
whole article here (with more information on the wreck)
#nyt#long island#fire island#i love the way this is written#it's so...#i added a few paragraph breaks just for readability's sake#but this is such a fantastic mix of artistic and plain language.
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we fade to grey jongup/himchan, PG-13, 2871 words. When that first drop of human blood hits his mouth, his world is painted anew.
or: Jongup is a vampire who is trying to abstain from human blood. Things don't work out as planned.
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I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.
You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?
Click on their name. And look at their profile.
I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.
"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.
"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.
Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.
Click my author name. Just click it. Just click it.
Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.
I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.
Click the author's name, and explore before you ask.
#lincoln rants#I'm sorry but I'm at the end of my rope#I got a LOT of these comments on my Buddie Platonic Sugar Baby AU#acting like I was some new writer to the fandom#babes I've been here since the dawn of 2020 where the fuck have YOU been?#I am happy to answer questions! I love responding to reader comments!#but it is beyond frustrating to answer a question that if they'd literally just clicked on my author name#they would have gotten the answer to themselves#yes I have written more yes I am still writing yes I've been here longer than you have#and I don't mean that in a pulling rank/seniority way I just mean that in a could you please just CLICK ON MY NAME???#INSTEAD OF MAKING ASSUMPTIONS??? way#I'VE DONE MY TIME! FOUR AND A HALF YEARS! IN THE CIRCUS!#I'm sorry but sometimes I have to yell publicly a little#and I really do suspect this is people who are not on tumblr#so I am genuinely begging you#if you are on other social media platforms#PLEASE feel free to repeat what I have said#PLEASE I AM SO TIRED!!!
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TW// Abuse implication
Thinking about possible Vox and Angel's interactions and how they'd go down. Theres such a unique mix of hatred to each other and common ground with their different experiences with Valentino, has me thinking.
Also just want to clarify I love Vox's character a LOT but ofc obv don't sympathise with him or think he is any way shape or form a decent individual, cant with stupid toxic dumbass x
AND IF YOU SEE ANY MISTAKES OR TYPOS NO YOU DONT- (i was so tired when drawing it forgive me TwT)
#Man though the ANGST potential!!!!#vox and angel are in such different situations#but they have one thing in common that keeps them really close#val#and like we all know vox is super jealous#even though vals a dick#i just think the way they would go about interacting is so so interesting#ALSO THIS IS NOT HATE TO VAL OR VOX i think they are really well written and I love how shitty they are#but also no apologizing for them either ygm? :>#SENDING LOVE AND KEEP YOURSELF SAFE OUT THERE. 🤍🤍#hazbin hotel#vox#angel dust#hazbin hotel vox#huskerdust#voxval#hazbin#hazbin hotel fanart#tribbleart#<3
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i’m just gonna say it i love how kaos handled orpheus and eurydice. i really did, im a huge greek mythology nerd and that story has always been about the refusal to give someone up even when you should, its not a love story its a story about grief. and i just- ah they did something really cool there didn’t they? i’m gonna rewatch the season and like properly form my opinions but i really like it.
#i love a retelling#i love messing with mythology the way we were intended to#myths change over time to reflect the times#that’s why we look at when they were written and by who#having a fun show like this does nothing to harm the original myths#and their various versions#because there are already various versions of every myth#it might even get more people into it!#that would be cool!#idk#i’m also pagan if that matters and i work with apollo#like#i believe they’re real#at least in some way#and#i’m not offended?#idk it’s fine to mess with it#and if it’s not for you that’s okay#kaos#kaos netflix#kaos 2024#riddy#orpheus#euridice#orpheus and euridyce#euridyce
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Every day of Wei Ying’s life is this highwire walk: pay the bills, guard his little broken family, occupy his empty body that was thrown away, try to sleep through the night, and watch for signs that it’s all about to be torn down.
modern au where wwx is in hiding since he faked his death after nightless and it seems like the wen remnants are still alive, though jyl and jzx aren't...also there's timeloop stuff going on?
#I love the way this is written#wwx being fucked up and depressed in new ways is where it's at#ficblogging
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Falin who cares too much and too little - analysis
Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.
Falin cares too little :
A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.
We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.
Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.
She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.
Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.
What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.
And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.
People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.
One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?
So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?
And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.
So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.
So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.
Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.
And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.
She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.
And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.
We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.
Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.
She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.
So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.
She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.
And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.
It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"
So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."
And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.
And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…
So.
Not feeling as much as she should. And……. Is this not Faligon pushed to the max?
You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.
Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.
There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.
Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.
And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.
Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.
Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.
But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.
In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.
No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.
I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.
Falin cares too much
She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.
So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.
In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.
Post-canon, she needs to leave to find herself, away from them.
Herself. What if she wants to just be with herself for a while.
And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.
Notes & nuance
I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.
I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…
Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.
Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.
And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."
Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."
And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.
AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.
Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.
But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.
Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…
Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).
A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.
It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.
I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.
I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.
Conclusion
Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.
Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.
She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)
Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.
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I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it
That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.
Here’s my spotify playlist for her if you’d like
Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.
#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t#get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me#As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it#I’m doomed. I’m getting lost in the sauce.#dungeon meshi#delicious in dungeon#falin touden#analysis#character analysis#meta#autistic reading#aroace reading as well. Sort of. It’s mentioned#The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to#As always this is just my interpretation blablabla#Spoilers#dungeon meshi manga spoilers#She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor#Laios touden#he’s here too bc they are an unit#If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo#Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down#Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out#I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity#Will 90% for sure edit stuff in if i find more to say.#Fumi rambles#Crazy style#I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think
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there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”
#txt#jumblr#i’ll never forget studying parashat noach one week#and i was discussing it at face value as if it was a real historical event just bc that was the most interesting way for me to approach it#and our clergy associate was like ‘okay but we know this is a fable right?’#that just. *chefs kiss* perfectly encapsulates reform judaism to me#this is also why i cant stand when ppl act like reform jews are somehow less religious#i LOVE torah. i love diving into the text and discussing it w people and exploring the historical context behind the words#and treating it as a document written by a human society rather than coming directly fully formed from hashem#adds such a FASCINATING dimension to analyzing the text#what were we thinking when we wrote this? what had recently been happening around us that might have inspired this passage?#what practical meaning did this particular commandment have for daily life in that time?#i love torah i love history i love anthropology and i love judaism#AND THE NATIONAL ORIGIN STORY AS A NARRATIVE FRAMING FOR ALL THE PRACTICAL LAWS!!!!!!! oooooohhhh i love it
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Turtle Takedown Teamwork.
[First] Prev <��-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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This is totally how this scene went, right?
#APOLOGY TOUR DID NOT SAVE ME#BUT I LOVED EVERY SECOND OF IT#I LOVE YOU BLITZØ BUCKZO YOU ASSHOLE I ADORE YOUUUU#he’s so well written in this episode the way he’s so UGH I LOVE HIM SO MUCH#seeing his self destruction behaviors firsthand is so good mwah#he’s such a dick I wish him nothing but happiness in the future#apology tour spoilers#helluva boss spoilers#hb spoilers#stolitz#stolas x blitz#helluva boss stolas#stolas helluva boss#blitz buckzo#blitz helluva boss#helluva boss blitz#blitzø#nillyart#nillyfanart#helluva boss#hellaverse#helluva boss fanart#hellaverse fanart#apology tour
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Barcarolle sehun/jongin, NC-17, 2099 words. Night falls over Venice.
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As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
#imperial radch#also a great example of the 'you don't have to be Tolkien' phenomenon#if you want to think about linguistic differences by building all the languages in your setting#and being able to explain what those differences are through actual texts in the language in question#that's AWESOME#but it's not the only way to do it#it's also interesting because of course this style only works in book form#everyone's speaking different languages but in a written account they're all 'translated' for you#but of course if it was a TV series they would all have to be speaking a language the audience understands#(or you *would* have to go wild with conlangs)#and i think that's really cool as well--#how for a series where song is so central we don't actually hear any of the actual in-universe words or any of the music#it's all been filtered#and again you know this is happening but seeing the examples of how real songs--the shape hymns and 'L'homme Arme'--are presented#makes you a lot more viscerally aware of how limited your perspective is#it's good#ann leckie i love you
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There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.
And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.
Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).
I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:
“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.
Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.
And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.
And they do:
I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.
The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.
He has Arthur to protect.
The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.
Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.
Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.
Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.
#this is my favourite scene of them#there is just something so pure and honest about their stares and their words that does it for me#they watch the other’s reaction because they know what they’re actually implying#and i know that this show is simple at the end#maybe there was just something to show and that’s it#maybe the dialogues were written with another purpose#but as long as there will be something that makes me truly believe these two are canon#i don’t care#it’s in moment like this that you wonder because there is just something in arthur’s words#the way he puts it#the way he’s telling this to merlin and not to his knights because he wants to make sure merlin is reading between the lines#and arthur tells merlin to eat something to not think about it because now they’re safe that the other knows#knows how much they love each other#i like this scene so much and arthur’s small and pleased smile makes it all the better#arthur’s happy if merlin’s happy#and that’s all he needs#merthur#bbc merlin#merlin#arthur pendragon#merlin bbc#merlin x arthur
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pairing: hoshina soushirou x gn!reader (no prns)
request: hii ive been superr into kn8 recently and was wondering if i could req a lil hoshina fic/ imagine wherein theyre in an established relationship and like no one knows and reader can be like a capt or vice capt from a diff division who was visiting or like was also assigned to the same mission/ is the back up and if its ok to req that reader’s fighting style is like that of shinobu’s where its more on piercing motions rather than slicing. im a sucker for secret relationships where they just dont say it out loud but theyre not exactly hiding it either. thank uu
notes: you have a horrible ex (gender not mentioned), TYSM FOR THE REQ im so sorry it took so long to get to
wc: 1900
You didn’t have a good prior experience with dating in secret. Or rather, you had an awful experience before so near the beginning of your relationship when you had to decide what to do, it was a rather tough decision to make. You and Hoshina had been close friends since far before this relationship and so he knew all about how your ex had been seeing other people while keeping your relationship “private”. It was a no-brainer for him truly— he had told you that he thought to make it public before you had even mentioned it, but you asked him to wait a little first. While it thrilled you that he wouldn’t even hesitate to make your relationship known, he was the vice-captain of the famous 3rd division at the end of the day, and you were also a vice-captain yourself. If you had disclosed this to even your fellow officers, it would make it out somehow and that would make it a relatively big deal.
That being said, it still frightened you to keep a relationship private even if you knew Hoshina would never do anything horrible, making it a rather difficult decision for you to make.
Yet as time passed, you felt sure that you were okay with it being private. Rather, you almost preferred it that way. You the way Hoshina’s face would light up when you walked into a room and it would have people questioning him, only for him to smile and play it off somehow. Yet, he'd hold eye contact with you from across the room and smile— just at you. He'd very obviously look for excuses to come visit your division when he could get anyone else in the 3rd division to grab some documents— anyone who wasn't the vice-captain with loads and loads of things to do, yet only you would see the look he gave you when he walked into your captain's office. He’d then find time to pop by your office just to say a quick “love you” before he’d hurry back to his division to tackle the mountain of work he’d given himself. It was silly; there was no need for him to do so for a couple more minutes with someone he lived with, but he loved to be with you and you loved to be with him. And he'd do anything to make you happy.
Before you knew it, you were fine. Hoshina had washed away all the remaining hurt you felt from your past relationship, and you felt so safe with him. You were fine now.
“Soushirou, I think we should date secretly,” you said to him one day, and immediately he stopped what he was doing to sit next to you.
“Why?” he asked, eyes wide and tone serious. “I think we should share. If you're concerned about the media, surely it won't get out that quickly.” His voice softened. “Moreover, I'd like to brag about my lovely partner.”
You shook your head. “I'm alright now, Soushirou,” you said, softly but surely. “You make me feel alright.”
The look on his face softened and he looked so full of love it made you fluster. See? You'd be damned to let alone else see such an expression on his face.
“I'm thrilled,” he said, and you laughed a little. “No, I really am. How about we just tell close friends for now? And we can always tell more people later on. I'm serious when I say I want to brag about you a little.”
“That sounds great,” you said, a soft smile on your face. “I have some people I've been dying to share this news with too.”
It had been almost a year since the two of you started dating, and while you were both getting used to dating in secret by now, Hoshina was starting to get comfortable around you in public… almost a little too comfortable.
In the recent turn of events, the entire defense force had been far busier than ever, giving you both more work and less time to spend together. Although both of you loved the work you did, it was needless to say that you missed each other. A lot. This started to lead to quick kisses in an empty hallway or longing stares from across the meeting that lasted a little too long. You'd scold him later at night that people were going to start questioning it, but he truly couldn't care less anymore.
“But baby,” he said, his arms pulling you close. “I miss you.”
Your heart tightened as you leaned into his touch. You were in his room to wish him goodnight and scold him a little before you went to bed. You were calling it a day, but unfortunately, he wasn’t just yet. Your hands cupped his face as you rubbed your thumbs along his exhausted eyes. He didn’t need much sleep to keep him going, so he didn't really get eyebags, but you could tell he was tired.
“I miss you too,” you said and something in your heart broke a little. “If only we were in the same division at least.”
“Oh, if only,” he said.
“Soushirou, will you sleep soon?” you asked.
“I’m not sure…” he said, looking at the mountain of binders on his desk from all the research he was doing.
“Is there anything I can help you with?” you asked. “It’s probably quicker if we do it together.”
“No, go sleep,” he said. “It’s late enough as it is.”
“Then, together?” you asked, hopefully. It had been so long since he was last by your side while you fell asleep. “You look exhausted.”
He smiled softly and closed his laptop.
"Yeah," he said. "It's been a while since I fell asleep with you."
However, yet another week had gone by and there was no end to the work, and you were both utterly frustrated you couldn’t see each other. More of your kisses had been shared in empty offices than at home lately, and dinner was really the only time you had together. So at some point, you stopped caring about keeping your relationship private— if they find out, they find out.
It truly felt like a miracle when it was announced your division would be backing up the 3rd division in another kaiju attack. You had been so sick of watching Hoshina come home horribly beat up all the time ever since the kaiju attacks were often centred around the 3rd division base. You’d finally be of some help and you'd get to work with him.
Like Hoshina, you specialized in neutralizing smaller kaiju, and like Hoshina, you wielded a sword. Your division was only backing up the 3rd division, so you got to watch Hoshina expertly cut down kaiju and neutralize them while you made sure smaller yoju weren’t getting away. You loved watching Hoshina do what he did— there was such beauty in the way he used his blades. To others, it may look like some flashy moves from someone brimming with talent, but any sword user would see the careful foundational work behind every swing he did. It was truly nothing other than stunning to watch.
Yet, as more kaiju came his way and his suit seemed closer and closer to overheating, you couldn’t possibly just watch.
“Permission to backup Vice-Captain Hoshina, please,” you asked your operation room through your earpiece.
“Permission granted, please go ahead,” they immediately replied.
“Thank you,” you said and that was all you needed, you were rushing to his side. Oh, how you missed fighting with him. It was back when you were still a regular officer when Hoshina would often make time to help you with ways to use your sword that would fit you more— it’s been an awful long since then.
Hoshina had managed to slice just enough to expose a glimpse of the core, but that was all you needed. If the core was visible, you’d just pierce it— and you did exactly that. While Hoshina would slice at incredible speeds, you would pierce with your sword at precise gaps or points with impact.
“Oh, your work’s fantastic as always,” he said and you rolled your eyes.
“Says who,” you said.
These kaiju were just perfect for the way you worked together. They had an insanely hard shell so Hoshina would crack it in any way possible, and you'd jam your sword precisely into the cracks until you exposed the core. While it was tough work, you were ecstatic. It had been so long since you had worked with Hoshina and it reminded you of all the nights he had spent working with you. You had come so far— and he had been with you to get you this far.
Before you knew it, it was over— the honju had been neutralized and the yoju were taken care of. Before you knew it, Hoshina would be the grand vice-captain of the 3rd division that you had little connection with again.
“Reminded me of all that practice we would do so many years ago,” he said and that made you smile. He had treasured those moments too.
“I would love to tell you from back then that I’d actually make it somewhere,” you said to him. “That you weren’t merely wasting your time.”
“Not once had I not wished to help you,” he said immediately, almost cutting you off. “You couldn't possibly know just how thrilled I was to see another sword user.”
Your heart swelled— he meant the world to you.
There were a few of his officers nearby so you made sure to keep your voice down.
“How long have you loved me?” you asked, simply curious, but as soon as it left your lips you realized how awkward that sounded. “Sorry—”
“For forever,” he said, without hesitation. “Truly since we’d train all those years ago.”
Your eyes widened. You didn't expect that for some reason.
“Gosh, I’m just stupid, aren’t I?” you said, flabbergasted. If you had just cleared your mind, you wouldn’t have gotten played around by that stupid ex of yours and you would’ve been with him for so much longer.
“No,” he said, breaking eye contact, looking horribly ashamed. “I was just lame as hell. If I wasn’t a coward I wouldn’t have let an asshole take you away.”
You laughed. “I think that one was on me,” you said. “It’s okay, we’ll make up for lost time now.”
“Do you know that I love you?” he asked and that made you chuckle. You did.
“I love you too,” you said.
Your conversation was not loud enough for anyone to hear, and that was okay. It was just for the two of you. However, saying all this didn’t change the original problem of the sheer lack of time you had to spend with each other lately— so when were you going to make up for said lost time?
Simple, you’d use the time you had.
Hand-in-hand, you walked off the site together and neither of you could hide the smiles on your faces.
“Soushirou, when’s the last time we held hands?” you asked, and your question made you let out an appalled chuckle.
“Don’t ask,” he said. “I thought of the same thing just now and a part of me died.”
You’d hear other officers gasp softly or murmur when they saw you, but you’d let them wonder. You’d let them wonder why the Hoshina Soushirou looked so bashful, hand-in-hand with you. You'd let them wonder if he always smiled so lovingly around you.
You’d let them wonder if you were his special someone.
And they’d be right. You were.
#hoshina x reader#hoshina soshiro x reader#soshiro x reader#hoshina soshiro#hoshina#kaiju no. 8 x reader#kaiju no 8 x reader#kn8 x reader#alright.....#ITS FINALLY DONE IM SO SORRY THIS HAS BEEN IN MY REQS FOR AGES#i feel like there wasn't much emphasis on the way we used our sword i apologize i suck at writing fighting scenes#(hence why there hasnt been ANY IN THE THINGS IVE WRITTEN OOPSIES)#i had quite a bit of fun writing this one i do not think i did it much justice but i do hope u enjoyed still#THANK U SM FOR THE REQ AND TY FOR READING !!!#i love hoshina i miss him sm#request
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the thing is, i love The Narrative, but i also absolutely adore a truly character-focused tragedy where everyone’s downfall is caused not by larger narrative forces, but by hundreds of tiny decisions made by characters who, despite their best efforts, just suck.
#like. The Narrative is inherently a factor in every story because that’s how fiction works#there is ALWAYS a writer pulling the strings#but sometimes characters are written SO well that you legitimately forget#and you can just focus 100% on them and their choices#most characters can’t make choices but some characters are so good that they can#i can only think of a few examples of this - but it is real and i stand by that#there are stories that were created plot-first#where the author had a plot in mind and then made up characters to play it out (who are controlled by The Narrative they were forced into)#and then there are stories that were created character-first#where the author made up some fucked up characters and then let them loose to see what they would do#and THAT is some good stuff#and like. tbf i have ABSOLUTELY no idea if the story i’m thinking of was created that way - but it just feels like it#because the characters feel so much like real people#it’s fucked up. i love it
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look at how cute they are together
#what are everyone's thoughts on the nightwing annual?#i would LOVE to know cause i have many#obsessed with the way they're holding hands in the last panel tbh#barbara gordon#dick grayson#dickbabs#haley the dog#dc comics#comic panels#nightwing (2016)#annual 1 2024#written by: travis moore#art by: travis moore#colours by: ivan plascencia#colours by: alex guimaraes#queue
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