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bitchkay · 3 days ago

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This whole fic series altered my brain chemistry.

🎸 out of my mind ! 💿 track five: the battle of the bands

guitarist!ino x drummer!reader

summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.

warnings: language, alcohol, DOGGOS, yuji literally is just a ray of sunshine 24/7, mentions of drunk driving, so much fluff, ridiculous amount of kissing tbh, short time skip at the end, FINAL CHAPTER! || sfw. 8.8k words.

FOR THE FIRST time in a long stretch of busy days, you wake up not to the chirp of your alarm but to soft rays of Saturday morning sunlight seeping through the cracks in the blinds, painting your eyelids orange-gold. You crack an eye open and find Takuma stirring beside you. Right.

“Morning,” you whisper. For a moment, when Takuma opens his eyes, he looks surprised, and then he seems to remember why and how you got here and his expression melts into a soft smile.

“Morning, Skip.” He yawns. “Time’s it?”

You shrug. You’re pretty sure your phone is dead.

“Eh, it’s Saturday,” he mumbles. “S’fine.” You chuckle, daring to reach out and ruffle his hair. You don’t know what this is, the unspoken thing in the thin slice of air between you. You know what you want it to be, though.

For a while you both lie in comfortable silence, letting the sounds of the awakening house float up the stairs toward you. Murmuring, clattering around in the kitchen, the front door opening and closing, cars outside.

“Hey,” you say eventually, making eye contact. His eyes are a very deep shade of brown, dark but warm in a way that reminds you of old bookshelves or tree bark after the rain.

“Hey back.”

He’s relaxed, every part of him unhurried, and you take the image of it and stamp it into your mind over the memory of the night prior. “I’m glad you’re okay.”

Takuma smiles. “I’m glad you’re here.”

Maybe it should be more awkward, the fact that you’re here in his bed in his clothes and you haven’t named whatever it is that stretches out in the silence. But it’s not. It’s just… easy.

“Skipper?”

“Hm?”

“I really, really like you,” Takuma whispers. The words wrap themselves around you, warm when you didn’t know you were cold.

“Yeah?” You bring a hand up to his face, trace the line of his jaw. His cheeks are a little colored in the mix of light slipping through the window and the cracked door. “I really, really like you too, Takuma.”

He cups your face in both hands, pulls your lips to his, and your whole body responds, pressing up against him in the too-small twin bed. Your hand goes to hold the back of his neck, deepening the kiss, and this is what people write love songs about, you fucking get it now, all the metaphors and cliché words you thought were exaggerations but no, they’re not, because you’re feeling all of them all at once and you don’t ever want to leave this moment in time.

“Like” doesn’t feel strong enough, not for this. You’ve only known him for a month. Is it really possible he’s already become so integral to the structure of your heart?

You’re kissing in the early morning light and it’s hungrier than you thought your next kiss would be, because even though all the rest of your days are rolling out before you, you don’t know how many there are. He twists so he’s above you on his knees, one of them between your legs, and it’s like a reversal of that night on the roof, like you can feel the night air even in the golden midmorning hours.

“Kuma,” you murmur between kisses, and he grins against your mouth, takes your next breath and makes it his.

At some point you’re interrupted by the startled growl of your stomach, and you break apart, unable to stifle the giggles rising up in your throat. “Well.”

“Well,” Takuma echoes, grinning. He stands and offers you a hand. “Breakfast?”

Downstairs, the house is alive with idle chatter and the clinking of silverware. Kirara is seated atop the counter, legs swinging as she eats a plate of eggs, and Hakari stands beside her leaning against the cabinets. Megumi scrolls absently through his phone at the table, the dogs looking up at him expectantly from either side, and Yuji is digging through a bunch of take-out boxes. When he sees you, his whole face lights up.

“Morning!” he practically sings. “Here, eat food.”

“Where’d this come from?” Takuma asks.

“My friend dropped off breakfast,” Yuji chirps, pushing a Tupperware container of pancakes toward you. If it weren’t for the brace wrapped around his wrist, you’d have no idea anything happened. He’s his usual golden retriever self.

You smile, forking one of the pancakes onto a plate. “That’s sweet.”

Your phone buzzes, and it’s Tsumiki sending you the link to the news brief. You frown at the headline, not out of any disrespect for the writer who stepped up to cover it, but more at the fact that it’s unfortunately true.

JU senior issued DUI after crash on 34th and Olson Blvd Friday night

“What’s up?” Takuma asks, immediately noting your expression. You slide the phone across the counter, watching its screen catch the light from the kitchen window. Kirara leans over it as well and starts reading off Junpei’s story halfway through.

“Zenin, who according to a campus police report was driving under the influence of alcohol, was on the phone with an ex-girlfriend when he swerved into the opposite lane.” Her dark brows knit together in some combination of anger and disbelief. “Jesus.”

“That’s fucked,” you murmur.

Someone’s phone rings, and Megumi glances at his screen and blinks, seems to hesitate. Then he gets up and disappears down the hall. You glance at Takuma, but he just shrugs. It’s probably Gojo.

The rest of you eat and eventually make your way to the living room, scattering yourselves across the couch and carpet and chairs.

“That single last night,” Takuma says, letting Kuro jump up beside him on the couch. “Concept. Make it the title track of an EP.”

You blink for a second, startled. “Wait, for real?”

“Yes!” Takuma says, sitting up straighter. “Think about it. Cover art is one of those name tag stickers, you all sign it, wrinkle it up and crease it and take a grainy film photo. And you put the song on it with Next Fix and a couple of your older singles you and blow up.”

“Or you print one off that says hello, our name is,” Kirara pipes up, seeming excited by the idea. “Ooh, you can have an intro track like that.”

“All caps. Just to match the energy,” you say, picturing the EP cover in your mind. “HELLO MY NAME IS. No punctuation either.”

“I like it,” Kirara nods. Takuma’s got that excited shine to his eyes, and you realize he’s very in his element in this conceptual space—he really will be a good producer. He has the mind for it.

Megumi slips back into the room looking a little haphazard, disgruntled, looking anywhere but into anyone else’s eyes, and Yuji cocks his head in question. Not Gojo, then. “Who was that?”

“No one,” Megumi lies, waving him off and turning back toward the kitchen to avoid everyone’s questioning gaze. Hm.You know better than to ask, and it seems that’s the consensus, because nobody pushes it—Megumi will open up in his own time. You hope he figures it out soon.

For your part, it’s a lazy Saturday, hanging out with Takuma, Yuji, Megumi, Kirara, and Hakari, gaming and talking and generally just existing in each other’s presence. After the chaos of last night, it seems to be exactly what all of you needed.

It’s not until late afternoon that Kirara broaches the topic of the band.

She gestures at Yuji, a flapping motion that misses the mark a little because Kirara is sprawled upside-down in the beanbag in the corner. “Itadori, can you, like… drum with that?”

He shrugs, looking down at his injured wrist. “Yeah, probably!” You frown. So much of drumming is in the wrist, and you kind of figured Kirara’s question was rhetorical. You realize abruptly that Shibuya Incident is still going up against Black Flash in the finals on Friday, and if they don’t have Yuji, they’re fucked.

“Psh, don’t look like that, it’s fine,” Yuji insists, grabbing two Wii remotes and wielding them like drumsticks. He goes to bang them around, mimicking a rock beat, and you watch as his face twists into a grimace and he drops one of them. “Okay, so, update: never mind!” He grins sheepishly.

Kirara is the first one to look at you, and by the time you’ve processed what exactly it is she’s trying to say, everyone else has their eyes locked on you—including Yuji.

Oh, shit.

“Whaddaya say, girl drummer?” Kirara asks, pointing a finger gun at you.

“Oh, guys, I don’t… I don’t know, it’s your band. Yuji—”

But Yuji is the one who seems the most excited about it. He’s abandoned both Wii remotes on the floor and is now looking up at you with bright eyes and his eternal grin. “No, Skipper, please? It would be so fun! I can still do aux and stuff. But we could play together! It would be so awesome!”

“Is that even allowed?” you ask, glancing at Takuma, who’s trying and failing to hide a boyishly excited smile. “I mean, I already got eliminated.”

“Hang on,” Hakari says, pulling out his phone. It takes you a minute to realize who he’s asking. “Yeah, no, Panda says it’s whatever. Better that than not have a battle at all.”

Takuma nudges you with a knee, looking at you with steady eyes. It’s your choice, he seems to say.

“I think,” you say slowly, “I should talk to my band first. But… I’m not opposed.”

Yuji whoops so loudly you flinch a little and Takuma grins, putting his arm around you and squeezing your shoulder.

“I probably should head out,” you say, a little reluctantly. “Kinda left the roommates high and dry last night.”

Kirara salutes you, her face red from the blood rush of still being upside down, and Yuji chirps out a happy see ya!

“I’ll walk you out,” Takuma says, standing when you do. You say bye to the band and the dogs and he follows you to the front door, going as far as to step just outside with you. The door stays open just a crack as you linger, his hand coming to rest on the small of your back. He pulls you in and kisses you right there on the front step, and you smile against his lips.

“Are we, like…?” Takuma murmurs when he pulls away, cheeks flushed from the question or the cold, you can’t tell.

“Are we what?” you tease, shoving lightly at his chest.

“You know.”

“Well, if you don’t say it I’m gonna beat you to asking—”

This seems to zap whatever hesitation Takuma had right out of him, and he cuts in, “Willyoubemygirlfriend?”

“Sorry, what was that?” You know you’ve got a shit-eating grin on your face, but you can’t stop it. “Couldn’t really hear you—”

“Oh my god. Will,” he says slowly, drawing out the word, “You. Be. My. Girlfriend?”

You can see your laugh fanning out before you in a puff of warm air, and you tip your head forward into his chest, grinning. “Yes, Takuma, I would love to be your girlfriend.” You pull back and look up at him, lacing your fingers together. “I was kind of trying to get you alone all week so we could figure out what the fuck was going on. But it worked out, huh?”

“Yeah,” he grins. “It worked out.” He reaches up and ruffles your hair, laughing when you go to swat his hand away. “I was trying to get you alone, too,” he admits. “I like spending time with you, Skip. I’m pretty sure you’re the coolest person I’ve met, like, ever.”

“Ever,” you echo. “Those are some pretty lofty expectations to live up to.”

He shrugs. “You meet them all.”

Despite yourself, heat creeps up to your cheeks again.

“That was less scary than I thought it was gonna be,” Takuma confesses. Your phone rings in your pocket, and you glance at it and see Maki’s name sliding across the screen.

“Think that’s my cue.” You plant one last kiss on Takuma’s lips and turn around, throwing a “bye, boyfriend” over your shoulder. You glance back and catch him mid fist-pump, and he sheepishly shoves his hands into his pockets when he realizes you saw.

You’re still wearing his clothes, you realize as you answer your phone. Guess it doesn’t really matter, since they’re your boyfriend’s.

“Hey,” Maki says in your ear. “You comin’ home anytime soon? No rush, but we’re making lunch so we figured we’d ask.” In the background, you can hear Toge singing what you think is a dramatic rendition of Kristoff’s song from Frozen II, but you aren’t entirely certain because none of the words are right.

“Yeah, I’m literally walking through the door in thirty seconds,” you say, and Nobara’s face appears in the kitchen window. She waves excitedly and you raise a hand in return.

“Oh, sick.” The line goes dead as you open the front door. “Hey!” Maki shouts when she hears it click, and you slam it closed against the rush of cool air trying to sneak inside with you.

“Hi!” you call back.

Yuta pokes his head around the corner and grins at you. “Welcome home, our favorite breaking news reporter.”

“I didn’t actually report on anything,” you admit, kicking your shoes off and padding into the kitchen. Toge is somehow balancing cross-legged on one of the high stools, and Maki is making tacos. “Conflict of interest once I realized who it was.”

“Yeah, I saw the article,” Nobara chimes in, glancing up from her phone. “Yikes. Frickin’ Naoya Zenin. What an asshat.”

You snort. What an understatement.

“Hope he rots in jail,” Maki says in a sing-song voice, not even looking up.

“I love family,” Toge says.

You fill your friends in on the crash and the aftermath and Yuji’s wrist, leaving out some of the details about Takuma, because that feels a little invasive. And then Yuta asks the big question: “What about the band?”

“About that,” you say, taking a deep breath. You’re not exactly sure why this makes you so nervous. Maybe it’s just that these are your people, your band, and you all worked so hard and then went down together. It doesn’t seem fair that you get to go back on stage and try again and the rest of them don’t. “So. They asked me to fill in—“

“Yes!” Nobara shouts, pumping a fist in the air. “Oh, that’s so awesome!”

“Well, I didn’t say yes yet—”

“What? Why?” Toge asks incredulously. You laugh, feeling the weight lift off your shoulders. Of course they’re okay with it. These are your best friends. They’ll always have your back.

“I wanted to check with you guys,” you say, feeling silly about it now. “Just—I don’t know, to make sure. Since it’s not our band, and I didn’t want you guys to feel like I was, I don’t know, like…”

“Musically cheating?” Maki chuckles. “Skipper, this is great. You should say yes.”

Yuta solemnly puts a hand over his heart. “Avenge us.”

“Thanks, guys.” You grin as you hop up on the counter next to Nobara, pressing your shoulder to hers. “I love y’all.”

“Sap,” Maki says, which means love you too.

—

Using a drum set that isn’t yours is always a weird experience. You feel like everything is just ever so slightly off, and Yuji’s kit is an absolute patchwork of different brands of heads and shells and cymbals. You have to lower the stool because he’s taller than you. But it’s just for rehearsal, at least—you can use your own kit at The Fix.

It’s your first time in the shabby basement of Takuma’s house, and it looks distinctly different than your own. They’ve pinned old rugs to the walls as a type of sound deadener, not dissimilar to your own setup, but their lighting is a collection of Facebook marketplace floor lamps and a little disco ball that’s apparently Yuji’s. Your basement has string lights and a bunch of stools and beanbags, and this one has extra blankets all over the floor where Yuji and Kirara have made themselves at home.

Learning Shibuya Incident’s songs isn’t difficult—you’ve heard enough of their music to anticipate what’s coming, and Yuji’s there to give you pointers. Their three-song set for the final performance isn’t actually done, because they don’t feel like they have a good enough finisher, and after you’ve run the first two songs several times you mess around with potential chorus lines.

“What about that?” Kirara says after plucking out a new melody. “It’s hype enough, I think. Or it will be, once we add the rest of you.”

“I like that.” You tap out the rhythm on the snare rim, humming. “You have lyrics?” You look at Takuma, who’s staring at the ceiling like it might have all the answers if he just squints hard enough.

“Somethin’ about, like… losing your head a little bit because you caught feels,” he says. “Like, you’re down so bad you can’t function, to be dramatic about it. That triplet at the beginning of the chorus, Kirara—”

She plucks it out again, down-up-down. “On my own,” Takuma echoes, down-up-down. “Every little move I can’t pin down…”

The words tumble past your lips before you can stop them, because they’ve been circling your head for a week now. “Friends with all the dead in my ghost town.”

He spins around to look at you, a grin spreading across his face. “Yes! It’s like I’m going…”

“Going,” Kirara echoes, and they go back and forth—going, going, “out of my mind!”

“Whoo!” Yuji cheers, pumping a fist in the air. “Holy shit. That was crazy.” Takuma grabs the nearest beat-to-hell spiral notebook and starts scribbling.

Megumi starts laying out a bassline, subtly driving the beat forward a little, and you clamp the hat down on two and four to keep time. Kirara comes in with something that must be the verse, and Takuma reads off, “You left in the morning after eight, I got into work two hours late, I can’t see the sun without your face.” Bass, bass, bass. Megumi nods along and Yuji is practically dancing from his spot on the floor.

“One day and I run fresh out of light…”

Hm. You add, “Twelve hours without your hand in mine.”

“I’m dizzy and overworked and tired,” Kirara sings lowly. All three of you sing the chorus again, and you feel just like you’re at home in your own basement, writing a song in real time with Nobara and Maki and the boys.

“Oh, that slaps,” Takuma practically shouts. “Jesus. We’re gonna win.”

“Don’t get cocky,” Megumi warns, a wry quirk to his lips.

Kirara glances at her phone. “Food’s here. Break time, freaks.” She bounds up the stairs and Megumi follows to help her grab the bags—you DoorDashed Taco Bell, since Yuji never got his beloved crunch wrap on Friday.

You leave your sticks on the snare and move around the drum set, flopping down on the ground beside Takuma. “You’re good at that,” you tell him honestly, pulling the notebook away to read what he’s writing down. I met you across the darkened stage, you shook up my life, you got me made, you’re drivin’ me crazy night and day.

You can’t help thinking of the night you met him, locking eyes while he sang from the edge of the low stage at The Fix, lit up by purple-red stage lights and putting you in a trance. You scribble a few more lines after his and hand the pen back.

“You’re a poet,” he tells you, and you laugh.

“I’m a journalist.”

“Woman of many talents,” he says, echoing Maki’s words from that first night you met.

“Itadori!” Kirara shouts down the stairs.

“Coming!” Yuji leaps up and disappears up the rickety basement staircase, leaving you and Takuma alone.

“Hey,” he says, tapping the pen on the page. You glance up at him, nodding for him to keep going. “Can I take you out? Like, on an actual date?”

Something light and quick kicks around in your chest, a hummingbird loose in your ribcage. “I would not be opposed,” you say, as if the idea doesn’t make you want to kick your feet like a little kid. “When are you thinking?”

“Mm, you’re in night class prison tomorrow,” he says, tapping the pen against his lip now. “Tuesday?”

It shouldn’t make you so irrationally happy that he remembers your schedule, but logic seems to go out the window where Takuma Ino is concerned. “Tuesday’s good. Where do you wanna go?”

He shakes his head adamantly, tapping you on the nose with his pen. “Leave it to me.”

—

The only things Takuma’s told you about your date tonight are dress warm and bring your board. He meets you outside your place at four, his bag definitely bulkier than usual, his own skateboard under one foot.

You’re wearing a denim jacket over a hoodie and your favorite cargo pants with your boots, and you tucked a beanie and gloves into your bag just in case, but it’s surprisingly balmy out for late October. The wind is the worst of it.

“Hey, pretty girl,” Takuma says when you coast down the driveway and come to a stop beside him. The greeting makes you blush as much as his smile does, and he chuckles as he pushes off. “This way.”

“Where are we going?”

“Crazy,” he says. You roll your eyes. Sounds like the kind of dad joke Yuta would make.

“Well, then.” The two of you make your way down the street and around the bend, and you realize he’s taking you to the skate park. But at the entrance he keeps going, around the pit and a few of the ramps and to the largest one, back in the corner—not the one Sukuna deals under, but the one opposite. And you stop in your tracks, your longboard making a protesting schkk under your feet, when you see it.

Battery-powered string lights loop around the posts and down the underside of the ramp, and blankets and pillows are spread out across the ground. The area is sheltered from the worst of the wind, and you know your jaw is hanging open a little as you watch Takuma unload his bag—JBL speaker, two thermoses, and a bunch of food.

“Takuma,” you say, not knowing what other words suffice. “I—oh my god.” You did not peg him as being this romantic.

Then you think about his song lyrics and think maybe you should have.

He grins at you from where he’s sat down on the blankets, holding out one of the thermoses. You leave your board by one of the poles and sit down beside him, taking it and letting the warmth seep into your hands. “What is it?”

“Hot chocolate.”

“Mm.” You scoot closer to him, staring up at the layers and layers of graffiti and marker art covering the underside of the ramp. “This is maybe the sweetest thing ever.”

“I’m glad,” he says. “I had no idea what I was doing.”

“I wouldn’t know.” You take a sip of the hot chocolate—still warm. “It’s romantic. Big fan.”

“Really?” He points to where somebody drew a dick on the far side of the ramp.

“Okay, well, you didn’t have to point it out,” you smirk. “You ever done graffiti?” Looking at his mischievous smile and the beanie tugged over his head, the skateboard abandoned a few feet away, he does look like the type.

“Tagging?” He shrugs. “No. I would, though. Maybe we should.”

You hum, staring up at the arcing bubble letters and jagged black lines all over the ramp. You think you’d be horrible at graffiti, but you’ve always appreciated it, the way it sends a message and doesn’t ask for anything in return.

“This is like… alternative aesthetic stargazing,” you muse, lifting a finger and tracing the sharp lines of one of the illegible words in the air. You could stare at all this art for hours and never find all the intricacies of it.

Takuma digs around in his bag and produces a Sharpie with an “aha!”

“You’re gonna graffiti with a Sharpie?”

He throws it at you and you catch it in one hand, instinctively twirling it like a drumstick. “We’re gonna graffiti with a Sharpie,” he corrects.

And so you do.

The nearest part of the wall is covered in bright pink paint outlined in black, and it takes you a moment of squinting and tilting your head to realize it says LEAVEYOURMARK. Seems as clear of an instruction as any. So you do—scooting forward, you start to draw flowers into the thick bands of pink lettering, and soon they’re shifting to music notes, percussion notation, aimless squiggles. Takuma queues up a laid-back playlist with a few artists you recognize and many more you don’t, and you pass the pen back and forth, adding tiny notes to messages around the ramp, doodling in the empty space.

You’ve been on dates before, but this feels wholly different. With Takuma, you’re not stressing over conversation starters, worrying about commitment, wondering if you picked the right outfit, trying to gauge your shared interests with carefully planned questions. It’s just easy, existing with him like this.

After a while, you’re on your back in the mess of pillows and blankets, staring directly up at the massive painting of a skateboard with a face. Takuma is drawing something on the wall behind you.

Squinting, the green streaks under the skateboard look like that loss meme Toge sends you at least twice a week. You take a photo with the intention of showing it to him later, though maybe you shouldn’t—he gets way too proud of himself for versing you in what he calls Reddit culture.

You crane your neck to see what Takuma’s drawing and find the thick, dark strokes of a city skyline, towers and domes and boxy apartment buildings.

“Artsy,” you tell him, smiling when he appears in your line of vision upside-down. “You sure about this computer science thing? You’re too creative.”

“That’s what my mom said,” he chuckles, capping the Sharpie and sitting down beside you. As you sit up, he leans back on his hands and glances over at you. “I told her about you. She’d love you. I mean, I’m pretty sure she already does.” He hesitates. “Is that weird? Too soon?”

“No,” you grin. “I—that’s really sweet, actually. I would love to meet your mom.” Your gaze softens at the relieved smile that crosses his face. “Gotta thank her for raising a guy like you, anyway.”

You realize you want Takuma to meet your family too—you want to show him all the corners of your too-small town, show him the place you grew up. It made you who you are—it led you here, to him, after all.

“So,” you say, tilting your head. “When you say you wanna be a producer. Where do you mean? Like, LA?”

He shrugs. “Probably. But I’m sure it’s more competitive there than anywhere else. I feel like the major hubs are there and New York, but I wouldn’t mind somewhere quieter, either.” He loops an arm around you, and your head finds its way to his shoulder. “What about you, world-class journalist?”

You grin, thinking of all the places you haven’t been, all the places you want to go. “Anywhere and everywhere. I just wanna see it all. I wanna travel.”

“You should!” He sounds genuinely excited about the concept, and you lift your head, taking in the expression on his face—he looks the way he did when he was talking about making an EP, like the world is full of possibilities and he wants to see them all play out. “You’d be so good at it. Being a travel writer or international correspondent or whatever.” He clears his throat. “I read some of your stuff, y’know.”

“What?” Suddenly you’re racking your brain for every piece you’ve published in the JU Journal, overly critical of your own work in hindsight. “I didn’t know.”

“It’s good. Really good, Skip, seriously.” He reaches out and tugs a wayward strand of hair behind your ear, and you find yourself leaning into the contact.

You aren’t sure what to say, so you settle on a soft, “Thank you.” Somehow, the idea of Takuma going out of his way to read your work feels personal on the same level that writing a song together does. Taking in your words, your ideas, internalizing them. What is intimacy if not that intellectual exchange?

“I think you’re going to be a really good producer.” It’s his turn to blush. “I mean it. Not everyone has the perspective for it, or the ear. But you do.”

“Ah, well, I—”

“Am not good at taking compliments?” you cut him off, raising a brow. “Mm, we’ll fix that.” He laughs, and you’re leaning in to kiss him like it’s the most natural thing in the world. Maybe it is the most natural thing in the world.

It’s late October, and you are not the least bit cold.

—

Your hands need to stop sweating before you lose a drumstick or something.

Shibuya Incident has about twenty minutes before you’re all due on stage for the finals, and The Fix is alive with students and lights and drinks and music and chatter. You’re out on the floor tonight, off to the side for easy access to the stage once Black Flash clears out.

“We’re kicking off with the reigning champions of the Battle of the Bands,” Panda booms, throwing an arm out as the band takes the stage. “You know ‘em, you love ‘em, they’re every genre and no genre, covers and originals, brass and wind. Give it up for Black Flash!”

You whoop just as loud as anyone else here, grinning at Nobara’s animated cheering from closer to the center of the floor. Miwa walks right up to the mic and takes it off the stand, the neck of her white electric in her other hand. “Hey, folks!” She brushes her bright blue hair out of her face and shouts, “Y’all ready to hear some good music?”

She has the sort of infectious enthusiasm that could work on pretty much anyone, and before you know it you and Kirara are spinning each other around to the beat of a synth-heavy pop song that sounds like it came straight out of the 80s. The instrumentals are simple but tight, and Miwa jumps around, engaging the crowd, belting like she doesn’t have a care in the world.

“They’re good,” you catch Megumi saying lowly, probably to Yuji, but Takuma’s the one who answers.

“If I tell you the power of friendship will lead us to victory—”

“No.”

“Well, okay, you’re no fun.”

Kirara turns around and plants a hand on her hip, looking at Megumi. “Fushiguro, we’re fine. We’re going out with a badass new single and not one but two percussionists. We’ve never sounded this good.”

“Just being the token pessimist,” he sighs, cracking a reluctant half-smile. “I know we’re good.”

Yuji elbows him playfully. “Mr. Realist.”

Black Flash segues into a second track, an ABBA cover that has you dancing without thinking, and Takuma catches your eye and grins, moving along with you. And all too soon it’s over, a third song come and gone, and Panda’s back up on stage and the five of you are hopping up over the side to make your way to your places. Hakari and another tech have already swapped out the kits, and you settle yourself in the comfort of your own throne, your own pedals, flipping on the snare and pounding the kick a few times.

Yuji’s bouncing on the balls of his feet, grinning at you. “You got this,” he mouths, shaking his tambourine at you.

You truly have no idea where he got a tambourine.

“What happened in Shibuya? Who the hell knows?” Panda shouts, riling up the crowd. “Give it up for Shibuya Incident!”

That’s your cue. You look at Kirara, who nods with a conspiratorial smile, and then Megumi, who plucks out a few notes in answer. Yuji’s already giving you a grin and a thumbs-up. And Takuma… he’s already stepped into his on-stage confidence, all relaxed, easygoing performer, and the look he gives you has energy coursing through your fingertips like an electric shock.

You hold your sticks above your head, clicking them loud on the lower end of the shaft, and shout, “One, two, three, four!”

You are alive.

The first track is another pulled from their EP, and you’ve listened to it probably an embarrassing number of times—you know Yuji’s part down to the sixteenth note, the roll, the rest, but you don’t hesitate to put your own spin on it, and he’s alight with the same energy beside you, messing around with a tambourine and a few other aux instruments near a mic of his own, since he’s also doing backup vocals tonight.

Your hands are moving fast, your feet pumping the pedals of their own accord, an instinct, and it’s over before you know it, a sheen of sweat already forming under the stage lights. You grin, catching your breath, wiping your hands on your jeans as Takuma introduces the band.

From your place near the back of the stage, you get more of the low feedback than anything else, but you definitely hear when he says Shibuya Incident and the crowd responds raucously in kind.

“That’s Kirara Hoshi on guitar and vocals,” he says, pointing to her as she does her little riff.

“Yeah, Kira!” You have no idea where Hakari’s voice is coming from, but it’s unmistakable.

“We got Fushiguro back there on the bass,” Takuma continues, and Megumi gives the crowd an unbothered nod, showing off his own instrument for a moment. “Itadori’s back here on aux and vocals.” He pauses to let the crowd shout for Yuji and then adds, “And filling in for him on kit, we’ve got the legendary drummer from Cursed Technique. Everyone give it up for Skipper!”

You do a quick roll, laughing as your own band goes crazy—you can’t see them in the glare of the lights, but you (and everyone else) can definitely hear them.

“I’m Ino, we’re Shibuya Incident, and this next one’s gonna slow things down a little.”

This one starts with Megumi, a laid-back track with a similar vibe to the first song you ever heard Shibuya Incident perform, but a little smoother. It’s over before you know it, and then you and Kirara are launching into the new single. Even Yuji looks like he’s having the time of life on backup vocals.

“On my own,” he and Kirara harmonize, Takuma taking the lead, and you nail the next two lines with punchy cymbal-tom hits, “all the shadows look like a death threat, everybody’s waitin’ to get hit, it’s like I’m going (going) going (going) out of my mind!”

All your worries melt away as the beat drives your movements. You’re not thinking about dropping a drumstick, missing a measure, losing the competition. You’re doing what you love with people you love, and that’s all you’ve ever wanted to do.

“Think I’m seein’ double in one eye, startin’ to think this air is spiked, no one told me that’s what love is like.” Takuma lets the guitar hang and grips the mic in one hand and the stand in the other, leaning with it as he engages the crowd, and you definitely hear Nobara screaming. “You got me going (going) going (going) out of my mind, yeah, yeah.”

It’s over so fast you can barely breathe, and you’re laughing before you know what’s happening, Yuji throwing his arm around you and shouting, “You killed it!”

Takuma turns around and locks eyes with you, and you see that same adrenaline high in his gaze that you know is in yours, and when the band stumbles off stage in Panda’s wake, he grabs your hand and pulls you into a hug. “That was crazy!” he practically shouts, which is probably good, because your ears are ringing so much you probably wouldn’t have heard him otherwise.

“Guys,” Megumi says, deadpan as always, but you can see the effects of the performance even on him, his usually stoic expression unable to mask his own excitement. “I think… we might have a shot.”

“Holy shit,” Kirara says. “Skip, write the story. Resident pessimist breaks vow of negativity—”

“Oh, shut up.” Megumi elbows her as she dissolves into laughter. In the wings, you can hear the indistinct sounds of Panda’s instructions as he starts voting, and music kicks up over the speakers. Ten minutes. Ten minutes.

It’s the longest and shortest wait of your life, and then you’re back on stage with Black Flash and Panda, and it’s fucking time.

You wonder if everyone else can hear your blood roaring, too.

“Once again, an insanely tight vote,” Panda says, a hush falling over the crowd as they wait for the verdict. “Phenomenal performances from both of our final bands, but someone’s gotta win. Give it up for the champions of this year’s Battle of the Bands…”

You imagine Maki hissing under her breath for Panda to hurry it up, Nobara’s hands clasped together as she anxiously bounces on the balls of her feet, Yuta biting his lip and trying to get Toge to shut up.

Takuma’s hand is on your shoulder, Yuji on your other side, Megumi and Kirara behind you. You glance at Miwa, and she gives you a knowing look that you can’t interpret.

You almost don’t hear it.

“SHIBUYA INCIDENT!”

You don’t know which screams belong to who—maybe one of them’s yours—but you’re swept into a massive pile of musicians drunk off victory, and you’re laughing, and Miwa’s jumping up and down and saying how that was insane, guys, you were amazing, and even Mai nods at you in congratulations, and Yuji is abruptly on Todo’s shoulders, and as the stage lights turn down a bit you finally catch sight of your own band, losing their minds on the floor.

“That’s our girl!” Maki hollers, and Yuta whoops as Toge pumps a fist in the air. You realize you can’t see Nobara, and two seconds later your questions are answered when she somehow materializes on the stage, launching herself at you with a massive grin on her face.

“You did it!” she shouts. “Holy shit, Skipper!”

Everything around you is chaos and laughter and noise, but something in the center of your being is incredibly still, and you think maybe it’s contentment. In this moment, you would ask for nothing else. It is perfect.

Nobara detaches herself from you after more profuse congratulations, turning to Miwa, and the bands make their way gradually off stage. Takuma’s hand is in yours—you don’t know when that happened—and he pulls you past the band, past the wings, all the way into the drum storage room backstage.

“That was fucking amazing,” he says. “You’re fucking amazing.” His beanie is off, tucked into his pocket, his hair as wild as his eyes as wild as your heart.

You close the door.

It’s a pulse. That’s the only way you can describe it, the rush of living energy that comes with kissing Takuma Ino behind the stage of a shitty campus bar, the heat shooting through your veins in time with the throb of the bass from distant speakers. Breath on your teeth and hands in your hair, the warmth in your gut from skin-on-skin proximity, ears ringing with the sound of your name on his lips and love-blind eyes, you’re alive and addicted to a feeling you know you’ll chase forever.

—

TWO MONTHS LATER. DECEMBER 19.

The house is alive with laughter and chatter and Michael Bublé’s Christmas album spinning from the record player. The semester is over, and tomorrow you’ll scatter for winter break, home for the holidays. Nobara insisted on throwing a party before all the inevitable road trips and flights, and the main floor is strung with multicolored lights and tinsel—Yuta’s plant, Rika, even has a tiny Santa hat on.

In addition to the actual residents of the house, Takuma and the band are here, as well as Hakari, Panda, Tsumiki, Miwa, and a handful of other friends. Megumi’s even brought the dogs, who have both taken a liking to the loveseat by the window and claimed it as their own. You’ve informed Megumi that they’re going to stay here with you forever (he said no, but you don’t take orders from him).

“Okay, I’m dropping you off at ten, right?” Yuta quadruple-checks. You’re huddled in the kitchen with him and Maki—Toge was here a minute ago, but he heard someone in the living room mention Just Dance and ran off to assert his dominance or whatever.

“Oh my god, yes,” Maki answers for you. “Yuta. You wrote it down. It’s in your calendar. You live in the same house as Skip, you’re not gonna forget.” She bumps her shoulder with his and he sighs in admission.

“I know.” He smiles at you. “Just gotta make sure she gets home for the holidays. Can’t have you turning into a sad Christmas cliché on us, Skip.”

You salute him with half a gingerbread cookie. “Appreciate it.” He’s taking you to the airport tomorrow for your flight home and refuses to take your gas money, so you’re already planning on beating him to paying for the first grocery run when you get back.

“Things with Mai are good?” you ask, glancing at Maki. She shrugs noncommittally but doesn’t correct you, which is a good sign. She and her sister met up the week after the Battle of the Bands for coffee, which you genuinely thought was a joke when she told you about it. They’re both going home for Christmas and have apparently decided to try and like each other a little more openly. And she actually showed up tonight, which you have to admit you weren’t entirely expecting.

“Yuta!” Toge hollers from the other room. “You have to come do Rasputin with me!”

Yuta groans, looking pleadingly at Maki like she can get him out of this, but she just grins. “You heard him.”

“You hate me.”

“Yeah,” Maki says fondly. Yuta, defeated, goes to join Toge in the dance of death. Maki whispers to you that she’s going to record it for blackmail and slips out after him.

Tsumiki appears beside you, drink in hand, and leans against the wall. She tilts her phone screen toward you and you see it’s the Journal website analytics.

The top story right now is yours. You grin. “Oh, wow. I didn’t realize.”

“I expected it,” she admits, tucking her phone back in her pocket and gazing out across the room. “Look, I’ve been meaning to tell you. We won’t start the application process until spring sem, but, if you want it,” she glances at you, a grin tugging at the corners of her mouth, “I really think you should apply for editor-in-chief, Skip.”

Your mouth opens and closes without anything of use coming out, and Tsumiki laughs. “You don’t have to, but—”

“No!” you blurt, grinning. “I—I want to. I would love to. I was planning on it. I just didn’t know you… wanted me to.” Kusakabe’s just the advisor—when it comes to actually hiring the next editor, Tsumiki has the final say. Her endorsement is as good as a job offer. “I… thank you, Tsumiki.” You look down, suddenly overwhelmed by the words. “Big shoes to fill.”

“Aw, none of that,” she says, stealing a cookie from the tray on the counter next to you. “I literally can’t think of anyone better.” With a wink, she disappears through the doorway, where Kirara and Nobara are talking animatedly. Nobara gestures to you when she catches your eye.

“Dude, our listens are shooting up!” she says, shoving her phone into your hands. Your EP dropped mid-November, six tracks recorded in the studio with Takuma and Hakari, and you’ve performed better than you ever expected. The analytics show a sharp uptick that’s probably in large part due to Panda playing your stuff on the radio station.

You whistle, leaning on Nobara’s shoulder. “Awesome.”

Kirara leans against the wall, considering. “You guys thought about what you’re gonna do next year?”

Truthfully, you’ve really tried not to. The idea of Maki and Yuta graduating is so bittersweet. But graduation means Shibuya Incident will have a hole in their band, too. Kirara will be gone.

“You know, I’ve been thinking,” Nobara muses. “We could join forces. If we lose Maki and Yuta and Kirara, the only thing we’re doubled up on is drums and lead.”

It’s not a bad idea. And if Yuji is track captain next year and you get that editor job, neither of you will have as much time for the band—switching off could actually be very helpful. You hum, considering. You’ll have to talk to the others.

“Oi,” Kirara says, reaching out to poke you with a socked foot. “Your boyfriend’s in lost puppy mode over there.” You glance into the living room to see Takuma scanning the room next to Megumi and the dogs, probably looking for you.

“Dumbass,” you say fondly, and nod goodbye to Nobara and Kirara before making your way over to him. The boys are halfway through Rasputin and Yuta is, much to Toge’s chagrin, kicking ass. Toge looks like he’s just run a half marathon.

Takuma lights up when he sees you, a mischievous smile appearing on his face as he intercepts you by the hall entrance.

“Oh, wow, what is that?” he asks cheekily, and tilts your chin up to see a piece of mistletoe hanging from the ceiling. That was definitely Nobara’s doing. “Crazy that we just happened to—”

You cut him off, dragging him in by the shirt and kissing him, and makes a surprised sound that has you smiling against his lips.

“Crazy,” you repeat after you pull back, relishing the flush on his cheeks. Even after dating him for two months (as of today), every reaction you get out of Takuma makes your heart rate bump up a few beats. “Oh!” he says, suddenly remembering something. “Wait, c’mere, I have something for you.”

“Takuma!” You swat at him. “I told you not to—”

“Boo hoo,” he says, sticking his tongue out and dragging you toward your room, where he dumped his stuff earlier. You quietly close the door behind you as Takuma digs around his bag, standing up with his hands behind his back. “It’s Christmas and it’s been two months. You have no defense. Close your eyes.”

You do, giggling a little as he grabs your hand and presses something into it—something soft. “Okay,” he says, and you open your eyes to see a little stuffed penguin perched in the palm of your hand. It’s fucking adorable.

“Oh my god!” you cry. “Oh, he’s so cute! Takuma.” You cradle the penguin to your chest with both hands, grinning.

“It’s you!” he says, laughing. “Not official Madagascar merch, but I thought it was pretty cute. Your own lil’ Skipper.”

“I love it,” you say, making the penguin do a little dance in the air. You grab its tiny wing and poke Takuma on the nose with it. “Thank you.”

“Merry early Christmas.” His nose scrunches up a little in thought. “Early Merry Christmas? What’s the right way to say that?”

“Happy early nondenominational holiday of your choice,” you say teasingly, because the public university won’t actually say Christmas despite the decorations all around campus.

It’s a running joke among the entirety of the student body that the massive tree in the arts lobby is not a Christmas tree but a secular modern art installation. There are variations of insane alternate tree names on the school meme accounts. The knockoff JU Barstool page even got in on it, and the student groups hosting the Hanukkah and Kwanzaa celebrations.

Takuma’s answering laugh is bright and it follows you as you cross the room to your desk, pulling a box out of the second drawer. “Your turn.”

“What?” He has the audacity to look confused. “Skip—”

You hold up the penguin. “Objection denied!” The box is light and square, and you watch excitedly as he opens it.

“Oh my god,” he says when he realizes what’s inside. “No way. These are the exact ones—how did you even—?”

You had to do some investigating to figure out the precise guitar strings he uses, but what's your journalism degree for if not this?

“Who knows?” You shrug playfully. “Maybe it’s the psychic powers, maybe it’s the housemate I begged to sneak into your room and find out.”

Kirara was more than willing. “Good thing you came to me and not Itadori,” she laughed. “That kid can’t be subtle to save his life.” Takuma’s strings have been on the brink for a while, and you’re honestly shocked none of them have given out yet.

“They’re perfect,” Takuma laughs, setting the box back on your desk. “I love them. I love you.”

He says it so easily it takes you a moment to realize what just happened. He freezes, mouth opening and closing like he doesn’t know what words he’s looking for.

“I—uh,” he says eloquently. “It’s—I mean. I didn’t mean to—I mean, I didn’t mean to say it like that but I did mean it, you don’t have to say it back, if it’s too soon or you—”

Instead of cutting him off verbally, you grab him by the shoulders and press your lips to his. His eyes are wide when you pull back, despite the way he relaxed into the kiss on instinct.

“Hey,” you laugh, one hand trailing up to the back of his neck. “I love you, too.”

The excited smile that spreads across his face is slow and hesitant, like he can’t believe you reciprocate. You pull him back in and feel his grin against your lips, his hands coming to rest at your waist, warm.

“Thank god,” he murmurs between breaths. “Because I keep almost accidentally saying it, and it was gonna happen sooner or later.”

“Least it didn’t happen over the phone,” you grin, your hand skating down his arm and coming to rest in his.

Sheepishly, he admits, “Almost did. Yesterday.” Your laugh is bright and so is his answering one, and you perch your little stuffed penguin atop the guitar strings and tug Takuma toward the door.

“Okay, lover boy. Back to the outside world.”

“Lover boy, huh?” he teases. “Kay, pretty girl.”

“Couple of cheesy ass romantics we are.”

“Mm.” He presses a kiss to your temple, the action so casual and unthinking you want to melt. “Wouldn’t have it any other way.”

The second you step back into the living room, Yuta grabs you by the elbow and presses a Wii remote into your hand.

“Oh, no. Yuta—”

The song’s been chosen for you, and Toge has passed the remote to Maki, who looks like she’d rather die than give a rousing performance of TiK ToK by Ke$ha.

“Well, at least it’s you,” she says. Toge tries to discreetly pull his phone out, but Maki gives him a death glare that could send a grown man to his grave. He nearly drops it in his hurry to shove it back into his pocket.

You snort, patting Maki sympathetically on the shoulder. “Let’s kick ass.”

Three hours later, everyone has somewhat settled down, sprawled across furniture and countertops and the carpeted floor. Yuta’s grabbed an acoustic from the basement and it’s being passed around, goofy Christmas songs overlapping with the still-spinning record player.

You enrolled here with the intention of building a new life, finding a new purpose—new faces, new music, a new place to call home. And you feel like you’ve found it. This is the point of college. You’re surrounded by the best people you’ve ever known, and your heart is practically overflowing with how much you fucking love them all.

After all, your heart is not a finite thing. You’ve just got an endless supply of affection, and you’re not scared of it.

Love is the right word, you think, letting your head fall onto Takuma’s shoulders, legs tucked up beneath you on the couch.

“I love you,” you whisper, just to say it. When he whispers your name, your real name, in the shell of your ear, something in your chest sparks a little. He makes it sound like a song.

“I love you, too.”

directory | prev.

jjk taglist open: just send me a message!

@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32 @gojodickbig @stargazing-with-choso @anonymity-222 @honeyyhuggs

a/n: that’s a wrap on out of my mind! ahh! i loved this one a lot, and it has so much spinoff potential i’m going a little crazy with it—keep an eye out for the megumi spinoff dropping soon. if you want to be alerted when it drops, lmk and i’ll put you on the jjk taglist. also, greta wrote a sukuna spinoff here—go read!

@bitchkay i need you to know your reblog tags give me life and you were fucking RIGHT ON THE MONEY with these developments

i’m not sure if i’ll start writing other fandoms or not—if y’all would want to see attack on titan or blue lock do let me know!

#this is such a good conclusion im gonna jump off a cliff #the worst part about this fic is that it ends💔#ME MAKING CORRECT PERDICTIONS‼‼‼‼‼#honestly i thought the drumming thing would be a bigger thing #like i didn't think they would fight about it #but in my mind i saw yuuji be like wym guys im fine it dont even hurt cus hes built different i guess????#then try to drum before HOWLING in pain like sir please step away from the kit #WE CONFESSED WE BECAME BOYFRIEND AND GIRLFRIEND WENT ON A DATE AND YUUJI GOT HIS TACO BELL⁉️ WE WINNING🥳🥳#yuuji deserves that taco bell😤#i love yuuji and his tambourine cus i just know he was having fun up there #went ever i think of tambourines i think of church ladies just feeling the music you know those church aunties #CURSED TECHNIQUE × SHIBUYA INCIDENT COLLAB EXCEPT THEY JUST MERGE #im curious on how that would potentially work cus obviously the seniors are graduating but people going to get busier with non band stuff #me and takuma are getting married yall #ino nation is so fed with this fic we were so hungry #yuta beat toges ass at rasputin is iconic actually cus i know he was cutting it tf up #and then me and maki doing tiktok by kesha so fun #there's one song on just dance I think it would be so funny i think its timber by kesha one of the dancers is a panda💀#you probably guess what im gonna say it would be funny if panda did that one with someone even better if it was the opposite #like panda was the girl and someone else was the panda💀💀#does this have to be the last chapter what am i going to hyperfixate on now🥺🥺#takumas date idea was so cute like the fairy lights at the skatepark with some blankets and food #i feel like I have so much i wanna say #i love tag ranting can you tell #i was talking to myself the whole time i read this i was so excited #THEY WON THE BATTLE OF THE BANDS YALL LET'S FUCKING GOOOOOOOOO🥳🥳🥳🥳#i need to shut up now im almost at the tag limit #ino takuma #takuma ino x reader #kay's reblogs

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necrotic-nephilim · 4 months ago

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@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

#necrotic festerings #dc x dp #dc x dp crossover #dc x mlb #danny phantom #miraculous ladybug #batfamily #dc comics #fandom meta #fandom analysis #but i can totally write more of these analysis type posts bc i *love* this shit #it's like fandom anthropology #fan studies #love that shit and i have *so* many case studies i could write about cultural phenomena in the batfamily fandom space #bc you can tell by my. everything i'm a comics purist #but i'm not totally negative to fanon #i roll my eyes. I cringe. I send long rants to my loved ones.#but i live and let live and i'm not going to jump down a fanon post for being painfully incorrect. it's just mean and not how we behave.#like there's a difference that and between correcting ppl who say 'in the comics-' when they haven't read the comics #but most ppl aren't claiming their content is based on the comics. and i can respect that honesty #like you're just rawdogging it #i understand the appeal of it. seriously no shade it's a fun sandbox if you just want cool blorbos.#it's *not* how I do fandom but to each their own #and ofc i want comic accurate fanfic but i can find that on my own. it's not hard to do #some comic purists act like there's *no* comic fandom content and come on now.#it's pretty easy to tell the difference when you're scrolling ao3. let's not be unkind to content not made for us.#but i'm serious please do stay out of comic tags if you're not writing comic content. it's my only gripe with this whole thing.#besides that be gay be free.#be cringe. it's freeing i promise.#i jest about being sick of that green ghost boy and that ladybug girl in fandom but it's all silly. i really don't mind.

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