#i love reading fan theories and interpretations

[suckerforthisshit]

1) I don't even know. Many are really cool, perhaps favorite one is when Near meets Mello eye on eye

2) I don't care. Just not to much uncanny. Personality is more important. (I would hate it anyways. My personal space wounded)

3) Pft, no one knows. Probably a long period because I wouldn't use it, would study it perhaps and keep it as a secret

4) Damn I have Hogwarts AU with Mello, Near, Matt, L, Misa and more side characters I created and added in death note universe. But I can't say it's Harry Potter universe completely because many things are changed.. I don't know. Wait that's not even anime.. Maybe persona five or something. They'd be fun in monster. Chasing Johan Liebert. I also imagined them in Cyberpunk world, as different creatures... Just- don't ask. Even couple of ferrets.

5) "I fly a helicopter with intuition."- L Lawliet scene

6) I'll say a manga cover, because I am not an anime fan. 8th manga cover with Mello sitting on sofa. Magnificent

7) Mello. Once he had a notebook. Although it's debatable

8) First L's. But nothing hit like Mello's death. I was so mad on Near for his reaction. Later on, my rage calmed down in the last act

9) Well now.. that's.. a list. I can't even chose one truly. But let's say generally, for Mello it's hard rock, bit of blues rock with metal tones, for Near it'd be electronic music, bit ot house (no pop). Matt is classic rock and punk rock. L is indie. But this all is just a vibe, not what these characters would listen to. For example in my interpretation Mello loves classical

10) Matt 100%

11) Haven't read manga for a long time, I don't remember all details. (I got driven in my own fictions and fantasies, stories of these characters rider then sticking to manga) but what really shocked me, obviously was L's sudden death, and last scene of Near eating chocolate really redirected me to some future decisions

12) Matt with lemurs

13) Meronia, other ships of my oc characters with original ones. Matt x Zoya, L x Etta. Near x Chris. Mello x Messy.. doesn't matter. No one knows them anyways

14) Naomi Misora

15) Some weird mix of all L, Mello, Near and Matt. Mello's intensity, Near's calmness and introversion, L's personality, Matt's style and laid-back behavior

16) "The one who doesn't win a game is just a loser"

17) Did Mello ever actually care about Near in manga, was his death out of his principles and 'giving up on himself', as he accepted to never actually be able to defeat him. Or actually something else, as sort of sacrifice for Near's sake

18) You mean if I was to choose the color that fits death note manga set it'd be something deep dark red or gray, black. If you ask if I was in series and one manga cover was made for me, it'd be a deep eggplant purple or dark grayish blue color

19) Something dark, black loosen dress, black aviator hat.. dark red-purple lipstick in 20s (previous century) style

20) normal, or ketchup

21) none

22) Won't even start with theories. Many

23) I won't be boring and say Mello and Near's interaction (although it's most true) , but L and Light had fun dynamic

24) Mello and Misora. Misa was fun, sometimes overdressed. Matt was fun

25) Arc two, Near hit me hard. I instantly liked him and started thinking up my own stories

26) I mean, I'll forever repeat that one moment of Mello's death as worst thing ever to happen. Near in third arc (the separated manga) was very depressed

27) I can't. Nah, no energy

28) Uhhh... Mello sitting on couch, or Mello holding a skull

29) idk

30) Near

Favorite chapter/episode?

If you had a Death Note, what would you want your Shinigami to look like?

How long do you think you could get away with hiding a Death Note?

If your favorite character weren’t in Death Note, what anime/manga do you think they would thrive in?

A scene that makes you laugh.

Which is your favorite opening?

Your favorite kira?

The death that affected you the most.

What song(s) fit the vibe of your favorite character?

A character you would hang out with irl.

What moment surprised you the most?

What is a fanwork (edit, fic, art, etc.) that you still think about to this day? (Pls link to the original!)

Favorite ships?

What character do you think you look the most like?

Which character’s personality do you relate to?

A line from the series that stuck with you.

A question that was never answered, but you wonder about all the time.

If Death Notes came in different colors, what color would yours to be?

What would be your staple kira catching outfit?

Favorite potato chip flavor?

A Death Note fanwork that you’ve made and are proud of.

A favorite Death Note theory.

Your favorite interaction.

Who do you think had the best style?

At what point did you fall in love with Death Note?

Saddest moment for your favorite character.

Lay out the plot of Death Note using only emojis.

Favorite official art.

Favorite Death Note Spin off media.

A character that needs to be mentioned more.  

[theunsinkableship1]

DENIAL IS NOT A RIVER IN LUKOLALAND

⚠️DISCLAIMER: This is Lukolaland only. Skip if you don't believe.

Denial is a river in LUKOLALAND?

This has to be a joke, right? Some responses that I have received on my latest posts on TT and Tumblr leave me perplexed. Let me make something clear: I’m not here to convince anyone of anything. You have the right to believe whatever you want, that’s your prerogative. However, this is a Lukola space. It’s a space that exists to celebrate their connection, to nurture it from afar, because it shines brightly and is uniquely beautiful.

I don’t know them personally. I can only judge from what I’ve seen and heard, and I fully acknowledge that my perception is biased. My interpretations come from the way I read into their actions, their words, and their patterns. What I share here isn’t fact, it’s speculation based on observation. The only thing I know for sure is that I don’t know what’s really going on.

First and foremost, they are colleagues and FRIENDS. They’ve said that multiple times, and I believe them. For those who doubt their friendship, I don’t know what to tell you. That’s the foundation here. If you don’t even believe in their bond as friends, this probably isn’t the space for you.

But here’s where it gets complicated: they’re not just platonic friends. You may have missed it, but the signs are there, publicly available. You just need to pay attention. I’m not talking about outlandish theories; I’m talking about what’s right there if you’re willing to see it.

I believe they’re in love with each other. As for their current situation? I’m not certain. But the level of plausible deniability in their story doesn’t make sense to me. Maybe it does to you, but for someone who thinks in layers, patterns, double entendres, and undertones, someone who loves words and has studied communication and PR, this whole narrative is anything but straightforward.

Leaving this much space for misinterpretation is a choice. If they wanted to shut this down entirely, they could’ve done so with clarity and finality. It’s not that they can’t make themselves understood without being misconstrued, they absolutely can. But they haven’t.

It’s wise to keep a level of doubt, it maintains objectivity and prevents overreach. However, when coincidences stack up and patterns emerge, it becomes increasingly unlikely that they’re all mere misunderstandings or products of plausible deniability.

The more coincidences there are, the less likely they are to be unrelated.

On their own, one or two could easily be explained away, “just friends,” “PR,” or “fans reading too much into it.”

When similar themes arise repeatedly over months or years (e.g., their timing, shared themes, subtle nods to one another), the likelihood of them being mere coincidence diminishes.

The concept of plausible deniability hinges on actions that could be explained in multiple ways. However, the more layers of ambiguity and deniability built into their interactions, the more intentional it feels.

The subtleties of their public dynamic suggest a shared awareness of fan interpretations. They know how their actions are perceived. To repeatedly engage in behaviors that could be "misunderstood" suggests either: a) Intentional messaging within safe boundaries. b) A significant lack of care, which doesn’t align with how thoughtful and calculated they seem to be.

Take Nicola’s recent Times interview as an example. She could have ended all speculation right there,

“A lot of people really want me to marry Luke,” she says with a laugh. “We have this gorgeous friendship. We have such a love for one another and this experience that I’ll never have with someone else again. Isn’t it gorgeous that a man and woman can have that sort of relationship with one another?”

but she didn’t. Why? There must be a reason. And no, it’s not just PR. PR campaigns don’t operate on layers of plausible deniability that stretch across years, interweave with personal moments, and rely on such specific timing.

Isn’t it strange that for two people who have been so close, their social interactions have significantly decreased compared to before? Over the past two years, especially after the world tour, they appeared to have solidified a deep friendship. If the intent is to disengage fans from the idea that they might be secretly in love, wouldn’t it be wiser to interact more naturally and perhaps even acknowledge each other’s perceived partners?

From a strategic perspective, a like, a follow, or a simple interaction on social media could have gone a long way in dismantling the Lukola narrative. Such actions would feel natural for close friends, especially ones under public scrutiny. Their reluctance to adopt this approach only adds to the curiosity. Why not lean into a strategy that would be less detrimental and more effective at quelling speculation?

Perhaps they are more active on private social media accounts, but publicly, the absence of these gestures stands out. If the goal truly is to clarify their relationship and put fan theories to rest, this perceived distance feels counterproductive. The choice to refrain from such actions, at least for now, is, at the very least, curious. Could it be that there’s a reason they haven’t done so yet?

Both Luke and Nicola have had ample opportunities to firmly address and deny the Lukola narrative. While they’ve made passing comments about being friends, these have lacked the clarity and directness that would fully quash the speculation. Why leave the door ajar if they truly wanted to shut it?

Their reduced interactions seem to have coincided with the conclusion of the promotional period for Bridgerton. During promotions, they were actively engaging with each other and the fandom, fostering the image of a close bond. The sudden change afterward could indicate a deliberate decision to recalibrate public perceptions of their relationship.

The decrease in public interactions after the “papgate” could be their way of managing fallout from the incident, yet it raises questions: Why would two close friends need to distance themselves so noticeably? It suggests a calculated retreat to reduce speculation. However, this strategy seems counterproductive, as the abruptness of the change has drawn more attention. A gradual shift, paired with natural acknowledgments of their respective supposed personal lives, might have been more effective.

It’s possible they’re still VERY close privately but have chosen to limit their public interactions to avoid misinterpretation, or for privacy reasons. If so, this deliberate choice to create distance publicly could point to a deeper connection they’re trying to shield.

This brings us back to patterns. If you observe their public interactions, their timing, their word choices, the double meanings, they’re not random. These coincidences pile up to the point where it’s hard to believe they’re all meaningless. Their bond transcends the boundaries of PR, platonic friendship, or even ordinary relationships.

If you reason in layers, you’ll see it too. The amount of room they leave for interpretation is extraordinary. It’s not just about what they say, it’s about what they don’t say. It’s about the undertones, the pauses, the way they navigate questions, and even the things they choose to share (or not share) on social media. All of this seems to be deliberate. The picture is larger and more intricate than it seems on the surface.

For example: Am I truly supposed to believe that Nicola, who has a higher degree in English and a major grasp of language, would post a Scrabble board with so many elements that could be interpreted through a Lukola lens purely by coincidence? Yes, she’s an avid player of word games, but let’s examine the board itself. It reflects competent but not advanced gameplay, logical and adhering to Scrabble rules, yes, but lacking the level of complexity, strategy, and nuanced word choice you’d expect from someone of her linguistic caliber or from a player displaying their skill.

For me, this was never just about showing off her love of Scrabble. It felt intentional, like an intended message rather than a casual post. If the goal was simply to share her hobbies or an aesthetic moment, she could’ve easily posted a picture of herself playing Scrabble, perhaps with a pint of Guinness in hand. Or she could’ve showcased a more advanced board to reflect her skills or creativity. Instead, she chose this specific board with these specific words, words that align so conveniently with a narrative many of us have come to associate with Lukola.

And let’s not forget her self-awareness. Why would someone who knows how deeply her posts are analyzed by fans continue to share things that are repeatedly misconstrued? If she didn’t want the association, why add layers of ambiguity, such as the now infamous “the very demure, very mindful” quote? What was the reason?

Just two days ago, she posted a photo in her best of 2024 the phrase "if you know, you know." Let’s be honest, how many Lukola edits have we seen that riff of "when you know, you know"? If this wasn’t related to that, what exactly was the point of the “random” quote?  Is it public knowledge or is it something only some know? Nicola is anything but random on social media. She’s chronically online, she’s clever, and she’s incredibly aware of the narratives circulating around her.

These patterns, Scrabble boards, cryptic quotes, wordplay, and selective ambiguity, don’t feel accidental. They feel curated. For someone so skilled with words and communication, there’s intention behind these choices. If it were just for fun, she could have chosen countless other ways to express herself that wouldn’t leave so much room for interpretation. But she didn’t. And for me, that’s speaks volumes.

I’m mainly talking about Nicola here because there’s simply more material to analyze, her posts, interviews, and public interactions offer more clues and layers to unpack. However, Luke’s activity, or rather, his noticeable lack of activity, is equally intriguing and worth examining.

Luke has always been more reserved on social media compared to Nicola, but his recent silence or carefully curated posts stand out. He’s not just absent; he’s selectively absent. There’s a difference between being inactive and deliberately staying under the radar. For someone who previously shared glimpses of his personal life and participated more openly in fandom engagement, his current approach feels intentional.

When he does post, the content often seems neutral, leaning into professional promotion or generic life updates. Yet, the timing or lack of acknowledgment of certain things, whether related to Nicola or even his supposed personal relationships, leaves room for speculation. It’s almost as if he’s consciously avoiding feeding into narratives while simultaneously not shutting them down.

For instance, why hasn’t he addressed certain rumors head-on, as he has done in the past with other relationships? Luke has historically been upfront about his. It’s a choice.

Considering that Luke has been involved in other projects and worked with other co-stars since the end of the Bridgerton world tour, the ratio of content related to Nicola remains strikingly high. Among the limited glimpses he does share, Nicola accounts for the largest percentage of reposts and interactions. What’s even more telling is that the majority of this content is Lukola-focused, centered on his dynamic with Nicola as individuals, rather than strictly Polin-related, which would be tied to their characters and professional pairing. Yes, she is his MAIN co-star within the Bridgerton universe, but this level of engagement is noteworthy.

This isn’t to say he doesn’t appreciate or acknowledge his other co-stars; it’s just that the weight of attention, however subtle, consistently gravitates toward Nicola. Whether it’s the choice of what he reposts or the absence of comparable attention toward other colleagues, the pattern emerges loud and clear.

If we analyze this through a lens of probability and statistics, the numbers paint an even more intriguing picture. Let’s say Luke has worked with five to seven notable co-stars in other projects and in Bridgerton, if he has been tagged in or had the opportunity to engage with 100 pieces of social media content since the world tour. If Nicola accounts for, say, 60% of the interactions and reposts, despite being one of many co-stars, it defies the expectation of a more even distribution.

For context, if he were equally invested in all professional relationships, the engagement with Nicola might hover closer to 15-20%, proportional to the size of his broader network. The fact that this number is so much higher, let’s conservatively estimate at least three to four times greater raises questions. Is this simply because of their shared Bridgerton fame? Perhaps. But then why focus on individual Lukola moments, bypassing more neutral or inclusive Polin or broader cast content?

From a mathematical standpoint, the odds of this being purely coincidental diminish significantly when you layer in the context:

Nicola has the highest percentage of reposts across Luke's social media activity.

The type of content intimate, personal, or Lukola-specific reflects a curated choice, not random selection.

Even in a professional context, where Polin content would be the obvious promotional focus, the Lukola-centric moments shine through.

Given the numbers and probabilities, it seems less likely that this pattern is accidental or merely reflective of professional obligations. Instead, it suggests an intentionality that aligns with the depth and uniqueness of their connection.

Promotion for Bridgerton Season 3 has come to a halt, creating a quiet period where we can observe and compare how Luke approaches the promotion of his other projects.it could highlight how unique his dynamic with Nicola truly is.

The nature of the content he shares for other projects will be equally telling

By comparing these promotional efforts both in terms of frequency and tone to the patterns established during the Bridgerton promotional cycle, we could gain insight into whether his approach to Nicola was truly unique or simply part of his broader professional routine.

When coincidences pile up, their probability of being just coincidences shrinks dramatically. A single instance might be random, but repeated instances with similar themes, timing, and emotional undertones suggest a deeper meaning. While maintaining doubt is reasonable, the sheer volume of these moments suggests that there’s more at play than mere misunderstanding. It’s not about overreaching, it’s about acknowledging that where there’s consistent smoke, there’s likely some fire. What type of fire is there currently? I’m not sure. Are you? Probably an Eternal flame.

[hermitsdump]

I wish all jujutsu kaisen fans a very media literacy and manga reread

[raven-at-the-writing-desk]

might be an unrelated ask with how things are going on right now, but the only way i ever see traitor ace theory coming into fruition is if he destroys yuu's way back home because of how his feelings will boil over (since he thinks being vulnerable is uncool). i've always tried to convince myself that his silly tsundere moments are yume bait, though i really can't deny the fact that yuu is literally everything that his ex-girlfriend is not. they've watched a horror movie together from idia's lab sr (and sending grim all alone to get snacks???) in playful stage, they ride a roller coaster, and if you tell him you like it, he suggests going again again (just the two of them without grim???) bro is not slick with how attached he is to mc.

I have my own thoughts on Ace traitor theory (which you can read here)! To summarize, I don’t believe in it. If Ace betrays us at all, I think it will be in a trivial capacity (like he does something stupid that the rest of the group disagrees with, like taunting Malleus to attack him) and without malicious intent.

He may think being vulnerable is uncool, but I don’t think he’d take an action as drastic as destroying Yuu’s route home no matter how emotional he got. (That feels more like the stuff I see in angst and/or yandere fan works.) Ace gets mad and acts out, yes—but it tends to be in situations where he feels like being has been wronged, not to hinder the people he cares about. His character and his actions the entire story have done nothing but demonstrate that he values his friends and will be there for them until the bitter end, even if he whines about it the entire time.

And well 💦 when it comes to “is this platonic or romantic��, I always default to “it’s up to individual interpretation”. TWST will never give a “canon” ship for Yuu because that would impede the self-insert mass appeal design of the blank slate character. Not everyone wants to perceive X (in this case, Ace) as a love interest. Not everyone wants to perceive X (again, Ace in this case) as a friend. Therefore, there’s always going to baity lines to feed the yume crowd (Michard voice: give me your ur wallets) but lines are also kept plausibly deniable (framed as “jokes”/nor serious) or ambiguous enough to be interpreted either way.

In Ace’s Suitor Suit vignettes, he says this about his ex: “She said the thrill rides were too scary for her […] She vetoed all the action and horror flicks. Hanging out was just plain boring, so I stopped contacting her as time went on.” And indeed, Ace engages in the activities his ex refused with Yuu. They’re watching a horror movie together in Idia’s Labwear vignettes, as well as riding roller coasters and other thrill rides in Stage in Playful Land. Yes, you can interpret these as romantic since they sent Grim off by himself to get popcorn and want to ride again by themselves.

However, that’s not the only possible interpretation, and nor should it be. It could just as easily be argued that Ace and Yuu were just hanging out as friends in a “kicking back with your bros” kind of way (regardless of whatever gender Yuu identifies as). Watching horror movies and going on exciting rides are normal things that friends could do together. There is nothing inherently romantic about those acts by themselves. It could also be said that Ace is lazy and constantly trying to get out of work, so of course he’d pass off the job of getting more snacks onto someone else. The ride thing is innocuous too—maybe the others just aren’t feeling another round, while Ace and Yuu are still on that adrenaline high and want another hit of it. And again, it’s probably framed as wanting to do activities with Yuu specifically to help foster that parasocial relationship and create a sense of bonding with the player.

Of course Ace is attached to us and likes to hang out. We’re his friend, and that much has been established since the prologue. We are naturally a lot closer with him by default compared to several of the other guys (with maybe a few exceptions, like Deuce). Whether you see Ace and Yuu’s relationship as anything more than that is up to the individual!

That being said, I’d rather not talk in terms that imply one ship is “better”, “absolute”, or “more supported by canon” than others 😅 Not just for Ace x Yuu, but any ship, really. It unintentionally frames the discussion like a competition and leaves some people out of the talk if they don’t vibe with it or have different preferences, y’know?

[thechurchoftheradiodemon]

I've been mulling over something. I read one of Vivzie's interviews lately and I've come to some conclusions about Alastor's character (these are just my own theories, though, so we'll see how everything actually develops in s2).

Unfortunately, I believe, canonically, Alastor is NOT aromantic. Maybe on the aro-spectrum, and deffinitely asexual, but not aro per se. In this interview, Vivzie confirms Alastor's asexuality, and plays with his aro identity saying something like "I don't want to ruin people's fun with him". This could be queerbaiting in a sense (I don't actually think so, when Vivzie is high on queer representation, but aro people are very left behind in the community, sadly).

But she continues to add on that there are plans for Alastor in the future of the series, saying something like "I can't confirm that he is aromantic". To me, this reads like we will see romance in Alastor's life in season 2, wether it's a past lover/romantic interest or a new one I could not say. She would've had no problem in confirming Alastor as aromantic otherwise, and I interpret this as Vivzie not wanting to spoil part of the plot.

I used to think that Alastor's deal would most surely be with Lilith, but, while it could be the case, I'm not so sure anymore (although it could be a fun dinamic). But, nontheless, I think Lilith's and Alastor's 7 year absence and his deal are intertwinded somehow.

My bet, for the future romance plot, is that it could be one of these three: either Lilith, whom the fandom is already considering in a sense; the mysterious Eve, or... Lucifer. HEAR ME OUT. I don't say this as a Radioapple enjoyer. The reasons I think it could be Lucifer are the same that I think it could be Eve (although we know absolutely nothing about her).

Mainly, I draw these conclusions from the early comic Zoophobia, from where we know Alastor's character was taken. In this comic, his character is supposed to have a crush on the character of KayCee, a powerful being with whom he could have made an alliance to reign chaos.

KayCee's descriptions could match either of the three romantic interests I mentioned, but what strikes me more are her defining traits: white and gold colour palette, and the apple. We know not all of Vivzie's characters stem from Zoophobia, and the ones that do have (understandably so) went through important changes through the years, mediums and aesthetics.

BUT these could be some clues into what we might discover in s2 of Hazbin. And, so long, the character we've seen fit this palette and apple motif is none other than Lucifer himself. Eve, on the other hand, is also shown during the intro sporting some sort of apple motif, which could be indicative of her future appearance in the series. But we know so little about her, and, knowing Hazbin Hotel will only have 2 seasons confirmed, I'm not sure we will see more of her.

I personally don't like the idea of losing Alastor as an aromantic character. I'd much rather not see him in a romantic relationship whatsoever in the canon series. But that is not my call to make, and he will always be our ace-king no matter what. Also, that wouldn't mean his story or character will be less interesting or developed. So we'll have to wait and see...

(This is visual representation of me reaching these conclusions, btw)

I would love to hear what other fans think about this, so if you want to leave and opinion in the comments we can discuss!

[etrosgate]

i know i've referenced how chain of memories has had some things lost in translation due to the nuances of jp pronouns a few times on here, but i finally read the essay on the subject and i think this is like.... Actually mandatory reading for every kh fan.

like "you probably don't understand a fundamental aspect of sora's story in chain of memories if you haven't read this essay or played the game in jp" level of mandatory.

yes it's like 300 pages long, because they go through the whole game establishing the facts and then analyzing the implications and ruling out potential interpretations of them, for the sake of being thorough. if you really don't want to read it all (even though i recommend you do), you can read the intro and skip down to the summaries they have at the bottom of each part and get the gist.

it's also like practically undeniable evidence that sora's in love with riku. im actually not being flippant when i say this, or proposing a theory, or exaggerating for comedic effect. im dead serious. i cannot find any other plausible explanation for some of the stuff in here. much less the sheer amount of it. and emphasis put on it.

[neunhofferart]

Howdy, Heidi! You said that some fans picked up things that were done on accident… Were there more scenes like that? Also, were there scenes that you guys made on purpose but fans didn’t pick up / were aware of them? In shipping terms (hihi) and in general terms. Thanks!

I think in every type of media you will inevitably see versions of 'authorial' intent vs audience interpretation that overlap and differ from each other in many ways. (Authorial intent in quotes because in collaborative mediums like film and animation every single person on the pipeline who touches the work probably has a slightly different personal interpretation they're contributing to the final work, even under someone like a showrunner or a director).

Humans are smart and it's in our nature to look for connections and find explainations to questions, so most of the time if someone is putting something down, someone is going to pick it up, so to speak, and a lot of things ARE on purpose.

But this same phenomenon can also lead to us seeing connections in places that even the 'authors' might not have originally thought of while creating the work, and I think that can be pretty neat actually! I don't necessarily think reading alternate interpretations of works is wrong-- it can be very healthy to explore multiple reads of a narrative or a character/character dynamic. On Chaos Theory there were definitely times when we were like 'fans are probably gonna ship this even if it's not the text' haha. Sometimes fans latch onto headcanons you really have no control over. Sometimes things were animated slightly differently from how they were conceived (which is also a natural part of things).

But yes, sometimes I have seen a few other things that were interpreted in slightly different ways from how they were directed or written verbally, but I'm personally of the opinion that it's more fun to leave some things visual and open to a little interpretation rather than beating the words over the audience's head and having the characters constantly announcing 'I'm feeling this because of this!' And going 'this is the only way to interpret the show and the characters and if you don't you're wrong!'

It's usually not a huge deal. I think even as we were working sometimes I'd make connections to myself that weren't necessarily spelled out to us and go 'oh, this is a throughline for this character actually!'

Like for example- if I remember correctly, the original direction behind how Kenji reacted to Ben's apparent death was that it was supposed to the first time he'd ever seen someone he really KNEW seemingly die right front of him, and being unable to do anything about it deeply affected him. Ben is a very important turning point in his character development regardless of which way you read it.

And I think this is actually something that just continued to stack onto his character throughout both shows whenever any of his friends lives are seriously in danger. In Camp when he's still unable to do anything but comfort Sammy while she's poisoned, to deciding it's too dangerous not to trade Wu's laptop for Brooklynn, to eventually throwing himself between the spinosaurus his dad is about to kill Darius with and choosing his friends over his own father and being willing to die with/for them... and then in Chaos Theory it kind of reboots all over again with Brooklynn dying and then his dad dying right in front of him, and his complex of not wanting to be useless and trying to do whatever he can at the expense of even himself to keep the loved ones he has left safe is kicked into overdrive.

I think there are a lot of things like that where the intent is not always verbally spelled out, but the more important thing is that it's still (hopefully) making you feel something.

[caesarflickermans]

hmm sometimes I think us thg fans have a tendency to glorify Ms Suzanne Collins in ways she doesn't really deserve credit.

As much as it hurts me to say this, but she has gone out of her way to not state Katniss' race, to leave it ambiguous both in the books and interviews. And I think that the narrative about how her mean editors or scholastic keep her from telling us the truth is just digging our heads in the conspiracy sand. Her trilogy is about just war theory, even if I—and many others—read it as a (post-)colonial story. Lucy Gray Baird had several Romani elements to her character that Collins, despite her influence within Lionsgate at that point, either didn't recognise nor fought for in a movie adaptation. SOTR is not secretly about propaganda around Palestine—there's no way she'd have written a book within that time span—but more likely about the shifting overturn window in the United States.

My point isn't to doom the author, but much rather to recognise that the canon story doesn't align with many of the leftist interpretations out there. I don't love The Hunger Games any less for it, it's simply that the story is a flawed one, as every story is! However, by putting Collins on such a pedestal, we pretend our interpretation was always her intention, and that takes away from its shortcomings as well as being ignorant to the author's lens.

[pink-onyx-au]

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Nap time! Thank you everyone for your continued support and interaction! I adore it and it adds so much more to the AU than you could know. This is a heads up on some minor down-time for the blog while I rest up and prepare the next episode.

Notes and asks are still open and encouraged during this time! Bored and want to chat? Send me a message!

To see some WIP, storyboard previews, doodles, shitposts, and other projects I’m working on, along with a healthy amount of 3am memes, head over to my trash fire blog, Ceephor’s Shit Show. The "pink onyx au" tag will filter everything for you, along with showing you fabulous fan art made by others that I just love to pieces.

Speculation and theories are encouraged! The comic is designed as close to the show’s logic as I could muster, which means many secrets are staring right at you, provided you know what to look for! Just be kind to one another.

Comic FAQ:

What is this?

Pink Onyx AU is a Steven Universe AU focused on interactions between Steven and Jasper and is intended to be read after you have finished Steven Universe Future, as it contains many many spoilers for the series. If you have watched it already, great! Welcome! The goal is to bring you a Jasper redemption arc that we couldn’t get due to time and cooperate restraints on the Crewniverse. I hope you enjoy!

I do not own these characters or their likenesses except for the single fluffy thembo fusion I created for the story. This is just a fan comic.

Comic is PG-13 for some angsty/touchy themes, minor blood, violence, and gem-cussing. Touchy-subjects will always be in a cartoon-ish metaphorical representation you would likely find on TV and be available for multiple interpretations.

When do you post?

Typically when you see this post pinned, I’m on a bit of a break, but when Nyx wakes up (this post goes away) the comic is due to be released 1 page at a time at 7am EST most days. I try for a daily release. Sometimes I skip a day if I’m behind. Episode release dates are always announced ahead of time by a few weeks.

Is this a romantic ship AU between Jasper and Steven?

Nope, more like an aunt and her nephew trying to figure it all out. No romance between these two here.

Is your Tapas updated at the same time?

Nope, tumblr comes first, and the tumblr will always have bonus content which Tapas will not. The Tapas for this updates after the tumblr version is completed. Usually same day or within a day.

Do you have a reference for Onyx? Sure do!

How do I use the ask system for this blog?

You can leave a message, or even an object, for the characters to interact with. The asks you leave can be answered by myself, Onyx, Steven or Jasper within the realm of this AU. Your asks will have no effect on the comic story. Think of it like the actors are in their dressing rooms and you get to give them a poke while they take a break! As the comic story progresses, their replies to your answers may change! Their responses will be in-character depending on where in the story we are.

My note by the den (an ask) was never answered. How come?

Lots and lots of asks come in every day. I wish I could answer them all! Since I draw something to go with most answers, especially the character ones, they do take a bit of time. Sometimes, I get duplicates of the same ask, or an ask that may refer to something that spoils the story if I answer it. I might hang onto those asks for a later time! Or group them into categories to answer all at once. I hoard asks for 1 year in an attempt to get to them. If I missed yours, know I tried and I love them anyway! I hope it does not discourage you in the future.

Curious about the characters? Check below the cut for more a detailed FAQ about the inner workings of the story. Love you all! See you soon! 🧡💕❤️

FAQ’s about the characters generated via interactive asks:

What kind of fusion is Pink Onyx? Are they good or bad? Pink Onyx is a fusion of a protagonist and an antagonist, so their alliance is yet unknown, but they have Steven’s good heart and Jasper’s loyal nature. They also have Steven and Jasper’s flaws, so they can be volatile and emotionally explosive at times, too.

What are Pink Onyx’s pronouns? Onyx likes they/them, but also answers to he/him and she/her, especially when Steven or Jasper is dominant over one another. They also seem to take on a fluid role and prefer a she/her when in a caretaker status. They dislike it/its.

What does Pink Onyx sound like? Personally, I hear them as a youthful, masculine tone. Like Steven if a little older. But I also enjoy when people say they hear them as a gruff, Amazonian-type feminine. I enjoy and endorse both.

Do Jasper and Steven enjoy being fused to one another? For now, it is a struggle, but they enjoy what the other brings to the fusion even if they won’t say it.

Does Pink Onyx need to eat and do human things? If so, do they enjoy it? They don’t need to do them, but they do feel the discomfort without them. Things like breathing, eating, and sleeping are optional for Onyx, but they will become quite irritable if not allowed to do them. They greatly enjoy sleeping and trying new foods.

What does Jasper think about having human organs when fused? She’s pretty grossed out by the idea of organic matter going into her mouth and coming out of other places. The heart beating and lungs breathing she can feel for the first time, and it is highly strange for her to experience.

What is Pink Onyx’s favorite food? They adore anything watermelon flavored and Cookie-cat ice cream products

Does Pink Onyx have any special fusion powers? They do, and as they learn about themselves, more powers seem to come out. Each of their base component appears to be enhanced in a unique way. They have Pink Diamond at their core, so the destructive potential is also there.

Why is Steven hiding Pink Onyx from others? This AU occurs directly after the events of "I Am My Monster", so Steven is very emotionally, and mentally, raw. He fears judgement for running back to Jasper, who in the past, was part of so much trauma he already endured.

Pink Onyx seems to know nothing about human culture and gem culture despite being a fusion. What’s going on? Jasper and Steven agreed to fuse, but they have yet to open up to one another about much else. The fusion exists because they agree to do so, but Jasper won’t open up about her emotions, and Steven is so sensitive yet that he is not sharing because he knows Jasper won’t want to hear it. This causes Onyx to be unable to access both of their memories easily, but they can bring it out with enough effort.

[lukolabrainrot]

Hi there. So I've been firm in my belief that Luke & Nicola are gonna announce their relationship by telling us that they are already MARRIED. I've been conversing with a friend on here and we both agree there's been clues/crumbs that just might support the theory. Some might think it's too soon, BUT I just think their relationship was never a normal dating/courtship. Them being TOGETHER is 4-5 years in the making. Anyway, sorry it's long, but here's our thoughts on possible clues that these two may have tied the knot:

Many of them come from secondary sources, but I found these nuggets too hard to ignore. So here it goes:

8/22 N shares Polin photo. My interpretation of this photo is that this is the pivotal scene where Colin reads her letters and starts to forgive her. Penelope professes her love for him later that day. I think this particular photo was to signal they had worked out their differences and were together. I most definitely could be wrong, but I took it as a positive sign.

(I think 8/22/since deleted) JVN shares TT song and dance to Oh Happy Day. Well that's suspicious...

8/28 N and JVN like Evan Ross Katz Insta post about Catherine O'Hara meeting her husband on set and being married for 32 years. Hmmm?

8/28 Bridgerton Netflix drops the cute Lukola-coded media video on Insta.

8/29-8/30 I saw maybe 3-4 random comments on a few Insta and TT posts mentioning Cabo. In fact, there was a comment on L's Spain post up until recently that said "do Cabo next." So weird and probably not true, but I couldn't stop thinking about Cabo.

8/30 JVN posts the song "They Went for the Gun" from the musical Chicago to TT. I kept thinking what an odd song choice when talking about your remote work team. If you're a musical fan, you know that this is the routine where Richard Gere performs the puppet dance number with Renee Zellweger. The song is about convincing the media to buy in to your narrative by turning them into your puppets. I thought this could be about the JD photo gate distraction or maybe L/N were getting married and they wanted us to think otherwise? Or, this could mean absolutely nothing, lol.

8/31 This is the morning we all saw the JD in the ocean/pool story. OMG everyone panic - he's in Malta with N! I wonder if JD was excited to be on vacation and accidentally posted the pic to Insta and that set off the whole day of possible distractions? Right after, JVN posts a we're home and here's a garden update story. (I almost always wonder if his garden updates are jokingly about L/N status.) Maybe it was previously recorded, and he used it to possibly provide cover for JD's slip-up?

I know my theory is off the rails, but I kind of like the possibility of it. Maybe L/N went to Cabo for a long weekend wedding around 8/30-9/1 with just a few close friends and family? You know JD and JVN would be there. I'm not one of those photo date, location and time truthers. It seems like that is never accurate. The previously mentioned JD photo looked like a pool to me, and it reminded me of this deep blue-colored one that is at the One & Only Palmilla in Cabo. This resort has been featured on many episodes of Real Housewives and N loves that show. I also thought the Insta story from N's work colleague in Malta would be really thoughtless and unprofessional if she was actually there at that exact time. I hope it was an intentional misdirect.

8-31 Days before Chupi has been teasing their new Future Awaits Diamond Arrow eternity band. They have posts pairing it with the Claddagh ring. They release it early on this date. It looks very similar to the one N is wearing in her Polin post from 6/11/21. Maybe it's her new wedding band and she's already married? Squee!

Anyway, this is crazy delusional but it was fun to think they might have been breadcrumbs. Maybe L/N got married quietly in Galway(because she'd definitely want her mother there and her Irish roots/traditons are important to her, and now L) Spain when no one was suspecting it. Regardless, I hope Netflix paid for the wedding if there was one. Thanks so much for letting me share. I hope we find out soon! The rings are still the biggest clues of all. 🥰💍👀

This is all speculation... but interesting theories...

I don't think they are already married, but what does everyone else think?

The rings definitely mean SOMETHING about L/N 👀

[moonsceptre]

What is your opinion on the Beetlejuice 2 Dream Theory?

This theory?

My opinion is that it's very likely to be true. I walked away from the cinema extremely happy with all of the shippy moments—so happy I hadn't even considered theorising anything yet, however my first thought about the ending was, So it was all Lydia's dream?

I read through the post and was blown away by how much sense it made, but I think it helped push me to believe it when my friend sent me this

My friend is not interested in theorising or shipping, and has no connection to the BJ fandom, he's just a horror fan. Yet his interpretation of the movie's ending was a summarised version of the whole dream theory. Isn't it far more romantic to imagine Lydia having spent her life with Betelgeuse, and he's indulging her with a dream of her own child? Considering they both have a 'psychic connection', I'm not convinced that Lydia hasn't been thinking about BJ just as much as he's been thinking about her.

This user pointed out both of Betelgeuse's love songs are by artists named Richard, conveniently the name of Lydia's previous partner. The same partner who was described as a horror fan that loved playing pranks, and dressed as a Beetlejuice lookalike for Halloween.

Looks like Beetlejuice, acts like Beetlejuice—either Lydia is equally obsessed, or it's BJ projecting himself onto Lydia's human lover within the dream. Watching the movie with new eyes, I noticed in the "Later, fucker" scene that BJ is sitting in the same place Richard sat while working at the border control. "Astrid" herself has a name related to the celestial bodies, much like "Betelgeuse". You can either take this as a romantic parallel, or Tim is trying to show us that Richard's creation is based on Lydia's fixation with Beetlejuice.

Dream sequences often use characters to represent something within the dreamer's psyche. It's like an abstract analysis of the way that character thinks and feels. Astrid's sequence within the dream shows Lydia's material desires—it confirms everything was based off of what Lydia wanted, which included getting married to a 'monster' (in the sequence of events, Astrid marries a guy dressed as a vampire), and then gives birth to the Beetlebaby. I know in the first movie there is a reference to the horror movie "The Fly", so I imagine this was too.

Did anyone notice the dream sequence watching Astrid didn't actually have a clear indication for when it began? It transitioned from the movie as if everything was a dream right from the start.

Let's not forget BJ straight up looking into the camera and saying "I love a good dream sequence". Lol.

My other reasoning for believing the dream theory is what Winona said about Lydia. Winona and Tim are close friends. Winona pitched the idea of having Betelgeuse and Lydia be the endgame ship in her words, and she happily took part in this movie. If Tim had rejected the idea, why would Winona reprise her role for a story she didn't agree with? Winona knows that Lydia is Tim's self insert (Tim has said many times he relates the most to Lydia), so why would Tim approve of all the shippy moments if he opposed Winona's pitch? No one knows Lydia like him!

Winona said in this interview that she hadn't imagined Lydia ever becoming a mother, but that after a while it started to make sense. She does not elaborate on that, but explains her idea for Lydia was that she would end up a spinster in the attic. If you read the dream theory, it highlights how the movie begins with Lydia in the attic, and then transitions to Lydia's TV show, but the background is still the attic. I found the whole film very dreamlike in this way, and I think the fact that Tim has said Wizard of Oz (a movie where the girl wakes up after a dream, in which those she knew acted as characters within the sequence) is one of his favourite movies helps to put it into effect.

And finally...

It's Lydia Deetz. Lydia loves the strange and unusual.. do you really think she wasn't curious enough to contact Beej again?

[beauty-and-passion]

Why you should listen to Chonny's Charming Chaos Compendium

I didn't expect to truly write a post about this album.

Anons introduced me to its genesis, production and themes and they seemed interesting... but was there enough food for thought?

I had no idea. My expectations were positive, so I imagined I would listen to something good: I just didn't know if this album had enough for me to talk about and say something new - considering that the CCCC fans already did a great job analyzing every detail of the songs.

But when I listened to them (and read more theories/explanations), I noticed some interesting things. Things that stirred my brain and made me think. Things I wanted to talk about.

So here I am, writing a post about Chonny's Charming Chaos Compendium Volume 1. I am not pretending to explain the lore or the songs in detail and I don't want to bother you with an extremely long post. All I want is to give you some material to decide if CCCC is worth a try.

And, if you've never heard about it before, I hope my words will spark your interest, because this album deserves more attention.

One last thing: please be aware I will talk about all sorts of themes, from love to suicide, because those are also the themes of the album.

_______________________________

A simple plot

I can hear you, fans who have listened to the whole album: simple story?! It's complicated! It's open to interpretations!

And yes, you're right. But if we consider the core foundation on which the songs are built... well, that's quite straightforward. With this album, Chonny Jash is telling us about his struggles and how they led to a psychological split inside him into Mind, Heart and Soul. Then these three parts start fighting, until they find a way to reunite again.

And yes, we can also add that this is a time loop and things are destined to repeat themselves, but the structure is still simple, clear and concise. As clear as the tripartition of the album into Calamity, Cacophony and Concord, three parts that correspond to the story's three main points: the split, the fight, the reunion.

And this simplicity isn't a bad thing, oh absolutely not. This is perfect.

There's a common misconception that a good story should be complicated. The plot should be complex and convoluted and the more complex and convoluted it is, the better the story will be. I made this conceptual mistake too and it took me years to realize how wrong it was: the better stories are not the most complicated ones, but the simpler ones.

Why?, you may ask. Isn't a simple story proof of amateur writing - or even worse, lack of creativity?

Actually, it's quite the opposite and there are four reasons why:

If a story has a simple, clear foundation, it will be easier to build on it: a simple foundation is stable and strong, it won't break down too easily. You can add layers and metaphors and hide your plot points behind different interpretations, but your public won't get lost, because the foundation would still be clear: there are three figures, they fight, they reunite. Everyone can understand it.

If everyone can understand your foundation, your story is universal. Everyone can approach and experience it, from an old person to a child, and everyone will find something inside: a message, a feeling, a piece of advice, anything.

If your story is universal and the foundation clear, your vision is also clear. And if your vision is clear, you know what you're doing. And if you know what you're doing, your story will be much more organized too: there won't be dull/useless parts, filler, or moments in which you're just dilly-dallying, waiting for the right idea to strike.

Since your story will be more organized, the flow will be better too and the events will make sense, the public will be more prone to welcome the suspension of disbelief and immerse themselves in the story. People aren't stupid, they can subconsciously feel when an artist is confident and the story is strong. And once they feel it, you win. The public is yours now, you can guide it into your world and show your vision as you intended. And people will let you do it, because they know they're in good hands.

This is what I experienced too, the more I progressed with my listening. There was a lot of care behind every word, the lyrics kept explaining and expanding the plot and everything showed the confidence of an author who knows what he is doing and how to do it.

And there's nothing better for a story, than a confident author.

_______________________________

Clear elements despite the ambiguity

Even if the foundation of CCCC is very simple, the story is enriched by a ton of ambiguities and things purposely left very vague. They may be better explained when/if Volume 2 comes out in the future, they may be left open to interpretation forever. It doesn't really matter: having a full understanding is good, but leaving everything behind a veil of mystery is a good choice as well. It depends on Mr. Jash's choice - and if my previous point wasn't clear enough, I trust this guy's choices.

However, despite the ambiguity, I also really appreciated how there are a lot of extremely clear elements in this story, starting from some events, to specific details of the main characters involved.

Some examples?

Heart tried to shoot/kill/destroy Mind

Heart's breakdown is due to something love-related

The whole series of events is stuck in a loop

Mr. Jash threatens suicide if the parts of himself don't reconcile

Mr. Jash frequently talks about how he keeps making covers of songs others made before him

And what about the details? For example, we know that every character has a specific set of elements associated with them:

an object: a blindfold (Heart), a crown (Mind), a trident (Soul)

a name: Artemis/the moon/Juno (Heart), Apollo/the sun (Mind), Atlas (Soul)

a color: black+purple (Heart), blue+white (Mind), gray+red (Soul)

And those are all elements we get from the songs and they get stuck with you, while you progress with your listening.

Again, this is a very clever choice: considering everything is open to interpretation, having some clear elements serves as "anchor points" in a sea of ambiguities. By doing that, the listeners won't get lost in a maelstrom of possibilities, but they will keep being guided down a clear path - the one traced by the main points of the album (breakdown, fight, reunion).

Also, having some fixed elements keeps everyone's attention too: some people might like to get lost in pure ambiguity, but most lose interest in a too-vague story. Even if the author had a clear plan, if everything is too obscure, people will inevitably think: "It's incomprehensible, so the author had no idea what they were doing" and ditch the story entirely.

Mr. Jash handled the ambiguity aspect very well, by balancing the obscurities with the clear elements. And this proved, once again, how clear, strong and detailed his vision is.

_______________________________

Favorite character?

Ooof, that's hard.

Each character has a specific personality and that alone proves how carefully Mr. Jash planned every element related to them.

Heart is sad, desperate, apathetic, prone to self-pity, sick and tired of everything. But he's also strong enough to try and oppose Mind out of fear of what he could do. He tried to attack someone as powerful as him and take him down, just to preserve the Soul and save their vessel.

And that proves he's not weak at all: he's a lot more powerful than he seems. And, as he said, he's not a child: he felt Mind could've been a threat, so he took the matter into his own hands and tried to find a solution.

And it makes sense his solution was so drastic, because it was dictated by feelings. Because the Heart is influenced by feelings. It's perfectly coherent with the kind of character he is.

Same goes for Mind: he's cold, harsh, a threatening figure because of his design/nature. He takes control of the situation, he appoints himself as the new leader, he wants to react, do something, move forward and ignore the element he sees as the weak link.

And he definitely doesn't hold a grudge towards Heart, nope nope: my bro spent a whole song saying "Look at Heart, he's an idiot". And then, if this isn't enough, he ended his song, by calling Heart "akaryocyte": which is a cell without a nucleus. Hence, a virus.

I'll admit it: this sick burn is the sickest burn that ever burned and probably the most clever insult I've ever read and that made Mind top #1 best character of the album - sorry Heart, but Mind is too sick. (Also, I am a cold logical person too, so I ended up thinking the guy wasn't so bad after all.)

Last but not least, we have Soul. And Soul is basically shut down all the time by these two motherfuckers arguing, to the point he looks more like a shadow, rather than a real character... until he decides that you know what, time to show how confident he actually is:

You must be so arrogant to think that either of you Can control The Soul so wholly When to be one whole you can't hold solely

One song was enough to show Soul's true colors. He's stronger than the other two, he's more in control than them and he's the only one able to draw a line and make an actual threat: if they do not find a way to reunite, he will kill them both.

A couple words and Soul's picture got flipped: he's not just a background voice anymore, he's the leading figure now. And if he is sick and tired, then these three are facing the real shit.

But just like the other two, Soul isn't just that and we see it in The Bidding.

Here happens something incredibly beautiful: once Heart and Mind find a way to harmonize, Soul immediately rejoices: with the impatience of a child, he asks them to do it again, "One more time, go again/No, this can't be the end". Soul, this powerful figure who threatened suicide one second ago, begs them to try again, to do it "for me", because they can finally harmonize, because "I don't know how much more I can take".

Once again, with a couple sentences, we learn how heavy this whole situation has been on Soul and how eager he is to try again, once the other two find a possible harmony.

This doesn't just show how deeply Soul has been affected by the whole situation, but also (on a higher level) how strong hope is.

Soul was ready to commit suicide: a few verses before he said this was the day "we'll tie the rope". But one small step in the right direction, despite being flawed and made out of spite and resentment, was all he needed to change his mind and drop the idea of suicide entirely.

That also proves how human Soul is. Because this is what humans feel too, especially when they play with the idea of suicide. Most of the time, this idea is the result of desperation and inability to find a way out of a situation that seems impossible to overcome. But once these people find even a teeny tiny fragment of hope, the will to live overcomes desperation and people latch to said hope, no matter how small it is. And, just like Soul did here, they try to have it again, to repeat it, to feel that spark again.

Because the will to live is always much, much stronger than the desperation that leads to suicide.

_______________________________

The choice of a time loop

These three characters are stuck in a time loop: things are destined to repeat themselves. And believe it or not, but this is extremely human too - and a clever choice as well.

From a psychological perspective, Mr. Jash can "break" again anytime. Life is full of stuff and events, so... who knows? Maybe in the future, he will face another heartbreak and his Whole will break down into three once more. Or maybe it won't be because of a heartbreak: maybe something else will happen and lead to a new split, a new fight and a new reconciliation. Maybe even the lack of confidence that starts to shine in Concord is proof of a future split.

But if we think about it, the time loop works from another perspective too: a meta one.

Every time you listen to the whole album, every time to replay the songs, you are relieving the split. Every time you listen to them, Whole splits into Heart, Mind and Soul. Every time you trace their history, they split, fight and reconcile.

In other words: every replay is a new loop, a loop in which these characters are stuck - not just because of their humanity, but because they're characters and this is their story. They cannot escape from it, because that's their entire world.

I don't know if Mr. Jash thought about that while making this album... but he gave me this thought and that's just another proof of what I said at the beginning of this post: if a story is very well made, everyone can find a message inside it. And I'm sure you will find something too.

EDIT: You will find the whole analysis of CCCC Vol. 1 starting from HERE

(How about a coffee? ☕)

_______________________________

TAGLIST:

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[gilverrwrites]

i’ve sent this request to river-rat69, but wanted to see how you would potentially interpret it >_>

exploring interests with jack and finding a common one? like art? perhaps?

just a cute idea idk

Finding common interests with Jack

Author note: That is super cute! I'm note sure if this is what you had in mind, but I hope you enjoy it nonetheless.

I will also note, I know a common opinion is that Jack is like a child in an adult body, but I always read him more as like an adult with minimal world or social skills.

Can be read as romantic or platonic.

Rating: General

Genre: Pure fluff

Please be kind to your mind ❤︎

I feel like if Jack wants to make a connection with someone, he will try anything at least once.

He's a 20-year-old who has never had to make friends before. Cas and the Winchesters are family, thats different. Friends he has to make an effort for. (At least in his head.)

If he thinks you really enjoy something that he doesn't, he won’t want to hurt your feelings. He wants you to like him.

So even if he doesn’t enjoy something that much, he’ll try to pretend.

It’s up to you to figure that out and stop him from torturing himself.

He’s too nice, loyal to a fault.

Although, the many sceptical questions and the suspicious looks are a dead giveaway.

“Is it supposed to smell this strong?” Yep “And I can’t eat it?” No, Jack, it’s soap! “And we’re wearing gloves because? It’s dangerous, yep, got it.” “Is this what a headache feels like? NO! It’s fun! If you like it, I like it.” “It takes HOW LONG to cure?”

Probably stay away from things like candle and soap making.

He likes stability, so I think having a set day each week, or a couple of hours each night to do stuff together, would be ideal for him.

He’d love bonding over shared interests in films and TV.

He doesn’t have to eat, but I think he would enjoy trying new foods.

So: having a weekly film night would be awesome. Where you can both veg out on the couch together, eat whatever new or different foods you find at the supermarket, and watch horror (primarily zombie) and/or sci-fi films together. 

Or spend the weekend binge-watching The Walking Dead or The Cornetto Trilogy (+ Paul, non negotiable).

Video games too: Left 4 Dead, Fallout etc

Then fall asleep where you're lounging, talking about your faves and your fan theories. 

I don’t know that he would be into making art, per se, but I think he would like crafts.

I feel like Jack would really like those diamond painting thingies. Or just like, bedazzling things in general.

Like, I can see him contracting some weird cosmic-being version of the flu, being quarantined with an Angel!Reader and it being like that one episode of Malcolm in the Middle. 

Also legos. Just things that take a lot of attention to detail, something that can take his mind off of the constant pressure he is under, that you can really focus on, but that has a cool pay off at the end.

Animation as well, both watching (more 2D stuff like Batman, Invincible, Nimona)

And doing– probably more like stop motion, with again, legos, or claymodels. 

(I’m totally not projecting because I am an animation nerd)

He would, however, enjoy art galleries and museums.

Being able to admire and learn about things created by humans throughout history would be so astounding.

Would like to have you with him so you can observe, learn, and discuss together.

If you’re interested but unable to go with him, he’ll memorise everything so he can relay it all to you later, or pick up a bunch of leaflets for you to read. Or he’ll make a note of all his favourite parts so he can take you there another time.

He would have a similar sentiment if you are an artistic person. 

He doesn’t want to draw or paint stuff with you, but he would like watching you and your creative process (if you don’t mind being watched)

Like absolutely fascinated by your ability to create something from nothing. Something that evokes emotion or tells a story – wow!!

Your number one supporter. Gift him your art, and he’ll put it on his bedroom wall.

Those galleries I mentioned earlier, he’s buying you both tickets to go see your inspirations shows or displays.

Wants to look through all your old works, he doesn’t care if that horse you drew when you were 12 is the wrong shape and has wonky eyes, he thinks its so cool that you tried, and practiced, and learned. That’s human ingenuity.

You’re so cool.

[raven-at-the-writing-desk]

Hello hello! Long time follower!

I really like reading all your translations, theories and fanfics! It's really great to be able to read your thoughts about characters and cards because am a f2p so I have a very limited stash of gems to pull lol

So I was thinking about the rrcent jp update and I went back to read some of your work on Scarabia. I'll admit they weren't amongst my favorites before so I haven't paid too much attention to them. I was wondering then about the couple times you've said Jamil is well off? Maybe it's from one of his SSR cards of his home event, but I can't remember where he or maybe Kalim implies that?

That's it, just a silly question thanks so much for all that you do, I love so much all your theories and thoughts about the lore and the cast! Have a good day!

Hdsbskwhsk I’m glad that my blog brings you joy and makes your free to play experience more fun 🤩 Thanks for sticking with me all this time!

As for your question, I’m not actually sure if there's dialogue which explicitly states the Viper family's level of wealth. I couldn't find any when I combed through, so I had to go off of implications and my own interpretations of those. From what I’ve gathered, I see the Vipers as upper middle class, or at least middle class with a LOT of benefits (the benefits being present boost them to upper middle class due to the lifestyle the benefits afford them).

So firstly, I think there's a lot of debate surrounding Jamil's family income. Some fans seem to think that the Vipers must be destitute due to their position as servants and Jamil's disdain for how the Asims throw around their money and influence. However, perceived social status or class does NOT always equate to being low income. There are people irl who are technically "servants" and "hired help" that make a significant salary while working for much wealthier individuals. There is data for bodyguards, private chefs, executive assistants, and skilled nannies who earn six-figure incomes and/or excellent benefits working for celebrities, politicians, businessmen, etc. (Notably, guarding, cooking, scheduling/planning, and generally looking after Kalim are all a part of Jamil's duties.) Real world examples of this include employees of the White House and the British royal family.

Now, that all depends a lot on the type of people the employers are. There are many wealthy families who mistreat their staff and/or don't pay them well. From what I've seen of the Asims though, I definitely feel that this is not the case. To begin with, the Vipers don't just do one task for the Asims, they do a LOT. You're already aware of the constant work Jamil has to do around the clock to keep Kalim safe and satisfied, but his parents must do the same. They're described as experts in hospitality and are frequently hosting and entertaining guests from all over Twisted Wonderland. This is skilled labor, and that demands commiserate pay. Not only that, but Kalim describes his father as someone who is very generous (and the guy has plenty of money to spare). I don’t see why Mr. Asim would purposefully skimp on specifically paying the Vipers.

I would also imagine that the Vipers are afforded other benefits. Jamil has said many times that he has to look or act a certain way, as his behavior/appearance reflects on the family he serves. Therefore, the Asims may provide other things Jamil and the Vipers need to “look good” and to best represent and serve the Asims. This could mean food, clothes, transportation/travel expenses, education (like additional training, manners lessons, certification exams, etc.) all paid for on the Asim family’s coin. Jamil has mentioned that his parents gave him lessons in everything he’d need to know in order to serve Kalim, so this tells his parents are also well-educated and/or were at least able to pay for lessons for Jamil. And these lessons aren’t “normal” lessons either, it includes things like formal bodyguard training (you’d have to pay for this irl) and formal table manners (which most of us aren’t taught unless we seek it out).

We also recently learned in book 7 that the Vipers live on Asim property, which is very luxurious. Jamil states that his family would be on the streets should they lose their place serving the Asims—and this could be interpreted in a very literal sense if we think of as losing the roof over their heads. Yes, it's technically not land or housing that the Vipers own, but it is still free high-class lodging, nonetheless. It is a benefit that is afford to them (among others) because of their job(s), similar to those real life examples I mentioned before. One could make the argument that none of this wealth truly belongs to the Vipers. However, you could also argue that because these benefits come with the job, it technically is theirs as long as they keep their job (which is, in fact, how jobs irl work; if you stop working for an employer then naturally you’ll stop getting the benefits that come with that job eventually). It’s complicated. I suspect that, at the very least, part of the reason why the Vipers don’t want to depart from serving the Asims is because they don’t want to lose the pay and the perks that come with their work.

I want to add that the Vipers’ position also gives them the unique advantage of exposing them to tons of important individuals. They are able to meet and connect with these VIPs when most people could never even dream of meeting them, even if just from the viewpoint of a servant. It’s a similar to Lilia and Silver, who technically are not rich (money-wise) but still have ties with majorly influential people (members of the Draconia royal family).

Obviously, the Vipers still aren’t as rich as the Asims and probably will never be, but I believe they still enjoy a comfortable lifestyle. We never see Jamil worry about money or being short of it. He gives his VDC/SDC earnings away without batting an eye, unlike Deuce (from a single-parent income family) who keeps the money since it would really help out his mom. He doesn’t have to work a ton of odd jobs to make ends meet (unlike Ruggie). But Jamil does haggle and act frugal. I think that behavior comes from not a genuine need but Jamil being mindful and planning ahead to avoid being scammed. He’s shown to be a cautious individual who often is the one putting the breaks on Kalim’s extravagance, so I feel the skill also comes partly from having to be the one to curb his ridiculous spending and bring Kalim down to earth. Jamil is still the type of person who would tell Kalim when he’s buying too much or overdoing things, even when it’s not Jamil’s own money being spent and he knows Kalim can afford it. That’s what leads me to believe his frugalness isn’t necessarily the result of him being low income and “needing” to save. If that were the case, he shouldn’t care if Kalim throws his own money at buying diamond jewelry for all the dorm members as souvenirs.

I think the closest metric we have as a frame of reference for how wealthy Jamil is comes from the Tapis Rouge event. In it, Jamil forks out 500 thaumarks (or 50000 madol) to buy a jacket. He remarks that the price is fairly expensive but good quality so it’s worth it. Whether you consider this an indicator of his low or high wealth is really all relative to what your own perception is. Jamil had also previously remarked that what the Mostro Lounge charges is absurd. In Ruggie’s Ceremonial Robes vignettes, Azul quotes the price of one soft drink as 4 thaumarks/400 madol. Jamil responds with “Four? Talk about a markup.” It should be noted that the latter example doesn’t mean Jamil cannot afford a drink of that price; he’s complaining about how expensive Azul has made it to capitalize on the high demand. Do with this knowledge what you will.

Anyway, those are my thoughts! I hope I was able to explain myself well. If you have any thoughts, please feel free to express them ^^

[sugar-grigri]

Hello! With the discussion of Yoshida with your recent analysis, what's your perspective on Yoshida offering Denji the choice before: of being chainsaw man or having his family and how much of that was Yoshida enforcing his own ideas of what's good for denji vs his efforts to help denji in the limited scope of his position? I feel like this could have been talked about before on the blog but with added context from csm 156 interested in how this develops too

Denji is Yoshida's reflection that he refuses to see

The answer might be easy if I aligned myself with my own position, the one I established in my analysis 156, which attempts to theorize that Yoshida is on Denji's side

But you know I know I haven't convinced everyone with my blindness around Yoshida's hidden goodness. So I'm going to answer your question, but from the opposite position: let's explain Yoshida's reactions, whether as a non-ally of Denji or as an enemy. I know this may confuse you because you'd like me to analyze chapter 133 in relation to what I analyzed about chapter 156. But even if I assumed the opposite, I would have come to the same conclusion.

I love Yoshida, and even though I seem to have left him out of my analyses, I've always reflected on every one of his interventions. And something strikes me, Yoshida often seems to be talking to himself, even deluding himself almost as if to hold on.

In chapters 120/121, Yoshida invites Asa. Now fans (like me!!!) are fantasizing about rivals, a fake love triangle and a date. But in reality, it all falls depressingly flat.

But this chapter remains interesting for two reasons: two people share their experience of solitude as the only way to avoid disappointment and be happy. However, Asa projects herself into a possible love with Yoshida.

It's like reciting something to convince yourself but secretly wishing for the opposite…

But what's interesting is that we take the position of thinking that everything Yoshida said was linear.

Let's review. Yoshida knows that Asa was leering, that she looked depressed, and since he's watching Denji, he must have known about the date, hence the warning that comes later. So why get involved? As Asa's Nayuta-altered memory made him the executioner, why make her pain worse?

Because Yoshida must have had a childish reaction. It's as if, for once, he hadn't quite accepted his role as a spectator of events. I think Yoshida must have seen himself in Asa in some way. In chapter 121, Asa is all silence and Yoshida is for once almost in monologue. It was as if everything he said would convince him a little more out loud. Whether it was his theory of happiness up to........ "stay away from Denji". That point. Part of the points that concern him as much as they concern Asa.

I think and I'm convinced that even by not interpreting Yoshida as an ally, he became more sensitive and involved with Denji's plight and didn't always know how to place an emotional wall between them. Because Denji catches him off guard, makes Yoshida's smiling mask fall off. And this is something I've never verbalized before, but it's a pillar in my interpretation:

Being with Denji pushes you to be yourself.

Because Denji refuses the social game, doesn't tend to judge as teenagers of this age usually would, and has extremely sincere reactions that are so unpredictable that they don't allow for calculated responses, responses that form the shell of other characters like Asa and Yoshida.

What Asa liked about Denji, above all, was that he was able to give her confidence and make her proud when everyone else was putting her down. You don't like fish, so what? Eat starfish. Because yes, even if it was boring, I saw you, I listened to you and you made an impact on me. Because you're not insignificant.

Denji has that effect on Yoshida. Very symbolically, during their new interaction in part 2, the protagonist doesn't remember Yoshida. Of course, it's quite funny, because it can be interpreted in all sorts of ways, like the fact that Denji is so uninterested in guys that he forgets them so easily. But it's symbolic for Yoshida's character. He's so fake and so in control that Denji doesn't perceive anything in him.

And it's when he becomes more and more desperate as a result of these reactions, and when his mask gradually breaks, that Denji finally remembers his name. Because Yoshida acts less like a public hunter and more like himself, like Yoshida.

I think in chapter 133, it's really a way of trying to wake Denji up and help him. But then again, it helps to weaken Yoshida's mask. When Yoshida repeats that Denji has only two choices, that of his family or Chainsaw Man, Denji repeats that he has two. From Yoshida's point of view, this is fundamental.

The system offers only one choice, only one possible path. But Denji opposes both. In a chapter about protest, we also talk about his position towards the system. Oppose it, protest as if in the background, claim the symbol of Chainsaw Man or oppose it, see it as a societal evil, a danger of undermining the system. For I repeat, Yoshida has decided to believe in the system when Denji distrusts it.

So Yoshida gets angry, belittling Denji as if he can't see the absurdity of this dilemma imposed on a boy who has been given a choice. Who was only told there were only two choices when there were three. Rehearsing allows Yoshida to convince himself, but we see that this controlled mask has completely disappeared, giving way to anger and a kind of panic. Because Yoshida's ideals are unravelling.

Denji is a reflection.

Reflecting the cruelty of the mafia that Katana doesn't want to admit, the dream of going to school that Reze is trying to forget, allowing the trust that Asa thought impossible and the reflection of Yoshida: a teenager, who will trace a third path to the two that will be reserved for him.

If Chainsaw Man allows you to project what you want, have or be in him, hence the pandemic of CSM wannabe. Denji, hidden behind it, is doing something far more unbearable: showing us who we are.

Aki's vengeance gives way to a desire to be surrounded by loved ones, loved ones he may not be able to protect. Thinking only of oneself shows Power, through her sacrifice for Denji, that she is capable of love even if it goes against her survival.

So chapter 156 takes on a softer version. I repeat: why did you wake Denji up just to tell him he'd lost?

That Yoshida had warned him? Once again, through a strategy of self-conviction and self-protection, what Yoshida is doing is reminding us that complete alienation from the system is better than individual affirmation (which is what Denji is punished for, having repeated that he is Chainsaw Man). This identical public hunter's costume is the symbol of this submission. Yoshida is no longer even a fake high-school student. He's just a public hunter.

But I find this chapter takes on an air of funeral and goodbye. Yoshida's costume, taking on that of someone in mourning in a symbolic way.

Because saying goodbye to Denji.

It means saying goodbye to yourself.

So I ask you, Anon, and you, the reader, does Yoshida really want to continue refusing to see his reflection ?

[offtorivendell]

On Elain, Gwyn and their apparent romantic worthiness.

TW: mentions of death, violent or sexual assault, infertility and pregnancy/childbirth related trauma. Please do not proceed if these topics bother you.

Disclaimer: please, please engage with this post with kindness. I promise I am not writing it to stir the pot, but because I - and many others - are fed up with seeing hurtful and harmful rhetoric spewed by the fandom, yet having no back up when dealing with it. Word vomit incoming, I'm sorry. This has been bothering me for a while.

My love to everyone who has been hurt by things they've read in this fandom. 💜

It's 2024 and I cannot believe we are still seeing posts, almost daily, about both of these women; all giving reasons why they cannot possibly be with Azriel. And I don't mean the debatable but utterly harmless discussions about Elain not looking good in black or Gwyn blabbing to Merrill when asked not to. Whatever, go nuts. I mean the truly horrific takes based around things these two women have had no control.

Now, my post history makes it very obvious where I stand in terms of ships, and yes, I'm well aware I've spoken before about the inherent power imbalance - that I perceive - which would exist if Azriel ever became involved with any of the priestesses in the women's shelter he is charged with protecting (to be clear, that's not me suggesting that Gwyn and her story isn't powerful, or powerful representation to those who see themselves in her, nor is it personal to Gwyn, or indicative of any of the sheltered priestesses and their ability to heal; it's purely a function of Azriel's position of authority over their sanctuary). I want to reiterate that my stating my feelings about this was never done with the intent to shame people who do ship them; we all ship who we like, and real world ethics should rarely come into it.

That being said, the following, in my opinion, is one of those times.

Firstly, I just want to say that lived experience informs how we interpret fiction, so please let me clarify something: the people who have said that they don't think Gwyn is ready for a relationship yet, and that NSFW fan art of her with anyone makes them uncomfortable, are not in any way in the wrong. They're simply the other side of the coin to those who find it empowering, and both are valid responses, often related to personal trauma. The problem lies with those very few who say that Gwyn could never have a romantic relationship, and call those who talk and/or post about it "gross." Some have called her "damaged goods." This is absolutely wrong and whoever is doing it needs to stop.

The entire fandom, even those who find romantic or NSFW content involving Gwyn uncomfortable to consume, frequently acknowledges that her trauma doesn't define her, and of course she should be able to enjoy love whenever she feels ready for it. Those who say otherwise are readily condemned from all corners. I've seen it happen and called the people out myself, as have many other Elriel shippers when necessary. However, Elriels are still very regularly and very publicly blamed for the actions of a few (some of whom I truly believe are burner accounts wanting to cause chaos, with their Elriel themed usernames and no post history), despite our largely collective action to call them out when we see it.

Could we do better? Absolutely, but so can you!

Because, on the other hand, I've noticed that, whenever I or others have tried to explain why the pliable bones "theory" - which attempts to reason that Elain could never be endgame with Azriel, as she and any baby would die during the course of pregnancy or childbirth - is equally as harmful, we are met with people publicly and wholeheartedly refusing to understand why (especially recently). Some horrific comments have been made to my friends, not to mention all of those I see well after the fact, which are never widely condemned by any but us. People will argue back that we're wrong, and have even suggested we're weaponising infertility! On Mothers' Day, of all the fucking painful days to say that.

Some of the push back I've seen recently includes:

"Nobody has said Elain is infertile."

No, nobody has, and that's not what we're saying or have ever said. We know you don't think this, as the Elucien fandom loves to write and draw Elain and Lucien's hypothetical future children (which is super understandable, as this is a romantasy fandom after all - no shame, enjoy your warm fuzzies).

What we are saying is that, if it's true that Elain's anatomy wasn't changed as Feyre and Nesta's was - and to be clear I cannot stand that entire plot, I wish SJM had chosen literally any other reason why Feyre's pregnancy was dangerous, as it is simultaneously degrading and doesn't fit with her previously established lore - then Elain and Azriel, together^, would be functionally infertile. Yet it's only ever framed as Elain's body not being able to work with Azriel's, never the other way around.*

^Why didn't the bat boys have to sacrifice their wings to keep their wives/mates safe? Why did the women have to change their anatomy? Because it would make it harder for them to be all powerful? Well Nesta sacrificed her powers! Why not just have Feyre be cursed by an enemy or something, and Nesta found a way to use the Dread Trove to save them all. Ugh. I love SJM's books, but this was such a miss.

*HOSAB/HOFAS SPOILER: funnily enough, this was never said about Ruhn and his eventual mate, even though he actually did think he may be unable to father children, thanks to the Oracle's prophecy. People shipped the hell out of him and a couple of different women throughout the CC series, despite the chance he could never get them pregnant.

"People haven't called Elain damaged goods, so it's not the same. We're allowed to not like her."

My faerie porn* lover in christ, what the fuck do you think the pliable bones "theory" is actually doing? It is suggesting that Elain's hypothetical inability to survive having children with Azriel, and for those children to also survive childbirth, is impaired. Ergo, she's damaged.

We don't care if you don't like Elain, we're allowed to have different preferences in characters and ships. That has never been the problem.

*I use this term with affection as a great lover of the genre.

But "damaged" vs a functionally "impaired" uterus? It's the same damn thing, and sorry, it's misogynistic af, not to mention ableist and homophobic at a minimum. In the same breath you are also reducing your favourite to her apparently functional uterus (even though the pliable bones argument is medically inaccurate, by the way - this is really damning of the state of health education across so many countries).

"Hahaha/lol."

Yes, I have seen people laugh and treat this as a joke. As recently as tonight, in fact. It's disgusting.

Regardless of your lived experiences and shipping preferences, both of these takes about Elain and Gwyn are equally degrading and horrific and need to stop, but if you're only calling out the comments that hurt you/your friends/your ship and not the others, then you should maybe attempt some basic self reflection and analyse those double standards you're carrying.

This entire fandom needs to do better. I'll say again, for the umpteenth time, to any of my fellow Elriels that if you think mocking Gwyn's past is funny, then you're not mature enough to read an adult series. But this works both ways, and if you think mocking infertility is funny/use it as a win, then you're just as immature. I would really and truly appreciate it if we were not left alone to argue over and over again why discriminating against someone who couldn't "have a man's children" is wrong, and why many, many people in this adult fandom - that is largely comprised of women! - might find such a theory, and the resulting discourse, incredibly upsetting.

Infertility hurts; not having a kid when you want one can be viscerally painful. Besides that, I know very few people who have given birth who don't carry around some sort of emotional or physical trauma from doing so. Treating a character's hypothetical infertility with one man as a joke is gross.

Please don't call Gwyn "damaged goods" or suggest that Azriel would choose somebody else over Elain because she couldn't have his kids.

They are the same thing.

It's not hard to be kind. Pain is not a competition.

We should all do better, and take care of each other.