#i love peter and davy too

[monkee-mobile]

I guess it’s obvious I have a monkee bias (at least when drawing) when I look through my sketchbook and 99% of it is micky and mike lol

[tavolgisvist]

Paul and Ringo's conflict in 1969/70

SG: Then, what happened? You finally got to meet with John and Yoko, and there was an all-night session at the Dorchester hotel. And something happened in that all-night session at the Dorchester that totally won their allegiance to you. AK: John said, listen, the Beatles are represented by the Eastmans, will you represent me and Yoko? SG: The Beatles’ legal affairs were represented by the Eastmans? AK: You see, you have to read that piece of paper. SG: The piece of paper the Eastmans had with the boys? AK: Oh yes. All signed. SG: All of them signed it? AK: Yes. And Apple. It never used the word management, but it didn’t have to. If you represent all the negotiations throughout the world of Apple and the Beatles, you have it. The import of that particular piece of document was that everything would have to flow through them.

(Allen Klein, 1980, interview with Peter Brown and Steven Gaines, All You Need Is Love, 2024)

John comes into the office and says, ‘Don’t care about the others, don’t give a shit … but I’m having Klein, he can have all of my stuff and get it sorted out.’

(Derek Taylor, As Time Goes By, 1973)

AK: …We were just trying to get to know one another… Lennon and Yoko, I would rather not say what won them over for me. I would think that a principal thing was the fact that they really wanted someone for themselves. Apart from the Beatles. That’s really what it was. John is a very practical human being and the conflict was there, and it was his band and he was losing control, and he didn’t want to. He wanted to be protected. It was as simple as that. That first evening that I met with John, he said, “Do you want to represent us?” I said yeah.

(Allen Klein, 1980, interview with Peter Brown and Steven Gaines, All You Need Is Love, 2024)

When the four of us entered into our partnership agreement in 1967, we did not consider the exact wording or give any thought to the agreement's legal implications. We had thought that if one of us wanted to leave the group he would only have to say so. On the way in which the four of us had sorted out our differences in the past, I deny that it had been on a three-to-one basis. If one disagreed, we discussed the problem until we reached agreement or let the matter drop. I know of no decision taken on a three-to-one basis. I deny that the Eastmans and I obstructed Mr. Allen Klein in the preparation of accounts. Nor had the Eastmans been contenders for the job of manager for the group. I wanted them as managers but when the rest of the group disagreed, had not pressed the matter. Mr. Lennon had challenged my statement that Mr. Klein had sowed discord within the group, but I recall a telephone conversation in which Mr. Klein had told me, "You know why John is angry with you? It is because you came off better than he did on Let It Be.' Mr. Klein also said to me, 'The real trouble is Yoko. She is the one with ambition.' I often wonder what John would have said if he heard the remark.

(From Paul McCartney’s affidavit, Feb 26 1971, The Beatles Diary. Volume 2. After The Break Up. 1970-2001. Keith Badman)

I was very upset when they said I was just trying to bring in Lee Eastman, because he’s my in-law. As if I’d just bring in a member of the family, for no reason. They’d known me twenty years, yet they thought that. I couldn’t believe it. John said, ‘Magical Mystery Tour was just a big ego trip for Paul.’ God. It was for their sake, to keep us together, keep us going, give us something new to do…

(Paul McCartney, Private Call with Hunter Davies, May 1981)

Klein keeps saying that I don’t like him because I want Eastman to manage the Beatles,’ he said. ‘Well, this is how it really happened. I thought, and still think, that Linda’s father would have been good for us all. And I decided I wanted him. But all the others wanted Klein. Well, all right, they can have Klein, but I don’t see that I have to agree with them. ‘I don’t think I need a manager in the old sense that Brian Epstein was our manager. All I want are paid advisers, who will do what I want them to do. And that’s what I’ve got. If the others want Klein, well, that’s up to them, but I’ve never signed a contract with him. He doesn’t represent me. I’m sure Eastman is better for me.

(Paul McCartney, interview, Evening Standard, April 21-22, 1970)

In fact, there was one classic little meeting when we were recording Abbey Road. It was a Friday evening session, and I was sitting there, and I’d heard a rumor from Neil or someone that there was something funny going around. So we got to the session, and Klein came in. To me, he was like a sort of demon that would always haunt my dreams. He got to me. Really, it was like I’d been dreaming of him as a dentist. He came round to the session, and he said, “I gotta have this thing signed, I gotta get you guys on a contract,” and then so I said, “Wait a minute, c’mon, it’s Friday night, what’s the hurry? Give us the thing over the weekend, and we’ll let ya know Monday?” Fair enough? And everyone said, “Uh-huh, there he goes.” ... John said, “Oh, fucking hell, here you go, stalling again.” I said, “I’m not stalling, I want it checked out. It’s a big movement, going with a new manager, you know, and maybe we don’t want to go with this guy. What’s the hurry? Why can’t he wait?”

(Paul McCartney, 1980 - All You Need Is Love: The End of the Beatles by Peter Brown and Steven Gaines, 2024)

‘Security is the only thing I want. Money to do nothing with, money to have in case you wanted to do something.’

(Paul McCartney (1964) in Love Me Do! The Beatles’ Progress by Michael Braun, 1964/1995)

They said, “Oh no, typical of you, all that stalling and what. Got to do it now.” I said, “Well, I’m not going to. I demand at least the weekend. I’ll look at it, and on Monday. This is supposed to be a recording session, after all.” I dug me heels in, and they said, right, well, we’re going to vote it. I said, “No, you’ll never get Ringo to.” I looked at Ringo, and he kind of gave me this sick look like, Yeah, I’m going with them.Then I said, “Well, this is like bloody Julius Caesar, and I’m being stabbed in the back!” It’s the first time you realize in our whole relationship that whenever we voted, we never actually had come to that point before—three were going to vote one down. That was the first time, and they all signed it, they didn’t need my signature.

(Paul McCartney, 1980 - All You Need Is Love: The End of the Beatles by Peter Brown and Steven Gaines, 2024)

Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track. It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

(Paul McCartney in Many Years From Now by Barry Miles, 1997)

The nature of The Beatles’ management deal with Allen Klein remains a source of annoyance to McCartney: “I kept saying, ‘Don’t give Allen Klein 20 per cent, give him 15, we’re a big act!’ And everyone’s going, ‘No, no, he wants 20 per cent’. I say, ‘Of course he does, he wants 30, really, but give him 15. It’s like buying a car. You don’t give the guy what he asks for.’ But it was impossible in the end, because it became three to one and I was like the idiot in the corner – trying, I thought, to save the situation.” “And to Klein it looked like I was trying to screw the situation. He used to call me the Reluctant Virgin. I said ‘Fuck off, I don’t want to fucking marry you, that’s all.’ He’s going, ‘Oh, you know, he may, maybe he will, will he, won’t he, that’s a definite maybe.’

(Paul McCartney, Dec 2003, interview with Paul Du Noyer for The Word)

Q: He was once quoted in New York magazine as saying he was going to roast your ass. А: Yeah, well, he never did, you know, and that’s cool. He wouldn’t get near my ass to roast it, anyway. Punk.

(Paul McCartney, Jan 1974, interview with Paul Gambaccini for Rolling Stone)

[Allen] Klein came to London with the sole objective of closing the deal, and having had an unsuccessful meeting with Paul in the morning, he left for Heathrow to return home to New York. Paul and I were working together in Olympic that afternoon, and there was a noticeable sense of relief when he heard that Klein had left for the airport. However, Klein had second thoughts about leaving and decided to have one more attempt at changing Paul’s mind face-to-face. Unannounced, Klein walked into the studio, and very quickly it became apparent that as voices were raised a private conversation was taking place. I turned off all the mics in the room and left them to it. The control room of a studio is isolated from the recording room where the musicians play, but even all that acoustic treatment was not enough to prevent me hearing Paul McCartney defend himself against Allen Klein’s attempt at bullying him into submission. It was extremely unpleasant to witness.

(Glyn Johns, Sound Man: A Life Recording Hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, Eric Clapton, the Faces…, 2014)

I never much liked authority. I didn't like school teachers or critics telling me what I could do. Or myself telling me. I'm alive - do it!

(Paul McCartney, March 2001, interview with Nicci Gerrard for the Observer)

And the thing is, of course, you know that when you’ve got a daddy, it is nice. If you’re a little bit sort of worried as to what to do next, and your daddy says, [claps hands] “What are you worried about? Hey John, what do you want, son? You want a house? [claps hands] You got it.”

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker)

They talk Klein’s script. John Lennon once said to Allen Klein, “So what do I do now, Allen?” You know, I mean, these are all – I’d say there are certain little things, you know, and… brought together in one big thing, it does look a bit sort of heavily that way. It’s not [inaudible]. But it’s all true, you know. It’s not… John did say that. And it indicates something that he’s just turned to Allen and said, “Well, what do I do now?” And that’s the kind of role that Klein is playing for them all now.

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker)

The build-up is the thing — All these things continuously happening making me feel like I’m a junior with the record company, like Klein is the boss and I’m nothing. Well, I’m a senior. I figure my opinion is as good as anyone’s, especially when it’s my thing. And it’s emotional. You feel like you don’t have any freedom. I figured I’d have to stand up for myself eventually or get pushed under.

(Paul McCartney, 1970, interview with Richard Merryman for Life Magazine, published in April 16 1971)

When the Bea­tles were falling apart in 1969, he suffered from depression – staying in bed, forgoing shav­ing, drinking too much, taking consolation in little beyond his marriage to Linda Eastman.

(Paul McCartney, Nov 2013, interview with Jonah Weiner for Rolling Stones)

PAUL: As far as I was concerned, yeah, I would have liked the Beatles never to have broken up. I wanted to get us back on the road doing small places, then move up to our previous form and then go and play. Just make music, and whatever else there was would be secondary. But it was John who didn’t want to. He had told Allen Klein the new manager he and Yoko had picked late one night that he didn’t want to continue. … PAUL: And he said, “I wasn’t going to tell you until after I signed the Capitol thing, but I’m leaving the group.” And that was really it. The cat amongst the pigeons. … PAUL: We weren’t going to say anything about it for months, for business reasons. But the really hurtful thing to me was that John was really not going to tell us. I think he was heavily under the influence of Allen Klein. And Klein, so I heard, had said to John – the first time anyone had said it – “What does Yoko want?” So since Yoko liked Klein because he was for giving Yoko anything she wanted, he was the man for John. That’s my theory on how it happened.

(Paul and Linda McCartney, interview for Playboy, December 1984)

For the first time in my life, I was on the scrap heap, in my own eyes. An unemployed worker might have said, “Hey, you still have the money. That’s not as bad as we have it.” But to me, it didn’t have anything to do with money. It was just the feeling, the terrible disappointment of not being of any use to anyone anymore. It was a barreling, empty feeling that just rolled across my soul, and it was… I’d never experienced it before. Drugs had shown me little bits here and there – they had rolled across the carpet once or twice, but I had been able to get them out of my mind. In this case, the end of the Beatles, I really was done in for the first time in my life. Until then, I really was a kind of cocky sod. It was the first time I’d had a major blow to my confidence. When my mother died, I don’t think my confidence suffered. It had been a terrible blow, but I didn’t feel it was my fault.

(Paul and Linda McCartney, interview for Playboy, December 1984)

“At a certain point I asked myself, ‘Are you going to sit around doing nothing, or are you going to make some music again?’ So I’d be at home sitting around, doing some­thing on guitar, and Linda would say, ‘Oh, I didn’t know you could do that!’ Then I’d be drumming – ‘I didn’t know you could do that!’ So I got back into it just to impress Linda, really. I wanted to prove my usefulness again.”

(Paul McCartney, Nov 2013, interview with Jonah Weiner for Rolling Stones)

"The thing about Paul," George says, "is that apart from the personal problem of it all, he's having a wonderful time. He's going riding and he's got horses and he's got a farm in Scotland and he's happier with his family. And I can dig that."

(George Harrison, 1970, interview with Al Aronowitz)

Paul was already thinking about recording again. Never happy unless he was making music andwiththe Beatles not functioning, probably extinct, Paul began recording tracks for a solo album… Paul had been given a release date by Neil Aspinall [April 10, 1970 at first and April 17 later when Paul agreed to one week delay for help sales of Ringo Starr’s album “Sentimental Journey“, scheduled to be released on March 27] and he built the project around meeting the various deadlines that entailed: handing in a final mix tape, designing and proofing the cover art, approving test pressings and so on. Working with the artist Gordon House and the designer Roger Huggett, whom he still uses, Paul and Linda put the entire thing together at home. Paul: "I was feeling quite comfortable, the more I went on like this. I could actually do something again. Then I rang up Apple one day and said, "Still okay for the release date?" and they said, "No, we're changing it. You got put back now. We're going to release Let It Be first.""

(Paul McCartney, Many Years From Now by Barry Miles)

GEORGE: "But it's more of a personal thing, you know. That's down to the management situation, you know, with Apple. Because Paul, really - It was his idea to do Apple, and once it started going Paul was very active in there. And then it got really chaotic and we had to do something about it. When we started doing something about it, obviously Paul didn't have as much say in the matter, and then he decided… you know, because he wanted Lee Eastman his in-laws to run it and we didn't. Then that's the only reason, you know. That's the whole basis. But that's only a personal problem that he'll have to get over because that's… The reality is that he's out-voted and we're a partnership. We've got these companies which we all own 25 percent of each, and if there's a decision to be made then, like in any other business or group you have a vote, you know. And he was out-voted 3 to 1 and if he doesn't like it, it's really a pity…"

(George Harrison, May 1th 1970, interview with Howard Smith at WABC-FM radio in New York City)

Paul: They eventually sent Ringo round to my house at Cavendish with a message: "We want you to put your release date back, it's for the good of the group" and all of this sort of shit, and he was giving me the party line, they just made him come round, so I did something I'd never done before, or since: I told him to get out. I had to do something like that in order to assert myself because I was just sinking. Linda was very helpful, she was saying, "Look, you don't have to take this crap, you're a grown man, you have every bit as much right …" I was getting pummelled about the head, in my mind anyway.

(Paul McCartney, Many Years From Now by Barry Miles)

Dear Paul, we thought a lot about yours and the Beatles LPs – and decided it’s stupid for Apple to put out two big albums within 7 days of each other (also there’s Ringo’s and Hey Jude) – so we sent a letter to EMI telling them to hold your release date til June 4th (there’s a big Apple-Capitol convention in Hawaii then). We thought you’d come round when you realized that the Beatles album was coming out on April 24th. We’re sorry it turned out like this – it’s nothing personal. Love John & George. Hare Krishna. A Mantra a Day Keeps MAYA Away.

(The letter from John and George to Paul, March 31th, 1970)

As a director of Apple, he had had to sign a letter that he wrote with John ordering Paul not to release his McCartney album on a day that would conflict with the release of the next Beatles record, Let It Be. When the letter was finished, Ringo had volunteered to deliver it because he didn't want Paul to suffer the indignity of having it handed to him by some impersonal messenger. At Paul's house, he gave the letter to Paul and said, "I agree with it."

(George Harrison, 1970, interview with Al Aronowitz)

“I went to see Paul. To my dismay, he went completely out of control, shouting at me, prodding his fingers towards my face, saying: 'I’ll finish you now’ and 'You’ll pay.’ He told me to put my coat on and get out. I did so.”

(Ringo, during 1971 Beatles court proceedings)

Ringo Starr said in his statement: “Paul is the greatest bass guitarist in the world.” But he added that he thought Paul had behaved like a spoiled child.

(Daily Mirror, February 24, 1971 - about the third day of the Court Case for the dissolution of The Beatles’ contractual partnership)

Then he had to stand there while both Paul and his wife, Linda, screamed at him. When Ringo returned from delivering the letter, he was so drained his face was white.

(George Harrison, 1970, interview with Al Aronowitz)

[John Lennon and George Harrison] didn’t send me round. They, as directors of the company, wrote a letter to him, and I didn’t think it was fair that some office lad should take something like that around. I was talking to the office, and they were telling me what was going on, and I said, ‘Send it up, I’ll take it round’. I couldn’t fear him then. But he got angry, because we were asking him to hold his album back and the album was very important to him. He shouted and pointed at me. He told me to get out of his house. He was crazy; he went crazy. He was out of control, prodding his finger towards my face. He told me to put my coat on and get out. I couldn’t believe it was happening. I had just brought the letter. I said, ‘I agree with everything that’s in the letter’, because we tried to work it like a company, not as individuals. I put my album [Sentimental Journey] out two weeks before [released 27 March 1970, in compliance with the original schedule], which makes me seem like such a good guy, but it wasn’t really, because I needed to put it out before Paul’s album, else it would have slayed me!

(Ringo Starr, 1971, from “The Beatles: Off the Record” by Keith Badman)

‘Strictly speaking we all have to ask each other’s permission before any of us does anything without the other three. My own record nearly didn’t come out because Klein and some of the others thought it would be too near to the date of the next Beatles album. I had to get George, who’s a director of Apple, to authorise its release for me. ‘Give us our freedom which we so richly deserve.

(Paul McCartney, April 21-22, 1970, Interview for the Evening Standard)

On the radio, they're playing Paul's album now. George may be the youngest of the Beatles but his attitude toward Paul is the same as a big brother trying to wait out a kid's tantrum because the kid can't get the candy he wants. He talks about the last time Paul spoke to him on the phone. "He came on like Attila the Hun," George says. "I had to hold the receiver away from my ear." It was as if the whole world was waiting for Paul's album and George was standing in its way. "I don't want to say anything bad about Paul," George laughs, "but I can be egged on."

(George Harrison, 1970, interview with Al Aronowitz)

From my point of view, I was getting done in. All the decisions were now three against one. And that’s not the easiest position if you’re the one: anything I wanted to do they could just say, ‘No.’ And it was just to be awkward, I thought. … I got so fed up with all this I said, ‘OK, I want to get off the label.’ Apple Records was a lovely dream, but I thought, ‘Now this is really trashy and I want to get off.’ I remember George on the phone saying to me, ‘You’ll stay on this fucking label! Hare Krishna!’ and he hung up – and I went, ‘Oh, dear me. This is really getting hairy.’

(Paul McCartney, The Beatles Anthology, 2000)

PAUL: I didn't want to do a press conference to launch the album because whenever I'd meet a journalist, they always floored me with one question: they'd say, "Are you happy?"' and it almost made me cry. I just could not say, "Yes. I'm happy," and lie through my teeth, so I stopped doing interviews. Peter Brown, who was at Apple at that time, said, "What are you going to do about publicity?"' I said, "I don't really want to do any." He said, "It's a new album. You'll kill it. Nobody'll even know it's out at all. You should do something." I said "Well, how do you suggest we do it?"' He said, "Maybe a questionnaire?"' I said, "Okay, look, you write some questions that you think the press wants to know. Send 'em over to me and I'll fill it out but I can't face a press conference." So the questionnaire came, and Peter Brown realised that the big question was the Beatles so he put in a couple of loaded questions and rather that just say, "I don't want to answer these," I thought, Fuck it. If that's what he wants to know, I'll tell him. I felt I'd never be able to start a new life until I'd told people.

(Paul McCartney, Many Years From Now by Barry Miles)

It is 1970. Paul still doesn’t like Klein but John digs him more than ever and George digs him more than that and Ringo doesn’t mind him. Paul? He is so uptight about Klein he only leaves the Beatles, that’s all. Klein and me meet the press and TV and all that; together we sit on a sofa and talk about Paul. Mr Klein, why doesn’t Paul like you? Mr Taylor, why doesn’t Paul like Mr Klein? I don’t know, don’t ask me, man, don’t ask me. Paul releases his album and Klein releases the Beatles’ album and they both make a million and Klein has had Phil Spector remix Paul’s song ‘The Long and Winding Road’, adding a women’s choir and some violins etc. Paul thinks this is the shittiest thing anyone has ever done to him and that is saying something, but Klein laughs up his silk sleeve and releases ‘Long and Winding Road’ as a single anyway and still with Phil’s new arrangement. Up there in Scotland, Paul McCartney, one of the four owners of Apple, the company formed to give total freedom, artistic control, to struggling performers and writers, wonders what went wrong, when even he can’t control his own work.

(Derek Taylor, As Time Goes By, 1973)

Q: "The album was not known about until it was nearly completed. Was this deliberate?" A: "Yes, because normally an album is old before it even comes out. (A side) Witness 'Get Back.'" … Q: "Is it true that neither Allen Klein nor ABKCO have been nor will be in any way involved with the production, manufacturing, distribution or promotion of this new album?" A: "Not if I can help it." Q: "Did you miss the other Beatles and George Martin? Was there a moment when you thought, 'I wish Ringo were here for this break?'" A: "No."

(Paul McCartney, April 9th 1970, press release 'McCartney')

Derek Taylor, the Beatles' press officer, is with us, talking about how unexpected Paul's attack had been. "He was only supposed to write out information explaining how he made the album,? Derek says. "Instead, he hands us this interview in which he asks himself questions, such as would he miss Ringo? It was entirely gratuitous. Nobody asked him that question. He asked that question of himself."

(George Harrison, 1970, interview with Al Aronowitz)

We’re beginning now to only call each other when we have bad news. The other day Ringo came around to see me with a letter from the others, and I called him everything under the sun. But it’s all business. I don’t want to fall out with Ringo. I like Ringo. I think he’s great. We’re all talking about peace and love, but really we’re not feeling peaceful at all. ‘There’s no one who’s to blame. We were fools to get ourselves into this situation in the first place. But it’s not a comfortable situation for me to work in as an artist.’

(Paul McCartney, April 21-22, 1970, Interview for the Evening Standard)

We all started on a bus and small clubs and things like that, but Paul is that type of person. Paul wanted to do it all over again, and he did. And he went through hell. He went through hell. I mean, now he’s not talking to me and that’s too bad, but he started again from the bottom to do the Paul McCartney show. I don’t wanna do it anymore. I did it once.

(Ringo Sarr, 1980, interview with Peter Brown and Steven Gaines, All You Need Is Love, 2024)

[mickdalena]

i like to think peter tork had a crush on every man he ever spoke to

[radarsteddybear]

Peter:

Micky:

Davy:

[nowordsformylove]

[pisshandkerchief]

stream this shit right the fuck NOW.

[mariocki]

New Scotland Yard: The Money Game (2.10, LWT, 1972)

"Incidentally, I've been looking up that fraud case Audrey was involved in with Freddie Larch, the time he got nicked."

"Oh, what about it?"

"Well, I think your friend's an even nastier piece of work than we give him credit for."

"Very likely. What's that got to do with Phil Horden?"

"Not much. Except nothing's ever quite as simple as it looks."

[mikenesmithmpreg]

got a little too tipsy while being around my baby cousins tonight(dw they were completely safe it was at a family reunion and we’re irish) and immediately understood the complex yet deeply genuine motherly intuitions monkeeverse mike must feel around davy and peter

[imeminemp3]

thought ab changing my icon for like one second but i like that pic of mike SO much n my blog is SO pretty rn with the header and the colour and this icon LOOKS SO good with that so. hard pass im keeping it forever byyyeeeee

[leclercsainzz]

hello love x

i was wondering if you could potentially do one where the reader is an actress and is in the new hunger games movies and everyone ships her with tom but she’s also dating lando … could you make a love triangle situation with these two?? like maybe she hangs out with tom more than lando or something idk lol u can come up with anything (you can decide who the endgame is) sort of like a illicit affair or where maybe she is seeing tom and everyone is aware of it idk??? (at this point im just saying nonsense i think lol)

ILLICIT AFFAIRS

PAIRINGS: lando norris x gf!reader / tom blyth x fem!reader

TYPE: social media au

WARNING: // cheating implied

part 1 - part 2 - part 3 - part 4 - part 5

yourusername

liked by landonorris, tomblyth and 689,736 others

yourusername: making this movie was hands-down one of the best experiences of my life thus far! i cannot wait to share more behind the scenes content with you all:)) and with only one week to spare .. see you out there on our press tour!

view 5,846 comments

landonorris: can’t wait!

landonorris: proud of you, my love!! ❤️

↳ yourusername: ilyyyyy 😘

↳ user: lando being a supportive bf >>>

↳ user: alexa, how to get my own lando norris?? 😭

user: she’s so pretty, i can’t

user: after reading the book, i just know this movies gonna break me 😩😩😩😩

user: LANDO LET ME HAVE HER, PLEASE

user: SCREAMING!!! CANNOT WAIT!!!!

user: i have been looking forward to this movie since they announced it, can’t believe we’re only one week away

joshandresrivera: who’s the cute guy at the end??

↳ yourusername: just some guy i know 🤷🏻‍♀️

user: caNnot wait, omggggg

user: read the book and idk if i’m mentally prepared

user: you look soo good 😩😩😩

songbirdsandsnakes: our lucy gray ❤️❤️

user: i’m actually freaking tf out about this alapapalddbsod

user: YES YES YES YES YES

oscarpiastri: can i get free tickets?

↳ yourusername: absolutely!

↳ user: i love this duo so much 🤣

user: movie of the year incoming????

user: the movie hasn’t even come out yet and the amount of snow x lucy gray edits i’ve seen just from the trailer alone 😩

↳ user: i just know once the movie comes out they’ll be all over tiktok …. i can’t wait tho!!!!!!

user: i just realized that jason schwartman, viola davis, and peter dinklage are in this too!!! alwnsofnf

user: i’ve seen the trailer like 10+ times, can’t wait!!

hunterschafar: ❤️

user: will josh and jlaw be in this??

↳ user: noooo 💀 bro, this is set 64 years before them

user: she’s playing lucy gray right???

↳ user: yes

user: AHHHHHH

user: can’t wait for all the interviews omg!!!!

user: yn and the hunger games???? SIGN ME TF UPPP

user: soo excited over this

user: i wonder if lando will be attending the premiere

yourusername

liked by landonorris, oscarpiastri and 675,758 others

yourusername: last race with my favorite boyyy 🥺🧡

tagged: @landonorris

view 4,846 comments

user: LAST RACE??? WHYYY????

↳ user: she starts press tour tomorrow for the hunger games

user: ima miss seeing you in the paddock 😩

user: ima miss you in the paddock 😩 but i cannot wait for the hunger games press interviews

user: his smile 😩😩

user: my fav papayas 🧡🧡🧡🧡🧡 + oscar

user: the first pic 😭😭

user: last race??? nooooooo

user: wait, im confused …. why’s she leaving???

user: gonna miss you

user: last pic 😩

user: YN?!?!!? YOURE LEAVING??!?? 😭😭😭😭😭

user: my favssssss 🧡

user: ya’ll acting as if she’s leaving forever and won’t see her again lmaooo 🤣 she’s doing press tour bc the movie she’s in comes out in a week

landonorris: 😘😘😘

landonorris: gonna miss your cute face 🥺

↳ yourusername: gonna miss you tooo, pretty boy 🥺

user: the way he smiles around her

user: wait when is she leaving???

↳ yourusername: a little after the race

↳ user: wait why tho??

↳ user: she starts press tour tomorrow since her movie comes out next week lol

oscarpiastri: that smile thoooo 🤭

user: where is she going????

user: THE best couple

user: what movie is she going for?

↳ user: the hunger games

↳ user: WAIT FRR????? is it the new one???

user: parents, frrrrr 😍

user: can’t wait for press tour, i just know she’s gonna slay

carlossainz55: pic creds to me, thank you 💁🏻‍♂️

↳ yourusername: 🙄🙄🙄 yea yea

↳ landonorris: 😘

↳ user: ynlando who??? i only know carlando ❤️🧡

user: they’re the reason i believe in love ❤️❤️

user: the way he looks at her, bro 😭😭😭

↳ user: he’s sooo in love, i can’t 😩😩

user: we won’t see ynlando for a while 😭

user: my ynlando heart 😍😍😍❤️❤️

yourusername

liked by landonorris, hunterschafer and 689,945 others

yourusername: thank you, berlin ❤️ @thehungergames

tagged: @tomblyth @hunterschafer @joshandresrivera

view 7,526 comments

user: THE REFERENCE OMG!!!!

user: MOTHER IS SERVING, OOH MYYYY 😍😍😍😍

user: he’s sooo fine!! but he looks EXTRA FINE with the buzz cut & blonde hair 😮‍💨

📌 pinned

↳ yourusername: told yaaaa @tomblyth

joshandresrivera: ohh hiiii 👋🏼

user: yn came to serve

user: tom’s the new white boy of the month!!!

user: HER PINNED COMMENT

user: tom’s soo good looking 😩

user: she’s so beautiful 😍😍

hunterschafer: WERK

↳ yourusername: are we about to kiss rn?

user: okay but why do i ship her and tom?? 🫣

user: idc what anyone says, she looks gorgeous! 😍

user: ngl but tom and yn look good together 🤷🏻‍♀️

↳ user: she’s got a bf and he’s got a gf

user: this man’s gorgeous but i also gotta remember he’s the one responsible for finnick’s death

↳ yourusername: same bestie 🥺

↳ user: OMG OMG OMG OMG OMG

user: okay but her and tom look soo good 😩😩

landonorris: stunning 😍

landonorris: you’re gorgeous

↳ yourusername: 😘😘😘😘

↳ user: them >>>

↳ user: missing them rn 😩😩

user: dress is gorgeous! she’s gorgeous! i just don’t like the top of the dress, if i’m being honest

tomblyth: ❤️❤️

user: cannot wait till the movie is out!!!!

user: tHe second slide and fourth slide slandnslsmd

user: oBSESSED 😩😩😩😩

user: i can already tell yn and tom are gonna be my fav duo

user: tom tho 😍

user: you look soo beautiful, i can’t 😩

user: 😍😍😍😍😍😍😍😍

user: i’m already a simp for president snow, and the movie hasn’t even come out yet

user: TOM, OMG 😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨

user: THE WAY SHE PINNED THAT ONE COMMENT 😂 yn being a coriolanus simp confirmed???

user: everything about you is soo slayyyyyyyyyy

user: nothing beats the original cast but they all look sooooo good, i can’t even lie

user: the dress reference 🤩

user: PLEASE GIVE TOM MY NUMBER!!!! OR GIVE ME HIS NUMBER EITHER IS FINE WITH ME

user: is it just me or does tom look better with the buzz cut and blonde hair???

↳ yourusername: you’re not the only one 😩 ive told him several times!!!!!!

yourusername

liked by joshandresrivera, landonorris and 699,947 others

yourusername: world premiere for @thehungergames 🇬🇧

view 6,836 comments

user: THE THRID POST ALSNDKDKDMDNSN

user: i ship

user: why do they look so in love in that third slide??

joshandresrivera: 🧡

user: yn, babe, where’s lando????

user: that don’t look like lando to me 👀

user: the chemistry is INSANE 😮‍💨

landonorris: you’re killing it, babe ❤️

↳ yourusername: 😘😘 love yaa

↳ landonorris: i love you moreeee 😘

↳ user: parents 😭😭😭

user: i hope her and tom date, they look so good together

user: ya’ll gotta stop shipping tom and yn, yn’s literally dating lando and tom’s got a girlfriend

user: tom and her look so good 😩😩😩

tomblyth: love you, gorgeous ❤️

↳ yourusername: ❤️❤️

↳ user: IM SORRY WHAT??!???

↳ user: excuse me??? sir????

user: TOMS COMMENT AKALSMDN

user: the chemistry is INSANE

user: he called her gorgeous 😭😭😭 brb gonna go cry

hunterschafer: YUPPPPP

hunterschafer: serving as always!

user: MOTHER IS SERVING 😍😍😍

user: obsessed with you and tom 😍😍😍

user: if i were lando, i would be crying in a corner rn

user: why do they look like a couple in that third slide??

user: toMs’S COMMENT!! he called her gorgeous

user: ya’ll shipping her with tom as if she doesn’t have a bf

↳ user: have you ever heard of cheating??

user: ya’ll see the interview?? she called him delicious and said that it’s so easy to fall in love with him 😭😭

↳ user: she said, “and getting to work with that is delicious to an actor like me” bffr she never said anything about it being easy to fall in love with him 🙄

↳ user: actually she did proceed to talk about how easy it is to fall in love with him?????? if anything you bffr

user: @landonorris come get your girl

user: she’s so touchy with him 🙄🙄🙄🙄

user: LANDO OPEN YOUR EYES

user: we’re all thinking the same thing right?? 😏

user: they’re definitely fucking around

tomblyth

liked by yourusername, hunterschafer and 678,927 others

tomblyth: thank you, l.a. 🤩

tagged: @yourusername @joshandresrivera @hunterschafer

view 5,936 comments

user: ngl but yn and tom look cute together

user: PARENTS FRRRR 😍😍😍😍😍

user: lando & yn >>>>>

user: they have sm tension

user: ya’ll are crazy if you think yn would leave lando for tom

↳ user: and youre crazy for not thinking that maybe yn already cheated on lando with tom 🫢

user: @landonorris @landonorris @landonorris

user: lando’s busy trying to win a race while yn’s busy fooling around with tom

yourusername: SNOW FALLS ON TOP!!!

↳ user: yes, on top of you

↳ user: nahhhhh 😭😭😭

user: how’d you know about the tattoo??? 👀

yourusername: love yaaaa ❤️

↳ tomblyth: back at you! ❤️

↳ user: @landonorris

hunterschafer: cute

↳ user: how does it feel to third wheel all the time?

user: yn’s literally soo gorgeous!!! 😩

user: if i were yn, i’d be all over him too, idcccc

user: lando’s stronger than me bc if my gf was like this with another man id be going apeshit

user: they’re 100% having an affair

↳ user: ohh definitely!

↳ user: the fact that he knew about her tattoo that none of us knew about says a lot!!!! this man has explored her body

user: yntom >>> ❤️❤️❤️

user: i wonder if lando knows about the tattoo tom was referring to

↳ user: that man is clueless like the rest of us

user: @landonorris

user: not ppl tagging lando 😭😭

↳ user: he’s gottta open his eyes

↳ user: @landonorris

imessage

— author’s note: this is simply for the story, i’m aware that rachael and tom both have partners

pt2?

[jorkmypeanits]

Davy, plotting: that stephen stills is a bad apple upon this earth because he is stealing the attention of my romantic love interest which is peter tork despite me happening to be heterosexual

Peter: I wish Davy was gay so we i could get him boypregnant but he isn’t so ill be polyamorous

Stephen Stills: I wishneil would choke me to death

Neil Young: I’ve been really into trains lately

Mike Nesmith: these roles of masculinity cast upon me are causing me incredible stress, discomfort, and feelings of being trapped, but idrc about that right now because I’m too busy cheating on my wife and having a homoerotic love-hate relationship with Peter Tork

Graham Nash: I’m pregnant and I don’t know if it’s Joni’s or David’s 😰

Stephen Stills, wearing a devil costume: get an Abortion the pregnancy will never last till term

Neil Young, wearing an angel costume: no, get a c section for your slight frame, you are the next Virgin Mary and this is immaculate conception

Micky Dolenz: anyone up for fucking dolenz style 😏

[somerandos-world]

I hope she looks at me and thinks shit he's so pretty~~

RAFE CAMERON X FEM! READER

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌ꕥ﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

Warnings: fluff, profanity and I think thats it lmk if there's anything else :)

Series Summary: You've been waiting for Rafe to make his move then you work up your own courage to do it first.

A/N: I js did this little blob a while ago and found it in my drafts but hope ygs like it. I'm probably gonna do a pt 2 but lemme know if it's even worth it. (Also if the color coding thing is too much lmk and I won't do it next time) Not proofread sry.

COLOR CODED SPEECH:

BLUE: Rafe

PINK: Y/N

ORANGE: Rachel Peters

GREEN: Emma Davis

YELLOW: Topper

Its the middle of your last year of highschool and its all unraveling before you. Wait, y/n please... But lets rewind a bit... You had been friends with Rafe since before you could walk, then you had met Rachel and Emma in 4th grade. Or rather they met you when Bella had been serving the two backhanded "compliments" and you told her to eat a sack of dicks, she cried and went home early that day. From there Rachel and Emma instantly fell in love with you. They became your friends so who'd blame you for wanting to introduce them to your best friend but you soon found out what a grave mistake that was.

You started to notice since you'd introduced them Rafe had the absolute hots for Emma. Everyone seemed to notice except for Emma herself. When you realized this you started to sort of back off because who were you to break what, two of the people you love most, had. You constantly regret not claiming him before he could get his eyes on Emma but its too late now and you've stayed the best friend since. But the start of your high school years that's when the heartache really set in you saw the way he would look at her and then the casual glances he'd send you. You'd wish for anything to make him look at you that way.

Then in the beginning of junior year you found out that he'd gotten his dream girl and they made it official, your heart sank. You sobbed and cried to sleep the night you found out. You'd see Emma push him around as they giggle their sweet nothings to each other, that's when you stopped talking to them all together. It's not like you didn't miss them or you hated them or anything but you knew how much it hurt being around them, around him. Rafe noticed but it would only be a mere 2 seconds before his attention was back on Emma. The first few days he figured you were just busy with class after all its high school he thought he can't be the center of your attention all the time but when it had turned from a couple days into a couple weeks and almost a month he knew something was up, you'd even been walking to school instead of riding with everyone in his car. He tried calling for weeks after him and Emma became a "thing" but you wouldn't pick up, he even tried coming over but every time your lights were out and your window was locked, even though your window was never locked. Then he approached you at school when he saw you wiping tears from your eyes as you walk out the bathroom Hey what's going on? Are you ok? I tried calling- you cut him off startled by his sudden appearance Yea I-I'm fine. It's good all goof- I mean good sorry got to go. You somehow manage a half-hearted smile before storming off... But Y/N- You walked off and tears threatened to spill over the rest of the day. Gradually he started to give up and the missed calls started to decline, the closest thing you'd had to his knocking on your window was the tree beside your houses branches hitting it, bent over by the wind.

Towards the end of the year they broke up because Rafe apparently didn't "feel" like going out with her anymore and he apologized profusely or at least that's what Emma told you on the phone the night of the incident. Hey... An audible lump was in her throat so Anna intervened... Hey, hun I'm sorry I'm js trynna calm down Emma but she said she wanted you, [Can I tell her?] you heard Anna whisper. Tell me what? Did Rafe say something? Is it about me? And why would Emma ask for me? "Ok, so Em said I could tell you on here but you have to promise to keep quiet until next time we see you ok?" these precautions make your stomach tighten "y-yea of course. what's up?" you replied "So Rafe's being a total dickhead and he said like that he just doesn't "feel" like going out with Em anymore like what? He's an idiot right?? And like Emma just really wanted me to call you so..." sniffles and sobs fill the background, but you couldn't feel more the opposite, you hated that your friend felt this way but you couldn't help but feel heat rising to your cheeks and a grin threatening to stretch along your face. You hated this. You shouldn't be feeling this way you were being a terrible friend, she's hurting right now and you should be help-

"hello? y/n?" Shit-I forgot the phone fuck! "OMG yea hey sry- i'm just uh s-shocked" Well you weren't lying about that. "So that's umm all he said?" you could almost see the look on Rachel's face. "Right!? Like he's such an idiot. He just said that and then like kept apologizing, but like we feel sorry for him because that's like his loss right? Right Em-Aww babe..." Yea his loss..."Sorry Emma fell asleep. You know I told them not to date when they started and you know already they've broken up before.."You start to drift back into your own conscience as Anna rambles. Shit of course I know. Rafe comes to ME with that shit when it happens...Its true when they would Rafe would call you and ask if you could come over to his or the other way around, he usually wanted you to come to his though, of course, it's not like he didn't absolutely love your room, your bed and the smell of lavender that cascaded the place but he knew his parents never minded your presence unlike other visitors and he knew how strict your parents were. And in that mood who would want to sneak into a house, and at that time of night. He'd just wanna cuddle and cry in your arms. His cries made your heart ache. I mean I don't understand yk like I thought that she'd get it like I was just joking yk? your heart almost burst. I know, love. you tried to hold back tears I'm sorry I-I would've called one of the guys but Kelce is staying out of town and Topper's been mad at me for being with Emma all the time And- Hey, Hey its ok I don't mind...you know that. I'm here for you. Yea, your a good friend y/n, thank you it really means a lot The first time they broke up you ended up sleeping over, and holding him through the night. You missed this and it was evil but you were sort of happy when they'd break up because you had your best friend again. At least you thought you were happy but soon it started to infuriate you that he was hurting so bad, and he seemed to go back to her every. single. time.

So you waited, each time, for him. But this time was different you knew it was when he was the one breaking things off and not her. Then surprise surprise guess who turned up at your window after school the next day Rafe fucking Cameron. Hiii! he waved like a 6 year old through the closed window. You ran to open it as you laughed and then prepared to cradle him expecting a sad and depressing complexion, as he gracefully tumbled through the aperture, but something was different it was as if he had a weight lifted off of him his head was held just a little higher, and well..I mean he wasn't crying.

Hey dipshit. What's up?

Umm, well I-I broke up with Emma

Oh I'm sorry well did you wanna talk about it or did you wanna lay down or...?

Don't get me wrong I totally do but I actually wanted to tell you something first...

OH MY GOD, theres no way. No, right it's not that he'd never-he would never see me that way. God he doesn't even look at me half the time he-again you get lost in your thoughts looking into space when you realize what you're doing you look back at him to see him already staring at you. Sorry um what is-what'd you wanna tell me? you start to feel your body go numb and all you can hear is your heartbeat. You feel your face start to heat up and in the overwhelming feelings of the moment-you turn away and hear him giggle lightly. Well I- Rafe steps closer and he begins to tilt his head just the slightest to the right and-

Hey dude got your call Kelce said you were here I knew Mr. and Mrs.Y/L/N wouldn't know you were though so what'd you- Topper says as he gradually opens the window and his head starts to lift-Oh shit my bad uh...didn't mean to interrupt. Topper is quick to awkwardly sonder out of the door as he covers his eyes with his forearm and snickers as he walks out like he'd just witnessed his parents share a slimy, sappy, smooch.

Topper! Shit sorry I'll be right back. Just gimme one sec. Rafe says as he walks out and your heart starts to calm itself.

No-yea sure of course, go its totally fine. God you wanted him bad. Your stomach started doing flips realizing what just happened you'd never been the religious type but you prayed and prayed that this wouldn't be just a dream and you hoped he intended to say what you've waited years for him to say. Thoughts and scenarios played through your mind as you layed back with your legs hanging off the edge of the bed, and your face stuffed into a pillow as you smother it. You start to wonder what'll happen afterwawrds. Oh my god wait. Did I shower yet? Shit! You start putting out some clothes for Rafe, because he'd been over so much you already have some of his in your drawers, just in case ;} Then you made your way out the door. Topper and Rafe were just outside the door trying to "quietly" whisper and argue as soon as Topper saw you he cleared his throat, fuck, you thought they had moved downstairs to talk. Shit! Duh, mom and dad don't fuckin' know he's here- You start to scold yourself as you walk out you hoping this can be fast so you can just take a shower and get back in the room Hey! Whats up! Rafe said as he turned to you. His eyes widened and his eyes couldn't help but dart up and down your figure only covered in a tiny towel barely covering any of you, and your pj's in hand. Well this is gonna be fun. Lord help me please. Guess you've gotten pretty good at this praying thing. Sorry I didn't know you guys were out here I was just gonna go take a shower til you got back. And I didn't know if us girls are having a slumber party so I left your pj's on my bed. Unless you're leaving... You try to laugh at your little joke which comes out awkwardly as you try to hint at them to move out of the way so you can get to the bathroom down the hall. No no no he's not leaving right, romeo?

Yea s-shower, that sounds, nice Rafe says under his breath, staring at you still completely dumbfounded, you start to feel the red take over your body and the grin stretching along your face, while Topper snaps him back into consciousness. Earth to Rafe! Rafe almost jumps in response. Maybe keep it in your pants and make way for the lady. He starts to gesture to you and the path. Oh yea! Sorry-Wait shut up he moves out of the way finally as he apologizes to you with a smile then shoves Topper at the realization of his comment. Thanks you say to Topper. Its all good he brushes off your gratitude like some heroic savior. Umm we'll just be in the room! Rafe shouts a little too loud as he attempts for his message to reach you across the hallway. "Y/N! Is everything ok up there?" Your mom shout. Dude! You're still not supposed to be here! You giggle and Topper shoves Rafe in the room and they continue to "whisper argue" once more. Yea! sorry mom just turned the TV up too loud! You look back at the two gesturing to be quiet with your finger mouthing "shh! shut up!" And Rafe mouth's a timid "sorryy" Rolling your eyes you finally walk into the bathroom and replay thoughts in your mind as you undress and let the water heat up.

It's gonna be a long night... you think to yourself basking in the hot, refreshing water, lathered in hibiscus and almond body wash as you scrub and resume to the depths of your conscience. Once finished after a good amount of time you step out. As you got dressed in your pajamas you realized that you didn't bring a bra which you usually don't but with "guests" over you probably should have. Meh who cares. You thought until you slipped on your tiny white silk top and your even smaller shorts. The way your top clung to you showing a little more cleavage than you'd like and how your shorts began to ride a little too high for comfort made you start to overthink the entire outfit. Fuck do I look like a slut?! What if he likes it though. No what if he thinks I'm a whore?? Shit. I should've brought a bra-

Knock! Knock! "Sweetheart? You ok?" Kill me now. "Yea Mom I'm coming out right now sorry!" Well now you're stuck with what you got so here goes. You step out and with a quick glance your mom says "I like that, that's a cute matching set." Well great now I know I look terrible. You think as you thank her passively making your way to your room. What if he already left fuck. You open the door expecting to be met with him and topper arguing or something but you find him laid out on your bed shirtless, his hair messy and worn, all tucked in like a big baby. You always thought he looked so pretty like this, not like a girl but handsome felt to formal and that definitely didn't fit him, but neither did hot though he definitely was at times, to you when he was like this, at peace and unbothered he was simply pretty, beautiful even. Then you realize that now is your chance to put on a bra before he wakes up. So you quietly make your way to your dresser beside your closet facing your back towards him in your bed hoping that he doesn't wake up. After you've found a bra you begin pulling your shirt over your head slowly keeping your back facing him. Little did you know that the sleeping beauty was in fact awake and carefully watching you.

[emma23]

Masterlist:

This masterlist will be about Oscar Isaac characters. I will maybe do some Pedro pascal characters too but it will be mainly about Oscar Isaac.

————————————————————————

U can know tips if u like my fics. Those will help me paying my school. Thanks all 💕

Link: https://ko-fi.com/settings?tab=profile

————————————————————————

The most recent fic:

27/12: forgotten echoes 💔🌹

26/12: the astronomer and the prefect 🌹

25/12: the echoes of loyalty part II 💔🌹 (Poe dameron x reader)

24/12: not that expensive 🌹🥰 (nathan bateman x reader)

————————————————————————

Fluff: 🥰

Romance: 🌹

Angst: 😔

Hurt: 💔

Confort: 🤗

Smut: 🔥

Magic: 💫

Dark: 🖤

Mystery: 🕵🏻‍♂️

————————————————————————

Oscar Isaac character:

Headcanon

Masterlist Poe dameron:

Masterlist Steven grant:

Masterlist Jonathan Levy:

Masterlist Nathan Bateman:

Masterlist santiago Garcia:

Masterlist marc Spector:

Masterlist Jake Lockley:

Masterlist Llewyn Davis:

Masterlist duke Leto astreides:

Masterlist Blue jones:

Miguel o’hara:

Dark Miguel 🖤

Maybe the tests aren't quite right 🤗

It’s just a dare 🌹

Boss Miguel 🖤

Caught in the web of love 🌹

Chasing ghosts 💔🖤

Rydal keener:

The honeymoon 💔

The worst tour guide ever 🌹

Cats confusion and a charmer named Rydal 💔

Orestes:

Orestes x reader 🌹

The fall of Alexandria 😔

The sun and the moon 🤗

The astronomer and the prefect 🌹

Kane:

Kane x reader 😔

In the shadow of the Shimmer 😔

Bud Cooper:

Unmasking Suburbicon 🕵🏻‍♂️

Unexpected encounters 🌹

Basil Stitt:

The Lightning connection 🤗

Lightning in a bottle 🔥:

Cecil Denis:

Melting point 🔥

Chaotic rhythms 🔥

Beneath the surface 🤗

Wait, I don’t get it, please explain 🥰

Waiting for something special 🌹

William Tell:

Rolling the dice on us 😔

The odds of us 🔥🌹

A house of his own making 🖤🌹

Two hands one heart 🌹

Playing with fire 🔥🌹

Richard Munoz:

Muffled confessions 💔

Boundaries and bullies 🔥

King John:

Falling for the villain 🔥🌹

A royal misstep 🔥

A fragile crown 😔🤗

The king’s proposition 🔥

Between a crown and a hard place 🌹

Anselm Vogelweide:

The crumbling brick 💔

The translation game🌹

Laurent leclert:

The art of deception 🌹

Moon knight boys:

The craving commandements 🥰🌹

Through the walls 🌹🥰

Driving lessons with moon knight 🌹🔥

Cookies, chaos, and compromises 🥰🌹

————————————————————————

Pedro Pascal charecter:

Joel miller:

Playing along 🌹

A night of unexpected beginnings 🤗

Close enough ? 🌹🔥

The bridge between us 😔

Sheltered hearts 🌹🔥

When you left 💔

Sunshine and shadows 🌹

————————————————————————

Tom holland characters:

Peter Parker:

Roommate mishap 🥰🌹🤗

Crazy for you 🌹

[thislovintime]

On the set of “Monkees Mind Their Manor,” the season two episode directed by Peter (filmed December 5-7, 1967, and originally aired on February 26, 1968).

“Peter used the classic one-camera technique [for ‘Monkees Mind Their Manor‘], whereas Micky used two cameras shooting simultaneously [for ‘Mijacogeo’]. ‘I found that The Monkees — both the series and the actors — were very tough to direct,’ Tork said. ‘I was fortunate because I had the help of some very inventive supporting players.’ […] Both boys edited their episodes themselves.” - Calgary Herald, March 1, 1968 “The four speak to each other as acquaintances and one gets the impression of a working-hours-or-sessions relationship only. They appear to be a little too polite to each other, too aware of each other for comfort. Peter defers to Micky’s talent as a director. ‘You know, like we were doing one TV show with Micky directing,’ Peter imitates Micky’s muggings. ‘He takes the script, flips it open and says, “Let’s see here now… we shoot starting with page seven… here boys,” he calls over the camera crew and in bright sunlight shoots in four hours with no rehearsal what it normally takes 12 hours to shoot.’ Micky grins, bows politely with a ‘Thank you, kind sir.’” - article by Peggy King, Oakland Tribune, December 7, 1968 “Super-director Tork is so good that the boys actually get through early and spend the last 30 minutes or so chit-chatting with you. When you ask Peter how he feels after having directed the Monkees segment, he thinks for a minute and then says, ‘Micky was much more radical than I. I used one camera — making master shots and close-ups. Micky did the opposite. I don’t know whether the Monkees are hard to direct or whether I am just not experienced enough, but it wasn’t easy. Even so, I’m hooked, man. I am really going to try it again. You know what? Now I would like to direct a musical spectacular!’ Mike and Davy, who have been eavesdropping, suddenly crack up. ‘Hey, man — we think you were great!’ they exclaim. And all at once you realize that they are not joking; that they had a ball working with Peter and really mean what they said.” - article by Gloria Stavers, 16 Magazine, May 1968 “I must say that as I look back on it, the show is very, very mild, very quiet, very low-key. If I had it to do over again, I might have tried to direct it a little more slam-bang, you know, that’s sort of Micky’s style. I think Micky’s job, Micky’s ‘Frodis Caper,’ I thought that was a brilliant job, and, and I think I did well, I don’t think I did as well as Micky by a long shot, but I thought that I did do some funny bits, and captured some moments that — I loved throwing Jack Williams, our prop man, into the show. And I loved doing, you know, break-the-frame reality kinds of things, the couple of running jokes which I thought were really fine. And I enjoyed myself directing very much. And I’m glad to say, what with a little competent help, we were able to help me cover my own weak spots, we were able to do, I thought, a real creditable job.” - Peter Tork, Headquarters Radio, 1989