#i love it when characters have the most hostile relationship

[redvexillum]

PSA: RACISM, BIGOTRY, ENTITLEMENT IN HAZBIN HOTEL FANDOM

CONTENT WARNING: Inflammatory hate speech, White hate, political baiting, gaslighting, racism, death threats

The messages I’ve received and am addressing below contain upsetting and harmful language that has no place in any community. If these topics are distressing to you, please prioritize your well-being and feel free to stop reading here. Thank you for taking care of yourself.

I never imagined I would find myself addressing this, but here we are. This post is regarding my recent story, Stay With Me, which has stirred up unexpected controversy due to my decision to imply the reader’s race as white. I want to clarify that this choice was made purely for plot purposes.

The story is set in 1920s Louisiana, a time and place where racial and class dynamics were deeply significant. This backdrop was essential to the narrative’s themes of tension and forbidden love, as it explores the societal barriers that would have made a relationship between Alastor and the reader virtually impossible. The decision to depict the reader as an upper-class white individual was not arbitrary—it was intentional, aimed at heightening the drama and emotional weight of their story.

I deeply value the Hazbin Hotel fandom and the x-reader community. Writing for this space has brought me immense joy, and I’ve formed wonderful connections with both readers and fellow writers. That’s why receiving such hateful and inflammatory messages has been incredibly disheartening. The accusations of racism, the vitriol, and the twisting of my creative choices into something they were never meant to be—this has shaken me more than I can express.

To the anonymous senders of these messages: I want to make it clear that my work comes from a place of love and passion. My intention has always been to tell compelling stories that explore complex emotions, societal norms, and the human condition—stories that resonate with readers on a deeper level. To reduce my work to a political agenda or an act of prejudice is deeply hurtful and entirely unfounded.

I want to echo sentiments shared by Kit (please check out her explanation here), another writer in the fandom, who also explored the racial and class dynamics between characters. Like them, I am fascinated by the tension and drama that arise from star-crossed love stories, particularly when societal laws and prejudices forbid such relationships. Writing the reader as white in this context wasn’t about excluding or favoring anyone—it was about creating an authentic narrative rooted in the realities of the era.

For those questioning why I made this choice, I ask: if you can suspend disbelief to fall in love with a cannibalistic, asexual deer demon, why is the reader’s race—chosen for specific plot reasons—the line you cannot cross? My goal as a writer is to craft stories that make sense within their own context. The entitlement to demand otherwise, or to impose personal prejudices onto my work, is unfair and unwarranted.

I hate that I’ve had to turn off anonymous asks. Some of the most heartfelt and hilarious messages I’ve received have come from anonymous users, and losing that connection with my readers pains me. But unfortunately, the actions of a loud, hateful minority have left me with no choice. I will not entertain further discourse on this matter after this post.

To those who have supported me, who have read my stories and shared kind words: thank you. Your encouragement is what keeps me going. Writing for this fandom has been a labor of love, and I pour my heart and soul into every piece I create—for free, might I add. It’s devastating to feel that love overshadowed by hostility.

I won’t let this stop me from creating, but I’d be lying if I said it hasn’t made me question my place here. To anyone who feels entitled to tear down what others create out of hatred or spite: I hope you take a moment to reflect on the harm your words can cause.

To my true supporters: I appreciate you more than words can express. Your kindness reminds me why I love writing in the first place. Thank you for standing by me.

[reki-of-the-valley]

Don't you just love it when the girls create the most toxic sludge of an environment?

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.

[hawkepockets]

actually. 🫷😀🫸 THOUGHTS ON AVELINE

i think aveline is a CORE da2 character, and her relationship with hawke is super super interesting. she’s hawke’s oldest friend in the game & by act 3, maybe the only enduring connection to their homeland & childhood besides the mabari. her voice, her bearing, her stated values are all very noble & movingly fereldan—but her actions both as guard captain & as a party member should be so profoundly disappointing to hawke almost no matter how you play them, which generates a powerful tension. imo it’s really poignant and adds a lot to the game’s central tragedy.

because how can hawke cut her off! but look at how she behaves: ignoring the serial killing & sexual assault of isolated older women and elf girls, baiting the arishok, slut shaming isabela, condescending to merrill. but how can they cut her off? the question is a privilege and a torment!

in this way i think she strikingly complements gamlen. like no matter what gamlen does and says to you, your love interest, leandra, the surviving hawke twin—he’s family and the only way into kirkwall. hawke is not permitted to sever those ties. and no matter what aveline does and says to you and all the women in your party, she remains your oldest friend and the only way back to ferelden, emotionally.

both aveline & gamlen will maintain a warm relationship with hawke as long as hawke tolerates their picking on those in proximity to hawke—but if hawke pushes back with aggressive dialogue options, both will tone match and became sour and hostile. aveline can be really quite awful to a red hawke, and will throw them to the ground and beat them at 100% rivalry. so there’s kind of an underlying challenge in both of these characters: how much will hawke, as gang leader & player character, put up with when it’s not directed at them?

of course, for all the nostalgia that seems to occlude av’s wrongdoings in kirkwall, she’s not really a childhood friend of hawke’s. she was a grown woman when they met, lothering was lost, and the moment was pretty heated thanks to aveline’s hostile templar husband.

and yet hawke is no more reliable & objective in their treatment of the past than varric is. and aveline is what they have! she’s standing in for all of ferelden, all of the past before the blight!

and likewise hawke for her! hawke is the only one left in act 3 who remembers wesley! aveline is the only one who remembers the dead hawke twin!

and as reprehensible as some of her decisions are, aveline’s grief for wesley and her enmity toward the old corrupt guard captain are sympathetic and her voice is sexy and husky and beautiful enough that. well im sorry i just lost the plot for a minute. uh

there’s also the act 3 subplot of the templars trying to take over the city guard, which sets up aveline as the only thing standing between kirkwall’s mages & absolute templar authority in the city. it’s literally her or cullen at his most brainwashed & violent. (to cullen’s credit he also thought it was a bad idea. but i won’t give him so much credit that i believe he’d turn down the position if aveline was removed.) between a knight-commander and a hard place, a pro-mage hawke has to choose the hard place.

so both of my playthroughs i’ve felt like hawke’s friendship with her is at the very least strained, if not completely ruptured, but they have to back her. how much that feels like fucking sandpaper may vary from hawke to hawke.

ultimately i just think she brings a lot to the table. i don’t necessarily understand why she’d be anyone’s all time #1 favorite companion, but you know.

[sabertoothwalrus]

I probably missed it, but what IS your favourite Dungeon Meshi ship?

WELL SINCE YOU ASKED, I have a chart already hdhshdh

1) Farcille is my number one!!! I wish I’ve drawn more of them, but most of my ideas for them are longggg and angsty and take a lot more mental bandwith. I’ve said before, I approach comics like I’m pitching an idea, and I mostly* agree with people’s depictions of them, so I have less to say.

*I say mostly because I cannot stand when people depict Falin as possessive, or disregard her characterization to give her generic dommy alpha monster traits hdhshdjs NOT THAT IT’S BAD it just doesn’t feel true to her character. I find myself bored by it.

I’m also put off by some of the folks I’ve seen in the farcille tags. They’re like,,, cliquey?? There was a point where people were dunking on mlm ships that came off borderline terfy, as if most of the dungeon meshi mlm shippers aren’t transmascs and lesbians?? I wasn’t a fan of the hostility like lmao it’s cartoons man

2) labru……… I love them….. mostly just post-canon. I really love Kabru (I think he’s my favorite character overall) and I loveeee the poetry of their individual character arcs and how well they play together. Guy who struggles to be honest, even with his own feelings vs Guy who doesn’t even consider being anything except honest. Kabru needing to carefully, painstakingly craft a mask tailored to each individual he interacts with, vs Laios, who is the only one to make all of Kabru’s masks fall apart. Also I think they’re kinda aro about it. They’re really good t4t flavored too.

The main appeal is post-canon. The King and his advisor. His right hand man. But it’s also the way like,,, Laios is DEFINITELY not the one in charge in their relationship dhshshsh (and this is what peeves me about how @myszkaa’s labru comic got memed to hell and back…. they don’t understand the later of comedy is from the KING asking for PRAISE from his SUBORDINATE!!!)

I will say!! This ship has a lot of folks with good takes on it, but it’s not immune to flanderization and boring yaoification. It’s popular enough that there’s enough of the good stuff.

3) chilshi!! I’ll admit this one has less canon validation hdhshsh but I think they have a lot of post-canon potential, and I think their difference in lifespans + the contrast in their lifestyle habits is really interesting and directly addresses a lot of the Dungeon Meshi’s core themes.

Part of the reason I like hanging out with chilshi shippers is cause most of em are chill, more nuanced in discussions, and are actually willing to draw fat & hairy people. And middle aged people.

special mention Kabumisu. I WISH I LIKED THIS ONE MORE!! I’ve tried,,,, I see the potential but I’m so picky about it and most of the content for it does absolutely nothing for me 🙈

Another thing is I HAVE to be able to like a pairing platonically to ship them romantically. Obviously shipping isn’t the only thing that matters to be about dungeon meshi.

I could say a lot more. Feel free to ask about my thoughts 👍

[wildrangers]

Hello i see you're accepting fic requests, i have a matt smith fic idea, can u do a behind the scenes w matt and fem!reader where they are both married in real life but they're rivals on cam, and when the scene cuts they're like all lovey dovey and their castmates are always teasing them 💟 tysmmm!!!

Thank you so much for this request anon, I loved this idea! I created an OC HOTD character for the reader to play and kind of worked her into different key moments from the show. I hope you enjoy 🙂

Tropes & Topics: total fluff

Word Count: 900

“What would you call the husband of the Queen?”

“Well, the king-”

“There it is, then.”

“...consort” 

Your eyes met Daemon’s, fury coursing through your veins. His head tilted, eyes assessing you. “That seems redundant, no?”

“I speak for the Queen when I say it is not.” 

There was a long pause as you two stared each other down before “CUT! Good work you two.”

“Darling! You were stupendous” Matt praised, walking towards you with his arms raised. Mostly joking groans sounded from the crew around you. “Oh, stop it you lot.”

“I always forget how angry you make me when you have that fucking wig on” you tease, wrapping your arms around his middle tightly. 

“I could say the same to you, my love” he chuckled, pressing a chaste kiss to the top of your silver wig.

Your role on House of the Dragon was Anora, a close confidant and cousin of Rhaenyra. Given your character’s fierce loyalty to Rhaenyra, she shared a tense, often hostile, relationship with Daemon which you two delighted in playing as it was so opposed to your real-life dynamics as newlyweds. 

“Are you love birds ready for lunch now that you’ve terrorized the crew?” Emma’s voice called from behind Matt and you threw a grin their way. 

“Are they up to it again?” Harry seconded from behind them. 

“I don’t know what you’re referring to” you argued and Matt chuckled beside you, his arm resting along your shoulders as you followed the pair off the studio lot. 

“Oh, so you don’t remember the post-wedding incident?” Emma posed and you felt your face warm as the memory flooded your mind. 

“Wed?! Laenor has just died!” you shouted, whipping around to face your best friend and her apparent new husband. 

“No, cousin, he’s not dead. We arranged it so he could be free and we could marry” Rhaenyra explained and your eyes widened. 

“You let our monstrous uncle convince you of this?!” 

“Watch your tongue” Daemon replied, eyes blazing.

“Or what?” 

“Or I’ll take it.”

You took out the dagger you kept hidden on your side, “Well come on then, Daemon. You don’t frighten me.” 

“Enough!” Rhaenyra screamed, stepping between you both. “Cousin, this was my decision he forced me to do nothing. He wants to better support my claim to the throne when the time inevitably comes.” 

“He will be your ruin, Rhaenyra. Mark my words.”

“CUT! I think we got it guys, take five.” 

“My fierce wife!” Matt cheered, picking you up and swinging you around as you laughed. 

“Must you do this every take?” the director questioned, earning laughs from the cast and crew on set. 

“Am I wrong? She was incredible” he praised, placing you down and lovingly straightening the wig he’d disheveled in his excitement. 

“Yes, yes, your wife is brilliant and we’re all lucky to be graced with her presence” Emma teased and you stuck your tongue out at them. 

“The most brilliant one of us is you, my love” you tell him and are met with another chorus of groans as you giggle and squeeze his hand in yours.

“Oh! And you can’t forget the birthing scene from last season’s finale, that one was iconic.” Harry added and Emma eagerly nodded their agreement.

Rhaenyra wailed from the bedchamber behind you as you charged after Daemon. “What are you doing Daemon? She needs you!” 

“She needs someone to prepare for war, I can do nothing for her in that room.” 

“She’s calling for you Daemon, not me! She doesn’t want you to act on her behalf, just to be her husband.” 

“I am your king now!” he roared, turning around so quickly you slammed into his chest, his hands gripping your shoulders painfully to keep you upright.

“You overstep Daemon. You are no more than her king consort” you replied, adjusting your stance and fighting the wince of pain wracking your system.

Matt’s face completely broke, false anger draining from it, “Love, are you alright? I’m sorry everyone but she’s injured, we have to cut.” 

“Matt, it’s fine I could have finished the scene” you insisted but your argument fell flat as your ankle rolled out from beneath you. 

He didn’t hesitate, one arm gripping under your knees, the other under your arms to lift you off your feet. “Where’s the medic?!” 

“Matthew, it’s a twisted ankle, not a mortal wound” you assured but his face was panicked. “Hey, look at me” you said firmly, hand cupping his cheek. His hazel eyes met yours and you could see him fighting to control his fear that you were seriously injured. 

“I’m not putting you down until someone’s looked at your ankle” he insisted and you nodded your agreement. “I’m so, so sorry darling.”

“It was an accident, I’m fine, I promise” you replied, pulling his face down to yours for a brief kiss. 

“We have to release this as a blooper, the fans will eat it up!” you heard Emma call as Matt carried you off set towards the medic tent with the cameras still rolling.

“How could we forget? It went absolutely viral” Matt groaned and you laughed, pinching his side.

“You’re lucky you didn’t get charged with spousal abuse” you tease and he rolls his eyes as the others laugh. 

“Keep it going, I’ll just save up my annoyance with you for when we’re back on set.”

matt smith taglist: @slayraxes-blogs @littlehorrorlover

I'm always happy to hear any feedback, message me if you want to get added to the taglist! I have a few more asks waiting that will be out soon 🫶🏻

[mizading]

Breaking Up With JJK Men

Characters: Satoru Gojo, Suguru Geto, Kento Nanami. 

Warnings: Unhealthy relationships, obsessiveness, mentions of death, begging, threatening, stalking, paranoia, etc. 

Synopsis: How these JJK men react to you attempting to leave.

Satoru Gojo:

The type to beg

Gojo would immediately break down. He can’t bear you leaving; he’s lost too much already.

Something about Geto walking out of his life prior makes Gojo unhealthily attached and dependent on you. You’re Gojo’s safe place; he can’t lose you, no matter what.

Before you can say another word, he’s on his knees at your feet, holding onto your legs as tight as he possibly can. Gojo will refuse to let go unless you agree to stay with him.

He’s a crying mess, tears soaking your legs, hair disheveled as he sobs uncontrollably. As much as Gojo wants to control his emotions, he simply can’t.

If you still don’t give in, He’ll cup your face, forcing you to look in his direction to “see what you did to him”. Gojo tries to win you back the only way he knows how, by begging and making you feel absolutely awful for what you caused.

Before you know it, he’s wrapping his large frame around you, keeping you trapped in his tight embrace. If Gojo has to keep you with him using force, then he’ll go there in a heartbeat. 

He apologizes for his excessive touch, but he needed to feel you in some way to help soothe himself. Gojo was practically having a panic attack before your eyes.

As Gojo locks you in his embrace, he can’t help but express how much he needs you. Gojo doesn’t know how he’ll manage without you; is there any point to life with you gone? Regardless of what you think, Gojo truly needs you.

Your heart breaks seeing him in this state—body shaking, eyes dull, and choking on his own sobs. Did you really have the heart to leave him? Seeing the strongest man alive behave in such a way over you leaving affected you mentally.

If you decide to stay, it’ll take a long time to improve his state. He needs to be 100% sure that you won't change your mind or leave when he’s off guard. Gojo becomes annoyingly attached to you physically; he cannot keep his hands to himself.

Gojo will slowly but surely get better. He’s still quite clingy weeks after the event, but he seems to be in the right headspace for the most part.

In the end, he’s just relieved to have his baby with him.

Suguru Geto:

The type to threaten

Geto’s first instinct is to laugh. He’ll give you the benefit of the doubt and believe that you’re only joking with him. When he finds out that you’re being serious, his entire demeanor changes.

Everything quickly turns bitter. Are you really going to leave after everything that he’s done for you? Geto finds it comical.

One thing that Geto will make clear is that you won't be leaving. He can’t seem to accept it, so it won’t happen.

The way that his dark, haunting eyes bore into your soul makes you immediately rethink your decision. How could such a warm and comforting face turn so dull and haunting?

Geto will blankly stare into your eyes silently, allowing you to change your mind before things get worse.

You’ll suddenly be pulled into his lap, harsh enough for you to notice his slight hostility but soft enough for you to not say anything.

“You don’t want to find out what I'll do to myself if you leave, right?” His words made you nauseous almost instantly. Geto spoke in a soft, comforting voice, but his words were sick.

He would caress your hair, occasionally pressing soft kisses to your temple, allowing his words to sink into your pretty little head. “I’m sure that you wouldn’t want to be the one to blame if I went through with anything precious”.

It was all sick; he was doing it on purpose. You knew that Geto struggled with his purpose of living, but you never knew that he would go to this level.

You couldn’t fathom the thought of not having Geto in this world; you still loved him even if you wanted to separate from him. You agreed to stay for the sake of keeping Geto alive.

Geto reverts back to his usual gentle self almost immediately when you tell him that you’ll stay. It was scary how rapidly he could change. Geto knew this, and he used it to his advantage.

Even if you planned to go through with leaving, he wouldn’t have let you. You’re his main purpose for living; Geto can’t lose that.

Kento Nanami:

The type to stalk

Nanami would spend a bit of time asking you to reconsider, but if you want to leave, he’ll let you go.

A few tears will be shed, but not much. Nanami doesn’t waste too much time begging because he knows that you’ll ultimately end up doing what you want.

Before you leave, Nanami will ask you for at least a hug and a kiss. As heartless as Nanami seems, he loves you to bits and pieces.

Nanami didn’t plan on stalking you; it just happened. He started by simply driving to your house to give him peace of mind, then peeking through your windows late at night.

A few weeks after the breakup, you take notice of an unfaltering feeling that someone is watching you. There wasn’t necessarily anything out of place; you just felt it. You couldn’t tell if it was because you were alone now or if someone was actually watching you.

Once you finally let the feeling go, everything gets worse. It starts with flowers at your doorsteps daily. You couldn't help but shake the feeling that Nanami might have been the one doing it.

It all escalated to feeling followed every time you left the house. You couldn’t help but notice someone's presence every now and then when you were about your day. You started to leave the house less and less because of it.

Nanami feels guilty for following you around, but he can't help it. Nanami can't bear the thought of something happening to you when he’s not there to protect you. His only resort is to secretly keep an eye on you as much as he can.

Everything was unbearable. Ever since the breakup, you have felt terribly paranoid and scared. You sit up at night sometimes thinking about how safe you would be if you had only stayed with Nanami.

You attempt to continue on with your life, but none of it ends. Your paranoia was consuming you whole. Thoughts of just running back to Nanami were becoming excruciatingly loud. Who else would protect you?

You tried desperately to continue on without him, but the truth is that you couldn’t. Not before long, you found yourself at his door once again. Regardless of whether he was stalking you or not, you just wanted it all to end.

Nanami would happily welcome you back with open arms. His desperation for you led to him doing things that he never thought he would do.

Nanami puts your mind at ease when you explain what you went through after leaving. He made sure to make you feel like he could protect you from absolutely everything in this world, which is why you came back.

Nanami can’t help but have some type of guilt in the back of his mind because of what he did to you. At least he has his baby back in his arms.

[hearts4werka]

Drugged Love

Summary: You and Chris meet when you're coming back from a gang meeting and he is coming back from a deal, your apperance caught his attention but him suddenly popping out from an alleyway makes you react in the opposite way he though you would. He places his number into your phone but you have to keep the relationship a secret because of your involvement with the dangerous gang… Genre: ANGST & SMUT (further into the story there will be smut dw) Drug dealer x gang member, ?strangers to lovers? Gangster, drug dealer, dark themes, alleyways, driving late at night, rainy night, troubled characters, third person pov and possibly more! Warnings: mentions of drug usage & being under the influence of hard drugs, gang involvement at a young age, illegal weapon possession, involvement in illegal activity, being held at gun point, ?slight threatening?, dark subjects will be involved further into the story including different types of childhood trauma, ass content ahead and possibly more!

The idea is from @leoslaboratory and was requested by @yourmother29 in this ask so thank you both luvies!

"Have a good night everyone." I say to the people left in the conference room as I rise from my chair, grabbing my jacket off the back of the chair and walk out of the room.

“Bless your soul, child.” I hear one of the older women who were remaining in the conference room, shooting her a warm smile as she lights a cigarette that way neatly placed between her lips who do look like they haven’t met male lips nor seen chapstick in at least 25 years.

Walking down the stairs of the building and out of the exit I look around on the streets to make sure no one was lurking in the shadows behind the streetlight softly lighting the road and side walk.

My outfit mostly consists of the color black which is typically normal but having the hood of my hoodie over my head and my clothing cocealing most of my body which at night can be quite concearning and unsual to see. (I didnt find any reference for this so use your imagination)

I make my way back to my car, wanting to get back home after the meeting which lasted over an hour. Feeling the tiredness state affect my awarness of my surroundings, suddenly theres a tall, but significantly attractive man standing infront of me.

Out of reflex I reach into the back pocket of my jeans and pull out a gun, placing it against the man's forehead to stop him from any further movements, my finger already hovering over the trigger.

He visibly tenses and freezes in place, his vision falling onto the barrel of the cold metal gun against his forehead. A shiver running down his spine as he starts to speak in an almost oddly calm voice. Like he’s been in a situation like this before.

"Woah there, don't gotta be so hostile from the start. I was just passing by." He explains, raising his hands into the air in surrender to asuure me he wont be causing any harm to my human being and looking quite friendly but at the same time a bit high.

"Oh, I'm sorry its just a.. reflex I guess." I state in an apologetic tone, pulling the gun away from his forehead and back into the back pocket of my jeans, feeling slight guilt wash over my body at the sudden situation and my actions.

"You don't look like those typical girls walkin' back home this late, you bein' followed that you needa pull a gun on strangers?" He asks, a feeling of protectiveness washes over me at his question. It;s a weird feeling to be feeling to a man that you have just met.

"I can get pretty defensive when it comes to walking home at night. And no, no one is following me, atleast I don't think so" I answer, glancing around and comprehending my surroundings more than before and feeling certainly more awake now. Letting the tiredness state evaporate into the air.

“Ima walk you to wherever you gotta go, m’kay?” He insists, moving to stand next to me and ready to walk to my destination. Showing no signs of moving from his new currently taken spot.

“You don’t have to, don’t you also have places to be at?” I ask, still standing in the same spot I was from the beginning. Reassuring him that he doesn’t need to walk me back home and feeling slightly hesitant with a random stranger walking with me. “I’ll be fine, really. I know how to defend myself.”

“Yeah but I can’t let a pretty thing like you walk alone at night, especially with all the creeps around these alleyways.” He demands, clearly not taking my negative answer into consideration in his mind

Knowing that he won’t stop until I finally give in, I decide on just letting him walk with me. For some reason I feel like i can trust him and having a possible male friend that’s not a gang member is pretty refreshing.

“Fine, you can walk with me but don’t try anything funny or I’ll put a bullet through your skull.” I warn him, shooting him a slight glare and then chuckle at how his expression says that he knows I’m not kidding and that I am serious about the words I just spoke.

We take off from the spots we were stuck in for a few minutes and I start to make my way towards my car with him following close next to me.

“Soo… what’s with you carrying a gun around?” He finally speaks up, trying to make small talk as he looks me up and down in question, seeming a lot more calmer than others who I’ve had the fortune to have pulled a gun to their head.

“Well it’s not exactly legal and I can’t tell you the reason behind it.” I explain and wait for his reaction, noticing the wheels turning in his head with my words hanging in the tense air between us as small awkward silence joins in alongside the tense air.

He nods his head in understanding, shoving his hands into the pockets of his jacket which was softly draped over his shoulders. “M’kay, understandable.”

"Why are you out so late?" I ask my first question, a small chuckle escapes past his lips as he glances between me and the side walk ahead of him as we walk alongside each other.

"I think I should be asking that." He jokes, we share a small laugh and as his laugh hits my ears I feel slightly warmer inside, his laugh sounds like a small flower newly blooming before he starts to add, "but to answer your question, I was makin' a quick delivery"

I glance at him with slight confusion shadowing over my features, what kind of delivery is he talking about? he doesn't look like the type to deliver packages and with the current time, packages aren't delivered anymore.

"What kind of delivery?" My head tilting to the side in question, glancing up and down at his attire and observing him closely to try and pry an answer out of him from his appearance alone.

A chuckle rumbles in his throat at my question regarding his words, noticing me clearly observing him while thinking he's not gonna notice but with how my eyes were sliding down his form slightly scrunched in determination to get an answer, my intentions were obviously spotted.

"An illegal one." He answers straight to the point, I almost get taken aback by his sudden honestly given that we are strangers to each other and don't even know each other names yet. Quite shocking how quickly he seemed to warm up to me.

"So that makes us both involved in illegal activity," I summarise what I've caught from our current conversation we’re having before I add. "At least we got one thing in common so far." My brain is slowly easing into the information that this might be the longest walk I've been on.

As we finally start to reach the end of our little walk but just as the conversation starts flowing, I see a small glimpse of my car in the distance and feel slightly bummed that our meeting is soon going to come to an end.

I decide to just fuck it and ask for his number to maybe hang out in the near future together, ill be new air to breathe since he isnt involved with the gang I'm involved in. I’m nit sure in what illegal activity he is involved in but I wont stress over that for now.

We finally make it to my car, being only few feet away from it as i turn my head to look at him as he notices me glancing in the way of the black car and realizes it could possibly belong to me.

“Can you give me your phone for a sec?” He speaks up first, glancing down at me and at the black car we are now standing infront of and eyeing it up with quite the precision in his eyes.

Hesitant thoughts cross my mind as I slightly stare at him with confusion contouring my face, the only thing I get from him is a small laugh rumbling in his throat before he adds. “I’m not gonna steal it, don’t worry”

Still feeling slightly skeptic about this idea but I reach into the back pocket of my jeans and reveal my phone to him, before putting it in his direction and for him to easily grab I unlock it first as I assume he would want to use it for something.

Taking the opportunity he grabs ahold of my phone in his calloused hands and opens an app, quickly typing something out before handing it back that causes our hands to brush against each other.

As i take my phone back and shove it into my back pocket but pulling out my car keys and unlocking the car door, turning my head to glance back at him.

"See ya later, little trouble." He slighty teased, emphasizing the little nickname he suddenly thought of. My thoughts are mixed with the random nickname but I wont stress it too much until I get inside of my car.

He shoots me a small smirk that grows on his face before turning around, making his back face me now and starts to walk in the other direction. Slowly letting the dark shadows consume his form into their black wrath.

I open my car door and slide inside, slumping into my seat as my hands land on the steering wheel. My thoughts slowly wrapping their shadowy arms aroun dmy head and pulling me into the pitch black pit, I finally push the key into the keyhole and press the gas, pulling out of my parked spot and into the nightly street as rain starts tapping the roof of my car...

@hearts4werka

authors note: heloo everyone! Soo here is the drug dealer Chris fic and I hope you guys liked it and would want more, I love hearing your guys thoughts on any of my work and if y’all see any improvement from the previous ones, your guys opinion matters to me so don’t be afraid to leave a comment sharing your thoughts if you want! And last question, do we fw the small text? Luv y’all so much

& love and peace, V

Guestlist!

| @sturnioloblues - @sturnsxplr-25 - @deffonotjae - @strnzzvsp - @luvvs4chriss - @sturniolosweetheart33 - @pussypie456 - @choclatestarfishwithahat - @venusxsturnio - @bagsbyclair0 - @sturnstvs - @dykes4chris - @klaus223492 - @hoe4matt - @cayleeuhithinknot |

[luneemeritus]

Guys have I ever commented about how both Youtube and Tiktok have the shittiest takes on Stolas? No? Then I will try to comment more often.

"I wonder why Octavia is mean to Stolas" because she's a teenager who doesn't know the truth about her parents' situation or the abuse her father went throught during 17+ years, that's why.

As Stolas antis are unable to recognize the MOST BASIC aspects of the story, let me just remind everything we know about Stolas and his relationship with his family:

(TW: MARITAL RAPE, DOMESTIC VIOLENCE AND HAVING TO EDUCATE STOLAS ANTIS FOR THE 100TH TIME)

1- emotionally and physically abused by his father

2- forced to marry an abusive person when he was a fucking child

3- raped multiple times by Stella before she got pregnant

4- TEEN FATHER. TEEN. FATHER. You know what a TEEN FATHER means? He was forced to be a father when he. was. A. TEEN.

5- spent 17 years surviving his wife's verbal, emotional and physical abuse FOR HIS DAUGTHER'S SAKE

6- took accountability when he realized his mistakes towards his daughter, and his mistakes were basically trying his best to make his daughter happy while being a literal survivor of parental abuse, domestic violence, SA and social isolation, literally a fucking normal human being trying his best and improving himself

7- is not only teaching her spells slowly and respecting her time, but also raising her as the teenager girl she is, and not as a 'legal adult' full of rich folk bullshit responsabilities as he was raised

"Stolas is a good dad" yes, media illiterate antis, he IS. He raised his daughter with love and care, he shield her from potential dangers (which came from her own mother), took accountability everytime he made a mistake with her, and sacrificed 17+ years in silence, surviving domestic violence, FOR HER. This is what a good parent does; loves, takes accountability and cares for their child, and as someone who has a very shitty dad who actually doesn't respect me or take accountability, I proudly affirm Stolas is doing great. You know what STELLA, an actual terrible parent, does? Abuses her husband in front of their kid and turns Via against her father. This is what a terrible parent does, oh but sorry I forgot she's the cisheteronormative woman who can do no wrong despite doing everything wrong maliciously.

Octavia acting like a teenager is absolutely in-character and justified. She doesn't have to know that her mother is an abuser, and this is why Stolas shield her from this hell, because he wanted her to have a normal fucking life. But the AUDIENCE? Grown adults who KNOW what is happening with Stolas and should understand how basic parenting works, acting like an angry teenager who hates Dada? Now that is just bad faith and urge to justify your hate boner against Stolas with the same stupid outdated arguments that were discussed a thousand times in this fandom.

For a man that was forced to have an abusive wife and a child at his teenage years, yes, he is a good father. He makes normal mistakes like any normal parent does. In LooLoo Land, he (unintentionally) ignored Via's discomfort because he was trying to cheer her up, trying to, as himself said, keep her away from their hostile house — whose hostility is Stella's fault. In Seeing Stars, he DOES NOT ignore Via nor forgot about the promise (he forgot the day, not the promise), he was busy standing up against his ABUSER. He asked for some minutes to finish his phone call, if Via had waited just a little bit longer, he would turn off the phone and listened to her. She didn't, because she's a kid with the trauma of growing up with an abusive mother and a closeted dad, again, in-character and understanding. But grown adults who were supposed to understand what is going on with Stolas having the same behaviour of a kid is hilariously telling a lot about how you react to this show.

Stolas makes the same mistakes Blitzø makes with Loona. Blitzø often infantilizes her to the point of being overprotective, and guess what? He also took accountability, because he, just like Stolas, is a good dad. And just like Lucifer as well. Buuuuut you don't really care about what is or what isnt a good father, you just want to yell about how much you hate Stolas. And the reason why you hate Stolas (at least one of the reasons) is because you can't understand basic shit about him.

Edit: by the way, let me show yall this print. It's so adorable. As irritating as Stolas's "sLaNdErInG" crowd is, the fandom always manage to make everything better. Let's smile more and think about the good things <3

[lovetei]

I'm Tei, the owner of LoveTei

I just like writing as a past time hobby and to relieve stress.

REQUESTS ARE OPEN AGAIN!!

For further elaboration I'm like "Oh shit... That seems like something this character would do." and I'll open this app, write it then post it.

And this page is 18+

That's all, thanks!

♠️ - Fluff

♥️ - Smut

♦️ - Angst

♣️ - Crack

✴️ - Dark

◾ - Demon Brothers

◽ - Side Characters

♠️ ◾◽- Things that the citizens of the Devildom witnessed that will prove that this Human have the characters at their beck and call

✴️ ◾◽ - What are the most toxic thing they will do in a relationship just to make you stay with them?

♠️ ◾◽- The characters comforting you after you experienced an extremely frustrating day

♥️◾◽- Their reaction to Sheep!MC turning into their human form, naked, in front of them

✴️♥️◾◽ - Are you the Ex because you're MC or are you MC because you're the Ex?

♦️♠️◾- Mammon consulting MC after he tried to do the did with her but she refused and he went to ask Asmo and he found out MC is actually insecure

♥️◽- Mephistopheles as your everything because he's my everything

♣️ ◾◽- As bad students

♠️ ◾◽ - Comforting a MC that broke down in the group chat and what are specific things they'll do to comfort you

♠️◾◽ - Their reaction when they found out their MC can sing

♠️♦️◾◽ - Them sending you a letter after you had a fight

♠️♣️◾◽ - MC playing filp the bottle except if they landed it, they go make out with Solomon

♠️◾◽ - Their reaction to Sheep MC changing into their human form at the end of the exchange program

♠️♣️◾◽ - MC taking the brothers in Disneyland and everything is already paid

♥️✴️◾◽ - MC and their boy toys or the characters with a toxic MC

♥️◾◽ - Sheep!MC turned back into their human form meaning they have their human throat again

♠️◾◽ - MC who thinks Cerberus is just a giant puppy that derives love cause he's a good boy

✴️♦️◾◽- The characters meeting you in their own wedding, and the bride was not you

♠️♣️◾◽- Their reaction to finding out MC is Solomon's spouse and they find his cooking edible

♥️◾◽- MC was affected by this mysterious potion that makes them crave for some back-breaking fuck

♠️♦️◾◽- Soulmate-reincarnation universe in where they've lost you and won't let it happen again

🌑 - Heartslabyul 🌕 - Pomefiore

🌒 - Savanaclaw 🌖 - Ignihyde

🌓 - Octavinelle 🌗 - Draconia

🌔 - Scarabia

♠️♣️🌑🌒🌓🌔🌕🌖🌗 - Everywhere I go I keep his picture in my wallet like: Take a look at my boyfriend

OBEY ME: Royal Universe

Scenarios: Introduction

PART 02: How did you turn them from hostile wolves to meek lambs of hell?

OBEY ME: Idol Universe

Scenarios: Introduction

PART 02: If you had been there, if you had seen it! I bet ya, you would have done the same!

TWISTED WONDERLAND: Purge Universe

Scenarios: Introduction

OBEY ME: Swapped Universe

Scenarios: Introduction

OBEY ME: Lillian Universe

Scenarios: Introduction

🕛 - Lucifer 🕞 - Diavolo

🕧 - Mammon 🕓 - Barbatos

🕐 - Leviathan 🕟 - Simeon

🕜 - Satan 🕔 - Solomon

🕑 - Asmodeus 🕠 - Mephistopheles

🕝 - Beelzebub 🕕 - Raphael

🕒 - Belphegor 🕡 - Thirteen

OBEY ME

What type of bottom are they?

🕛-🕧-🕐-🕜-🕑-🕝-🕒-🕞-🕓-🕟-🕔-🕠-🕕-🕡

"Baby, can't you see? I got everything you need." Only a genius can love a human like me!

🕛, 🕜, 🕔, 🕟, 🕞

TWISTED WONDERLAND

--------------------------------------------------

🕛🕧🕐🕜🕑🕝🕒🕞🕓🕟🕔🕠🕕🕡🕖🕢🕗����🕘🕤

"Baby, can't you see? I got everything you need." Only a genius can love a human like me!

🔲 - Obey me

🔳 - Twisted wonderland

PART TWO

🔲 - [Crack] Side characters as bad students

🔲 - [Fluff] Comforting a MC that broke down in the group chat and what are specific things they’ll do to comfort you

🔲 - [Fluff] Their reaction when they found out MC can sing

🔲 - [Fluff-Angst] Them sending you a letter after you had a fight

🔲 - [Angst-Dark] Their reaction to Sheep!MC changing into their human human form at the end of the exchange program

🔲 - [Fluff-Crack] MC taking the side characters in Disneyland and everything is already paid

🔲 - [Smut] MC and their boy toys or the side characters with a toxic MC

🔲 - [Smut]Sheep!MC turned back into their human form meaning they have their human throat again

🔲 - [Fluff] MC who thinks Cerberus is just a giant puppy that deserves love because he’s a good boy

🔲 - [Crack] The characters finding out MC is Solomon’s spouse

ALTERNATIVE UNIVERSE

🔲 - Royal Universe 03

🔲 - Swapped universe 02

🔳 - Purge Universe 02

🔲 - Lilian Universe 02

REQUESTS

🔲 - [Fluff-Suggestive] Female MC putting her hair up in a bun

🔲 - [Fluff-Suggestive] MC who has a huge crush on Mephistopheles

🔲 - [Fluff] MC who cooks like a michelin star chef

🔲 - [Angst-Fluff] MC finding a box with their lost things in it and got emotional

🔲 - [Angst] MC whose family died and came back looking like a mess

DRAFTS

🔲 - [Smut] MC getting spanked as a punishment for turning them on so much

🔲 - [Angst-Fluff] MC comforting an insecure Mammon

🔲 - [Crack] Mortician!MC whose aesthetic is black turtlenecks and standing under the rain

⚫ - My asks are always open

⚫ - I might not write requests that includes disabilities or illnesses, not because I'm against them or anything but because I'm not knowledgeable enough and might offend people who's experiencing them...

⚫ - When asking for an alternate universe, I'll first write an introduction and you can ask again what you want to see in that universe like "How would Royal AU react to this scenario?"

⚫ - I'm open for requests

⚫ - #🖤 tei talks is my tag when answering non-requesting asks you can block it if you want

[yamujiburo]

Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

[felassan]

From Game Informer:

Solas plays an important role in the game as a central figure and significant character, but the game is not about Solas, hence the title change

Rather than focusing on a specific individual, the focus and centerpiece of the game is Rook's team, stopping the end of the world with this group of specialists

"I think you could argue [these companions] are the best the franchise has ever seen". We will have the opportunity to interact with them in a way that both shapes their story and also influences the main story, including having the opportunity to impact their fate

"Arguably, this game has kind of, in a way, been called Dreadwolf to some degree since its earlier days"

Excerpt:

"When I ask about Solas' role in the story after I learn his namesake is no longer in the game title, Darrah says Veilguard is still taking the Elven God's narrative in a good direction. He adds, "It allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole." Talking to Epler, I learn more about how Solas isn't exactly the big bad I expected before seeing the opening hours of Veilguard. There's a lot more nuance to everyone's favorite bald elf.  "The most interesting villains to myself, and honestly most people, are not just straight up, 'I want to end the world.' To them, they are the heroes of the story, and Solas is no exception," Epler tells me. "Solas always feels that he is a tragic hero but a hero nonetheless, so he's coming into this believing firmly that what he did, that which you stopped him from doing, was the right thing – that you made a mistake. But now he's trapped and can't reach out and actively affect [Thedas], so he needs to work with you. "That allows us to provide a lot of nuance to that relationship," Epler says."

Solas is literally trapped in the Fade after the game's prologue. Rook and co stop his attempt to destroy the Veil. Rook passes out and wakes up in a dream-like landscape to Solas' voice. He explains that he was trying to move Elgar'nan and Ghilan'nain to a new prison because the old one wasn't containing them properly anymore. The two blighted gods are now free and roaming Thedas. Rook has to stop them, but it seems that they will have to work with Solas ("or at least listen to his guidance and advice") to do so

Excerpt:

""So one of the principles we took to when we were building the story of The Veilguard early on was we wanted the beginning of the game to feel like the final chapter of an earlier story and you're coming in right at the end, you're coming in as if you've been chasing Solas – the [Solas at the end of Dragon Age: Inquisition's Trespasser DLC] who said he was going to end the world and tear down the Veil," Epler adds.  Epler says players will see early on (and as the narrative develops across Veilguard) that Solas sees much of himself in you, the player-controlled Rook, especially "the parts that maybe he doesn't like to face." As a result, there's an interesting push and pull between Solas and Rook. He says players can define the relationship between these two characters with their choices in dialogue.  "You can continue to be suspicious and hostile towards him, or you can start to see him and find that common ground, that connection between the two of you, and really develop a different relationship over the course of the story," Epler says."

[source]

[nataliescatorccioapologist]

A Travis Martinez Deep Dive/Character Analysis

Let’s talk about one of the most (if not the most) controversial characters in Yellowjackets! I definitely feel like many of Travis’ scenes and actions are misunderstood, so let’s dive in to his character and understand why he does what he does.

General Information

Travis Martinez is portrayed by Kevin Alves. He is described as being 16 years-old in the first drafts of the scripts, although it is unclear if he is still 16 in the final product or if he was aged up to 17 like the rest of the main cast in the teen timeline. His introduction in the script describes him as “lanky, sullen, teetering on the awkward, hormonal edge of impending hotness, a sensitive kid doing his absolute damndest to pretend he doesn’t care about anything.”

Travis attends Wiskayok High School in the (fictional) town of Wiskayok, New Jersey. His family consists of his father, Bill Martinez (who is the head coach of the Yellowjackets girls soccer team at WHS), his mother, and his little brother, Javi.

Relationship with His Family

We get a very brief glimpse into Travis’ home life before the crash in the Pilot episode, but it does give us a few hints of the conflicts present in his family. We see that Travis’ parents seem to have a distant relationship, with Travis’ father attempting to give his mother a kiss goodbye and her initially being resistant to it, but giving in only when she sees Travis watching. Travis rolls his eyes at this interaction, telling us it’s a common occurrence. Maybe it’s just me, but I’m definitely getting the sense that Coach Martinez has had some extramarital affairs and that Travis’ parents are only still married for the sake of keeping the family together.

Travis confesses to Nat that Coach Martinez was “a shit dad” and that he “didn’t even like” Travis. I think, at least in Travis’ mind, he has never been good enough to measure up to his father’s expectations. We get to see a brief sample of what Coach Martinez's parenting style may have been like in his scene with Jackie, in which his version of a "pep talk" is telling Jackie all of the ways in which the other girls on the team are better than her. I have a feeling Travis' dad often took the same approach with Travis; a gruff, "tough-love" demeanor that only resulted in a deep sense of inadequacy.

This dynamic has affected Travis' relationship with Javi, as well. My interpretation of their relationship is that, while Travis does deeply love and care for Javi, he also harbors some resentment towards him for receiving more softness and support from their father. This resentment only grows when the plane crashes and Travis is left completely responsible for Javi. He's feeling the pressure of having to be an example of masculinity for Javi and his new role as a father figure for Javi, all while dealing with the grief of his father's death. He's overwhelmed and afraid, and therefore he takes this out on Javi, which we can see particularly in the scene where he makes Javi spit out the gum their father gave him.

Travis is likely replicating the harsh parenting style of their father with Javi; it's all he knows. But, underneath, Travis loves Javi; enough to put himself through the trauma of digging up his father's corpse to get a ring for him and to trek through miles of snow in sub zero temperatures for months looking for him after he runs away.

This is why it is so, so heartbreaking when Travis loses Javi just as he's learning to show how much he loves him. My heart breaks at the thought that Travis will have to come back home and tell his mother that his father and little brother are dead.

Toxic Masculinity

It’s no secret that Travis is deeply, deeply insecure. And, as is the case with many young men, this insecurity manifests itself through sexism, unhealthy stoicism, hostility, and anger. It is important to remember that Travis is a teenager in the 90s, a time in which the sexualization of women in media was rampant. The Third Wave of feminism was underway, and with it came an increase of misogyny and backlash from men. Sexist jokes and comments were the norm, and Travis was likely surrounded by them in high school. As a result, we hear him call the girls "idiots," we hear him compare them to girls in porn magazines, we hear him tell Nat she should stick to "folding laundry" and "sucking ___" (we all know how that sentence was going to end). There's no true excuse for it, it's abhorrent behavior and it's unacceptable no matter what time period this is.

However, if we look into Travis' past, we can definitely find an explanation. Much of Travis' behavior can be drawn back to his insecurity and feeling that he is not good enough. We know he was bullied throughout high school as a result of Bobby Farleigh's "Flex" comment and we know that he feels like his father never really liked him; that he never felt good enough for him. Another aspect of Travis' insecurity can also be linked back to the idea of masculinity that has been fed to him by society: the strong, macho, stoic ideal. And it's clear (especially in Season 2) that Travis just does not fit this ideal. He's soft and sensitive, and because this goes directly against what he thinks he should be, he feels shame and embarrassment in himself.

And what do men do when they feel shame, insecurity, and/or sadness? They lash out. Men aren't allowed to show vulnerability, so they instead replace it with a more acceptable emotion: anger. And we definitely see this in the way that Travis lashes out at the people around him. And to make matters worse, Travis is one of the only men out there in the wilderness, making him feel even more pressure to be the strong masculine figure society expects him to be.

Reaction to Trauma

The pressure Travis feels to be "manly" bleeds into his response to trauma, as well. Travis has just watched his father die in a brutal and gruesome manner right before his eyes, and now he's out in the middle of nowhere with a bunch of teenage girls and a little brother to take care of. Most people would break down and cry.

Travis, on the other hand, is strangely apathetic. His only expression of emotion is anger. He snaps at Nat when she suggests that he help his brother, he yells at Javi and forces him to spit out the gum that is his only connection left to his father, he steals food from the others and blatantly insults them, and he essentially tells Javi to "get over it." Travis' coping mechanisms are clear: he distracts his grief with anger and he pushes away anyone that could possibly offer him support.

We see this again with another very significant trauma Travis endures: his sexual assault the night of Doomcoming. Travis is sexually assaulted by an entire group of girls, he clearly begs for them to stop (and they don't), and then he runs for his life and is almost killed. No one ever acknowledges this trauma and the next morning Travis is back to his usual ways, snapping at Natalie when she tries to emotionally support him and attempting to hurt her feelings to get her to stay away from him.

But it's clear, in both of these instances, that, underneath, Travis does care, and he is hurting. Despite him yelling at Javi, he wants to get his father's ring to make it up to him and support him. And when Nat doesn't budge and insists on helping him, Travis breaks down sobbing and admits that he "didn't want to" and that he is in love with her. (And in the script he even says that he wishes that Shauna had killed him that night, that's how strong his pain and shame are after Doomcoming!) Travis' hostile and abrasive behaviors are really a front he puts on to avoid being vulnerable, letting people in, and admitting to himself that he's struggling.

Relationship with Nat

Given Travis' tendency to push people away and hide his vulnerability, it’s not surprising that he forms a romantic connection with someone who mirrors his response to trauma: Natalie.

Their relationship starts off on shaky ground, marked by Travis' initial misogynistic remarks and even an incident where he points a loaded gun at Natalie. Despite this, Natalie is the only person who seems able to see through Travis' anger. Her own experiences with trauma—particularly the loss of her father—give her a deep understanding of what Travis is going through. Like him, she has developed a habit of distancing herself from others, driven by the pain of watching her father die and the lingering guilt of feeling responsible for his death.

This shared trauma—witnessing their fathers’ deaths and carrying the weight of guilt—creates the foundation of their connection. One pivotal moment that cements this bond is the scene where Natalie makes her first kill. Kevin Alves has explained that when Natalie and Travis kneel beside the dying deer and exchange a knowing look, it symbolizes the shared grief they both carry. In this moment, they are not just mourning the animal but, more profoundly, mourning their fathers together.

This scene serves as the emotional cornerstone of their relationship, which stretches over the next 25 years. Both Natalie and Travis are driven by guilt, shame, and self-loathing, and they both struggle with showing vulnerability. They have a pattern of pushing people away before anyone can get too close—a tragic cycle that defines their bond. They are trauma bonded and similar in all of the worst ways, which is what makes them so codependent and enmeshed, as they believe that no one else will ever understand them the way they understand each other.

Of course, Travis’ insecurity finds its way into his relationship with Nat, too. When Nat and Travis discuss having sex for the first time, Travis infamously asks Nat how many guys she has slept with. Nat immediately bristles, thinking that Travis is implying that she’s a “slut”, but, as the scene unfolds, we realize that Travis is actually just insecure about his own virginity in comparison with Nat’s sexual experience. He’s worried that, because of Jackie’s previous comments about Nat, sex with him won’t mean anything to Nat, whereas it would mean a lot to Travis. We can see how much relief he feels when Nat assures him that it does mean something to her, and “especially with him"; when she affirms he is good enough.

Travis’ tendency to get in his own head unfortunately makes itself known again when they actually attempt to sleep together; when Travis can’t get it up and runs out of the room. I think the script for this scene reveals a lot about what is actually going on in Travis’ head:

Travis’ feelings of inadequacy are spiraling here. He’s in awe of Nat and doesn’t feel good enough, and the pressure he’s putting on himself as a result is too much for him (and other parts of him…) to handle. As time passes in the wilderness and Travis lets go of some of his insecurity, we can see he becomes more communicative and releases some of his ego and insecurity as he discovers his spirituality (which we'll get into more in the next section).

Travis's love for Natalie is undeniable, but their relationship is inevitably toxic due to their shared trauma and self-destructive behaviors. After the crash, both turned to drug addiction as a way to numb their pain. Though they’ve tried to help each other stay clean over the years, their connection often pulls them back into destructive patterns. Every time Travis seems to be on the path to recovery, Natalie reappears, and she drags him back down with her again.

Javi’s death will create a huge, irreparable rift between them. It’s likely that Travis harbors deep resentment toward Natalie, not only for surviving when Javi didn’t but also for being a constant reminder of his lost brother. Yet, paradoxically, she is all he has left, and the thought of losing her, too, is unbearable. Despite their genuine love and care for each other, their relationship is fundamentally harmful.

Spirituality, Relationship with “The Wilderness,” and Development of a More Feminine Sense of Self

Season 2 marks a major shift in Travis’ character, and much of this is due to his newfound connection to Lottie. Travis’ desperation to find Javi makes him crave a sense of hope, and therefore makes him open to the idea of The Wilderness. Travis begins attending Lottie’s rituals, and expresses gratefulness towards her for the blood tea and reassurance that Javi is alive. As Travis becomes increasingly attached to Lottie and The Wilderness, we also see him become kinder, softer, and more vulnerable. Travis’ connection to The Wilderness allows him to release the societal norms and expectations that previously guided his toxic behaviors. He can let go of society’s idea of manhood and become a more authentic version of himself. We see that Travis has started to let himself show weakness, express emotion, and is much more open-minded and willing to consider other perspectives.

Lottie definitely becomes an important person to Travis in Season 2. I want to make something clear right now because I feel like it it very often misinterpreted. The writers have stated that Travis’ connection with Lottie is not meant to be interpreted as sexual in nature. Rather, Travis’ scenes with Lottie are meant to represent his spiritual connection with her and his need for guidance. The infamous sex scene between Natalie and Travis in which Travis has visions of Lottie present in the room is not Travis wishing Lottie was in Nat’s place, rather it is meant to represent the internal battle Travis is experiencing between his romantic love for Nat and his need for hope and spiritual belief. Lottie is being shown as a spiritual, religious figure in this scene. She’s not depicted in a sexual manner in Travis’ visions, but rather in a nurturing, holy light.

Nat and Lottie are directly opposed in this Season, with Nat representing pragmatism and Lottie representing faith. Travis is caught in the middle with his romantic connection to Nat and his faith in Lottie. While Nat tells him his brother is dead, Lottie tells him she knows he’s alive. Travis loves Nat, but it’s clear their differences in faith are creating a rift between them, and this rift is symbolized visually in their sex scene.

While Travis’ turn towards faith and spirituality does bring out a better, more likable side of him, it does, unfortunately, directly lead to his death in the adult timeline. While we likely won't get to see any more of Travis' story in the adult timeline, I am looking forward to seeing how he continues to develop in the wilderness and how his newfound spirituality and increasing disconnection with society will change him as a person.

Overall, while Travis can certainly be a deeply dislikable character at times, his development over the past two seasons has been fascinating to watch and he definitely has some hidden complexities that are starting to reveal themselves to the audience. Here's to Travis continuing to connect to his feminine side in Season 3!

[wlwcatalogue]

Chinese GL Webseries & Shorts for the Wuxia-Uninclined

Have you ever wanted to venture into the world of Chinese GL webseries and short films, only to find yourself at a loss about where to begin, or intimidated by the unfamiliar tropes and terms of the wuxia genre?

Well, worry no more! Here's a selection of non-wuxia webseries and short films curated by yours truly. Now you too can enjoy the lavish costumes and location shoots of these Chinese productions, so rarely seen in F/F works outside of feature films and the occasional TV series~

By the way, these are all translated and subbed by the inimitable Douqi (@douqi7s), whose immense contribution to the English-language baihe fandom is surely in breach of anti-monopoly laws. Offer up your thanks at her Tumblr and Twitter!

At-a-glance list

Webseries:

Ye-Mu Season 2 (1 hr 20m total, 2023) - standalone

The Vampires (41m total, 2022)

Ye-Mu Season 1 (27m total, 2022) - standalone

The Lost World (1hr 5m total, 2023)

Short films - order corresponding to the pictures above:

A Tale of Yearning (5 mins, 2022)

"She Brought Colour Into My World" (2.5 mins, 2023)

"I'm Her Weapon" (3 mins, 2022)

Miss Shen and the Woman Warlord (6 mins, 2023)

Women's Script (5 mins, 2023)

The Caged Canary (5 mins, 2023)

The Beauty of the Law (6 mins, 2023)

Flowers Bloom; Flowers Wither (9 mins, 2022)

Commentary under the cut!

FYI, I've opted to link directly to the subtitled versions since they're probably more difficult to find than regular anime, TV series, movies etc. If a link is broken, please refer to Douqi's blog directly.

Important note for the uninitiated:

It’s a bit difficult to talk about canonicity in relation to live-action works made in the PRC, as things which would normally be used as evidence of canonicity all fall under the censorship regulations— explicit references to romantic relationships or queerness, declarations of love, kissing etc. are all off the table. So while these may not look canon in the most traditional sense, they are intended to be read as such and should certainly not be dismissed as queerbaiting or yuribait. Also, the creators can get very imaginative, so this is less of a problem than you may think – see the entries on Ye-Mu Season 2 and The Lost World in particular!

1. Ye-Mu Season 2 / 叶穆 2 (32 episodes / 1hr 20m total, 2023, dir. Zhang Zhiwei) - MyDramaList

(Note: Despite the name, Ye-Mu Season 2 is completely unrelated to the first season; the only thing the two share is the cast, crew, and focus on Penthouse-style melodrama.)

Determined to take revenge for her mother's death, Xu Baiqing (Sheng Wei) marries a wealthy and much older businessman in the hope of finding evidence to put him behind bars. But first she must assuage the suspicions of his cheerily hostile second daughter, moody youngest son, and estranged eldest daughter (Ye-Mu Zhixia, played by Wang Laoji), the latter of whom Xu Baiqing dated in university and who is currently seething at the sight of her former girlfriend marrying her father...

If you want to get a sense of the potential breadth of Chinese GL webseries, this is a pretty good place to start. It does a decent job of matching the tone and presentation of a melodrama you might catch on TV (and in fact looks higher-budget than some I can think of), while committing to something that can’t be done on TV yet— namely, featuring an F/F exes-to-stepmother storyline and delivering on the drama inherent in such a premise. Of particular note is how the framing and behaviour of Ye-Mu Zhixia is very much consistent with that of a male romantic lead; thanks to some clever writing, it’s basically impossible to deny the nature of her relationship with the main character. They don’t even lean on the plausible deniability afforded by the label of “friendship”— in fact, in an early scene she is incensed when the protagonist refers to her as “[her] only friend”. There are a few caveats – the main character ends up in a lot of scrapes that her ex-girlfriend has to save her from, the reveals are often rather unsurprising, and the story shifts more to a mystery focus around halfway – but it’s still worth checking out if a Korean-style melodrama with an F/F take on a romantic storyline sounds appealing.

 (CW: violence, murder, attempted sexual assault)

Note: See The Lost World (below), from the same creative team, for an even more impressive example of Chinese GL pushing the limits of censorship.

Links: MEGA / Internet Archive (compilation)

2. The Vampires / 吸血鬼鬼盲盒 (7 episodes / 41m total, 2022, dir. Zhang Zhiwei) - MyDramaList

(Note: Spoilers for the first 15 minutes or so, because otherwise the summary would be “They end up locked inside with the monsters on board”, which wouldn’t tell you much more than the title already does)

Every night, Tianyue (Ye Miao/夜喵) has been having dreams about the mysterious cruise ship docked at the pier. Convinced that there is treasure hidden inside, she and her exorcist-cultivator girlfriend Xiao Ling (Wei Miao/微渺) sneak on board only to find that they are trapped there until the sun comes up. Things don’t seem too bad at first: although they run into two vampires – the cute, cheeky Xingming (Yang Fuyu) and her elegant mistress Su Tanya (Sheng Wei) – they are able to call a truce, on the condition that the humans help search the ship for the latter’s beloved (Fu Cha, played by Wang Laoji). But when Fu Cha wakes up without her memories, it is clear that something is terribly wrong, and that the ship and its inhabitants harbour more secrets than expected.

For a webseries, The Vampires takes a while to get started— it’s a bit difficult to tell what kind of story or indeed what kind of tone it’s going for just based on the somewhat campy and comedic first section. But after that wobbly beginning, it manages to pull itself together to tell a compelling – and sometimes genuinely tense – tale about a motley band of humans and vampires, and the truths they have to face together. While the ending is no happily-ever-after, I found it satisfying and hopeful, and surprisingly affecting. Also, a bunch of the characters have real polyam energy, and this is reflected in the narrative beyond mere flirting!

(CW: abusive parents)

Links - MEGA / Internet Archive (compilation) / YouTube (compilation)

3. Ye-Mu Season 1 / 叶穆 (12 episodes / 27m total, 2022, dir. Zhang Zhiwei) - MyDramaList

(Note: Ye-Mu Seasons 1 and 2 are standalone stories; each season is entirely self-contained and the second season is not a continuation of the first.)

The head of the Ye-Mu family has died, leaving the next generation to squabble over the inheritance. It's a web of secrets, lies, and hidden resentments, as the characters dig out old grievances and fresh accusations in a desperate attempt to one-up each other. They're tangled up together to an almost incestuous degree, and indeed, the F/F subtext here is the ambiguous relationship between eldest daughter Ye-Mu Nanzhu (Sheng Wei) and second daughter Ye-Mu Nanmo (Wang Laoji) (rest assured that they are at least not biologically related).

Those who prefer darker stories and don't mind the pseudo-incest or other content warnings will find a melodrama which makes good use of its short runtime to deliver on twists, turns, and an explosive - if tragic - conclusion. That being said, the story is about the family drama in general, so do note that while the relationship between Nanzhu and Nanmo is narratively important, it is not fleshed out in great detail and certainly not the focus of the series.

(CW: suicide, ableist trope (spoiler – disabled character turns out to have been faking it), ableist language)

Links - MEGA / Internet Archive (compilation)

4. The Lost World / 夏夜知道风的甜 (1hr 5m total, 2023, dir. Zhang Zhiwei) - MyDramaList

(Note: Spoilers for the purpose of flagging triggering content, as it’s particularly easy to trip into for this show. Also, some vague spoilers for later episodes in order to highlight in order to highlight the themes etc.)

This webseries feels like two shows smushed into one: apart from the very beginning, the first half is a gritty, bullying-focused take on university life, while the second is a true-blue romantic comedy (aside from one blip – see the note below for details). But even if you’re wary of the bullying, I would still recommend watching the back half – which is basically standalone – as it’s a very funny and heartfelt story about two childhood friends finally getting their act together. Without further ado, here’s two blurbs!

From episode 1 onwards: After saving a classmate from the class bully, popular college student Xia Huaichu (Yang Fuyu) is subjected to a lengthy harassment campaign by the latter. She is suddenly faced with having to protect her reputation in the face of false allegations and fake nudes– despite the fact that all she wants to do is focus on reconciling with another classmate, a high school best friend whom she had previously lost touch with (Mu Qingfeng, played by Wang Laoji). From episode 14 onwards: Childhood friends Xia Huaichu (Yang Fuyu) and Mu Qingfeng (Wang Laoji) are caught in a weird gay purgatory where each has feelings for the other, and suspects that the other has feelings for them too. But both are exceedingly stubborn and want the other one to take the initiative in confessing, leading to ridiculous displays of I-don’t-care-isms and lots and lots of UST. (Does anybody use that term anymore??)

As you may have guessed, I’m not too keen on the first part of this show, nor the decidedly unnecessary attempted rape segment, though that’s partly on me for not checking the content warnings beforehand. And yet I’m very glad to have stuck with it, because the second half is not only hilarious, but also a masterclass in censorship-dodging that needs to be seen to be believed. Not just in terms of the suggestive scenes, of which there are many, either— the story is literally about two women starting a relationship and having to reckon with parental disapproval, homophobia, and other obstacles which platonic friends wouldn’t have to deal with. I honestly don’t know how this ever got approved, and can only applaud. Bravo.

Note: For those who want to avoid the triggering content, I’d recommend starting at episode 14, but make sure to skip episodes 19 and 20 as there is a foiled rape attempt.

(CW for entire series: bullying (incl. violence, fake nudes), sexual harassment, attempted sexual assault, fatphobic language, homophobia

CW for episodes 14-24: attempted sexual assault in episodes 19-20, homophobia)

Links - MEGA / Dropbox

SHORT FILMS

Quick note: Click on the English titles for the subtitled versions, and the Chinese titles (which are really just the video titles) for the originals. And yes, although the majority of these are shampoo commercials, they really do hold up as short films in their own right. Give them a try, you might be surprised!

A Tale of Yearning / 一见误终生，不见终生误 (5 mins, 2022, dir. Liu Yun Rui/流云蕊) – A bittersweet story about a literature-minded young woman (Sheng Wei) and a Chinese opera performer (Ai Ye) who bond over their love of fiction, only to be torn apart by harsh reality. Tragic ending, but I liked the more literary turn of the dialogue. Shampoo ad. (CW: homophobia)

“She Brought Colour Into My World” / “她走后，我的世界又失去了颜色” (2.5 mins, 2023, dir. Zou Hui Qu Le/走回去了) – A very restrained short film (actually, more like a music video) set during the late Qing era, wherein a sheltered young woman (Xiao Yu Za/小宇咂) falls for her female neighbour, recently returned from studying abroad (Sheng Wei). Lovely use of music and visuals to create a dreamlike atmosphere. Tragic ending. Not a shampoo ad.

“I’m Her Weapon” / 我是你手里的一把刀 (3 mins, 2022, dir. Liu Yun Rui/流云蕊) – A moody, interior piece about an assassin (Ai Ye) who yearns for some sign of affection from her handler (Sheng Wei), only to be left devastated by her new assignment. Surprisingly not a shampoo ad.

Miss Shen and the Woman Warlord / 我们是孤独行走的钟，但也要做敲响希望的钟 (6 mins, 2023, dir. Liu Yun Rui/流云蕊) – I’d like to describe this as being inspired by the story of Mai Jia’s novel The Message and the aesthetics of Kawashima Yoshiko (1990), but most Tumblr users would probably find those references deeply unhelpful. Basically, a female spy (Sheng Wei) disguises herself as a male soldier and infiltrates the mansion of a Republican warlord. There, she meets the warlord’s daughter (Ai Ye), who quickly realises that there is more to the promising young officer than meets the eye. Shampoo ad.

Women’s Script / 纵使“科考”无女子，无碍红袖书香，星辰有光 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – While sailing down a river, a girl (Zhi Chun He/至春禾) catches sight of a woman writing poetry on the riverbank (Sheng Wei), and is fascinated by both her beauty and her flaunting of the rules against women’s literacy. Shampoo ad. (CW: domestic violence)

The Caged Canary / 如果这是一场骗局，那我也只愿意输给你 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – The protagonist (Ai Ye) is sent by her parents to beguile a wealthy young man into marriage, but ends up developing feelings for his modern-woman sister (Sheng Wei) instead. Shampoo ad. (CW: attempted sexual assault)

Flowers Bloom; Flowers Wither / 她们一个被铁链禁锢，一个被男装束缚，直到救赎彼此 (9 mins, 2022, dir. Qian Li Min/千里明) – Takes the romance between a cross-dressing noblewoman (Du Ruo/杜若) and her supposedly-mad stepmother (Rou Lian Cheng/肉脸橙) to tell a story about the restrictions placed on women in historical times, and how resistance, even when futile, can still have meaning. Tragic ending, obviously. Not a shampoo ad. (CW: domestic violence, misogyny, accidental misgendering, gender dysphoria)

[sicklyworm]

hello your taste in characters is so cool and based i LOVE shang qinghua. i was wondering what ur thoughts r on his relationship with shen qingqiu as portrayed in the books and in canon?

i feel like even tho they have great scenes together, we don't get all that much interaction between the two so its easy to miss key details about how exactly their dynamic works.

like, in fanfiction i often find that writers tend to write shen qingqiu as like Incredibly antagonist towards shang qinghua or they're the bestest friends in the entire world and neither of those feel quite right, but otherwise getting their relationship accurate seems to be kinda tough.

Oh dear moot thank you for giving me an excuse to talk about this!

My thoughts on cannon Cumplane:

SQH and SQQ's friendship mostly stems from circumstance.

Both of them are modern men in a ancient fantasy world with little to no connection too there past lives. They both have to act out the strict standards of ancient chinese culture while on the inside both of them are brain rotted netizens.

So having another transmigrator who they can unmask with and be able to say all the shit they can't elsewhere is probably super cathartic!

They do like pestering and annoying each other in cannon. But rather than interpreting this as animosity i believe this is just another sign of them cutting loose and being more authentic than they usually can be.

Now this not to say they are ride or dies. Both of them have things they prioritize over there friendship and that's okay! They can have a good friendship without being all super loyal and dramatic about it.

Honestly it would be OCC if SQH suddenly stopped be a slimy rat bastard because he was circumstance buddies with SQQ. And with how thin SQQ's face is it would be SUPER OCC for him to declaring they were besties lol.

Also side note about SQQ being portrayed as antagonistic in fanfiction:

Many people find SQH relatable and get really defensive about his character because of that. I can easily understand someone misinterpreting there dynamic as hostile and getting super defensive and start character bashing SQQ because of that.

We all love our favorite characters but it's important to keep a level of separation in mind when writing!

Extra:

I was rereading the books to make sure my brain wasn't getting things mixed up and I realized that most of the time SQH is the one doing the pestering in cannon. Yes SQQ does go on his little tirades about PIDW but with his face being so thin and SQH being so shameless it's usually SQQ at the butt of the jokes!

[tls12lessthan3]

So. orvs metatextual nature and gay jokes. orv is an action fantasy book, a genre designed primarily for men and starring men. now most of these books are not gay, but there is often a tendency by audiences (particularly female audiences) to see some level of romantic tension between male characters. orv is no exception to this. some authors respond with outright hostility when they see fans shipping their male characters, and some simply ignore it completely - but some go the route sing shong does, and play it for laughs. before i go any further, i would like to clarify a term i will be using - shippers. while this literally refers to readers who think there is romantic potential between two characters, i will be using to specifically refer to instances where those two characters are of the same gender. im doing this because i cant think of a more elegant word to be completely honest, and this is tumblr meta so who cares.

orv is a metatexual narrative which is aware of its genre and aware of its readers. those readers are represented in the narrative, and sing shong knowing that fans would see a possible relationship between kim dokja and yoo joonghyuk made sure to represent that too. so we get uriel, the fujoshi angel who is constantly reading into kim dokjas and yoo joonghyuks relationship in a way that is often played for laughs. now ive certainly seen worse depictions of ‘shippers’. uriel is treated with affection by the main characters, who genuinely like her (and the fans she represents by association). her love for joongdok is implied to come from her having a crush on her friend and projecting, which i see as a kinder depiction than the usual ‘slavering fujo’ trope. 

and perhaps most importantly her engagement with the story seen as just as deep as any other reader if not more so! uriel is one of the characters we see most changed by kim dokjas story - in every other universe shes a fierce and furious warrior, and while she never hesitates to kick ass in this round either, kim dokjas story has given her a solace that has made her significantly softer. she helps him out sooner than any other constellation, saving his ass in many ways during the demon world arc, demonstrating a deep investment we are clearly meant to be grateful for. wherever it comes from, uriels engagement with kim dokja’s story is shown to be a genuine and deep one appreciated by the characters. through this sing shong is almost directly speaking to the shippers in the fanbase who are often mocked or disregarded, saying that their love for the story is important too, wherever it comes from. i see this as sweet, and i like that unlike so many other authors sing shong recognise the role shippers often have in a story’s success.

however, i hesitate to give sing shong too much credit. because along with the genuine appreciation of uriel as a character and all she represents, there are jokes mocking her and those like her, and there are a lot of them! like i said above, sing shong wrote orv as a metatextual narrative that engages not just with the genre but with the genre’s fans. sing shong knew that people would ship their characters, as that is what happens with books like orv. and so they wrote in many jokes about it, jokes based around the ‘silliness’ of those who would assume kim dokja and yoo joonghyuk have romantic feelings for each other. and given orv’s metatexual nature, this also mocks the nature of shipping itself. when someone assumes kim dokja and yoo joonghyuk are together and they react with disgust, as frequently occurs in the earlier parts of the novel, we are meant to laugh not just at the misunderstanding - really, these guys gay, how silly. but we are also meant to laugh at the idea that these Protagonists are homosexuals, and at the people who make those assumptions. its a simultaneous acknowledgement and mocking of the queer undertones of both this story and it’s genre.

so you get this overall impression of a narrative that ultimately loves all of it’s readers, including shippers, but also isn’t afraid to say it thinks all that gay stuff is kinda silly. and while ebook edits have largely removed many of these gay jokes, an undercurrent of this still remains. from what i know this largely reflects sing shongs actual opinions at time of writing, whether or not they have changed later on. 

dont get me wrong, i love orv, i love joongdok, i love their relationship and i do read it as romantic. i too read the scene where lee gilyoung insists kim dokja is into men and kim dokja responds aghast and gone ‘haha, gay’. as a queer person in the webnovel scene i am no stranger to taking homophobic moments like that and reclaiming them, making the characters queer and pretending the author is laughing with me and not at me. im not trying to preach to anyone here. but i also think its important to acknowledge the conversation orv is having here - its valuing of shippers and its mocking of queerness, and where they overlap.