#i love how it's all getting connected

[verysaint-tropez]

I genuinely got so excited that Breekon and Hope delivered a package to Jonathan, even tho we don't know that much about them.

[specialagentartemis]

Reading (listening to, as Homer intended) the Iliad making me go oh. Ohhh. I should have done this before I read Gideon the Ninth. I get it now.

Particularly thinking now about the tidbit that in early drafts, our beloved gray-eyed Necromancer Warden of the Sixth House was named Diomedes Sextus. For Diomedes, king of Argos, young, brave, noble, heroic. Favorite fighter of Athena, bestest friend of Odysseus. And, notably, fought gods and—well he didn’t win exactly. But he got them good.

And specifically, he fought and wounded Aphrodite; Aphrodite, who is also called Cytherea.

And then of course Tamsyn Muir said she decided to change his name so she could make the Sex Pal joke.

Palamedes is a less heroic, less fondly remembered character in the Trojan War, but according to Plato, he unrelatedly invented both number and the alphabet, so you keep that connection to scholarship even if that’s not the first association with him. More interestingly, imo, there’s also an Arthurian Knight of the Round Table named Palamedes, best known for his unrequited love for Isolde (and his apparent ultimately gracious acceptance of her choosing Tristan).

I think this is actually a super interesting shift in thematic naming focus: from favored-of-Athena, fought-gods-and-wounded-them to unrequited heterosexual love, but didn’t act like a dick about it.

Also y’know. Sex Pal

[o-sunny-day]

“Don’t… don’t tell him you think dingbat fonts are cool.”

AUGH @forgettable-au fanart :3 been on another roll with it (in agony constantly)

theres some untranslated wingdings cause i love translating it myself, hope others do too :D

not confident on how “canon” or in-character this is but- I HAD FUN this AU has really got me in the rendering spirit, I really enjoy taking inspiration but also adding mu own silly twists on it and AAA everything looks even more tasty now

I view this as them in New Home after getting something to eat (after the last page update) and heading back the same way since Alphys’ place is on the way to The Lab. The font convo comes back up again and then yeah

Alsoooo if youre interested in behind the scenes stuff heres the speedpaint :3

also i never poster about this- but i had another forgettable dream. it didn’t make any godamn sense. I woke up and drew the only scene I could remember:

Wingdings and Sans had a fight and ig wingdings killed Sans 😭😭😭 in a stairwell for some reason

and current Sans, Papyrus brother Sans, is like watching all of this and was brought here by Lancer like a Ghost Of Christmas Past type situation. Idk why. I choose not to attempt to make sense of this anymore. But i swear this is an actual dream i had 😭

[teaboot]

tranny freak :)

[wistfulwatcher]

emily prentiss + her waning tolerance of getting close to killers

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[ghostbeam]

Mech pilot yuuta and his mech that’s incredibly possessive over him. He takes to you as a handler almost immediately, excited for the help after his last few handlers were scared off. You’re not allowed inside, your constantly dodging malfunctioning limbs and faulty wires, but you’re not one to back down, and gaining her trust is just as important as gaining his.

Rika only realizes how important you are to Yuuta the day after you spend the night with him, and he’s left alone in the morning with an empty bed and a broken heart. You’re his handler. You’re not supposed to leave him. Not ever.

She lures you into her chest one night, faking some sort of lighting malfunction and allowing you inside for the first time. She keeps you inside all night, enduring all your yelling and banging on her insides to be let out, a nice gift for Yuuta.

[boatem-probler]

been chewing on this conversation between pearl and gem this week:

Gem: I know you didn't kill me!

Pearl: So what are you cranky about?

...

Gem: I'm just- you know, I wanted some drama! So, this is the drama, you're welcome.

Pearl: "This is the drama". You're telling me we could've been friends this whole time but you're just like "yoohoohoohoohoohoohoo... I hate you!"

Gem: Yeah, I mean, why not!

and i'm connecting it to gem in empires season 2, where like. in the context of the fiction everyone else had been living in that world their whole lives and that's their reality, like, it's real to them.

and meanwhile gem is just roleplaying. like, she was a being from another world who just came there because she wanted to play at being a human princess for a while. and then when she's called away she's just like. anyway i was never actually a princess or a mortal being from this dimension and we're never gonna see each other again, sorry for the existential crisis, bye!

and anyway i think she has a similar deal in the life series. like, everyone else is there because they're trapped in the Torment Nexus, gem is there because she wants to be.

[fatedroses]

More than just the Demon.

[psychomusic]

induced to me by my contemporary art exam AND a rewatch of rebels after years that. got me into sabezra unexpectedly AND i updated krita and there were many new brushes i wanted to try

refs (IF U CAN PLS HELP ME FIND THE ORIGINAL COSPLAYERS i can't find anything EDIT: found them!! they're starwars_irl on insta and @rebelartistwren / lionesscosplay on insta. thank you guys <3) and ✨colored version✨ under the cut

i can't find themmmmm I've been looking for 2 days but all i found were uncredited reposts

anyway they look amazing

i really wanted to try greyscaling but I'm not sure it looks good. idk. + while i was making it i was listening to i love you by fontaines d.c. (GREAT SONG FROM A GREAT UNDERRATED BAND) and. the grey fit into that mood much better

also two versions without the sketch lines. where ezra looks happier even if they're uglier

[holdmymetaphor]

okay heres some things about houses childhood i think about

theres clearly a few dynamics here

-he hates his father, resents the abuse, recognizes that bad things were done to him

-probably when he was very young, he didnt understand why bad things happened to him, was not intentionally A Bad Kid

-because he surmised his dad was not his dad at 12 i assume the abuse started from a young age.

-house mentions ice baths and sleeping outside, but he also mentions his father not speaking to him for months at a time, which is interesting to me. when house tries to qualify the severity of abuse to eve he says "not as bad as your [trauma] if how your acting about it shows how bad it is." which to me is pretty noncommittal. was he doing that bc he was still kind of lying, trying to get info out of her? if not, it seems like house is actually unsure of how to qualify his own abuse, which would lead me to believe it was largely emotional and verbal. although i suspect that his father did physically abuse him at times, to me this exchange implies that house thinks the ice baths and sleeping outside were the worse of it (interestingly both acting on his whole body and ability to regulate temperature)

-at some point he acts out intentionally, instead of unintentionally, bc his father is Wrong and shouldnt be abusing house in these ways(the fact that the thing he wanted to hear from his father was "you were right, you did the right thing" 😭😭)

-this leads to worse and more cruel punishments, which house both detests and wants to avoid repeating. furthering his resentment, but reinforcing his fathers authority

- despite his knowledge that his father is wrong, his dad claims to do these acts out of love, to teach dicipline, to toughen him up. (in this way his struggle with god is really an allegory of his father: is it better he hates me (i deserve pain) or loves me (i dont deserve pain) when he does awful things to me? or is it better for him to not exist at all (things just happen, there is no deserving)?

-in my perspective, especially as house got older, into his teens, he was actually probably really "well behaved" finally smart enough to fake social cues and swallow his pride so that his father wouldnt hit him or what have you (which is why he regresses to a child often as an adult, because he was not allowed those things)

its interesting to me, to see how all of houses character is shaped around the shadow of his father. the parts where he is similar: rigid, principled, yell-y, and where he is intentionally different: encourages independent thinking, respects challenges to his authority (only when he has authority lmao that all falls apart when people take his power(read:agency) away, his biggest trigger)

and none of this even gets into his mother, blythe (a word which means both happiness and bland disintrest) which is a whole nother can of worms. the fact that at the funeral she said that "the war was over" (which implied that no matter how much house actually listened to his father, there was still a part of him that couldnt help but to point out the logical issues, and therefore continued abuse)

lastlly, she had said that john loved him. which i think house believes to be true. especially when he tries to talk to his dead father in season 6, he says "i think i focus on the wrong things," implying that he did want to find some peace with that relationship, and that he wanted his fathers love, despite it being illogical, painful and confusing.

that he was willing to look past the abuse was shocking to me, because house is right his father shouldnt of abused him. but it was coming from a place of love, however ill concieved.

this is as close as we get to house praying to god. to admit that the suffering of life cannot be defied or denied, and grasp for the love nestled in between all the pain, however flawed, wrong, or illogical.

in a lot of ways, his story is so much about houses struggle with the body, its agency, its disability, its doom. he literally becomes a doctor to grasp with this ideologically (at times paradoxically) instead of physics because his question isnt really about existance in general

its about why he exists in the broken, painful way he does. and at the end of it, he sets down his need for an answer, righteousness, and admits that despite it all, his body cant help but love. and that love is the death of him. the end of his suffering.

[iscreamkitty]

Hamato gremlins

[realtapiocafan]

justin jefferson/ja'marr chase - in another universe we're still best friends

the two best wide receivers, in college and in the nfl

💛💜

Carissa Potter // Cocaine Jesus, Rainbow Kitten Surprise // I thought id know you forever.., Olivia Ruby // Old Friends, Ben Rector // Breathe, Taylor Swift // The world is a sphere of ice and our hands are made of fire, Ritika Jyala // How to Lose a Friend, Wafia // I Still Forget We’re Not Even Friends, Trista Mateer // The Frost, Mitski // The Underrated Heartache, Rupi Kaur // Send My Love (To Your New Lover), Adele // Wrong Side of a Fistfight, Ashe Vernon // White Ferrari, Frank Ocean // Sue Zhao // Poem, Langston Hughes // Welcome to Castle Irwell, Crywank // The Light That Shines When Things End, Iain S Thomas // The Kids Aren’t Alright, Fall Out Boy 

Who will do ‘The Griddy’ first on Sunday?

Justin Jefferson hungry to overcome family’s LSU demons

LSU's dynamic wide receiver group key to newly potent attack

How The Griddy swept over the NFL, and beyond

[shtern-and-art]

ON COGS, BUTTERFLIES, AND THE NATURE OF THE SHARED DREAM

#JayvikLived and why it makes the most sense

What if saving you will doom me and the entire world, but I will still do it anyway, in every universe in every timeline, always. What if I do it again and again until I find the one where you can save me back. Because I don't want to do it without you.

---

In all timelines including the one we saw in the show, Jayce keeps fucking up, making mistakes and wrong calls. Oftentimes because of his fixation on the miracle that happened to him in his childhood. And in all timelines, in all realities Viktor keeps saving him. With that miracle.

Their recursive dream is always collapsing on itself. Viktor saved Jayce because they had the hextech dream already, and in doing so gave Jayce this dream. They are infinite in their paradox. And they managed to walk away from it only when they did it together.

Because their actual dream, the real one, was not the hextech itself, not a cog (in the system that's bringing money for the people in power), but a butterfly. A living thing. The man, not the machine.

It was never about the tech, two ways of using it, never about two sides of the cog and choosing between one or the other. It was about two wings learning to work together.

See, Jayce got his (somewhat naive) dream of saving the world because he was saved as a child. But Viktor saved him then because their dream was always, from the very start - to help and save each other.

It was the butterfly all along.

It was there when Jayce opened his eyes in the field. Not an omen of death, but of the human soul, rebirth. Of infinite consequences unraveling into the future.

---

The way the butterfly was corrupted through focusing on the technology, and the way technology eroded, reshaped itself into what it actually strives to be.

The way Jayce put hexcore into Viktor, even though it would change him, and derail his life. Even though it would doom Viktor and them both. Because Jayce couldn't do anything else. Because Jayce would love him anyway.

The way Viktor kept coming back to save Jayce when he was a child, kept giving him the crystal. Even though it would change him irrevocably, derail his life forever. Even though it would doom Jayce and them both. Because Viktor couldn't do anything else. Because Viktor loves him anyway.

And in the end we saw that holding on to that love, like a lifeline, through all the mistakes they've made along the way, can save them both from the endless cycle of death and pain.

It was affection that held them together. Held them both from breaking into pieces and losing themselves.

---

I know people keep saying that it is left ambiguous if Jayce and Viktor died, or became celestial beings together, or teleported into some other time and space. But I think it is explicitly narratively clear that they didn't die in the end.

And maybe, if Jayce left, and Viktor tried to activate the rune on his own they both would've died, yes.

But their whole story is about how they help each other choose life. Literally and figuratively. By giving inspiration, by force, by just asking. It is about the butterfly coming together, and actually flying on its own, without the magic or technology.

(mookhead_mcspazatron_ @ tiktok)

Viktor saved Jayce on the mountain and gave him his dream. Viktor took Jayce off the ledge, and gave him his dream again.

Jayce took Viktor off the ledge, when he also wanted to go. Comforted him and showed him that he can stay, even if it hurts right now. Jayce literally tore Viktor's death away from him, thrusting the new life and new fate into his hands.

And this cycle kept repeating over and over, because they refused to let each other go, yes.

But in the end Jayce clawed and tore himself to pieces to get into Viktor's soul to once again say "Your life is precious to me, no matter how bad things can get. Please see how valuable it is".

---

And this time, in this timeline, of all the possible (sometimes, I bet, deadly) purposes their rune was the rune of acceleration. Of, you know. Moving somewhere. Through time and space.

And it wouldn't have work if they didn't activate it together.

And to do it they had to, symbolically, choose to walk away. Move on. Together.

Not from life, like Jinx tried after her inner-Silco's monologue. She was wrong in thinking her death will stop the disasters she brings, it would've just added to this cycle, keeping her within it instead.

And similarly, Jayce and Viktor choosing to die, and then actually dying to save everyone would've been antithetical to everything we were told beforehand.

(And oh, one day I'll compile all my notes on Jinx-Viktor/timebomb-jayvik parallels I've been clocking since season 1. This season just polished it all into crystal clear shining thread that ties the story's themes together.)

They chose to move on from the pain, the pride, the insecurities, from everything that didn't let them choose life. Everything, that pushed them away from it and towards the ledge.

Viktor was ready to let Jayce walk away, and then throw his own life on the barricades to make up for what he has done. And Jayce said "No. You don't have to do it alone".

Viktor accepting Jayce's care and love, accepting that Jayce is staying with him, was Viktor accepting that he's worth it. That his life is worth it.

(Choosing to move on from the pain and trauma, that's what got me so strongly in the finale of the season, ugh.)

What they did wasn't a sacrifice, it was proof of life. That's what saved the world. And that's why they could only do it together.

(And with Ekko and Jinx going through the similar journey parallel to them. I'll get to that post, because fr)

Perhaps, they thought they might die. But narratively, thematically, and within their universe's established laws they actually did the opposite.

Because it was never about single individuals breaking the cycle, the wheel, the cog spinning it all. Never about one person stopping it, and saving everyone who needs it, be it through progress, through evolution, through war, or dang capitalism and politics. It was about finding the courage to trust and rely on others, to keep caring about each other. To work together like one, like two wings. To create a community, however small, that will allow you to make choices outside of the pressure the cycle of death and oppression is grinding you under. And how that brings actual meaningful change to the world, the fact that we make it happen together, and care for each other throughout.

It was about the butterfly, in the end.

P.S.

Jokes about gay situationship destroying the world and then saving it after are fun and all.

But there is SOMETHING in how it would've been so much simpler for Viktor to let Jayce die on that mountain. To let himself die of his illness later. To let the world be safe from both of them. To spare them both the pain of what will happen in the rest of their lives.

And yet Viktor comes back, and tries again and again to find a timeline where they both survive, and stay human, and don't destroy the world.

Even if it will be almost too late, even if a lot of mistakes still happen.

How about that - from the terminally ill suicidal man the world tried to convince that he's better off dead? (Yes, we're judging Heimerbitch hard in this house)

Anyways. #JayvikLived, love wins, see you all later ✨

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.