#i love hadestown and i love characters who are an orpheus

[amothersvow]

>> relistening to Hadestown and having thoughts..... I love the story of Orpheus and Eurydice and I LOVE making characters who are an Orpheus at heart. Loving so much and so deeply and who will turn because they love and Eliyen is so much like that. She'd turn for her beloved, she'd always make sure they're there, she couldn't NOT turn, it's against her very nature. It's an old song, and she'll always know its tune

[fixated-on-something]

Teenage queers will discover Tragedy and make it their whole personality forever

[optimistic-autistic]

i looove 2018 london orpheus. he's so utterly pathetic.

[kacievvbbbb]

Ace & Luffy and Greek Tragedy

Ace and the Marineford summit war is essentially a retelling of the myth of Orpheus and Eurydice where Ace is somehow both Orpheus and Eurydice.

Like don't get me wrong Luffy is very Orpheus coded

Like of course Luffy was going to descend into Empel down, a place where no one is ever supposed to come back from, to save his brother just as Orpheus descended into Hades to save his lover (Empel down is also literally underground as well). Of course, his love for his brother is so strong and his cause so moving he can't help but rally the world; friend and foe alike, around him. And of course before the eyes of gods and men, he gets Ace back, of course he does! his love for his brother can and has shaken the world.

But Ace has a bit of his tragedy too.

Because just like Orpheus, no matter how much you yell at him to keep going or get frustrated with the perceived stupidity of the choice, Ace was always going to look back, of course he was! How could he not? everything he loved was behind him.

And they'll tell the story a million times a million different ways but no one can deny that love was there. Love was there, and it wasn't enough to save Eurydice then and it won't be enough to save Ace now but it was there and to them that was enough, this proof that they have loved and been loved in turn is enough.

Orpheus and Luffy will carry this love turned anger turned grief everywhere they go, to the ends of the world and back again, they will never outgrow it. But one day they might find poeace in it, one day it will be enough for them too, this knowledge that they loved and they loved well.

Love can not save any of these characters from their fates but i can offer them comfort there at the end and give them courage to face it.

And isn't that proof enough?

[mechawolfie]

look at my sad scared pathetic cat man

[eurydices-carnation]

Updated cause I'm in love with a twinky version of Lucifer now (send help)

Venn diagram of my top 3 tenors (these are referring to the characters not the actual actors!)

[inamindfarfaraway]

I saw Hadestown recently and... the metanarrative aspects didn't need to go that hard. The entire cyclical structure with the story being acknowledged as an "old tale from way back when" that they tell again and again despite knowing the tragic ending, which is explored as precious proof of the enduring ability to hope? Orpheus and Eurydice falling in love so fast because they feel that they already know each other, they always have, and we know they're right? Hermes fluidly switching between character who emotionally invests in the doomed lovers and omniscient narrator who knows they're doomed, and the revelation in "Road to Hell (Reprise)" that he's genuinely been both from the beginning? The final song, a requiem for the living by the dead, with the cast out of character after the curtain call? When Orpheus toasts to "the world we dream about" but then also "the one we live in now" and everyone on stage looks straight at the audience for a moment of absolutely chilling silence? I was not prepared and I'm not okay.

[theatricalmage]

The brainrot took over and so here's a vat7k hadestown au!! Don't know if I'll develop it fully but I liked designing it at least!

More info under the cut:

- Varian, the Coronan royal alchemist, tasks himself with deciphering an incantation capable of bringing the world back into tune. Times are tough, and the royal family + Quirin are doing their best to cope with the meagre crop yields and desolate weather (Corona not really being the sunshine kingdom - hasn't been for a while). He wants to help and do good and I think he'd be a good Orpheus.

- Hugo, having moved about from place to place, still has his interest in alchemy and does what he can to get by. He plans on temporarily staying in Corona before looting, but he encounters a certain like-minded scientist at the Snuggly Duckling. I think him being selfish works especially well in Eurydice's role, having a more pessimistic view of the world. It also works with how he gets drawn to Donella's offer of working for her later on, leading him to his death.

- Ulla as Persephone! I was initially stuck on whether to have Rapunzel (and either Eugene/Cass) as her (and Hades) but I was drawn to the connection that Hugo has to Donella and the Donella/Ulla relationship in vat7k just works too well. In this case, Ulla won't be Varian's mother. She's still gonna be somewhat of an inspiration to him though, being the previous Coronan royal alchemist and for her intelligence. For half the year, she'll return to Corona with food, drinks, and alchemical compounds/inventions, bringing Spring and Summer to the world, if only for a bit.

- Donella would be such an interesting Hades, losing sight of her love for Ulla, heart filled with fear and hurt, leading to bitterness and cruelty. Ingvarr being Hadestown and how by being the esteemed Ingvarrian engineer, she'd be in charge of major technological advances across the kingdoms and so would wield a significant amount of power (like how Hades is literally the ruler of the underworld). Ingvarr essentially being a near death sentence for its workers while also displaying its technological prowess, all still shrouded in mystery and corruption - a place so otherworldly compared to the rest of the kingdoms.

I didn't want to modify the outfits too much nor the personalities,, if anything I imagine the general plot beats being the same as the original musical/story but with slight differences that'd you get inherently as a result of these characters. I wouldn't want it to be the case where it's just the show but the names are changed. I'd want this to still make reasonable sense in this AU, with the actions being understandable for this particular cast of characters.

For Hermes, I ended up picking Xavier, as he's most knowledgeable of old legends and stories, which would work in reference to the Hades and Persephone myth (and so Donella and Ulla)! He'd act as a mentor figure for V, someone who can guide him in uncovering the forgotten incantation. Quirin would still be the good supportive dad he is (even if he doesn't fully understand his son's project).

Last but not least, the fates!! often lurking in the background, I'm still a bit stuck on who it could be? I'm tempted to have it be Raps, Cass, and Nuru as they've had celestial connections at some point (and ya know how stars can represent fate), but I also love the freckled siblings dynamic so much. Also Team Radical... Maybe Raps and Cass can be their normal selves but their Sundrop/Moonstone counterparts are the manifested physical forms of the fates? They wouldn't be visible to the characters though, just voices in the wind.

Anyways yeah!! Those are my thoughts. Do let me know if you've got any cool ideas or questions. I'm really combining my interests at full force and there's nothing anyone, not even myself, can do about it quite frankly. 😮‍💨

[jointherebellion215]

His Kiss, The Riot

Feyd-Rautha Harkonnen x female!reader

Summary: When you and your secret lover make plain to Feyd-Rautha your wishes for a life together, despite the proposed arranged marriage, he surprisingly acquiesces. But he can't let you go so easily, can he? Loosely based on the song from Hadestown.

Word Count: 1.6k

TW: manipulation, Dark!Feyd-Rautha, arranged marriage, NONCON elements, gore, violence, she/her pronouns, female!reader, tragedy, star-crossed lovers, songfic, not quite a happy ending (oops), dark dark dark interpretations of Hadestown and the story of Orpheus and Eurydice.

A/N: Thank you to everyone who read If It's True and liked, reblogged, or commented. I appreciate every single one of you. As always, I would love some feedback, likes, comments, and reblogs if you can :)

This is Part Two to my Feydestown trilogy (I'm so sorry for the pun). You can read Part One here.

AO3

Disclaimer: I don't own any of the Dune properties, characters, or storylines-- nor do I own anything related to Hadestown. The images used in this are not my own, and any similarities to stories or events other than what are directly referenced are strictly coincidence.

The devil takes this Orpheus

And his belladonna kiss

“So you wanna get married? Take away the woman I just offered my hand to, to whom I all but have legal claim?”

Your beloved’s replied words of affirmation to his words hold the slightest tremor, but like a dog to fresh meat, Feyd-Rautha sniffs this out immediately. Another smile graces his face. Feyd speaks to the crowd now, “Yes, I was promised the Lady’s hand in marriage. But! I am a benevolent figure, so I guess I’ll let the lovebirds go.”

The crowd starts to give polite applause, while your knees grow weak at the news. You can go? Has love really prevailed on this day?

“However,” and with that, your heart drops “I have some conditions for these… nuptials.”

You could sense the air growing thick with tension as the reality of the na-Baron’s ruling twists out of your favor.

“Conditions?” You whispered.

“Of course, my darling! I can’t make this too easy on you, now can I?” Feyd paces back and forth on the steps from which he speaks, making your eyes dart back and forth with each step he takes. Vigilance overtakes your body in case of any rash decisions.

“You two can leave the city, but it won’t be hand in hand. This pair will have to walk in single file, with the boy in the front and my darling Lady at least thirty paces behind. No ships, no speeders, no running. Walking.”

The energy of the room starts to grow more electric as the points of this term seem to set in.

“The Lady cannot speak out or make any indication of her following behind. You’ll be faced forward the whole journey. Once you reach the edge of the city and passed the threshold, you can be together for eternity.”

Your breath hitched. Seems easy enough, right?

“But, if the boy so much as turns his head to check and see if the Lady is following, the deal is off. She’ll return to me, and we will be married.”

Nothing makes a man so bold

As a woman’s smile and a hand to hold

“Is this a trick?” Your beloved asks plainly.

Feyd tilts his head, pacing down the steps to ground level. “Now, what makes you say that? I’m being generous. I’ve set my terms.” He is now nose-to-nose with the man attached to you. 

“Now meet them or face the consequences.”

The hand holding yours is now pooled with sweat. You quickly and subtly jerk the arm of your beloved when he starts to protest, not recognizing a gift when he sees one. You bow, the picture of poise and grace that you were raised to be. There is still time to leave with all of your limbs intact, you could not afford to slip up now.

“We offer our most sincere gratitude, my Lord na-Baron. Thank you for this most auspicious opportunity. We will not squander it.” 

Your beloved gives a clumsy bow to match yours. Feyd’s manic smile grows as he clasps his hands together. The sound echoes through the hall.

“So it shall begin!” 

But all alone his blood runs thin

And doubt—doubt comes in

The pair of you hold hands, side-by-side, at the entrance of the palace gates. A crowd has followed you to the edge, with onlookers from the outside spectating the unexpected appearance of a noble. Occurrences like this did not happen often, if ever.

“You heard the terms. The Lady must walk thirty steps behind. She must not speak to you.” Your hands reluctantly separate, following the orders you were given. You can feel your heart pounding with each step that you take away from each other.

“Some of my guard will accompany you, to ensure that you comply to the letter.” Four Harkonnen warriors step forward and encase you in a square formation, leaving the love of your life alone and vulnerable. He looks back towards you, fear and doubt creeping into his eyes. You nodded at him, believing that you could succeed in your task. That you would prevail.

“You may begin.” Feyd voices, and with that—you start your journey. Step by step, you walk further through the foliage that immediately surrounds the castle gates and into the city square.

Once you and your beloved reach the horizon, Feyd turns to walk past the crowd and back into the corridor.

Your father, the Duke, bows quickly and offers his gratitude, but is ignored as the younger Harkonnen goes to gather his blade and shield. With a yell, he summons his guards to formation. As Feyd checks the integrity of his weapon, one of the Baron’s advisors tentatively steps towards him.

“My Lord, perhaps you should consider letting them go—” In the blink of an eye, the man is silenced with a swift slash to the throat. Blood spills through the advisor’s hands as he struggles to put pressure on the opening. His body flops to the floor and Feyd carelessly steps over the writhing body to march forward.

“Let’s go fetch my bride.”

Dangerous this jack of hearts

It had been almost an hour of walking by this point. There had been almost a dozen times where you wanted to give any audible indication to your lover that you were here. A whisper, a whistle, a stomp of your foot. Anything. But now you could see the edge of the city, you could almost taste it. 

A life with your love was within reach. 

The guards accompanying you shifted inward, almost boxing you in. You were hopeful, but nerves were creeping in.

This was going well. Too well.

The grand arch signifying the edge of the city was above your lover now. The field that you used to meet at in secret lay just beyond it. You’re almost there. Just twenty more steps and you could be together, forever. 

He steps over the threshold, you see his shoulders lift and fall in an exhale. Then, the man you had fallen in love with— who you wholly believe in— slowly turns his head to lock eyes with you. A pale figure steps out from behind a pillar accompanying the arch.

The growing smile on your face immediately falls. You call out his name.

Oh no. 

The na-Baron tsked and shook his head, as if scolding a child. Harkonnen troops flanked the area, giving Feyd-Rautha enough berth to have his fun. The three of you were surrounded, but only one really had the advantage.

“You were so close!”

Your beloved held out a hand, “Wait, wait! I made it over!” He started to back away in fear, unarmed and exhausted from the long walk. Colorful, ripe foliage brushed his legs as he back into your field.

“Ah, but she didn’t. So, face the consequences.”

Then his blade pierced the man you love. 

Your ears started to ring, throat working itself raw as you wailed. Tears blurred your vision, you could hear the gurgles of the blood leaving your fiancé’s mouth and the slosh of his newly disemboweled entrails hitting the lush field before you.

With his kiss, the riot starts

His body made a sick thud on the floor, and your body jumped along with it. 

You ran towards your dead lover, cradling his face and sobbing for the soul that was just ripped away from you. He didn’t deserve such a violent end. His only crime was loving you and being loved in return.

A chuckle sounded from above you, and you turned your tear-stained face to the brutal Harkonnen. He was covered in the blood of your lover, his spoils of war staining his pale skin. Black teeth on full display, his shoulders gave a slight shake as he expressed his humor. His laughter sparked a rage in you like you’d never seen before. It didn’t matter what bonds you may or may not have formed over the conversations you had the last week. He’s a monster. He needs to pay for what he’s done. 

Red flooded your vision.

With a roar, you lunged for the man. His laugh grew more manic as you smacked, punched, kicked, and hit every visible part of him that you could identify. In your grief, every ounce of training that you received flew out the window. He took every blow with a smile, as if he enjoyed the punishment you were attempting to bestow on him.

“There we go, my darling. Show me your pain. Your rage!”

Your mind started to clear with the more hits you landed. With a quick swipe, you had the weapon that killed your beloved against the naBaron’s neck. The Harkonnen soldiers immediately stepped forward, but Feyd stopped them with a wave of his arm.

“Ah ah ah! Leave her be.” His grin almost split his face in half, specks of dried blood making a painting of his face. 

“Do it. Go ahead, come on.”

He pressed his neck forward, purposefully putting pressure on his own blade. Fresh blood started to trickle down his neck, adding to the gallons already spread all over his uniform. 

The shock of his willingness to put his life on the line made you hesitate, which made him cackle in your face. Your anger made you draw the blade back and slice it across his chest. A groan left Feyd’s mouth, 

“Good girl.”

An unexpected thunk to the head made your vision start to spin. Feyd’s arms braced around you, slowly lowering you to your knees and down to a lying position. He cradled your head as if you were a precious commodity, when he leaned forward and captured your limp lips with his. 

As black started swallowing your vision, you heard him say,

“Don’t worry, my darling bride. It’ll all be alright. You won’t feel a thing.”

[lupuslikethewolf]

in honour of being promoted to Deputy Stage Manager in my school's theatre department, top gun high school/sixth form au:

Dr Kazansky rules the drama department with an iron fist. always wearing black turtlenecks. never seen without his glasses, his coffee, and his terrifying glare (which earned him the moniker Dr Iceman). do not show up to rehearsals if you don't know your lines. death be upon the poor students who fuck around during tech and dress, because they will find out. he loves the crew tho.

Mr Call-Me-Mav Mitchell is the head of sports. you name it, he's played it, and he could absolutely give you pointers, also, do you want a protein bar with that? it's chocolate flavoured :) even the kids who Hate (capital H) sports love him. he is sunshine and adrenaline in human form. endless energy. no one knows why he is called maverick, but even the principal does it, so.

Mr Kerner is the principal. he is also the only person who can interrupt rehearsals and survive. dr kazansky loves him. inexplicably, maverick hates him. nough said.

Jake Seresin is the school's golden child, not even because he's Kazansky's nephew. he’s head boy. he’s on the school’s football/rugby team. he writes regular articles for the internal magazines. and this year, he’s playing Orpheus in the school’s production of Hadestown. everyone thinks it’s nepotism. it is and it’s not, jake just lost a bet to his Uncle Tom, and must now reap the consequences to said uncle’s delight.

Bradley Bradshaw has been stage crew since he was thirteen and an overworked runner, thank you very much. it’s his final show, he’s the DSM, and if fucking seresin ruins this for him, he will riot. dr kazansky should never let that happen. however, this is the same man who, last year, laughed when revealing that a screen on stage had turned off and bradley had to go on stage during the show to fix it. hm. maybe bradley should have re-thought his life choices. also: the turntable. the goddamn turntable.

other characters include: phoenix as eurydice, bob doing lighting, payback and fanboy as ASMs who flirt over the comms to everyones misery, cyclone as another drama teacher/stage manager,

maverick keeps turning up to rehearsals and trying to help because his favourite (cough only cough) godson and his favourite player are both interested in this stuff, so he should at least try, right? kazansky hates it until he doesn’t. kerner thinks it’s all fucking hilarious. bradley is embarrassed but its kinda endearing do NOT tell him i said that.

kazansky and maverick both bare witness to A Moment between their respective pseudo sons and decide the two simply must get together for their sakes and also so they never inflict that on another person ever.

bradley and jake both bare witness to A Moment between their respective pseudo fathers and decide the two simply must get together for their sakes and also so they never inflict that on another person ever.

kerner is cackling. Cackling.

[she-posts-nerdy-stuff]

Kanej - Orpheus & Eurydice AU

Hi lovelies, this is the third time trying to upload this so hopefully it works this time (and sorry to everyone who got tagged in posts that didn’t work properly and/or didn’t exist by the time you saw the notification), I am so incredibly excited to tell you that the first two chapters of my new Kanej fic “Somehow, Through the Storm” will be released on tumblr and AO3 THIS MONDAY (16th Sept)

This is a Hadestown-inspired take on an Orpheus and Eurydice reimagining, casting Kaz and Inej as our main characters. It will be a kanej centric fic but feature all of the crows, as well as aspects of wesper and helnik relationships, set in an alternate version of the Grishaverse with an adapted magic system. I’m so excited and I may or may not have gone a teensy bit overboard so with that in mind and with three days to go, please enjoy this trailer I made for the story!!

All songs are from the Broadway cast studio recording of Hadestown and the medley was made by me :)

Tagging everyone who has expressed interest but please don’t feel pressured:

@lunarthecorvus @marielaure @multi-fandom-bi @igotthisaccountunderduress @thelibraryofalexandriastillburns @devoted-people-hater @spraypaintstainonawhitewall

If anyone would like to be tagged when I post the chapters please let me know, and for people who are tagged in this I will not automatically assume that you want to be tagged again so if you’re still interested let me know I don’t want to be annoying and tag you in stuff you’re not interested in

[alyona11]

I just had this thought but… Since Chant states that both Hades and Persephone are deaf/blind it means that if Hades’ wake up song is Epic III, then Persephone’s is If It’s True. Which I somehow never gave a deeper thought because I always think of IIT as of a big character moment for Orpheus but damn it’s really interesting to think about!

How Long is the first time we see Persephone sober and her sudden change is provoked by Orpheus in If It’s True. It’s double interesting because Hadestown Persephone’s sin is her passiveness and sort of inability to say no to Hades in many ways: in her going with him in Way Down Hadestown, in her seeing and clearly not liking the state of the realm in Chant but not willing to fight Hades on that or make the change, in her closing her eyes on her relationship and drowning herself in wine. Orpheus breaking down yet finding powers to stand out for himself and the others and even directly calling her out on her lack of action (at least I interpret the ending of the song where Orpheus looks at her with kind of judgment like that) is what is making her finally put the matters in her own hands and try to talk to Hades.

It again adds to the idea that Hades isn’t the only problem in Hadestown. There are two people in this relationship and both have to change in order for things to work out. We just mostly stoplight Hades as the main problem and a sort of villain in this story because he is so proactive but we kinda ignore that Persephone’s passiveness is complicit in the state of the world and in Hadestown. She needs to be woken up as much as Hades does. It’s Hades who has deprived the dead of their eternal peace but it was Persephone who never said a word. It was Hades who came too early to get her home before her time but it was her who took his hand and walked into the train. I do love the depth it gives to Persephone as a character, she does feel like a real person.

[live-wire-electra]

stex fandom psssspspspspsp come here

lore under the cut 🔥

HI okay so first off if youre reading this. welcome! it is very late and my thoughts will be jumbled

basically… stex hadestown au. rusty and pearl are orpheus and eurydice, i debated dinah and greaseball but dinah has a different part to play here ;)

i don’t really have a solid reason why i chose prusty other than the fact that they are stex’s leading couple. HOWEVER, i drew a lot from pearl’s abandonment of rusty for electra and geeb, and her as eurydice made a lot of sense to me. the whole “i want to do my best in life so i must betray my heart” vibe is so her… pearl i love u

however… hades!electra and persephone!joule have more weight to them :3c electra is of course there because of pearl’s plotline, but i also wanted them to fit with the ‘i conduct the electric city’ thing. electra and hades are both very prideful and kind of control freaks to me (i say ‘kind of’ bc of electra we all know how hades is). i had a bit of trouble with choosing persephone though because i fear i am an electra and components polycule truther

however i wound up choosing joule! initially it was for her line “electra is hot” and i basically went hot -> warm -> keeping the mortals (trains..) warm. i also think the concept of maybe persephone!joule started out as a genuinely warm gal, more fireplaces and embers, and as electra grew more restricting over her, she became more explosive, putting on firework shows for those who dare to ask. she still runs the speakeasy, but i think she also loves to provide that spark of color and adrenaline for the workers

the featured workers are in fact the components btw :)) and maybe freight as well because i think slick beating up rusty would be funny. cb may be in this as well but i really do not know where i would fit him in 😭 so devastated bc hes my favorite in stex

which brings us to the fates. remember hadestown’s “wherever it was this poor girl went, the fates were close behind”? and pearl always hangs around the coaches! so tassita, belle, and dinah are the fates. lurking, warning, spinning prophecies in hushed voices… golly i love the idea of the usually fun group being so haunting. and like specifically “why the struggle, why the strain?” and also “who are you to lead them/her?” GUYS PLEASE TELL ME YOU SEE MY VISION!!

i have one more character to talk about… and that’s hermes! in his place is momma, naturally! she took rusty in when he was very young, as per the hadestown plotline, and it’s her who gives him the push he needs to talk to pearl. i think she holds power over a lot of the other deified trains, but for all her trying, she just can’t get through to electra. which is why she raises rusty with a strong sense of right and wrong, and the ability to speak up, out, and defend himself. it’s also why she raises him knowing how to take care of someone he loves. she doesn’t want him going down the same path as the doomed electra and joule.

i have been cooking up this au all day guys oh my gosh. im so happy i finally got to draw it 🙏 im incorporating a mix of old and new designs but for the sake of simplicity, the characters themselves are based on the london personalities. i just think leccy and joule having their older designs emphasizes that hades and persephone are older than the others!

thank you so much if you read this far! i appreciate you!! ❤️❤️ if you have anything to say abt this PLEEEEASEEE let me know please please please!!

[the-east-art]

Hadestown High School production thoughts:

Overall great! Awesome costuming and great work and acting and set!

There’s still several songs I prefer from the earlier albums

I don’t like the line ‘why build wall make people walk in straight lines’ I think it casts the viewer farther away from understanding Hades

Hades couldn’t get deep enough but he had great character acting! Was good at getting in real close when he was angry, looking like he was above everyone else. And then in the later sections did a great job at looking uncertain

At wait for me ii Hades gives Persephone her suitcase. Nice touch

Oh also when Persephone and Hades hug the first time they do like a collapsible prop that that a flower springs up between them and it’s just so good.

The Wind and the Elements (like the trees and the birds) were interpretive dance which actually looked really good and was done really well.

Persephone did a great job at making it clear that when she’s up she plays to them and when she’s below she plays them as well. During Our Lady she kinda just shoves around the bar patrons around, which is great contrast to Orpheus later who actually helps people up.

The ‘road to hell’ (wait for me i, ii, and doubt comes in) was largely made by planks of wood the ensemble would move. They used it to make floating stairs and obstacles for Orpheus to climb across and through. It looks really cool.

Orpheus was fantastic. Voice of an angel.

Sadly, Persephone and Hades couldn’t quite pull of How Long. Persephone had a habit of stealing time a lot, which works in her solos, but less in How Long, and Hades agains struggles to actually get into the deep register.

There was no overture, the play just starts with Hermes asking if you’re ready. Intermission ends without house lights going off and Persephone just starts while they dim.

They did the bows after Road To Hell reprise, and then did We Raise Our Cups which was fun

The energy of the intros in the first song are INFECTIOUS. Absolutely loved it.

Hades wore a green tie, a snake pin, and snakeskin shoes. Very nice. And he has the rattle for the rattlesnake part.

They used the aisles A LOT but I loved it.

In Doubt Comes In Orpheus walks around the aisles around the contorted bodies of the ensemble which was a little weird but did a good job at making it feel like they’re navigating a cave or something, and I personally thought gave the vibe of them having to navigate around dead bodies.

Road To Hell reprise has them reset the blocking and the characters do the same stuff they did for their intros - very fun

Brownie said they should have had a new person for Orpheus and Eurydice in that song to show how the cycle continues with new people and she’s so right (although I totally get that it would have thrown off the audience too much)

The fates actually played their instruments, had cool tattoos, and fiddled with their string the whole time

I’ve never realized how much the dates are the ones pushing everyone to the dated outcome until this.

I also never realized that Chant ii ending is Hades tlaking to Eurydice

Oh when Eurydice speaks up Hades eyes her up and down before taking Persephone on the train

They had a whole scaffolding for Hell which was great.

Oh oh! In the Orpheus and Eurydice duets they have them on a wheeled tables that goes in circles. And they brought down ‘stars’ as strung up lights (which looked way better than just a light projection tbh)

[roukabi]

Well, I said back here that I wanted to do a NYTW critter-ification. So here we are!

As usual, design notes/trivia/comments under the cut:

"Rook, none of these are animals I'd ever consider related to the Hadestown cast."

Yeah, I know. But it looks cool, right?

Orpheus strikes me as someone who was wild as a boy. And by 'wild', I mean biting and growling and hunting squirrels with his bare 10-year-old hands. He got less feral when approached with food and stable housing. With all that in mind, it made sense to give him something that matched that energy. Also, community-minded? Famous vocals? Effortlessly beautiful? The connections are there! And I stole from this drawing I made a long while back. Yeah I bet y'all forgot about that but I didn't! I still really like the idea of werewolf Orph!

...come to think of it though, we give nytw orph too much credit. I think it's easy to pin him as the brave, heroic union leader because of his confidence, but he's just a poet. He's lovey-dovey, he's gentle. He's got a very healthy ego, but it doesn't overpower his soft core. There's a reason his 'If It's True' is so sad - he's not a fighter, he's an artist, and more importantly, a lover. He has no real incentive to finish his song (for better or worse, narratively-speaking). He's an artist who talks big and loves his wife.

That said, it seems a little weird to give him such a fierce animal. But as is the case for bway orpheus's fox choice, i am a fan of designs that betray the real character underneath. His big snarky wolf persona (fursona?) falls apart when he looks at Eurydice for more than 3 seconds.

Wow, that could've been its own post tbh. Moving on, the star-like speckles in his fur were added because of his name - "the darkness of night". Canis Major is somewhere on his fur.

Now, could a catgirl and dogboy really fall in love?

With regards to Eurydice, you can't improve upon perfection, which is why my design looks very similar to @riveracheron's Eurydice design. You can see most of ismene's design here (I can't find the original ref image, sorry!) for reference. I wasn't sure about making Eurydice's nose yellow, but she needed yellow somewhere in her palette, and a black or pink nose looked kind of wrong. She's a loner kitty built for the snow. Not that she enjoys it. Also I wanted to add a cute white/yellow bow around her neck but forgot :( pretend it's there

Anyway, probably the most interesting animal decision was Hermes. I mentioned in my Broadway critter designs that I wanted to keep the neutral characters as birds. That meant I had to find a bird to match Chris Sullivan's Hermes, and, idk, I liked the barn owl the most. Barn owls are screechy and painfully unexpressive, but if Legend of the Guardians: the Owls of Ga'Hoole has taught me anything, it's that anything can be expressive if you break just enough rules. So there.

Barn owls are associated with doom and death in old English tales, and they're known to live in abandoned houses. It would sound like the barn owl should be given to Hades, but I like to think that since Hermes is the one telling the story, he's in charge of the cycles of death and renewal that take place in the story. He's a harbinger whether he likes it or not.

For the Fates, I already had cat designs in mind, but I almost made them birds to fit my neutral rule. Then I kinda waffled on it and said "well, the Fates are kind of mean, and you know what would be fun? Wild animals vs domestic animals". Cats it is! And they are anything but dressed the same: we got stripes, spots, and swirls. They torment their fellow kitty Eurydice for being 'wild', they're invasive, and they get in fights with the local wolf. The relationships write themselves.

I didn't draw Hades and Persephone since they'd already been covered in the Broadway lineup, and there wasn't much of a difference between bway and nytw to justify new drawings. They're still critters though, trust me.

And that's it! I guess had a lot more to say about these than last time. As always, the designs are free to use with credit.

[themaskedmuse]

Thinking about Hadestown right now, and I just want to point out how much unique character and the different levels of emotion Hades’ actor can put into the line “Where’d you get that melody?” From Epic III.

It’s an aspect I don’t think I’ve ever heard anyone talk about, but the delivery of the line is just so important to me for Hades as a character. It can hold so much in just the different ways it’s delivered, and how Hades connects to his past, and his love for Persephone.

I heard one take from Patrick Page that was full of anger. An anger from a Hades who is being faced by a boy who is singing his own song back to him. How dare this boy use his own melody of love that he made for Persephone all those years ago against him.

I’ve heard it spoken with a quivering tone, from a Hades who, after so much back and forth and arguing with Persephone throughout the show, has just been slapped in the face with a reminder of how it used to be, and where they started

I’ve heard it spoken with confusion and realization, from a Hades who has almost forgotten the melody, and is being reminded of it. Who has spent so long in Hadestown, desperately trying to hold onto what he fears he will lose, that he’s almost forgotten how it started.

Just… so much of how Hades connects with Persephone, and also to Orpheus, can come from that line, and I love the different choices in delivery that the actors who play Hades can put into that line to make the character their own.