#i love being the oddball at the party i would really really recommend it if you can get away with it

[confinesofmy]

yesterday on black friday, after me and my cousin got back from watching saltburn on a whim (which we literally drove to mississippi to see, inherently hilarious as a concept) we were kind of high from the roadtrip, the film, the roadtrip back, and the absurdity of it all, and we noticed our tourist cousins who come here for vacations and holidays had a bonfire going, so we decided to channel our frenetic fucking energy into partying and getting a bit tipsy, got some drinks from home and crashed that shit.

we were an immediate hit, i think simply because we had such a puckish, elated aura about us. jokes were landing, we were both perfectly elevating other people's jokes, generally firing on all cylinders. eventually someone asked what we were up to before this, so we had to admit we had just gotten back from d'iberville, where we'd gone to see a movie. there aren't any movies in <the major city one hour away>? they said, and so we said well not this movie! so they asked about it more and we played coy for as long as we could but

the party wrapped with us scene-by-scene recounting the entire movie to two of our tourist cousins until we finished our rendition and the one we like less left, at which point we pivoted to spirituality and religion and our struggles with morality and MORALE tbh because it's hard to keep your head up sometimes isn't it. then at 3am we called it a night.

i genuinely think we made his holiday weekend. he definitely helped make ours. that was such an insane afternoon and evening.

[lucky-katebishop]

8 Underrated Comedy Mysteries

So weird comedy tv shows are kind of my niche, and I realized I’ve seen a few comedy shows that revolve around mysteries and an intriguing plot line, so I wanted to make a list to share them in case you haven’t heard of them! Not all of them are mysteries, like Miracle Workers, but it does have a plot that puts you on edge and every episode does end with a cliffhanger, so I’m adding it!

1. Santa Clarita Diet

I’ve already talked about this show on one of my previous posts, but that’s because I love this show so much and is actually the one that inspired this post! Santa Clarita Diet is about a woman, Sheila, who mysteriously becomes undead, and her family who try to talk her out of her impulsivity to kill anyone she sees and get away with it. Her husband Joel tries to figure out how she became undead, how to stop it, while also trying to keep Shiela’s murders under wrap so they won’t be caught. The characters are adorable, the women are badasses and the men have the most respect for women, and the comedy is top notch. Every time I watch it, it blows my mind that all three seasons take place over the course of like two or four weeks because that’s how much shit they have to get through just to survive. It’s a tad gory, especially with the first episode (there’s a huge vomit scene but that’s easily skippable) but if you don’t mind blood and guts, this shouldn’t be an issue! It was cancelled with three seasons but I still say it’s well worth the watch!

2. People of Earth

People of Earth is about aliens! It centers around journalist Ozzie who is investigating reports of alien abductions and meets a support group of alien abductees all the while actual aliens are looking at them from above. This was also cancelled but it’s a great mystery show which always ends on a cliffhanger. What makes it even more intriguing for me is that the aliens are able to go undercover as human beings so they can make sure that their identities aren’t being figured out, so it’s a great comedic fish out of water sort of thing. You’ll fall in love with the rag-tag team of alien abductors and abductees as you unravel whether or not the people of earth find out about what’s been going on. The comedy is witty and smart and you’ll quickly find that you won’t be able to stop laughing and watching. 

3. Search Party

This show is a fantastic millennial play on Nancy Drew (kind of like if it were mixed with Girls) where the main character, Dory, finds out that an old friend of hers disappeared and she becomes obsessed with it, trying to string along clues in order to find her along with the help of her self-obsessed friends. It’s so much more than I expected it to be, and I promise you, don’t give up on this show. The first episode is a bit rough but once you get going, you’ll become even as obsessed as Dory to solve the mystery of Chantal’s disappearance. I didn’t end up watching the other seasons, as I found season one to be so good that I was afraid of ruining the show for me (I kind of saw it as a perfect limited series and I was too scared that would be ruined) but from what I read, it’s still going strong with four seasons!

4. Barry

Okay, so this one isn’t that underrated, I’m sure you’ve heard of it, but it’s still nonetheless a very good show and I had to add it. It’s about character Barry who is a hitman who, while on his way to finish off an assignment, finds himself in the middle of an acting class and falls in love with it. He finds that giving up his old habits isn’t as easy as he expected them to, and he finds the balance between living a normal civilian life and carrying out the duties of his mercenary job a difficult thing to do, especially considering Sallie, an incredible actress in his class that he finds himself falling for. It’s hilarious, it’s depressing, it’s magnificent, it’s everything you didn’t expect but love and I really recommend this show to everyone (especially those who also had that weird Bill Hader phase after IT: Chapter Two came out). The reason I’m putting it in this category is because there is a mystery every season of whether or not his acting friends are going to find out about his secret life, and it’s very interesting and it always has me on the edge of my seat. 

5. Dirk Gently’s Holistic Detective Agency

What more could you want besides Elijah Wood, corgis, cute British detectives, badass female characters, and a really cool murder investigation? Oh, and a punk band! It’s been a few years since I watched it, so my memory is a little hazy on the plot, but what I can remember it’s about Todd (played by Elijah Wood) who becomes the main person of interest for a murder which he didn’t commit. Todd meets Dirk Gently, a man who claims that everything is holistic (meaning that everything everywhere is fundamentally connected in ways that is up to the universe), who begs him to join his detective agency to figure out the murder, which strings them along a very weird and very connected case. It has two seasons but was sadly cancelled, but the two seasons are extraordinary and hilarious. 

6. Trial and Error

Trial and Error is about new defense lawyer, Josh, going to goofy and backwards town South Peck to defend Larry Henderson who is being accused of killing his wife. It’s a hilarious take on murder mysteries, and each episode brings with a new piece of evidence. It has a wonderful father/son bonding relationship between Josh and Larry, and a colorful cast of misfits and oddballs who are all trying (in the words of the show) to get Larry off. I couldn’t praise this show more because of the goofiness and satirical nature of the jokes, all the while being incredibly heartfelt. It has two seasons, with season two revolving around the defense for self titled “Lady Killer” Kristin Chenoweth’s Lavinia Peck. 

7. Miracle Workers

What more could you want besides Elijah Wood, corgi- oh wait, sorry, this is Daniel Radcliff, my bad. An anthology series, the first season deals with angels Craig and Eliza who try to convince Steven Buscemi’s God not to obliterate the earth with the help of his right hand man Sanjay Prince by answering a miracle: getting awkward dorks Sam and Laura together. They only have two weeks to answer this prayer, which is a lot harder to solve when everything is going against them, including extremely shy Sam and Laura. It’s hilarious, it’s witty, it has Daniel Radcliff, I mean this is an extremely amazing show! Season two has nothing to do with a mystery, and revolves around the same cast as different characters in the dark ages, but I still highly recommend that one as well because it’s just as funny. 

8. Russian Doll

Thursday. What a concept! (Yes, that’s what that gif is from and in context it’s highly hilarious) This show is about Nadia, a woman who keeps her feelings to herself and her opinions out in the open, on her 36th birthday, who finds herself reliving the same day over and over again. She tries to solve the mystery and how to get out of that ridiculous time loop when she meets Alvin, a man who is also in the same time loop. It’s a story about love, friendship and loss, and I cry like a baby every single time I watch it. It has some of the most incredible writing and the pacing is excellent. It’s four hours of pure genius but it does also deal with trauma and depression so please check out the warnings. It came out in 2019 and I’ve watched six times, that’s how much I love this show! 

That’s the end of my list, I hope you agree with the shows on here and give me some recommendations if I missed some of your favorite mystery comedies. :)

[wtffundiefamilies]

For those of you who missed this, this is the doctor whose genius Trump is praising.  As always, bolding is mine for emphasis.

A Houston doctor who praises hydroxychloroquine and says that face masks aren’t necessary to stop transmission of the highly contagious coronavirus has become a star on the right-wing internet, garnering tens of millions of views on Facebook on Monday alone. Donald Trump Jr. declared the video of Stella Immanuel a “must watch,” while Donald Trump himself retweeted the video.

Before Trump and his supporters embrace Immanuel’s medical expertise, though, they should consider other medical claims Immanuel has made—including those about alien DNA and the physical effects of having sex with witches and demons in your dreams.

Immanuel, a pediatrician and a religious minister, has a history of making bizarre claims about medical topics and other issues. She has often claimed that gynecological problems like cysts and endometriosis are in fact caused by people having sex in their dreams with demons and witches.

She alleges alien DNA is currently used in medical treatments, and that scientists are cooking up a vaccine to prevent people from being religious. And, despite appearing in Washington, D.C. to lobby Congress on Monday, she has said that the government is run in part not by humans but by “reptilians” and other aliens.

Immanuel gave her viral speech on the steps of the Supreme Court at the “White Coat Summit,” a gathering of a handful of doctors who call themselves America’s Frontline Doctors and dispute the medical consensus on the novel coronavirus. The event was organized by the right-wing group Tea Party Patriots, which is backed by wealthy Republican donors.

In her speech, Immanuel alleges that she has successfully treated hundreds of patients with hydroxychloroquine, a controversial treatment Trump has promoted and says he has taken himself. Studies have failed to find proof that the drug has any benefit in treating COVID-19, and the Food and Drug Administration in June revoked its emergency authorization to use it to treat the deadly virus, saying it hadn’t demonstrated any effect on patients’ mortality prospects.

“Nobody needs to get sick,” Immanuel said. “This virus has a cure.”

Immanuel said in her speech that the supposed potency of hydroxychloroquine as a treatment means that protective face masks aren’t necessary, claiming that she and her staff had avoided contracting COVID-19 despite wearing medical masks instead of the more secure N95 masks.

“Hello, you don’t need a mask. There is a cure,” Immanuel said.  

Toward the end of Immanuel’s speech, the event’s organizer and other participants can be seen trying to get her away from the microphone. But footage of the speech captured by Breitbart was a hit online, becoming a top video on Facebook and amassing roughly 13 million views—significantly more than “Plandemic,” another coronavirus disinformation video that became a viral hit online in May, when it amassed roughly 8 million Facebook views.

“Hydroxychloroquine” trended on Twitter, as Immanuel’s video was embraced by the Trumps, conservative student group Turning Point USA, and pro-Trump personalities like Diamond & Silk. But both Facebook and Twitter eventually deleted videos of Immanuel’s speech from their sites, citing rules against COVID-19 disinformation. The deletions set off yet another round of complaints by conservatives of bias at the social-media platforms.

Immanuel responded in her own way, declaring that Jesus Christ would destroy Facebook’s servers if her videos weren’t restored to the platform.

“Hello Facebook put back my profile page and videos up or your computers with start crashing till you do,” she tweeted. “You are not bigger that God. I promise you. If my page is not back up face book will be down in Jesus name.”

Immanuel is a registered physician in Texas, according to a Texas Medical Board database, and operates a medical clinic out of a strip mall next to her church, Firepower Ministries.

Immanuel was born in Cameroon and received her medical degree in Nigeria. In a GoFundMe legal defense fund, which swelled from just $90 to $1,616 hours after her speech, Immanuel claims without offering any proof that members of a Houston networking group for women physicians are scheming to take her medical license away over her support for hydroxychloroquine.

It’s not clear whether anyone is actually trying to take Immanuel’s license. But many of her earlier medical claims are definitely ludicrous.

In sermons posted on YouTube and articles on her website, Immanuel claims that medical issues like endometriosis, cysts, infertility, and impotence are caused by sex with “spirit husbands” and “spirit wives”—a phenomenon Immanuel describes essentially as witches and demons having sex with people in a dreamworld.

“They are responsible for serious gynecological problems,” Immanuel said. “We call them all kinds of names—endometriosis, we call them molar pregnancies, we call them fibroids, we call them cysts, but most of them are evil deposits from the spirit husband,” Immanuel said of the medical issues in a 2013 sermon. “They are responsible for miscarriages, impotence—men that can’t get it up.”

In her sermon, Immanuel offers a sort of demonology of “nephilim,” the biblical characters she claims exist as demonic spirits and lust after dream sex with humans, causing all matter of real health problems and financial ruin. Immanuel claims real-life ailments such as fibroid tumors and cysts stem from the demonic sperm after demon dream sex, an activity she claims affects “many women.”  

“They turn into a woman and then they sleep with the man and collect his sperm,” Immanuel said in her sermon. “Then they turn into the man and they sleep with a man and deposit the sperm and reproduce more of themselves.”

According to Immanuel, people can tell if they have taken a demonic spirit husband or spirit wife if they have a sex dream about someone they know or a celebrity, wake up aroused, stop getting along with their real-world spouse, lose money, or generally experience any hardship.

Alternately, they could just be having dream-sex with a human witch instead of a demon, she posits.

“There are those that are called astral sex,” Immanuel said in the sermon. “That means this person is not really a demon being or a nephilim. It’s just a human being that’s a witch, and they astral project and sleep with people.”

Immanuel’s bizarre medical ideas don’t stop with demon sex in dreams. In a 2015 sermon that laid out a supposed Illuminati plan hatched by “a witch” to destroy the world using abortion, gay marriage, and children’s toys, among other things, Immanuel claimed that DNA from space aliens is currently being used in medicine.

“They’re using all kinds of DNA, even alien DNA, to treat people,” Immanuel said.

Immanuel’s website offers a prayer to remove a generational curse originally received from an ancestor but transmitted, in Immanuel’s telling, through placenta. Immanuel claimed in another 2015 sermon posted that scientists had plans to install microchips in people, and develop a “vaccine” to make it impossible to become religious.

“They found the gene in somebody’s mind that makes you religious, so they can vaccinate against it,” Immanuel said.

Immanuel elaborated on her fascination with witchcraft in her 2015 Illuminati sermon, claiming that witches were intent on seizing control of children.

In her 2015 sermon on the Illuminati’s supposed agenda to bring down the United States, Immanuel argues that a wide variety of toys, books, and TV shows, from Pokémon—which she declares “Eastern demons”—to Harry Potter and the Disney Channel shows Wizards of Waverly Place and That’s So Raven were all part of a scheme to introduce children to spirits and witches. Immanuel warned that the Disney Channel show Hannah Montana was a gateway to evil, because its character had an “alter ego.” She has claimed that schools teach children to meditate so they can “meet with demons.”

In the sermon, Immanuel preserved special vitriol for the Magic 8-Ball, a toy that can be shaken up to “reveal” any answer. Immanuel claims the otherwise innocuous Magic 8-Ball was in fact a scheme to get children used to witchcraft.

“The 8-Ball was a psychic,” she said.

Immanuel’s oddball claims about the world extend to politics. She didn’t bring up this allegation publicly in Washington, but she has claimed that the American government is run in part by non-human reptilians.

“There are people that are ruling this nation that are not even human,” Immanuel said in her 2015 Illuminati sermon, before launching into a conversation she had with a “reptilian spirit” she described as “half-human, half-ET.”

Immanuel has also used her pulpit to preach hatred of LGBT people. Shortly before the Supreme Court legalized gay marriage, Immanuel warned her flock that gay marriage meant that “very soon people are going to be seeking to marry children” and accused gay Americans of practicing “homosexual terrorism.” In the same sermon, she praised a father’s decision to not love his transgender son after a gender transition.

“You know the crazy part?” Immanuel said. “The little girl demands he must love her anyway. Really? You will not get it from me, I’d be like ‘Little girl, when you come back to be a little girl again, but you talk—for now, I’m gone.’”

Unusually for a pediatrician, Immanuel has praised corporal punishment for children. The American Academy of Pediatrics opposes corporal punishment, and claims that the “vast majority” of pediatricians do not recommend it.

“Children need to be whipped,” she declared in a 2015 sermon, before adding that she didn’t think children should be “abused.”

It’s also not clear that Immanuel has abided by her claims that face masks aren’t necessary. In her Washington speech, Immanuel claimed that she and her medical staff had avoided any COVID-19 infections while wearing only medical masks. But in two videos shot at her clinic, Immanuel appears to be wearing an N95 mask, which offers more protection.

Immanuel has also alleged that masks of all kinds are superfluous, because she says COVID-19 can be easily cured with hydroxychloroquine. But in a Facebook video advertising her clinic, Immanuel said anyone seeking treatment should wear a face mask before entering the clinic.

“Wear a mask, or a scarf, or anything to cover your face,” Immanuel said in the video.

Immanuel has seized on her newfound celebrity, tweeting a video demanding that CNN hosts and National Institute of Allergy and Infectious Diseases chief Anthony Fauci give her jars of their urine so she can test if they’re secretly taking hydroxychloroquine even as they caution against its use.

“I double dog dare y’all give me a urine sample,” Immanuel tweeted in her challenge.

Now Immanuel is angling for the key rite of passage for any budding MAGA-world personality: a visit to the Trump White House. Late Monday night, Immanuel tweeted that she was open to meeting the president.

“Mr President I’m in town and available,” she tweeted. “I will love to meet with you.”

[birdlord]

Every Book I Read in 2019

This was a heavier reading year for me (heavier culture-consumption year in general) partly because my partner started logging his books read, and then, of course, it’s a competition.

01 Morvern Callar; Alan Warner - One of the starkest books I’ve ever read. What is it about Scotland that breeds writers with such brutal, distant perspectives on life? Must be all the rocks. 

02 21 Things You Might Not Know About the Indian Act; Bob Joseph - I haven’t had much education in Canada’s relationship to the Indigenous nations that came before it, so this opened things up for me quite a bit. The first and most fundamental awakening is to the fact that this is not a story of progress from worse to better (which is what a simplistic, grade school understanding of smallpox blankets>residential schools>reserves would tell you), in fact, the nation to nation relationship of early contact was often superior to what we have today. I wish there was more of a call to action, but apparently a sequel is on its way. 

03 The Plot Against America; Philip Roth - An alternative history that in some ways mirrors our present. I did feel like I was always waiting for something to happen, but I suppose the point is that, even at the end of the world, disasters proceed incrementally. 

04 Sabrina; Nick Drnaso - The blank art style and lack of contrast in the colouring of each page really reinforces the feeling of impersonal vacancy between most of the characters. I wonder how this will read in the future, as it’s very much based in today’s relationship to friends and technology. 

05 Perfumes: The Guide; Luca Turn & Tania Sanchez - One of the things I like to do when I need to turn my brain off online is reading perfume reviews. That’s where I found out about this book, which runs through different scent families and reviews specific well-known perfumes. Every topic has its boffins, and these two are particularly witty and readable. 

06 Adventures in the Screen Trade; William Goldman - Reading this made me realize how little of the cinema of the 1970s I’ve actually seen, beyond the usual heavy hitters. Ultimately I found this pretty thin, a few peices of advice stitched together with anecdotes about a Hollywood that is barely recognizable today. 

07 The Age of Innocence; Edith Wharton - A love triangle in which the fulcrum is a terribly irritating person, someone who thinks himself far more outré than he is. Nonetheless, I was taken in by this story of “rebellion”, such as it was, to be compelling.

08 Boom Town: The Fantastical Saga of Oklahoma City, Its Chaotic Founding, Its Apocalyptic Weather, Its Purloined Basketball Team, and the Dream of Becoming a World-class Metropolis; Sam Anderson - Like a novel that follows various separate characters, this book switches between tales of the founding of Oklahoma City with basketball facts and encounters with various oddball city residents. It’s certainly a fun ride, but you may find, as I did, that some parts of the narrative interest you more than others. Longest subtitle ever?

09 World of Yesterday; Stefan Zweig - A memoir of pre-war Austria and its artistic communities, told by one of its best-known exports. Particularly wrenching with regards to the buildup to WWII, from the perspective of those who had been through this experience before, so recently. 

10 Teach us to Sit Still: A Sceptic’s Search for Health and Healing; Tim Parks - A writer finds himself plagued by pain that conventional doctors aren’t able to cure, so he heads further afield to see if he can use stillness-of-mind to ease the pain, all the while complaining as you would expect a sceptic to do. His digressions into literature were a bit hard to take (I’m sure you’re not Coleridge, my man).

11 The Power of Moments: Why Certain Experiences have Extraordinary Impact; Chip & Dan Heath - I read this for work-related reasons, with the intention of improving my ability to make exhibitions and interpretation. It has a certain sort of self-helpish structure, with anecdotes starting each chapter and a simple lesson drawn from each one. Not a bad read if you work in a public-facing capacity. 

12 Against Everything: Essays; Mark Greif - The founder of N+1 collects a disparate selection of essays, written over a period of several years. You won’t love them all, but hey, you can always skip those ones!

13 See What I Have Done; Sarah Schmidt - A retelling of the Lizzie Borden story, which I’d seen a lot of good reviews for. Sadly this didn’t measure up, for me. There’s a lot of stage setting (rotting food plays an important part) but there’s not a lot of substance there. 

14 Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy; Angela Garber - This is another one that came to me very highly recommended. Garber seems to think these topics are not as well-covered as they are, but she does a good job researching and retelling tales of pregnancy, birth, postpartum difficulties and breastfeeding. 

15 Rebecca; Daphne du Maurier - This was my favourite book club book of the year. I’d always had an impression of...trashiness I guess? around du Maurier, but this is a classic thriller. Maybe the first time I’ve ever read, rather than watched, a thriller! That’s on me. 

16 O’Keefe: The Life of an American Legend; Jeffrey Hogrefe - I went to New Mexico for the first time this spring, and a colleague lent me this Georgia O’Keefe biography after I returned. I hadn’t known much about her personal life before this, aside from what I learned at her museum in Santa Fe. The author has made the decision that much of O’Keefe’s life was determined by childhood incest, but doesn’t have what you might call….evidence?

17 A Lost Lady; Willa Cather - A turn-of-the-20th century story about an upper-class woman and her young admirer Neil. I’ve never read any other Cather, but this felt very similar to the Wharton I also read this year, which I gather isn’t typical of her. 

18 The Year of Living Danishly: My Twelve Months of Unearthing the Secrets of the World’s Happiest Country; Helen Russell - A British journalist moves to small-town Denmark with her husband, and although the distances are not long, there’s a considerable culture shock. Made me want to eat pastries in a BIG WAY. 

19 How Not to be a Boy; Robert Webb - The title gives a clue to the framing device of this book, which is fundamentally a celebrity memoir, albeit one that largely ignores the celebrity part of his life in favour of an examination of the effects of patriarchy on boys’ development as human beings. 

20 The Book You Wish Your Parents Had Read (And Your Children Will be Glad that You Did); Philippa Perry; A psychotherapist’s take on how parents’ own upbringing affects the way they interact with their own kids. 

21 The Library Book; Susan Orlean - This book has stuck with me more than I imagined that it would. It covers both the history of libraries in the USA, and the story of the arson of the LA Public Library’s central branch in 1986. 

22 We Are Never Meeting in Real Life; Samantha Irby - I’ve been reading Irby’s blog for years, and follow her on social media. So I knew the level of raunch and near body-horror to expect in this essay collection. This did fill in a lot of gaps in terms of her life, which added a lot more blackness (hey) to the humour. 

23 State of Wonder; Ann Patchett - A semi-riff on Heart of Darkness involving an OB/GYN who now works for a pharmaceutical company, heading to the jungle to retrieve another researcher who has gone all Colonel Kurtz on them. I found it a bit unsatisfying, but the descriptions were, admittedly, great. 

24 Disappearing Earth; Julia Phillips - A story of an abduction of two girls in very remote Russia, each chapter told by another townsperson. The connections between the narrators of each chapter are sometimes obvious, but not always. Ending a little tidy, but plays against expectations for a book like this. 

25 Ethan Frome; Edith Wharton - I gather this is a typical high school read, but I’d never got to it. In case you’re in the same boat as me, it’s a short, mildly melodramatic romantic tragedy set in the new england winter. It lacks the focus on class that other Whartons have, but certainly keeps the same strong sense that once you’ve made a choice, you’re stuck with it. FOREVER. 

26 Educated; Tara Westover - This memoir of a Mormon fundamentalist-turned-Academic-superstar was huge on everyone’s reading lists a couple of years back, and I finally got to it. It felt similar to me in some ways to the Glass Castle, in terms of the nearly-unbelievable amounts of hell she and her family go through at the hands of her father and his Big Ideas. I found that it lacked real contemplation of the culture shock of moving from the rural mountain west to, say, Cambridge. 

27 Dead Wake: The Last Crossing of Lusitania; Erik Larson - I’m a sucker for a story of a passenger liner, any non-Titanic passenger liner, really. Plus Lusitania’s story has interesting resonances for the US entry into WWI, and we see the perspective of the U-boat captain as well as people on land, and Lusitania’s own passengers and crew. 

28 The Birds and Other Stories; Daphne du Maurier - The title story is the one that stuck in my head most strongly, which isn’t any surprise. I found it much more harrowing than the film, it had a really effective sense of gradually increasing dread and inevitability. 

29 Someone Who Will Love You in All Your Faded Glory; Raphael Bob-Waksberg - Hit or miss in the usual way of short story collections, this book has a real debt to George Saunders. 

30 Sex & Rage; Eve Babitz - a sort of pseudo-autobiography of an indolent life in the LA scene of the 1970s. It was sometimes very difficult to see how the protagonist actually felt about anything, which is a frequent, acute symptom of youth. 

31 Doctor Fischer of Geneva or The Bomb Party; Graham Greene - Gotta love a book with an alternate title built in. This is a broad (the characters? are, without exception, insane?!) satire about a world I know little about. I don’t have a lot of patience or interest in Greene’s religious allegories, but it’s a fine enough story. 

32 Lathe of Heaven; Ursula K LeGuin - Near-future sci-fi that is incredibly prescient about the effects of climate change for a book written over forty years ago. The book has amazing world-building, and the first half has the whirlwind feel of Homer going back in time, killing butterflies and returning to the present to see what changes he has wrought. 

33 The Grammarians; Cathleen Schine - Rarely have I read a book whose jacket description of the plot seems so very distant from what actually happens therein. 

34 The Boy Kings: A Journey Into the Heart of the Social Network; Katharine Losse - Losse was one of Facebook’s very earliest employees, and she charts her experience with the company in this memoir from 2012. Do you even recall what Facebook was like in 2012? They hadn’t even altered the results of elections yet! Zuck was a mere MULTI-MILLIONAIRE, probably. Were we ever so young?

35 Invisible Women; Caroline Ciado Perez - If you want to read a book that will make you angry, so angry that you repeatedly assail whoever is around with facts taken from it, then this, my friend, is the book for you. 

36 The Hidden World of the Fox; Adele Brand - A really charming look at the fox from an ecologist who has studied them around the world. Much of it takes place in the UK, where urban foxes take on a similar ecological niche that raccoons famously do where I live, in Toronto. 

37 S; Doug Dorst & JJ Abrams - This is a real mindfuck of a book, consisting of a faux-old novel, with marginalia added by two students which follows its own narrative. A difficult read not because of the density of prose, but the sheer logistics involved: read the page, then the marginalia? Read the marginalia interspersed with the novel text? Go back chapter by chapter? I’m not sure that either story was worth the trouble, in the end. 

38 American War; Omar El Akkad - This is not exclusively, but partially a climate-based speculative novel, or, grossly, cli-fi for short. Ugh, what a term! But this book is a really tight, and realistic look at the results of a fossil-fuels-based second US Civil War. 

39 Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation; Andrew Marantz - This is the guy you’ll hear on every NPR story talking about his semi-embedding within the Extremely Online alt-right. Most of the figures he profiles come off basically how you’d expect, I found his conclusions about the ways these groups have chosen to use online media tools to achieve their ends the most illuminating part. 

40 Wilding: The Return of Nature to a British Farm; Isabella Tree - This is the story of a long process of transitioning a rural acreage (more of an estate than a farm, this is aristocratic shit) from intensive agriculture to something closer to wild land. There are long passages where Tree (ahem) simply lists species which have come back, which I’m sure is fascinating if you are from the area, but I tended to glaze over a bit. Experts from around the UK and other European nations weigh in on how best to rewild the space, which places the project in a wider context. 

FICTON: 17     NONFICTION: 23

[rlbubbles]

INFP-T

so I took the personality test it's insane because it's like they actually know me. they understood me.

they say my personality type is rare, it makes up 4% of the population. so that's like 280 million🐨 that's a lot of people with my personality type but out of 7 billion people, that's a lot of people who won't understand us. that's a bit frustrating. it's weird though because I read so much of what the website had to say about my personality type and it's literally so spot on!!

from how I would raise children, to how I feel misunderstood, to being creative, to wanting to be an author, to what kind of career I would like and not like. to commiting to friendships. it's insane. I took the personality test on 16 personalities, if you haven't taken a Myers Briggs personality test yet, I highly recommend 16 personalities, and if you have taken a Myers Briggs personality test, I suggest checking out 16 personalities, to better understand yourself.

for me, reading about what my personality is like, really helped me understand myself. I've grown up thinking I was such a weird person, because I was so different from all of my friends, and my family, I just felt like the oddball. I've never been understood by my mom, for practically my entire life, at least not understood on things that matter like my anxiety. I can't "go with the flow" it's too random, I need some structure. I need to have a direction, something I'm working towards. a goal. something. I like planning, it's fun for me. when I don't plan things out, I become stressed. I care. a lot. for people. for animals. but sometimes. most times, it's like nobody cares as much as I do. and it's confusing and frustrating and sometimes I wonder if I'm wrong for caring, or if they are wrong for not caring enough? I don't like being the center of attention, I get self conscious, even if it's something positive, I will become nervous and I will tense up and become self conscious of everything I do, how I walk, how I breathe, how I talk, the shakiness in my voice. I like parties, I like the time I spend with people. but in a party, I wouldn't be around the loud, people, who keep making jokes, and laugh really loud every two minutes, drawing everybody's eyes to them, they start doing weird "trendy" dances out of nowhere, they do shots of a strong drink, after playing a truth or dare game. nope. you won't find me next to them. and if you do, it'll be a nervous, quite, shy, version of myself, who is walking near them, because they are hogging the snack bar, and I really want a cupcake. and my face, yup it's a small smile that's painted on my face, with wide eyes, as I wiggle past the loud, crazy crowd. at a party, you'll find me with a few friends, we're considerate of everybody else's conversations, so we talk quietly and share laughs every now and again, we do cute "trendy" dances while we talk about fun stuff, like how we are, how we wish they had more cupcakes, because we've almost eaten them all. you'll find me with a few friends, in the quiet area of the party, away from all the "action" the drinking, the loud people, if I'm Frank, the irresponsible and immature people at the party. 🐨 I like spending time with friends and with family. but I also really like time to myself. especially now with my anxiety and ocd and fear of fears, and depression, it's really nice to just stay in my room, play my music, and sit on my bed and breathe, and then bujo for a while, or write, or daydream about what I want my life to be like, and once I feel a bit better, dance around my room and sing along to the songs that are playing. I thought I was so weird.

for the longest time, like 12 to 18 years old, I thought I was weird. because I would like spending time with people, I like parties, so I'm extroverted, but I don't like to be the center of attention, I don't like being around the "action" at a party, so am I not extroverted? okay, so I'm introverted, because I like spending time alone, on my own. 🐨 but I still like parties, so am I introverted and extroverted?

I'm really good at math, I have high marks in school, but I don't want a desk job when I grow up. I feel like it's be boring to be at a desk, for 8 hours a day. looking at paperwork for stuff I don't care about, or writing emails to random people that don't care about who wrote that email. and I don't want to be a business woman, 🐨 it seems boring. I could be a business woman, I have the qualifications for it, but I don't want it. but that's basically the entire career selection I can choose from. business. because I don't like cooking. I don't like working hard, outside, I don't like building stuff, I don't like computers, I don't like interior design, (I mean, I like it, but it's confusing to me, so I would need to learn a lot about interior design if I were to be a designer or an event planner) so business seems like the only career that would be stable.

but I really like creative writing. it's 🐨 something I really like. I think I'm really talented too, and I would LOVE to be an author, and an illustrator, but I don't know if it'd be a practical career, if it will give a "stable" income. 🐨 so I'm thinking about studying marine ecology. because it's not a desk job, I will be outside, my dream job, would be diving into the ocean and surveying the different marine life, it combines two things I love. marine wildlife, and being outside.

so I'm not the oddball out. I'm not weird. I actually fit into a personality type. realizing this, is such a relief. I've already learned this year, that I should accept myself, my personality, my likes, my dislikes, my goals, my body shape and hair color, skin color, everything about me. and I have. but to have my personality validated, is so much more, than just accepting myself, it's like I'm normal. I'm okay. 🐨

so if you want to, I highly recommend checking out 16 personalities and finding your type and learning about it. 💙💙

[recentanimenews]

Bookshelf Briefs 8/21/19

Accomplishments of the Duke’s Daughter, Vol. 4 | By Reai and Suki Umemiya | Seven Seas – Aside from praising Iris’s innovations, this volume focuses more on the political end of things than the commerce end. Iris ends up attending the ball, and it goes better than she expected, mostly as the Queen Dowager is in her corner. In fact, honestly, things may go a little TOO well—the entire ball seems engineered to show off how the guy who dumped and exiled Iris is a hothead idiot, and Yuri seems to be doing an excellent job of manipulating the country into… running itself into the ground. But how invested should Iris be in all this, especially as she has to look out for her own nation, because there’s war on the horizon. Still an excellent political drama. – Sean Gaffney

Behind the Scenes!!, Vol. 7 | By Bisco Hatori | Viz Media – I enjoy Bisco Hatori’s humor, but her plotting is not a thing to behold. That said, as predicted, things resolved with the Ruka plotline, followed by a quick epilogue showing the film Goda made (honestly, the plot of the film sounds like a manga I’d love to see Hatori write), and then another epilogue several years later showing the two pairings (mostly) resolved and the two stars at ease with themselves and successful. There’s fun to be had here, but I can’t deny that I think this started a lot stronger than it ended, and I’m glad it did not end up as long as Ouran. I’d still recommend it to Hatori fans, though. Oh yes, and the amnesia arc proves to be as inconsequential as I suspected it would be. – Sean Gaffney

Cocoon Entwined, Vol. 1 | By Yuriko Hara | Yen Press – Hoshimiya Girls’ Academy has a unique tradition. The students have exceedingly long hair, and as the middle school third-year students are being measured for their high school uniforms, the high school third-years are finally having their hair cut, which will be used to make said uniforms. Cocoon Entwined so far is light on plot, heavy on atmosphere. We meet Yokozawa, a girl who seems to be able to sense breathing and/or heartbeats from the uniforms, and Saeki, the princely girl whom Yokozawa has feelings for. We don’t meet, except in flashback, the elusive Hoshimiya, granddaughter of the headmistress, who has locked herself in her room and for whom Saeki seemingly pines, much to Yokozawa’s dismay. I really liked this volume, even though there’s not a lot happening so far. I look forward to more, whenever it comes. – Michelle Smith

Dead Dead Demon’s Dededede Destruction, Vol. 6 | By Inio Asano | Viz Media – Thankfully, and despite Kadode assuring her friends that something happened, it’s suggested nothing did, and the teacher is leaving the city due to the ongoing chaos. Honestly, the world may not have all that long to go—even if the aliens don’t bring things to an end, can Japan really hold off America and everyone else? This still has a bit of a post-apocalyptic feel to it. Still, Futaba does end up getting lucky, so to speak, though the implication is that her politics and his desire for a non-serious relationship will make that a very short relationship. The best part of the story was Oran’s surprise birthday party, which was sweet as pie. I hope there’s more sweet moments ahead. – Sean Gaffney

Emanon, Vol. 1: Memories of Emanon | By Shinji Kaijo and Kenji Tsuruta | Dark Horse – I initially picked up Emanon due to Tsuruta’s involvement since I’ve been enjoying Wandering Island; I only later realized that Kaijo is an award-winning author. The Emanon manga is an adaptation of a series of stories written by Kaijo (also illustrated by Tsuruta) featuring a young woman who calls herself Emanon. Kaijo’s somewhat melancholic but engaging narratives lend themselves well to Tsuruta’s atmospheric artwork. There’s very little action in the first volume of the manga. For the most part, Tsuruta is capturing a reminiscence of a conversation between two people, a young man who enjoys speculative fiction and Emanon. She intrigues him, not only because of the air of mystery surrounding her but because she tells him that she holds memories reaching back to the beginning of life on Earth. Memories of Emanon, adapting Kaijo’s original story, is self-contained, but I’m greatly looking forward to the continuation of the series. – Ash Brown

Idol Dreams, Vol. 6 | By Arina Tanemura | VIZ Media – It’s been almost two years since I read a volume of Idol Dreams. I’d stop short of saying it has gotten good in the intervening time—there’s a lot of melodrama here, from the death of Hibiki’s little sister and him carrying on despite his grief (leading to the spectacularly cheesy line, “Sayaka, can you hear Hibiki singing?”) to the plotline revolving around Hanami’s pregnancy and the fact that it isn’t Tokita’s—but it’s certainly somewhat better, and I think that’s because this volume puts much more emphasis on Deguchi as an adult interacting with adults rather than her masquerading as a teen interacting with teens. It was even a little gratifying to see this mousey character haul off and smack Hanami for leaving Tokita at the altar. Do I care enough to keep reading? Maybe, especially if the next volume is the final one. – Michelle Smith

Magi: The Labyrinth of Magic, Vol. 37 | By Shinobu Ohtaka | VIZ Media – And so, Magi comes to an end. There were some things I really liked about it, like how Ohtaka-sensei showed how Alibaba’s unfailing determination to fight the spell reminded various brainwashed people of other heroes they had known who had sacrificed everything for goals and countries that would no longer exist if everyone and everything returned to rukh. I liked how Kogyoku was desperately trying to get him to surrender to her before the arrival of the massive army in an attempt to save his life. The rest, though, is not completely clear. I get most of what Sinbad did, but I don’t really get how Aladdin emerged victorious. There was a big flash of light and then… happy epilogue? Which I guess is fine. The happy epilogue was what I really wanted, anyway. Overall, I enjoyed this series and its themes of self-determination. – Michelle Smith

My Hero Academia, Vol. 20 | By Kohei Horikoshi | Viz Media – This is an excellent volume, but it’s definitely a “wrap up one plot and start another” sort of book. Midoriya stops the “villains” and we see the small series of tragedies behind their backstory. He makes it back for the festival—just—and it’s a blast, with Jiro at her best (the redrawn art helps) and Eri dazzled. Then we see the new hero rankings post-All Might, and Endeavor is finally top of the charts, but being #1 also means that people are after you as well, and there’s a pretty nasty fight towards the end. Will Endeavor win the day? And will Todoroki care? Great volume, but I think it’s all about Jiro and Eri’s big grins in the end. Those are wonderful smiles. – Sean Gaffney

Shortcake Cake, Vol. 5 | By suu Morishita | VIZ Media – Ten has realized she likes Riku after all and returns early after summer vacation because he’s alone in the boardinghouse. Meanwhile, Chiaki is getting bolder about expressing his feelings. The great part is that not only does he get this pertain to Ten—including a smooch at the end and a “What can I do so that you consider me?”—but to Riku, as well. Chiaki’s oddball personality is starting to come through, and the best chapter here is a cute interlude where he lies about the origins of a cup Riku broke so that they can go out shopping for a replacement together. It involves Riku winning an enormous bag of potato chips for Chiaki from a crane game. I’m not super invested in the romance angle of this story, but I do like the main trio of characters! – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 4 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – There’s an attempt to ramp up the danger here, given that we’re dealing with the death of NPCs, who technically aren’t real people (though honestly, most of SAO has been built around proving that false lately) and the fact that this time you really can log out and go back to your life. But the threat of the game being hacked, as well as users using drugs to “enhance” their experience, means that this time the Japanese government may finally shut down all these VR games for good—something that Kirito and Asuna in particular are determined to stop. Can they help save Premiere from her fate? And what about Anti-Premiere? – Sean Gaffney

Takane & Hana, Vol. 10 | By Yuki Shiwasu | Viz Media – As expected, Okamon is shot down (very nicely) by Hana. Of course, Takane misunderstands. Indeed, the entire volume is about misunderstandings and poor communication, which is always a good fallback in romantic comedies like this one. We also get the backstory on how Takane met Nicola, and how, like Hana, he was at first completely annoyed by him till he saw his hidden nice side. There are not quite as many amusing faces as previous volumes (though the omake helps make up a lot of the difference). But in return we do get a bit more on the romance front, as a drunken Takane (they had a birthday party for him) ends up kissing Hana… on the nose. That said, the effect is devastating. Fun times. – Sean Gaffney

Yuri Life | By Kurukuruhime | Yen Press – We’ve seen quite a few yuri anthologies about adults lately and this one is a 4-koma one-shot, with each chapter focusing on a different couple, until we come around to the first one at the end. There are couples I found interesting. (One involves the Grim Reaper waiting for a woman to die, falling in love with her, and then having her romance be what enables the woman to keep living… so they have to part.) I will say they are “mostly” adult romances… one is teacher-student, with the student being sixteen, and it didn’t work for me. Nor did the one about the “yandere.” Still, there were more hits than misses, and if you’re looking for cute, sweet yuri that won’t stick in the head, this is decent enough. – Sean Gaffney

By: Ash Brown

[thepinkrvnger]

I too only read twilight out of spite and posses an absurd amount of knowledge about it much to my chagrin. I hate it. But just know I agree with everything you said in that post.

It’s really quite vexing, because I would dearly love to be able to just… forget about Twilight’s existence??? But every time it’s brought up, most especially when someone tries to defend literally any aspect of it, the ‘WELL ACTUALLY KAREN’ part of my brain lights up and just won’t QUIT until I get all the word vomit out and then I’m like ‘will I ever be free of this hell’ and the answer is No.

Part of it may be that I’m personally offended, on my own behalf, that I actually liked the series at first. This is like… over ten years ago, a few months before Eclipse was released, I was a teenager (16 at the time) and an online friend (who I knew from an HP RP and had been site-hopping with for a while, so we wrote together and talked a lot and were actually pretty close) recommended the books to me. She raved about them, like ‘omg it’s so original, it’s got vampires and romance so that’s right up your alley, check it out!’ and I got the first two books and read them (it took me two days to finish the both of them, I’ve always been a fast reader and they were ridiculously easy to get through), and while I didn’t care for Bella so much, I couldn’t put my finger on why, and I’d read them far too quickly for any of the bad to sink in.

(This was also pre-Eclipse and Breaking Dawn and the horrible elements those introduced.)

So I was like ‘ok, the writing wasn’t the best, but it was a kinda fun romp, I’ll wait and see what the third book is like!’ and in the meantime I was pulled into a group of Twilight fans who were creating a site. I was kind of the oddball of the group, in that I was Team Jacob and didn’t like Edward at all even then (I was lukewarm on Bella, didn’t start despising her until Eclipse which is when I got into the twilightsucks community), and I was slated to be staff on the site (you may know it–it’s still around and active, though it’s billed as an ‘urban supernatural site’ these days, they moved away from the Twilight branding several years ago–it’s called Equinox (similar in form to hex (hogwartsexpress, the HP rp site that was big for a long time)) which opened a couple months after Eclipse was published.

Also around that time, I started being openly critical of the series in our groupchat. These were people I considered friends, I’d known several of them from previous RP ventures (primarily HP ones at the time), and the friend who’d gotten me into it all in the first place was someone I’d known for years… and she eventually unfriended and blocked me for my opinions. They didn’t like me bringing up the sexism, racism, the treatment of Leah, the utter lack of diversity, how controlling and abusive Edward was and how much Bella sucked as a protagonist, and they really didn’t like me insulting the writing. Eventually someone asked me ‘if you hate Twilight so much, why are you still part of this site?’ and… I couldn’t think of a response, so I just quit.

Not long after that, Breaking Dawn was leaked (not sure how old you are or if you’d otherwise remember, but this was a HUGE deal–about a week, maybe two, prior to the book’s scheduled release, some gas station ‘accidentally’ (whether it was really an accident is wide open to debate, Meyer went on to flounce about a month later after someone released Midnight Sun and refused to continue it (probably for pity, and frankly it’s still an open question of if it was really released maliciously or if she did it herself to give her an excuse to throw a pity party after the reception Breaking Dawn received)) sold several dozen copies early, and spoilers flooded the internet. The only reason I even read the book was because the spoilers were so out there and off the wall, all I could think was that they were fake, because even a hack like Meyer couldn’t be that bad.

Needless to say, I was wrong, and she was, and the twilightsucksdotcom forums that had sprung up were insanely active for years after the fact, it really was a Time. In fact, I think v3 or v4 of the forums are still up on proboards, just mostly dead, a graveyard standing as a testament to our loathing of that damn series and the fandom it spawned.

UH. I had a point, I swear. Somewhere. I think I lost it. See? Word vomit. ANYWAYS YES, point being, spite is an incredibly powerful motivator, and if you ever lost friends over this drivel because they liked it and you didn’t, well, good riddance to bad rubbish and all that.

[sfdfmoviereviews]

Upcoming Flicks January 2018

Here are the upcoming films being released in Australia in January 2018, accompanied by my personal thoughts of them.

January 1

·         Pitch Perfect 3

The girls have reteamed for one last hurrah and are on tour with the USO, singing for the troops overseas, along with some other musical groups. Genre: Musical Comedy Director: Trish Sie Stars: Anna Kendrick, Rebel Wilson, Brittany Snow, Hailee Steinfeld, Elizabeth Banks, Anna Camp, Alexis Knapp, Ruby Rose Recommendation: I reckon it won’t be worth the price of admission. The first one was a great success. The oddball characters thrown together were comedy gold, but should not have been repeated. The sequel provided nothing new and now I think they are milking a cow that’s giving sour milk. It’ll be aca-crapa.

 ·         Three Billboards Outside Ebbing, Missouri

After the police fail to solver her daughter’s murder, Mildred Hayes buys advertising space on local billboards slamming the local police. Genre: Comedy/Crime/Drama Director: Martin McDonagh Stars: Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Lucas Hedges, Caleb Landry Jones, John Hawkes, Peter Dinklage Recommendation: Three Billboards won the People’s Choice award at the Toronto Film Festival, is  being critically acclaimed. There is a fantastic cast with what looks to be a compelling story and characters. I think this is the perfect movie to start 2018.

  January 4

·         All the Money in the World

Inspired by true events, All the Money in the World is the story of the kidnapping of John Paul Getty III, whose rich oil giant grandfather doesn’t hand over the $17M the kidnappers are demanding. Genre: Thriller Director: Ridley Scott Stars: Christopher Plummer, Mark Wahlberg, Michelle Williams, Charlie Shotwell, Charlie Plummer Recommendation: You may have heard about this movie after Ridley Scott recast and reshot the film with Christopher Plummer after the controversy around Kevin Spacey. Probably a better choice anyway as Plummer would be closer to the age of the tight-arse grandfather. The trailer looks good. It has an intense spy thriller vibe. See it.

   January 11

·         Darkest Hour

Darkest Hour is the war biopic of Winston Churchill as he is sworn in as Prime Minister of Great Britain just prior to the first World War. Genre: War/Biopic Director: Joe Wright Stars: Gary Oldman, Lily James, Ben Mendelsohn, John Hurt Recommendation: See it. It’s a great piece of history concerning an integral person who changed the course of the world. Plus, you cannot go wrong with Gary Oldman.

 ·         The Nut Job 2: Nutty by Nature

Some animals need to stop a greedy mayor from destroying their bit of nature for an amusement park. Genre: Animation Director: Cal Brunker Stars: Will Arnett, Gabriel Iglesias, Jeff Dunham, Katherine Heigl, Jackie Chan, Maya Rudolph, Isabela Moner, Bobby Cannavale, Sebastian Maniscalco Recommendation: To quote my wife “There was a Nut Job 1?” I’m surprised they made the second. Skip it.

 ·         The Post

The U.S.’s first female newspaper publisher uncovers government  secrets that have spanned four presidents, and seeks to make them public. Genre: Biographical Drama Director: Steven Spielberg Stars: Meryl Streep, Tom Hanks, Sarah Paulson Recommendation: Spielberg, Streep and Hanks. The three biggest names in Hollywood comes together to make a hard hitting bio drama. Count me in. Spielberg is my favourite director and Hanks is, in my opinion, the greatest working actor today. You cannot miss this. Also, everything about it screams Academy Awards.

 January 18

·         Maze Runner: The Death Cure

Thomas and his mates must break into the Last City, the deadliest maze of all in the third and final instalment of the Maze Runner series. Genre: Sci-Fi/ Adventure Director: Wes Ball Stars: Dylan O'Brien, Thomas Brodie-Sangster, Ki Hong Lee, Kaya Scodelario, Katherine McNamara, Giancarlo Esposito, Rosa Salazar, Barry Pepper, Aidan Gillen, Patricia Clarkson Recommendation: At least the Pitch Perfect cow was giving sour milk. This is like milking a dead cow. Critics and audiences agree that the first was average at best, and the second was just plain terrible. May as well complete the trilogy, I suppose. Skip it.

 ·         Swinging Safari

This Australian comedy shows us the sexual swinging 1970s in a small beach-side town. Fearless kids and carefree parenting by day, key party by night.  Genre: Comedy Director: Stephan Elliott Stars: Guy Pearce, Kylie Minogue, Radha Mitchell, Julian McMahon, Asher Keddie, Jeremy Sims, Jack Thompson Recommendation: Australian comedies set in the 70s and 80s are hilarious. I loved the trailer for this. Elliott directing Pearce again with Neighbours legend Minogue (I also think she sings) tops it off for me. Julian McMahon… I haven’t seen him since he shimmered out of Charmed. See it.

 ·         The Commuter

Michael, an insurance salesman, is riding the train home when things go amiss. Michael gets caught up in a criminal conspiracy and races the clock to uncover a mystery passenger before it is too late for them all. Genre: Action Director: Jaume Collet-Serra Stars: Liam Neeson, Vera Farmiga, Sam Neill, Patrick Wilson Recommendation: Collet-Serra sure likes to get himself a bit of Neeson. I suppose we are lucky he wasn’t cast in the Shallows or the shark would never have had a chance. It’s weird. The start of the trailer intrigues and surprises me. It mystery aspect has me yearning to see it but then the last half of the trailer makes it seem like a generic Liam Neeson actin flick on a train, which has me yawning, so I’ll give it a 50/50 chance of it being any good.

 ·         The Shape of Water

During the Cold War, a mute cleaner of a top secret government laboratory forms a relationship with their experiment, a creature who looks like should have come from the Black Lagoon. Genre: Fantasy/Romance/Thriller Director: Guillermo del Toro Stars: Sally Hawkins, Michael Shannon, Doug Jones, Michael Stuhlbarg, Lauren Lee Smith, Octavia Spencer, Richard Jenkins Recommendation: This really looks fantastic. I have been looking forward to it for a long time. Coming from the mind of del Toro with this cast and Doug Jones (aka Suru from Star Trek Discovery) as the creature I have high hopes that I’ll be talking about this in my ‘Best of 2018’ list.

  January 25

 ·         Den of Thieves

Den of Thieves follows a group of bank robbers who have their eyes set on the Federal Bank, while the elite unit of cops with unconventional police morals chase them around every turn. Genre: Action Director: Christian Gudegast Stars: Gerard Butler, 50 Cent, Pablo Schreiber, O'Shea Jackson Jr., Recommendation: Skip it. There is nothing new here.

 ·         I, Tonya

If you were curious about the upbringing and what led to Tonya Hardings ice skating success and her attack of a fellow competitor, this is your chance to find out. Genre: Biographical drama Director: Craig Gillespie Stars: Margot Robbie, Allison Janney, Sebastian Stan Recommendation: Who knew ice skating could hold so much potential for a decent crime drama. Surprisingly, I am keen for it. See it.

 ·         Sweet Country

Based on a true story, Sam, an aboriginal stockman, in the Northern Territory in 1929, kills the white station owner in self defence and goes on the run. Sam and his wife flee into the outback only to give themselves up due to the health of his pregnant wife. Genre: Biographical Crime Drama Director: Warwick Thornton Stars: Bryan Brown, Sam Neill, Hamilton Morris Recommendation: Sweet Country looks to be a great Australian western. There is such a rich story to be told here and the trailer has me wanting to see how it all unfolds. See it.

  As usual, January in Australia is mostly biopics and Oscar bait films with a few shit ones thrown in for good measure. My picks for the month are The Post, The Shape of Water and for a good laugh, Swinging Safari. Let us know what you are planning on seeing.

-Terry

[hermanwatts]

SUPERVERSIVE: “Toradora” – the ultimate high school rom-com!

That’s right, I broke down and finally watched “Toradora”, an upbeat anime rom-com about teenagers and their romantic drama. And I don’t regret it one bit.

Note: There will be some spoilers below the cut, because to discuss the show properly I need to discuss character development, and that connects directly to the relationships that are formed. Personally I think it’s pretty easy to figure out what the endgame is early on, but if you want to figure it out for yourself I thought I’d give you the heads up.

“Toradora” is considered arguably THE premiere anime rom-com, a classic of the genre and one of the highest rated anime on MyAnimeList. Ryuuji Takasu, a high-schooler with a face that makes him look like a Yakuza member and a personality that makes him seem like a teddy bear, is in love with Minori Kushieda, his super cute oddball classmate he’s too shy to approach. He shares a class with her, his best friend, the friendly, responsible, and upbeat Yuusaku Kitamura, and Minori’s best friend Taiga Aisaka.

Taiga is infamous throughout the school as the “Palmtop Tiger”. She looks tiny and adorable, but don’t let it fool you – she’s violent and mean, with a temper even shorter than she is. A chance encounter at school leads to Ryuuji learning that she’s in love with his best friend (not to mention that Ryuuji and Taiga happen to live next door), and together they strike a deal: They’ll help each other land the other’s romantic target. And thus the show begins in earnest.

If I had to describe “Toradora” in one word it would be “polished”.

She’d hate me for saying it but she’s even cuter angry

The plot is nothing special. The characters follow well-worn archetypes. The animation is perfectly fine but it won’t blow your mind. And the character designs are pretty good but not outstanding…with the exception of Taiga, who has one of the best character designs ever. Outside of her, though, nobody really stands out.

The thing is, while none of it can be classified as “great”, all of it is good. This is a good old-fashioned rom-com to the core, but it is a really, really well-written one. Taiga follows the classic tsundere archetype, but she’s one of the best written tsunderes in anime, not because anything unique is being done with her but because her writing is extremely consistent. The change in Taiga’s feelings towards Ryuuji follows naturally from her character development throughout the series, as does her general change in attitude and temperament.

No arbitrary checking off of the boxes here – Taiga feels like a real person with a real inner life, not a walking trope, an increasingly rare occurrence with the tsundere archetype.

The best written character by far, however, is Ami Kawashima. Ami joins the main cast several episodes in and the dynamic she forms with everyone is a game changer. She’s a model, the childhood friend of Kitamura, and supposedly an adorable airhead. It isn’t difficult for the viewer to figure out it’s a front, especially when she starts manipulating Ryuuji almost immediately.

This is nothing new, but the real stroke of genius is that Ryuuji figures out that Ami is faking almost immediately, except he doesn’t tell her he knows this (Taiga, of course, was never fooled in the first place). Thus you get the layers of irony of Ami believing she’s using her feminine wiles to manipulate Ryuuji while Ryuuji knows she’s manipulating him and doesn’t let on.

As the story evolves Ami’s skill at reading people combined with a willingness to say things that other people don’t want to hear makes her an excellent plot catalyst. As knowledge of her true personality grows her relationship with the other characters also undergoes a slow shift: Like Taiga, Ami is more than her archetype but comes across as a real person.

“Toradora” is full of melodramatic high school romance, where every crush is true love and rejections feel like the end of the world. It’s refreshing in that it takes the feelings of the characters seriously: However silly it might seem to an outsider this is of vital importance to them, and the emotional turmoil being caused is very real. Especially effective is the way the show manages to handle Taiga, the character with easily the worst life of the main five and the most character development. Her transformation from the Palmtop Tiger to the Palmtop Tiger of Happiness is very well-written and welcome to see. It’s hard not to root for her.

“Toradora” also features several standout episodes, the most famous of which being the Christmas party episode – which is, indeed, the best episode of the show. It also features one of the most famous -and satisfying – kisses in anime.

I’ve seen people criticize the ending before. People are dumb, the ending was great.

Look, I have little else to say about “Toradora”. The writing is sharp, the characters are great, it looks good, it sounds good, and it’s just a really fun time. It does get dark sometimes and it explores some serious themes, but ultimately it’s a happy show that’ll leave you in a good mood after you finish it.

All “Toradora” is is a happy, mushy high school rom-com with unusually sharp writing – and I wouldn’t have it any other way. Highly recommended.

SUPERVERSIVE: “Toradora” – the ultimate high school rom-com! published first on https://sixchexus.weebly.com/

[karanguni]

Yuletide Reveals 2017

'Tis that time of the year again! Hello to anyone who's wandering over from AO3 - feel free to drop in and say hi if you want :) No The Culture this year from me ): But an oddball collection of other things nearly out of my wheelhouse, but not quite! This year'll have a bit of a DVD-extra commentary: I'm trying to get back into the swing of journalling, as I do every Yuletide. Writing-wise, I badly wanted to get done in October, and ended up writing down to the wire in December. Pro-tip: if you have family over for the whole of one month, then nothing but travel and work explosions for the next two, and no vacation days left leading up to Christmas and the New Year... You're going to have an interesting time of it. I was saved by going on a writing meetup with another local Yuletider, which forced me to stop being needlessly distracted. Assignment: Machineries of Empire - Meditative Aids For meguri_aite. 11K casefic of Mikodez running around the Academy. I'm usually astonishingly bad at writing length for my main assignment, even when I want to, but this went from "I'll bang out about 5K" to "oh... crap" pretty rapidly. I wanted to stay true to canon without trying to imitate it, all things considered, so I threw pastiche out the window and went for Mikodez barrelling his way to being the youngest Shuos Hexarche. I'm finding, more and more, than matching to single character Yuletide prompts where I go on to write backstory can be terrifying: I'm a decent writer, but these things sometimes have to carry their own weight without much interaction with any other canonical characters and that's a challenge. I'm constantly wondering if it's too navel-gazey, or too tell-not-show, and there's this propensity to rely on the strength of style or prose over actual content. Throw in the fact that my brain melted when trying to render my usual stylistic... stuff and this one was a bit of a gamble. Solid core of canonical support aside, Mikodez doesn't actually talk to anyone else from the canon for most of 9,000 words. ?!?!? Here's where a second pair of eyes is always helpful, and I'm grateful to Sath for making sure I wasn't just tilting at windmills the whole time. Shouwa Genroku Rakugo Shinjuu - Smoke For pi. 1K, Kikuhiko and magical realism. Rhea has done so many wonderful podfics for me over the years that when I saw them request Rakugo I made a little fist-pump of despair while trapped in one airport or another and avowed to try my best to get something out there. This fandom is a giant snakepit for me because I'm always tempted to go back to Japanese language source materials that I really, really don't need to go to and that I really, really shouldn't use as a crutch. I sat there about 48 hours to the deadline clutching at this tiny volume of rakugo stories, staring at its iteration of shinigami, and had to force myself to shut it and just write. Ironically, I think that was for the better: after a real struggle of a Yuletide, I hit my style stride somewhere in here. (Or at least I hope so.) Vorkosigan Saga - Defensive Tactics For yhlee. 3K, Ges/Aral pre-canon. /waves to yhlee *g* Ges/Aral! A great place to wander in Vorkosigan fandom, because it's where angels fear to tread. But I was determined to treat back, dang it, so HERE YOU GO FOR THE SECOND YEAR RUNNING. I plead jetlag for throwing Ges' canon birth order out of the window, but I was quite beyond trawling the Vorkosigan BB - the important part was that Aral, even in a state of Ultimate Shitasticness, probably wasn't attracted to Ges just because he was a good roll in the hay. I aimed for yhlee's prompt of "high school prom night" and ended up with Aral and Ges dance circles around each other... for years. That's almost the same thing, right? As a belated rec, I highly recommend philomytha's political-intrigue laced drunken Vor beach party of a Ges/Aral fic, A Marvellous Party. Philomytha is a much, much defter hand at Vor politics than I. Tang Dynasty RPF - go out the door For quillori. Li He... in space. One of the many interesting things to come out of coding the tagset app and - at some points - manually massaging six-thousand-and-mumble prompts into JSON submission is that I incidentally laid eyes on fandoms that I never would have thought of searching for. I am far from familiar with Chinese (nevermind Tang) poetry, compared to my usual Japanese schtick; I have about a handful of poets and some broad historiographical understanding of Chinese literary history, partially from a forced education 10 years ago and partially from college. But Quillori's letter had an excellent set of English-language sources for Li He, and my god. I read one and couldn't turn back. Very few poets come across so strongly in translation, but I read the King of Qin Drinks Wine and fell instantly in love. While on vacation. Trapped on top of a mountain range. In another country. But, seriously, look at this:

The king of Qin tours the cosmos on tigerback, his sword's glimmer illuminating the clear, blue heavens. As Xihe whips the sun, glass is chiming; ashes of the old world, burnt asunder, flit about; peace reigns eternal. Drinking wine from a dragon-flask, he invites the god of wine to join him, his gold-set pipa twanging dyang-dyang in the night. The pitter-patter of the rain on Dongting Lake sounds like the blowing of a flute, deep in his wine, the King shouts at the moon, causing it to change direction. Silver clouds piled high, dawn comes to the bejeweled palace; the doorman announces the coming of night. In the flower palace, with its jade phoenixes, a woman's charming voice; a robe made of merfolk's thread and decorated with a crimson pattern, tinged with a faint scent, is worn by a yellow-robed serving girl who dances a dance of wishing for the king's reign to last a thousand years. The candles burn light smoke; the handmaiden's eyes well up with tears of purest water.

I don't know how I went from "who the hell is Li He" to "WHY ARE THERE NO AUDIO RECORDINGS OF THIS; THE SPOKEN RHYME IN THESE POEMS IS SO SUBLIME" to "oh shit" in a matter of hours, but... somehow it ended up with Li He in space talking to the lady on the moon. Okay, brain. Sure. This makes it the second year in a row I've gone and done "what?" research into fandoms written in non-modern East Asian languages which I am certainly not fluent in, then taken said research and thrown it into space. I regret nothing. (I was beyond chuffed to see my recip from last year, for whom I wrote equally-unlikely Tale of Heike space opera, show up during the anon period! Ahhh!) On the non-writing end, I spent a little coding time and a few too many hours of maintenance spinning up the tagset/letters/prompts app, or whatever you want to call it. It started out as a little exercise in wanting to get the comma-separated hell that is the AO3 tagset into something that didn't sear my eyes out, and expanded out into a little bit of everything. I'm glad that people found it useful, and am super fortunate that many generous souls donated a dollar here and there to help with hosting costs when we collectively hammered the thing to death in October/November. comments Comment on DW: http://ift.tt/2EuZseY

[recentanimenews]

FEATURE: Crunchyroll Favorites 2016, Part One: Anime and Manga!

Hoo boy, 2016 was a rough year (and that's putting it very, very mildly)--but there were a few bright spots, and that's what we're here to talk about today! Crunchyroll Favorites kicks off its fifth year with another three-part look at all our favorites from the past twelve months!

  The rules were simple: for Part One, only anime, manga, and related media that were released in 2016 (or received a Western release in 2016), or experienced a major milestone (like starting a new season or closing up a major arc). There's a lot to look at in Part One--let's get started!

  NATE MING (@NateMing)

  FLIP FLAPPERS- Finally, a modern magical girl series that steps out of Madoka's shadow and delivers something that's unique, energetic, and positive as hell. Callouts to everything from Fist of the North Star to Sukeban Deka to (of course) Sailor Moon are welcome for longtime fans, while still getting appropriately dark and moody. Cocona is all about the unease of adolescence, and Papika exudes the simple charm of Son Goku in all her pure, heroic glory. Speaking of...

    Dragon Ball Super- I rarely get excited to watch simulcasts as they come out--I tend to wait and binge, but I'm there every week within a day for Dragon Ball Super. In 1995, when I was 13 years old, I wanted a sequel to Dragon Ball Z with Future Trunks coming back. Now, over twenty years later, I get to see a DBZ sequel where Future Trunks comes back--and the series feels even more like the original Dragon Ball. This is the real secret to eternal youth.

    Yuri!!! on ICE- Yeah yeah, "fujo bait" or some other BS, you're just mad their fandom is more organized than yours. That says a lot to me--that a TV anime, a sports anime, can pull together so many people and get them excited, week after week. Lapsed fans have viewing parties, share recommendations, and remember why they were once into anime in the first place. This is what happens when it feels like something's made for you, and that's a wonderful thing. Yuri!!! on ICE was a pretty okay show, but it's what it symbolizes that means so much more to me.

    JoJo's Bizarre Adventure: Diamond is Unbreakable- I always say that JoJo's is like the original Star Trek movies--the best parts are even-numbered. Diamond is Unbreakable continues Studio David's glorious adaptation of Araki's mega-epic, bringing out all the style and soul and violence of Josuke and the gang's battle to save their town. New to JoJo? Start here--and buckle up.

    Tanaka-kun is Always Listless- Anime comedies are pretty important to me--whether it's the sheer absurdity of Cromartie High School or the more low-key silliness of Tonari no Seki-kun, finding a fairly simple premise and then focusing on it is a good way to hook me. In this case, a lazy guy has to deal with his high-energy friends, and we learn that sometimes, taking it easy is the only easy way to get ahead in life.

    Evangelion 3.33: You Can(Not) Redo- It felt like this movie was never going to come out here after its 2012 release, but holy crap it was worth the wait. After the familiar ground of 1.11 and the bold, assertive new direction 2.22 took, 3.33 brings us back to what Evangelion does best: raw emotional pain, horrifying visuals, and never quite trusting or rooting for anybody we see on-screen. What a ride.

    Rurouni Kenshin live-action trilogy- Another awesome release that was a long time coming, this adaptation of my all-time favorite manga condenses the first 17(ish) volumes of the series into three movies, trimming some plotlines and making them all just work as dynamic, rough, yet stylish martial arts actioners. Thankfully, great fights and drama don't overshadow Rurouni Kenshin's sense of fun. Check these out when you can!

    Thunderbolt Fantasy- Written and created by Gen Urobuchi? Voice acting by Junichi Suwabe, Rikiya Koyama, Nobuyuki Hiyama, and Tomokazu Seki? An opening by T.M. Revolution?! I don't care what you say, you have those credentials, it can be live-action and be made in Antarctica and still be anime as hell. As the only person I know who regularly bought ComicsONE's kung-fu manhua, Thunderbolt Fantasy brought me back to the days of hunting down volumes of Saint Legend and Heaven Sword and Dragon Sabre.

    My Hero Academia (manga)- There's always a certain point when a manga hooks me, and I'm in it for better or for worse. One Piece had Arlong Park (and later Enies Lobby). Naruto had the Chunin Exam. Hunter x Hunter had Yorknew City. Now, My Hero Academia's 2016 developments--and a very public, dangerous reveal and its emotional fallout--have pulled me in. I don't just say "My Hero Academia is good." Now I say "My Hero Academia is One Piece good."

    Crunchyroll x Funimation- Competition's good, but everybody wins when we all work together. Funimation are the other half of what we do, and have been in this business a hell of a lot longer. Being able to watch brand-new anime subbed on CR or dubbed on Funi is the kind of thing I never thought I'd see, and I am excited as hell to be a part of this, and to see what good it can do for anime fans.

  JOSEPH LUSTER (@Moldilox)

Dragon Ball Super- Dragon Ball Super went from "this thing I keep hearing is poorly animated" to "my favorite show of the year" in record time. As soon as it was available legally I jumped into a mountain-leveling, rosé-tinted marathon of madness, and as of right now it's the best damn thing since DBZ. Super has completely rekindled my not-so-dormant love for all things Toriyama, and I can't wait to see where they take the series next.

    Mob Psycho 100- I loved the One-Punch Man anime, but I'm pretty sure Shigeo "Mob" Kageyama could take Saitama in an unrestrained fight. That's saying a lot, but it's just another indicator of how much I adored BONES' gorgeously-animated spin on ONE's manga (which needs to come out in English ASAP). It certainly has some of the most creative fights of 2016, and that's a year that brought us the butt-battling of Keijo!!!!!!!!

    Re:ZERO -Starting Life in Another World- On paper, Re:ZERO isn't something I should have enjoyed as much as I did. I read the first volume of the light novel series and found it as clunky and poorly written as most other light novels I've attempted (noted exception: Kizumonogatari), but the anime really hooked me. It's one of the few series I felt I was watching right alongside everyone else, and it never failed to surprise me and punch me in the gut when it mattered most. This one will be remembered fondly down the line, and here's hoping we get more since Tappei Nagatsuki is still churning out volume after volume of the novels in Japan.

  Also, Subaru is great, you just can't handle how devastatingly real he is.

  PETER FOBIAN (@PeterFobian)

  FLIP FLAPPERS- On a visual level, FLIP FLAPPERS is a fascinating tour de force of concept and animation, featuring regular bouts of intense sakuga and amazing environmental design in the diverse worlds of pure illusion all illustrated in a pseudo-classical style. For critics it is a cornucopia of satisfying references to fine art, science, psychology, philosophy, and spiritualism with visual callouts to a diverse range of media from Neon Genesis Evangelion to The Shining to Popeye. For the casual viewer it’s a powerful story of adolescent discovery told both literally and through beautifully-rendered metaphor.

    Re:ZERO -Starting Life in Another World- Despite the formulaic basis of Re:ZERO’s story, appearing as one of a dime-a-dozen isekai light novel adaptations featuring a female harem, Re:ZERO proved to have some serious narrative worth. Not quite a deconstruction, Re:ZERO featured a deeply flawed protagonist in Subaru and an atypical narrative featuring a novel premise in Subaru’s ability to resurrect from death. This gave the anime a huge potential for speculation, and created an entire community of enthusiasts and analysts who followed it from week to week to see what happened next.

    ERASED- Halfway through winter season I was absolutely convinced that nothing in 2016 would be able to top the combination of subtle direction, emotional narrative, and unique premise of ERASED. The series masterfully invested its audience in Kayo’s well-being, so for the viewer, the series became less about solving the mystery of the murders than the simple hope that this brave, unfairly abused girl could find some modicum of happiness in a cruel world. Satoru’s altruistic quest, forthright concern, willingness to admit his own faults, and habit of accidentally vocalizing his thoughts made him a truly endearing protagonist.

    March comes in like a lion- This show tells a story that's as difficult to look at as it is to look away from. The inextricable nature of the sources of Rei’s joy and sorrow have created a narrow path he must walk upon just at the edge of despair. Studio SHAFT makes excellent use of visuals, employing darkness and deep water to give Rei’s emotions an elemental quality that allow you to experience the suffocating hold that his depression has upon him, while surrounding the Kawamoto household with a warmth and childlike simplicity that represents the refuge their unconditional love offers to him.

    Mob Psycho 100- Mob Psycho 100 may justifiably have a place on top 10 lists for 2016 simply for visual power of the anime alone. Like FLIP FLAPPERS, Mob Psycho 100 is a demonstration of what is possible when you let artists loose on a project. It also showcased ONE’s versatility as a storyteller, strangely, by portraying the same type of overwhelmingly powerful protagonist through a different lens. Behind all the oddball humor and eye-popping art is the story of a boy who struggles with being normal, while everyone around him wants to stand out.

    Shōwa Genroku Rakugo Shinjū- What we have here is one of a kind: a dedicated, generational period piece not only faithfully depicting post-war Japan, but doing so through the the lens of an obscure and nearly-extinct form of artist theater that is uniquely Japanese. Rakugo feels like the sort of soulful, arthouse passion project that a Hollywood director would have to put years of time in to build the clout to justify its creation. Its direction, emphasizing on gesture and expression, is absolutely cinematic, drawing out each emotional note of the melancholic narrative. The somber humanity of Rakugo almost doesn’t feel like an anime, and is a testament to the versatility of the medium.

    My Hero Academia- The next up-and-coming shonen hall-of-famer, in many ways My Hero Academia has already surpassed many of its peers with its fascinating triadic rivalry between Deku, Kacchan, and Todoroki. MHA does a tremendous job of portraying its immensely charming cast of characters' pursuit of diverse personal goals that are equal parts altruism and self-interest. Most importantly, Horikoshi has tapped into the ethos of superheroes, creating inspirational figures that are intrinsically human, but saddled with the responsibility of representing something larger than life.

    JoJo’s Bizarre Adventure: Diamond is Unbreakable- Despite my many attempts to get into the series, Diamond is Unbreakable is perhaps the first iteration of JoJo that had something interesting to say. The slow-burn murder mystery set in an idyllic town and the many asides, notations, and references all work in concert to build the fictional city of Morioh into a nearly real place like The Simpsons' Springfield. With that hurdle passed, Araki’s stylized art and its amazing adaptation into color and movement by Studio David become an art form unto themselves.

    Tanaka-kun is Always Listless- Maybe it was how atypical Tanaka was as a lead in a medium where protagonists are homogenously faceless, featureless, and altruistic that drew me to this series. The entire cast each have some sort of hang-up, but the titular Tanaka-kun just treats it differently (ironically) by treating them all the same. Tanaka-kun definitely has a lot of offer on the classroom comedy front, but it also provides a unique sort of iyashikei, or healing media, in which characters' idiosyncrasies are taken in stride and wholeheartedly accepted, even appreciated, by others. It’s this light-hearted dedication to the positive that makes this anime so dear to me.

    Yuri!!! on ICE- Complaints about animation and 11th hour writing aside, I do believe Yuri!!! on ICE was one of the most important anime this year or perhaps of the past several years. Yuri!!! on ICE is a story meant to appeal to a much more vast audience than the more targeted content we’re used to, and it showed. It's created new fans for the sport of figure skating, reached out to the LGBT community, and represented countries that hardly see a mention in modern media. It was written for a global audience and it reached it. Only time will tell if it's destined to have any sort of lasting cultural impact, but in the present, at least, it has drawn some deserved attention to the art form.

  KARA DENNISON (@RubyCosmos)

  Kabaneri of the Iron Fortress- I had this show dropped on me by a friend with absolutely no lead-in whatsoever. I've had my fill of steampunk and zombies, so I nearly gave it the brush-off... but then I realized Mikimoto was behind the character designs! It's a gorgeous piece of work, and not at all tuned to the tropes I was expecting. The promise of more is incredibly exciting.

    BAKUON!!- Motorcycle anime? Sign me up. It took literally zero arm-twisting to get me into a show about schoolgirls on bikes. Especially when one of them is pretty much literally the Stig. I haven't finished this yet, but I'm looking forward to watching the end very soon!

    Love Live! School Idol Project (pre-2016)- Yeah, yeah, I'm late to the party. After lurking around on the game, I finally gave the anime a try to see what all the fuss was about. And I admit it: it's actually really good. It helped that I was in touch with the characters after playing on the app for so long, I think, but I really did jam with this. Looking forward to starting Sunshine soon.

  EVAN MINTO (@VamptVo)

Space Patrol Luluco- As Crunchyroll’s resident Trigger fan, I’m obligated to put Luluco at the top of my list. It’s the famed studio of loony ex-Gainax dorks indulging in some of the most surreal, self-referential comedy this side of FLCL (the show where Luluco director Hiroyuki Imaishi got his start as an animation director). Not only does Luluco boast references to every Trigger property from Kill la Kill to Kiznaiver and cameos from Little Witch Academia, Sex & Violence, and 2016’s REAL Best Boy — Inferno Cop — but it’s also a surprisingly sincere shojo-inspired cosmic love story!

    Mob Psycho 100- I loved what I saw of One-Punch Man, though I never did finish it (I know, I know). Mob Psycho 100, also from webcomic artist ONE, has some of the same appeal — superpowered battles, lush animation, and an absurd, slightly dark sense of humor — but cuts it with a heartfelt coming-of-age-story. More than anything else, though, I watched Mob just to see what wild shots the animators at BONES would try next, and I was rarely disappointed. Mob Psycho 100 is easily one of the best-looking shows of the past five years; every animator gets a chance to show off their unique style, and even the most mundane scenes are infused with energy and personality.

    ERASED- It’s rare we get an anime series I can comfortably recommend to my parents, but ERASED manages to capture the nail-biting cliffhangers and complex mysteries that drive so many popular modern American TV series. On top of all of that, director Tomohiko Ito (of Sword Art Online fame, go figure) crafts powerful, cinematic visuals without resorting to expressionistic anime flourishes. When it all comes together it’s a captivating experience. The ending needs a bit more room to breathe, but even with a few stumbles at the finish line, ERASED is a series I’ll be recommending for years to come.

    JoJo’s Bizarre Adventure: Diamond is Unbreakable- I wasn’t super pleased with Stardust Crusaders, but Diamond is Unbreakable brings back all of the wacky charm of the first two parts of the JoJo’s saga, EXCEPT WITH STANDS. This time Araki doesn’t hold back, introducing a host of completely absurd Stand powers, including: “transform a person into a newspaper and read their life story,” “heal people via Italian food,” and “a real army but the size of toys.” It’s also much smaller-scale, with a lot of recurring characters, many of whom are some of my favorites in the whole series. Though they’ve dropped the incredible Kamikaze Douga OP sequences, David Production makes up for it with colorful, high-contrast artwork that perfectly accentuates Araki’s manic sense of style. I’m sad to see Diamond is Unbreakable go, but JoJo’s still has so much more in store.

    Only Yesterday- At 25 years old this year, Only Yesterday is hardly a “new” title, but 2016 was the first time we got it in the United States! Produced at Studio Ghibli and directed by Grave of the Fireflies’ Isao Takahata, the film is a beautifully understated, lyrical look at a woman’s life, told simultaneously through a summer spent farming and a series of memories from her childhood. Most of the movie is ordinary almost to a fault, but like many of Takahata’s movies, it builds carefully and almost imperceptibly to a sublime emotional climax. Only Yesterday is easily one of my favorite anime of all time.

    Belladonna of Sadness- Another retro release, Belladonna is the third and final film in the Animerama series of erotic art films produced by Osamu Tezuka’s Mushi Productions. This one, however, is entirely directed by Eiichi Yamamoto (Tezuka co-produced the other two). Suffice it to say, it’s not exactly what you might expect from the studio that produced Astro Boy. A medieval lord rapes a beautiful peasant woman, who seeks revenge by making a deal with the devil. Yamamoto presents the story’s gothic horror — complete with Satanic rituals and frightening descents into madness — with elaborate animated paintings and an incredible psychedelic rock soundtrack from Masahiko Satoh. Not for the faint of heart, Belladonna of Sadness is an arresting work of experimental animation that’s a welcome change of pace from the banality of modern anime.

    One-Punch Man (manga)- I’m finally close to caught up with One-Punch Man, and I’m surprised I didn’t read it sooner! Eyeshield 21’s Yusuke Murata has a great eye for character design and pulls off some surprisingly ambitious page layouts, but it’s ONE’s absurd, childish sense of humor that makes the series stand out so much from its shonen action contemporaries. Saitama’s complete apathy undercuts every opportunity for serious danger or drama, giving the series a sardonic self-awareness that’s relatively rare in shonen action series.

    And Yet the Town Moves- After a 10-year run, And Yet the Town Moves is finally over. Masakazu Ishiguro’s decade-long manga never follows a single storyline for more than two or three chapters, instead constructing a deliberately out-of-order series of episodic comedy vignettes about a small Japanese town and the grossly out-of-place maid café at its center. What always made And Yet the Town Moves a joy to go back to was Ishiguro’s ability to weave endless strings of jokes at his characters’ expense, all while painting a picture of a tight-knit community of decent, lovable folks both old and young. Appropriately for a sitcom that consistently shuns sentimentality in favor of comedy, the final chapter ends with just another dumb joke.

    The Gods Lie.- Lots of anime and manga feature children as the main characters, but it’s rare that these stories really tackle what it means to be a child in modern society. The Gods Lie, on the other hand, tackles it head on with the story of three kids — the oldest of whom are in 6th grade — who live alone in an abandoned house for a summer. There’s a fair bit of high drama in this single book (an absentee father, a sick, elderly soccer coach) but The Gods Lie communicates far more about how how societies nurture and shelter their children through showcasing the fractured but functional surrogate family that the three kids form for each other.

    The Osamu Tezuka Story- Though it’s sometimes a little too detailed for its own good, The Osamu Tezuka Story is an invaluable book for anyone like me who’s obsessed with the life and work of Osamu Tezuka, the “God of Manga” who created Astro Boy and revolutionized both the postwar manga and anime industries. In manga form, author Toshio Ban lays out Tezuka’s life from his schoolboy days sketching in the margins of notebooks to his death in 1989, pulling from memoirs, interviews, and personal accounts from those who knew him best. Tezuka loved to write manga epics about the lives of heroes and historical figures, so it’s fitting that he’d get immortalized in his own manga biography.

  SAM WOLFE (@_Samtaro)

One Piece- 2016 was another great year for the One Piece manga, as the Straw Hats finally did something fans have been anticipating for years: take on one of the Four Emperors of the Sea! Luffy has been making waves on Whole Cake Island, home to the notorious pirate lord Big Mom (and let me tell you, she’s got that name for a reason). Next to Teach, Big Mom has become one of my favorite One Piece villains, largely due to her distorted views on family. But is Big Mom really so bad? After all, her dream is to sit at a table where everyone sits at the same height…

  ERASED- ERASED was a critically received murder mystery and drama that took the anime world by storm earlier this year, and I can’t sing its praises enough. Regardless of your feelings on the ending, ERASED had us gripped, and because the anime promised an alternate ending than its source manga, we were all in the dark. But to me, the success of ERASED was its appeal to both anime fans and non-anime fans. When a newbie asks me for anime recommendations, ERASED is sure to be on that list.

  Dragon Ball Super- Dragon Ball Super really wasn’t on my radar until it was licensed in the States, and boy am I happy it was. As a big fan of Battle of the Gods and Resurrection F, Super was familiar territory, but this year I realized how good of a follow-up this show is to Dragon Ball Z; the power levels are higher, as are the stakes, and Goku is finally an underdog again. It’s good to be back.

  Yuri!!! on ICE- I know, I know, you’ve heard enough about this one, but it deserves the nod. Yuri!!! on ICE is a special show for a lot of reasons: it’s appealing to anime fans and non-anime fans alike, it was an original story (meaning, it’s not based on a manga or light novel), and it told the story of two male figure skaters falling in love. It’s more than just a fujoshi dream come true; Yuri!!! on ICE did something really new, and that’s worth noting, even if you’re not a fan.

  ISAAC AKERS (@iblessall)

As has been my custom with this space over the past few years (okay, just last year), rather than highlighting the shows that made it into my top 10 of the year, I’ll be touching on a few of the year’s offerings that just missed the cut.

    She and Her Cat -Everything Flows- One of the quietest and shortest shows of the year was also a serious contender for being one of its best. Based on an earlier work of the same main title by Makoto Shinkai, She and Her Cat -Everything Flows- is a peaceful, melancholic look at the life of a young woman struggling with the loneliness and sadness that can come with being out on your own in the world. Much like one of my favorite short pieces from 2015, the Animator Expo’s tomorrow from there. She and Her Cat captures with ease and empathy a kind of wistful yet warm existential state. If you’ve been in the main character’s shoes even a little (or, if you’re in them right now), She and Her Cat -Everything Flows- is like getting a nice hug.

    Three Leaves, Three Colors- Studio Dogakobo is well-known for their bouncy comedies, with recent hits like Monthly Girls’ Nozaki-kun and Love Lab leading the list. However, Three Leaves, Three Colors (from the same mangaka as Engaged to the Unidentified) is a somewhat more demure affair despite sharing many of the same trappings. With standout bits of animation scattered throughout and great color work, it’s a pleasure to look at, but it also boasts a rock-solid main trio of friends who play off each other in fun ways. There are even some almost surrealistic comedic interludes interspersed here and there. If you like moe comedies and missed this one this year, here’s your cue to check it out!

    The Lost Village- Arguably the most controversial show of the entire year when it was airing, whether The Lost Village was genius, mediocre, or horrid varies depending on who you ask. I’ve weighed in on the matter with my own thoughts multiple times, but even considering how much respect I ended up having for the show I still find myself a bit baffled by it. That being said, it’s definitely one of the shows I had the most fun watching, writing, and discussing during the year, and I think those who engage with it ready to be flexible with their expectations will find, at the very least, a very unique anime to add to their completed list.

  As for manga… I didn’t read any manga this year and I don’t think Nate will let me put Orange on my list for the third straight year, so sorry. [EDITOR'S NOTE: I would have been cool with this.] Pokemon Special’s still fun and good, by the way.

  NICK CREAMER (@B0bduh)

  FLIP FLAPPERS- FLIP FLAPPERS offered basically everything I want in an anime: great character writing, stirring themes, beautiful worlds, and an overall sense of whimsy that kept the whole thing fun and propulsive even when it was touching on topics like child abandonment and an inability to love yourself. It was an astonishing visual showcase and also a remarkably well-constructed character story, using its many diverse Pure Illusion adventures to consistently illustrate new things about its central characters. It’s one of those weird passion projects that make anime special, and I’m very happy it exists.

    Concrete Revolutio: The Last Song- Okay, when I said FLIP FLAPPERS was everything I want in an anime, I sort of lied - I also like shows with searing political messages, and The Last Song was that all over. Depicting the breakdown of an alternate post-war Japan where superheroes are real, The Last Song was more reflective and bittersweet than Concrete Revolutio’s first season, but just as clever, creative, and engaging. From its wild pop-art style to its smart application of superhero archetypes to the social turmoil of 60s/70s Japan, The Last Song offered me a hefty meal to dig into every single week.

    Sound! Euphonium 2- And reaching the final pole of my anime preferences, Sound! Euphonium continued to be thoughtful character drama done right. The show’s second season was messier than its first, adapting some material that couldn’t match the consistency of its predecessor, but the show’s characters continued to be very strong, and Kyoto Animation’s execution was just beyond compare. While many shows use the open canvas of animation to tell soaring, fantastical narratives, Euphonium demonstrated just how much magic and beauty there is in the personal and everyday.

    Kizumonogatari- Oh, I also watched the first two Kizu movies this year, and they were glorious. Monogatari has been one of my favorite anime franchises for years now, but seeing Tatsuya Oishi’s gorgeous take on the prequel novel still felt like a revelatory experience. Instead of the TV series’ usual embrace of heavy internal monologue, Oishi fully realized Araragi’s depression, panic, and sexual mania through sound and pictures alone, making for one of the most distinctive and visceral film experiences I’ve seen. The Kizu films are a remarkable achievement.

  FROG-KUN (@frog_kun)

Yuri!!! on ICE - An anime that was born to make history. Besides all the pretty boys and ice skating, the one thing that will stick with me about this show is how international its scope was. Yuri!!! on ICE takes you around the world and offers a surprisingly detailed and true-to-life picture of international competitive ice skating. We got to see skaters from Thailand and Kazakhstan excel at what they love on the world stage. As compelling as Yuri's journey as an athlete was, any of the skaters could have been the main character of this story. In fact, this was something that director Sayo Yamamoto and mangaka Mitsuro Kubo specifically went out of their way to suggest. No wonder this series was so beloved around this world!

    Re:ZERO -Starting Life in Another World- This series might look like a typical fantasy-adventure story about an insufferable male nerd at first glance, but I was really impressed by how much empathy the narrative had for its main character. Subaru is an extremely weak character in the scheme of things, and the world doesn't revolve around him. His struggle to connect with others and move past his self-hatred resonated with me for similar reasons that My Teen Romantic Comedy SNAFU and Neon Genesis Evangelion did. I also happened to really love all the side characters in this series, and there's enough left unexplained by the end to make me burn with curiosity to find out what happens next. Season 2 when?!

    your name.- I got to see Makoto Shinkai's masterpiece when it came out in Australian cinemas in November, and I ended up loving it so much that I saw it twice in three days! In my view, it's the first Shinkai film that balances its macro plot and themes equally with the love story, and that might be one of the reasons why I found it so personally relatable. your name. was created in response to the Fukushima disaster, and I found its message of empathizing with others and treasuring every fleeting moment especially profound in that context. I also think that the film touches on something deep about the way we humans connect with each other, and how it's possible for us to emotionally identify with people we've never even physically met. For that reason, among many others, it has become one of my favorite anime of all time.

  WILHELM DONKO (@Surwill)

Sound! Euphonium 2- The first Sound! Euphonium was already my favorite anime of 2015, and the sequel again managed to make my list this year, as the second season was not lacking any of the traits and attributes responsible for the remarkable first season. Sound! Euphonium 2 kept its authentic grounded tone, which was accompanied by realistic characters and character-interactions, relatable drama, and background art nothing short of stunning. After a bit of a slow start, the season really picked up after the incredibly animated musical performance during the Kansai Competition, and in the end managed to tie up most loose ends beautifully. I’d also like to quickly mention Kumiko’s voice actresses’ unusual and mellow performance, which added a lot of personality to her character in my opinion.

    Haikyu!!- Volleyball? I’m surely not going to care for an anime about a sport I don’t even know all the rules to. Boy, was I wrong. I picked up Haikyu!! around the start of the year, while the second cour of the second season was still running, and was immediately hooked. The show is extremely engaging, energetic, fast-paced, and almost always kept me on the edge of my seat during the matches. Haikyu!!’s cast is equally lovable (even the opponents in the show are great), and undergo some major character development throughout the seasons. I really did not care for Tsukishima at the beginning of show, but he soon became one of my favorites, especially after the thrilling third season. I guess I could say the same about Haikyu!! in general.

    Re:ZERO -Starting Life in Another World- I don’t think I need to talk a lot about Re:ZERO, as it was undoubtedly one the biggest, if not the biggest anime this year. The show was definitely one of the more interesting takes on the Isekai (different world) formula in recent memory, and always sparked a great amount of discussion after each episode. And what can I say? I really liked to see Subaru suffer.

    Love Live! Sunshine!!- I’m fully aware that Love Live! Sunshine!! is the odd one out of all my picks, and I would never objectively consider it as anime of the year, but it was my personal favorite of 2016. Even though I watched both seasons of the original, I never really cared for the Love Live! series, but that drastically changed with the start of Love Live! Sunshine!! While I never warmed up to Muse, I just adore every member of Aqour’s, and generally consider Sunshine!! to be a step up in every aspect compared to the original. However, it wasn’t until my own pilgrimage to the show’s setting, Uchiura and Numazu that I really fell in love with the series. I’ve done a lot of anime pilgrimages, but this one ranks among my favorites. After that I started collecting everything Love Live! Sunshine!! related I could get my hands upon. From art books, to figures to coffee mugs, I have it all – I even play that darn mobile game every day. Yousoro ~

  Honorable Mentions: Flying Witch, KONOSUBA, Ajin.

  BRANDON TETERUCK (@Don_Don_Kun)

FLIP FLAPPERS– Magical girl anime have encountered a bit of a dry spell in recent years. Thankfully Kiyotaka Oshiyama brought us a unique spin on the genre with his directorial debut, FLIP FLAPPERS. While FLIP FLAPPERS was a mishmash of different styles, ranging from campy shojo horror to Mad Max action, each episode worked harmoniously to create a cohesive emotional narrative. FLIP FLAPPERS’ two heroines, Papika and Cocona, learn more about themselves and each other by exploring a slew of psychedelic and dreamlike worlds. Although the peculiar fusion of genres may not suit every audience’s taste, FLIP FLAPPERS had essentially what I wanted out of a modern magical girl anime: creative and experimental animation sequences, heavily allegorical storytelling, and fabulous henshin scenes.

  KIZNAIVER– Hiroshi Kobayashi’s directorial debut, KIZNAIVER, was an ambitious project unlike anything studio Trigger had attempted before. Alongside scriptwriter Mari Okada, Kobayashi created a contemporary adolescent drama that wasn’t afraid to tackle some of the touchier issues in Japanese society. Throughout KIZNAIVER, its cast of misfits constantly grapple between wanting to feel the physical and emotional pain of others and questioning whether an artificial connection could create a sense of togetherness. This was the primary dramatic narrative of KIZNAIVER, and while intriguing in and of itself, it was truly Kobayashi’s thoughtful directing and clever use of visual symbolism that elevated the material. KIZNAIVER may have lacked narrative polish around its edges, but it was one of the most visually poignant pieces of commercial anime to come out of the industry in the past couple of years. Here’s hoping that Kobayashi will have more directing roles in the future as his cinematic vision brings a lot to the table for commercial anime as a whole.

​

Sound! Euphonium 2– The first season of Sound! Euphonium had always been a favorite of mine, and as such, the bar was set quite high when I heard a prequel was announced. Despite a rather lackluster first arc, the second half of 2016’s Sound! Euphonium 2 blew me away. The relationship between Kumiko and Asuka, two of the central pillars of Kitauji High’s concert band, embodied both the heart and soul of Sound! Euphonium’s web of emotional connections. It was beautiful to see their close-knit bond - built upon respect, trust, and understanding - unfold as the barriers between senpai and kohai were broken down. It set the stage perfectly for the resolution of Sound! Euphonium’s many other narratives: Kumiko and her older sister’s mending of their sibling conflict, Reina’s emotional maturing, and Taki’s finding peace within himself over his late wife. With a soulful conclusion to an already fantastic anime by Kyoto Animation, Sound! Euphonium is a series that couldn’t have ended in a more satisfying manner.

​

Mob Psycho 100– Mob Psycho 100 is unequivocally a testament to the creativity and passion of the anime industry’s top animators. Director Yuzuru Tachikawa and animation director Yoshimichi Kameda created an experimental take on ONE’s source manga that showcased the importance of animation for storytelling and expression. While still operating within the confines of a shounen work, Mob Psycho 100 is an anime with a visual and ideological identity that does not confirm to the sterile and idealistic standard of perfectionism that is seen in many contemporary anime. “If everyone is not special, maybe you can be who you want to be.”

​

Love Live! Sunshine!!– Last, but certainly not least, is a pick that you may find a bit strange if you’ve been reading the reasoning behind my other favorite anime of 2016. While I do value artistry in animation and direction, there are times when a fun anime with a cute and charming cast of characters is just as enjoyable to watch. Despite adopting a similar plot structure to the original Love Live! series, Love Live! Sunshine!! knew how to play around with its audience’s expectations, in some cases subverting characterization tropes and outright parodying the original. The girls of Aqours were a low-key bunch of loveable dorks who enthusiastically attempted to emulate the franchise’s previous group of idols (often times with hilarious or unfortunate results). Aqours’ playful banter and goofy antics quickly made me invested in their underdog soul search for stardom, while the intimate relationship between Chika and Riko brought a smile to my face. With the collective energy and excitement it brought to my life while watching, Love Live! Sunshine!! was one of my most pleasant surprises of 2016. Also, Dia is best girl.

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And that's a wrap for Part One of our three-part series! Be sure to tune in at the same time tomorrow for PART TWO: VIDEO GAMES! And if you're still in the mood for past CR Favorites, check out the previous years' features here:

  Crunchyroll Favorites 2015 Part One Part Two Part Three

Crunchyroll Favorites 2014 Part One Part Two Part Three

Crunchyroll Favorites 2013 Part One Part Two Part Three

Crunchyroll Favorites 2012 Part One Part Two Part Three

Crunchyroll News' Best of 2011 Part One Part Two

  What were your favorite anime and manga of 2016? Remember, this is a FAVORITES list, not a BEST OF list, so there's no wrong answers--sound off in the comments and share your favorites with us!

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Nate Ming is the Features and Reviews Editor for Crunchyroll News, creator of the long-running Fanart Friday column, and the Customer Support Lead for Crunchyroll. You can follow him on Twitter at @NateMing.

By: news+feed@crunchyroll.com