An animation I've made for Dragon Age Day 2023, featuring my main Warden (Alyssa Cousland-Theirin), Hawke (Eleena Amell Hawke) and Inquisitor (Sulevin Lavellan)!
It's to this day one of my best artwork and I thought I should share it here too!
90+ hours between the original sketch, outfit design, the rough animation, rotoscope, inking, flat-colours, background shading and even the audio :')
Interested in the process? I detailed it below since it was my first time doing something like that:
I would like to start by saying I'm not a professional animator!Everything you've seen here is the result of experimentation and a lot of practice to learn and understand how 2D animation works.
My first idea started in May 2023. I just finished rewatching DA Absolution for the X time, and wanted to analyse why I loved the intro so much. (Even after countless rewatch, I never skipped it once.) I was inspired to study it with my main three protagonists!
Then came the first test with Alyssa Cousland-Theirin, my Hero of Ferelden! I tried to understand which part to separate for the animation. Mainly the hair and cape because it flows a lot more than the rest! If I recall, my first idea here was to make her counter flame attacks (?). Then, as the camera turns around her, I tried to add a grid to know how the camera would work around it.
I ended up making the clip longer, so she could position herself to the further left and leave space to the two other protagonists.
Now it was time to try to animate Sulevin Lavellan, my Inquisitor. I really kept that quick doodling style just to capture the vibe without putting too much time/effort into it! The background would be static to contrast with Alyssa's. I also loved the idea of a rogue sneaking!
Instead of working on Eleena Amell Hawke, my Champion of Kirkwall, I went back to Alyssa and started working with Clip Studio Paint 3D models (this entire animation has been done on the EX version of the software!) It helped for rotoscope animation and maintaining likeness! That's when I got the idea to make the background swirl around the character to let the eyes be guided by the rest of the screen!
After a couple more hours, I planned the entire animatic with 3D models and quick doodles! I finally found a cool pose for Eleena Hawke, which was honestly the hardest of the three to imagine for some reason? I tried many other poses but ended up picking an animation from the game!
This whole time, I was studying a bunch of background ideas and how studio Red Dog Culture House (who made Absolution) work! Thankfully, they have a YouTube Channel where they shared some BTS content so I could analyse it!
Then, I simplified my character and their original designs in the style of the studio! These outfits are how I imagine them after Trespasser. Alyssa as the Queen of Ferelden, looking for a cure to the Calling, Hawke following Fenris to Tevinter & Sully as a Red Jenny Inquisitor!
The idea for Sulevin's animation actually came from a piece I doodled on a live stream, when I was drawing pose studies and turning them into finished artworks haha As for Alyssa, I wanted to draw the fight that got her facial scars!
Once their designs were ready and the background ideas too, I made the rough version of the animation! Basically a sketch done on top of the 3D models to add the details, staying pretty rough just to capture the idea and movements.
Then it was time to start the lines! I decided make a folder per frame, so I could separate all he main elements and draw them one by one. It helps keeping the likeness of a character in the different frames without having big "jumps" between frames! In fact, every parts were coloured differently to recognize them, and then I used vector erasers and masks (Ah yes, the entire lineart is done in vectors of course! It's easier to adjust and save time when working on similar frames!)
At first of course, everything overlaps! But I find it easier to draw too much and erase after, just to make sure everything is coherent in each frames! The cool thing about CSP is how you can change the colour of the layers in one click! So all the coloured lines turned into black in one second, and I could reverse it just as quickly to double check!
Then I started working on Sulevin! I made a blue line to mark where her feet were, as the sketch in the background wasn't perfectly straight! (Like Sulevin's sexuality 🤭😂) The silhouettes were very quick to do, but I had fun adding more & more details as she came closer to the foreground!
I really wanted to add that little dagger trick, but I remember it required me to change the pacing of Eleena's apparition, as it was recovering her arm too quickly! I had to change the pace of multiple frames quite a lot during the project, to make sure the flow was right!
For Eleena, most of her animation remained around her arms and the staff itself, as magic would be the most difficult part! That way each character has their own focus: Alyssa has a very animated background, Sulevin got the grappling hook and Eleena the ice!
Then it was time to start adding colours! Just like for the lineart, I separated every colour on it's own layer, so I could easily adjust the colours later if needed. I added one colour at the time, going through all the frames, and then another colour!
I made full palette tests with the colours I would use for their background at this point, checking if the details remained readable!
Alyssa was the most challenging in terms of clothes, because I made her a very detailled armour! I had to simplify the Theirin heraldry, vectorize/redraw the Cousland, and make a brush for her cape's pattern!
Once I was done adding the flatcolours, I started the background, and oh boy it was a wild ride. For the cave, I painted multiple tests. I imagine was to use CSP panorama tools, which transform a texture into a 3D sphere, so each corners must match to look good. Sadly, it made the background very blurry, so after hours of testing, I changed ideas. Instead of the random fire balls (?) I originally imagined for Alyssa, I made three simple frames of a Rage Demon to attack her.
I ended up using the cave as a repeated pattern to make it turn 360° around the character. For Eleena, I mixed inspiration from the comics, Dreadwolf & Absolution, using warm colours matching Hawke's signature red. Just like I made the cave very grey/blue to match Grey Wardens. For Val Royeaux, it was more complex because I wanted to make it green, matching the Inquisitor's signature green. But bright green couldn't work, and the original colour during day time was blue/white/gold. So I added more leaves, played around the design a bit! After adding the rage demon, I made the shading! It was surprisingly easy and quick to do now!
I clipped a white layer on the flatcolours to not be distracted by the colours, and made thin lines to separate the light/shadows, then simply filled everything with the bucket tool! Then you set the layer to multiply and remove the white layer, and you have celshading shadows! Now the character looks out of the picture, so I added layers of blue in color burn, saturation and substract blending modes to make her look like she's in the right setting! Of course, I did the same with the other two, giving Hawke a red overlay and Sulevin green shadows!
Then I added the details, it went from white irises, to sword/staff smears to earrings and smaller finition that goes on top of these layers. To add the lights, I simply selected the shadows and reversed the selection! Using warm and cold tones to create contrast with the purple/bluish shadows! I also added more ambient light layers for Alyssa to reflect the Rage Demon fire. Now it was time to add ice magic! My first attempt had too many frames, making it look weird! Sometimes it's better to lower the frame rate to make things less bumpy!
Then I downloaded some cool ice brushes on CSP assets that made it look less like blue magical flames! But when I covered the screen in ice, I realized "Oh wait, I could make a cool transition from the ice, to blue lyrium turning red?"Red Lyrium truly links these three games and The Veilguard somehow! I spent the next hour painting over the idol and putting it in a black background, with lyrium and then the golden Dragon Age title text.
For the SFX, I used free youtube libraries sounds & "Darkspawn!" comes from the violent human female voice set (iconic for ""Can I get you a ladder? So you can get off my back!"😂🤭) After editing all that, the animation was finally done!
Here's the final math:
About 15 hours for the sketching/rough/animatic phase, 30h for the lineart, 25h for colours, 10h for backgrounds, 5h for details & 5h for music & SFX, for a total of 90 hours. Aka the same amount of time it took me to finish Baldur's Gate 3 the first time lol
If you have any question regarding the animation or the softwares etc. do not hesitate to ask, I'll do my best to answer!
Kesler and Juline where cannonly childhood lovers, I think Juline had a temper and a hard time controlling her ability, and that Kesler was her alchemy tutor and wears dorky glasses similar to Milo Thatch. 
Do you have any Kesline headcannons thoughts anything at all
I’m working on a kesline teen fic and you have posted about them like three times in the last month which is more than most people do, yes there is a slight possibility of any of your head cannons ending up in the fic if they fit
Hi ya!
I have so so many headcanons
Elves show affection with loved ones (best friends, family, lovers, etc) by pressing foreheads together. The longer it lasts, the deeper the affections are.
Friends and family will do it for about the same duration as a normal hug
Lovers and friendships that are beyond love will obviously last longer.
Also I love childhood lover trope and that is canon now, Shannon is wrong. They were childhood lovers. Juline nearly failed her mid-term so badly due to her somewhat newly manifested Froster abilities being affected by her emotions making the beakers freeze over. It was a whole thing.
Kesler and Juline had known each other for years, like years!
Kesler fell first, Juline phased through the entire planet falling for him
Juline has had a fascination with human stuff for ages. Kesler just thinks it's funky but if Juline's blabbering about floppy disks he doesn't care what a 'computer' is, she's talking and he's listening.
Juline has constantly cold hands, Kesler holds them to keep her warm
Kesler likes baking, its like alchemy but you can add as many tart berries as you want, say less
Eda makes awesome pastries, Juline makes...interesting soups
will you survive? Will you need an elixir? Is it moving or is it just the smoke giving you hallucinations?
Jokes aside, Juline likes making soups that dont look appealing but taste amazing
its a prank and a good meal
They like to dance occasionally to some of their favorites (human music included) and will drag the kids into mini dance parties (this does mean Dex can dance, i eat canon for breakfast)
(once again ignoring canon) Kesler has slightly more rounded ears than most elves, Juline's are pretty pointed
they've cried over Gnomeo and Juliette (they're just like them fr)
Juline used to be shorter up until their third year of Foxfire, the girl shot up like a goblin i swear
Like how Dex shot up in Nightfal (i think) Juline was just tall
Random Juline and Kesler Firefox hc under cut, I was too proud of them to let them stay in the drafts shelf
Juline
peak annoying little sister
youngest of three
her and Eda are the only ones who kept in touch
their eldest sibling has always been distant so there was never really a connection between Juline and them
her and Eda shared a room up until their second level of Foxfire, they were just that attached to the hip
neither of her parents are Frosters, her mom is a Conjure like Eda but her dad is a Guster
Eda is older by just two years meaning she manifested first with Juline buzzing to manifest next, hoping to either be like Eda or a Guster, maybe even a Hydrokenic or maybe one of her great great grand somethings will do her a solid and-
she manifested as a Froster
she was not happy about it
kept freezing everything, left little frosty footprints everywhere, brought the room temperature down constantly no matter how wrapped up in cloaks and tunics she was
tying this into your headcanon of Kesler being her Alchemy tutor, Juline nearly flunked her alchemy midterm, scraping by the skin of her teeth
she had been docked major points for frosting some of her tools and even putting out the fire she needed multiple times due to nerves
Now onto Kesler
- as the youngest of his family, Kesler has at least three people telling him what to do at all times
- and none of them could agree
- he and his siblings were born more or less close in age (if you count close as 4-8 years)
- his youngest older sister was in Foxfire along with Kesler which means whenever Kesler had any trouble in class she was right there to both brag, and help (it was her job to be both unhelpful and very helpful, it's sibling law)
- Kesler got his love and knack for Alchemy from his grandfather who wasn't too shabby himself but Kesler was a natural
- he loves his siblings but hanging out with his grandfather doing random alchemy experiments was just their thing
- Kesler was terrible with Elementalism so much so his sister would occasionally take the long route to her classes to check on him in the Healing Room
- you could tell if Kesler Dizznee was within twenty feet of you if you could hear the tell tale sound of glass rattling in a bag
- he was in the same class year as Juline (I ignore canon) so when Juline Dizznee needed a tutor guess who was signed up as the sacrificial lamb
follows a herbalist who decides to find a magical bloom with healing properties which has become rare in recent years, after her sister is diagnosed with a terminal illness
she travels to the city, and along with a friend and an heiress, discovers that reuniting two reincarnated ancient soulmates will restore the bloom
but when she encounters corruption and betrayal, and finds herself getting feelings for one of the soulmates, things get more complicated
Reading your tags about how people miss the very obvious "there's some fucked up shit boiling underneath" regarding Otto, just gave me a sudden realization. Otto is the only character I know in fiction where they act all innocent and drive up the "clumsy", "just in the side-lines" and "straight-man (heh)" persona. When. Like no one's in the EMT camp is buying it. They know he's way more capable than he let's on. Meanwhile, the tomfoolery is completely brought on by the Western audience.
Like Otto is failing miserably to make other characters believe that he's not up to mischief, Roswaal even thinks it can bring his downfall. But the audience, who even sometimes *sees* his fucked up thought process, is buying it.
*head in hands*
no u bring up so many good points bc ive been really thinking about this for a while T^T its such an interesting phenomenon in the difference in perception otto has between the japanese speaking half of the fandom vs the english speaking half which can be explained by—yeah. media illiteracy mainly. im also putting my head in my hands anon T^T
because—okay sorry wkdndn im gonna get into meta again but hear me out bc this pattern of the fandom underestimating otto is interesting bc i kind of sort of i cracked the code maybe??? o.o i think the nature of otto is a character is that youre SUPPOSED to underestimate him at first, just like what happens sometimes in universe. i mean wayyy back then i definitely wasnt expecting him to get more depth added to him in arc 4–which was a pleasant surprise—which is also the reaction the vast majority of people have to reading/watching arc 4, along with the other vast majority reaction which is being a bit endeared to ottosubas friendship and respecting otto for being a good friend. and then its easy to underestimate otto bc of 1. all the chaos going on in rezero at any given moment and 2. hes almost always overshadowed by other characters doing worse shit or being more insane than he is and 3. otto of course damn well knows hes easy to underestimate and counts on that. thats what he did against roswaal in arc 4. plus—i mean even aesthetics-wise hes 100% DESIGNED to be easy to underestimate. his outfit and physical features make him look either friendly or frazzled or soft. so i think that the point is that we were supposed to be kind of fooled—at first.
because yeah, we’re endeared to otto. we respect him for helping subaru the way he did. we think that hes a nice person and we now support his actions especially after feeling sympathetic towards him after learning his backstory. (or at least the average audience member will think this wjdndn.) but like—you dont even NEED to look at any side content at all for it to dawn on you that theres something Wrong. with him. like all you need is main route arcs 3-8 aka ottos entire screentime thus far, because at arc 4 its so easy to overlook otto unless youre thinking a bit deeper (for example—he gets violent with subaru. like yeah its entertaining, its played for laughs a bit, yeah subaru needed to be snapped out of his own head, but was it 100% necessary??? why did otto have this response??? bc if you just look at the main timeline otto really decided to beat up subaru first. and bc this tendency is now Less Funny in arc 8).
but even if youre just looking at rezero face value, when you get to arc 5 its starting to get even more clear that ottos weird in the head. like we already saw him being very good at scheming and planning in arc 4–in arc 5, we find out about otto hiding the tome for a year. we find out WHY hes been hiding the tome for a year. the tome then leads the witch cult into priestella, so like—in the sense, otto is RESPONSIBLE for arc 5. but theres STILL a tendency sometimes for the audience to continue underestimating him even though by this point we’re getting more clues and many characters around otto, like you said anon, KNOW hes very capable. i keep wondering why this is, but arc 5 is, again, FULL of chaos and different storylines happening at once, so its so easy to almost kind of forget otto there in the background until he occasionally pops up again. plus otto serves an additional role as comedic relief sometimes—he spends all of arc 5 being bitchy and whiny (i say this affectionately HAH) about his camp being full of disasters, for example, so i think the natural response from the audience tends to be “aw otto!! what a silly guy!!” sometimes. you know? so its like. i think at this point some people tend to be like “yeah fair that otto was wary of roswaal and thats why he saved the tome…. anyway ooooh whats going on with these other plot points” wobsbss. its so fascinating bc—ok this might be my own personal experience but anyone reading this pls tell me if you agree or not—i dont think ive seen a lot of people actually even MENTION otto bringing the tome into priestella attracting witch cultists. and the english speaking fandom LOVES to go into certain characters’ wrongdoings so why gloss over otto????
the only explanation i have for this is that from arcs 3-4 underestimating otto is. kind of the point of his character UNTIL you get to arc 5 and the clues in the main story start seeping in even more. and also the western audience DOES have media illiteracy a lot. theres that too. just look at rezero content on youtube or reddit or fanfic sites or other things of that sort T^T but no yeah i think ottos nature as a character exacerbates it. youre supposed to start asking questions about him. youre supposed to start connecting the dots and then SUDDENLY its now EXTREMELY obvious in arc 7-8 and even while theres so much chaos going on its basically shoved in your face. arc 7-8 is just delivering on all the leadup that was arcs 3-5.
and i think that youve gotta be media illiterate for sure to NOT get that otto is not squeaky clean and innocent BY ARC 8. i think that ottos the deconstruction of the loyal best friend trope, and also a mirror into what subaru couldve been like if he decided to be more ruthless instead of jumping right to forgiveness and saving everyone, except sometimes that flies right over the audience’s head wkdndnd. it confuses me bc ive seen some people completely miss the point or completely agree with otto and overlook the Bad Parts of it or, you know, STILL think ottos perfectly sane—like T^T please.
and yeah so back to what you said about otto Not being underestimated In Universe—its such an interesting detail bc hes ALWAYS been simultaneously pathetic and Very Competent wjdndnd. but yeah no all of his friends have seen various hints and clues and evidence of what hes capable of. like even though he hid the tome from them successfully and even though hes hiding info now its INEVITABLE that its gonna blow up in his face one day. like you got characters like garfiel who literally saw otto punch the wall and break his hand in an unhinged fit of rage, julius who got snapped at by otto and while julius is a Bit naive definitely knows somethings off there, anastasia whos smart as hell and definitely knows not to underestimate otto, and roswaal who, like you said anon, literally went out of his way to stop otto from breaking his hand in another unhinged fit of rage and warned otto that he will literally be destroying himself if he keeps going on like this. its this fascinating dichotomy bc otto is NOT fooling anyone around him but at the same time his current schemes are mostly unnoticed—for now—which yeah i havent seen that in a lot of media!!! its an interesting balancing act bc people around him realistically know hes competent after seeing the Proof of that for the past couple arcs, but otto is still finding ways to try and Win…
which—again, the anger and violence is an extension of arc 4 otto!! this is the same guy!! hes always been like this!! ottos kind of stayed the same, deep down, this whole time and as an audience its ONLY shoved in our face with a big gigantic spotlight on it FOUR ARCS LATER, but it was hinted to all this time. and like you said anon—we LITERALLY see ottos fucked up thought processes. literally what sane person thinks any of that shit. its spelled right out for the reader HAH T^T which—yeah. media illiteracy…. and also this whole ask was a longer way of just saying that otto is VERY easy to see at surface level if youre media illiterate. but at the same time it should be very easy to figure out otto is A Bit Fucked Up bc tappei underlines it in bright red print!!! i think people sometimes just hang onto soft awkward silly otto and forget about the rest T^T either that or they dont think he cares about subaru at all. which. that phenomenon of thinking characters that do care about subaru Dont Care is also interesting to me bc why????? we’re at arc 8 and you STILL dont get it??? o.ooooo
but yeah apart from that….. i said this earlier but yeah sometimes some people agree with ottos realism in arc 8 which is. understandable, but the whole point is that he is EXTREME. with it. hes Not in the right here, but the same crowd that wants wanton revenge in rezero is gonna agree with that kind of stuff T^T ottos been lurking in the background so much so that tappei made it meta by doing the whole “walking in darkness” part of his character, so i guess people just. dont see ottos ACTUAL worst traits and instead think he would ditch subaru at the first opportunity or something. but at the point we are now, arc 8 ottos problem isnt that hed ditch subaru. his problem is that he would sacrifice the world for subaru. his problem is that he gets extremely angry at subaru for trying to do good. his problem is that hes trying to micromanage everything around him and is willing to sacrifice anything necessary to get what he wants. but sometimes people dont get that bc otto doesnt look sound or seem like a character thatd do that. the Underestimation part of his character is doing too well on. certain audiences. please T^T the soft and awkward and silly parts ARE part of his character just like all the Darker parts are!!!
additionally im also wondering if western audience perception of otto is also clouded by the fact that otto looks and sounds more feminine / androgynous and he doesnt have the appeal of Overt Power either……. he cant Really be waifu-ified… and he cant be used as a weird self insert like subaru…. and you Have to look at him closer to understand him…. and for some reason people dont tend to hate on him so aggressively, if anything people cant even see his actual canonical flaws half the time wkdndn so if youre not paying attention otto CANT be aggressively hated on bc theres nothing there if ur not looking at it….. and if youre not paying attention otto seems more “boring” compared to the others…… (not that people arent allowed to not have otto as a favorite character bc thats totally fair but im talking about the tendency to think hes Saner than he actually is.) but yeah these are just my guesses. i have no clue the western fandom is a little T^T some people unfortunately cannot read.
anyway. big thank you to the japanese fanbase for understanding ottos character more and making so much wonderful fancontent for him T^T also i think that we as a collective fanbase should stop underestimating otto in general bc its exactly what he wouldnt want and i think itd be really hilarious. <3333 make him explode with rage please
I keep thinking about how on earth they would canonize ggy bc like. at this point if they have to sacrifice Gregory screentime of just him to make something we already know actually canon, I would rather just take the screentime, but on the other hand they have to canonize it if they want to do anything at all with that plotline, and that makes me wonder if theyll stick with it as canon in the games at all or just leave it as background knowledge if u read the book 😭
aaaand tonight i'm thinking about how byan was originally meant to be this irredeemable little shitbag who was a problem just to be a problem... but now they're a lot more sympathetic and much more just this traumatized kid who's been done so dirty their whole life. like, they're still not a great person or anything, but it's a lot more out of necessity than actual nature...
Digitalised + coloured + redesigned version of my Suiren and Vaatu sketch from two days ago, as promised!!
Coming up with Suiren’s design was a very long process of trying and failing because after you’ve drawn 9+ different versions of one character, the creativity starts to run a little dry, but I’m actually really proud of this one, she looks absolutely adorable <3
(Also yeah I did mostly just scribble Vaatu’s pattern because who has the energy to draw the all out accurately. Not me, that’s who, I’m chronically tired. People who draw him on the regular have my utmost respect. He’s still a funky little guy though :D)
Bonus, Raava incessantly screaming inside Suiren (and being completely ignored because Suiren is tired of her) while all this is happening:
An excerpt from my upcoming ficlet about religion and mourning and the process of letting go
Hob Gadling had a bad habit of attending his own funerals.
It had started in the early 1500's. He had taken something of an extended vacation, traveling to the Holy City of Rome, finally restored to its former glory after languishing for years while the Papacy resided in France. When he had returned to London after twenty or so years, his beard grown in and his hair significantly lighter from the southern sun, he had been welcomed back by his neighbors as his own son. He had been forced to, on the spot, spin a tall tale about his dear father, who had met his demise under the hooves of a draft horse. The entire town, good Catholic Christians that they had been, had insisted on a funeral. Last rites and all, they had said, and Hob had been too touched to refuse. The majority of the attendees hadn't even known him; they had simply known of him, had heard stories from their parents about their old friend, Robert Gadling.
There hadn't been a body to bury, for obvious reasons, but he assured his neighbors, to the best of his ability, that the body of his father had been laid to rest in Rome. Not home soil, but holy soil nonetheless. Still, his neighbors insisted that there be, if not a funeral, a service. A commemoration of his life, of everything Robert Gadling had done for his community and once again, Hob was too touched to refuse.
The church had been quiet; the kind of quiet you could feel in your soul. It was the quiet of respect, of mourning, of a great and terrible sorrow. In that quiet, Hob Gadling found himself thinking of his own father, the father he truly had lost, and found that the stinging tears prickling at his eyes were as real as any he'd ever shed.
For the first time, he had allowed himself to mourn his friends; those he had known, the parents and grandparents of those who filled the pews of the church, those he had seen be born, those he had seen take their first steps and babble their first words, those he had attended weddings and funerals for. He had allowed himself to mourn that version of Hob Gadling, the name he would never wear again, the person he could never be again, the life he lived until he could live it no longer. He had mourned, and then he had left.
unless bobby retires we are NEVER getting ravi begins episode, im sorry to my catholic father but he needs to leave for the true star RAVI PANIKKAR to shine
To me that's like. Changing your face. It will take me DAYS to recognise you again
On another note MATSUHANAAAAAAAA!!!!!
I did, for the first time in almost 4 years. I've actually been wanting to for several months but it takes me a while to process change so I had to work up to it (and tbh I'm feeling sooooo unsettled about it lmfao it's going to take me a while to get used to it)
Changed my ao3 pfp to the same thing because matsuhana my beloved<3
everyone once in a while i’ll go “hm. am i woobifying cpurpled too much by drawing him with these things (hair clips, mlp plushes, etc)” and then i’ll remember cbench mains do the exact same thing and are regarded as popular and really good/canon designs and i feel a lot better
the whole opposition of ideals between those two, too. he says it doesn't matters, and that striking from the shadows would have ensured her safety and not put her in needless risk, while being a mercy that the target would die painlessly and quickly. but even before kat says anything it's obvious that's not as important to her. the dude didn't want a peaceful death, and he died fighting and knowing his work meant something - what she says she hopes is how she dies when she eventually dies.
follows an unhappy nightmare god in the Orisha spirit company - the corporate structure of gods & spirits in the modern world who deal in prayers and belief
he meets a succubus who convinces him to go freelance, and they travel the world getting their own sustenance and building a relationship
but the elder gods aren’t finished with him, and he’s tasked with stealing an artifact from the British museum, with the help of a human magician from the succubus’ past
i know a thousand other people have said this already, but im so tired of the fact that people just dont write good fanfiction about female characters or female relationships. all the 100k-word epics on ao3 are about m/m or m/f pairings, and i just mourn for all the life-changing stories we could have about female characters, the ones that fundamentally re-frame your way of thinking, the ones where the romance is slow burn that's hot and heavy and so, so achingly intimate that the page is bleeding with it.