#i love a good ship but there has to BE something there
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perpetuallyfive · 3 days ago
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God, I'm so happy with what they did with Maddie Nolen.
I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.
But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.
Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.
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I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.
She's not saying, "You're good, for a poor."
She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.
Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.
Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.
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Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.
But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.
Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.
This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.
And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!
I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.
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magicallyimprobable · 21 hours ago
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I just figured Bonnie is their ship that they miss a lot. Now it's lying on ocean, now it's lying on sea, a bit weird phrasing but what does ten year old me know anyway.
I mean, if Bonnie was a loved one, who took them and is keeping them hostage so that "bring back my Bonnie to me" would make sense? Like, My Bonnie has to refer to something or someone with no agenda of their own, right? Otherwise we're deep into some villainous territory: "bring them to me" is never uttered by someone with good intentions.
“my bonnie lies over the ocean, my bonnie lies over the sea,”
are we talking about the same body of water here, which is weird, or different bodies of water, which is even weirder
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jambalaya-enthusiast · 2 days ago
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Can I ask for Headcanons/Scenario with the crew members where it's a normal tulpar haul. But the reader is an extremely experienced captain of another ship,and they're older,more built and more strict. Like think 6'7,built like an extreme weightlifter,very classy and formal.
And they're on the tulpar to look after everything because it's an incredibly important shipment? What would the crew members reactions be to the reader appearing very strict,no-nonsense,cold and condescending. But once they get close, the reader is actually very nice.
also can it be a male reader? Thank you! I love your writing. <3
Melting the Ice away.
Crew Members x Male! Older! Strict! Reader. [ Reader is a high ranking captain of another pony express ship ]
a/n; this ask was basically buried deep in my inbox,i was just scrolling through and found it.
Tulpar! Captain,Curly.
Oh boy,and they used to say that curly was the most able employee at pony express. Clearly they lied,Cause LOOK. AT. YOU.
For the first time in his career,he felt intimidated.
The way you basically hovered over him,gave him chills ngl.
He admires you so fucking hard, your efficiency ,your capability, and your experienced nature. you need something? Grant Curly is on it!... He found himself trying to... Impress you???
He was basically always looking for your approval at things,no matter how small or trivial it was. He needed your opinion.
He was also starting to wonder wether or not the feeling of intimidation... was rather something else.
He is definitely feelin a lil somethin somethin.
When he actually got to know you,and saw how kind and sweet you actually were. This guy just fell,he fell guys,he just fell.
Co-Pilot, Jimmy.
Manz is PISSED.
He is freaking LIVID,as if Curly wasn't already enough,bossing him around.
He'll never ever admit it to anyone,but he was basically scared of you,of how... Domineering you were.
He is jealous of how put together you were,always effortlessly classy.
He couldn't decide whether he wanted to be you,or wanted to be with you.
He didn't even notice it,but you found him staring,so intently that it actually concerned you.
Whenever you would try to interact with him he'll make up an excuse and run away.
But he,too wanted to get on your good side.
He'll die before ever admitting it,but he was craving your praise so fucking bad.
He is just dying on the inside,he desperately wants to hear you call him a 'Good Boy'.
Maybe he'll have to impress you some other way,who knows?
Nurse, Anya.
Let's be fr,the first time Anya saw you,her heart skipped a bit. I mean c'mon! Can you blame her? She doesn't see handsome, capable, disciplined male colleagues on the regular,does she?
Cut her some slack for staring! She can't help herself for wanting to admire you!
Like the others,she also tries her best to live up to your expectations,to be on your good list. She tries to make sure all your needs are met,(which aren't even bothersome,you prefer to do things your own anyway) but she always insists upon helping you out!
You began to notice that no matter who else wasn't around,Anya was always there in the corner of your eye. Was she... Following you around?
By Gods,she can't help it! No other person on the ship is as pleasant to be around as you! She feels at ease when she's with you. And you don't mind.
When she finally gets to know the real you, the butterflies in her stomach settle down into something even more soothing and calming.
Her puppy crush is beginning to grow,maybe someday in the near future, she'll ask you for things, beyond the professional limit.
Mechanic, Swansea.
He is just glad that there is someone on this godforsaken ship who has the screws in their head straight.
He does feel a bit relaxed that he doesn't have to worry about things going wrong with you onboard.
He sometimes has you deal with Daisuke instead. More relaxation time for him.
He can count on you. And he likes you the best on the ship.
Doesn't shy away from praising you in front of others.
Intern,Daisuke.
"WOWZER MISTER YOU'RE SO COOL!".
He was a bit scared of you at first,but quickly warmed up to how refreshing you were.
You were strict,yes. But not as much as Swansea. You never scolded him,or complained about him to others.
Instead you always, efficiently taught him how to do things properly.
The way you spoke,the way you presented yourself. He didn't find it strange how his other, older, colleagues were swooning over you either.
Grew to like you the best on the ship as well,always right by your side.
He does think you're hot,but is intimidated pretty easily.
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madbard · 2 days ago
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I love shipping characters who hate each other in canon.
I love shipping characters who have had exactly one (1) conversation in canon.
I love shipping characters who have never met in canon.
I love shipping characters from different pieces of media.
It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.
And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.
But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?
What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.
Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.
And they can also be really, really funny.
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leehslvr · 2 days ago
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˚ʚ♡ɞ˚ Fans ship you with another member
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── when you've been dating in secret but the fans think you look good with his bandmate
pair ⟢ enhypen x idol!reader
genres ⟢ fluff, one shot, humor
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HEESEUNG
Heeseung was not new to the concept of shipping. Getting involved involved in multiple cases himself, he's already come to the point where he has gotten used to all the edits and theories. So seeing his s/o get involved in some of their own was not really a shock.
Until he came across a few tiktok conspiracies of you and Sunghoon after the two of you hosted together for a music show. Comments were flooding with statements of how you both had good chemistry and that you two would make a good couple.
"Should I request the company to get us to MC together for the next show or..." Heeseung suggested, rewatching the edit on his phone.
"You could. Then you could kiss me as part of an adlib too if you want" You joked, knowing too well how that would get the both of you in a lot of trouble. "Don't test me" He replied with a smirk growing on his face
JAY
Award show season was a field day for fans. Other than the awards and performances, people always looked forward to the interactions and stage reactions. And it wasn't any different for the Heeseung and Y/N shippers.
As you were seated in the audience watching your boyfriend, Jay perform his part of their performance with Heeseung, you couldn't help but enjoy yourself with the stage they just put up. But of course, the fans thought differently. Shippers online were talking about how you were gushing and cheering for his bandmate rather than him, which Jay thought was absurd considering that there were two members on the stage at that time.
"I was right there, how could they get it so wrong?" He complained while scrolling through the tags causing you to laugh at his reaction. "If it helps, I could start smiling when you start singing your parts in the next show." "Please"
JAKE
"So care to explain why the internet thinks you and Sunoo would make a good couple?" You turned your head to meet with your boyfriend's face who was pouting while trying to show your ship name trending.
Hundreds and hundreds of tweets talking about the compatibility of you and Sunoo would have has gone wild. So much, that even an article was written about it. 'Not a couple, but we wouldn't mind if they were'
"I don't know. You tell me" You replied as you reached out to grab the phone from his hand to see the edits of you and his bandmate. Most of which talking about how your visuals compliment each other and how you have a lot of similarities. "Hm...we do look cute don't we?" "Hey!" Jake protested, grabbing his phone back. "Individually, yes. Together? No way. You're mine"
SUNGHOON
"You won't believe what I just found" Ni-ki stated as he entered the living room. You were staying over at the Enhypen dorms for the afternoon before you head over for you comeback practice. "There's this fanfiction of Y/N and Jungwon going around"
Sunghoon quickly straightened his back and grabbed the phone from Ni-ki's hand to see what he was talking about. And there it was, a fanfiction of his s/o and bandmate with tons of likes. "Jungwon!" He shouted causing you to grab his wrist. "Oh calm down, it's not like it's true" "Yeah well I'm just saying, if it was about you and me, that story would've been published on bookstores"
"I have nothing to do with this by the way" Jungwon protested as he looked over the maknae's shoulder to see what the commotion was about.
SUNOO
It was widely known about how amazing of a dancer you were. It was one of the things Sunoo loved about you. But it was also one of the things the internet saw as something you had in common with Enhypen's maknae.
When the year-end show's were beginning to be announced, fans rushed online to request a special stage with you and Ni-ki, with some even going as far as calling it a "couple dance".
"Couple dance? What are they talking about couple dance? Just 'dance' is where we draw the line" Sunoo protested with a pout on his face. Amused to see the jealous look on his face, you couldn't help but smother him in kisses. "You're so adorable, you know that? And besides, that just means I have more excuses to visit your practice room"
JUNGWON
It was comeback season for both you and your boyfriend's group. Of course, you couldn't pass on the opportunity on doing a tiktok challenge with them. This time, the task of doing the challenge was going to be with Jake. But it wasn't a problem for you or Jungwon. He still made sure to support his s/o and his bandmate as he watched them film for the video.
That was until they were up and posted, and the comments started talking about how the two of them looked cute and that they were beginning to ship them.
"Okay, from now on, I'll be doing all your tiktok challenges"
"But what if-"
"I will do all of them"
NI-KI
You probably lucked out because it wasn't everyday that you got the chance to film a variety show with yours and your boyfriend's group.
Everyone was having a blast. The whole cast was laughing and joking around, Enhypen and your members seem to be very comfortable around each other, and you get to spend the whole day with Ni-ki.
When a part of the game asked you to pair up with someone else from the lineup, and Jay just so happens to be the person available to the job.
When the show was aired, the shipping was almost inevitable. The edits and the conspiracy theories were everywhere! Contrast to popular belief, I don't think Riki is the type to get jealous over something as silly (as what he describes it) as fans making ship edits, but he will make it a topic at the table.
"Jay hyung, I heard you and y/n-"
"Whatever you have to say, I don't want to hear it"
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aryesdanger24 · 1 day ago
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I will be honest, I've seen the post a lot too and to me it has a different meaning. I think it is showing 2 different types of relationships. Not just wlw and mlm relationships, but the idea that there is a 3rd options that both are important. That even though one ship isn't shown in a physical way that doesn't mean it is any less gay than cannon ship.
For too long gay relationships were only shown through physicality, specifically gay men in relationships is always shown in aggressive physicality while lesbians in media feel overly said more than seen, less physical and more mental.
This feels like it flips the script on a lot of the stereotype that lesbians in films are always soft touches rather than heavy physical touches and quick to act like CaitVi (yes i know there is a joke about how fast lesbian relationships move, but i meant in media it often doesn't show that).
Men on the otherside often get straight (hehe) to fucking to 'confirm' their sexualitys or relationships whereas this with Jayvik is very much that soft word filled confirmations of love.
So this meme doesn't feel like a 'haha look at this and compare' as much as it feels like a 'id like to bring your attention to how these relationships went and how confusing this will be for the straights to compare'.
Also I think it is people just wondering why Jayvik didn't get their happy ending rather than just bypassing CaitVi and their more traditionally happy ending.
I think it's people who don't know how to process what happened with Jayvik so they are comparing how CaitVi got a normal ending and the confusion of how to deal with Jayvik.
In short:
Wlw relationships are much harder to come by and many people are happy that Caitlyn and Vi got all the good writing into their characters to really enjoy the progress of their relationship. Jayviks's ending is more confusing that people can't help but compare and wonder (in the words of Arcane) what could have been.
This post, to me, is subjective to the viewer. Some can see it as trashing on CaitVi or on Jayvik. Some may interpret it as a show to how different their endings can be in the media of today. Some may even view it as the idea that despite a ship not being cannon, it can be just as gay and important as one shown on screen.
I personally love both of their endings and hate both for different reasons. Their pros and cons to each and yet it fit for them in a way I can't be mad at BECAUSE they are so well written as characters!
P.S. I didnt make the meme at all but I simply wanted to not assume the makers goal of sharing it into one of negativity. Unless the main poster is definitely some mlm supremacist or lesbian hater or something because then, by all means, bash that bitcherous. Until I see some evidence against the original meme maker I will just see it the way I see it, a way someone is coping with their idea of an 'unsatisfying' ending for Jayvik by comparing it to the more canonically physical confirmation of CaitVi
(Personally, I don't find the endings dissatifying, though, but that's just me)
Someone else's post:
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~
I have seen so many posts like the one above in the last 24 hours and honestly, it's starting to piss me off. I know the majority of tumblr users aren't wlw, but do you know how patronising this kind of thing is? This was the most beautiful, intimate, lovingly animated lesbian sex scene, between two rich, well-drawn, compelling characters, but over and over, I see people comparing it unfavourably to Jayce and Viktor's final scene. The story between two men is seen as more powerful, more meaningful, gayer, deeper, than the one between two women.
Look, it's fine to enjoy the mlm ship more. I support you! I think Jayvik is cool! But can you all please, please, stop acting like it's inherently better just because the lesbian story didn't happen to be written for your personal tastes, this one time?
(Also, to answer the question: as a lesbian, I promise you, the lesbian sex is much, much gayer. You're just not the target audience.)
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bucksboobs · 19 hours ago
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I wish BoB's could take a second and look at episodes objectively, like without the Tommy of it all. Because, watching Confessions as a fan of all the characters, was just bad. It sucked. Eddie didn't get any character growth, Maddie was doing some weird hidden pregnancy thing for some reason, they had a fucking Glee speech, Maddie made a homophobic "joke", I could go on. Like, take the shipping goggles off for a second and realize you (generally speaking), in fact, did not get what you wanted.
I’m so mad their pregnancy was unplanned again. It makes way more narrative sense for them to come to the conclusion they want more kids together without having the situation essentially forced on them.
And yeah the Eddie thing started out strong! He acknowledged his mistakes to Father Brian!!! He said what happened! And then Fr Brian is like “you should do something frivolous.” And that’s it? No follow up? Is he going to actually work on acknowledging to Chris what happened? Has he talked about The Incident with Chris at all the past three months? Is he really going to settle for going to El Paso and being a witness to his son’s life? Obviously I think the answer is supposed to be “wait and see” but there’s been so little movement on him actually acknowledging the root cause of his actions, which is the grief he has for Shannon. Do you know how easy it would be for them to have him talk to the Real Shannon (i.e. her grave)? They’ve already shown that location before! They were at the graveyard this season! Talking to Shannon’s grave about missing out on Chris’s childhood would be so much more impactful than Brad being the reason that makes Eddie decides to leave.
And the Glee speech wouldn’t be so bad if it was actually leading somewhere you know? They take pains to explain why Tommy had a comphet relationship with Abby using Glee as a metaphor for social progress and that would have been great if it lead to anything positive for Tommy like an “i love you” for instance but because it doesn’t actually let Tommy have something nice despite his past mistakes born of fear, it instead comes off as the hand of the writers reaching down to jerk off Ryan Murphy, which isn’t a good look when the show is a Ryan Murphy Production.
And everyone has said it but the fact “how many men did she turn gay?” Was the perfect set up for Buck to say he’s bisexual is just so indicative of this season’s inability to follow through on anything. You’re telling me Buck wouldn’t say “well I’m bi actually” instead of that round about “I kissed a boy” thing? Hell he could have said both things and it would have flowed better. “Well first of all I’m bi and she was gone long before I ever kissed a boy.” *cue Josh*
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mind-intheclouds342 · 3 days ago
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A new ladder - Reader x Curly
Previous - Part 6 - Next
"Do you like art exhibitions? It has opened one by my favorite artist."
You mentioned handing a brochure to Curly.
Curly: "Oh, I didn't know you liked art."
He unfolded the brochure to start looking at the details of the exhibition.
"What does that mean?"
Curly: "Ah- nothing, nothing... He's a very reserved artist, huh? 'The man who never shows faces, after years brings his new collection', sounds great."
"I'm surprised he brought another collection, he had been inactive for years," you smiled, "Here are some examples of old and somewhat popular works, what do you think?"
You pointed to some images in a collage that were in the brochure of previous exhibitions.
There was a mix of realism, abstract paintings, and cartoon-like styles.
Curly: "He has... many styles, it's incredible. I would love to go see his works."
"I'm glad to hear that because~ I already have two tickets for their exhibition~"
You showed him the tickets excitedly and handed him his.
In the afternoon, you headed to the exhibition and entered the building. There were many people admiring the paintings; there were all sizes and styles, even the children were entertained by the cartoon-like paintings, surely a great collection.
There was one detail that always caught everyone's attention: in his paintings, he never showed the faces of those he painted, perhaps a way to maintain their anonymity.
Faces covered with plants, with careless strokes, hats, or even covering themselves with hands, veils, or the person being turned away, among other things.
Curly stopped to look at one in particular, which he felt was too personal.
The artwork was called "A Winner Among So Many Losses."
It was a torso without a head, with a background of a starry night, as if it were submerged in space, and four bright stars formed the silhouette of its head.
X: "What happened to those people was horrible. Don't you think? I wonder if anyone understands the meaning of this painting, or if they have already forgotten that tragedy."
An elderly man in a wheelchair had stopped beside him, looking at the painting with a relaxed smile.
X: "People tend to forget events very quickly, it's good that someone frames them so they can be remembered, because that way those lost people will always be present in our minds." 
"Curly! I didn't realize you had stopped," you returned to his side and observed the man next to him.
Soon a woman came running towards you and took the man's chair, scolding him for going off on his own, to which the man just laughed and gently patted the woman's face, making her smile.
They both said goodbye to continue viewing the exhibition on their own, while you noticed how Curly remained staring at the painting in front of him.
Curly: "It's me. A faceless captain, lost, and the only one who will have the memory of his crew. The only captain who didn't sink with his ship and now bears the face of shame."
"Okay, okay, I think you're being too critical over a single painting," you patted his shoulders "Besides, their families will always remember them."
Curly: "Their families... What must they think of me?"
"They must feel pain... Resentment... They must be thinking, 'why did he come back and my daughter, or son, didn't?' Being a survivor is difficult, many will be happy for you, but others... They will only suffer because their loved one was n't the one who survived... As if you were to blame for something just because you're still alive."
You rested your cheek on his shoulder and grabbed the sleeve of his shirt, trying to draw his attention away from the painting.
Curly: "...I should... contact them"
"If that makes you feel better... I can help you."
You smiled when he slowly took his gaze away from that painting to walk by your side and continue looking at the other works in the exhibition.
Curly: "I understand why you like this artist so much... He has such detailed works and they evoke a lot of emotions in you."
"I'm glad to have someone who shares that thought! You know? I could never bring my sister here to appreciate these paintings, she always said she didn't have time... And then I stopped insisting."
Curly: "I think I remember... That she used to get angry when she saw ads about these exhibitions. She said she hated that artist because she didn't like that he didn't do faces, and it made her nervous and gave her chills."
"It's just that she is like you were, she only saw the general image, didn't go deeper, never gave it a chance. If she saw something and didn't like it, she refused to see the beauty in it..."
You stopped in front of a painting and sighed.
Although you didn't make any comment about it, you soon continued walking while Curly observed that piece called "Beautiful Smile on a Perfect Day."
It was a bride holding a man's arm, resting her head on his shoulder; the irony of that painting was that the bride wore a veil and no smile could be seen on her face.
He approached and tried to focus his gaze on the bride's face, noticing that the veil was not completely solid; if you looked closely, you could see the bride's face, with her eyes closed and a smile on her lips. 
"Curly! You're lagging behind again." 
Before he could see the woman's face in the painting better, he walked away and hurried to join you. 
That woman looked familiar to him...
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oimitocat · 14 hours ago
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IN A MOMENT U & I | OS
lee minho x m!reader
super hero au! + mind control + death themes + blood + crying + hurt/comfort + angst + fluff [ s/n = superhero name]
a/n; this sure did take me a while…. lots of minho love here lol (black widow minho won’t leave my head)
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“where are we going? it’s hot, i’m sweaty and my feet hurt,” he whines.
his smile is wide- wait, who’s smiling at him?
“you can’t resist this, lee know. everything went my way when you just had to be stubborn and prove yourself!” someone cackles, “my mission will be completed once you get rid of s/n.”
minho growls, trying to get out of the restraints. that’s right… he had separated from the group and went ahead and-
there’s a snap. he doesn’t know if it came from inside his head or outside. suddenly, all he hears is static.
“what’s so cool about this place? it’s too quiet…”
“don’t you like peace and quiet?” he snickers. “look around, take in the place.”
with a small pout, he looks around. it’s eerily quiet, yes he does like peace and quiet but something’s off about this. it’s an unsettling peace. the waves roar as they crash into the sand. he looks away when an unsettling feeling sinks to the bottom of his stomach. he turns around to face-
“minho?” there’s disdain in your voice.
good.
“minho! WAIT!”
there’s a loud resounding crack when he slams down his batons into your arm. you don’t want to hurt him, this isn’t lee know. this isn’t your minho. you won’t hurt him. you could never bring yourself to do so.
“kind of hard to fight someone you’re so in love with, right?” a voice booms over the platform.
you and the rest of the group had located minho and the enemy to be here in a shipyard. it’s not abandoned, chan and felix had to evacuate the workers and any bystanders. jeongin and jisung were busy fending off the stupid robots fighting them off to come for minho. you had managed to sneak past, giving the green by chan.
you didn’t think minho would be-
“min! you’re being mind controlled!”
“he won’t hear you! all he hears are my orders!”
you growl, sliding away from minho before he slams his batons down on your head. he had activated the weapon’s electricity discharge and if you got hit by them you’d be out for a bit. you hop off the floor, groaning when you use your arms to push yourself off the cold, wet floor.
“hey, ji! could you try to figure out where the guy controlling minho is?” you ask into your in ear as you run down the hollow shipping containers.
“huh? he’s being mind controlled?”
minho connects his batons to make a long staff, extending it for facility. you groan, knowing you’re about to get your ass kicked.
“me and jeongin just defeated these shitty robots!” jisung announces, “we’ll try to find the guy, i’ll move to seungmin okay? don’t get your ass beat!”
“kinda hard when you know minho is my weakness-“ you jump minho slides to kick your feet.
you pant, landing a bit farther from him as he spins and gets on his feet swiftly. any other time you’d be enamored at how easily his limbs move during a fight. you’d be captivated by his acrobatic attacks, except you’re the prey this time. his feline like eyes are aimed at you with the intent to kill.
he charges right at you and you refuse to strike back every time he aims a blow at you. minho’s attacks are fast. he has fast combinations and you have no choice but to take out your sheaths to keep up with blocking and redirecting.
your own weapons are shattered when he slams down his staff. he has brute strength, sends you to the ground. with minho you have to be quick- so you grab his staff and slam it down the side, taking him unguarded for a second enough to leave from under him. however, your back is faced towards him and he takes little to no time to slam the hilt of his staff into your lower back. you groan out in agony and fall forward.
“s/n~,” the loud voice booms again, “how does it feel to have your lover kill you?”
you grunt when minho crawls on top of your face. at the sound of disassembly, you realize he had transformed his long staff back to his two batons. you can’t apply any force on your left arm- it’s probably broken. you think fast, pulling out your own baton from it’s strap on your thigh. slamming it’s edge to the floor, you pressed a button and the baton extends to something twice its side. it send you flying to the side, minho falling off of you. with ease, he slide to his feet. you stagger, eyeing him.
“i think your main mistake was flaunting your little relationship in a fight between that last villain you took out a few weeks ago.” the voice is crazy loud, where the hell is jisung? “rumors spread you know.”
you fall to the ground when minho jumps off the floor, using his staff again as grounding to side kick your head. good thing you saw it coming, using your left arm again to block the attack. as his feet touch the floor, his arm is already swinging his staff into your rib.
“ah, people in love make me sick… but seeing you two dance around like that makes me wish i had someone.”
“piece of shit,” you grunt as you hug your side and dash off again.
minho is a fast runner, not faster than chan but for sure faster than you. him jumping off the boxes and tired laying out in the ground wasn’t helping your case. he throws a baton at you from a short distance, it electrocutes you at the touch. with a cry of agony, you fall to the floor.
his soft but heavy footsteps draw close to you.
“i don’t really like walking down the beach, the sand feels weird,” he says as he turns to the other person, hoping they get the gist and take him somewhere else. yet, as he looks at them, he notices that not only can he not see their face, but they’re kneeling before him.
“minho…”
“minho,” you gasp between his blows.
he has one hand holding you down by the neck. his strength there isn’t enough to cut off circulation or even try, but it’s strong enough to keep you pinned in your weakened state. his other hand is holding the baton and bashing it to the side of your face. one of your hands is gripping his hand on your neck and the other trying to hold off his other hand.
“s/n you’re one of the most strongest heroes out there and yet you’re dying in lee know’s hands? how embarrassing for you. one single punch could have him disadvantaged easily.” the voice booms again.
your ears are ringing. with minho’s body sitting on top of you, your breathing is harder. your rib hurts, his pressure isn’t helping. your bleeding from your mouth and your nose.
“will you really die at his hands?” he scoffs, “you could have at least made this more entertaining-“
the voice cuts off.
“WE FOUND HIM! S/N, JUST HOLD ON A LITTLE LONGER!”
“about time!” you groan, yet your arm weakens and he slides out his hand to hit you once more.
“it’s about time we move forward in our relationship, don’t you think?” they say with a smile.
you use all your energy to lift up your legs and flatted your feet on the ground. your going to pass pass out if you don’t do something. you can’t die, minho’s grief will eat him alive. you have to hold off as much as you can until jisung and jeongin defeat the villain. you thrust upward, quickly pivoting off the ground once he’s off you for a split second. he falls forwards, hands pushing him up and helping him land on his feet after a cartwheel.
you stare at him through one eye. the other shut closed from the blood that dripped from your temple down.
“KILL HIM!” the voice booms.
minho charges at you again, but before your feet move, he throws takes out something from his pocket and throws it at your feet. you get electrocuted again. in the few seconds that your body is shaking from the electricity, you knocks you down with a kick to the stomach.
“IF THEY GET RID OF ME I NEED TO MAKE SURE S/N IS GONE BEFORE THAT.”
“s/n hold on!” jeongin yells through your in ear.
you can’t really hear him. agony is taking over, your losing consciousness.
“min…ho,” you cough as he gets on top of you again.
“don’t you think, minho?” the man smiles, he thinks it’s a pretty smile.
he can’t even enjoy it though, the waves are roaring louder, he wants to leave. he lowers his hand despite it, eyes shimmering at the sight of the ring. this is a beautiful moment… but what’s wrong?
“MINHO!”
he freezes.
he snaps his head to the side, seeing chan charge straight towards him. what the hell? he feels lightheaded. actually, his head is pounding. he tries to stand up but when he looks down to hoist himself, he sees you.
bloody.
his blood runs cold. his hands tremble and when he sees that he’s holding one of his baton’s- which is dripping with blood- he can’t breathe. did- did he-
“minho-“, chan tries, panting when he reaches you two.
“nonononono,” minho gets out, frantic when he takes in your bloody face and your closed eyes. he grabs your face as he sobs, trying to shake you to get you to open your eyes. “y/n-“
“minho, y/n is-“
“NO SHUT UP!” minho screams, sobbing. he can’t bear to hear it.
he keeps shaking you, begging you to open your eyes.
“hey i need backup here! chan can you come?”
chan hesitates before stepping away.
minho gasps, letting go of you when you don't open your eyes. "no, no, no!" he screams, scrubbing his face with his bloody hands.
what is going to do? this is- "ALL MY FAULT," he sobs.
he's busy crying into your hands when you finally do open your eyes. one of them burns, probably from the blood that had dripped into it. still, you use your energy to put your hands on his hips,
"baby…" you croak out. "i'm not dead-"
"YOU PIECE OF SHIT," he sobs, throwing himself on you to cry into the crook of your neck, "I'M SORRY!"
you groan, screwing your eyes shut. "ack- min- babe- get off- i can't breathe. i gotta broken rib or something-"
minho doesn't stop crying. he quickly scrambles off of you, begging for forgiveness and asking if you're okay.
"hey, hey," you wheeze out, "it's okay. i'm glad they handles it before you really did kill me."
and minho cries harder.
it takes a while for seungmin and felix to come. seungmin uses his powers to facilitate moving you to the ship without putting you in more pain. minho doesn't leave your side even when you're back at the base getting checked and undergoing surgery.
he can't forgive himself for- "being so careless. i should have listened to you when you said something was off about the hideout. i should have waited-"
"hey, shut up," you tease, squeezing his hand. "i was just happy to know you were safe. you being mind controlled was better than finding you dead."
he swallows, looking at your patched up figure. "at least you held me off pretty long…"
"you saying i can't handle you?" you pout.
"if you put it like that…"
"get out."
"no! you're my responsibility-"
"i'm your fiancé."
"exactly." minho eyes you down before smiling. "i really wouldn't have known what to do if you were really dead…"
"probably go even more insane." you tease, which earns you a slap on the arm and you groan.
"SORRY!" he winces.
“give me a kiss and i’ll forgive you,” you say.
he doesn’t even hesitate.
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bluedalahorse · 2 days ago
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I feel like there’s some meaningful stuff here about Sara and August’s relationship, so I wanted to reblog and lift those up here! Sara has traditionally been unfairly slammed by the fandom, even though her actions were meaningfully different from August’s in season 2. And a lot of times saraugust is held up as this ontologically evil foil to wilmon, even though both pairings juxtapose the capacity to be sweet and loving with some pretty intense teenage flaws.
Personally, while I understand why they happen, I’ve always been a little wary of discussions of “is Sara a bad person/is August a bad person.” I understand why this framing works for some fans, but it doesn’t work for me. Mostly because a while back, Omar was talking in an interview, and he talked about Lisa’s writing philosophy being that there aren’t good and bad people in her stories, there are people in her stories who are capable of good and bad actions. Now, authorial intent can only go so far, I get that. But I do think this is a theme that underpins the series. I think they did a great job of showing Sara’s complexity and growth over the season. I do think there were some fumbles to August’s writing in season 3 that led a portion of the audience to believe he never changed, ever, over the course of the series. I think the show would have benefitted from him and Simon having a chance to do restorative work outside of their relationships with Wille. At the same time, I don’t think season 3 was without growth for August. @sflow-er’s post on the Fleabag parallel does a great job of breaking down August’s arc. I’m not saying any of this negates the harm August does—far from it—but I do think the show is inviting us to envision a better future for August where he grows and changes, especially in our fanworks.
And that’s what I want to talk about in this reblog: fanworks. It’s been a long time since people were acknowledging the saraugust nuance in season 2, and ultimately how fascinating the pairing is, but there’s still only 96 fics tagged Sara/August on AO3 and only a few are actually about them.
I think, what I’m sad about most when it comes to Young Royals fandom, is that there is no fanworks community around Sara and August the way there is for wilmon, at least on tumblr. There are individual people who are interested in their dynamic, and some of them create fanworks from time to time, and some of us reach out to one another and have meaningful and wonderful one-on-one conversations in our inboxes. But there’s very few reblog chains about them where people are just expressing fun headcanons, there’s very little circulating fanart, there’s some gifsets and edits but they don’t circulate as frequently, no fandom events or challenges themed around them, no following and cheering on of Malte and Frida’s careers, (to my knowledge) no epic multichapter saraugust fics we discuss together and swoon over and make starry eyes over.
To be clear: I don’t think I’d ever expect saragust to have the same size of following wilmon does. There are many factors that make wilmon more popular, first and foremost being that August does real legitimate harm and is annoying and kind of sucks. Like, hey! I get it! Not everyone is going to like him, and that’s perfectly okay. And then there’s the fact that not everyone who’s drawn to an m/m show is going to feel excited to ship a f/m pairing. As @crownedwille points out, fandoms sure can do some stuff when female characters are involved. Of course saraugust will get smaller numbers.
But as someone who’s been tracking the saraugust breadcrumbs in fandom for a while, and has been following their tag on AO3, what I’m noticing is not exactly a natural absence of interest in the pairing. It’s more like I see a lot of people who have an interest in the characters and the dynamics, but something about the way YR fandom interacts socially reinforces the notion that you keep your saraugust feelings to yourself. Or, for a while if you were expressing those feelings, you were encouraged to express them in ways that are full of apologies and disclaimers. When you’re spending all your time doing that, it becomes a lot harder to create fanworks. Like, even in the tags of this post, I see a lot of people saying they liked them or found them interesting or cute or they’re hooked in by the drama or whatever else! Clearly the enjoyers exist and are out there. I think the discourse (and the harassment of actors/writers/creative team on social media) has died down a lot since the finale and there’s more space to like the characters, but I also think that some of the patterns of fandom interaction that sprung up post-S2 have had a continued impact on how people express themselves.
And yes, it’s important to be mindful of the morally dubious sides of this pairing, but we can do that while creating space for people to openly enjoy it through fic and headcanons and edits and such the way that many people in the fandom openly enjoy wilmon, even if it’s a smaller group of us. (Heck, some people enjoy saraugust because of the moral dubiousness and that is part of a Valid Fandom Tradition of enjoying morally dubious pairings.)
As someone who’s currently feeling a little burned out on wilmon by itself and doesn’t really have a desire to read works centered on them, but who’s still in love with the broader YR world and its characters, especially my two favorite characters—I am desperate for a little bit less saraugust discourse and a little bit more joyous fannishness about them. I’m not entirely sure how to make that happen. I’ve been writing fic, blogging about the characters, creating ask games, posting pictures of the plushies, and also doing some other stuff behind the scenes. But I often don’t post or reblog as much as I could for fear of discourse returning, and I feel disconnected from fandom most of the time, even though I have some strong individual ties to individual people. (I also feel like I may have burned some bridges at times when I was upset.) It’s a bit of a sisyphean conundrum, isn’t it? I wish I could wave a magic wand and make more fanworks and community happen around this pairing in particular, but also around other pairings and characters on the show for the fans who want those other pairings and characters. I just wish there was a little more variety in the characters and pairings talked about.
Anyway, I don’t have any answers and it’s time for me to acquire groceries for the week, so. Blue out.
There's so much discourse around Sara and August. Whether they were good together or not. Whether they loved each other or not.
What we tend to overlook is the fact that they talked to each other. Enough that they knew each other.
He wanted someone to talk to and he thought about her. So he went to find her and he knew to find her in the stables. Then he immediately proved to her that he was someone "safe" by petting her horse. She misunderstood his invitation that evening but he didn't make her feel bad about it. We know she talked to him about the Felice Horse Selling Thing™️ because when she comes to say that Felice was officially selling the horse, he just said "I thought you already knew that" because she had already told him.
Sara talked to August. The same why August talked to Sara. He opened up about the drugs and why he used them. He opened up about being Wilhelm's back up. He opened up about his guilt and about feeling like a horrible person.
She talked to him about her horse and about Felice. Two things that she considers the most important in her life. She also opens up to him about wanting to fit in. Wanting to "be like him" meaning that she wanted to be like the Hillerska crowd.
They talked to each other.
So like, yes, they did horrible things. They are bad people. But they aren’t incapable of caring. And they aren't entirely self centered. That's what makes their individual betrayals even more heartbreaking. Because we know they're capable of caring and they made the choices they did anyway.
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accio-sriracha · 2 days ago
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WHAT DO YOU THINK ABOUT REMUS + REGULUS BEING ROOMATES
(I don't ship them romantically but platonically this is so cute)
That would either be the cleanest house there literally ever was or they would have such bad depression rooms you couldn't see the floor.
BOOKS. BOOKSHELVES EVERYWHERE. BOOKS ON EVERY SURFACE.
Remus and Regulus standing in the kitchen at three in the morning eating ice cream because they're both absolute messes for men.
(Bonus points if they're ranting about their gay crushes)
"That time of month" trope but they LIVE TOGETHER??
They're both absolutely atrocious at cooking and eat take out for every single meal ever.
Also the Wolfstar potential of platonic moonwater being roomates??????
Sirius stopping by ALL THE TIME pretending to want to hang out with his brother
But secretly (not so secretly) having a MASSIVE crush on his nerdy but super hot best friend??
Wait stop this is so good-
Can you just imagine them having A CAT
That cat would 100% be named like "Sock" or something
Just Reg and Remus screeching about their favorite gay subtext in a book at like 1 in the morning
Broke college student vibes
Remus has a shit ton of plants and they both take turns watering them until Regulus also gets emotionally attached.
They don't own a single dish between the two of them. Their friends aren't sure if they should be impressed or terrified.
NO REMUS YOURE NOT ALLOWED TO FUCK MY BROTHER IN MY OWN HOUSE.
There's so much potential here I love it
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aquaticmercy · 3 days ago
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Bloodthirst
Part 5 of Dark Necessities
Series Summary : You drink Bucky’s blood out of necessity and accidentally form a primal bond that has the ability to unlock an ancient ritual magic.
Chapter Summary : As Bucky’s obsession with the bond grows, you meet a stranger who claims he can help.
Pairing : Bucky Barnes x half-vampire!reader (she/her)
Warnings/tags : Blood. Death. Cursing.Violence. Pleasure from a vampire bite (?). The reader is a dhampir/half-vampire/daywalker like Blade, and Blade is a mentor figure in this. Established relationship. Not a really an au, set in the MCU so semi-canon compliant except for the fact that blade is here lol.
Word Count : 2.7k
Note : hey y’all! I haven’t updated this in over a week, but as it stands, I am going to upload a chapter 2-3 times a week. Let me know if I missed anyone in the tag list. Enjoy!
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Bucky’s obsession with Joanna’s journal crept in quietly, at first. He kept it tucked under his arm, bringing it with him even to the smallest corners of his life. Before long, he felt like he was compelled to carry a piece of her story.
In the low light of the bedside table, he’d lose hours tracing her words with a respect that bordered on devotion. Each night, you’d find him hunched over the journal, eyes fixed on the paper as if every letter were sacred. His breaths would grow shallow, his body still, save for the fingers that turned the pages. You’d watch him from across the room, feeling a knot tightening in your chest because it did in his.
You knew you should probably take a peek, but the idea of reading it yourself filled your head with a uneasy dread. 
You didn’t want to know what was written inside—didn’t want to see the horrors the bond you shared with Bucky reflected in the pages. There was a fear you couldn’t shake off— that the journal held a blueprint of what your future with him might become, and it terrified you more than you could admit.
One night, after you fed on him and showered, you heard him turn the page and exhale, almost a sigh. You knew it couldn’t be anything good.
I can feel Celine’s heartbeat even when she’s not near. When she leaves, I feel like a ship wandering the seas without a destination. Her soul burns with mine like a flame, and I am afraid of how much I crave it.
How strange to feel so full, yet so empty without her… I wonder if this hunger is love or something else entirely. I cannot tell. But I do not care to know the difference.
As Bucky read, his grip on the journal tightened, knuckles turning white. His storm-blue had that faraway look again, as if Joanna’s writing had taken the words right out of his mouth. 
He didn’t notice how his breaths grew shallow the way you did— and how his shallow intakes of air made it harder for you to breathe. 
You bit down on the inside of your cheek instinctively. In that moment, he felt his cheeks ache, too. Warily, he looked up to you. 
He shut the book and smiled as if nothing was wrong. But he couldn’t hide these things from you anymore— you felt the dread he did, the spiral of obsession slowly digging deeper and deeper into his skull, taking root in his brain.
And still, you didn’t open the journal. You haven’t read a single sentence. 
It felt like the last line of defense, a boundary between what you could bear to know and what would destroy you if you did.
Today, you went on another mission— Elsa Bloodstone had tipped you off. 
The sunlight was blinding, slicing through the vein-like branches of the forest like a blade, yet the trees were so thick that there were pockets of darkness underneath.  
You and Bucky moved in near-silence through the edge of the woods, stalking the faerie that had left two vampires dead in the last three days. The forest seemed to sway with purpose, the earth beneath your boots uncharacteristically still. 
Every snap of a twig, every rustle of leaves set your senses on fire as you stayed close to Bucky’s side. The faerie had been maddeningly elusive. 
But you both knew it was near— you had caught a glimpse of their feet and followed it here. 
Bucky’s grip on his rifle was tight, his keen eyes flicking to every shadow that might move. He had specifically prepared silver-tipped bullets in his weapon, hoping he wouldn’t need it. Between you, the bond buzzed softly, a shared endless rise and falls of energy. His adrenaline felt like it had mixed with yours, creating a heady cocktail that made you hyper-aware, feeling the beat of his heart as if it was your own.
The daylight gave you an advantage—Bucky had insisted on that. The faeries had killed vampires— they would expect a vampire to avenge them. They would not expect a daywalker. 
This was your best chance. 
And yet, this seemed too easy.
As you stepped into a small clearing, the forest fell silent. Not the natural quiet of nature— it was like noise had been sucked out of the air in a vacuum. 
It was the kind of stillness that promised violence. 
You halted, your hand instinctively resting on the hilt of your dagger. The faint scent of blood drifted to you, sharp and metallic, and your eyes followed it to a figure slumped against the thick trunk of a tree.
A young vampire. Recently turned, by the smell of it.
The fledgling’s throat had been violently slashed, a grotesque smile carved into his pale flesh. His wide, empty eyes stared up at the canopy above. He likely was sheltering out the sun under the shade of the ancient tree.  A dark red streak ran down his neck, a brutal sight against his alabaster skin.
“This isn’t right,” you whispered, your voice barely audible as you began to back away. Your instincts screamed at you to run. “They’re leaving victims for us to find.”
He stiffened beside you, his head jerking up as he scanned the perimeter. His mouth opened to respond, but the forest answered first. 
Figures seemed to spill from the edges of your vision, flickering like flames. They moved with impossible grace, as if they were one with air itself. 
Faeries. 
Their pale, luminous skin glowed like winter’s first frost beneath sunrise. They wore flowing garments in shades of moonlight, their faces achingly beautiful but marred by a cruel childlike glee. They danced in and out of sight, their laughter piercing your ears, sharp as broken glass. 
You knew, now, that this was a trap. 
The bond between you and Bucky flared, his pulse thundering in your head. He moved closer, his back pressed against yours as the faeries closed in. Their movements were so fluid, so deliberate. One stepped forward, its lips curling into a smile that sent a chill down your spine.
“The blood-bonded lovers,” she said, her tone dripping with genuine wonder. “How rare. How precious.”
A shiver ran through your veins. 
These weren’t just faeries. Your eyes flicked to the brands on their necks— intricate, thorny roses etched into their pale skin. 
A marker of devotion.
“A cult,” you breathed, the realization hitting you like a blow. “A faerie cult.”
The stories came rushing back to you, dark whispers of faerie cults who performed ancient rituals to bend the natural forces to their will. The tales always mentioned daywalkers, their connection said to hold unspeakable power.
Perhaps they wanted to test their rituals on a blood bonded daywalker now.
One of the faeries began to hum, the melody soft and haunting. The sound wormed its way into your chest, vibrating in your bones, fraying your nerves. 
“To bring back the dead requires a blood sacrifice so rare,” the faerie purred, their eyes gleaming with hunger. “A blood sacrifice so potent.”
Bucky’s body tensed beside you, the bond crackling with his thoughts— anger, fear, and above all, a determination that burned like fire. You felt an unspoken promise ripple through the connection: he would not let them take you. But you knew he could feel your thoughts as well, that you were going to protect him just the same. 
The first faerie lunged, and you both moved as one. Bucky’s shot first, the silver-tipped bullet slicing through the air and slicing into the faerie’s shoulder. It staggered back with a shriek, its blood sparkling like liquid starlight. Another darted toward you, your dagger in hand, slicing into its flesh. The faerie hissed, otherworldly beauty twisting into monstrousityz
But then— 
A sharp sting bit into your neck. And another.
You slapped at the source, but it was too late. A cold numbness spread through your veins. 
You heard Bucky say your name, his voice quiet and distant. The world tilted, the sunlight fading, the trees dissolving into darkness. 
You both hit the ground.
And then there was nothing.
When you woke up, the first thing you noticed was the moon, bright and full, hanging high in the sky above you. 
How long had it been? 
You were in a hole in the ground, vines wrapped around your wrists. The air was damp, the faint scent of moss clinging to your senses as you groggily tried to sit up. 
“You’re finally awake,” came Bucky’s low, steady voice. He was crouched beside you, his metal hand working at the knots that held you captive. 
“How did you untie yourself?” you croaked, your voice still groggy, the lingering effects of the poison lingering.
Bucky shrugged, a faint smirk tugging at his lips. “They didn’t factor in the whole blood-bonded supersoldier thing. Woke up, snapped the vines. Easy.”
You blinked at him, still drowsy. “How are you, like… fully awake already?” 
He held up a dart casing he’d pulled from his arm. The faintly glowing residue inside it shimmered faintly under the moonlight. “Silverleaf poison,” he said, toying with it between his fingers. “Hits vampires harder than humans. Guess they were banking on me being out longer.” 
You couldn’t help the chuckle that escaped you even now. He’s been reading up on your kind. 
It took another minute or two, but he finally freed you from the vines. He helped you to your feet, steadying you with a hand on your waist. The bond between you buzzed faintly, a steady pulse of his calm sensibility grounding you. 
“They caught us off guard once,” you muttered, shaking off the last vestiges of grogginess. You looked up to the opening above you. You grabbed a root that had snaked down and started to climb out. “Not again.”
Bucky nodded, stretching his metal arm. He felt naked without his weapon, but this’ll do.
As you climbed out of the hole, the forest greeted you with an eerie silence. No whispers. No laughter. Nothing. 
Yet again, you got the creeping feeling that said the silence must mean something was wrong. 
Together, you moved cautiously into the clearing, every step feline. The smell hit you first—sharp, metallic, unmistakable. Blood. 
Then you saw them. 
The faeries. 
Their once luminous, otherworldly bodies lay sprawled across the ground like discarded old marionettes. Their glowing skin was smeared with their silvery blood, their flowing garments torn and stained. Some had wide, glassy eyes staring lifelessly at the canopy above; others had their faces frozen in terror. Their bodies were twisted at unnatural angles, limbs discarded as they had been ripped apart.
“Holy fuck…” Bucky trailed off, scanning the scene with wide eyes. He stepped forward, nudging one of the corpses with the toe of his boot. 
It didn’t stir.
You knelt beside another body, your hand hovering over the intricate thorny brand on its neck. The symbol seemed to flicker faintly, the glow fading as though whatever power had coursed through it was finally snuffed out. 
Then, you saw the figure standing at the center of the carnage.
You couldn’t take your eyes off him. 
Tall and refined, he seemed utterly untouched by the chaos around him. His coat, deep purple with intricate gold trim, swirled faintly in the breeze. A lavish feather boa was draped over his shoulders, absurdly elegant. His dark eyes stayed on you and Bucky. 
The vampire from Dead Club City.
He was renewed with energy— almost glowing.
His fangs glinted of silvery blood.
Oh, he’d kept a couple of the faeries alive enough to feed.
Faerie blood was an acquired taste— and it was intoxicating. A recreational hallucinogenic drug for the vampire community at times, though not without danger— you have heard of multiple overdose cases. 
Yet here he was, unchanged by the blood he had drank— as if he had a resistance to it. As if he had built up tolerance to it.
His smirk deepened. It was not friendly. Not warm. 
“Ah, the hunters,” he said, his voice smooth and sweet. “Or shall I say, the hunted?”
Your stomach twisted. You could feel the hum of the bond with Bucky at your side, his tensed breathing a steady pull in your chest. He shifted, moving half a step in front of you, his stance protective.
His grip on your arm stayed firm—a reassurance that you weren’t alone. Still, unease prickled along your skin. This man—this vampire—was dangerous in ways you couldn’t yet define.
He had done this. Effortlessly. 
And now his attention was on you.
“Eric Veer,” He introduced as he approached, his boots crunching softly against the ground, not caring if he stepped on some faerie remains on his way.
There was nothing kind in this man’s face, only an ancient hunger, hidden beneath a thin layer of civility. 
Bucky, however, didn’t move. His hand tightened on your arm—not in alarm, but in caution. His thoughts, muted but present through the bond, was conflicted. But mostly, it was curiosity. 
It made you want to shake him, want to shout at him. How could Bucky not feel the danger emanating from this man? How could he not see the predator that lingered beneath the elegant facade?
Eric’s gaze shifted to Bucky, and then to you, lingering for a second too long. His eyes dropped to where Bucky’s hand gripped your arm. 
“Fascinating,” he murmured. “The connection between you… so raw. So untested.”
You wanted to step back, to put distance between yourself and him, but Bucky’s grip held you in place. The bond pulsed with his determination, and it felt infuriating. 
“What do you want from us?” You asked.
Veer shrugged. “I want to help. I have been studying blood bonds for centuries.”
You didn’t trust him. Not for a second.
Bucky, though, seemed to be listening, his thoughts guarded but intrigued. You felt the flicker of his hesitation through the bond, a reflection of your worry. 
Eric reached into his coat and withdrew a folded piece of paper. He held it out, his eyes gleaming with an unsettling mixture of amusement and excitement. 
You didn’t take it. 
Bucky, however, stepped forward, plucking the paper from Eric’s hand without any hesitation. You felt the shift in him, the way his curiosity bloomed, the subtle intrigue that bled through the bond. It frustrated you. 
How could he trust this man—this vampire who stood amidst a field of corpses like a god laying waste to his domain?
The address scrawled on the paper was written in cursive. Bucky said nothing as he studied it. Eric’s gaze returned to you, as if knowing he still needed to win you over. 
“I offer knowledge,” Eric said, his voice low, “What you do with it is up to you.”
He turned then, his coat billowing behind him as he began to walk away. You should have felt relief as he left, but the unease only grew, wrapping tighter around you like a noose. “Be careful with that bond of yours. A faerie cult is the least of your worries.”
And just like that, he was gone, swallowed by the shadows of the forest. 
The clearing was silent once more, save for the faint rustle of leaves in the wind. You stared at the spot where Eric had disappeared, your thoughts a blend of mistrust, and unease. 
Bucky, however, was still holding the paper, his expression unreadable. Through the bond, you felt his determination, his mind already turning with plans, strategies— a willingness to follow the thread Eric had offered. 
The paper held an address: 10 Wintermeyer Lane
“We shouldn’t go,” you said finally, your voice wound tight. “We can’t trust him.”
Bucky’s hand relaxed on your arm, but he didn’t look at you. “Maybe,” he said quietly, his tone carefully neutral. “But if he knows something about this bond… we can’t just ignore it.”
The connection flared again, a clash of emotions—your mistrust against his curiosity. You didn’t reply, but the fear in your chest refused to subside. 
As Bucky tucked the paper into his pocket, you couldn’t shake the feeling that stepping onto the path Eric had laid would lead to another trap— one that Bucky wholeheartedly trusted.
-To be continued…
Taglist :  @mystictf @chimchoom @crdgn @a-crying-fandom-lover @otterlycanadian 
@sebastians-love @intelligenceofapineapple @put-trash-here @hzdhrtss
@murnsondock
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lordadmiralfarsight · 2 days ago
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Tarrifs, shmariffs, what do ?
Grrrrreeeting my dear Tumblr users, it is I, random economy oriented Tumblr User that was onces convinced his blog was gonna be about ships (and not those on water).
I come to you bringing explanations on tarriffs, what they do, what they bring and what their consequences are, since they are kind of a big topic right now, what with Trump and all. "But Mr. Rando, I already know!" you say, and I believe you, and I am proud of you, but much like in my irl class, not everyone has the same knowledge base, so even if it's a bit tedious for you, we have to cover the topic so everyone is on the same page. Alright ? Swell.
So, what is a tarriff ? A tarriff is a tax levied on importations. AKA, you buy something from out-of-country and get it into the country, you pay the tarriff. Many of you will have seen the memes and viral posts, and will triumphantly point at the part where I say the importer pay the tarriffs. And you are right to do that, it's kind of very important. It's the main point, even.
Why is it the main point ? Easy : if outside stuff cost more, inside stuff better choice. Or, in non-caveman speach : the increase in cost on foreign products and resources will either increase the competitivity of domestic products and resources, or level the playing field. At least that's the idea.
"So", I hear you ask, "are you going to be the Nth user here to tell us that tarriffs are going to fuck the average US citizen over? Because we already know that."
Well, yes, but also know. Also, I'm not sure you have the nuance on the topic, and I do love me some tasty, tasty nuance. And custard. But alas, custard is not the topic of today. Economic nuance is. Now, onto the topic :
The main question to ask here is "what is getting hit by the tarriffs ?" Because the impact will vary a lot depending on what gets hit. To give a simplified framework, there's 3 types of economic goods : raw resources, transformed goods and finished products.
Raw resources are ... raw. Iron ore, lumber, clay, wheat grain, lithium ore, water, dirt, raw oil, you get the idea. Those resources tend to have razor thin profitability margins, because so much is produced.
So, what would be the goal of tarriffs on raw resources ? Well, that would be protecting or developping in-country extraction/production facilities, whether those be mines, farms, fishing fleet or lumber mills.
And that's where a tiny little factor comes into play : economic viability, AKA whether a given activity in a specific region is economically interesting.
Like I said, raw resources tend to have razor thin profitability margins, this means that overwhelmingly, raw resources are extracted in regions that allow lower costs.
Some of those costs can be reduced in costlier economies, like environmental or safety costs, with some good ol' deregulation ... up to a point. Even the notoriously protest-averse USA would face some degree of protests if all safety regulations disappeared and industrial accidents jumped 5000%. Poorer countries tend to be more lax on those regulations, and/or not really enforce them, or both.
On the other hand, there are costs that can't be reduced all that much in a given economy, like the cost of manpower. Due to the cost of living, there's a limit to how low you can go with your offered wages. For instance, offering $12 a day in the USA will yield fuck all in terms of recruitment, but $6 a day in the poorer parts of Africa will cause a flash mob of eager-to-work candidates.
And these are the two big factors of the equation : can the reducible costs be lowered enough that the irreducible costs aren't that much of an issue anymore ? And when the answer is inevitably no, can the tarriffs bridge the gap ? Well, uh ... that's gonna depend a lot. But overall, I would lean more on "no". African iron will be cheaper than US iron every day for the foreseeable future, unless you impose a fucking ungodly amount of tarriffs.
Some resources that cost more will see better results from tarriffs, but far from all. Like, tarriffs on iron, copper, tin, etc ? Bad idea. Tarriffs on helium, lithium or other rarer and costlier resources ? Could protect or help the national production indutry.
In the cases where, even with tarriffs, outside product remain more competitive, there's just going to be an increase in cost down the line, and wealth is just going to exist the country more. In the cases where the inside product becomes more-or-as competitive, then perhaps wealth can remain in the country and help the economy. But, well, we'll get to it later.
Raw resources, done. Two more to go.
Transformed goods (henceforth TG for simplicity) ! They are everywhere and they make up the bulk of international trade. Phone parts ? TGs. Flour ? TG, mostly. Tires ? Eyup, TGs. Radars ? TG. Ink? Oh you bet it's a TG.
So, what would be the aim of tarriffs on TGs? Protecting national industry, giving it room to develop or maybe even forcing multinationals to relocate/create the industry inside the country.
So, TGs are where globalization starts clashing really, really bad with tarriffs. Because you see, with globalization, there's been a global dispatching of production facilities. So you'll have part A that's produced in Italy with resources from Greece, part B that's made in Australia with Indonesian resources, part C that's made in Brazil with stuff from Zambia, etc.
the funky stuff happens when you need to combine parts A and C in a US plant, but then have to send the result over to Mexico to weld part B on top. And then you have to get it back into the US. Double tarrifs, you say? Yepperino, my dear student, double tarrifs. On this incredibly simplified exemple. Imagine what that looks like when there's 3 or 4 more parts involved.
At that point the question is : is it cheaper to pay the tarriff conga line or to just send the US parts of the production line overseas ?
"That sounds like the opposite of the stated goal" you say, with the blazé impassivity of someone that saw it coming a hundred miles away. Yes, yes it does. That's why tarriffs have to be manipulated very, very carefully, especially on transformed goods and intermediate steps of the production process, because it can stack up real fast, real bad.
Sometimes though, paying the tarriff conga line IS the better option, especially for sensitive processes that require a well-trained workforce with in-depth theoretical knowledge of very specific fields and access to training for cutting-edge machines, which is only found in the United Staaaaa ... what do you mean, Europe ?
So yeah, very sensitive, tarriff with care. And in either case, expect cost increases, which WILL be recouped with increased sale prices, leading to a domino effect.
And now, the finished products. The end of the line. The consumer targeted stuff. What you buy online and in shops.
What's the aim of tarriffs here ? Same as before, protect native industry, give it room to develop and force multinationals to relocate the production plant into the country.
At this level, you'll see similar considerations as with the TGs, with one tiny added funky detail : the costs of the two previous steps pile up here. Indeed, the tarriffs on TGs and raw ressources are liable to eat up the profit margins of the finished products, and since profit margins are sacred and must be preserved at all costs, well the simple solution is to simply increase the price of the end product in proportion to the other cost increases. And that means shit costs more for people.
"Well, that's awful" you say, and you are right. But we're getting started. It's time for another trip through early 2000s deviantart, say it with me : INFLATION !!! Except instead of your favourite character being turned into a balloon, we're talking about the content of your wallet losing value. And it's going to hit every industry that has to suffer those tarriffs. At which point the entirety of society faces a dillemma : do we increase salaries accross the board (with the associated widespread price increases) or are we chill with a global reduction in the amount of shit people can buy ?
And that's where it starts getting funky (derogatory, fear inducing), because if enough industries are hit with tarriffs, either choice is bad.
Increase salaries ? You speed up inflation and reduce confidence in your money, making exports admitedly more interesting but imports far less so, and when you are a globalized economy where there are imports everywhere at various levels, it gets spiky really fast.
Going the "tough luck fucko" route ? Well first off, rude, second off : congratulations, you are reducing the overall economic activity in your country, creating unemployment and poverty, reducing confidence in your economy and, if things go really, really poorly, starting a recession (WHOOOOO!!! Who wants to sleep under a bridge ?).
Now, is this a doomer prophecy ? No. No it's not. We have to keep in mind that systems, including economic systems, can adjust their course after starting in a new direction. It's rather unlikely that everything will consistently go bad in the worst way possible. But.
A lot of that is dependant on precision political decision-making, and the person soon-to-be in charge of these decisions in the USA has made it clear that he does not intend to listen to outside opinions or do precision. And considering his last go at it, I believe him. So I'm not optimistic. I don't think the US economy will collapse, that would be absurd, but I don't see the US having a good time either.
It's going to be very, very complicated, and it will depend a LOT on what fields are actually affected, in what proportions, etc.
And keep in mind, I haven't even talked about retaliatory tarriffs (from the people whose products you put tarriffs on). Or political tensions inside the US, that's something I don't feel qualified to talk about. Or the non-economic effects on geopolitics. Or the effects on the global economy.
If I had to make a prediction, I would guess that quite a few production lines will be reorganized to either have long stretches inside the USA or to be entirely divorced from them for as long as possible. Some products may become economically non-viable when it comes to the USA. Some US companies may find themselves no longer economically viable due to reliance on tarriff-affected outside goods and resources. It's hard to guess how large the impact will be, but there WILL be an impact, and most of it will likely be felt by the USA. Because tarriffs aren't paid on expedition, they're paid on reception.
So, as a French, all I can say is : bonne chance.
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insanewaykathy · 3 days ago
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The first point is that for Janeway the problem wasn't having sex with Chakotay, the problem was having feelings for him. She was afraid to be impartial, she was afraid of suffering if something happened to him… of course she would suffer anyway because she loved him as a friend, and romantically (no one can tell me otherwise), but let's be realistic, it's usually harder to make any decision about someone you're romantically involved with.
Regarding the "Janeway can't have sex with her first officer" view, that view is exclusively Kate's, and I don't blame her. Although I really wanted to see them meet at the end, as if after the Admiral came back to take them home, they could have some time inside the ship before actually returning and having a night of love… with sex, with affection, with complicity, with love… because that would reach all the women who have been through toxic relationships with the following message: "They were responsible officers, she would give her life for the crew, he would give his life for her… and they waited for each other because their love was greater than time, and they had sex because they love each other and sex is a good thing!" But instead, the fear was of passing the message to what they considered to be the target audience, that is, MEN from 20 to 40 years old… and what would these men understand? "Look, I knew that at some point she would have sex with him!" If you are a man and you are reading this, I will not apologize to you, stay, and I invite you to just read it without saying "not every man". The problem in the 90s was sexism, and making J/C happen was too much for men to accept. But today we have overcome that. We know that Voyager's largest audience is women. We know that a large part of Progidy's audience is J/Cers. And we know that the couple has matured enough to give us something bigger than subtle hints with double meanings. J/C is the healthiest couple I have ever met, and we need that.
And about Kate being beautiful, sexy and hot, she was! Jeri too, but Jeri was the standard blonde. And the problem that these men have of preferring to see Jeri on TV (the supermodel type with a perfect body) wearing tight clothes, honestly reminds me of bad lovers. Okay, you don't look for hot girls on TV if you already have one by your side 🤣 I'm not saying that someone can't prefer Jeri to Kate, there are tastes and tastes… but doing it just because she is blonder, thinner, taller and has more curves is deceiving yourself, because most real women are more like Kate than Jeri. They are both beautiful, talented and incredible women. But Jeri deserved to be desired and acclaimed for much more than just her physical beauty and standard.
Kate Mulgrew on the way Janeway looks at Seven of Nine: "And I mean, honestly, if you remember Janeway looking at her boots and traveling up the body, I remember that. . . . So to be honest with you, for the first season that I worked with her, I was just staring at her bosoms."
Here's the whole segment:
In the fifth season, an actress was brought onto Star Trek: Voyager by the name of Jeri Ryan, who played the character of Seven of Nine, and she was absolutely stunning.
And she represented sex. I mean, it was absolutely crystal clear. And I mean, honestly, if you remember Janeway looking at her boots and traveling up the body, I remember that.
Now, I was of two minds, 'cause there's nobody in the history of television series who doesn't want their series to be successful. So I understand the need for sex.
But I had hoped against hope that I could bring it in as Janeway without it. I didn't.
I mean, I went to them in the first season and said, "I'm not having sex. I'm not saying, 'Red alert: into my ready room, Chakotay, let's go, let's go, let's go.' I'm not doing that. I have a complement of 165, I've got to get them home, and what? The captain's shtupping again?" You know? And it makes no sense at all.
So Seven of Nine appears, and she's half-human, and she's half-Borg, and she's [makes noise while waving her hands in an hourglass figure]. Right? So to be honest with you, for the first season that I worked with her, I was just staring at her bosoms. Her remarkable figure.
And then I understood that they wanted it to be a mother-daughter thing, but my daughter doesn't look like that. My daughter looks like a beautiful human being. It was a thing of bringing the male demographic. And it was very successful. They certainly liked to watch Seven of Nine, and I don't blame them. Men like that, don't you? Don't you?
—ubookstore, "University Book Store Presents Kate Mulgrew," YouTube, May 31, 2019, https://www.youtube.com/watch?v=4X2cverYupQ.
The question begins around 51:32.
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demonic0angel · 2 hours ago
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:33 Can. Can... Cough. DCXDP PROMPT
Dan is the crowned Ghost King, Dani and Danny are like his kids and Jazz his sister ofcourse. Dan tries to be peaceful and shit for his siblingskids' sake but the GIW has other plans and kidnaps/Ambushes the two and boom. Chaos. Dan loosing his shit and the JL having to be involved (I wanna see a rare pair for Dan <33)
-A.E. 👻
Ps. I'm drawing an animation for this prompt <33
Pps/pass(??). I'm still drawing the cutting Wit ship, never forgot that <33
Superman froze.
There was a monster in the middle of the room. It had a humanoid shape, but its general form was incomprehensible, unable to be understood even by Superman. Something white resembling clothes covered its body, but it was stained crimson. Rivers of blood dripped onto the floor in puddles.
The creature was clutching at two smaller beings, who were desperately clawing at its back and cape, whimpering. The creature made noises alongside them, a strange sort of wheezy noise.
Superman looked around at the torn apart corpses on the floor. Limbs laid askew and organs were separated from bodies. Everything smelled like blood and fear.
The creature made another soft sound and Superman finally realized what it was doing.
It was crying.
“… excuse me?” Superman asked, because he wanted to know everything, “are you alright?”
“… disgust me,” the creature mumbled.
“I’m sorry?”
The being turned and its glowing red eyes struck Superman and froze him in his place in fear. The color was unlike anything he had ever seen, like fire and death and glowing ashes from complete and utter annihilation. The creature was crying brightly colored, acidic tears that trailed down a green face, with each droplet rolling down its cheek and burning holes onto the ground.
“You humans disgust me!” The creature roared, flashing sharp fangs that could break through bone. “I held myself back! I tried to be a good person! A better person! I tried so hard to make good decisions and be a good king and a good family! And this is how you repay me?! By hurting the ones I love?!”
Superman’s gaze involuntarily darted downwards, to the two other beings. They whimpered, and Superman suddenly realized that they were this creature’s family. They were sluggishly bleeding and they were also crying softly, the same tears flowing down their faces as they sobbed.
Superman’s heart simultaneously broke in two and dropped to his feet from fear as the creature snarled.
“I was too kind. I should’ve eradicated all of your worlds! Every single one of you will die for hurting them!”
Superman floated an inch back and the creature bristled like it was an offense, wispy hair flaring like a roaring flame before it prepared itself to lunge forward, and just as Superman readied himself to fight, a woman stepped in front of him and a whip immediately wrapped itself around the creature’s throat, holding him still.
“Danny! Calm yourself! We’re fine!” The woman said, and Superman immediately snapped back to attention.
“What do you need for me to do?” He asked, and the woman, who was bravely defending herself against the creature, waved a hand for him to leave.
Superman blinked. And then he stayed, watching. The creature calmed, still crying, but now it— he just looked sad, brows furrowing as he then reached for the woman with another sob, not dissimilar to the children in his lap, “Jazz!”
The woman stepped forward, dropping the whip without a second thought, and enveloped him in a hug. “Shhhh,” she said. “You did so well. You protected the kids. You did well.”
She calmed the creature with a few more words, stroking the creature’s hair, and after a few long moments, where Superman started to feel like a fifth wheel, there was a bright flash, and the creature that once had white fiery hair and luminescent skin, turned into a normal man with pale skin and long, raven locks.
Superman’s eyes widened. The woman finally turned back to address him and said, “I’m sorry, can you take Dan, please? I’ll take Danny and Ellie.”
Superman nodded, drifting down to carefully handle the now unconscious man. He was surprisingly light, despite his bulky frame, and he was also undoubtedly beautiful. His eyes were closed, but he had a shadow of fear over his face. Superman gingerly held him close, a mixture of worried for the man, afraid of him, and also very confused at the entire situation. The man stirred, causing Superman to tense, but then he only buried his head into Superman’s shoulder.
A shiver ran down Superman’s spine. He felt irrationally conflicted within himself with how close the man was to tearing his throat out.
“I’m sorry, but can you please explain to me what happened? Who are these people? What is this place? What happened, and who is this person? Who are you?”
The woman nodded, picking up the two children. One of them tucked his head into her shoulder, but the other hissed at Superman, bright blue eyes flashing as she bared tiny little fangs. Oddly enough, Superman felt extremely endeared.
“I’ll tell you everything. Just take us out of here first.”
Superman nodded, and off they went.
(Side note: I have a hc that the name ‘Danny’ is very important to Dan and Dani, since it is a name that they chose for themselves. However, since Danny is considered more important, they ‘surrendered’ the name to him, but only Jazz really knows how much they like being called “Danny,” which is why she uses it to calm the two down or address them, and then uses “Dan” and “Ellie” anytime else.)
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Maybe this'll be really unpopular (guess that's what this blog is for lmao), but with all the new spoilers dropping I'm starting to get a little glad we didn't get season 2. I'm sure they'd do everything really well, and I'd love to see the gay bar episode, but bringing back Esther and the Cat King? I had such a visceral negative reaction to both those pieces of news.
To explain myself: I think there is a massive problem in series', across a lot of different types of media, of having recurring villains, people who come back just because no one can be bothered to think up a new villain, and it ruins a lot of things for me. Imo Esther was really well dealt with in season 1; considering she'd technically immortal, I think they got rid of her really neatly and in such a beautifully appropriate way. She's being punished by the goddess whose gift she used to feed hundreds of little girls to her giant snake. That's such a wonderful ending. It's fanfiction's job to bring her back over and over, just like it's fanfiction's job to put Edwin in Hell over and over; it's the show's job to come up with a new villain.
I very much don't ship Catwin - I like the Cat King as a character but I am very strongly against the ship for reasons I have given before (the Cat King's loneliness means he needs friends, not a boyfriend, and I don't think it would set a good precedent for Edwin's future relationships to sleep with the guy who tried to coerce him into sex) - so that might be colouring my thoughts against his reappearance in season 2, but I just... I think he's served his purpose with the Agency. Maybe a spin-off or something about him, Monty, and Tragic Mick making friends and dealing with the fall-out from Esther's end would work, but I don't want him becoming part of the Agency or even really interacting with them much because, to me at least, it would just feel forced.
And also, it just feels like both Esther and the Cat King are very rooted in Port Townsend. They've been there for centuries. And now that Niko has 'died' and Jenny's considering moving to London, there's no reason for the Agency to ever go back there. I know a lot of people are attached to Port Townsend as a location because that's most of what we see in the show, but I'd love to see the Agency in London, where they've been already for years. They must have quite a large network of supernatural acquaintances, if not friends, in the UK and I think it would be a shame for the show not to properly explore all the potential that has.
Overall, I don't know. I think Dead Boy Detectives is an amazing show that deserves to have loads of seasons exploring lots of different characters and locations, and the number of characters that feel like they should have been a one-off in the first season but were apparently going to come back in season 2 suggests to me that it was only going to get one or two seasons anyway.
.
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