#i love a character who has a theme and they really commit to it

[harbingersecho]

you're very efficient at administrating pain... but pain is something I've learned to live with.

[void-and-virtue]

Writing fanfic is so dangerous bc whenever I see the name ‘Seth Gordon’ now, my brain just goes “SETH!! My man!!! My dude!!! Allison and Renee’s platonic husband!!!!” And then I have to take a moment of silence as I remember that oh. Oh, in canon, he is first an asshole and then dead

[byfulcrums]

been rewatching rtte

toothless is called T multiple times, but the letter T doesn't exist in the alphabet of this world

i think hiccup was also called H???

hiccup went to the wedding of the man who tried to kill him and his family multiple times. no wonder he thought he could change drago's mind

snotlout is canonically a theater kid

"you're so small and cuddly" "please never say that again"

the twins are really smart, but they're also just stupid

hiccup straight up disappears when he's working on something

heather had a super noticeable crush on astrid

fishlegs got a love interest!! a plus size main character actually has a cool, badass love interest!

it was super hetnormative but it was cute

there was an island full of flying women who were implied to regularly commit cannibalism

hiccup taught all the riders how to fly with toothless, that's so sweet

everyone is a flat earther except for the twins

hiccup almost directly killed a lot of people

and killed a LOT more when destroying their ships

“scalding– cal..ding--" "toothle, plama bla!" was pretty much the funniest part of the entire series

dagur was bullied as a kid by a guy 8 years older than him who literally tattooed an imagine of him beating up little dagur in his arm??? What was that all about

actually we need to talk about how messed up everything about dagur is and about how the things that could've/did happen(ed) to him may be the reasons why he's Like That

just why was he imprisoned by the outcasts??? he didn't do anything to them directly

oof my brain is spiraling. "he loved you" "ig now we'll never know" what do you mean he didn't know if his dad loved him

there's a technically musical episode

tuffnut became hiccup's defense attorney and immediately got him the death sentence

hiccup regularly jumps off cliffs

he also jumped off a boat, with his arms tied and without toothless. just where did he think he was going

snotlout's annoying attitude is actually because spitelout pressures him too much and he feels like he has to be perfect for his dad :((

THE 'HICCUP'S EVIL MIRROR' VILLAIN THEME DONE RIGHT YESS!!!

viggo is the best httyd villain change my mind (you can't, swords at sundown, you may bring backup but i will win on my own)

skrill comeback skrill comeback SKRILL COMEBACK!!!!

"COMEEE TO DADDY"

what is a boar pit???

oh my god i had missed this series so much. it has no right to be this funny

this was my childhood. it has forever shaped the way i am

berserker heather the unhinged >>>

actually good disability rep! yay

hiccup complains about his peg leg pinching him

he straight up cannot walk without it and it is shown many times

"well, there are the benefits of a metal leg" after it got caught in a bear trap

funny moments, like snotlout trying to steal it to use it as a weapon

the jokes!! toothless laughing at the jokes!!! hiccup being so fucking done with the twins, who are always making the jokes!

there's an episode where everyone is so sleep deprived they actually start spiraling

astrid becomes a happy go lucky girl, hugs snotlout and tells him he's handsome

the fucking mood swings snotlout got were insane

the twins were straight up just hallucinating

"i sent them to wash their dragons, how could they mess that up?" cut to heather falling on her face with a bucket full of water in her hands

fishlegs becomes so paranoid, he's yelling at everyone all the time

"don't you know the trapper's trap can trap the trapper?? ...oh gods, i must be losing it, i'm quoting dagur"

YOOOO VALKA!!!! it's so nice to see her

hiccup tried to murder dagur to stop him from getting to toothless, which is scary bc it shows just how far he's willing to go for his bff, but also funny because hiccup. that was not going to work

oh the hiccstrid slowburn, how i have missed you

the twins's made up language

there was a beach episode turned murder mystery and a musical episode held at gun point

hiccup has a whole little speech that he periodically gives astrid to remind her that the twins serve a purpose

[julienbakerstreet]

Ranking Sherlock Holmes Adaptations by the Quality of Their Dressing Gowns

First, my qualifications: I'm a flamboyant fashion-forward femme who frequently wears dressing gowns.

Rubric: I am scoring based on color, pattern, textural intrigue, garment construction, and fit. In cases where there are multiple dressing gowns per adaptation, I picked my favorite one.

#12 The Seven-Percent Solution (1976)

I hate this one. It's so beige, and the corded details + drop waist ultimately make it look like a monk's tunic. The only redeeming value I can find in this is the slight angled detail with the cording on the sleeves.

#11 Mr. Holmes (2015)

Similar to the last robe with some slight improvements. For one, it has pockets! The pockets have a corded decorative applique, and if you zoom in on a higher-def image you can see that the fabric has an interesting textured weave. I could definitely see it styled well. This robe is ugly, too thin to keep him warm, and fits worse than a burlap sack, but this Holmes is retired and deserves to put comfort and practicality first.

#10 Granada (1984)

This dressing gown is BAD!!! Before you accuse me of being biased against mouse-colored dressing gowns (I am) let me assure you that color is not my only issue with this dressing gown. It commits the ultimate fashion sin- boring. The texture looks decidedly un-cozy. I even hate the construction! There's no belt, or even belt loops, and the pocket is sewn onto the outside of the gown! Nothing wrong with patch pockets per se, but on this robe it looks shabby. This is made all the more painful by the fact that Watson wears multiple colorful and well-textured dressing gowns in this show. I love Granada, but I can't excuse this.

#9 Cushing Holmes (1968)

I really wish I liked this dressing gown more, because I think that Cushing is one of the best-dressed Holmeses we've ever seen. But I simply cannot get behind this. I applaud the bold use of color and how on theme this gown is for The Adventure of the Blue Carbuncle, but the red cording and blue looks odd together. In other shots, you can see buttons, but I think a dressing gown should have a nice belt, and I think the buttons are just a bit too formal for what should be a comfortable piece. I love that this is a Holmes who's willing to take a fashion risk, but in this case it did not pay off. 

#8 Soviet Holmes (1979)

While this dressing gown is boring, the fabric looks nice and heavy, perfect for curling up cozily in front of the fire on a cold night. Contrary to the Granada plain brown dressing gown, this one has a belt and pockets sewn into the gown. There’s nothing interesting about this gown, but it isn't offensive.

#7 Ritchie Holmes (2009)

Agh! This dressing gown is in tatters! As befits action-hero Holmes, I suppose. It might deserve the lowest spot on the list for its condition, but looking beyond that, I really enjoy the colors and the paisley pattern. It reminds me of a nice Persian rug. The hints of blue set off the reds and oranges nicely, and at one point it must have been a very nice robe. I like that the state of the robe tells us something about the personality of the wearer, but points are deducted because the texture looks a tad rough and it's in an unbelievably rough state.

#6 Basil of Baker Street (1986)

Now we're getting to the good stuff! The magenta dressing gown is set off nicely by the black cuffs, collar, and belt. Extra points for styling it with a green cravat, and because it nearly matches Dr. Dawson's vest. Great character design, and it makes Basil look like a snazzy little rodent.

#5 Rathbone Holmes (1939)

It's harder to judge in black and white, but I really like this dressing gown! The fabric looks like a thick cotton velvet, and the cording gives it a lovely contrast. It's distinguished, but it still manages to look comfortable for smoking a pipe next to Watson.

#4 The Private Life of Sherlock Holmes (1970)

Now this is nice! The velvet is very shiny, slightly green, and I love the quilted collar and pocket. However, upon further inspection, it's not quite a dressing gown, but more like a long smoking jacket, for which it loses points. Still, it's the closest he comes to wearing a dressing gown and perfect for this urbane and fashionable Holmes.

#3 Enola Holmes (2020)

Dare I say fabulous? I love the cerulean on this one! The fabric looks like a soft silk, which isn't exactly the warmest, but very comfortable. The pattern on the collar is very intricate as well. It's definitely not the dressing gown I would pick for a classic Holmes, but it suits this untraditional Holmes perfectly.

#2 William Gillette (1899)

For the man who popularized the deerstalker/Inverness combo, he can certainly rock a dressing gown. Definitely the most authentic on the list (this picture was taken in 1916), I love the quilted collar, pockets, and cuffs. The silky fabric and decorative pattern make for a very stylish sleuth. I particularly enjoy the shape of the pockets and cuffs. Points deducted for an awkward fit and the lack of a belt.

#1 Star Trek: The Next Generation (1988)

"But this isn't an adaptation, it's just an episode of Star Trek!" I don't care! It counts in my heart. And Data has my favorite Holmes dressing gown. Let's break it down. This looks like a velvet gown with a classically Victorian damask pattern. The velvet texture contrasts really well with the quilted silk collar. The twisted cord belt even has a tassel at the end! And to top it off, it's fully lined with bright red silk. It looks comfortable for lounging in, the fabric has a nice heft without being stiff, and the aesthetic is perfect. This is, to me, the ultimate Holmes dressing gown.

Let me know which ones I missed and what your favorite dressing gowns are!

[yumeboshi]

congrats on 100 omg !!!! may i please order a sickly sweet sprinkle sundae? <3 your vibe is simply incredible

❝ THANK YOU FOR YOUR ORDER、 @bunn3333s .ᐟ ⟡ HERE IS YOUR RECEIPT FROM CAFÉ YUME ⟡

𐙚SICKLY SWEET SPRINKLE SUNDAE：sickly sweet it makes you throw up!

𐙚 dish desc。．a not so romantic dinner sunday made for you after you tried running away.

．。𝜗𝜚 labels。 general yandere themes, manipulation, filthy, mentions of aphrodisiacs, no i promise i write for other characters too, heavy brainrot, MINORS DNI

．。𝜗𝜚 ingredients。sunday

WAS HE ANGRY?

it was hard to tell by the way SUNDAY smiles at you with eyes hollow like shells, gesturing for you to take a seat at the lavish dinner table. your fiancé, although more of a forced engagement, was undoubtedly a good cook. the dishes set across the spacious wooden table cloaked with heavenly silk were straight from a 5-star course meal at the Reverie, each one tingling your nostrils with an exquisitely savory smell.

the situation might have been very flattering if you haven’t tried to run away from him moments ago.

“please, take a seat. i made it just for you, you know.” he laughs shortly at your hesitance, but his eyes pierce through you, like a predator waiting for its prey.

you feel your heart thud against your chest as you sit down tentatively- the scrape of the chair only scratching your nerves even more. although the scent around you tempted your stomach, your mouth felt paradoxically dry and you felt like throwing up. you felt uncomfortable, as if a thousand ants were crawling over your skin by his stare that never once leaves you.

“you deserve to eat,” he breaks your discomfort with a gentle hand that guides your own to the silver utensils that are far too expensive for you. “you’ve been such a good girl.”

the way he says it tells you he doesn’t think that at all. but how can you possibly deny him, when you’ve already done it once? you should be grateful he’s even allowing you to eat.

but as the steak reaches your lips, you feel a sudden churn in your throat that tells you you really shouldn’t eat it. sunday taps you with the other hand on your shoulder- a subtle warning, but when you don’t do as he says, he sighs in condescension and pries your mouth open to force it in, caring little about the way your saliva stains his pristine gloves.

the meat surprisingly melts on your tongue like heaven- it’s juicy and just so right. it’s the most perfect bite of meat you’ve ever tasted, which shows on your surprised expression which makes your fiancé scold you—

“what did i tell you, dear? I didn’t put anything in there. this indeed says something about how little you trust me.”

and when he removes his and from yours, telling you that he’s not going to cook anymore- you beg him that you’re sorry for mistrusting him. oh, what a sin you’ve committed— how dare you even doubt sunday, who always showers you with such love you don’t deserve after your attempt to run?

he pretends to give in to your pretty pleas when you hug him while sobbing about how delicious it is, all the while telling you that you’re such a stupid little dove he has to teach constantly until she learns he manners.

little do you know, the meat you’re chewing has an oddly sweet aftertaste. the more sunday feeds you with his hand over your own, subtly coaxing you to eat the entire thing, all the while making you think it’s your own choice to eat it, the more your brain fuzzes, your vision blurry, slowly drowning your own coherent thoughts with such a primal need that builds itself to the surface, a desire that morphs into a cacophony in your head that chants that you need him so badly.

and he’ll drag out the drugged thoughts of yours, acting as if you’re the one who badly wants him to bury in his thick cock inside you- when in reality, sunday is the one who desires it so bad. he’s wanted to stuff you full with his own cum- make you his, trapping you with his children since the day he’s laid eyes on you, but a true manipulator always plays the longer game, and he was willing to wait.

now, his long-awaited fantasies are fulfilled as he watches your hole gushing around his cock, whimpering his name as you clutch the sheets- pretty bite marks decorating every nook and cranny. and fuck, oh it makes him feel like he’s finally flown to his desired heaven. he feels complete.

he feels like his twisted paradise is near.

[gotta-get-back-to-hatchetfield]

Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)

For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.

They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.

As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.

I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.

1) Nibbly - Honey Queen (season 2 episode 1)

If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.

For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.

It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.

As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.

2) Tinky - Time Bastard (season 1 episode 2 part 2)

If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.

If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.

It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...

Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).

3) Blinky - Watcher World (season 1 episode 1 part 2)

And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.

Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.

While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.

4) Pokey - Yellow Jacket (season 2 episode 4)

You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.

A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.

And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!

We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.

5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)

If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.

This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.

We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!

Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.

6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)

We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.

It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).

That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:

The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.

Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.

Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.

Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.

Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.

The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.

Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.

Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.

Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.

Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.

Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.

Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.

Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.

[anthurak]

Something I’ve been thinking about when listening to ‘Crooked’ is how Ozzie seems to really relate to Fizz with lines like ‘I think you’re messy but I’m messy too’ and singing about his own ‘crooked heart’ and how he finds Fizz’s imperfections beautiful.

And I think this could get really interesting if Asmodeus and the rest of the Sins are fallen angels just like Lucifer. I mean imagine what Ozzie’s sense of self-image is like if he was an angel who left or was expelled from Heaven and took on this new form in Hell?

Like we’ve always wondered why the Sins look the way they do, particularly in contrast to the demons they seem to rule over. Asmodeus rules over the succubi and incubi yet is this multi-headed fire-rooster, Beelzebub rules over the hellhounds yet is some mashup of a fox/canine and a bee, and now Mammon rules over the shark-demons yet is some weird spider/pine-tree thing.

What if the reason they all look like this is the RESULT of them being Fallen Angels? Specifically, the result of their expulsion from Heaven? What if this is the whole reason for them being ‘embodiments of sin’ in the first place? What if it was all originally intended as a PUNISHIMENT by Heaven for whatever transgressions they may have committed? Something meant to ‘curse’ them when they fell.

In which case, I think it’s all too easy to imagine why Ozzie empathizes, relates and connects so much with Fizzerolli and his struggles. Because Fizz is going through a struggle likely all too similar to one that Ozzie may have gone through, what ALL of the Sins likely went through after their fall. Expelled from their home, having their bodies massively changed and told it was BAD. And I think Crooked shows how Ozzie coped with it: By embracing what he had become and finding the beauty in it, something that he now uses to help Fizzerolli, showing that there is no shame in all their crooked, messy imperfections, and that there is even beauty in them.

And I imagine that ALL of the Sins did more or less the same: They embraced and OWNED this ‘curse’ Heaven sought to ‘punish’ them with. Embraced these ‘sins’ they are supposed to embody and made them their own. It’s why Ozzie and Bee are able to express this very positive interpretation of Lust and Gluttony respectively. As a way of making a new life for themselves and also probably a big ‘fuck-you’ to Heaven.

Now that’s not to say that ALL of the Sins were able to do this in a positive manner, Mammon being a clear example. I imagine that as we are introduced to the rest of the Sins, we’re going to see more of a range of positive and negative ways they’ve chosen to express the ‘sin’ they embody. Like even Asmodeus has been shown to have had his hang-ups on Lust and Love being exclusive, leading to him keeping his true relationship with Fizzerolli secret.

Though it’s clear over the last couple episodes that Ozzie isn’t worried about that anymore.

And I think that in particular is REALLY interesting, because it implies that the Sins aren’t actually bound to a particular way of indulging. Rather, the way they express their ‘sin’ is not by compulsion but by CHOICE. Which I think puts all of the Sins’ actions in a pretty interesting light.

Like it means that Mammon being this petty, skeevy, manipulative asshole isn’t some grand, nebulous ‘Embodiment of Greed’ thing, but rather simply a Mammon thing. The product of his own personal issues and hang-ups. Which also weirdly enough implies that there’s hope for Mammon. The possibility that he doesn’t HAVE to be this way. Admittedly it would almost certainly take a (pardon the pun) HELLUVA family intervention to have a hope of making that happen, but you never know. It would certainly be in keeping with the themes of the show.

All in all, I’m finding more and more the possible backgrounds of the Seven Sins to be VERY compelling. Not just for ‘The Lore’ reasons, but because it further develops the Sins as characters. It takes these monstrously powerful and ancient beings and shows them to be far more grounded and, for lack of a better word, human than we might give them credit for.

[harveyguillensource]

Harvey's photoshoot with Mike Ruiz for Photobook Magazine has been published, along with a short interview covering his career and ambitions! Read a few of his responses below:

You have become somewhat of a trailblazer for what is possible for queer, Latinx actors. Who are your biggest role models and inspirations when it comes to performing? My on-screen role models were pretty limited. I found inspiration in watching Cantinflas, a Latino comedian, with my dad. Watching people like Salma Hayek and Antonio Banderas represent Latinos on the big screen helped keep me hopeful. I’m happy to report that I’ve worked with both of them. From “What We Do in the Shadows,” to “The Magicians,” there is a slight recurring theme of supernatural or fantasy. What draws you to these types of projects and roles? In both 'The Magicians' and 'Shadows,' anything is possible. I love the idea that there are no limitations on where our characters can go, so I’ve always been drawn to that. I was never specifically seeking to be in these particular genres, but I’m so happy to be a part of them. In addition to on the screen, you have an extensive portfolio of voice acting credits. How does working behind a microphone compare to working on the camera? Doing voice-over has been such a wonderful experience. I didn’t really start doing V.O. work until the pandemic. It’s a tough door to get through. The pandemic brought these opportunities to me. It was the only work that I was able to do safely at the time. Since then, my portfolio has doubled in voice-over work. All the characters I get to play are so different from each other. I get so excited when people come up to me and mention they're fans of a character I voice. Either voice acting, on camera, or on the stage, are there any dream roles you would love to play? As a musical theatre kid, I’d obviously love to do Broadway. I’d also really love to host SNL one day. In addition to acting, you're also involved in advocacy work, particularly in the LGBTQ+ field. What inspires you to use your voice and platform for good? I try to use my platform to help anyone that I can, especially those in the LGBTQ+ and Latino community. For so long, I didn’t see anyone advocating for someone like me so I do the best I can to amplify their voices while bringing awareness to those communities. With “What We Do in the Shadows” heading into its sixth and final season, what’s next for you? Anything fans should look forward to? We’re about to wrap in two weeks from the time this interview is published. That being said, it’s bittersweet. We recently said goodbye to our exterior set, and it was really emotional. I committed to this character for half a decade, which is no small task. It’s become such a big part of my life, and I’m thankful for all the lives we’ve touched through comedy. Season 6 will air later this year. I’ll have projects like “Companion” and “Garfield” out this year as well as a couple others. I’m excited to see what’s next!

[jellazticious]

bing bong bootleg SS au

very long ramble under the C

stuff are subjected to change

The working title isn't solidified but I'm leaning on either Candy Castle or Pastry Castle

Tho I think I'm gonna go for pastry cuz it has the same amount of letters as castle much like pizza and tower have the same number too

The tower is a gingerbread castle. According to a friend of mine (It's Beefy, it's always Beefy go follow him) that Hispanics love their bakeries and yeah, I guess that makes sense. Not only do I have a theme based on the protag's culture but also the theme gets narrowed down to just baked sweets. Candy in general is too broad, I would die figuring out how to put every kind of sweet in it, and if I did it's gonna be really cluttered hooboy

Noise is called Theo because that's Peppino's name formula. Peppino is a nickname for Giuseppe so I thought I'd give Noise's swap a nickname to Theodore as the main name

Hazel Nutt is pretty self explanatory cuz Noisette means hazelnut in French

Their outfits are pretty simple to mirror Peppino and Gustavo's with just coloured shirts and aprons

Hazel doesn't get a mount because she would have Theo's prototype rocket skates. Just like Gus, she would have different stages of getting used to the skates per floor. First she gets blasted from end to end cuz she can't control the thrust. Second, she manages to turn it off but she's trying to keep balance on it. Third, she catches her breath now that she could stand still without moving or slipping. Next she would make a card castle, in reference to the very castle they're inside. and lastly she'd be holding a box of sweets without giving a shit about the scary floor.

To parallel the og Noisette, Hazel would smile bigger when Theo faces her direction.

Hazel is also Theo's delivery gal to match and switch with how Peppino WAS Gustavo's delivery guy

The "kick the rat" function would be Hazel swinging one of the skates and the cops grabbing Brick would instead hold a weapon detector that also functions as a magnet

Unlike Peppino, Theo is more aggressive than anxious. Imagine an injured cat defending itself from what it thinks is a threat

the name of Pizzaface's swap is Pieface for obvious reasons 😭

but HEAR ME OUT

both pizzaface and pieface are used as insults. pizza face is used for people with so much acne and pie face is used for someone with a flat face or dull expression. It isn't just a pun on what food the characters are made of. Pieface is also a reference to the trope where people headshot other people with pies. With the mech floating towards the protag, it would look like a pie is being thrown and targeted at Theo

Honestly drawing what food makes his face is so fun. Did you know that before the croissant smile it was supposed to be syrup shaped to a smile? The nose was a long whip of cream before turning into a cut strawberry for the mustache effect

Pizzahead's candy version would be called Gingerhead because of how ridiculous it sounds.

Gingerhead is based on Willy Wonka much like how Pizzahead is based on Ronald McDonald which is why he has more of a showman look than a clown look

okay side note, it just occured to me how ironic PH being based on Ronald is considering McDo's isn't a pizza place

actually Wonka doesn't even sell cakes and shit so, I guess it's fair game

Theo has the nickname Muffinman to reference the rhyme. but this time, it's the gingerbreadman chasing the baker

Next up is Mr S, who would be Peppino but he becomes rich. Mr S is the stage name he uses. He is a known celebrity much as Noise is but he is more of a boxer than a host. Like Dwayne Johnson or something. His name is partially a reference to ResEvil's Mr X, another absolute unit of a guy

also the reason why he doesn't wear a shirt. He's committing to the bit. If he needs to cover himself when he isn't playing a role, then there's his robe. He doesn't take out his mask most of the time tho

Mr S's mask is based on the Chef Raider design but also part of the scrapped superhero design much like Pizzano. Actually speaking of Pizzano, S is characterized so similarly to him cuz Pizzano is the only SS character who was actually written well to my standards. To be fair we've seen too much of Peppino to flunk characterizing him sksksk

Since this is Peppino that Mr S is based on, he's not as tech savvy or as self centered as Noise so he doesn't have robots that look like himself. Instead he has ants for a crew

the ants swap the place of rats. the rats in PT reference the new york pizza rat while ants just generally eat your food especially if it's sweet when left alone for five minutes

the ants come from Mr G, who would be Gustavo's swap with Noisette. He's Mr S's lawyer. at the end of S's bossfight, G would snatch him away with Click (the ant) because S would make a foul and embarrassing move on live camera

I can't seperate Gustavo and Brick so Click stays with Mr G instead of assisting Hazel

inside what would be Noisette cafe, instead of Mr G and Click being behind the counter, they would be sitting as customers next to Caraman. the barista isn't seen anywhere

Honestly when I'm writing everyone, my logic of swapping them isn't "make them switch places AND personalities" but more of "write every single one of them with the og personality because giving them a different lifestyle/role would drastically change their motives and how they behave"

I'm practically just swapping each character's place of birth

I mentioned this because it's kinda funny with Noisette and Gus since they play the exact same role of assisting Peppino/Noise so swapping them won't change much in how they act. They also have the same cheery and welcoming personality by default so Hazel and Mr G would act REALLY similar to their og

The only difference is that Gustavo can be threatening whenever Peppino fucks up. It fits right in with being a lawyer for the same goon

Now we got Mel Caraman who would become this au's Vigi. Lemme just say off the bat that Caraman is just as delusional as Vigi. He gets hired as a guard for floor 2 and took it way too seriously that he thinks he's some sort of sentinel. Hired as a guard but thinks he's an ancient guardian or something

his name vaguely references James Bond because you also VAGUELY get "caramel" out of "Caraman, Mel Caraman"

Caraman is a caramel apple but he's half glazed to form an eyemask. he's also got a stick poking out his head that stretches his chorro hat. the big hat makes him look cooler anyways. Bro I was so ready to settle for a shitty wild west mayor hat and I owe Beefy one for suggesting a new hat. I was gonna make him look like Doug Dimmadome with the short brimmed tall hat😭😭😭

but yeah Caraman doesn't have the same dignity as Vigi does. He can fight crime decently on normal circumstances and badass when he's full serious. But like day in day out he's so obnoxious about looking for crime that people get tired of him nor would they take him seriously

he would also be mistaken for a pepper

Next to last, Cam M. Bert or just Bert who would take place of Pepperman. he's an artist who appreciates the world instead of himself, a freelancer also. There was only a bossfight because he was coincidentally commissioned to make a mural for the castle the same time Theo busts in. He didn't like how Theo ruined some of his works with his rush to open the door

Bert is a cream cheese instead of a cheese slime. his beret is actually a little cherry to distinguish him from the other creams.

Bert is really chill and humble, He's like Bob Ross, whenever he can, he'd try to talk about how every beauty in the world should be immortalized through a canvas

In parallel to Vigi's delusion of thinking he's a human, Bert thinks he's actually a living painting (which is completely possible for someone to be in the PT world since Pepperman was able to do it with his own art)

instead of a :{ face that Vigilante has, Bert has a :3 face

the naming formula is taken directly from Vigi

Vig E. Lantte

Cam M. Bert

There is a type of sweet cheese that's really creamy called camembert which his name is a direct reference from. Here is a picture of a camembert since it's hella cute

Camembert cheese was also suggested by Beefy, brother thank you for not allowing me to name this cunt Creamlad

Mr Lardo would be in place of Mr Stick but his motive is that he's collecting Theo's money on BEHALF of Mr Stick. They're probably the only ones who completely stay intact because there's not much canon info of Stick WITHIN the game itself I also feel he's a crossover character from his own "series" with how long McPig has him prior to PT so I just swap the character who makes the "cameo"

The toppins are still called toppins because they'd be used to decorate a cake or pie. They would be

Strawberry - Mushroom

Cream - Cheese

Cookie - Tomato

Icing (in a piping bag) - Sausage

actually I dont know yet for the pineapple but I'll get to it. I've only been figuring out this au since four days ago....

Lastly (of the characters), the Faker in this would be mechanical to match the original Noise's familiarity in robots

Fake Theo (temp name) would be engineered to be "Theo but way better" while actually being succesful with it. Faker would also sort of look like a mini figure of a ballerina. Referencing The Nutcracker

Opposite to Fake Peppino, Fake Theo is more graceful than terrifying but it's so uncanny how unnaturally pretty it is

and now some misc stuff

Title of the final level is When The Cookie Crumbles

the pepper pizza will be replaced with an extremely sweet pie and the immunity is caused by the sugar rush from it

Pizza Time is called Crunch Time

Pillar John would be a giant graham cracker since the walls are made of cookies instead of bricks. Gerome however, is a solidified bar of brownies. like a shittily made brownie that it just turned into a construction brick

Snotty is a pure white cream cheese and that's cuz he's actually made of glue. His name is Sticky

Pigs would either be bears or rabbits with how many times those two animals represented sweets

I'm gonna be clear with everyone here. I literally made this au cuz I'm going insane trying to make swap stuff with Pascal/Stefano when the au itself is so empty. sure it's colourful but it's so empty like I can't draw SS characters outside of poses

I tried like doing fanon modifications as I always do then there's so much I "modified" that at this point it's not Sugary Spire anymore. Just straight up a completely different au. The only similarity is that it's a swap au with sweets

it is what it is yknow. this is my life now. I said fuck it and went with the flow and boom, new personal au that I poured too much into

basically I blame Pascal for this

[captainmera]

i never realised just how much tgb had changed how i thought about the characters (mostly vee) until yesterday when i was re-looking over my toh fan-art. You wrote them so well that i forgot that it wasnt all in the show. like how vee and gus weren't shown to being best friends, vee never got to be angry/shocked by hunter or just willow still holding a little grudge against amity. They are just cool details and im so clad they were added! ps your great

Thank you! Wow that's very flattering! I'm glad you are enjoying it!

I really like Vee, and the more I think about the gang's time in the human-realm, the more I sit back in my chair and think "Ah man, these arcs are really necessary and interesting though.."

Vee also holds a lot of plot, as a basilisk. We can speculate what the reason is that they were extinct, for example (grimwalkers were extinct too).

Wat I really enjoy about TOH's characters are how easily and smoothly they weave into each other's themes and arcs. Their personalities and histories makes them all perfect friends to both build them up and break them down. It's a chefs kiss.

Vee is no different! The set-up for her character was perfectly slotted in to what the other characters needed for their time in the human-realm. And the theme I think the human-realm was supposed to embody.

The demon-realm arc for Luz was a hero's journey, but because of the foil of the trope, and that the point was that: there is no hero/chosen one actually, and the rebels didn't make it in time like in the books, and just because it's a different realm it didn't mean Luz could escape - escapism is temporary.

Dana has said grief and hope are core elements of the story, and she chose to tell it through a foiled trope of being chosen/hero's journey, layered with a religious trauma lens.

To me, looking at Luz as the main character, means looking at her as a nerdy girl in need of escapism, wanting to find purpose, and avoiding her emotions about her dad's passing.

The return to human-realm would be, for Luz, a turning point where TOH turns from being about a hero's journey and a journey about the steps of grief and healing - at the end of it, she will find the light.

Vee, to me, is kind of like a new take on the guide character. She is not a guide, in the sense that she has all the answers, but rather all the truths.

She was right when she told Luz she had everything and still chose to run away. They're not the same. Vee is also a lot better than Luz at being normal and fitting in, something Luz has been playing off and avoiding facing. Luz sees herself as being different as a bad thing, she tried to run away to a place where "weird" was normal and that didn't work out. Now she's back home and feels that it's all her fault bad things happened, because she is herself. And the person she is is different. And different didn't mean special, just different. Of course she's depressed.

The same is true for all the other characters. Vee gets to reflect their truths too, simply by being crafted, narratively, into being the guide.

Hunter gets to face his actions as the GG, come to terms with the nuances of his bad actions, whatever reason he committed what he did. Find forgiveness not just from Vee but himself too. He gets to start over, just like her. She shows him it's possible.

Gus gets someone to share his dream with, his love and enthusiasm for the human realm. A place that Vee feels is more home than where she came from. Gus gets to grow as a person, both morally and intelligently. As does Vee, she gets somebody who shows her that she doesn't just have to be a refugee, she can have a purpose here. She can be an ambassador.

Willow was set up to have an arc where she mistook her newfound magical and physical strengths (she is working out a lot in canon after she changed track), for inner strengths. Willow is a sensitive girl, and a bit of a berserk (I mean she was willing to burn her own mind just to hurt Amity). Willow having to face Vee, who isn't physically stronger than her but is significantly further down the road of being internally strong, is something Willow can learn from. Perhaps even have conflict with! (but more so a conflict with herself than with Vee, really.)

With Amity, Vee has a simpler role. I think to Amity it's more so showing that it's possible to live in the human realm, and giving her hope that going back and forth is a future for everyone who wishes to do so. Creatively speaking, I think Amity and Vee more so to bounce off one another for the plot, rather than character growth or decline.

Camila, I think, is the most interesting. Because she has now spent approximately a year with Vee, half of it thinking she was Luz and having feelings about her daughter having changed so much, the line "I'm glad youre still creative" comes to mind. As well as the terror of losing Luz again. But also, because she has had her own unseen arc and development with Vee, and them having bonded into a foster family that we never got to see glimpses of, it goes without saying that Camila has already done the internal work to take on more kids if that's necessary. I think she saw these kids by her door and thought "yep. They're mine now too." Vee, I think, is interesting to toss into the family dynamic between Luz and Camila, who seemingly are misunderstanding one another significantly. Vee sees them both, and can be a voice of reason when it comes to it. Or if it would come to it.

ANYWAY MY RANTS ARE LONG. IM DONE. THANKS FOR READING.

[a-star-that-burns-brightly]

So uh. Maybe I'm just really stupid, but despite being in this fandom for a year now I for some reason was convinced that Killcheroy killing herself was like, canon, because of how widely accepted that theory is in the fandom and spoken of as if it's fact. But after looking through all of Fuuta's stuff again (voice dramas, music videos, the like,) I've come to realize that not only is Killcheroy's actual cause of death never actually confirmed, but I've also realized something else: Y'all I really do not think this girl killed herself lmao. In fact, I am very confident that she didn't kill herself, mainly due to the fact that, as we know, Milgram has a very specific motif when it comes to characters who have committed suicide or have themes of suicide in their character

Mahiru and Kazui's victims both have a shoe off, because both of them died via suicide

Muu is often presented with only one shoe, because she is implied to be suicidal

Fuuta's victim also has a shoe off, because as we know she died of-- ...Huh? Oh shit. Both shoes are intact. Now I've seen people, though often briefly, point that out before What I don't see pointed out however is that Backdraft has three perfect opportunities to follow up on the shoes motif, and just doesn't.

These are the first two I wanna talk about. Killcheroy's shoes are perfectly in view, yet both of them are still in tact. Since this whole scene is basically a creative reenactment of Killcheroy's death, wouldn't it make sense for one shoe to be off if suicide was what took her out? But at the same time, these scenes are still depicting her when she is 'alive,' so maybe it wouldn't make that much sense for a shoe to be off in this particular scene. But what about after she burns up? That's where the third scene comes in

Even after she dies, her shoes are not there. Milgram is a series that loves including small, blink-and-you'll-miss-it details. If Killcheroy really killed herself, there's no way her shoes wouldn't be visible in these shots as Fuuta's running away, right? And this shoe motif, coupled with the fact that when looking at what we have, there's no actual evidence that Killcheroy killed herself (to my knowledge) makes me doubt this theory a lot more than I had when I originally assumed it was canon. So what do I think took Killcheroy out? Well, though we have no evidence that she killed herself, we do have evidence that Fuuta doxxed her.

(x) Storm Pazuzu Should we destroy her?＾＾Just because you’re a middle school girl doesn’t mean you can act like this lmaooooo don’t go easy on her just because she’s cute  QRT Miss Magic I got permission from the store owner, it’s allowed as long as I’m only replicating it for personal use. Storm Pazuzu Yeah, yeah, thanks for the late excuses QRT Storm Pazuzu I think I’ve got all her details now. Based on her previous tweets I’ve worked out her school. The fact she lives so close is hilarious lol Judgement☨Onizuka You’re the worst offender of all

And the fact that this scene transitions

to this one, where Fuuta is reacting to the news of Killcheroy's death, leads me to believe that this doxxing was the final bridge that caused Killcheroy's death. Now, a lot of life-threatening events can result from doxxing, for a while I was even pondering the possibility that Killcheroy was swatted and killed that way. But I think someone in Fuuta's group killed her, because the text in the MV makes it a note to specify that Killcheroy "lives close" to Fuuta and presumably the rest of his friend group since they all go to the same university and live in the same area. I can see people arguing that that would remove a bit of Fuuta's agency and responsibility from his murder, but I don't think I would agree with that. Regardless of what truly happened to Killcheroy after the doxxing, whether she was killed by someone in the group, or swatted (which I think is less likely, but is still a possibility), this presumed culprit was only able to do the things they did because Fuuta gave them the tools to. He gave them a target, Killcheroy, who he demonized and dehumanized into the role of Petulant Witch, and enough details of her location for anyone in the area to find her and enact punishment in the most direct way they can. Fuuta's story, to me anyway, isn't just about the consequences of cyberbullying and cancel culture, but also the cult-mentality of it and how others are influenced into it.

(x) Storm Pazuzu The people in charge here are shit. I could do a much better job

Fuuta did not come out of the womb cancelling people, but due to the injustice he saw around him and his desire to Do Something About It, he was influenced into this cesspool of online toxicity and cancel culture.

Now, it's his turn to influence justice. And boy, did he.

[mossy-green-aka-ferrythem]

I can't get over how I was just casually watching a Tulok and Mango video, because you know, I love Elden Ring, and I love seeing how these people go about playing Elden Ring (probably some of the absolute best youtubers out there in that regard), and they just, god their analysis of Miquella. (Also, this post will casually bring up the DLC final boss, so watch out for that.)

I remember I just felt so stumped when it came to Miquella as a character. However, they just pick up and put the pieces together so clearly, that it makes me wonder how I haven't picked up on it sooner.

Like. Literally everything about Miquella comes together when you realize that one of the themes he is centered around is "Naivety". His eternal childhood represents how he is eternally naive, as he is but a child. His decision to marry his own brother not only shows how far he's lost himself in his own naivety. His "Age of Compassion" has no compassion at all, by making everyone servile to him he takes away other's free will, and a lord of a kingdom with no thinking subjects, is no lord at all. Miquella would just end up repeating the genocides that Marika committed before him I bet. He just really didn't know any better because like. He is a child. Children make bad decisions. He really did have good intentions at heart, especially in regards to his sister.

However, he lost the plot. His quest to ascend to godhood and make Radahn his consort really would only lead to further sacrifice and further ruin. Mohg was charmed and left without purpose, only there to execute a ritual to send Miquella to the Realm of Shadow, Malenia, in order to kill Radahn, had to stop resisting the influence of the rot god, and bloom for the first time in her life. These are just large, sweeping examples, but I really do think it shows Miquella's sheer descent when he chose to succeed the power structure.

Also. We cannot ignore the St. Trina-shaped Elephant in the room. Yes. I really do think it's best to look at her as a trans allegory. Like just. She is literally described multiple times as "Miquella's love" and "Miquella's fate", and she is most definitely meant to represent who Miquella's ideal self would end up being. Miquella finally growing out of that eternal childhood and blossoming into a woman. I really do think St. Trina is meant to represent Miquella's adult self. I mean, look at how even after being ruined, she still blossoms. She has the will to grow and endure, to take root somewhere. While Miquella, in his desire to succeed the power structure, had to remain a man. Throwing away that part of himself, that compassion, that love, leaving only a being that can grow like a weed. The way he looks in the promised consort fight is more like Kudzu, growing and choking all around him, rather than St. Trina, who blooms so beautifully...

Really there is a lot to think about here and this post isn't the best in terms of organization but like, you know?

[p0rk-guts]

He's finally done I think. WOAW! Radio demon time!!!

Okay time for comparison + breakdown rant ^ - ^ another SUPER long one I had a lot to say about this silly guy

ALRIGHT. So. Atp all that can be said has been said about Alastor but I'll gloss over it anyhow. Grossly historically inaccurate hair and clothing. Invisible deer theming. One of the main reasons he's got one of the most clowned on designs in the show is bc he's a pretty good representation of the worst it has to offer. He's absurdly red and has the waspiest waist in town. Also gotta zero in on the coat for a second bc I find it incredibly stupid that he went to that tailor bc of his coat being ripped and then left the shop with the exact same torn coat on oh goddd that felt like a complete joke who wrote this

Also his "redesign" was pointless. He stayed pretty much entirely the same except his colors got pinker and grosser and now he has this?? White trim on his lapels??? Even less 1930's accurate and it only serves to hurt the pallate in my eyes. It's the only spot of white on his entire design, it doesn't appear anywhere else so it throws it all off. And it's so bright. Is it supposed to be a focal point?? His tits????

Anyways onto my guy who I love so very deeply. I'm pretty sure sepia film was outdated by the 1930s but I gave him a palette inspired by it to emphasize how dated and stuck in old ways he is. Added blood red accents bc. Well. Cannibal murderer. Also bc I redid the sin colors so red is wrath and it seems like a fitting sin to pair him with.

After looking into 1930's men's fashion a tiny bit (thanks anon, this video was helpful!) and gave him a double breasted coat but wider and pointier so he looks a little less like just some normal guy and really emphasize how prideful and egotistical he is. "Ooo look at me I'm super big and imposing and powerfulll". I think it's a fun character trait of his. Definitely keeping it.

I liked him wearing gloves bc I feel like he wouldn't like getting his hands directly dirty and would always be covered when committing his murders. Maybe he's a germaphobe even. "I can excuse murder but I draw the line at dried blood on my skin". Also the gloves being white would contrast really well with blood so. Love that

I gave him a long tie to free him from the Vivziepop bow tie uniform and a fedora to add to the 1930's vibe and serve as something that can occasionally obscure his face in shadow. His glasses are also opaque and I imagine his eyes would rarely be shown if ever to make him seem more inhuman and off-putting, disconnecting him from personhood a bit. Wanted to add to that with his smiling mouth never opening and just being a static grin that can only occasionally widen or lessen, his voice cracking out of his "speaker" with fuzzy radio static. Seen multiple ppl use that idea and it always eats

I love Alastor's silly theatric nature (primarily in the pilot) and I'd probably keep it, but I'd add a layer of uncanny-ness to him where when he's not putting on his silly jovial facade, he gives off an unnerving vibe. Trying to appear approachable and charming and pleasant to lure people in before he's revealed to be less than human. Loveee thattt

I love Alastor being a deer. Predator becoming prey (animal) + "prey animal" lulling people into a false sense of security before striking. Love it. We should be CAPITALIZING ON IT❗So I gave him deer like legs, visible deer hooves, and more readable deer ears + the ham radio tower antenna antlers (sorry 4 calling them horns 💀)

Tried to make it a little more obvious that he's a mixed man of color by giving him dark wavy hair and the faintest hint of lip definition Viv uses in her style. I think it works. He's still not dark skinned tho

LASTLY the mic. Also not an original idea as I've seen tons of others turn it into a carbon mic but turned into a pentagram shape and I love the idea a lotttt so I joined the crew.

AND THAT DOES IT!!!! hope u like him as much as I do hehe. Just 1 supplemental doodle this time sorry :/ showing off how his face is probably obscured most of the time. He's. So hard to draw. I'm just bad at men but I'm tryinggggg guys

Alsoooo I've already finished the drawings for Niffty, Angel, and Husk! Once I've finished their breakdowns I'll add em right to the queue, and then I'll make a post with all of the main 6 together :3

[starlit-roman]

What your favorite sanders sides ship says about you in my opinion

I got this idea from @sandersontheside

Logince: Your favorite episode is why do we get out of bed in the morning and you question that too. You’re a fan of those red and blue haired character anime ships, and let’s not mention how much you love enemies to lovers. I feel like you like spaghetti with a shit ton of Parmesan, and sprite or Pepsi.

Logicality: You like sweet, wholesome ships the most and have probably either written a fan fiction about, read a fan fiction, or have thought about them baking cookies together. Also for some reason I feel like you like John Mulaney

Analogical: You like angst, not a crazy amount but you like to dip your ankles in it. Speaking of dip you probably either really like ranch or bbq sauce. And your favorite squishmallow is the bat one.

Loceit: You’re either the most chaotic person I will ever meet or you’re scarily chill about everything. You like it when all sense of right and wrong leave the room and just pure chaos despite how chaotically chill Logan and Janus are. You’ve definitely committed arson, and you’re a fan of tin cans and rainbows.

Intrulogical: You’re special, with love. I bet you watch doctor who while deepthroating packets of fun dip, sweet tarts, and/or hot tamales, I don’t have much else to say (I like this ship btw)

Royality: Opposites attract isn’t a thing that even registers in your brain, and despite what I want to think you’re probably the friend who corrupts the brains of your innocent friends and tells them about god knows what. If that’s not the case though you are the innocent friend who has surrounded themselves with not very innocent people. You like pasta with cumin. You also really like blueberries, soy sauce, and bluey.

Prinxiety: You’re correct. You prefer Ryan Gosling over Ryan Reynolds and you hate honeydew. You also probably have social anxiety.

Roceit: You like longer slow burn fanfictions and not just one shots, that along with enemies to lovers and a lot of tension. You’re definitely a maximalist when it comes to your room and you love rupauls drag race.

Moxiety: You’re a really sweet introvert and you like romance movies with happy endings. You probably like Mac Demarco and Arctic Monkeys and you like the scent of vanilla.

Moceit: (Kiss me) You really like stuffed animals and just fuzzy things in general. You’re a dog person but you like more cuddly cat-like dogs. You also like tomato soup.

Intruality: You’re super chaotic but super sweet, probably an Enfp or Entp. You like pickles and skunks and peanut butter cookies and cars 2.

Anxceit: You’re favorite social media is tumblr and you miss MySpace. You love hoodies and sweaters, your favorite season is winter, and you really like old artwork. You’re also really good at makeup, especially eye makeup

Dukexiety: You’re probably super all over the place and your rooms a mess but you know where everything is. You also really like snake plants and spiders

Dukeceit: You love the whole “He’s an idiot, but that’s my idiot” thing about this ship. If you have a roku it’s not set to the default theme and you probably like 90s-00s hiphop and you despise when your bed has crumbs in it.

Remrom: …

[shorthaltsjester]

okay but i am very confused about the energy regarding the weavemind as. bells hells specific enemies? like sure they’re on ruidus and have been introduced in campaign 3 but none of bells hells have expressed a specific interest in taking them down, the weave mind has committed no specific crimes against bells hells that would equate it to being Justice™ for bh to fight them. even if you want to make the tenuous connection that like imogen and fearne are ruidusborn: both of them have focused much more on the consequences and revelations about their families that have come about from their ruidusborn existence than the authoritarian leaders of ruidus itself. so, uh, it is profoundly more interesting to have the party go after the person in charge of the army cult that contextualizes both of their existences and the trauma of the entirety of their party than a obscure group of villains that bh has no actual tangible relation to. like this was literally laid out in the conversation. bh get the cage and ludinus because that’s Their Fight that they’ve been fighting since imogen started dreaming and since orym’s family got killed. vox machina is taking the bridge because of the vax of it all. and mighty nein got the third less prevalent thing, because they’re experienced with psychic threats and manipulation (and also because of course the mighty nein are the ones dealing with the assignment less likely to be seen or heard about).

like the in-character reactions to the breakup of activities were only really considered anything close to negative by braius and dorian who while certainly now members of bells hells aren’t the ones upon which people are claiming to build their “this story is an injustice to the bells hells” sure it is. like ignoring the fact that being unable to get closure on every single issue and potential villain is a long-standing tradition in cr campaigns, i thought the thing everyone loved so much about bells hells is that they’re the npc party? and for better or worse c3 has been about being fast paced and it would be extraordinarily out of character for matt to say “oh these two high stakes and powerful groups have decided to fulfil their plans one at a time so that bells hells can sufficiently take them out.” like the only way that bells hells — the lowest level party — getting to take out One Of The Most Powerful Exandrian Mages is an injustice is if you’ve ignored the entire campaign and its context. like seeing the complaint that “it’s not bells hells story” yes, that has been made clear time and time again in the past 100 episodes. it’s completely fair to not like this, it’s extremely odd to see this as some sort of surprise wrecking ball that has come about in the decision to have more than one party of eight fuck ups trying to stop the unavoidably obvious world ending threat that exandria currently faces and not as something that has been made repeatedly clear by the themes and position of bells hells. like, throughout, unlike vm or mn, they have been handed their missions rather than choosing them (even if between 2 or 3 choices as was often the case with mn), they have explicitly discussed being the npcs or little guys, they have consistently gone to the bigger guys for help with things that previous parties either managed themselves or suffered without or had allies to help them (versus the like. Leaders that bh look to), even the dynamics of the parties express that bells hells are people stuck saving the world due to a bunch of personal moral codes rather than a specific decision to save the world because they’re the only ones who can, they’re expendable. that has made this campaign different throughout, it has made the characters less explored because they don’t have the time or means or desire to do so. and again it’s a matter of taste whether that’s something you enjoy, but it shouldn’t be a matter of “why would they do this” this far into the Bells Hells Aren’t Special They’re Just There campaign (which isn’t to say the characters aren’t special or whatever like they’re a bunch of weirdos but as a party they’re just a party)

[blackbird5154]

I'd like to talk about why Rite Here Rite Now has script problems (as well as Ghost lore in general).

Even taking into account that this is a concert movie, a movie in which the presentation of the characters is of secondary importance, there are still certain requirements to that presentation. Over the years, we have been told a story. There is an expectation that there is some consistency in that story: causes must produce effects. I'm talking about the point that in a “good story” the actions of the characters have consequences. If a cold-blooded murder occurs, the characters responsible must either go through an arc of remorse or receive some sort of retribution for their actions. You can't kill three iconic characters and just forget about that and move on. The consequences can be different, depending on how the author wants to develop this theme. But they have to be.

I'm not really clear on how Tobias is developing Copia. The first time he appeared, he threatened Terzo behind his back and promised to stomp him into the dirt. You can still find that video on the official Instagram. Obviously, he was involved in the murder that Sister organized and had a vested interest, or maybe he was even an executioner himself. Either way, he ascended to the position over the corpses of his predecessors, and that's clearly what he was aiming for. Even the introduction to RHRN shows him as a maximally selfish character who thinks only of his own success and survival: he believes that he is a better entertainer than his brothers and that he doesn't deserve the same fate. However, the movie tries to instill in us that Copia is a good man who is worthy of sympathy and hope that his fate will be better than his predecessors. I wonder why exactly he has earned such privileges.

Sister Imperator is portrayed from the beginning to the very end as an overbearing, dominant, cruel woman. She obviously hated the brothers and didn't just organize their murder, but did it with relish (a cruel joke just before the injection). She has taken over all the remaining characters, becoming the de facto leader of the Clergy, and has succeeded in building her empire. She controls Copia's every step and also tells Nihil what to do. Yes, we're shown the motherly side of Sister in the movie: she seems to really love her son and wants to leave him an empire to inherit. But that doesn't atone for her cruel behavior, sadism and the crimes she has committed in the past.

Nihil is shown as an irresponsible and weak-willed man, an unreliable lover, a careless father who allows his sons to die. He tends to wallow in fantasies, replacing reality with them and allowing horrific events to happen literally in front of his nose. He was a bad father to his official sons and a bad father to Copia. He is probably the only one in the movie who went through personal growth: he was finally able to talk to his youngest son, finally became a good father to him. But his older sons are still dead and it doesn't seem to be a problem for him.

Apparently, Tobias decided to move from more gory plots to more family-oriented ones. All three characters are now presented as a caring, somewhat weird, but loving family. Their past has been left out of the picture. They haven't drawn conclusions from their mistakes, they haven't atoned for their wrongs, they haven't gotten what they deserve. The screenwriter seems to have forgotten that the members of this family recently killed each other with minimal regret. It doesn't matter now, because the previous characters are just “taxodermically propped up” stuff. The woman who manipulated other people and destroyed everyone who stood in the way of her ambitious plans, dies a peaceful death in the family circle, having achieved all her goals and leaving an inheritance to her son. A happy ending for the sadistic bitch. She's now a positive character, and her peaceful death closes the possibility for a fairer ending to this arc.

Copia who all along demonstrated passivity, infantilism and inability to make any decision, also got his happy ending. You may feel differently about Copia, but I still remember him wearing Terzo's white gloves in concert like some kind of trophy. I remember him threatening Terzo in a tape deck commercial. Why have we all collectively decided to forget that? This is a man who got everything for free, thanks to his mother's patronage. We're even shown how he spends his free time: playing video games, loafing around and avoiding adult responsibilities like paying bills. He just goes with the flow, accepting the blood-stained regalia that is handed to him. And now once again we see another promotion just falling into his lap. What did he do to deserve it? Yes, I agree, he did a good job on stage during his eras. So did the First, the Second and the Third! However, now they are “taxodermically propped up” and he is Frater Imperator.

Apparently Tobias is now targeting a younger audience and use a more pedagogical style. If this is true, perhaps he should have shown how the characters take responsibility for their past. The statement “live here and now, stop thinking about the past” sounds immoral coming from the mouths of characters who have committed multiple murders and have not repented of them. Injustice and inconsistency are two words that come to mind when I think about how this story ended. Sometimes I feel like these characters are just plastic toys for Tobias to play with, and in the process he forgets where the game started.

The problem is that some do remember. Some remember everything.