#i love Fletcher. I love him so much.

[beigetiger]

I get that other people might not see them in the same way, but Fletcher and Valkyrie are really, REALLY sibling coded to me (and for unrelated reasons, I hated them dating and am glad they broke up).

There is, of course, the playful and affectionate way they treat each other in phases 2 and 3. They’re silly, joking with each other, giving each other advice, and exchanging snacks. Stuff like that, it makes them SO fun to watch and I need more content that just is the two of them hanging out.

But the other part, and the aspect of their relationship that I’ve been thinking about nonstop for the past twelve hours, is the fact that they were both kind of adopted into the same abusive circle of adults when they were teenagers, and they were pretty much raised side-by-side for two years before Fletcher peaced out. Valkyrie showed up first because her uncle died and Skulduggery thought she showed potential, and Fletcher showed up later due to dire circumstances (and then nobody really bothered to get rid of him).

And that’s why I think they started dating, too. Not necessarily because they would’ve formed a healthy relationship in any way, but because they were LITERALLY the only child that the other was hanging out with. Everyone else was decades, if not centuries, older than them. And that’s not exactly a healthy basis for a relationship, so it does stand to reason that they would inevitably break up (which, GOOD). They’re also both in a better place (somewhat) as adults, which is why they then have a healthier form of interacting with each other.

Another thing about their relationship, and something that has stuck out to me since BOOK THREE, is the way that the adults around them treat them. Valkyrie is the parentified golden child, the one who’s so young but already so capable and mature, of course not taking into account the sheer amount of abuse she went through in order to act like a full-fledged adult at the ripe old age of FUCKING FOURTEEN.

Fletcher, on the other hand, was considered a failure and a fool, only useful for his teleportation ability. But if you actually look at his behaviour, you’ll realize the only crime this teenage boy committed was…acting like a teenage boy. By that point in time, the only other child present already acts like an adult, and so he’s considered the worthless and immature one, ESPECIALLY by Skulduggery, which totally doesn’t have any negative effects on Fletcher at all.

Because that’s ANOTHER thing, the fact that Fletcher considers Skulduggery to be something of a father figure. It’s implied by Valkyrie all the way back at around book four (I think) and is all but confirmed in book fifteen (UtE). Fletcher had daddy issues before, but they are CERTAINLY worse now. Skulduggery is really not vague about Valkyrie being the favoured child, and he constantly belittles and insults Fletcher, both to his face and behind his back, all the way into Fletcher’s adulthood. He doesn’t really care about Fletcher. CADAVER never cared about Fletcher, he simply acted like it to get Fletcher to trust him more. And so Fletcher actually leaving at eighteen, at refusing to be a soldier after the war is over, to instead become a TEACHER and generally avoid talking to Skulduggery, is fantastic! He’s growing as a person and is learning to cut one of the more toxic people in his life from it as much as possible. He gets to be his own person and love his own life without Skulduggery’s judgement hanging over him.

But VALKYRIE still isn’t free of Skulduggery, and he will pressure her into doing stupid shit. Such as, for example. Sniping a fascist while he gives a speech. Valkyrie agrees to it against literally all of her better judgement, and her trying to convince Fletcher to help them only leads to a confrontation between the two, where Fletcher brings up the scathing words of their shared grandfather-figure Kenspeckle and says that he was right. About Skulduggery, about Valkyrie, and about their relationship. The man who helped them both, who died when they were only teenagers.

The scene does such a good job highlighting their shared history and their lives as teenagers. They spent years growing up together, and that’ll always be there, even as they go down very different life paths.

There’s also something to be said about Fletcher having to repeatedly watch his sister figure turn into a god, as well as slowly lose her humanity over time because of the bullshit Skulduggery is making her do. Just like Kenspeckle said would happen.

[lilamausmaus]

[paladinnether]

his little wave <3

[andromeddog]

-whispers- have you ever thought about drawing johnny martin….to go with your bull….just a small request for a small angry man

hey anon you are so right. insane travesty that i drew bull without martin. here’s something small for u <3

[mjfs-heat-seeker]

Kyle coming out to defend Will Ospreay and going against the DCF, just to tell MJF that he’s his karma incarnate. Like yeah babe, you go defend your husband.

Also MJF totally playing into it and being like ‘bitch I will kill you in front of your husband don’t fuck with me’.

I love these little faggots so much.

[lailuhhh]

Okay okay so I had this AU idea but it’s not something I could pull off so I’m here going to yell about it because I can’t stop thinking about it. And maybe because I think you’d write it so well

What if Mac didn’t want to join the army? What if Harry or James forced him too? And he’s been banned from coming home(for a specific period of time). Is it because Harry’s sick and dying and doesn’t want his grandson to see him like this? Is it James for a more sinister specific reason?

So Mac doesn’t want to be there. He wants to go home. He’s had basically bad experiences with most of the people he’s interacted with(I’m a sucker for Mac’s previous overwatches being awful to him) and Peña was the exception but he’s gone and now he’s stuck with Dalton and he’s got so much time left here still and Dalton gets to go home soon.

They still don’t get along but Mac still saves Jack and he’s shocked when Jack stays because he gets to go home and choose to stay. Ahh it would be so interesting.

✨✨✨✨✨✨BESTIE✨✨✨✨✨✨

Okay what if Mac’s considered a troubled child? He has a record of everything that he’s done and really the only big thing was exploding the football field. He’s the weird kid but is still the Mac we know and love

Assuming everything is still pretty much the same, Harry and James still talk and James gets updates on everything Mac does and that was like the decision of him going to the army. Harry opposes it because he knows the horrors of it but doesn’t really have the final say in anything because while he’s technically Mac’s guardian, James is— unfortunately— still his father

Let’s assume Mac got a scholarship, but it’s really James setting his plan into place and through the magic of television, through signing all the paperwork and everything and getting the scholarship settled, Mac said he’d join the army when he turned 18

So Mac more or less gets literally escorted out of his dorm and shoved onto an army bus and taken away to basic, all while calling Harry trying to figure out what’s happening but Harry just tells him he signed a contract. Mac even calls the Bozers to try to help out because they actually care and don’t want him sent into a battlefield

Training and everything passes, old overwatches come and go, Peña is the only person who says the whole situation is fucked up and tells Mac he’ll look into it because legally the contract Mac signed was null and void because he signed as a minor without his guardian present so he really shouldn’t be there. James gets word of it because that’s just a big problem so he had a plan to keen him from finding anything out, but Peña ends up dying from the Ghost’s bomb and James doesn’t have to Deal With Him™️

At that point, Mac is pretty much cut off from everyone because he didn’t want to be there and the only person that seemed to care and believe him died. Then he gets transferred and the whole interaction with Jack happens and the scene where we see Mac disarm the IED with a battery and gum, how they’re kinda warming up to each other, Mac is still completely closed off because he just hates it there so much, even though Jack is trying to be a decent guy

And then when Mac goes off on his own—

“Now, we need to get on the same page, kid, and I mean right now. That is, if you want to keep breathing. Next time you wait for me to take my position before you go scampering off like that, you hear me?”

“Whatever. Not like it would’ve mattered.”

Which leads to a blowout of Mac yelling how much he hates it there and that he was basically kidnapped from college because he knew that, while he didn’t read the full contract, any agreements would’ve been void like Peña said because he was a minor and he didn’t have the power to consent to actually joining the army

When Mac saves Jack, it’s more of a if it was just me I wouldn’t really care but I’m not going to let you die just because my life sucks and Jack can see Mac going in a downward spiral and knows that if he doesn’t stay then Mac won’t make it out of the sandbox

The last few days is basically how they first met, but Jack’s making an effort to actually be the guy we know and love but Mac doesn’t want anything to do with it because Jack’s leaving and what’s the point of trying to be friends with someone you’ll never see again

So when Jack actually pops into the side of the humvee

“Why’d you come back? You had the opportunity to go home.”

“My home will still be there. I told ya before that I get all my bomb nerds home and yer no exception. You were dealt a real shitty hand and it’s fucked that no one will help ya get to the bottom of it. So I’m gonna stay here, make sure ya get home so you can stick it to those that fucked ya over”

So Mac’s tour gets finished, and since Jack actually holds power, they leave and Jack gets on contact with his buddies up the ladder to help get to the bottom of it and it takes a while but they eventually get the documents Mac signed and then consent forms signed by James and that just starts a whole whirlwind of the true James Hate we deserved

**Bonus points for if Harry died while Mac was deployed but they didn’t let him go home because James knew he would go AWOL so all his free days and leave had to be on base, also Mac assumed that Harry was the one that consented to him joining so he pretty much hated him until he found out the truth

All assuming Mac signed the scholarship forms when he was like 16 because you can legally sign up for the army when you’re 17

[melien]

In the trees The autumn breeze The winter's cold But summer's soul is underneath

[mediumgayitalian]

I LITERALLY SQUEAL WITH JOY WHEN I SEE THAT YOUVE UPDATED UR AWESOMELY TALTNED I LOVE U SO MUCH AGHHH

THANK YOU SO MUCH IM GLAD I HAVE SO MUCH FUN

[majesticwren]

Kyle Fletcher - The Protostar - ROH World Television Champion

[zombie-vodka]

angel boy

[dashiellqvverty]

the way i was watching the season seven finale like oh this was meant to be the end of the show wasn’t it. and from looking it up what i could gather was that it was meant to possibly serve as a finale in case they weren’t renewed. and from having only watched ians story it was definitely wrapped up very neatly imo. like that would’ve made a lot of sense as a finale ending for him which like. i understand would’ve been a WILDLY unpopular ending (from what i have gathered browsing tumblr) but i do think as far as accomplishing what they were trying to do with his character in those seasons they succeeded.

like it’s clear they wanted to show him in a more stable place and meeting different types of gay people and changing as a person and figuring out his space in that world and stuff. and part of that was sort of officially closing the book on mickey. which. i don’t think it’s WRONG to argue that mickey is not the best person for him if he is focusing on growth and stability. so like i understand what they’re going for and i do think the accomplished that (especially compared to how clearly they were scrambling for what to do with him in the next season) even if it’s not what i would have done

i will say, and maybe this is amplified by only watching ian’s scenes so the pacing feels faster, but a lot of the relationships and change in general does feel a bit rushed? i think my main thing is i don’t get much sense of a personality from ian and it’s like. i suppose you could argue he’s also trying to figure that out but. idk i’m just like what is he like what are his interests what is the draw of him - besides being hot - for these guys who want to date him and stuff. like he feels like he changed very much very quickly from earlier seasons and if it HAD been the ending for him i would’ve felt a little bit like this guy is unrecognizable from who he idk. “really was” (in the sense that this kind of like normal relationship with these gays who don’t share his background is like. not ‘truly’ right for him. but of course they’re trying to show that that IS right for him now i just don’t feel like i know how we got there)??? but then i’m like well what WAS his personality in those earlier seasons…. wanting to join the army???? idk it just made me feel like for all i know about him As A Character in terms of how he acts and what he’s been through and stuff. it feels. to me at least. that there’s still a lot i don’t know about him just like As A Guy. and i want to. idk if there’s a conclusion to all of that just. thoughts and observations i suppose.

also there’s times in these seasons where it feels like ian’s story is very much being used as a mouthpiece to Educate The Audience (his speech about mental health and trans 101 with trevor) which just felt awkward and out of place in this show imo

[thetisming]

dont you guys just love Fifi so much. wouldnt you guys just rip out your own hearts if he asked. isnt he just so important to you. isnt he just so fucking amazing. wouldnt you just explain the world for him. isnt he just the most important thing in your life. isnt he so amazing TELL HIM HES AMAZING

[pain-is-too-tired]

"I Am A Dance Of Light And Darkness,A Galaxy Of Shadow And Stars."

R.Queen

Lee Fletcher design 🥰

Idk why I love the Cabin 7 Counselors so much but I do and I ain't changing that anytime soon.

Also my designs for the 3 head counselors literally is just Lee:Dusk, Michael:Twilight and Will:Daylight. And I stand by that decision. Htgf

[danwhobrowses]

If anyone's curious after I finally watched all the main PPVs this weekend. MotN (Supercard of Honor): Eddie Kingston vs Mark Briscoe MotN (Stand and Deliver): Oba Femi vs Dijak vs Josh Briggs MotN (Wrestlemania XL Day 1): GUNTHER vs Sami Zayn MotN (Wrestlemania XL Day 2): Logan Paul vs Randy Orton vs Kevin Owens Best Entrance: The Rock (Wrestlemania XL Day 1) Best Attire: Athena as Karlach (Supercard of Honor) - But shout out to New Day for the Rocky and Apollo gear honoring Carl Weathers. Best Performance: Kyle Fletcher (Supercard of Honor) Best Spot: Billie Starkz fakes a Neck Injury just to jump Queen Amanita to win her first major title at 19 years old (Supercard of Honor)

[frary-us]

"#the last ONE and he had more scenes but now its over#and i feel so sad#fkjsdlgfg"

👆Same. I adored watching Toby as Rev. James in this series. And I loved getting these beautiful gifsets each episode.💖 Thank you @fishalthor for always acknowledging & appreciating talented Regbo in each of his roles. 🥰🙌

@badtoad20 tobyregbo #revjamestrenchard #best part of the show #I will imagine he and Fletcher met up secretly #Liam garrigan #he deserved an apology from his stupid brother #i miss him already

👆Agree 💯👍

Toby Regbo as Reverend James Trenchard in Belgravia: The Next Chapter 1.08

[supercutszns]

Luke x reader where a girl, daughter of Aphrodite, flirts with him and insults the reader, causing her to avoid Luke, but later he manages to find her and confesses that he actually likes them... I don't know if they should already be together or not, but I believe in you!!! you write very well :ooo

Sorry if the idea is bad or you wouldn't want to write something like that, if that's the case please pretend you never read this 🤡🤡🫶

true colours; luke castellan

wc + pairing: 3.6k, luke castellan x child of iris! reader

synopsis: everyone wants luke castellan, including you. curse your mother for getting your hopes up.

warnings: friends to lovers, reader is very insecure, bullying, lee fletcher & will solace cameo!! some angst with a fluffy ending

notes: thank you for the request!! as always this is longer than i anticipated but hope you like it :) i also combined it with another request for a child of iris reader (i also identify as a child of iris sometimes so i lovee writing for them) also i’m pretty sure lee + a lot of parts of this are ooc sorry but i havent read the books in about a year so hopefully everything’s fairly accurate!🌈

You knew this summer would be different because your mother sent her wishes twice as much. On the first day of July, when children flood into Camp Half-Blood like a hive of wild bees, a rainbow always lights up the sky. 

This year, there were two. 

As a child of Iris you’re technically supposed to be in the Hermes cabin. But your love for art, for music, for fun, has made you a particular favourite of the Apollo cabin. Most of your friends are there. They tolerate you singing in your soft, often unsure voice. They love when you catch sunlight and filter it into prisms of colour on their cabin walls. 

You’d probably move in there permanently if it weren’t for Hermes. Or rather, his son.

Over the last few months, in the sticky summer heat, your mother knew you would fall in love. 

It's not any surprise you love Luke. Everyone loves Luke. A fact that's becoming more obvious every passing day. 

It used to bother you less. You’ve always been his meagre, hopeless friend, never any real competition to these girls. You’d basically taken yourself out of the running and instead decided to pine after him in the very back of your mind. A safe, deluded fantasy that would never happen. 

Until recently, where it seems less like a fantasy and more like a terrifying possibility. 

Over the past few weeks Luke has gone out of his way to be sweet to you. Or at least you think so. He’s spent extra time talking to you at lunch, laughing at your half-formed jokes almost in earnest. At bonfires he saves you a seat, grabs you a marshmallow on occasion. You even made him a friendship bracelet of sorts—admittedly a little ugly—but he’s never taken it off. Not since the day you gave it to him. 

Not to mention helping you last week before the archery competition. His hands lingering over yours as he steadied your bow, the curls of his breath on the back of your neck when he stood behind you. 

“Don’t be nervous,” he says, a tinge of mirth in his voice. “You just steady your aim and first is as good as yours.”

(You came in fifteenth.)

You don’t want to say that it’s him weakening your aim, making your pulse beat out of your neck. His nose brushes against the back of your jaw as he leans forward and you smell the pine on his skin. Is this friendly? Is he this close on purpose? Are you delusional?

It’s all you’ve been thinking about these past few days. So when Luke Castellan’s endless admirers come to the forefront of your mind, you feel like all those moments of potential buildup have been ripped away. 

“You alright there, sunshine?” 

He takes you out of your spiral with a teasing lilt you love. When you look at him, his face is a shimmering warmth, complete with boyish smile. 

“Yep,” you reply, trying to ignore the nickname making your insides flutter even though you know he’s saying it ironically.

You’ve always had a gift for identifying colour. It’s the thing you pay attention to most. Something inherited from your mother, you suppose. So you’ve memorized the way Luke’s eyes melt in the sunlight. How his scar blends with his pinking cheeks when it’s hot outside. You never told him, and you probably never will, but you’ve painted him from memory quite a few times in the Apollo cabin—always with the excuse that you were practicing. It's so blatantly obvious you're in love with him there's no point in your friends bringing it up.  

The two of you are meandering around camp before dinner, a tradition Luke started early on in the summer. You talk about high points of your day (mostly you) or share nuggets of gossip you’ve heard around camp (mostly him). It's the thing you looked forward to every morning. A time when his words are just for you. 

Idle chatter flows as you keep walking. Sometimes your arm brushes his and you have the embarrassing urge to tug yours away. You do your best not to stare at him too long or laugh too loud at his jokes. 

“Hey, Castellan!” Someone calls. 

Luke’s head turns. Your heart plummets. A beautiful girl, Aphrodite cabin, you think, is heading towards you. She’s all honey-spun hair and dazzling pink lips, and it’s obvious she knows it. You don’t know her name. But Luke does. 

They fall into conversation the second she arrives. It’s just greetings, pleasantries, but there’s a coy smile on the girl’s face that betrays any sense of disinterest. “Heard you’re not too keen on pairing up with us for the Chariot Race next week. What gives?” Her tone is pouty and playful as she taps Luke’s shoulder. She side-eyes you, lips curling imperceptibly. “I’m sure you’ll have a better chance with us.”

He lets out a strained chuckle. “Dunno, just thought it was fine to switch it up.”

Just like that, you’re out of the loop again. More of her friends flock after her, and soon Luke is tangled in a whole other world. They’re all glowing with a kind of righteousness you only get when you’re popular. You know Luke has friends, tons of them. He's the leader of the cabin with the most campers. Not to mention assertive and gorgeous. His presence is so inviting it’s a challenge not to fall in love with him. 

So you can’t blame this girl, the one that keeps touching his arm and giggling. It’s not like you’ve staked your claim on Luke—no one even knows you exist. As much as you want him to be yours, you know you’ll never stop someone from taking him first. It’s your fatal flaw, you think. Cowardice. 

You end up sidelined completely. Watching him swathed in people more charismatic than you plants an ache deep inside you. All your wishful thinking feels sour now, a pipe dream, a bedtime story to help you sleep better. Somehow it hurts more knowing that it’s nobody’s fault but yours. These people can’t be doing this on purpose. It’s just who they are. It’s who you are—always a step behind, always daydreaming. You are your mother’s daughter, after all. Just a prism reflecting everyone around you. 

Eventually, one of the boys in the group takes notice of you. He’s not nearly as captivating as Luke is—you don’t find the colours of his eyes hold as much depth. There’s also a haughtiness when he looks at you. He sneers, “What the hell do you have on your face?”

It draws the attention of others in the group. You feel like a naked sculpture in an art gallery. “Uh, what?” You stammer. 

Some of them purse their lips. The girl with Luke lets a laugh slip. You’re pretty sure you look like an idiot, waiting there with your brows wrinkled in a daze. Their gazes keep flicking over to your cheek, so your hand flies up there before you can delay any more. When you press your fingers to the side of your face, they come away tacky and pink. Mortification constricts you.

Paint. It’s leftover, half-dried paint. The colour of Luke’s cheeks in the sun. 

“Oh,” you say dumbly. It’s drowned by snickers. All you can do is find Luke, the only face you know, and ask, “Why didn’t you tell me?” without sounding too hurt. 

You know you failed when your voice comes out wrong and his ebony brows push together. “I thought it looked—”

He never gets to finish because the golden girl laughs a little louder, the pink tones in her face a little darker. “Oh my Gods, you’re that Iris kid that’s always singing, right?” She giggles sharply, cornflower eyes darting between her friends. There’s something in there you can’t quite pick up on, until it flushes the pupils of all her friends, and they all grin with a secret knowledge they want you to see. “You’re, like, really good!” The girl simpers, but her bottom lip pulls between her teeth to soften another laugh. 

“Oh, so good!” Another friend piles on. 

Their passive-aggressive chuckles start to sound like hail on a window. You shift further away from them. Dirt slides beneath your shoe, and you long to kick up more of it, displace yourself, disappear. 

You don’t look at Luke. The giggly, flaxen girl has already turned back to him, and you’re sure he’s enthralled once more. You try to stir up the image of Luke’s closeness during archery practice, the lilac bruise on his knuckles when he angled your bow, but it doesn’t take. Now, it feels like you’ve dreamed it. 

Out of the corner of your eye, you see Luke leaning down to catch a whisper from the Aphrodite girl’s ear. The boy that first commented on your cheek leans closer to you again. He’s suffocatingly smug when he grins, “Why are you still here? Shouldn’t you go … wash that off? You don’t want to look like that at dinner.” He snorts. “For an Iris kid, you really aren’t good at taking a message.” 

If you were a more confident person, maybe you’d point out how that didn’t really make sense, or how stupid it sounded coming out of his mouth. But the sentiment of it wounds you, and you’re weak enough as is. 

"Guess you're right," you mumble. You wipe your face of paint as you leave. The memory of Luke’s skin stains you until you wash your hands off in the sink. 

You haven’t talked to him since. 

It’s been a few days of you avoiding him, and it’s hard to explain to anyone why you’ve been doing it. How do you tell the truth? Luke Castellan is a work of art and you are … a weird doodle, or something. Despite your adoration, you know there’s no reason he should feel the same for you. Everyone loves him for a reason. Everyone must ignore you for one, too. 

“Why haven’t you been talking to Luke?”

The question breaks your concentrated silence in the Apollo cabin. You’ve been sitting here for a while now, humming to yourself over a mostly blank canvas. The cabin is dusted with a lilac haze, thanks to your manipulation of the light streaming through the windows. Helps you feel less like you’re at camp and more like you’re in a fairytale. 

“Helloooo, lady, I asked you a question.”

You begrudgingly look up. Lee Fletcher, head of the Apollo cabin, is at the mouth of the cabin, gazing at all your supplies strewn about the floor like they’re a bunch of unsavoury substances. “It looks like a hurricane came in here. Now why aren’t you talking to Luke?”

“How do you know I’m not talking to him?” You mutter as Lee sits beside you. 

“Uh, because you’ve been sleeping here multiple nights in a row and you never do that. And you don’t sit with him at dinner. And whenever we see him you drag me in the other direction—”

“Lee!”

“I’m just saying, you should probably talk about it. My beautiful voice can heal wounds, yes, but not of the heart.” He splays a hand across his chest in mock theatrics.

You don’t say anything. The familiar weight of the brush against your fingertips is far more comforting than trying to talk, so you busy yourself with your canvas again. “He waits for you, you know,” Lee continues, quieter. “In the morning. And before dinner. He always asks if you’re here.”

“Oh,” you say, and your wavering voice betrays your expression. But you think of everyone else at camp, their gleaming smiles and their celebrated parents, their own cabins and friends and dreams, how you don’t seem to have any of those. You think of the girl whispering in Luke’s ear. All her shades of beauty. You know it’s wrong to compare yourself, to be jealous. You’re just … sad.

The cabin darkens from a lilac to an imperceptibly gloomier shade. A blue sort of longing gets caught in your throat, blurring the colours on your canvas. But you keep your brush steady, focused on the scratch of its bristles so you don’t have to hear what you say next. 

“I think I love him, Lee.” And then, “But I don’t think he loves me.”

There’s no sound except the scraping of your brush when it’s run out of paint, and a sniffle when a tear rolls down your cheek. 

“Oh,” Lee fills the silence the way you did just moments before. Then he says your name, laced with pity, and hugs you on the floor of his lavender cabin. 

“You want to help me lead the bonfire song tonight?” He asks after a minute. “Or at least … come to the bonfire song?” 

“No to the first, yes to the second.”

You wish you said no to both. 

The spot you choose after dinner is right next to the fire so you can distract yourself with the golden flecks of flame. Fire is so fluid, so complex, from a colour perspective. But no matter how close you get, the searing warmth can’t hide Luke’s gaze peering over the embers. 

He will not. Stop. Looking at you. 

The singing from the Apollo kids usually soothes you but tonight it’s just making you anxious. All this attention so close to you. Will Solace has been sitting next to you this whole time, your unofficial assigned companion for the night thanks to Lee. One of his siblings beckons him over, and he shoots you an apologetic look, hesitating. "Just go," you wave off kindly. "It's all good." He's not entirely convinced, and you aren't either, but he squeezes your shoulder with thanks and leaves you anyway.

Now you’re acutely aware the space next to you is wide open. And so is Luke, it seems. There’s an awkward moment where your gazes slide over each other and he weaves out of his current crowd towards you. So you do the most mature, sound thing you could possibly do in this situation:

You say you have to go to the bathroom to no one in particular and get out of there. 

It’s dark, but you’ve got sharper eyes than most. Soon the noise of the campfire is behind you. You traipse through the camp towards the bathroom,but you don’t get far before you hear something that makes your stomach drop in the worst and best way. 

Luke, calling your name. 

At first you think you can get away with not hearing him. Then he calls a second, a third, a fourth time, punctuated with, “Come on, I know you can hear me, can you just turn around?”

He’s got longer legs than you so the next time he speaks it’s practically in your ear. “Hey, just look at me. Please. I want to talk to you.”

There’s something so tender in his voice that it makes you cave immediately. But you already feel so fragile, you can feel the tears behind your eyes. You know you won’t have the strength to talk to him. 

His hand curls gently around your wrist and it sends warmth all the way up your arm. He says your name again, softer, and you love the way it sounds. You can’t meet his eyes, but you already know what he looks like. Even in the dark you picture him crystal clear. 

“Look at me,” he repeats. “I just—I need to know what I did wrong.”

His dark eyes are full and apprehensive when you heed him. You notice how much you’ve missed studying his face—the slight bunch of his brows, the tensing in his jaw. And you almost delude yourself that he’s missed you just as much, the way he squeezes your wrist and rakes over your expression.

“Why are you ignoring me?” He asks. 

“I’m not—”

“You are. I know you. Just tell me why.” 

He looks so sweet, so earnest, and it kills you. You think of the way he looked when all his friends made fun of you. It all comes up before you can help it. 

“Do you always let me walk around looking like an idiot?” You ask bitingly, staring at the floor. “The thing, with the paint on my cheek—why didn’t you tell me? I looked so stupid and all your friends just laughed at me!” 

His face falls. “I tried to tell you, I thought—”

“It’s okay to say you don’t like me, or that you’re embarrassed, or whatever, but I …” You swallow, tears thick on your lower lashes. “Everyone makes fun of me. I don’t know why you don’t.”

“Because I do like you,” he states, hand moving up to your forearm. 

“Don’t say that,” you whisper. “You’re so much … better, you know you are, and I don’t want your pity, or your spare time. I just—I made something up in my head that wasn’t there and I only noticed it the other day after you talked to that girl and that guy made fun of me and I’m really, really sorry—”

“It looked cute. I was trying to say I didn’t tell you about the paint because I thought it was cute.”

There’s a lull.

“What?” You blink stupidly. 

“I know I should’ve told you about it, but I swear I was going to before dinner, I didn’t think we’d run into anyone before then.” His cheeks tinge red. “I had this whole dumb thing planned out where I’d wipe it off your cheek and tell you how cute it was once you got embarassed. I was waiting to tell you. I was thinking about it the whole time.”

His hand on your arm is a frighteningly grounding thing. You're dumbstruck by that alone. Your lips part, but all that comes out is, “Why?”

A gentle laugh tumbles out of his throat. “Why do you think?”

His other hand comes up to brush your cheekbone, where the paint had been, and you can imagine him doing it to you on that day. How you'd probably react just the way he said you would, the way you are now. A warm orange glow blooming in your chest. “But the girl—”

“She tried whispering to me how much she liked my bracelet,” he smiles fondly. “Told her you made it for me. It shut her up. I don’t know what that guy said to you but I chewed ‘em all out the second you left. They knew I wasn’t happy. I tried looking for you but you were gone. I don't like them, you know."

You don’t know what to say. It’s too difficult, too uncertain for you to jump the gun on this. So you just stare at all the shifting colours on his face as he moves closer to you. All this time going over his every detail, and there's still more to be enthralled by.

“I found the paintings,” he says, voice so close you can feel it brushing your skin. “The ones of me. I was looking for you in the Apollo cabin a week ago and you left one out. I knew it was yours because ... I mean, there’s no one in the world that can make me look that … beautiful.” 

The last word is apprehensive but it’s spoken with an unimaginable tenderness. He looks a little teary himself. You think you’re dreaming. “I knew I had to tell you after that. I’ve been trying to tell you. But you started pulling away from me so I thought I was making it all up.”

“Tell me what?” It’s a ghost of a question between you, an impossible thing, but the hand on your arm slips around to your back and he presses it there with such certainty. 

“You’re really gonna make me say it?” He cocks his head, but you nod. “I’m in love with you, I think.”

The words cascade over you in ribbons of warmth. Your brain feels fuzzy, seperate from the rest of your body. Your mouth opens multiple times but you can’t seem to control what comes out. “Luke, are you joking?”

“Not even a little.”

“But you’ve got so many other—”

“I want you.”

“I am literally the most incompetent person alive; I can’t sing, I can’t talk to people, I have a weird knee—”

"Your knee is fine!"

"I'm just saying, this makes no sense from an outsider perspective, it's—"

“Okay, clearly the telling thing isn’t working so I guess I’m just gonna have to kiss you.”

It happens so quickly you don’t have any time to think (probably for the better). You let out a surprised “oh” before his mouth silences you, stopping every other thought. He’s gentle, thumb still rubbing your cheekbone, other hand still firm at your waist. You want to panic—where should you put your hands? How do you know you’re doing this right? But he steadies you, the way he always does, and you give in. 

He starts to smile against your lips. You’re almost positive the intensity of your heartbeat could summon a storm. When he pulls away, he kisses the corners of your mouth and you think you’re going to evaporate. “I don’t think I’m very good at this,” you whisper.

“You’re perfect.” He grins a little when your hands tentatively tug at a curl on the nape of his neck. “And none of that stuff you say is true. I mean, you’re definitely a better singer than me.”

Leaning close to your ear, he warbles out a song you know but gets the words horribly wrong anyways. You can’t help but laugh. “Okay, maybe you have a point.”

He hums and chuckles with you. You swear the moon gets brighter when he wraps his arms around your waist to kiss the side of your face. “Next time you paint me, I want to be there when you do it.”

You blush harder than you ever have in your life. “Only if you try painting me,” you say quietly.

“Of course. You’re very pretty, so I’m sure my horrible artistic skills won’t even make you look bad.”

Luke lets you press your face into the crook of his neck. You soak it up for all it’s worth. 

In the morning, you wake up in the same position. Your nose tucked against his collarbone, the shade of pink you love freckled across his cheeks. You can't wait to paint him again.

When you look out the window, you say a silent, grateful prayer to your mother.

She's given you two more rainbows.