#i love 2 change it up | Explore Tumblr posts and blogs

sentientcave · 7 months ago

Text

Retirement Party

Price has retired from Military life, and he's not handling the change well. But on the one year anniversary of him hanging it up, his boys bring him something special to help keep him busy. You.

Chapter Two - An Understanding

< Prev Chapter - Next Chapter >

Contains: No Y/N (Reader is an OC), Kidnapping, Forcible relocation, Generally creepy behaviour, Alcohol mention, Smoking mention (Tobacco), I guess this might count as human trafficking?, Dubcon everything because Reader is terrified (non-sexual), plus-sized reader, fem/afab reader, There is something fucking wrong with these guys for real, More reader details given, but we're still pretty vague about it. Even though it is hard for me. No promises for future chapters though.

~3.8k - MDNI - Dark fic! Please mind the content warning above

The captain looks at you for a long moment, dark blue eyes wide with surprise as he takes you in. You have to admit that he’s handsome, dark brown hair and well-groomed facial hair (muttonchops, no less) flecked with silver, and a nice nose that skews to the large side. It gives him a friendly, approachable demeanour, despite the weight of his stare. His heavy attention shifts from you to the other three, and his expression turns serious. “Lads,” he says, his voice a rumble that you can feel through your own body. “Please tell me this isn’t what it looks like.”

“Weeeel. It might be,” Johnny says apprehensively. “But I did my research, sir. She’ll be perfect for ye, ye’ll see.”

“She’s a good girl,” Ghost adds. “Sweet as can be. Won’t be any trouble for you.”

“Already moved her in and everything.” Gaz gestures around the room, looking rather too proud of their work.

The captain nods slowly, taking in the new additions to the space. “So you did. And did this pretty little thing agree to having her life upended, or did you lads just decide for her?” His arms shift around you, and you feel almost protected, oddly enough, even though by the size of him, he’s just as dangerous as the others. Probably even more dangerous, the way they defer to him, standing in a line like cadets, eager for his approval.

“Not… Not exactly,” Gaz admits. “I mean, we didn’t ask. But this’ll be better for her. She was living in a real rat hole before. Tiny little apartment in a shite neighbourhood. Was only a matter of time before something bad happened. We’re just looking out for her.”

Johnny shuffles his feet. “Dealt with a few neds while I was doin’ reconnaissance, even. Poor lass coulda been in real trouble if I hadna been there. Bawbag employers would ask her to stay past the last bus to watch the bairns an’ no’ even offer her a ride or ta pay fer a cab.”

“It wasn’t that far a walk,” you protest, glaring at Johnny. As if it’s any of his business. “And they did offer to drive me, I just wasn’t— It doesn’t matter! You had no right—”

The captain shushes you, and your words wither on your tongue, your cheeks turning hot under his stern blue gaze. He cups your jaw and turns your head to face him again, the rough pad of his thumb stroking your cheek gently. “Sweetheart, you and I will talk in a moment. Soap’s right about that not bein’ safe, and you know it.”

Your stomach flutters nervously. He gives you a little smile, and his crow’s feet deepen, the lines fanning out further. There’s a moment where you’re tempted to smile back, but his legs shift under you, and you wince sympathetically instead. “Sorry, I should get off of you,” you say quickly. “I’m heavy.”

“I won’t stop you if you’d like to sit somewhere else,” he says, that cheeky smile deepening more. "But you’re not heavy, and I'd like it if you stayed put."

"Told ye he'd like her," Johnny whispers, loud enough that it shatters the isolated pocket of reality that, for a moment, housed only you and the captain. "Hasna even introduced himself an' he's flirtin' like mad."

"Soap!" Gaz hisses back. "Shut up."

Ghost scruffs them both. "Let's finish getting dinner on. Give 'em a minute to talk."

Johnny grins at you and gives you two thumbs up as he circles around to the kitchen, as if you’d actually been a willing participant in all of this.

"I'm John, by the way," the captain says, calling your attention back to him. He drops his hand and settles it on your knee, his fingers curling around the joint. "You alright, doll?"

A loaded question. "Well. Not really."

"You're keepin' it together real nicely, all considered. Wouldn't blame you if you were hissin' and scratching."

"I'm not much of a fighter," you admit. "And even if I was, I don't think it would do me much good."

John chuckles, squeezing your knee lightly. He's gentle, but there's power in those hands, the kind that comes from years of hard work. There's scars all over it, from his the tips of his calloused fingers up to the leather band of his watch, etched in evidence of violence. If there are scars further up his arms, their hidden by the buffalo plaid flannel. "No, it probably wouldn't."

"Are you going to let me go home?" you ask.

He sighs. "The thing is, doll, the boys have put me in an awkward spot here. If I let you go on home, you're going to get them in trouble, and I don't want to see that happen."

"I promise, I won't say anything, I just--"

He shushes you again, and you shut your mouth, biting your lip. "Let me finish, sweetheart. You're being so good right now because you're scared. But that's not gonna last, is it? And worse, it sounds like you don't really have much to go back to."

"I'll find a new job. I always do."

"With another family who doesn't appreciate the work you put in? That doesn't make you feel safe?" His fingertips toy with the edge of your skirt absently, but his eyes are on your face, studying your reaction with rapt attention. This is how a rabbit must feel, pinned under the stare of a grizzly bear, frozen in place and hoping that no claws come down on top of it. "I can read between the lines, doll. That man you were workin' for made you feel so uncomfortable that you'd rather walk through a bad neighbourhood at night than get into a car with him alone."

You can't dispute it, although you're surprised he can glean so much information from half an outburst. "It wasn't like that-- He wasn't that bad."

John hums. "You're tellin' me you've had worse?"

A dozen jobs with a dozen managers or coworkers that took your silence as permission to stand too close, or put their hands on you flash across your mind. Mr. Kinsey was just the latest of many. You know that the thought is displayed on your face, from the way his eyebrows pinch together just slightly, not angrily, but concerned. You try to deflect with a little laugh. "Oh, well. I suppose I have. But hasn't everyone?"

"Soap had a bad lieutenant once and locked the man in his own car when he was just a private. Just because you have a bad boss doesn't mean you have to take it." He looks at you so seriously as he speaks, his fingers dancing distracting circles against the top of your knee, rough fingertips catching on the nylons just slightly. The heat from the arm curled around your waist bleeds through the fabric of your dress, his hand twitching slightly, like all he wants to do is take a handful of soft flesh. “You should speak up when you’re not comfortable, doll. You just need some practice standin’ up for yourself, don’t you?”

If a statement could have teeth, this one would, and you’re not sure if agreeing or disagreeing will have him closing his jaws around you. He’s probably right, you do need to do a better job of standing up for yourself. But you’re certain that he doesn’t want you to start by standing up to him, or his three attack dogs either. “I’ll work on it,” you say meekly. You test his commitment to the statement by gently picking his hand off of your knee, although there’s nowhere to really put it either.

“We’ll work on it,” he agrees, lacing your fingers together. When he rests your now-entwined hands, it’s a little further up your thigh. “You want a drink, darlin’?”

“Oh, um, no thank you.” You wouldn’t mind another tea, but you don’t think that’s what you’re being offered.

The scrutiny he puts you under is intense, like he’s determined to figure out what every microscopic shift in your expression might mean. “You sure, doll? You gotta ask if you want somethin’, or you won’t get it.”

“I would like a tea. But I can make it, I don’t want to be trouble.”

“Nonsense. Lads?” he tips his head back slightly.

“On it, sir,” Gaz replies cheerfully.

Ghost leans over the back of the couch to hand John a tumbler. Whiskey or scotch, by the sharp smell that hits you. John pulls his hand away from yours to accept the glass. “Thank you, Simon,” he says pleasantly. "Good lad."

“S’your party, sir. An’ you’re busy, ain’t you?” Ghost rests his hands on the back of the couch and studies the pair of you, dark eyes gleaming with pride. The man has the demeanour of a cat that’s brought in a helpless little bunny to his master, while it’s still alive and struggling.

“Gettin’ to know our pretty guest.” John smiles at you over the rim of his glass as he takes a sip. “She’s a sweet girl.”

“Isn’t she just?”

“Could I, um, sit over there?” you ask, glancing at the chair. Somehow John had managed to distract you from the idea of moving for a while, but you were still eager to get a little space from him, especially with Ghost looming over both of you.

“Of course, sweetheart,” John’s arm loosens, and you quickly get up and move to the chair.

You almost feel cold, without the heat that radiates off of his body. His attention feels weightier now too, or maybe it’s just that his body isn’t shielding the stares from Johnny, Gaz and Ghost, and you’re subjected to all four of them watching you, like you’re either fascinating or delicious (or both). You cross your arms over your chest and shrink into yourself as much as possible, eyes wide.

"Here's yer tea, hen. And may I just say, ye've go' a fantastic rack from this angle." Johnny hands you the mug and sits on the arm of the chair, leaning over you. "Weel. Ye've go' a nice rack from any angle. Nice arse too. Captain's lucky I like him so much, or I'd've gone for you myself."

You breathe in steam, wrinkling your nose slightly. It doesn't smell quite right. "Did you put something in this?"

"Aye. Finger of whiskey. Ye look all stiff and peaky still. Need a pick me up, don't ya?"

You look at him reproachfully. He sighs and plucks the tea from your hands and takes a big sip. "There's nothin' else in there, if that's what yer askin', ye suspicious wee daftie. A little whiskey ne'er hurt no one." He hands the mug back to you, smile crooked, doing his best to be charming, but he's too intense, too fervent, to be anything but unsettling.

“Got Johnny checkin’ everythin’ for poison, do you?” Ghost asks, chuckling. “Can’t say I blame you.” He nudges John with the back of his hand. “She’s smart, worth keepin’ an eye on that. Know’s ‘ow to ‘old ‘er tongue, but she’s listenin’ and payin’ attention.”

“Of course she is! Wouldna choose a lass withoot a brain in her head. Wouldna be worth the captain’s time. Weel, maybe worth a wee bit of time.” He winks down at you. “But no’ wife material, ye ken. Chose her because she’s delightful, no’ just ‘cause she’s bonnie.”

The few times you’d spoken to Johnny before you’d thought that he was so nice. Laughing and joking with you in the pick up line while you waited for the children you were respectively responsible, greeting his niece and nephew with big smiles. And Finn and Rory were always so excited to see him, you’d chalked him up as harmless. Clearly you hadn’t been paying enough attention then, too focused on the Kinsey kids and your job, maybe. You hadn’t noticed that he was appraising you like a piece of livestock, judging your value like you’d been put up to auction.

The whisky-fortified tea is a bit on the strong side, but you take a few sips anyway. Getting drunk would be unwise, but you’re so tense that your whole body is starting to ache, and that’s not doing you any good either.

“Dinner’s ready,” Gaz announces, untying his kiss the cook apron and setting it on the counter. “Hope you’re hungry. Soap made a cake earlier too.”

John raises an eyebrow. “You can bake?” he asks, surprised.

“Aye, picked it up while I was gettin’ rehabbed for the big fuck-off hole in my head,” he replies airily. “Was goin’ mental putterin’ around Kirsty’s waitin’ for the bairns to get out of school, so Ah picked it up. Isnae so hard. Just chemistry, aye?”

“He did make a big mess,” Gaz says. “Had to wash about fifty dishes before I could get started on dinner.”

“Everyone’s a fuckin’ critic,” Johnny complains. “See if I bake ye a cake for yer birthday, Garrick. Ye’ll be sorry then.”

“Oh no, how will I survive?” Gaz clutches his chest like he’s deeply wounded by the statement, laughing. “I have two mums, I’m still pretty much guaranteed a cake.”

“Always braggin’ abou’ that. Thinks he’s more evolved than the rest of us just because his da’s a woman.” He hovers next to you as you get up, and sticks close as you walk over to the table. You don’t choose a seat, in case there’s an order to things you’re not aware of.

“Pretty sure the whole point is that he dun’t ‘ave a dad,” Ghost says. “Now sit down, mutt. Yer not sittin’ next to the bird. You’re botherin’ ‘er.” He points at a chair, and Johnny sighs and slinks into it.

“Here, sweetheart,” John says, putting his big hand on your back to guide you the last few steps and directing you to a seat. He slides the chair in for you too, masquerading as a gentleman, and sits next to you.

Gaz settles in on your other side, all smiles. “Feeling better?”

They keep asking you how you are, as if the answer is going to change. Like all you need to adjust to the reality of being kidnapped and relocated to some stranger’s house in the country is a little time. Like you’re going to be just fine, if you just get a few more minutes to adjust. “Not really.”

"Ah, don't worry, doll. Captain's gonna be real good to you. You'll get there soon enough. Probably'll feel better once you've had a proper meal."

At least they don't try to make you talk much at the table. They fall into easy conversation between them, and let you eat roasted chicken and potatoes and carrots with some kind of sweet and mildly spicy glaze. Ghost pulls the mask down to eat, so you're able to watch when he goes slightly pink from what barely qualifies as spice. Gaz gives you a little side-long glance, and you almost laugh. There's some solidarity to be had, even in a situation like this one, something funny about how a little more spice could probably straight up kill the other three men at the table. Maybe that would be the key to you freedom: Murdering John by feeding him something full of chilies.

Admittedly, you do feel begrudgingly more charitable towards them after eating. You could maybe blame it on the tea too, which, against your better judgment, you do end up finishing.

John stops you from helping clean up when you stand automatically and try to stack Gaz's empty plate with your own. "No, sweetheart. C’mere." He guides you to the door and out into the chilly evening air. You wish that Ghost had let you put on a sweater over your summery dress, but he had been so keen to show you off, and you’d been too scared to insist. You curl your arms around yourself for warmth, and keep quiet, watching as John trims and lights a cigar, looking out into the darkness beyond the porch.

Fear has morphed from pressing terror to something that gnaws at you from the pit of your stomach. You could try to run for it, but you’d probably roll your ankle wearing the stupid red heels, and you have no real idea where you are, or how far you are from someone who could help you. Outrunning John would be a feat anyway. He’s older than you, but he’s in better shape, nearly perfect shape, broad and strong, that long military career not yet forgotten.

There’s a bench by the door, so you sit down to take the heels off. You’re not used to wearing them, it’s so rare that you have anywhere to go that calls for spicier footwear than your comfortable, worn in trainers.

“Here.” John slides his flannel shirt off and drapes it over your shoulders, and kneels down in front of you, cigar clamped in his mouth, pulling your heels off for you. Smoke curls around you for a moment, thin and blue in the scant light, before a breeze carries it away. He leans on his one leg and studies you, but he doesn’t stand. “You’re beautiful, you know that?”

You put your arms through the sleeves of the flannel, humming noncommittally. You know you’re pretty enough, by most standards, but you feel like his interest— And the interest of the other three— is disproportionate, too intense.

“I’d like you to stay a while, doll,” he continues. “I won’t force you, I’m not that kind of man, but I’d have a hard time letting you go back to living paycheck to paycheck in a bad nieghbourhood, workin’ for creeps that don’t know how to keep their hands to themselves. You deserve better than that.” It’s as though he doesn’t even hear his own words though, or imagines himself better, because he absently runs his hands over your calf, squeezing the tense muscle gently.

“I have to work,” you protest, biting back a moan. You didn’t need to encourage him, even if you weren’t quite brave enough (or willing) to stop him. “I have student loans, and I send money to my lola in Vigan. I can’t afford to just disappear off the face of the earth.”

He nods thoughtfully. “How much?”

"Three hundred pounds a month to Lola. I know it might not seem like a lot, but it goes a lot further there."

"And the student loans?"

"Sixteen thousand. Not that much, I worked through my degree, and I inherited a bit of money from my parents. But I still have to--"

"I'll pay for both. You'll stay until you find a good job, and a safer apartment." He says it like it's a final edict, no room for argument.

You pull your leg out of his grip, tucking both further back under the bench. "No, John, I don't want to owe you either--"

"You won't. My boys kidnapped you and disrupted your whole life. I'd pay a lot more if it keeps you from going to the police over it. Least I can do is make sure you're better off when you do leave here, hm?"

You bite your lip. Starting over with a clean slate is tempting, but you're not sure you can trust John. He seems so earnest, blue eyes clear and guileless, but he can't be much better than the other three. Unless he was just holding their leashes tight as their captain, and had to let them loose when he retired.

"Can I think about it?" you ask.

"Of course." He puts his hand on your knee to steady himself as he leans across to ash the cigar in the ashtray that sits on a little table next to the bench. "But I think you'll say yes. You're a smart girl, hm?"

You're tempted to say no, just to test weather or not he's being honest about not forcing you to stay, but there's a niggling worry in the back of your mind that the veneer of civility will evaporate if you push him on it. He's nice enough now. And maybe that niceness isn't a show, maybe he has no darker side, maybe it's all just paranoia on your part. Perhaps the worst thing about him is his predilection to protect his "boys", even though all three are clearly insane.

Military is like that, isn’t it? The whole brotherhood thing? Maybe fighting for your life beside someone changes how you see them forever.

“How long did you all serve together?” you ask. “Johnny mentioned that he was SAS before— I asked about the scar once.” You tap the side of your head, the same spot where Johnny has a nasty bullet scar.

“Long time. Hand-picked Gaz and Soap for my taskforce about ten years back. Simon and I served together longer. He’s a captain now, even if the lads still call him LT. They’re both lieutenants, and Gaz’ll be a captain himself before long. Probably would’ve been already if he’d transferred out of the 141.” He gets up with a grunt and settles onto the bench beside you. “Don’t think Simon’s long for it. He’s only still in because he wants to keep an eye on Soap. Man’s a bloody romantic. Live together or die together.”

“I didn’t realize that they were together at all.”

“The way Soap’s been droolin’ all over you, I’m not surprised.” He puffs on his cigar thoughtfully. “But Simon’s just like that, as far as I can tell. The world’s divided into three categories. Enemies, his people, and everyone else. Enemies ‘n’ everyone else can’t touch what’s his, but he’s never given a damn about Soap sleepin’ with Gaz, or me.”

“I’m not his people.”

John looks at you and shakes his head. “Course you are, doll. You’re one of our people now. They might’ve gotten a bit overzealous, bringing you here the way they did, but those lads would do anything you asked of ‘em now.”

A bit overzealous. You laugh, but the sound comes out bitter.

"Relax, doll. I know you're determined to hate them, but they're good lads. Their hearts are in the right place." He pets a big hand over your head and rests it on the back of your neck, warmth seeping into your bones, relieving some of the ache from all the tension of the day. John has a way of soothing that terrified little animal in your chest that would otherwise threaten to kick it’s way free from your ribs and flee into the dark trees. “Lookin’ out for me, in their own way. Lookin’ out for you too. If your situation was a better one, they wouldn’t’ve plucked you out of it like that.”

There’s hope in his eyes when you look up at him, hope that you’ll forgive and forget, that you’ll come around to some kind of understanding in time. His thumb brushes a sensitive spot behind your ear, sending an awful, irrefutable thrill through you.

You’re worried that he might be right.

My favourite John Price to write is the sneakiest, most charming, manipulative bastard on the planet. I definitely take a lot of inspiration from 391780 's portrayal of him. The Rear Window and Neighborly have been forefront in my mind while working on this (Largely because I think my John would have taken a similar approach if the lads hadn't jumped the gun. The Rear Window is dark, so be warned! Early writes delicious dark fics, but that may not be everyone's cup of tea, so mind the tags.)

Image Credits: Banner

Dividers: 1 - 2 - 3 by @/Cafekitsune

#Retirement Party #Chapter 2 baybeee #Doll is coming to terms with the weirdest situation she's ever been in #cod mw fanfiction #John Price x Reader #x reader #Some hints of Poly 141 (I think it'll crop up properly later on)#Gaz wearing his kiss the cook apron wondering why Doll's not kissing him ): (It's because you kidnapped her)#Johnny never change baby boy you're a dog and we love that about you

558 notes · View notes

ruporas · 2 years ago

Photo

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]