#This art is directed at me. It tells a story only i know

[medicalunprofessional]

wunderbar !

[candyheartedchy]

I wish I had the original drawing, but back in elementary school we would have these Dr Seuss weeks once a year were the whole school would do actives and projects based on the characters and books. And one year in the 4th or 5th grade (I can’t remember..) they had a drawing contest for our grade to draw ourselves hanging out with our favorite Dr Seuss character and I went with Thing One and Two because I figured everyone else was going to draw the Cat in the Hat (they were) and had an excuse to draw two characters because the Things came as a pair. So basically I ended up getting second place while this one kid got first place and basically traced the Cat in the Hat and didn’t even include herself in the drawing (because she couldn’t trace herself) so it’s like why did we even needed to draw ourselves with these characters if the person who won didn’t?

Anyways I just think it’s funny that here I am still drawing Dr Seuss characters years later and now publicly posting about them and even made my self insert the adopted mom of the Things.

[pisshandkerchief]

allow me to indulge my gay theatre nerd side for a moment. now if i'm being perfectly honest, i normally don't like jukebox musicals. they usually feel too forced to me and i prefer a musical that actually has songs, y'know, written specifically for it and isn't just trying to fit songs into a story they weren't made for. it just feels more creative to me. if i wanted to listen to preexisting songs, i'd just listen to them at home without the extra story. i don't need a musical for that. HOWEVER. if anyone wanted to write a jukebox musical using fall out boy or mcr songs i would eat that shit UP no questions asked. in fact if i had any talent i'd write one myself 

[ashofalltime]

i truly have no idea what to make my "art brand" other than Hot Boys With Thick Eyebrows :/

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[neil-gaiman]

hey Neil, I hope you are having a good day. There's this question that's been bothering me for years. I never knew who to ask, or how, and I was always sure it's only me who experiences these things. And then I looked back at my favorite book of yours -good omens- and I thought, of course! Neil! He's the perfect guy to ask! So here it is.

You wrote good omens with Terry Pratchett. You know that already, sorry. Here's the thing.

Whenever I work on things with people, no matter who they are, friends or colleagues or strangers, I always have a hard time collaborating. It's hard for me not to be in control of the project. I actually love the idea of making things with other people, and sometimes I have the best time doing it, but the minute they bring up an idea they have that I don't agree with or like- I have a hard time. I can never bring myself to say "sorry, i don't really like that idea", i hate hate hate saying no to people, or hurting their feelings, so I end up nodding politely and we end up with a finished project I dont like.

When you were writing good omens with Terry, how did you do it? How did you collaborate and make something so successful? Did you just never disagree with anything he came up with?

If you end up seeing this, thank you very much. This is a life- long problem of mine.

I suppose that both Terry and I knew that seeing that we were making art and telling a story, there wasn't any right or wrong about what we were making. It was art and it was fun. My only goal was to make Terry laugh, his goal was to make me laugh. With a subgoal of Get to the next Good Bit In The Plot Before The Other One did.

I don't remember any disagreements or arguments, any more than you see disagreements and arguments in people doing Improv comedy. We both knew the book we were writing, and each day we'd talk on the phone, the aim being to make the other one laugh. When we did that successfully we knew we were heading in the right direction.

One reason i suspect we never actually wrote the sequel after plotting it is that it would have been a job and not just fun.

It sounds like your collaborations aren't any fun. Better you should do solo stuff.

[butterfly-ribbon]

still in disbelief about how mizu5 genuinely captures the subtleties of transmisogyny so accurately like nothing else i've seen before especially with the nuances with which mizuki's story is told … all it takes is a single sentence, a few words … i love that the classmates saying that shit don't even … realize how cruel they are, bc that's how it /is/ and bc "oh no, we said something weird to a Normal Girl, that makes us look bad" - transmisogyny is just a punchline to a joke for them, that's how detached they are from their own cruelty and it's really not any different from the 'average' misogyny and how that tends to be a joke amongst boys. what ena ended up being exposed to is really just the classmates' 'boy's locker room talk' leaking out, so to speak? ena's probably heard jokes from people about how unfeminine her behavior is in the past and she quickly spits out "that's not funny" bc ena and mizuki are both "pretty girls" who like fashion and dolling themselves up, and hearing them talk about how mizuki's cute in this way … i'm sure it reminds her of her own experiences with being an 'influencer' - people like her when she shuts up and makes herself cute and appealing and ena must've absolutely received her fair share of comments and messages from weirdos for posting selfies of herself online, but i think what drives this home to me as such a fantastic narrative is the way that they call mizuki "attractive as long as she's not making any trouble and being a pain" bc it really speaks to how trans girls are objectified and only deemed 'acceptable' as long as they make themselves into limpless dolls who are acceptable targets for any form of abuse and misogyny instead of trying to claim their own subjectivity as women, so there's so much crossover in how mizuki's experiences work alongside ena's? but also mizuki faces so much more constant and direct criticism, all her actions and choices so closely under scrutiny.

mizuki loves and appreciates the attention of girls and when she first met ena she saw herself in the art that ena made - ena draws a girl in pain and mizuki goes "she's me". in the scene where mizuki gets outed, ena is speechless not bc she thinks mizuki is "gross" or bc she's mad mizuki "tricked" her? she's just horrified that she just got degendered /by association/ and then had to listen to these boys speak about the girl she's in love with in this /aggressively/ violent way, especially since mizuki has a meltdown, knowing, apologizing for hurting, even as ena would absolutely say "no, i'm sorry, im sorry, please don't hate vourself" bc mizuki feels like she's the one at fault for feeling like ena would assume the worst of her, but mizuki also feels like she doesn't have the right to be angry at people … this is the first time we get to see mizuki's rage and it's so palpable … i love so much that she hates the idea of niigo's kindness being born out of her 'abnormality' as a trans girl … she hates everything about this. she hates the idea of coming out, she hates the idea of having a question attached to her girlhood..

mizuki logically knows that niigo are going to accept her bc they've also gone through so much turmoil themselves and understand what it's like to be on the fringes of society, but she still can't shake off all those intrusive thoughts about how they might only accept her out of pity or consideration bc they feel too bad for her rather than a genuine understanding and the idea that things might change between them bc of that is too terrifying to embrace… such patronizing 'kindness' burns too much for mizuki to accept, so she'd rather run away and shut herself out completely… for mizuki it's like being stuck on a bridge where the only two ways out are ones where nothing changes and this hurts in its own way bc she can't tell how much of it would be genuine and how much would be an act and the other way is them /trying too hard/ to be considerate and this can easily become alienating bc mizuki truly just wants to be "one of the girls" in the most natural sense? she doesn't want to be made to feel like she's being accommodated, but there's also all the guilt that she's been internalizing for being "deceptive" and not saying the truth sooner that further complicates things and makes her feel like she's undeserving of any kindness that she may be offered… even though she genuinely was going to tell ena the truth herself, it doesn't matter anymore bc someone else told her before she even got the chance to do so herself and that's something she actually wished would happen in the past, so is there anyone to blame but herself? mizuki's entire thing is that until now she's been "writing" a fictionalized cis girl version of herself when she's with niigo and obscuring her own transness bc she doesn't want to be treated as an Other or have an asterisk attached to her girlhood bc she just wants to be treated as one of them instead of having to explain herself or prove anything but she has her facade violently stripped away from her in the most traumatic way imaginable and now she's entrapped within dysphoria induced suicidal ideation...

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[coriphallus]

DA: The Veilguard Spoiler review pt2 - The Grime

this is a hard one to tackle without strawmaning anyone because itll be a direct response to alot of defense ive seen for the games morality system so ill just start by saying, iykyk

never a genre has been better equipped to discuss ethics than the interactive medium of games and yes, bioware games have been doing it since baldurs gate and no, theyve not always been 'centrist' and 'conservative'. im not even gonna entertain that idea. do you remember the cultural landscape DA:O released to? the landscape it was developed in? dont give me that just because zevran doesnt write in his little notes -that you can conveniently read- 'gay good. not me but me bisexual'

Thedas is a flawed world and its a world thats just as desperate to hang on to its status quo as our own. every time you play an elf thats thriving, or a human thats queer, or a mage thats not institutionalised you exist in a world that doesnt want you, it is an act of defiance that you do.

im sure we can all see why these games were so popular with the audience they can only weakly try to pander to today.

derailing time again; so one of my favourite paintings of all time is saturn devouring his son. it makes me feel so uncomfortable that it gave me nightmares as a child, and i still cant look at it without feeling this knot in my throat. i hate it. i hate how it makes me feel, how that man looks at me in terror like its begging me for help while cannibalising another. weird story but i was bewitched by that painting as a little kid.

it is not a well drawn painting, the proportions are all over the place, brush strokes crude and inelegant. it doesnt even have a deeper story nor was it intended for an audience. i will never know what goya thought of when drawing it.

i thought alot about that painting later in my life when i was struggling with mental health problems, i thought about goya alot too as an adult and after learning about his life. i stared at his paintings and remembered when i told my dad that i hated [saturns] big eyes and hed jokingly said "it would be scarier if he didnt have eyes"

i know what the drawing looks like now, nearly everyone with a little access to the internet does. if somebody removed saturn from it, we'd still be left with a brutalised headless carcass of a man in a canvas too big for itself. if we removed that too all we'd be left with would be void.

i dont want to live in a world where all i know of goya is his rococo work, i dont want to stare at the painting of a void knowing what filled it before. i hated every second of germinale but i never wanted it to be anything other than itself, the story it tells could never hold credence otherwise.

DAV has done its best to paint over it, but its still on the old canvas and i cant look away from the negative space its left, i know whats under it and it unsettles me, infuriates me. it hands me a palette with baby blues and pinks and tells me to paint over it to make a prettier painting. didnt i hate the eyes? wasnt it gross before?

i am not going to write why we need some grime in art, but its absence is disheartening. and to those who say hanged people in the streets or blighted villagers is dark and mature ill say no. its a kids idea of maturity, its the aesthetic of it with no substance. it means nothing to me if rook can just drench themselves in gallons of blight as they crawl through it. the horror of blight has never been the black goo and slimy tentacles, or the monster woman with way too many tits. it is watching people you love slowly fade away, it is a woman who was forced to cannibalise the contaminated flesh of her friends because the woman she loved betrayed her, it was the sheer scale and inevitability of it.

one area we go to is overrun by it and the game begs me to feel hopeful that flowers are growing again when it never let me lose hope. people have already prevailed, they have roofs over their heads and a steady supply of food on their tables. their spirit is unwavering.

its bad, everybody says. the sky is grey and soil is blackened, as my rook turns some statues to access a haunted house whos inhabitants are long gone and the only story they could ever tell is gone with them.

if the question is do i want to see famine? plague? misery? abuse? assault? the answer is yes. yes. i want to see it all of the filth. i rather face the fucking monster head on with its big bulging eyes and misshapen limbs than stare at the abyss its absence leaves on the canvas.

and if nothing else, this bastardization is disrespectful to the people who gave the IP its fame.

Why choose to be good?

back in the bsn days ive wondered why, even in a fictional universe where your choices have no real-life repercussions what-so-ever, players had more 'good' playthroughts than 'bad'?

what happens when you start killing NPCs, when youre needlessly mean to them? the game actively closes off its own content. you get less out of the game. just as, completely incidentally, you'd get less out of your life if you just started killing everyone around you. The world would be emptier, youd be alone.

in that quote i stole from good place chidi doesnt ask "why be good?" the wording is painfully deliberate. doing good is always a choice, and often not the easy one. what makes the act matter is that you chose to do it, even when given 6 other options not to. did i stop in the middle of an important quest to help a man retrieve an heirloom from a darkspawn infested hut? did i hear what that heirloom meant to him?

i cant stop thinking about that speech ever since playing this game after knowing its predecessors.

So, why do it then? Why choose to be good, every day, if there is no guaranteed reward we can count on, now or in the afterlife? I argue that we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.

i cant stop looking at this game that spits on its own legacy and think how could they have missed what fundamentally makes us human so bad, what makes us relate and empathise with eachother. what makes us pick the option to interact with an npc who openly hates what hawke is, and allow us to see the traumatised man underneath.

these characters of fiction are written by real people. i have absolutely nothing in common with a guy from canada yet for a brief moment in time i feel a sense of camaraderie as ive felt with goya that i couldnt articulate as a kid.

Nothing too terrible

DAV says it over and over again -as its wont to do with every piece of its flimsy morality- that people can change, people can be redeemed yet it shines as the game with most static characters in its franchise. it simply says things, and since it has nothing to show for it it makes sure to say it repeatedly, in case you missed it.

so when i first played DAO i was in high school, i started with a human noble because fresh out of dark side edgy kotor fame i wanted to be a posh brat. also because, ya kno, we were poor my entire life up until that point and i wanted to have power.

i committed to it, even as the game stripped cousland of everything he had, because i thought a man like him would. i picked the racist options, the sexist options, the options a man in couslands place would. halfway point of the game as i exhausted the initial dialogues something happened; this man who got paid to kill people, who showed no remorse nor care for his victims, begged my cousland to stil his blade.

and i did. i thought maybe he would be as confused as i was, maybe he had a moment of clarity but from thereon bit by bit he was less of an asshole. the characters grew around me, and my character grew around them. i chose to be good because -textually- we were in this together, at the end of all things.

rook is not a character, theyre a mascot. and quite frankly i think they may be a very evangelical mascot because they remind me of evangelical preachings of jesus more than the man from the bible (and i say this as someone whos only exposure to christianity has been through foreign media and the bible ive read that one time). they are the epitome of do no evil and their existence hinges on the frail concept of moral purity. theyre not a person trying to do good, who wants to be good, they are 'good'

-and lemme tell you its a wild choice to have someone like that locked in a prison of 'regret'-

rook can be mean to only one person in the game, and thats someone they dont even have a personal beef with for the most part. but even then they would be shouting at a wall because the game doesnt only undermine them with its narrative, but also every npc in the game suddenly gets possessed by the ghost of wattpad rejects past for a moment to tell them everyone can be redeemed. and i believe it because i played the other games, i believe it because i know zevran and sten and morrigan, isabela and thom and iron bull and dorian. i know it because i can see the vague shapes behind the new coat of paint but i am not rook.

so no, the game fails to get people-can-change points by its own merit, and it cannot gain points from its prequels because it destroyed them. none of those characters i watched grow exist in this universe. zevran cant exist with DAV crows, fenris` story cant exist in an imperium with invisible slaves only glimpsed through empty cages and broken chains left scattered on the ground. i dont know which morrigan this NPC is, is it the woman who grew to learn kindness, who begged to sleep with her friend just to save them despite knowing it would play into the plans of a destiny she so desperately tried to break free from? or is she the clever puppet her mother groomed her to be who wanted to harness the power of a god? i dont know her, i dont know this dorian or this isabela beyond their names ipso facto this is not a sequel.

bellara asks an assassin why he is trying to save the world and his answer is "ive done some things in the past im not too proud of. nothing too terrible, but some of it was bad." and i can hear the games desperation for me to not engage with its material in that 'nothing too terrible'

lucanis never killed anyone innocent, taash never harmed an animal they could shoo of or reason with, emmrich venerates the dead and is friends with every wisp he pulls to use in menial labour, davrin joined the wardens willingly because he wanted to do good...

rook tells harding that her anger is justified when shes not even allowed anger of her own.

nothing too terrible.

aside from creating boring and nonsensical and static characters it creates a dreadful echochamber that we're forced to sustain. No taash is not valid, their gender is but their behaviour is not and for the character to grow and mature it needs to be addressed. lucanis doesnt need to be pampered in shock blankets he needs to see how repressing his problems and jeopardising his health puts people around him in danger etc etc. they are adults and they need to learn more complex ways of healing. and if rooks flaw is that theyre an enabler, then that needs to be acknowledged by the narrative in some way too, and not mindlessly endorsed because they say some buzzwords.

none of these interpersonal relationships feels real because none of these people feel real beyond some draft of themes and tropes. some interactions literally remind me of two bots in facebook comments

i look at this dialogue wheel with familiar symbols and all im reminded of is hawke telling carver he carries every death with him, of him telling his uncle that he wasnt fast enough, of him begging the person he loves to tell him that his mothers death wasnt his fault.

and they dont. they just sit there with him.

[needfantasticstories]

“Many places I have been

Many sorrows I have seen

But I don't regret

Nor will I forget

All who took that road with me”

-The Last Goodbye by Billy Boyd

This is an Adjuration by @not-freyja, after 86 chapters, 300k words, and 10 months of joy, laughter, tears, heartbreak and love, has finally reached its end. 

Adjuration is a tragedy that is nothing short of an act of love. That much is clear in the passion and dedication put towards the story, the characters, and the message Freyja is trying to convey. This fic will teach you about love. About death. About the inevitability of existence and why despite knowing it will all come to an end, there is still meaning in trying and hoping and loving each other. In loving yourself. You will laugh, you will cry, you will hope and you will despair as you read this story, but you will not be able to put it down.

It’s hard to say goodbye to something that has been so important to and loved by so many people. So we won’t. Instead, we will say thank you for this incredible journey and the community this fic has built. For the friendships that have been made and the endless inspiration you have given us. Thank you for wanting to tell a story, and for letting us join you around the campfire to listen.

Thank you.

(If you like Linked Universe and haven’t yet read Adjuration, see below for spoiler free reviews of this fic and artist credits.)

This is an Adjuration is the kind of story you fall in love with, the kind of story you think keep thinking about long after you put it down. The kind you keep finding hidden details in after you think you’ve got it figured out. 

The characters are distinct and people with their own voices, motivations, relationships and histories. You’ll have your favourites but love them all. They influence how you’ll see the characters in everything else. 

It’s full of moments where everything clicks and everything before is recontextualised in a way that’s so satisfying and make the whole story very re-readable. A time travel story where all loops are already closed, where you can know but not yet understand what will happen. It’s long, complex, and beautifully, meticulously planned and detailed. It’s clever and considered, funny and heartbreaking. 

A story that whispers ‘it matters’ over and over. It is worth it to love, it is worth it if it doesn’t last forever, it is worth it to give someone a little more time, it is worth it to fight. It’s about loving others and your world and finding grace for yourself. 

It’s loss and tragedy and the cruelness of fate. It is the sacrifice and the breaking. 

Full of heart to both fill yours and break it in the best possible way. 

It’s about love. Always.

By @toyouhellohowareyou

Sometimes, it’s hard to explain to others why art moves us.

I could tell you This is an Adjuration will make you cry, laugh, and sit at the edge of your seat in anticipation. And it’s probably true - I did all of that as I read, often with a coffee in one hand, early in the morning as I got ready for the day. 

But that’s not the reason why I’m writing this.

The real reason is how it followed me during the rest of the day.

You see, at a certain point I realized this isn’t a story about Links going on adventures. Well, it does feature Links, and they do go on adventures, so let’s talk about that for a minute.

The first thing that caught my attention about this book was the characters. Each individual is unique, interesting, and exciting to follow. Not only are the Links individually compelling, but one thing that stands out in Adjuration is how the relationship between each Hero and their own worlds matter, and these connections shift, evolve, break and grow as the plot progresses.

Freyja does an incredible job of bringing together impactful storytelling with humor and heart. This is an Adjuration starts with an interesting premise, and then twists and turns in directions you wouldn’t expect. It’s rich in thought-provoking moments, soft joy and intense action, blended in with carefully crafted time travel and magic.

Adjuration sucked me into the world it builds, combining believable characters with fascinating stories, an unnervingly devious antagonist, plot twists, and lovingly crafted details that slip unnoticed until you’re surrounded on all sides. It made me cheer for characters I feel as if I’ve known intimately for years, made me worry for their safety as I would for that of a loved one, kept me hunting for hints and hidden references, pulling on a thread to try to find the end only for it to twist and loop into itself and show me a completely new side to the story.

Yes, This is an Adjuration is a fanfiction piece that explores the winding river flow of the Legend of Zelda timeline and how the stories of each Hero merge into each other. It also stands out for its heavy emotional content, and it doesn’t shy away from angst and hurt.

But to me, Adjuration is an epic journey that taught me how the choices we make, make us in turn. It’s a tragedy that deals with pain and healing, and it bares naked the non-linear nature of grief. It’s a celebration of the things that make us unique, of our flaws, an essay of the impact of little acts of love. Indeed, it’s a story about love.

I can tell you now, This is an Adjuration moved me. It still does. It has a special way to surface in my mind in unexpected ways at seemingly random times, from something as simple as tossing an apple core, to watching a lightning storm in the distance, or finding a picture of an old friend.

And every time, without fail, it makes me think about love.

By @sunny-porridge

This is an Adjuration is a wonderfully and beautifully crafted story about love, loss, and choice as the various incarnations of Link come together and travel through time. Freyja seamlessly weaves a tapestry of setup and payoff across different timelines and loops, in the best-constructed time travel plot I’ve ever seen on page or screen. Even at its surface, Adjuration is an emotional rollercoaster involving tragedy and the soft moments that make that tragedy worth it. But the deeper you look, the more meaning you can pull from every chapter of this amazing work. This work has made me cry, squeal with delight, and think more deeply about its themes all while having an absolute blast reading it. So in summary: READ IT. READ IT. READ IT NOW. YOU WILL NOT REGRET IT.

By @life-in-winter

While I love that every chapter is emotionally enthralling, with carefully woven, visceral tension you crave in any good story, yet Adjuration is more than that, and you feel it in the careful weave of each character and plot point. Nothing is lost or unanswered. It's the kind of story that, by the end, makes you stop and take a hard look at your own life. Are you appreciating the now? Are you savoring joy? Are you so wrapped up in fear that you can hardly take care of yourself? Do you know who you are?

This story is more like an external experience. It's riding atop a tsunami. How do you handle that ride, Link?

There aren't enough words to describe how amazing this fic is.

@needfantasticstories

Artist credit

Legend: @gia-d

Hyrule: @bittirsweeteer

Time: @toonblade

Sky: @noorahqar

Warriors: @whitewinterstar

Wild: @weavingstarlight

Twilight: @bluury2

Wind: @thewitchdoctor39

Four: @lunaopus

Red: @peepthatbish

Blue: @glowingmin

Green: @winterfen

Vio: @waterfallstream

Shadow: @deleetrix

Wolfie: @linkiscool333

Fierce Deity: @awildsilver

Ravio: @lele5429

Malon: @tooner-tastic

Dink: @passerinesoncaffeine

[m3l0nfl0at]

Hi, I just wanted to say I enjoy reading ur Kuroo’s stories, the way u portray him is so accurate and y/n is very relatable. I don’t know if u take requests but here’s an idea, what if y/n’s sister has a kid and Kuroo and y/n is babysitting.

And after they finished babysitting they’re having a late night pillow talk about their future domestic life.

juno - t. kuroo

kuroo x f! reader ; fluff, angst, hurt/comfort, no y/n used, reader has a niece, playful teasing, kuroo gets suggestive for like a second but nothing major, future hints for just say yes! timeline, 3.3k words

summary ; your sister asks kuroo and you to babysit your niece for the night, which leads to you thinking about the future of your relationship

melons recommended melody ; may you never forget me - temachii

links ; just say yes masterlist and taglist request

Answering your sister’s call was the last thing you expected to do today. Only for her to explain that she wanted you to babysit for a couple of hours. It’s not like you’re not good with children, it's just more that you’re not really the playful type. In what other children at your age had lacked in education, you lacked in imagination. Every time your niece wanted to play you felt guilty for not playing along. Yet for some odd reason your niece loved you? Every time you saw her at your sister’s house she always came running to you like some magnet. However, you hadn’t introduced her to Kuroo just yet. Due to him feeling “an enormous pressure” with you being her favorite and something along the lines of he can’t take your place. You always laughed at his snarky comments like sure, he could take your place as the favorite relative? Yeah right.

“Can I come with you?”, you look over at Kuroo questioningly. You both give each other a blank stare, you confused and Kuroo thinking you didn’t hear him. “Yeah, I thought you were coming with me this whole time?” Kuroo nods unaware that he made that decision. You wave him off, remembering him making a remark yesterday about he’s going to replace you and be the best relative. Kuroo slides right next to you on the couch, kissing your cheek before laying his head on your lap. “I’m kind of scared, your niece seems to effortlessly love you. I think I might have to bribe her to take your spot.” You laugh at him wanting to bribe your niece, truly a conman aura. You start playing with his hair, “Well my niece loves anything I love, so I’m sure she’ll love you too.”

Upon arrival at your sister’s, Kuroo's nerves never once faltered; he knows you talk highly of your niece. What’ll happen if he doesn’t impress her or even worse makes her cry on instinct? Will you break up with him? Realize he’s terrible with kids and then break up with him? Glancing over to Kuroo in the passenger’s seat you see him fiddling with his fingers, a habit he picked up from you. Knowing the feeling all too well you grab his hands, “No need to be nervous we’re just watching my niece. Don’t worry, she’s really well behaved and super smart for her age.” Kuroo nods knowing if anything happens you were right beside him, you laugh. “And you really thought you were going to replace me looking like a nervous wreck? You have a lot to learn my love.”, kissing his cheek as you hop out the car.

Knocking on your sister's door, hearing footsteps and her animals patter beyond the door. Her husband opens the door greeting you and Kuroo before you hear your niece’s footsteps running down the hallway. You bend down as your niece greets you in a big hug, “There she is! Did you miss me?” Kuroo’s heart clenches at the sight of you with your niece. “I have so much to show you and tell you! I got student of the month and I also did this art of me and-“ your niece glances behind you. “Um, who’s that?”, you laugh looking back at Kuroo nodding in his direction letting him know to introduce himself. “I’m Kuroo, I’m your aunt's boyfriend.”, he extended his hand out so she could shake it. She slowly takes steps to him before grabbing his finger and shaking his hand suspiciously.

“Auntie, can he play with us?”, you tap your finger against your chin. Kuroo coughs, interrupting your thoughts, “I guess so.”, you both stick your tongues out at each other. “Alright sis, the dog and cat are fed so just keep an eye on them. Don’t give them any more treats please!”, she glared at you knowing you often bribed them. “As for her, bedtime is at 9:00 since it’s the weekend.”, your niece huffs as you ruffle her hair. “We’ll be back in a couple of hours, thank you both for agreeing to watch the house.”, you nod as you walk your sister to her front door, locking it for safety. Turning around to see Kuroo and your niece staring at each other, you could just feel the awkwardness in the air. “Ok you two, what do you want to do first?” Kuroo looks at your niece shrugging. “Let’s go play in my room!”, you grab Kuroo shaking the nerves out of his shoulders as you follow your niece to her room.

Walking to your nieces room you feel yourself deflate, you hate playing pretend. How could you possibly be so bad at something that wasn’t even real? Your niece grabs multiple character toys before handing some to Kuroo and to you. As she tells you the narrative for her pretend play you look over at Kuroo, seeing him listening intently even wanting to add some plot points. You smile, for someone who was a nervous wreck a couple of minutes ago, he suited this role nicely. Kuroo was always so attentive and patient you knew he would get along nicely with your niece. “Auntie! Are you listening? Stop looking at your boyfriend.”, Kuroo laughs as you look away guiltily, apologizing.

“Ok, now that you’re focused auntie! You’ll be the fairy cat, while Roo is the DJ cat, and I'll be Gabriella, the human.” Kuroo looks at the toy your niece handed you, poking at its feet, giggling. Halfway through playing you decide you were going to excuse yourself to the bathroom. It wasn’t till your niece heard the door click that she put down her toys and looked at Kuroo. “Roo, I think auntie doesn’t really like playing pretend but you’re really good at it.”, Kuroo smiles before he decides to backtrack. “Why do you think that is?”, your niece pulls him closer before whispering in his ear. “She says it’s a secret but I think she just doesn’t know how to pretend.”, she pulls away from Kuroo’s ear before grabbing her toy once again. “But she tries, that’s why she’s my favorite.”, Kuroo takes a mental note to ask you what the secret is later. Ruffling your niece’s hair, “Well thank you for trusting me enough to tell me that.”. She giggles at Kuroo and continues to play pretend with him.

As you go in the bathroom you feel yourself relax, hearing your niece giggling felt somewhat rewarding. Knowing she finally had someone interesting enough to play with was a relief. You knew she would get attached to Kuroo, I mean he often worked with children due to his job. Feeling appreciative for him, you decide to take this time to update your sister on how everything is going so far. Opening the door to go take a picture of the fur babies but instead are met with the sight of Kuroo dramatically playing with your niece. Snapping a picture of that instead, making sure to make it your lock screen when you have time. Watching them from afar, thinking of how your future with Kuroo might look. Taking a moment to imagine a mini combination of you and him walking around your apartment. Thinking of moments like Kuroo holding a baby, Kuroo teaching your kid volleyball, or watching him play with your child from afar. You feel yourself fall deep into the comfort of the moment, just watching how amazing your partner was and continues to be.

Slowly walking away forgetting the task at hand, you softly head downstairs. Kuroo turns around to find your back turned to him and all he can think of is that he hopes you're okay. Snapping back into the moment with your niece as he hears you continuing to head downstairs. You find your sister's black cat laying in its cat tower, giving it strokes on its back. Looking around to find her pet beagle, only to find it also resting in its pet bed. Sending pictures and a text to her, reassuring her to continue having fun because everything was going swiftly. Walking around her house you see a picture of your sister and you as children in her hallway, you falter seeing your parents behind you in the picture. You touch the frame baffled how long ago this picture was from, thinking back to the day. Your parents were fighting but your sister paid them no mind, she was always such an independent thinker. You remember her telling you that they were just dumb adults and to only focus on her and taking a beautiful picture. To end up so different from her, you wonder what went wrong, why you were so…different?

“Auntie! Kuroo says you make the best smoothies! Can you make me one?” You and the pets are disturbed by your niece's booming voice traveling through the house. “Oh did he? You know what since he said that he has to help me make it now!”. Kuroo keeps a pace behind your niece while you stand in front of the staircase, for safety reasons. You peck Kuroo on the cheek, “Which smoothie are you talking about? You’re the one who usually makes me smoothies, handsome.”. Kuroo hugs you from behind as you start looking through the cabinet for a blender. “I’m talking about the chocolate banana one you make for me, when I want a sweet treat.”, you nod remembering that one time you made it for him when he got home from work. To be fair though, chocolate made anything taste good but hearing Kuroo brag about it as if it was the first smoothie he ever had in his life, made your heart beat ten times faster.

“Ok lovie, I’m going to look for the ingredients but when I say cover your ears-”, you demonstrate. Even though she knows how to do an action so simple, you don’t want her to feel alone. “Make sure you cover them because the noise is really loud, okay?”, she flashes you a thumbs up heading to sit down at the table. Kuroo pulls out a chair for her, leaning on the counter top so he can monitor you both at the same time. Your niece gets up to look at all the artwork displayed on the fridge, looking for a specific piece. “Here it is! Look auntie! This is the one I did in class, it’s us!” You stop chopping for a second to look at the artwork she’s showing, bending down to her eye level. “This is such a well drawn picture, lovie. I see you drew my hair nice and pretty!” pointing to the picture, letting her know you understood it. “Oh! You even added little cat ears to us like your toys! I love it, can I take it home with me?” She nods as you give her a hug. Kuroo smiles to himself so hard it hurts, you were so easy to love it was effortless. From your kind personality to your adoring smile, he would never doubt his ability to love you.

You hand the drawing to Kuroo so he could place it by your phone, remembering to take the drawing home with you guys. Kuroo drags your niece to the living room, asking her if she wanted to watch anything as you finished chopping the remaining smoothie ingredients. “Ok lovie, cover your ears!”, you watch your niece cover her ears but unexpectedly you see Kuroo covers his as well. As you start blending, you watch Kuroo get up and place his elbows over your ears. Laughing at how considerate and ridiculous your boyfriend was. Flashing a thumbs up to signify that you finished up blending, Kuroo let’s go setting up three glasses. “Ok lovie, order up!”, your niece comes running to get her smoothie. “Wow, so good! Roo was right, it's delicious!”, you smile looking at the clock seeing it was almost time to put her to bed. “Thirty minutes till someone has to go to bed!”, you pinch her cheek before giving it a quick kiss. “No fair! I felt like I spent no time with you!” you look down sadly, seeing her pout. “Well, I can read you a bedtime story and we can do your night time routine together! Just you and I, no stinky Roo there.” she laughs as Kuroo rolls his eyes.

Making sure to do her whole routine with her as she talked about various topics to the episodes she watched to the things she learned in school. As she’s talking you start to comb her hair, braiding it. You see her in the mirror yawning as you tie off her braid. You help her dust the bed before tucking her in. “Auntie, can you read me something with Roo?” you stop before kissing her head. Nodding, going to go call Kuroo, “My love, I think you’ve officially taken my spot…”, Kuroo grins pulling you into a side hug. “Welp, I told you this would happen. Nothing lasts forever baby, let’s go.”, you tell Kuroo to go ahead while you pick her favorite book. Entering the room hoping you chose correctly. “I know I haven’t read to you in a while lovie, I hope this is still your favorite.”, you pull out the book behind your back. She nods excitedly, “Well it’s my favorite when you read it to me.”. You start getting embarrassed realizing why she liked this book so much, hiding behind the book. “Roo, auntie reads this book the best she does these voices and makes the sound effects and everything!”, Kuroo looks over at you grinning. “Oh does she now? Well I can’t wait to hear it. I’ll hold the book while you read babe.”

You cough, clearing your throat while you shakily read the title. “Auntie, you’re not doing the voice…”, she pouts. Kuroo looks at you seeing how embarrassed you are, “No need to be embarrassed auntie! Please Roo needs to see how awesome of a storyteller you are!” Deciding to put your pride aside you start reading with the voice, hearing Kuroo chuckle at how bizarre you sound. Making sound effects and all, Kuroo thought you were incredibly dorky in an affectionate way. As you finished reading, you saw your niece slowly starting to drift off to sleep, telling her softly goodnight. Lighting up the room with her night lights before exiting her room, shutting the door. As one door closes another one opens, “We’re back! Sorry for coming a bit earlier than expected, we were tuckered out.”. You wave your hands, telling her that it was no problem. You bid each other a goodbye before getting in your car heading home.

Getting home you immediately feel exhaustion take over you, changing clothes and getting ready to sleep. Coming out of the bathroom you see Kuroo dusting the bed, getting ready as well. He meets you halfway before lifting up his hand, expecting a high-five from you. You laugh as your hands meet, “We’re the best relatives ever!”. He grabs you, pulling you into a hug, laughing at his exclamation. Shaking your head and going to lay down on your side, “Tetsu can I be honest with you?”. Kuroo bobs his head, “How bad did I give you the ick while reading that book?”, he laughs and you suddenly feel the urge to crawl in a hole. “I KNEW IT!”, you hid under the covers not wanting to see any sign of life. Kuroo lightly pulls the covers down, “You didn’t give me the ick per say. More like ���I got with a major dork.” but I knew you were a dork when we met so I wasn’t too phased.” He kisses your head before pulling you into a cuddle, “You know I think because you’re such a dork that’s why your niece favors you so much.”. Your fingers dance around his chest feeling guilty about getting so much love from your niece. “You know, till this day I really don’t know why I’m her favorite. I can’t even play pretend correctly.”, Kuroo remembers what your niece told him earlier that night. “You know your niece said you had a secret. Care to tell me what it is…?” you look up at him, raising a brow. Trying to think deeply about what secret you told her, only to reach a blank. “Tell me more about this said secret Tetsu?”, Kuroo starts petting your hair.

“She said you had a secret about why you don’t like playing pretend with her.”, you sigh, shaking your head. “I used the word “secret” as an excuse not to dump my trauma onto her.”, still Kuroo starts nudging you hoping you would take the hint to open up. “My parents didn’t really allow me to be a “kid” so I don’t really know how to pretend. I just get a little insecure about it, I mean how does one not know how to play pretend? It’s not even real!”, you laugh at how frivolous it all sounds. Kuroo takes in what you’re saying thinking about your… strange parents. Feeling sympathetic towards you, knowing his parents allowed him some sort of kid-like innocence. Even though his parents had a rocky relationship they never included him, allowing him to focus on friendship and sports. “You can play pretend, that is how we got together in the first place baby.”, you bump his chest playful. “That was a life or death situation, not the same.” You both laugh remembering how you both were so entranced on selling yourself as a couple, years ago. “Don’t think too hard, loving someone like you isn’t complicated. You’re a very caring and nurturing person. Everyone is attracted to a beautiful soul like yours, especially me.”, you roll your eyes.

“You know Tetsu spending today with my niece made me think about us… about having…” Kuroo’s heart stops with each break you take, are you about to say what he thinks you’re going to say? “About having a possible child together someday?” Kuroo felt his heart burst out of his chest, seeing you with your niece being a dork but being oh so kind, he couldn’t help but think of you being a mother. A mini version of each other walking around? Get him a defibrillator, stat. “I mean I know we haven’t gotten married yet and maybe it’s too soon to have children but having a child would be something to start thinking about.” hearing Kuroo’s heartbeat increase as you continue talking. “If it’s a boy, it’ll have your crazy hair or if it’s a girl it’ll have my nose, it makes me think how badly I want that. With you.” You look up to see Kuroo’s face blank, you laugh thinking you’ve broken him. “I know that I don’t come from the best family but I want to be able to give my child an opportunity that I didn’t have, a loving family.”, Kuroo pulls you into a bone crushing hug feeling your sentiment deeper than you could ever know. A loving family, you and him together creating another beautiful life, what more could he ask for? He settles into your shoulder, speech coming out muffled. “You’d be the greatest mother. Seeing you with your niece, I’d never doubt your motherly abilities. You love people so seamlessly and that’s exactly what a child needs.”, you tear up in his arms feeling a sense of peace wash over you. The man you loved, who grew with you these past few years, never once doubted your ability to be a mother.

“So, when do we get started?” you laugh. “No way! You have to marry me first Tetsu.”, Kuroo lifts his eyebrows. “That’s manageable. Expect it soon, always be ready!”, he pecks your lips before you both fall asleep. Kuroo knew he had the ring stashed away in his closet dresser beneath the million novelty ties you got for him each holiday. Truth be told he got that ring after your first official month living together. Living together showed him that he didn’t want to do this life with anyone else but you. This one joke between you was sooner than you think.

divider credit to @/vase-of-lilies, @/bunnysrph, and @/thecutestgrotto

˚ ༘ ೀ⋆｡˚ melon's marginalia: tysm anon for requesting! i try to portray kuroo as accurate as possible so tysm for the reassuring words! i hope all my readers find comfort in my kind of weird girl character because we all deserve some kind of rep. request for just say yes time line are open please consider requesting just like this lovely anon!

taglist: @0tsukie

@m3l0nfl0at on tumblr. All Rights Reserved. Do not steal, copy, or translate any of my works.

[lov3-lik3-ghosts]

If I could slip in a request! This is rotting my brain-like I can't get the Mother Knows Best song out of my head.

So Emmett finds his mate but her mother's much like Mother Gothel(from Rapunzel or "Papunzel" as the little one I nanny says). Very controlling and tries to keep her from believing that Emmett is actually interested in her, trying to make her believe she made it all up in her head but Emmett's not having ANY of that!

Please and thank you! <3

Mother Knows Best, Unless She Doesn’t

Pairing: Emmett Cullen x fem!reader.

Warnings: Not beta nor proofread. Insinuations of sexual intentions. Use of an insensitive joke.

Format: Drabble.

Word Count: 770

Note: Hi, sweetheart! I’m so sorry this took me so long, life has been really catching up to me. I hope this turned out how you were hoping. The little one sounds absolutely adorable! @twilightlover2007

| mother m-list

Emmett’s hand smooths over your hair with a tenderness unfamiliar to you. His marble skin is ice against the tear stricken heat of cheek, rest against the bare muscle of his chest beneath you.

Your tongue is heavy in your mouth, thick with the confession your mate just pulled free from you. There’s a suffocating silence radiating your proximity, broken only by the scratch of his fingers against your scalp and your steadying breaths.

Emmett’s quiet is all consuming in the way it opens your mind to your mothers taunts.

“You really think a boy like him is interested in anything but what you can give him?” She croons, cradling your cheeks between her cupped palms. There’s something in the way that she thumbs your cheek that makes you flinch.

“Emmett’s different.” You defend, glaring down your nose at her feet.

Her grip tightens around you. “Different?” She scoffs, mocking. “They all want the same thing, sweetheart, and it’s not your heart.”

There’s a moment you believe her, mind rampant with all the times her warnings came backed with half-truths made to keep you safe. But Emmett streaks through your thoughts like a live art piece, wild and free and imprinting so deeply into your soul that he marrs the very essence of all you are and all you’ve ever been.

“You don’t know anything of what he wants.” You snarl, lip curled into a sneer.

Her hand drops as quickly as her face does. A cloud of dark dilutes her eyes, once too sweet now unforgiving. “Oh?” She asks, rhetorical. “Is that how it is?”

You can only swallow.

“Fine. When he breaks your heart don’t come crawling back home to me, simpering for attention.” Her voice is as rough as her gaze. “I’m sure because you’re so in love he won’t mind you living with him.”

When. Not if.

“Trust me,” Your lower lip betrays your squared shoulders, trembling in a fashion not unsimilar to your heart. “I won’t.”

You’d shown at his home in as much a disarray as you felt. Overflowing bag rucked over your shoulder, cheeks wet and flushed and your nose running. He was the only one home aside from Esme, who left your side with a reluctant glance in Emmett’s direction, and you were led to his room without question.

The story fell from your lips through wet blubbers and soft sniffles that calmed only when he’d pulled his shirt over his head and forced you against his chest.

His lack of words is stark from his ever running mouth and the worry gnaws that your mother was right. That now was when he’d give up the ruse and tell you you weren’t enough, weren’t giving him the one thing he wanted.

The tingle of his skin against yours wages you free, sparking only through the lack of your completed mating. Emmett wants you for much more than physicality, proven by the brush of his large palm down your spine. By the grin he bears when he hands you the lunches he made, by the flowers he planted you out by your favourite tress of trees, by the pillow beside his head, cased in your favourite colour just because it was your favourite.

“I’d wait a thousand lifetimes.” Emmett’s voice is a tragically delicate caress against the wary shields of your heart.

“What?” You utter, soft and frail as you feel.

“To touch you.” He clarifies through a humane swallow. “To love you in that manner. I don’t need that from you, I just need you to be here, existing with me. I’ve lived lives without you and none of them have come even close to worth living then the one I’m living with you.”

“What?” You repeat. This time with much more choked awe.

“You’re not going back there.” He diverts. “You’re staying. She can’t take you back if you don’t want to go, you’re legally allowed to refuse now.”

“Em,” You shake your head, swallowing thickly.

“No.” He continues. “You don’t have to stay here if you don’t want to. I can find you somewhere. But if you think I’m letting my mate go back to a woman that speaks to her the way she does then I’m speaking to Carlisle about getting you on crazy people meds.”

You huff a laugh despite yourself. “That’s insensitive, Em. You know the correct term.”

“Maybe,” He smiles widely. “But it made you laugh.”

“Was that your goal?” You ask with a shake of your head.

Emmett lowers his head, lips skimming yours with every toying word. “That’s always my goal.”

His lips meet yours.

~ 𐀔 ~ 𐀔 ~ 𐀔 ~

Likes, comments and reblogs are extremely appreciated and very encouraging!

[ryanguzmansource]

September 27, 2024

Ryan Guzman is currently filming his next thriller: Midnight and, in his talk with Xmag, he takes a tour of his professional career. Despite his current international projection as an actor, Ryan Guzman did not plan to dedicate himself to acting at first. The American actor and model began to get interested in mixed martial arts when he was only seven years old and, after winning his first black belt when he was ten, he was a mixed martial arts fighter in Sacramento until 2010. A shoulder injury prevented him from continuing with his dream and he redirected his career working as a model in various magazines and brands such as Abercrombie & Fitch, Affliction and Reebok. Everything completely changed when he got his first starring role in Step Up: Revolution. “It changed the direction of my life. It was as if I was launching myself into a world that I had only seen in the distance.” The dance franchise was an international success and Ryan tells us about the process he followed for the films, which, according to him, has always been the same over the years. “I try hard at something new without fear of failure. I do it this way because I know that I can fail at the beginning of anything I try. The goal is to learn from my failures and be open to new ideas when it comes to acquiring and perfecting a skill.”

His career as an actor continued in 2015 with the psychological thriller The Boy Next Door, which as Ryan explains, gave him "an invaluable perspective on the business side of the entertainment industry.” In the film, he shared the limelight with Jennifer Lopez and Ryan tells us about his experience working on the film and what it was like working with her. "Jennifer's life is something that most people won't be able to comprehend because it involves A LOT. She's a superstar. He has a million things going on at the same time. I had a great time collaborating with her and the director, Rob. They both made me feel very comfortable. It was so much fun playing the bad boy!” From a psychological drama about a woman who falls in love with her younger neighbor, Ryan jumped to play Eddie Diaz in the police drama series 9-1-1, which tells the story of a Los Angeles rescue group willing to attend to any emergency. The series underwent a big change after its transition from the FOX network to ABC and Ryan explains how that has affected his character. "Eddie's character has evolved a lot since his introduction into the 9-1-1 universe. As in any great evolution, destruction must occur in order to rebuild something new. The transition from FOX to ABC came at a perfect time for my character and I was able to represent that evolution through destruction just before another defining event in Eddie's life. Season eight is about Eddie making peace with his demons and finding self-love.” Being a series that deals with extreme and challenging situations, Ryan describes how he prepared physically and psychologically for those moments. "Empathy is the key. I draw from what I've experienced and my understanding of it; then I use the truth of those encounters to connect with the character. As for my physical fitness, I keep practicing martial arts." Recently, one of his latest projects has been the fictional comedy The Present, starring Isla Fisher and Greg Kinnear. Ryan explains that the possibility of working with these two actors was one of the reasons I chose this film. “The moment I saw that Isla Fisher and Greg Kinnear were involved in the film, I joined the project. These are two actors I've always wanted to collaborate with. Working with Isla was a dream, she gave me a lot of love and knowledge and Greg is someone who I have always enjoyed watching perform. Also, the theme resonated deeply with me, as I was going through a divorce at the time, which made the story especially relatable.”

Right now, the American actor is involved in the filming of the thriller Midnight. "I received the script from writer Lamont Magee and when he asked me if I would be interested in one of the roles opposite Rosario Dawson, he didn't have to say much more to capture my interest. 'Midnight' was an opportunity to show action in a way that I haven't been able to do as much as I would like as an actor.” According to Ryan, the thriller promises to be an intriguing story and one that will surprise the spectators. "I think seeing Rosario Dawson come face to face with Mila Jovovich is intriguing enough, but then you add the layers of her sister's character, played by Alexandra Shipp and the truth is that the audience is about to discover a lot of twists and surprises.” As immersed as he is in his work, Ryan ends the interview by expressing how grateful he feels to have a community of fans and followers who have always been supporting him. “I cannot fully express the depth of my gratitude to those who have found my work entertaining and have continued to support my career over the years. THANK YOU!”

[oh-koenig-my-koenig]

meeting him at the pub

(cw: age gap)

I don’t know how it happened, how I ended up chatting to the tall metalhead at the pub. But I was meeting my friends there like every other Wednesday and when I got drinks from the bar, a dark, friendly voice piped up. “Hey, nice shirt.” My head whips to the side, looking for the person who gave me the compliment.

Right there at the table, sitting alone, a huge, tall guy with long dark hair. Tattoos adorned the big strong arms distracting from his bandshirt, I think it’s from Dark Tranquility. The drawings span to his hands ending at the knuckles, that moved as he grabbed the bottle of beer standing right in front of him.

My eyes close in on his face, a ruggedly handsome one. A nose that seems to have been broken at least twice. Lips formed into a friendly smile. Serious eyes looking straight at me, eyes that had seen some shit, but the laugh lines around them speak of a man who rather likes to laugh. He also looks a bit older than me.

I almost stumble over my own feet, halting for a moment to look which shirt I’m wearing today. It’s my Death shirt, the one with the Symbolic Album art. I look back up at him, smiling. “Thanks!” I continue my trip to the bar, a pep in my step.

When I walk back with the drinks in my hand, I shoot another friendly look in his direction. One that he answers with a nod and tipping his beer in my direction. And I totally blush at the little friendly gesture. I sit down with my friends handing them their beers, but I can’t help my eyes finding their way back to him every so often, to see what he’s doing.

He’s just chilling alone, at his table, drinking his beer, looking at the TV where some kind of soccer game was being shown, playing with his phone from time to time. It is so fucking tiny in his huge ass hands. And half the time I look in his direction, his gaze is already on me. Which is making me nervous. Not because it’s creepy or anything in that sense, but because he’s attractive. Oh my, ruggedly handsome, seeming like a gentle giant, while the way he’s sitting and observing everything around him is telling a different story.

“Just go fucking talk to him.” My friend sitting to my right grins at me. I shrug. “I don’t know.” They roll their eyes. “Just do it, you little chickenshit.” I throw up my hands. “Fine, fine, okay.” I snatch up my beer and hesitatingly make my way to his table.

He’s already looking at me, sitting up straight, as I approach him and ask with a shy smile on my face: “Can I sit here?” I point at the stool across from him. He seems a bit surprised, but he nods. “Sure, take a seat.”

I sit down and then a moment of silence falls over us where we just look at each other. The corner of his mouth is tilted up, a half-smirk making his face even more handsome, a few strands of hair falling over his left eye and cheek. He seems a little bit tense and I suddenly feel a little bit self-conscious. We just look at each other. And I can’t stop looking at him.

“So, you like Death too, huh?”, I ask him, and then I hear how that sounded. “The band, I mean.”, I clarify laughing. He joins in, a dark manly chuckle falling from his lips, and I can see his shoulders drop down a bit. Seeming a little more relaxed.

“I do.”, he answers. “Actually, one of my favourite bands.” His voice is a bit higher than I would have anticipated from such a big guy, he has a nice timbre and some kind of accent when speaking English, that he’s trying to mask.

“Understandably so.”, I say, going on a rant about my favourite bands. He just looks at me, stunlocked. His mouth slightly open. His eyes scanning my face, dropping down every so often. I don’t stop talking and he listens, nodding along.

“I also like Lorna Shore a lot, do you know them?”, I want to know. He shakes his head, still intently listening while only speaking every so often. “They’re a symphonic deathcore band, and my god, their music just blows you away.” He chuckles again. “And they’re in town next week, but I don’t have anybody to go to the concert with me.”, I say, turning down the corners of my mouth.

“I could accompany you.”, he chimes in which shuts me up. A friendly offer. But the way he’s looking at me is making it feel like so much more.

“Really? You would do that?”, I ask surprised.

He shrugs one of his shoulders, looking to his fingers that fiddle with the label on the beer bottle. “Yeah sure, I can be your company for that evening.”

I close my mouth and think about it for a moment. “Of course, that would be… very nice of you.” Great, I’m so eloquent when it comes to flirting with men. Especially older, tall metalheads. But the way he’s still fidgeting with the beer bottle, I think he’s having a hard time as well. Which makes his offer so much more surprising. But I’m not mad at it. Not at fucking all.

I clear my throat. “Maybe I can get the tickets and you can get the drinks?”, I suggest. I wouldn’t want this to seem like I wanted to mooch off him.

He hesitates for a bit, but then nods. “Sure.” I nod as well and drink some of my beer. So that’s that, huh?

“So, what do you do? For a living?”, I ask him. He halts for a second, and I add: “You don’t have to answer if you don’t want to, of course.” I tilt my head and push my cheek into my propped-up hand.

A smile forms on his lips, as he looks to the side for just a moment, but his eyes find their way back to me. “You’re a nosy one, huh?” which makes me hide my face in my hands looking at him through my splayed fingers, but he only laughs at my gesture.

“I’m actually a soldier, a mercenary. I’m currently on leave.”, he explains. My eyes widen at his words.

“Really? Damn okay.” That explains the aura around him that I couldn't pinpoint before. “So like, what’s your specialty or however this is called in the military?”, I ask, still being nosy.

His lips curl into a confident smile, his whole demeanor changing a bit. “I’m an insertion specialist.” And the way he says that makes my skin tingle, my jaw dropping down a bit. Because the tone in his voice makes me think about a certain kind of insertion. The ‘drop your clothes, get naked together’-kind.

He laughs again as he sees the expression on my face. “Get your mind out the gutter.”, he jokes.

“Huh, I didn’t say anything.”, I defend myself, weakly, holding up my hands in defense. He pulls up his eyebrows, donning a knowing smile and leaning back.

“M-hm.”, he says and his fingers wander to his lips, stroking over them absent-mindedly. “I specialize in breaking down doors and getting people out of whatever situation they’re caught in.” How he says it makes me smile, because he says it so non-chalantly, but I can see the pride behind his words.

A little silence falls over us again, but instead of being uncomfortable we just sit in it and look at each other. He drags his hand through his hair, his fingers threading through the brown strands. And I’m so normal about this. My god, why does he have to be so attractive?

“How old are you?”, he asks me, his eyes searching my face like I’d have it written on there. The first question he asked me this evening.

“I’m 25. And you?”, I return the question. He winces a bit, but he answers: “I’m 41.” I nod and sip on my beer. Well, I already assumed that he’s older than me, so I’m not really surprised by the age gap.

“I’m old enough to be your dad.”, he says and takes a sip from his beer. My eyes are glued to his lips, the way the bottle rests against them. Then he swallows and I follow the motion as the liquid flows down his throat.

I arch a brow. “No, you’re not.”

He tilts his head to his side, a little smile forming on his lips. “Well, maybe if I started early, I could be.” His eyes dart to me, for just a moment.

The other brow joins the one already sitting at my hairline. “Did you start early?”, I ask him.

His smile gets wider while he slowly shakes his head. “No.” He takes another sip and leans back a bit.

“So, not actually old enough to be my dad.”, I conclude the conversation, a grin turning up the corners of my mouth. “I’m gonna get another drink, you want one as well?”

He looks at me, his eyes boring into me. I see the little twinkle in them, but he shakes his head. “I’m sorry, I got to get home.”, he finally says, the expression on his face turning apologetic.

I hide my disappointment behind a charming smile. “Okay, no worries.”, I tell him.

He leans forward, coming a little bit closer, and I stand my ground, even as his scent hits my nostrils, and I have to damp down the excitement flooding my veins. He’s smirking at me now and raises his hand until his finger makes contact with my nose. He just booped my nose. “Tell you what though. Let’s exchange numbers and then we’ll see if you’re still up to going to a concert with me when you’re sober.”

I laugh a bit and pull out my phone from my pocket. “Okay, deal.” But his words also make me think. “Don’t you trust my judgement?”, I ask him as I hand him the device which looks ridiculously small in his hands.

He grins while tapping on the screen. “I do, but I don’t trust myself when I stare into the face of a beautiful woman.” He looks at me again and hands me back the phone, getting up. And he gets taller and taller and taller. I mean, I saw that he’s freaking huge when he was sitting down. But my god, he’s more than a foot taller than me. I have to put my head back to be able to look up at him.

“A beautiful woman, huh?”, I repeat his words back to him, ignoring the way this sentiment makes me feel.

“Aye.”, he says leaning down a bit. “Good night then.” He presses a small, almost chaste kiss onto the top of my head, while at the same time grabbing his leatherjacket. He puts the worn piece of clothing on and heads in the direction of the door.

I look down and see the new contact in my phone. His number, but instead of his name the little crown emoji sits on the top of the page. “Wait, what’s your name?”, I yell after him.

He turns around again, the long hair whipping over his shoulder, grazing over the worn leather. A grin lights up his face. “König, you know, like ‘king’ in German.”, he explains. He raises his hand again and waves goodbye, then he’s out the door.

He’s gone, but he’s still on my mind the rest of the evening while spending time at the pub, on my way home, as I’m getting ready to finally sleep. Especially the little forehead kiss lives in my mind rent-free.

When I wake up again in the morning, I contemplate what to do while I get myself a coffee. Finally, I gather my courage and shoot him a text.

metalhead!König has me in a chokehold, so this was veeeery self-indulgent. i hope you still like it <3more to come soon, because i can't wait to go to a concert with him :')

part 2 or more stuff in the Masterlist

[the-bitter-ocean]

(ACT 3 SPOILERS) Hi everyone! I Wanted to post writing I did for @tealgoat In tales of time au!! For context it’s set around act 3, where Odile reached the end for the first time with a family run. The art I used in this post is made by teal and you can find the links to those drawings individually over here and here! Writing is under the cut:

< You’re here again. >

< But something feels different. >

< You managed to beat the king like always… but this time..>

< This time you had the courage to call your companions your family. >

< You got to understand all of them a little better and in turn that made you all grow closer. >

< Is that what you needed? Is that the solution to the problem? >

< You didn’t think that helping them would amount to anything much, but the story’s outcome changed a little didn’t it? >

< Even if it was small.. you know how important it is. >

< Your father used to tell you that rereading a story allows you to see details you may have not noticed on a first pass. >

< That it can your change your entire perception of the story itself, even. >

< Is this what you needed all along? >

<Your heart feels warm. >

< He used to read you stories like that all the time. >

< Fairytales about love and friendship saving the world. >

< It gave you comfort then.. and it seems it’s giving you comfort now. >

< You’ve talked to everyone.. they all said different lines then the ones you’re used to.>

< With that logic in mind.. then it should be obvious that the Head Housemaiden should say something different. >

=> < Talk to her. >

=> < Don’t talk to her yet.>

=> < Talk to her.>

< You’ve said everything you needed to say to your companions. >

< It’s time for the moment of truth. >

< You approach the Head Housemaiden and greet her. >

< “Hello!” >

< The head Housemaiden smiles at you and waves. >

((“Hello traveling one! Are you done talking to your companions? Yes, wonderful wonderful-“))

< ….?>

((“ I’d like to thank you for accompanying young Mirabelle on the journey. You have my gratitude.”))

((“ Odile, yes? If there’s anything I can do to thank you, please don’t hesitate to let me know!”))

<….?!>

((“I know you will go back on your travels soon but I do hope-”))

<…>

<…… Ah. >

< Of course. >

((“ Just know that no matter what that Dormont will always be open to you! Please come back any…time….”))

((“…!!!! Oh… oh no no no.. oh nonono-“))

< Ahahaha…!>

< You should’ve expected this. >

< Why would whatever happened before change the story’s ending now? >

< Just because you felt loved and safe? Stupid stupid stupid- you should’ve known better! Why did you decide to rely on how you felt instead of looking at the reality of the situation you’re in? >

< You try to breathe. >

((“ Oh Odile! I’m so sorry..!”))

< It’s fine. It’s just the end again. It’s the same. >

((“ I’m so sorry..there’s no way we can stop it now!” ))

< You’ll just be..>

((“- going back! Back when everything started!”))

< You know her lines by heart, now. >

< If you know what happens next…then you can always know how to react and never be disappointed.>

< You’re fine. >

< You’re…>

<| “…? Odile?” |>

<| “Is everything okay?”|>

< You turn your head and look in Siffrin’s direction. >

< He’s staring right at you. >

< You can’t shift your expression fast enough. >

<| “ Odile what’s wrong- “|>

{“ Head Housemaiden, is something the matter?” }

((“ I cant fix it on my own, not before it all ends… if only I noticed it all sooner!”))

[“Huh? What’s happening? ]

(“ Dile?”)

< You can’t move. >

< You’re frozen. >

{ “Madame, what’s-Urgh!”}

[“ Is something happening? The air around us.. it feels like.. AGH!” ]

(“ My head hurts!!!”)

((“ It’s my fault you have to suffer like this…”))

<| “ODILE!!!”|>

[“ M’DAME!!!”]

< They’re all running, reaching towards you..>

(“ Dile come back! Somethings wrong!!!”)

< You have to move. >

{“ MADAME ODILE!!!!”}

< Maybe you can catch Isabeau’s hand if you reach out to him. >

((“I just hope that one day..”))

< You slowly hold your hand out for him to hold. >

< You take a step forward. >

((“ You could learn to forgive-“))

< And you- >

__________________________________________________________

<You open your eyes, your hand reaching out to nothing. >

< You’re back in the store once more. >

< You grip unto the shelf and take a deep breath. >

< Foolish. >

< You press your fingers against the bridge of your nose and adjust your glasses. >

< You laugh quietly as you can. >

< You truly believed this could work, didn’t you?>

< You really thought helping them all would be the key to your escape! >

< That if you helped them, if you were loved, then surely it had to free you, right? >

< Hahahahaha! >

< That was awfully childish of you! >

< They loved you but it’s not enough to save you! >

< And why would it? When has anything ever been that simple for you? >

< You should know better. >

< Everything was reset back to the beginning. >

< Any character development reversed and undone. As if it never happened at all. >

< Mirabelle is back to feeling out of place because of her identity. >

< Isabeau is still hiding everything about himself, pretending to be something he’s not. >

< Boniface is back to feeling like they’re useless and that they don’t contribute enough to the rest of you. >

< Siffrin won't remember the times you spent together.. back to being scared of you..! >

< And you're back here.. again.. and again .. and again! >

< That's what you get for hoping! That's what you deserve, for being so blinding incompetent and - >

< You slowly look up and glance at the clock. >

< Siffrin will enter the shop soon, won't he? >

<…>

< You need to cut this spiral of yours short then. That’s fine, it’s not like crying ever did you any favors.>

< Focus on the present. >

<The power of friendship didn't work. That’s fine. >

< All you can do is try something else now.>

< You owe it to everyone to keep going. >

< The story isn’t over for you yet. >

| You got a MEMORY OF FAMILY! |

< You'll always remember this. >

| When equipped, Memory of Family doubles everyone's EXP gained in battle, except for yours. |

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea