#i like the way japanese women be.
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When I look at her. The faggotry leaves my body. And my only desire. Is Asian women.
She is not thicc but she's a trained soldier or whatever so she could still crush my head between her thighs. Thank ffuck for that.
#mango man speaks#goribas#thats right! im trying out the whole ''asian women are the best'' thing again.#because. i. want to be accused of fetishizing an entire race. apparently.#listen have you seen an asian lady who isnt hot as hell? exactly.#well. ok. i guess when i say asian. i mean. east asian.#like. well. japan and china and korea and whatnot.#because india is asia.#so indian women are. well. asian women.#but y'know what i mean.#when im trying to be weird and gross on purpose i need to clarify what im being weird and gross about lest people think im going#to fetishize indian women.#i would never.#i like the way indian ladies dress.#i like the way japanese women be.#or something.#im trying to be a white guy with a asian girl obsession here ok.#but its hard because. well. all women of every race are on average mid.#and when a woman is beautiful shes beautiful.#i have yet to see an ugly woman.#only average ones and pretty ones.#i have kissed. 3 gals. over the course of my lifetime.#one was white. one was jewish. one was black.#and i can expand my pallet of girl kissing if i try hard enough.#anyway the point is i dont actually want to objectify asian women.#i want to make seem like i do.#ya dig?#no you dont.#because this is bullshit.#anyway i want to lick noodle's toes.
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Hehe hiii samurai shiver Hii um!!
Also yes I designed the tattoos from scratch and I still gotta do the one on her back 😪
#art#fanart#my art#original art#another AU guys#holy shit the amount of time this took#not even effort just time#Splatoon au#Splatoon samurai au#work in progress#because I’m not sure yet about this au or wtf am I gonna do with it#mmmmmsfnsdjngw women with tattoos#OH this was originally a yakuza au. yk the mafia#but Idk how to include Frye and big man and the others in that so eeehhh ❌❌❌❌#shiver Splatoon#Splatoon shiver#shiver hohojiro#Splatoon fanart#Splatoon fan art#Splatoon art#Splatoon shiver fanart#shiver fanart#no this is definitely not inspired by blue eye samurai nonononononono who said that#she’s so zesty tho#and a cold killer. GOD I love women have I mentioned that before#by the way the Sarashi is down there because if it was higher we wouldn’t be able to see the tattoos and especially the oni head#oni heads are the best bro Onis are the best I love Onis sm like ohhh#yokai jskdbvjdwbjifwdbojsdf I love LOVE JAPANESE FOLKLORE AND UH YEAH MYTHOLOGY WHATEVER#help#wake up sweetie seryo got bored again
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after party | satoru gojo x reader
gojo wanted to help you prepare a friendsgiving dinner, but he's a little tired n a lot tipsy.
cw: non curse au, everyones alive, shoko typical smoking, drinking, you’re married to gojo wc: 3.3k
this was supposed to be short but it just spiraled n i kind of hate it b i technically posted on the 23rd so it counts !! not proofread!
business dinners with satoru are exhausting, to say the least—you start the day early to the scent of coffee through a filter and a fresh breeze through your open window, sending your husband off to work with a hug and a kiss—maybe a promise of more if he pulls the 'five more minutes!' on you.
this one is special, though; old friends from freely youthful highschool days gathered around your dinner table on the mats of your living room floor catching up over cans of beer cold with condensation, the sound of can tabs popping and the fizzling of bubbly spirits over tables of warm food in tin containers.
geto, the tall man with dark hair and gauges, talks about how his two daughters are adjusting to city life, occasionally interrupted by cheerful brightness never dampened by adult years from haibara, an apprenticing entrepeneur under nanami who's got a thing for girls with big appetites. shoko and utahime are having a drinking contest, and mei mei's too occupied with her phone; checking stocks as her tacky nails click against the glass screen.
satoru can't cook. there's a reason why he always buys takeout when you're too busy to provide or you've already gone to sleep— he should be the picture perfect husband, because you deserve that and everything more. his only (self-perceived) flaws are his lack of alcohol tolerance and his inability to master the frying pan.
you always tell him he doesn't have to be a michelin chef— but with the way he's constantly sneaking a chocolate graham cracker from your muji snack bag or snagging the sour gummy between your teeth from your lips, he feels like he should compensate. so on this special november evening, when the hum of the city life outside your balcony gets drowned out by the cheerful mirth of a warm dinner table, he had decided to help you.
the warm kitchen had become a foodstained disaster— but with tearful round eyes and a hand tugging on your shirt, you'd resigned to helping him conquer the task of simple packaged noodles and soft-boiled eggs. he'd cut his finger— even the most capable teacher found his shortcomings against a blunt kitchen knife. needless to say you'd peppered it with kisses before wrapping a rainbow hello kitty bandaid around it.
and that brings you to the present: the result of your extensively hard work; a few soggy noodles collected at the bottom of porcelain bowls painted red on the insides in a lukewarm puddle of soup, full stomachs and a loose and welcoming atmosphere. you wouldn't trade it for the world.
you're fishing a pickled radish slice out of your bowl when satoru leans over, removing the arm that was snaked around your shoulder to drape himself on your lap, lying down on the floor with his knees propped up and his soft cloud-white hair sprawled over your thighs. geto makes a distasteful face when satoru's black socks brush against his leg. across the table, shoko knocks shoulders with utahime as she lights a cigarette; the latter's face flushes as smoke drifts past her lightly flushed face into the open window city night air overhead.
"hey, you. what's up?" you asked softly, chuckling to yourself as you set your chopsticks atop the rim of your bowl, leaning back on your arms to look down at him. he adjusts himself a little, wiggling on your lap as you caught a whiff of his beer breath and scrunch your nose.
"hiii, baby," he drawls, giggling a little to himself. his smooth, usually playful voice took on that deep tone he used whenever he was being serious, and it sent an involuntary shiver down your spine, so you hugged him closer and ran a hand through his soft white hair, brushing your fingers against the black cloth of his blindfold. "what'cha doing?"
"i was eating. you put too much pepper in the broth, 'toru." you smiled softly, tracing the line of his jaw slowly with one finger in the way you knew he liked so much; it was obvious from the way he sighed contentedly and tilted his head into your palm. whether it be from that unfathomably sweet smile or the tender way you held his face in your delicate hands, that was up to him to ponder. next to you, haibara makes a joke— something about mei mei's stocks, and she quips a snarky retort that has him laughing raucously while nanami makes a face.
"i tried!" he protests, almost a whine as he sighs; a hand sneaks up to lift the edge of his blindfold up so his eyes meet yours, and you're left breathless. it catches you off guard every time— those endless pools of swirling blue that stare straight through you, sifting through your thoughts like a scholar annotating an open book, all heart-shaped sticky notes and bright highlighters when it came to thinking about him.
"not hard enough, clearly. but it's okay; we'll do better next time."
he just frowns again at that, sticking out his lower lip in a little pout that makes your heart squeeze. your stomach is full with noodles and broth; you don't think you could stomach another bite if you tried, and you're not one to drink especially if everyone else is. so, you let yourself indulge a little— snake a hand on the back of satoru's neck and tilt him up until he's sitting halfway up and you can easily meet his lips in a kiss.
he reciprocates immediately, hungry like he was waiting for you; you notice that he hasn't eaten much of his food yet, so maybe he was. or maybe he knows how bad it is. either way, his tongue darts out from his parted lips to flick against your own for a moment, before he sinks his teeth into your bottom lip and draws out a teasing whine that you have to stifle because "we have company, 'toru," you have to breath as a reminder. he just laughs breathily against your lips, tasting like bitter beer and buttery vanilla as he shifts to practically sit on top of you, hands on your shoulders as his thumbs brush over your collarbone where the edge of your shirt fails to cover tantalizing skin; he's taller and eventually ends up bringing the both of you toppling down onto the mats.
your back hits the floor and a little gasp leaves your winded lungs— but satoru eagerly catches it with his lips and swallows it, like he's intent on getting drunken off his ass from you (as if he wasn't already tipsy) when he smashes his swollen lips to yours again. your hair is splayed out against the tatami mats like you're trapped in some marine watercolor painting, and for a split second satoru thinks if mermaids were real you'd be the most angelic he'd ever seen as his calloused fingers curl into the strands.
you're about to hook a leg around his waist when a shout catches your ear and you part lips with a gasp, sucking in greedy breaths as satoru promptly sits on your stomach. you let out a stuffed oomph from his weight, and watch as he slides his blindfold back on to look over at the rest of the table who're staring at the two of you like they're watching some forbidden steamy movie scene that's meant to be shielded from children's eyes.
“don’t kiss him while he’s drunk. it’s like rewarding a brat for bad behavior,” shoko says. you sit up with much effort, straining under satoru’s weight as you reach up to grab his shoulders. you miss, but he takes your hands and pulls you up, wrapping his arms around you to keep you from falling back down as you rest your head on his shoulder. utahime has her arms lazily draped over shoko; you assume she’s drunk from that, but if you were to inspect her for long enough you’d notice her can of beer was almost completely full.
“oh, i guess you’re right.” you remarked, frowning a little and biting the inside of your cheek as you pull away from satoru and glance at him. all of the sudden he looks like he’s ready to keel over; the shadows beneath his eyes are reinforced by the alcohol in his system and it looks like he’ll need to tape his eyes open lest he passes out right on top of you. you want to avoid that, so you gently push him off, sighing to yourself.
“don’t listen to her, sweetheart. you can kiss me all you want,” he smirks, a flash of pearly white teeth that would’ve been on your neck a moment ago if not for the interruption. you just shake your head with a breathless laugh, giving him a quick flick to the forehead. before you can pull away, though— he catches your hand, bringing your wrist to his glossy pink lips and giving your pulse a quick peck. “no, she has a point.” you hummed. overhead, the light flickers a little; a moth that had flown in through the window danced about the bulb. the faint sound of car horns filters through the window along with the breeze, recycled laughter and lively chatter from bars a few stories down carried in the cool wind.
you mill about for another twenty minutes or so, content to just listen in as old friends shared anecdotes and funny stories from separate paths of life; you soon learned that nanami was planning on moving to malaysia, and shoko was due to renew her medical license this year. the beer cans built up, mixed in with crumpled napkins that had penned doodles on the rough surface and paper chopstick wrappers. somewhere along the line, satoru had fallen asleep— you had to push his unfinished ramen bowl out of the way before he knocked his head against the wooden table and spilt his meal. you frowned a little at the sight of it— you knew he'd complain about his soaked noodles and limp seaweed sheets later on. you found yourself slinging one of your jackets over his shoulders, fingers lingering over his neck, where the scratchy hair of his undercut met soft warm skin.
soon enough, dishes are piling up in the sink and calling your name; the kids see themselves home via train station, spouting something about a late night pit stop in sendai for the mochi that 'our teacher likes so much'. you consider asking them to bring some back for satoru, but you decide you'll enjoy a laugh when he tells you about how he went to school the next morning to find out for himself, and the stab of hurt that will pierce his full heart in two when he hears the news. even then, you have to shush them as they show themselves out; you can tell from the way satoru's eyebrows knit together beneath his blindfold and the pinch of his jaw that he doesn't appreciate the noise, no matter how blacked out.
the conversation dies down a little, and soon enough, everyone takes their leave one by one. it's only when you settle back down after cleaning up the bowls and putting away the cups that satoru stirs, waking up with a mumble and a huff. his hair is a disheveled mess, and there are sleep lines on his face, but he's still handsome as ever.
"baby?" his voice is hoarse with sleep and dehydration. there's a dull ache between his eyes, feeling like he'd just ran a circle around the world. you answer from the kitchen, calling his name. it's late; past midnight now. the window's still open and satoru's can of beer is still on the table, almost completely empty.
"how long did i sleep? shit, did everyone go home? 'm sorry," he groans, standing up and stretching his arms out. his shirt rides up on his shoulders, exposing the arch of his hip just above the edge of his pants. "don't worry, 'toru." you hummed, washing your hands in the sink as you look over at him. he just nods, grabbing the can and crumpling it in his hands before tossing it in the trash.
"you okay? got a headache?" you asked as he walked over to you, careful not to hit his head on the arch that connected the living room to the kitchen. when you'd first moved in with him, you had to pin a strip of bright yellow caution tape to remind him to duck his head. you smiled as you reminisced over late nights, tucked in his arms as he mused about demolishing the wall there just so he could be rid of the bruise on his temple. then again, as long as you were waiting for him to kiss it better at the end of his nine to five, he didn't mind.
he nods, and watches as an easy smile stretches across your lips; they look infuriatingly kissable under the warm glow of the hazy kitchen light, shining off the porcelain cups in the sink. he leans against the kitchen counter, cold marble feeling through the thin fabric of his shirt as you take his leftovers from the fridge and heat them up in the microwave, standing before the black glass as you watch the little plate spin inside.
there's something about moments like these; so sweet and easy with you after everyone's taken the last train home and all that's left are empty beer cans and extra bowls in the dishwasher for two people with matching rings on their fingers to take care of.
he walks up to you, wrapping his arms around your waist and resting his head on your chin. he smiles when he feels your hand cup his cheek, and he turns his head instinctively to meet your lips in a slow, sweet kiss; a muscle memory tango between familiar lovers. when he pulls away to catch his breath, tongue swiping across his bottom lip, you're already there with your fingers, pulling his blindfold down to rest around his neck and gently rubbing the spot beside his eyes, alleviating the tension behind them. it's unspoken moments like these that he loves the most in your relationship. making a mess in your kitchen is a close second.
it's a slow, easy night after a special get-together when the microwave beeps and you take his noodles out, bringing them to the table as you sit down next to him and rest your head on his shoulder, letting him tuck you into his side as he gets a bit of breaded tonkotsu crumbs on his cheek and insists you wipe them off for him like he's some oversized baby. you wash some cherries in a green plastic bowl, competing to see who can spit the pits into the trashcan without missing. in the end, he lost the game of rock paper scissor and was resigned to pick up the missed pits on the floor.
he's still wearing your jacket like a cape and even though it's far too small for him, he insists on keeping it with him when you go out onto your balcony to finish the last of a bottle of sake together, listening to the melody of the wind in the trees that line the sidewalk and the permeating hustle and bustle of the city, even when it's so late at night it could be considered early morning.
he swipes the cold bottle from your hands, finishing the last drops from the matte glass before letting it dangle between your fingers. and you're expecting it when he catches your arm to pull you into another kiss; he tastes like peaches and wine and a little bit of soup broth. it's slow, and easy, because being with him has always felt as natural as breathing, and being with you has made it easier for him to breathe, like the iron weight on his lungs melts away in the face of your unconditional warmth and care. the cool wind blows your hair in front of your face, and he laughs that charming boyish giggle as he tucks it behind your ears and scoops you up in his arms.
"i don't like sharing you with a sake bottle," you said, pointedly looking at the glass in his hand. he just grins, looking down at you for a moment. he can almost see it again; you, in that gorgeous white wedding cloth. he was carrying you bridal style in the same way now, when you'd decided to grow old together and host special business dinners as a couple in your shared apartment.
"don't worry, love. you're sweeter than any spritz," he laughs, stepping inside again and closing the door behind him.
it's routine, and it's easy, getting ready for bed with him, laughing when he pushes his hair back with a headband, looking like a pretty little princess. you suggest him getting a mullet, and he shushes you by shoving your toothbrush on your tongue, getting a mouthful of mint. the warm water rushes over your fingers before you dry yourself off, wiping your face and putting the towel away only to be met with the equal warmth of his lips on your forehead, peppering you with kisses.
you slip into the covers, still pleasantly cold as you watch satoru sit up and take his shirt off. he lets you peel the rainbow bandaid on his finger off, tossing it in the trash before pulling you into his arms, right where you belong the closest to his heart. "don't cut yourself like that again, okay?"
"it was an accident, baby." he chuckles, and you just roll your eyes. he reaches over to ruffle your hair affectionately and makes a joke about having you suck his blood like a vampire, tooting about how sweet it would be. "besides, i don't need to be careful if you're there to patch me up, pretty. shoko has nothing on you!"
he plays with your hair as you catch him up to the conversations he'd slept away; mei mei had left early when you'd given him your jacket to envelope him in your scent, muttering something about cheap perfume and worthless soggy noodles. he likes to play with your jewelry, you notice— fiddles with the ring on your finger, cupping your hands in his palm as he tucks his face into the back of your neck.
at one point, he asks you to do his hair, so you oblige, rolling him over onto his stomach and clambering on top of his waist. you braid his white strands into cute little pigtails best as you could manage as he tells you about his dream; something about harassing nanami in malaysia and a sunset kiss under crystal clear beach water. it sounds nice, and when you're done with his hair you find it easier to just massage his shoulders and listen to the smooth droning of his voice.
soon enough, you're both warmer than the lukewarm buzz of beer in your veins, and he doesn't remember if he fell asleep first or not, but the gentle melody of your voice haunts him in his dazed sleep as he curls around you.
business dinners really are exhausting— he's left wondering how you pull it off the morning after when he's hungover and the cut on his finger is infected— clearly, the hello kitty bandaid wasn't enough to cut it. the only reasoning that he explains to you as you take your morning shower together, fingers running through your hair, is that you didn't kiss it enough. maybe that's why his soup had too much pepper and he didn't know how to cut the cucumbers.
he's still an amateur, so he'll leave the cooking to you. maybe next time he'll pretend the takeout he grabbed on his way home from school was handmade, though he doubts his friends will ever believe him, or his students after he demands they buy him kikufuku as compensation for leaving him out the night before.
ignore the ep that came out today! everyone’s alive and well. trust my (riaki) stuff. don’t repost and/or plagiarize !
#ty for 200 followers it’s been a month n i cried a lil bit :’3 happy thanksgiving if u celebrate! ily <3#btw muji is a japanese retail/stationary store!! they also sell rlly yummy snacks#i think gojo would enjoy going into the women’s underwear section#AND. and bringing u a gigantic bra that’s way too big#just for kicks n giggles cs he’s weird like that#idk y i was pushing#utahime and shoko sm but i was lol#gojo satoru x reader#satoru gojo x reader#gojo satoru x you#satoru gojo x you#gojo x you#gojo x reader#gojo fluff#jjk fluff#jjk x reader#jjk x you#jujutsu kaisen x reader#billet-doux#me write anyone else but gojo challenge (impossible)#- rs !
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Bluebell to hell, to hell
#BNHA#Boku No Hero Academia#MHA#My Hero Academia#Rei Todoroki#Todoroki Rei#My Art#this is layers upon layers of references to things i like#i am annoying about two things: possession (1981) and women in the alt scene#rei in that blue dress Isabelle Adjani wears in Possession#that movie is brilliant#kids go educate yourselves: watch Possession and listen to Fontanelle by Babes in Toyland#bluebell specifically is sooo her#'everything you do is right' vs 'everything I do is true'#enji and rei coded#the way kat bjelland delivers the lines after 'you know who you are''......#ugh#yall dont cut Rei enough slack.#you dont understand what being abused like that does to your brain#and i hope you never KNOW it but fuckkkkk her story man fuckkkk it#“she had a choice”#no she didnt#if she were to say no to endeavor's offer there would be repercussions#she was raised in a culture where women like her get sold#shes property and she better deliver something to her family otherwise if she says no that makes her coquettish and they would have a hard#time wedding her to another man#im not japanese but ive read plenty of stories in the same scenario from my eastern european culture(thankfully not the case anymore)#shes a wife and a mother and an object but not a person and the conclusion to her ending is revolting#oh and she wouldve died to save touya while enji gave up on him and was ready to accept that his son would die#rant OVER or whatever
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thinking about how i love murakami’s writing & narrative style, the way he subtly catches the reader’s attention etc etc & and at the same time despise the way he writes women & sex scenes. thinking about how i’m starting to appreciate him while hating the misogyny in his writing, & simultaneously recognising how his culture & upbringing played a major role in forming his misogynistic views & also understanding that he's a man before he's a writer &c &c........
#i have a lot of Thoughts about murakami & his writing#he loves kawakami's feminist works but then again......the way he describes women & their bodies....& also the bland sex scenes.......#the way his limited knowledge (or lack thereof) of female anatomy really shines through.......#but then again. he's rich. famous. the most celebrated writer of japan. brought up amidst the japanese patriarchal society#& hugely male-centric culture. i get why he is the way he is (like 90% of the japanese male population -- not only japanese#-- one could say global population -- except he has a remarkable imagination & a somewhat different approach to the mundane)#so i don't really. side w either those who hate murakami or are obsessed w him.#i love & enjoy his work while simultaneously retaining the ability to recognise & call him out on his misogyny.#<- one reason why i respect & admire makeo kawakami#one should read her interview w murakami where she calls him out on his misogyny & murakami tries to deflect her (valid) points#on a lighter note though. “her breasts breasted breastily” is a phrase i was genuinely prepared to read in a murakami novel &#was surprised when i was unable to find it#anyway. needed to get this out of my system because damn i have some mixed feelings abt this man
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I kinda like but dislike that Rumiko and Sunrise (and fans) have never even mentioned that miko (priestesses) are virgins. And that their shinto ability to tend holy places comes from being unmarried virgins. In modern day I guess it is not really required but I kind of wish more people analyzed Kikyo, the dark priestess, Kaede and Kagome in that light.
Personally I think that due to the era Kagome would not be allowed to remain a miko after getting married and having a child. She would still be one of course due to her spiritual ability, but I think she would no longer be allowed to remain in that societal role.
Kagome is so spunky though that I see her rebelling against it. I think Kagome's strength in being outspoken is another great contrast between her and Kikyo. While Kikyo was confined by society and was only freed from expectation when she became an impure monster. Kagome was outspoken and loud to where she didn't have much of a societal role and yet remained 'spiritually pure.'
There is a huge theme of 'societal expectation' in Kagome, Inuyasha, and Kikyo that I think being a miko is a part of.
Personally I'm torn on Kagome loudly choosing to get married and have a child VS remaining a Miko and Kagome choosing to attempt to do both.
More thematic headcannons in the tag below..
#i think due to translation issues miroku is a monk but not a priest#inuyasha#kagome#kikyo#Here I am analyzing way too much into a series that probably didn't think that much about this all#And yet.. I feel like there is meaning between Sota saying Kagome got married and Rumiko never drawing them kissing#i think cannonly kikyo and kagome are not the same person.. but i think kikyo would view that they are.. maybe#the strides against misogyny in shinto japan is very interesting to look at because it is so different from western misogyny#i saw that post going around talking about periods in the feudal era and im like.. bro women were ostracized in a hut outside the village#i didn't comment on the post but i did think about and analyze it#on how the dirtyness of being a woman is the same as the dirty blood of a hanyo or the dirty blood of the burakumin class#personally i think inu's class is similar to half japanese (the original hanyo written in gegege kitaro was confirmed to be based off of it#and rumiko could not have taken the coined term 'hanyo' without being aware of the influence#but i also don't think rumiko was thinking that much about the relation between the two#personally if it were me though i'd theme inu on the spiritual dirtiness of his blood rather than him being a half race#((((((related but i also headcannoned inuyasha as a bastard . a literal one#((and i also headcannon that hte name 'inuyasha' was not his birth name. it was a name given to him by the villiagers he stole from--#-- as a child/teen and he decided to reclaim the insult because he was what means 'dog monster' much more than the name his mom gave him))#i think it's strongly implied even that Inuyasha is a bastard.. i never see anyone analyze that.#to analyze that even if inuyasha was born a human he would still be hated for existing :''''DDD#my posts that i made
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Every time this dude is put in a situation where I think he's about to explode in a rainbow of bitterness and entitlement, he just doesn't, and it's very bizarre
Of course he's also the pov character and I don't know that I'd call him a reliable narrator so he could be omitting the parts where he made himself out to be a dick, but still
#mononoke#mononoke shu#mononoke book#adventures in japanese#he's making a really stupid choice here but even still it's also sweet in a way oh my god#like seriously i went into this story expecting some equivalent to incel rage and it just hasn't come to that at this point#hes pretty graceful about people saying he's not very good all things considered#like hell beg a little bit but like you know the type im talking about right?#the 'i didn't want to date you anyway you ugly bitch' type of entitled rejection rage except for books instead of women#its just not there and its mind-boggling#and kind of a breath of fresh air in a way? portraying this sort of insecurity and bitterness without making a villain out of him?#idk it's weird man#i caught my second wind on this story so hopefully ill be done with it early next week at the latest#ive only got about three days worth of work left on the translating front and then just putting it together in a doc
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naughty busters drama track: youthful riot summary
i’m not good enough to give a line by line tl of the track but i tried to make it as comprehensive as i could without it. you can listen to it here but if you can buy dawn of divisions vol 3, please do!!!! cdjapan has it in stock still!!!!
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the drama track opens up with the end of otome’s coup speech and ichiro watching the televised event.
otome: instead of foolish, warmongering men, women will be the ones to give the world a fresh start!!
ichiro: whoever just became our leader better be powerful because nothing is going to change for us.
time passes, and ichiro’s just gotten done with his tasks of the day. he figures he might as well go home when he hears footsteps approaching.
kuukou: found ya, ichiro!!
ichiro: oh kuukou!! what’s up??
kuukou asks him if he’s seen the news and upon ichiro’s confirmation, he tells him he should know what these are and tosses him a mic. ichiro’s surprised, and kuukou explains as soon as he saw the power the mics had from the televised coup, he knew he had to give it a try and signed them both up for their mics. it’s then ichiro recalls that these are the hypnosis mics and kuukou demands they give them a whirl, to which ichiro agrees to do tho he sounds a startled by the sudden activity.
kuukou gives a self-introductory rap but when the blow lands on ichiro, ichiro comments it’s a little underwhelming and kuukou wonders how to get the output of power he’s seen. kuukou tells ichiro he’s up next and ichiro delivers his own introductory rap that similarly feels weak. ichiro speculates rapping skill may have an impact on their power so kuukou suggest they better get to practicing then!! agreeing, ichiro says that they need to get good with the mics as fast as they can because this will be the newest weapon everyone will get their hands on. kuukou sees his point and says and they need to stay ahead of the game, which is exactly what ichiro was thinking so they better get on it he exclaims!!!
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we flash forward and training is done. kuukou suddenly started chuckling to himself and ichiro asks him what’s he laughing at. kuukou’s feeling good about how hard their rap training was, ichiro’s lyrics were strong and just about knocked him unconscious!!! ichiro asks if getting knocked out was really something to laugh about and kuukou tells him something along the lines of, “one should buy a lot of hardships.” well, ichiro does see benefits of their training and kuukou tells him soon they’ll both be knocking fools out together, to which cracks ichiro up a little.
ichiro suddenly gets a phone call. he answers the phone and after a brief conversation, states that he’ll be there shortly. kuukou asks him where he’s going and ichiro replies he’s been called in by mozuku.
kuukou: ah the corrupt priest huh…. guess that’s where we’re headed to next.
ichiro: it’s not like you have to follow me.
kuukou: stuuuupid. ain’t this something about your job?? what kinda partner would i be if i left you to do all the work alone?? so let’s go man.
and as kuukou walks away, ichiro pauses and quietly laughs to himself before following after kuukou.
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the next scene, ichiro walks in mozuku’s office, followed shortly by kuukou.
mozuku is pleasantly surprised to see kuukou, as it’s been awhile, and asks if he’s here because he’s missed him. kuukou lets him know he’s the last person he wants to see. laughingly, mozuku says he’s so cold to him.
ichiro steers the conversation back to why mozuku asked him to come in. mozuku tells him he’s requiring a bodyguard service. for himself?? no, for a man who goes by the name osaragi, an investor known for evading taxes. kuukou asks if that’s the kind of guy that they’re guarding and mozuku confirms.
mozuku: do you remember tomabechi zakuro?
tomabechi zakuro, leader of the group Extortion, was the man who terrorised unami and her sister from dhbat manga chapter 12
apparently his right hand man, teshigawara, is after him. ichiro’s familiar with him, he’s the one who stepped up to take over the group after they helped put tomabechi in jail. kuukou asks why he’s after him and apparently he took off with all their money made in their name and left behind a wake of territorial disputes as well.
kuukou scoffs, that’s boring as shit.
mozuku: boring as it may be, i will be paying handsomely.
mozuku again tells ichiro to bodyguard this man and he’ll be sure to provide extra reinforcements.
grimly, ichiro accepts the job.
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we next cut to our boys arriving at their rendezvous point, a business by the name of ‘Lounge.’
kuukou: tf kinda shop is ‘Lounge?’
ichiro: i’m not too sure either, but apparently you buy drinks and get to talk to women.
kuukou: *gives the most exasperated sigh* people really spend their money on this?? that’s so stupid.
ichiro comments to never mind what people spend their money on and they enter the shop.
once inside, they find a man laughing uproariously. ichiro hesitantly asks if he’s osaragi and introduces themselves as his bodyguards mozuku assigned to him. osaragi grumbles at the fact they’re just a bunch of kids and wonders if they’re capable at all. ichiro audibly reels in some anger and affirms that they can. well, as long as they don’t fck up, the money is his and osaragi commands them to stand off to the side so they don’t kill his drinking vibe.
they step away and kuukou swears at osaragi under his breath, calling him a pig. ichiro feels that and let’s kuukou know it’s fine if he’s not up to it and can go home. kuukou again chides ichiro, saying a partner is supposed to always stand by his side. besides, he’s looking forward to beating up some small fries.
kuukou: so i’m not leaving
ichiro: *chuckles* well, i’m glad you have my back, aibou-san
kuukou: *softly laughs* that’s right, just leave it to me!!
the moment is ruined when osaragi beckons them over like they’re his pets. very disgruntled, the two approach osaragi, who asks them if they drink tequila. kuukou firmly tells him he does not. osaragi insists tho, they can drink and do whatever they want to the women here, since they all owe him money. osaragi passes kuukou a glass imploringly, but kuukou, in a fit of anger, takes the glass, repeats he’s not drinking and makes to make a mess—
but ichiro stops him.
osaragi sneers at them, and ichiro declines for them, saying they’re here to bodyguard him, not to play around. osasari groans that they’re so uptight and sends them back to their spot since they’re making his drinks taste bad.
kuukou is ready beat the stuffing out of a pig.
ichiro quickly tells kuukou to calm down, they just gotta put up with him for the night. not mollified but putting it aside, kuukou brings up how those girls are under his command due to their debt to him. ichiro’s concerned about them too, but they can’t make any moves that might put their situation at risk. the girls need to be the ones to ask for help. kuukou concedes with a sigh, saying that’s a rather adult way to look at it. ichiro denies this; he’s only able to come to that conclusion because of his experience in this line of work.
if something goes wrong and he’s blamed for it, ichiro would feel like crap. kuukou hums in thought.
the doors suddenly burst open and a man demands to know where osaragi is. osaragi is in a panic and yells at ichiro and kuukou to protect him. they step up, itching for a fight and to their surprise, it’s teshigawara. they asked what happened to the men stationed outside and teshigawara and his men laugh, saying they made for some good punching bags. ichiro doesn’t understand how they took out so many of them and teshigawara reveals his hand:
he has a hypnosis mic.
so that’s what it was, ichiro muses, and their men hadn’t picked up mics yet. teshigawara is confident they have the upper hand here and tells them no amount of grovelling will save them if they get in their way. is that a threat, ichiro asks but it’s the opposite really. teshigawara feels thankful to them for getting him to the top of extortion, so he’s offering them a way out.
kuukou chuckles and asks ichiro what he’d like to do and ichiro answers they’ll make their own way out.
they take out their mics, much to teshigawara’s surprise, and spit bars about climbing to the top as a diss to teshigawara hand me down position.
their rap sends them flying!!!!
both ichiro and kuukou taunt their fallen enemies and it’s then osaragi shows himself, surprised the brats completed the job but pleased. kuukou scoffs at him and ichiro, job complete, excuses them from them scene.
but osaragi stops them from leaving, and demands they stay on as his bodyguards. he thinks they’re very well suited for this kind of work and offers to pay three times as much as mozuku’s offer. ichiro refuses and makes to leave again, but osaragi instantly knocks the price up to ten times the amount!!!! and offers up the number one hostess of the joint!!!! and they can have their pick of any of women he has under his control, repeating they can do whatever they want with them.
kuukou walks up to the lady osaragi is presenting to them, and tells her,
kuukou: hey miss. if you always hold your tongue, then nobody will ever understand what you need.
hostess: …………..please help me.
kuukou huffs, satisfied.
kuukou: ya hear that, ichiro-san??
ichiro: loud and clear. osaragi-san?
osaragi: so we have a deal??
ichiro punches the living daylights out of him. no they do not.
kuukou teases him, like whatever happened to not interfering where they aren’t welcome?? ichiro quips back that times change which draws out kuukou’s gremlin laugh, oh is that so??
ichiro lets out a deep sigh and says it’s time to go home.
as they set out, it strikes kuukou that they should make a team name for themselves.
ichiro: is it really that important??
kuukou: stuuuupid of course it is!!!! it gives proof that it existed.
ichiro: *pouty* well in that case, go ahead.
kuukou: but what would be a good team name……?? well, since ichiro’s suuuch a rebel, why don’t we go with “naughty monks”?
ichiro: that has nothing to do with me at all???
kuukou: you don’t think so?? then how about—
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the scene changes for the final time and a man is on the run. he very quickly runs into a dead end tho, and, exhausted, turns to reckon with his fate.
kuukou: *laughs* i gotta admit you’ve got some big balls to be acting up in our territory!!!!
man: who……. who the fck are you guys?????
ichiro: we’re ‘naughty busters’, asshole!!!!
#this is vee speaking#share it with your friends tell them a mediocre summary has dropped#get it out to as many people as possible so they can laugh at the inaccuracies and roast me for trying#and get so petty about it they make their own tl and we finally get this track tled#i literally dgaf at this point i am desperate LOL#i tried to line by line tl conversations i felt were important to ichiro and kuukou but never trust me and my basic ass japanese lmao#but it’s full of these little moments of their ideologies shifting and adjusting to each other AND I THINK ITS FASCINATING#LIKE THE WHOLE SCENE OF ICHIRO KINDA UNWILLING TO HELP THESE WOMEN OUT OF THEIR SITUATION IN FEAR HE MIGHT MAKE THINGS WORSE#AND KUUKOU LATER ON PRESENTING HIMSELF AS THAT FIRST STEP TO GETTING WHATEVER HELP IS NEEDED IS AMAZING POETRY#ICHIRO CYNICISM SUBTLY CHALLENGING THE WAY KUUKOU ACTS WHENEVER ICHIROS IN THE LEAD#BUT ICHIRO FINDS WAYS TO DO GOOD AND FEEL GOOD WHENEVER KUUKOU TAKES CHARGE ITS REALLY GOOD#and pls listen to the track lol if you just read thru it and thought it was kinda gay then you won’t be prepared for how gay it sounds lmao#naughty busters
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just remembered how terribly katy perry flopped with her pop-feminist "satire" music video a few months ago:
youtube
artists that did it better this year:
youtube
youtube
#albeit VERY different approaches#doechii weaponizes the male gaze to disarm the viewer while talking about how dangerous she is. she is NOT the opp you want#it also articulates ''people underestimate me. they underestimate and objectify black women''#she uses the jackhammer correctly in over 100 degree heat in the desert. she's putting in WORK just like she is in her bars#there's also the ''i have to censor my own fucking chest because of societal norms'' and we cannot ignore that. the censoring is her doing#in this way. she also paradoxically holds agency in saying ''no. i won't let you see my breasts''#also i'm not an expert on blaxploitation films but doechii is absolutely pulling from those as well. esp with her Mandigo reference#CHANMINA on the other hand says. ''i am going to subvert every expectation you have of japanese women''#''you don't want to respect women who are larger. who wear makeup. who are pregnant. who are sex workers. who have tattoos.#you want us to be passive and quiet and conformist. and i reject this premise. women can do whatever they want.''#it rips the male gaze to shreds#flashing video
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me: oh wow an ffxiv theory/meta post! i love these even when i don't agree with them. i wonder if this person will highlight an underdiscussed aspect of the setting, or reframe someone's characterization interestingly the post: "in the original japanese--" me: unsubscribed. blocked. reported. hie thee hence and never darken my door again.
#ffxiv#it's written in tokyo! we are talking about people who if they had a translation question could *walk down the hall and ask the writer*#it's not the english version's fault that you're a coward who's afraid of subtext and subtler characterization#even if it was intended as direct translation 99% of you lack the japanese fluency to appreciate any degree of nuance#and you frankly clearly can't appreciate nuance in english to begin with! so how could you know if it's conveyed correctly.#my favorite example is haurchefant. a lot of people complain about him being 'toned down' in english#which 1) he is. it's culturally necessary. if EN haurchefant talked about your sweat and offered you a 'warm bed' he'd be loathed#he'd come off as sexually aggressive towards women and as bad mlm rep. fans would DESPISE him.#different audiences have different values. he has to be written slightly differently to land in the same way he does in the original.#2) no he's really not. like sure the text of his lines gets toned down. but he's still absurdly into you. he's still a weirdo thrillseeker#there's still SHIRTLESS MEN WORKING OUT IN HIS OFFICE LOL#a lot of people complain that the english version is too aggressive or people are too mean and it's like...these are different contexts#like there's sooo many alisaie lines where people are like 'she's more of a cute tsundere in jp she's mean in english' and like.#alisaie is 100% an american tsundere in english. the localization team just knows how tsundere archetypes come off in english#which is to say straightforward tsundere shit tends to scan in english as either incredibly childish or cumbrained nonsense#and they have in turn written her with just a slightly lighter hand and more culturally intelligibly in english#she's a teenage girl who covers her sensitivity and inability to stop caring by putting on an abrasive front. that's a tsundere#alisaie is sort of an insane feat of localization. new levels of technology previously unheard of#'alisaie is like my badass wlw little sister' okay...yes. let's go with that. please ignore the ass shots in the trailers.#shitpost: i got a good feeling
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IKUGUSARE - NIIGO
cw for eye gore and body horror
i painted the basis of this a long time ago and never finished it so heres me making good on my scary girliepop and finally finishing her up. painted this on the wicked expensive software i had to use for college before my subscription runs out. i know theyre not vocaloid but their fandom kind of intertwines with vocal synth fans so im tagging with vocaloid.
thank god scary ass girls exist am i right
#corel painter#digital art#digital artist#vocal synth#vocaloid#music artwork#ikigusare idols#japanese idol#eye horror#gore#body horror#cw: gore#cw body horror#cw eye horror#horror art#niigo ikigusare#my art#artists on tumblr#art#artwork#lalala i love scary women#not much else to say here but i hope its enjoyed. kinda scuffed but i like it that way for this piece i think
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A post-canon, pre-reunion No. 6 playlist for Shion. This playlist follows Shion from the end of Volume 9, through Beyond, until just before he reunites with Rat. It concludes right before the events of my story, Summer Rain.
In the Country - La Luz There isn't one thing that I wouldn't do for you Why leave?
Good Grief - Dessa But I’m willing to work for this Just show me where to dig And I’m ready to hurt for this
I Don't Trust U Anymore - Left at London As a kid, I was idolizing millionaires and all the presidents But I don't trust them anymore No way, no way, no, not again And I may never trust at all No way, no way, I'm over them
Working for the Knife - Mitski I always thought the choice was mine And I was right, but I just chose wrong I start the day lying and end with the truth That I'm dying for the knife
Glass House - Screaming Females Whose house is this? A gift was promised Future structures till we all vanish
The Center Won't Hold - Sleater-Kinney I need a real affliction Gives me a reason to stay I need a new reflection Don't wanna see my face
Fear the Future - St. Vincent When the Earth split in two I was I, you were you I run for you Run for me, too
Kokomo, IN - Japanese Breakfast God, I wish we could go back there Left alone in my room I know they deserve you too And maybe I'm not that worthy
#no. 6#no.6 novel#no. 6 shion#no.6 shion#nezushi#More description:#In Beyond we see that Shion is super depressed and we see him make a power grab#so this is about his journey from grief over Safu's death and Rat's departure to trying to do the work on the Restructuring Committee#but eventually realizing that they're STUCK in old patterns all the other cities suck too so there is no just future in reform#1 is the end of Vol 9 where - why can't we just make this into somewhere we can both live#2 is about Shion trying to work through his grief re Safu (and Rat leaving) to do the work of “restructuring”#3 is his motivation for breaking shit down and “restructuring”#4-6 about realizing that “restructuring” is insufficient because all the city-states are fundamentally exploitative#7-8 are about essentially giving up and desperately wanting to see Rat again#And some extraneous info...#1 La Luz is a Seattle based all-women group and their instrumentals are HYPNOTIC imo#2 Good Grief seems really good for Shion dealing with losing Safu and not having time to process until way after#3 re the l@l song I feel like shion is like ok nezumi told me not to change but i also can't trust anything i ever learned before this#i know shion did not idolize the president but he was TAUGHT to do that and the point is he doesn't know where to look for guidance bc#Rat is gone. but like also i wonder if he's like wow i've basically just been dumped fuck the world#Left at London is a trans woman who sings about cool shit like taking down the government so she had to be here#4 i feel like after he kicks Yomin off the RC he's probably like that was for sure the wrong decision and also i should have gone with my b#also i love mitski and was deciding btw this one & Nobody#5 this is like extreme disillusionment. we were supposed to be doing something good but it's all still rotten!!!!!!!!!!!!!!!!!!!!#screaming females is also all women and so are the next ones so this is unintentionally an all women playlist haha#6 i love sleater-kinney and i feel like this fits shion well bc he was sort of everyone's light and now he's like never smiling#(per Karan in his Beyond chapter)#7 is so relatable. like please just tell me what's coming next!!!!#8 is the long distance theme song fr + i love japanese breakfast
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I went to chinatown today and finally managed to find some gochujang sauce
#have a way too hyperspecific meme that is for noone but me#manchester#manchester chinatown#gochujang#food#meme#homemade memes#not me standing at the japan and korea shelf in the middle of the shop holding my bottle of gochujang#silently mouthing japanese words as I try to read stuff and fail to recognise like half the kanji I should rly know by now smh#I did however also manage to find a sewing shop near affleck's which is very good#and bought a bunch of clothes at the a bunch of charity/vintage/thrift shops around there#including cute tops from the women's section that actually fit my flat-ass post top surgery chest and I am HYPE about that#I am still not used to actually going to central for errands#london brain can't compute not just buying everything in your own neighborhood and central not being a bajillion miles away
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According to Ellis, women are fascinated by male strength, but they have no opinions about male beauty. Insensitive almost to the point of being blind, they have a discerning eye for male beauty not greatly different from that of the normal male. (Forbidden Colours, trans. Alfred H. Marks, Penguin edition p. 94)
oh mr mishima you would be pleasantly surprised by kpop stans. perhaps even disgusted
#shrimp thoughts#my mother yesterday: is this all we are as women? to fawn over and get stupidly excited over men's bodies and what they have in their pants#because some kpop girlies were thirsting over jk on twt apparently. lady you are in kpop guy thirsting corner of the website#augh no but seriously while i loved confessions of a mask forbidden colours is... A Journey certainly#50 shades of misogyny in which all men are convinced women are the oppressing class except every time a female character appears#even if the narration is going out of its way to tell you the reader about how stupid and limited and suffering in its misery she is...#it's like. yknow if not for the stupid ass men and the misogynistic society this girl would've been happy.#eeeeevery single time i see female characters casually wondering if their partners have someone on the side -- which should be a deal#breaker but isn't -- and just bear it in silence instead of cutting the bitch off once and for all i am mentally looking into the camera.#shunsuke fucking. 'is amazed that 'and old person with kidney disease could do him so unwitting a bodily injury just because she was a#woman' and then the bodily injury is that she gives him her dead husband's necktie pin which he puts in his pocket and forgets about#and then later he puts his hand in his pocket and pricks his fingertip on it. this is what kinda person shunsuke is lmao#'i don't want to read the classics! they're all just old misogynistic white men!' diversity win! this classic has old misogynistic#JAPANESE men instead!
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caught up on the new hypmic ep news and . by god dont let the chinese fans know about the honobono track cuz theyre gonna be REJOICING over that
#moondrop.txt#hypmicposting ^_^ sorry but not really#like the new lore bit about her is soooooo terrifying in a ''oh NO shit is gonna go down'' way#like girl wdym she brought her ENTIRE SQUAD with her when she skipped town#SHES THE HEAD OF THE CHUUOKU SECRET POLICE WDYM THE HEAD OF SECRET POLICE SKIPPED TOWN#if i was living in hypmic universe japan id be MOVING TO A NEW PLANET cuz what the Fuck#also the fact that the chinese fans genuinely thinks that her coup is gonna be a net good for hypmic japan like nahhhhh#like chuuoku is not great its authoritarian its r*dfemmy its passing laws that dont help with any societal problems#like women were being assaulted in various ways in post hypmic ww3 but like . nothing much changed for women outside of chuuoku#after canon begins either#like the lack of any substantial change and the segregation of and tax unfairness for men is the point . like its saying that this is#a Bad Way to Solve Societal Issues#but the way the chinese fans view feminism is soooo radfemmy to the point where they think the party of words just isnt authoritarian ENOUGH#and they think that honobonos coup is gonna change that for the better by making the hypmic japanese society even MORE CRUEL#like im sorry but we NEED media literacy oh my god#anyways sorry but not really again for hypmicposting ^_^ i have hypmic in the head all the time
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#fandom ick discovered#people who pick the characters they like based on identity#'i like this character because she is a woman#even though if i actually sat down and thought about it maybe liking a genocidal character with fascist leanings#is maybe not the way i want to support women and stand against misogyny'#or 'i hate this character because he's a straight white male and ive had enough of those irl'#like ma'am hes an animated japanese character shut up and sit down your performative activism makes me want to throw a brick at you
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