#i like the double foreshadowing here

[uozlulu]

[skitskatdacat63]

2023 Dutch Grand Prix - Fernando Alonso(ft. Max Verstappen & Pierre Gasly)

[writerpeach]

Studious Seduction

Oh My Girl Arin x m! reader

10k words

Thanks to @i-am-lifeform24 for help with editing

Part One | Part Two

---

Read on AO3

"This seems like a bad idea, Miss Choi."

"It's a terrible idea, professor. Which is why we're doing it." 

Without a doubt, there’s very little chance that you won’t be spotted here. Heading up a stairwell that leads up to who knows where is hardly ideal, especially with the sudden rain shower that's started to pour above, foreshadowing this bad decision made in tandem. 

Yet, you’ve never been one to make the best choices. An inappropriate relationship with one of your students has to be ranked at the top of the list, wrong for a myriad of reasons—all that could get you fired. Still, it somehow continues unimpeded, knowing the risks, both of you doubling down even. 

At this point, you’re not sure if you’re a bad influence on Arin, or if she’s a bad influence on you. 

To make matters worse, today’s outfit of choice is this poor excuse for a school uniform that draws all your attention. A risky little ensemble that consists of a white shirt and black tie combo that only pretends to be proper, covering very little of her midriff, as well as this dark little pleated miniskirt so short it might as well not exist for how little of her thighs it hides. It leaves more of her creamy skin uncovered, and being her professor, you know it's not appropriate to look—yet you can’t stop yourself from doing so anyways. 

And then there’s those dark frames on her face, the cherry on top that puts this whole thing together, that takes her from an innocent, responsible student more than invested in class, to this devilish vixen who struts into your office, demanding to be ruined, never taking no for an answer. 

There’s almost no room for imagination, offering you such an obscene view when Arin heads up the stairs, purposefully walking in front of you with slow, deliberate steps. You can see the shape of her perfectly round butt cheeks exposed, her tight fitting thong doing anything but covering up delicious pale flesh. Of course, she knows exactly where your line of sight goes when you walk behind her, making an effort to shake her wide hips a little more with each step, giving you a shameless view of her tight, succulent ass.

This outfit is every dress code violation she could possibly make rolled into one. 

But who's going to admonish her? You? Who can't even think logically at the moment when all your thoughts have turned to mush? Not a chance when all you want to do is slip your hand between her thighs too delicious to resist until she makes a mess on your fingers, the floor, and anywhere else that becomes collateral damage.

Right now, you have the perfect opportunity for exactly that. You’ve lost track of how many steps you’ve walked, but eventually, the stairwell comes to an end, with a set of metal double doors that leads up to the rooftop. As good a place as any other, you think, especially when there's little reason anyone else would want to venture towards the top level during this never-ending rainstorm.

“Here?” you question, when Arin presses your back against the cold wall just underneath the final level of the stairwell. A solitary gaze into her eyes is all you get before she wraps her hands around your neck and plants a heated, sloppy kiss on your lips. She nods in affirmation, but doesn’t give you the time to catch your breath, slipping her tongue into your mouth to make an attempt to taste all of you.

“It's really open here. Pretty easy to get caught," you tell her when she moves from your lips, placing wet kisses across your jawline, moving lower down to your neck. 

"That's the point, professor." Arin places your hands firmly around her waist, leading you exactly where she wants your touch. Her legs spread a little further apart so you can push her skirt up, revealing just how tiny of a thong she's wearing. "I don't care if we get caught. Make a mess of me—" 

She sighs when your fingertips press against her clothed core, so aroused you can already feel her slick leaking through the flimsy fabric. You add more pressure in response, rewarded with Arin's soft gasps against the sensitive skin of your neck.

"We could get in a lot of trouble, Yewon," you breathe out, barely paying attention to anything beyond this. In fact, you hardly care about what could go wrong either, so consumed with lust, one singular desire that Arin shares, and your fingertips ache to slip underneath these panties and sink right in. 

"When has that ever stopped us before?" 

She has a point. 

This is risky as it gets. And that’s what makes it all more exciting. 

Without wasting any more time, you slip a finger underneath the fabric of her panties, into her ridiculously warm cunt. A second one slides in right after, and soaked as she already is, barely puts up any resistance, the entrance of her tight little hole eagerly swallowing you up.

“Professor—“

A few strokes is all you manage before Arin throws her head back in delight, rolling her hips, moaning from nothing more but your fingers slowly pumping in and out of her needy cunt. 

Arin clings to your shoulder as the tempo picks up, her other hand quickly traveling down your torso until it reaches your pants. She finds the button to your slacks right away, unzipping them to slip a hand inside your boxers. You let out a groan when she runs a gentle hand along the length of your shaft, slow and teasing—until she wraps her entire hand around it and grips you tight.

“Yewon..." A wave of pleasure rushes through your whole body. She's stroking your cock with such a perfect grip, slender fingers reaching down to fondle your balls, eager for what they’ve stored up just for her. Meanwhile, the sounds that come from her own throat as she rides your fingers become a necessary distraction, urging you to thrust into her a little faster, a little rougher— 

"How many loads are you going to give me today, professor? I hope they're all as thick as they were yesterday—"

It's rather ridiculous, the things you hear come out of Arin's mouth. The demure looking girl in the front row, raising her hand up high, blushing just at the sight of you, now says the filthiest things when she's got her mouth on your earlobe and her pussy filled with your fingers. She's every bit the opposite of an exemplary student, but you suppose that's your fault, given you're the one who's trading straight A's for the roughest, raunchiest sex that almost always ends up with you finishing inside her. 

But the way Arin sounds when she moans directly in your ear, riding your fingers so selfishly while they stay buried inside her cunt, it makes you forget all that. None of that matters. All that does is satisfying her needs and yours, and you won't stop until she's absolutely drenched your fingers, even if it ruins that pathetic pair of panties. 

"Don't stop, professor. I'm so close…"

She's lost all inhibitions in her frantic desire to keep rocking her hips hard against your fingers. You can feel the tension about to snap, her walls squeezing the life out of your slick digits—all while she tries to keep a steady rhythm in her own pumping, giving your cock a good squeeze each time your fingers plunge to the hilt.

"Professor, please, don’t stop, don’t stop—" Arin’s breathing grows unsteady, heavy, and she gasps for air between every syllable that escapes her lips. You’ll do everything to oblige her, steadily thrusting, curling your fingers to find that sweet spot that gets her to moan the loudest until she lets go of your cock, clinging her entire weight onto you.

"You're gonna make me fucking cum—"

Nothing gets said in response, obeying Arin’s pleas, an uninterrupted stream of juices beginning to coat your fingers while she lets out one continuous moan, unable to speak coherently upon climax. Biting down hard on her bottom lip, she nearly draws blood before the wetness gushes down your fingers, rendering her panties useless, completely ruined with all this sticky arousal.

Her walls flutter around you, this explosive orgasm lasting far longer than you expect—but you don’t let up, pumping away as she spills more, riding this out until it turns into a second one shortly after. And when you press your thumb firmly against her clit, right as she starts to come down from her high, the violent trembles in her body repeat, sending her over the edge a third time, forcing her body to shake against yours, another loud, shameless moan spilling out of her in overstimulation. 

It's a wonder how the rest of campus hasn’t heard the screams echoing all the way down the staircase. Were it not for the rain pouring overhead drowning out her cries of pleasure, it would be near impossible for anyone passing by to not hear a thing. So you’re blessed by the rains, both above, and between Arin’s sticky thighs. 

After it’s all said and done, she can hardly support her own weight when the sensation of your fingers inside her becomes too much for her oversensitive cunt, Arin’s sweaty frame nearly toppling over as she breathes heavily. Good thing you're right here to do what she temporarily can’t, clinging to your body, your hard cock still poking against her as you keep her upright amidst these intense aftershocks. 

"That was, fuck—you've really outdone yourself, professor. I can hardly stand."

When you pull your fingers out, you can’t hide the smirk that spreads across your face with all this slick clinging to your fingertips as she leans on your body to take a breath. The praise washes over you while Arin unexpectedly grabs your wrist, bringing your soaked fingers, all the way up to her lips to fervently suck the delicious liquid off. 

You intently watch her lick herself off you, tongue lewdly swirling around the length of each wet digit, making an effort to swallow all of her mess. Her lips glisten with spit and wetness, a ravenous look in her bespectacled eyes as she cleans whatever she can, tasting every drop of her delicious essence, staring at you seductively until nothing is left. 

"Guess I don't need these anymore," Arin says after a pause, gradually recovering as she peels her drenched thong down her legs, letting it drop to her ankles before she slips it off, stuffing it into your front pocket. A cute little smile later, and she looks more than eager for what's next, unable to tear her gaze away from how hard you’ve been left thanks to her. 

"I should finish what I started, don't you think, professor?" 

You don't even get to answer when Arin drops to her knees on the cold floor, tugging your pants and boxers further down, freeing your cock that so desperately needs it—so desperately needs her. With a cute, light giggle, she spits onto your swollen shaft, pumping the entire length with her delicate fingers, a low moan rising in your throat as she pays extra attention to the underside where she knows you're the most sensitive.

Her slender fingers work up the length of your cock, coming back down with a grip so wonderfully tight. She’s so ready, so eager to have her soft lips around it already. You can practically see her salivating when she leans in a little closer to lap her tongue around your cock in one long, lazy lick, pressing her lips into a light kiss on the tip of your shaft. 

“Yewon—“

You can’t hold in a grunt when Arin rubs your tip against her mouth, not opening up enough to take you whole yet, instead tracing her full, soft lips over your needy cockhead. 

“Don’t you worry, professor. Gonna make you feel so good. I promise.” 

The anticipation explodes all at once as she parts her lips, slipping the entire head of your cock inside. The moment her wet mouth makes contact with your shaft, you groan at the sudden warmth, a sharp contrast from her icy cold hands. She takes more of your length down, hollowing her cheeks, keeping an intense, erotic gaze while slowly bobbing her head up and down. 

"Mhmph—" Her warm breath sends shivers down your spine as her lips slip further and further down, the tip of her tongue flicking against what hasn’t disappeared into her mouth. You can’t help but let out all types of unabashed moans while she guides more of you inside, spit dripping down to your balls as she slides deeper, until nothing of you is left to swallow up, the head of your cock hitting the back of her tight throat with ease. 

"Yewon, fuck,” you say, nearly breathless, and the way Arin looks up at you with her mouth so proudly sealed around every inch—there’s nothing better. “I'll never get enough of your pretty fucking mouth.” 

Arin hums against the length of your shaft at your praise, working more of her magic on you, lips getting down so devastatingly deep against your base. She’s oh so eager, so unwaveringly committed to covering every single inch in saliva. Her hot little mouth slides down effortlessly, bobbing her head back, each stroke just a bit sloppier, a little wetter than the one before, with zero intention of giving you a chance to gather yourself.

“Nobody gives a blowjob like I do, right, professor? Nobody can make you cum as hard as I can. I love being on my knees for you so much, being a good little slut for my professor. That’s what I am, aren't I?"

Nodding your head is all you can do, breath heavy in disbelief of how good this oral assault is, the enthusiasm on display really proving how much Arin enjoys having your cock shoved down her wet, inviting throat. 

You’d sacrifice your entire livelihood for a blowjob like this. 

It’s quite simple to lose track of how many times her talented mouth takes your entire length down, so good at pleasuring you it's impossible to find words. The way her wet tongue flicks against your slit when she slides off, only to have you plunging all the way back into the heat of her throat—it's far, far too good.

"I want you to cum on my face, professor," Arin tells you, so casually as she pulls away for a brief second before going right back to licking up the length of your hard cock, spitting all the excess saliva over the rest of you. Then she’s back to placing hungry wet kisses against each inch, her tongue making a slick path before she gives the leaking slit of your cock another teasing, torturous swirl. "I want all of it."

At this rate, you think you could blow a load anywhere she wanted you to, already so close to bursting just at her tongue lavishing your cock with these feverish licks. She has this way of making you feel so special, like worshiping your cock is all that matters to her, your pleasure the most important aspect in her life. Her greedy mouth proves just that, making you groan so easily, especially when she dips down to pay attention to your balls and slurps so messily on them like she wants your load at any cost. 

A few lazy licks down your sack and you’re back down her throat—just trapped there helplessly as she holds you, her pretty mouth so goddamn overwhelming when she swallows as much of your length as she possibly can, not showing even the slightest hint of strain. Her full lips stay motionless when they slide right down to your base, gaze locked tight, making your cock throb within her tight, wet throat. 

“Stay there, Yewon, shit,” you groan, hands clutching her head against your crotch to speed up the path to climax. Each second she remains there feels like absolute heaven, fostering all this unbearable bliss, all while those doe eyes speak for her when her mouth can’t—impatiently waiting, desperately wanting to empty your balls. 

When she releases her lips from your length, there’s a sexy little gasp that comes with the messy string of saliva pulling her back down. Repeating the act, she plunges right back down, nose nestling comfortably against your abdomen, lips wrapped entirely around the base of your length. “Yewon, god, you know what’s gonna happen if you keep doing that.“ 

"Oh, you’re gonna cum? Want you to paint my pretty face. Don’t you, professor?” 

There’s no answer to offer other than what she wants, all thoughts drowned by another wet slurp when Arin once again takes every inch of you down her throat, the overwhelming warmth of her mouth suffocating your length. Then she rises, exposing your shaft to the cool air for only a moment until her throat tightens when you’re back down, fully sheathed. 

Arin’s so dedicated to hearing you moan that these steadfast strokes show no relent, slurping from base to tip, hair all a mess as she bobs faster and faster, maintaining never-ending eye contact that’ll be the death of you.

“Need it. Need it so bad, your hot cum dripping down my face when I walk back down these stairs. Can’t wait to feel how thick and heavy a load you’ll give me.” 

Her pace only begins to go into overdrive, picking up rampantly when Arin places her hands on your thighs for better stability, the hot slickness of her mouth far too much to handle. She takes every inch, all of you disappearing down, without needing to stop to take a breath, like she’s proving a point at how good she can get you off. There's no restraint as she bobs her head without inhibitions, sloppily, noisily, not even gagging when her throat delivers an unimaginable level of pleasure. 

"Oh my god, Yewon, fuck—"

With each desperate stroke, you're so close to that edge, quickly approaching the inevitable. The tightness in your balls grows beyond your control, and there’s no time to think straight when her mouth feels this fucking good, almost there, absolutely about to—

"I'm gonna fucking cum, Yewon," you groan out just in time, with no qualms about how needy you sound. One last slow descent down to your base, then Arin pops your needy shaft from her mouth right when it seems you’re about to burst any second. 

And looking as salacious as possible, she simply tilts her head slightly backwards, jerking you off while directing the tip of your cock straight at her face, eagerly anticipating the release that's about to cover her.

“Cum all over me, professor.” 

You let out a strained, guttural moan the moment your first pearlescent stream shoots out, streaking across the bridge of her nose. These frantic strokes don’t let up, guiding your milky seed that unloads onto the perfect target—her glasses, coating the lenses in white and getting it all over her rosy cheeks. Another strand fires off as she shifts your cock downwards, a thick stream blasting across her parted lips that deserve so much of this load for helping you reach an explosive release. 

She pumps, and pumps, until there’s nothing left, and by the time your orgasm winds down, Arin is a total mess, one you’ll never get tired of seeing your load plastered all over her. Her stunning features wear you like a proud smile, drenched in her handiwork, thick streaks that cling to her cheeks, those soft lips, and anywhere else it happens to land as she strokes your length to ensure not a drop goes to waste. 

That look is all too familiar when the weight of your load starts to drip down, an orgasmic feeling that brings a grin onto her cum-stained face.

“That’s a big load, professor. Just what I wanted," she says as she removes her stained glasses, taking a nice, long lick right over the lens and making a show of the entire thing. "I think I'm obsessed. With your cum. It tastes so good, but looks better on my face."

"Yewon—you're ridiculous, you know that?" you tell her as she carefully slips the glasses back on, and wipes up whatever has run off to the corners of her lips, bringing her sticky fingers into her own mouth to slurp them clean.

"It's not my fault my professor's cum tastes so good."

But before she can even begin to clean off your cock, or savor what an absolute mess she’s covered in, the sound of footsteps nearby force her to stop mid-stroke, causing both your heads to turn with a shared look of panic. There's only enough time to tuck yourself back into your pants, but there's nothing to do at all about this massive load that's dripping all over Arin, nor what’s done a number on the stairwell. 

"Get behind me, Yewon. Quick."

Arin nods and does as you say, scrambling to her feet, also making sure her thong is still tucked away into your pocket as you zip your pants up. The sounds of footsteps echo louder, yet there's only one real way to escape this stairwell, because you're not going out that door when the rain hasn't let up one bit. 

When the moment those footsteps approach the stairwell entrance, they slow to a halt, making your heart beat faster. Arin moves fast enough to get behind you just in time, out of sight and behind your broad frame. And the two of you wait there, her body pressed against yours, trying to hold her breath, dreading to explain yourself to whoever just made this abrupt end to your fun. 

"Professor? Is that you?" The voice sounds so familiar, but you can't quite pick it out, too muffled by the rain. But there's no doubt you've heard this voice before. It's certainly one of your students, so at least you won’t have to explain this to a faculty member. "What a surprise, seeing you here!"

Normally, you'd have all the time in the world for pleasantries and small talk, but this is the last place where you can do anything of the sort as you try to shield Arin. From who exactly, you have no idea as they walk into frame. Their name escapes you, not that you really care when all you want is to get out of this situation. 

"Is something the matter, professor? Why are you standing there?"

"Oh, uh, nothing. I had some time between classes and came up here to check out the rain. It's not letting up is it?" You put on the best smile possible, knowing Arin can't be spotted right behind you. Luckily, your taller frame can block her body completely, and given how the area is poorly lit, there isn't much worry about the mess that's on her face at the very least.

"No, it isn't. We don't usually get so much rain this time of year, huh?" The unnamed student asks as she glances out the window, and for a brief second you fear the worst—but she doesn't seem to notice anything at all that shouldn't be there. "I didn't even bring an umbrella today either..."

"You might check the library, they'll have them."

"The library?"

"They used to offer some a few months back, but I guess everyone forgot. I'm sure they still have a few left."

"I might give that a try then, thanks. It's good to see you, professor." 

When your student smiles and waves goodbye, heading back the stairs without another word, you're able to finally breathe a huge sigh of relief, knowing the ordeal is finally over, despite taking years off your life. "Jesus, Yewon."

"That was close.” Her own breath stays ragged and heavy, almost completely forgetful to the mess you've left on her face that still glistens. "Good save. Really pulled that umbrella story out of thin air, didn’t you?” 

“Whatever it takes. Hey, they might have umbrellas. I’ve never gone there except to rail you.” 

Arin laughs, then suddenly remembers she still has your filth all over her. “Better go clean up I guess..."

"This was a really terrible idea."

"Hey, this was my terrible idea," Arin corrects with a grin that manages to shine through all the mess. "And I don’t hear you complaining about me giving you a nice, sloppy blowjob, professor.” 

“I could never complain about seeing my favorite student on her knees.” 

“I'll go on ahead. Maybe I'll see you later? For office hours?"

You say nothing more as you let her pass you to head down the stairs first, standing here a bit longer for your heart rate to calm before you too make your exit. You've got a class in under an hour that you haven't prepared for, and now how could you, coming so close from potentially losing your job. But yet, somehow, through all that, Arin was right—the rush of getting caught is exhilarating, but that was far too close for comfort. 

✦ ✦

So after all that, logic would dictate that you should be a little more careful, that maybe you should stop having sex with your student in places you're bound to get caught—but logic went out the window the moment you bent Arin over your desk for the very first time. What else are you going to do though, take her home to your apartment where there's actual privacy, where you don't have to keep quiet?

That sounds so very drab and mundane, and you'd rather spend another ten hours grading papers than go the proper route. You don't even know what you would do if you wound up in Arin's bedsheets, having all the freedom to rail her for hours instead of the thrill of being in public where you have to be quick and quiet.

There's nothing wrong or unhealthy with this relationship. Not one bit. 

You've told yourself on multiple occasions that you should dial it down a notch, not meet quite so often, or at least not in places that will put your career at risk. After all, your luck is going to run out one of these days, and the day could very well come when more than just a student catches the two of you, maybe one of the other professors, or god forbid the university staff. 

And then it's all over for both of you. 

Yet, there isn't a day when you don't seek each other out, find some empty closet, a vacant faculty office, or that spot near the back of the library that's so dusty that no one frequents. 

The risk is almost as good as being balls deep inside Arin itself. 

You can't exactly help yourself when she wears these slutty little outfits that practically beg you to rip them off her, nothing but the shortest skirts imaginable to class, where you have to stop your eyes from wandering throughout the entirety of the lecture. 

Arin sits in the front row for a reason, and that's not to get a better view of the whiteboard. No, it's so she can spread her legs open when no one's paying attention, flash whatever sexy pair of panties she has underneath (or the lack thereof on occasion), and sometimes even play with herself so she can show off how wet she is. 

Somehow, no one's really noticed how often you have her in your office, where there's less talk about class going on, and more your head buried between her thighs, or having her bent over your desk in some obscene position with her mouth stuffed by her ruined underwear and screaming through it.

With everything that’s transpired today, one would think you’d call it early and pack up. Not you though. Not even an hour has gone by since your close call, and Arin is in your office again, sucking you off underneath your desk while you work on grading papers—at least you should be, if only you could focus for more than a few seconds without this warm mouth slobbering on your cock. 

"I bet none of your other students can deepthroat you as good as I can."

"You said you were going to be quiet."

"And you said you were going to fuck me, professor."

You haven't exactly broken that promise, it's more like Arin decided she wasn't going to wait until you finished, always finding an excuse to get in her favorite position whenever she wants to suck you off. 

Luckily, for your students, you're going to be in such a tremendous mood after finishing in this girl's hungry mouth. These papers are downright horrendous—so fucking awful and unreadable it makes you wonder if you should intentionally pound Arin in your office with the door wide open, just so you’ll get caught, lose your job, and never have to deal with some of these students ever again.

Not even a few papers in and you’ve lost every ounce of focus, groaning while Arin empties your balls, her mouth right at your base when your spills right down her throat. With your fingers gripping the back of her head, it's impossible to not avoid bucking your hips into her pretty, sloppy mouth as she drains each thick shot from your pulsing cock, swallowing it all with pride to make sure there's not a single trace of your creamy release that hasn't gone directly into her stomach. 

"All those students probably failed anyways," she tells you, letting the saliva fall from her lips as she shows off her empty mouth with a pleased smile, planting a nice, loud wet kiss on your tip before getting back up to her feet.

"Yeah? Including you?"

"Of course not, professor. We both know before you even look at my paper that I've got a perfect grade." 

"Is that so? And what have you done to deserve that, Yewon?" 

Before you've even gotten your pants back on properly, Arin is already claiming a spot on the edge of your desk, undoing her tie so that it hangs loosely around her neck, and then spreads those luscious thighs as wide apart as they can go, her gorgeous, dripping pussy on display without any underwear in the way. "I can think of a few things. Doesn't emptying you down my throat count for something?"

"Hm, I dunno,” you ponder, shamelessly staring between those delectable thighs at what’s all yours. “Maybe a few points. That'll get you a passing grade at best."

"Just a few? What about all the times I've ridden your cock this week alone, professor? And how many times did you cum inside me?"

"I've completely lost track, Yewon. I guess that'll get you at least ten percent higher."

"How generous of you," she retorts, tone all full with playful sarcasm, unbuttoning her white shirt enough so you can see the color of her bra. It's purple, just like the thong in your pocket that serves as a nice trophy. "Are you forgetting how many times I took your thick cock in my ass until you blew your load inside?"

"Does that really count if you beg me to do so every time you step in my office?"

"Oh no, you can't blame me for how much you love my ass, professor. That's at least twenty points."

"That's a little greedy, don't you think?"

"Absolutely not. If anything, I deserve extra for all those times I let you fuck my face," Arin suggests, spreading her legs further apart to give a clearer view of her bare cunt that’s glistening so beautifully, accompanied with a set of fingers teasing herself for your benefit. 

"Again, you're forgetting the part where you keep dropping down to your knees and begging for it."

Arin can't help but smile, both at knowing you're right—and also how you can't take your eyes off the show her fingers put on when she rubs at her clit, getting wet so easily from playing with herself while staring into your eyes. It's the look on your face that drives her crazy and gives her the urge to show off even more, sliding two digits past her swollen lips into her tight hole, so eager to get herself off in front of you. 

"What about now, profess—" she asks before a moan interrupts her words, leaning backwards to prop herself up so you can watch every bit as she fingers herself. "Does this count for anything?"

"It depends. If you can make yourself cum without my help, then maybe, that'll bump up your grade, Yewon."

"Twenty-five. For making myself cum right in your office," she manages between hitched breaths, pumping her fingers deep in and out, almost bucking her hips off the table at her own touch.

"Twenty. You're not there yet, Yewon," you correct, watching Arin roll her head back with her eyes shut, so beautiful when she's in bliss, achingly sexy how her slender fingers disappear knuckle deep into her own cunt. You've barely had any time to recover since emptying your load down her throat just a minute ago, but the mere sight is more than enough to have you as hard as the wooden desk she’s writhing on. 

Arin reaches down to further unbutton her shirt, giving the full glimpse of her breasts covered up in that pretty lace as her tight frame falls back against the cold surface all splayed out. While this shameless girl continues fingering her pussy, you simply enjoy the view, stroking your cock every few seconds to spur her on. Every desperate moan and gasp from her lips gets louder, all that nectar trickling down between her spread thighs you’re dying to lick clean—but you won’t, because she has to do this on her own. 

You let the lack of words exchanged linger in the air while Arin fingers herself a bit rougher, moving a bit more frantic, knowing all the signs from experience that she isn't too far from that much craved release. 

“Professor," Arin breathes out, the quiver in her voice an obvious indication. Her fingers get so drenched, pulling them out from her heat for a moment to reveal how sticky wet they are as she groans, not bothering to hide how she slides them back in to curl right into herself. "Oh god, professor—“ 

When the pleasure becomes too much, when her back arches off the desk with breathless cries, there's no missing the split second Arin's entire body tenses up—thighs quivering, fingers buried so deep you can hear the wetness while she shakes on the desk from the intensity of her orgasm. It's a moment of euphoria that's only reached because you're watching so attentively, eyes glued the entire time as she rides her fingers long past completion, toes curling, moans echoing through your small office.

Even when Arin is finished, she's unable to regain her composure for more than a few ragged breaths, eyes still closed while the bliss hits hard, long after her high. And you savor every second of her looking so beautiful in this post-climax haze, an absolute mess on your desk that you’re thankful hasn't soaked into your papers.

"Fuck, that was too good, professor," Arin murmurs, slowly pulling her fingers out from herself, just to rub her oversensitive clit, borderline crying from the overstimulation. “It’s too bad it wasn’t your cock I came on.” 

"Then maybe I should deduct points for that?"

"Hey, that's not fair… you just told me—I’d get points for making myself cum."

"I did, but—you would have earned extra for waiting for me to do it. Guess you'll just have to earn back those points another way."

"How exactly should I do that, professor?" Arin asks with the best faux ignorance possible, sitting herself up to scoot off the desk, then leaning down to wrap her slick fingers around your shaft. "If you bend me over and pound me with this cock until your cum is leaking inside me, would that be enough?"

"Perhaps. That would certainly help raise your grade some points.” 

"Give it all to me then," she pleads, giving your cock a handful of languid strokes, just enough to leave a nice trail of her slick along the entire length. "Fuck a load into me, professor. Fuck your top student all over this office."

"Top student? Really?" You can't help but laugh at that, knowing full well Arin is certainly anything but. Far from it actually, not even top ten. "Then I better go find her then."

"Hey! Just shut up and give it to me already," Arin says with that pout still intact, keeping these strokes going on your cock that make you throb so easily, and you’re not sure who needs it more at this point. 

"Fine, but not here. I'm tired of this place. Let's go somewhere else."

It's rather late into the afternoon, with the majority of classes for the day having ended already. That leaves enough of the campus vacant, lowering the risk of getting caught wherever you decide to take Arin—but the risk still isn't zero. Wandering around the university after hours isn't the best idea, especially when there are plenty of places for students to hang out, and worse, faculty offices open late.

So you keep it simple. 

You keep several feet ahead of each other, heading up a couple floors to that really small bathroom by the science department that no one ever uses because it doesn't lock properly. There are much bigger and better bathrooms scattered about, so everyone usually forgets this tiny, shabby thing exists, especially late into the day. Not the most romantic spot, but it’s suitable, and keeps you from scouring the halls without having to dodge other faculty and students. 

You enter first, flicking on the light, and do a quick scan around the room while Arin slips in, pulling the door shut as quickly as possible. There's nothing but a toilet, a sink, and a mirror, but most importantly it looks clean, which is the most important thing. It's not that surprising given that nobody really uses it to begin with.

It’s as perfect a place as ever. 

Double checking the lock still doesn't work, nothing has changed on that front. Arin quickly moves to lean against the wall, and she’s already unbuttoning her shirt, all the way this time, to give the full view of those perky breasts without any bra to ruin the view. You're on her in a flash, claiming those lips with a kiss full of nothing but aggression to match just how badly you want to ruin this girl right now.

"Fuck me," Arin urges as she palms your bulge through your pants, impatient to get your cock inside of her. Her fingers fumble with the button to your pants, thoughts clouded with desire, and she’s so eager to release your aching shaft, to give it all the attention it so desperately craves.

You’ve got just a modicum of patience left to not let that happen quite yet.

Instead, with your lips still attached, you pick Arin’s slender frame off the ground, and guide her over to the sink, placing her there as gently as you can. When she settles down on the edge of the counter, there's no hesitation to shove that tiny skirt up past her waist, revealing her absolutely beautiful cunt still left glistening in the aftermath of her orgasm from a moment earlier, and you're just dying to fill her all up. 

Still, somehow you hold back for a moment, to let it all sink in. The sight is divine enough, this privileged student of yours in this rather pathetic excuse for a school uniform, half naked, shirt wide open with her tits fully out, that barely-there skirt, and those sexy thigh highs that bring all the attention to her immaculate thighs that make you want to ruin her even faster. She knows that’s your biggest weakness, knows how weak in the knees they leave you whenever you get to slide them off with your teeth—but now they make her look like pure sin. 

"I know you wanna get that dick in me," she says, voice so sultry, and her thighs spread obscenely wide apart, so that every inch of her mouthwatering cunt is put on display with not a drop of modesty—not like Arin even knows what that word is. 

"Not yet. Haven't gotten to taste you today." As per usual, Arin’s been more than a little greedy, and it feels like she’s had her lips on your cock all day and this is the first opportunity to return the favor. 

Any protest in those pretty eyes doesn't last when her hands wrap around your skull, drawing your face straight between her thighs that you have no trouble diving into. With your lips feasting on her cunt right off the bat, you give Arin all the attention she craves so badly, licking along the length of her slit, all the way up until your tongue starts flicking at her engorged clit. 

"God, so fucking good," Arin breathes out, the silence in the empty bathroom getting cut with all her beautiful moans that ring out. For your efforts, you’re rewarded by her thighs locking around your head, as your lips get a tight seal around her swollen clit that has her grinding that delicious cunt all over your mouth. 

"Professor!" she chokes out, while continuing this harsh grip on the back of your head while you slurp on her clit so mercilessly, every bit hungry to taste all those delicious juices that spill out. "Oh my god, professor, oh fuck!"

Your mouth doesn't quit, because nobody tastes better than Arin. You're an addict, every bit obsessed with this girl's cunt since the first time that you slid between these thighs. There's nothing you love more than this, her taste lingering on your tongue, all while these delicious thighs squeeze around your head, suffocating you perfectly as you eat her out with so much fervor she almost can't handle how good you make her feel.

"My god, Yewon—you taste so fucking delicious," you tell her between long licks, slurping on her clit without restraint to savor every last bit of her soaking cunt. "I can eat your pretty pussy all day. For hours and hours."

"I won't say no to that, professor.” Her desperate hands dig into your scalp to hold your face right there, exactly where she wants, where she needs, gasping when her hips grind down against you. "Fuck, your tongue is so, so good."

This is your favorite part about going down on her, being trapped between those perfect thighs that squeeze and tremble while you sloppily eat her out, drowning in her heavenly aroma and all this nectar, her delicious pussy that tastes even better the longer you indulge. 

It's never enough though, no matter how much time you get to spend with your tongue buried inside her cunt, or how many times she cums all over your face—the taste of her is heaven, and you love turning this girl into nothing more than a whimpering, quivering mess who can’t even think straight. 

"Just like that, professor, fuck, don't stop, oh my god, don't fucking stop, please—“

She whines so freely while grinding down hard against your hungry lips you can hardly breathe. Not that you have any problem about that, because you know exactly where Arin is, can feel those thighs vibrate all around you to know those limits are about to be surpassed, and you don't plan to let up for even a moment.

You ramp up your efforts in devouring her cunt without a moment to rest, your tongue all over her clit, sucking so harshly, so relentlessly, drowning in these delicious juices. It’s obvious how Arin's hips can't stay steady for a second longer, seconds from losing herself entirely. "Professor! Fuck, I'm so fucking close. Keep going, keep—oh fuck, right there, I'm gonna cum so fucking hard, fuck—"

Arin bucks her hips into your face with wild abandon, her juices smearing across your lips when you bring her to the verge of release, until she finally topples over completely. 

Everything goes muffled while she keeps her thighs squeezed tightly around your head, violently trembling throughout her orgasm as you lick her through the entire thing. Like every other time you've brought her over that blissful edge, it's beautiful, turning your face into a mess, and you greedily lap up everything that freely spills into your mouth from her overflowing cunt. 

When those thighs let off and relax, you look up at Arin's blissed out visage, completely enamored in the pleasure, shivering and trembling with a high-pitched squeal as you give her clit one more loud slurp for good measure. Your focus then shifts back to her messy folds, delving deep into them to clean up those juices she's gushing so profusely, a never ending stream of wet, sticky deliciousness. 

"Fuck, your cunt always tastes so amazing," you mutter, lapping at the girl's slick covered thighs, getting out every drop that leaks out with a few soft licks. Arin stays motionless on the counter, looking straight up to the ceiling while her chest heaves, still seeing stars.

After indulging a little while longer, and spending all the time necessary getting those warm thighs mostly clean, there's only one thing left to do. Your mouth pulls away, but only so you can yank your pants down to your ankles, your stiff cock aching to get inside of her. 

"Gonna fucking ruin you, Yewon. Hope you’re ready for me to wreck that tight little cunt."

"When am I not? Please, give it to me already," Arin desperately pleads, pulling herself from her haze to look at the throbbing length you're stroking as her eyes beg you to sink in and fill her up. 

Sitting herself up on the sink, she keeps herself propped up with her hands planted behind her body, spreading her thighs apart as far as possible, with her wet cunt presented so lewdly and invitingly. "Shove that dick right in me, professor. Give it to me as hard as you can."

Without another thought wasted, you slowly guide the swollen tip of your cock past those drenched lower lips, groaning unabashedly when all this slippery warmth welcomes you deep inside. It's far too easy, how you slide into her, walls so dripping with arousal that allow this ache to dissipate when you effortlessly impale Arin all the way, right to the hilt.

"My god, Yewon, fucking love this tight pussy," you groan as her walls clamp down, holding you right inside that delicious grip with no plans to release you. 

She's so soaking wet when you start pounding away inside, each thrust coated in all those messy juices as your cock bottoms out every time. Your deep strokes make full use of her open shirt, causing her modest breasts to bounce as her back hits the mirror with each hard slam. Arin clenches around you with such an unyielding grip as you pump in and out, loving how rough you are, how forceful your hips are, moaning louder and louder, still sensitive from the previous release. 

“And I love being stretched on your huge fucking cock.”

There's not an ounce of mercy in your thrusts, just pure carnal lust taking hold. Her wet folds remain parted, taking the full length of your pounding shaft, every last inch driving into that slick little cunt without restraint. You take advantage of how her legs drape over the sink, grabbing her thighs, spreading them to give you more leverage to angle your thrusts deeper, and she kicks her heels off to give you even more control, allowing you to use her body however you please.

"It feels so good, professor," she says, while each thrust stays rough and deliberate, buried to the hilt in her wetness. "This cock of yours—is so perfect."

"That's because your cunt is made for it," you groan, sweat forming on her skin under your grip as your hips slam against her. It's absolute bliss, watching the way her entire body responds each time you sink in, hearing her soft whines that she’s unable to hold any back while getting fucked so mercilessly over this counter top. "You take my cock so well."

"Of course I do," she insists, the biggest grin on her face that gets interrupted with more moans. "I'm the professor's favorite student, after all."

"But definitely the worst one," you fire back, fingertips digging hard into her bare thighs all wrapped up in these sexy thigh high stockings as they jiggle with every relentless thrust.

"So—how many points is this?" Arin asks, bracing herself against the mirror when you pound into her even harder, every inch of your cock covered in her sweet essence.

"As many as you fucking want, Yewon."

"Then make it a thousand. I can use them on the next assignment, right?"

"Use them on whatever you want, the final exam even. So long as I get to cum inside you."

"Of course, professor. Fill me all the way up. Cum inside me as much as you fucking want," she says, and those tits bounce more hypnotically every time you pick up the pace, slamming deeper with more force each time. After every plunge balls deep, that tightness becomes more overwhelming, urging you to give your all, as if the sight of her all sprawled out and creaming on your cock isn't enough already. 

It's merciless. And your hips start to reach their limit, but Arin's desperate cries of pleasure become so loud, that she has no choice but to muffle herself with her hand, almost forgetting that this seldom used bathroom is still right by the science lab—and anyone could be lingering around. 

"Fucking fill me, professor. Empty your balls. Just keep—oh god, fuck, fuck," Arin whimpers, the limits of her body creeping up fast as your cock pistons so harshly in and out of her hot cunt. "Wanna milk every last drop right out of you, make you cum so fucking hard."

"Only if you’re good and cum on this cock, Yewon. Cum all over me, and I'll fucking fill this cunt up."

"Yes, god, yes," she says, practically falling back against the mirror while you brutally hammer into her at full force. She barely keeps the coherence when it all peaks, when you feel those impossibly tight walls clenching around your cock, borderline painful, forcing you to use every ounce of strength to not burst inside her just yet. 

"Fuck, professor, this dick is so amazing—I'm gonna cum all over it, all over your fucking huge cock," Arin says as her pussy squeezes the life out of your cock with every impale in that wet, intoxicating heat. A flood of her fluids almost forces you out, an absolute mess that drowns your shaft in slick rips through her body without any care, and all you can do is fuck her through it. 

Even when her orgasm subsides, and she somehow becomes tighter, wetter, easier to sink into, you don't show any remorse while fucking her tight pussy until you can't possibly hold on any further. 

"You're close, aren't you, professor?" Arin gasps between collecting her breath as the pleasure begins to fade, watching the struggle you're going through to hold it back. "I know you are. Please, let me have all that cum. Blow your fucking load in me, let it all out." 

That's all you need to be shoved straight over the edge, taking a few final strokes before that pressure builds up to a boiling point, and nothing’s going to stop you when you’re about to burst. “Yewon—“ 

Her name barely escapes before you’re throbbing, letting out all types of lustful grunts while her pussy smothers you in  warmth, offering the best place for such a messy release of seed that shoots out, coating her insides the way she begs for. 

Your cock violently pulsates until you’re left with nothing but orgasmic relief, unloading shot after shot deep inside Arin with the thickest spurts imaginable that empty into her warm little pussy. These tight, tight walls take every drop, welcoming such a huge load that’s even somehow stronger than what her mouth did to you earlier.  

There’s no way you could do anything else with how delicious she looks on this bathroom counter. With whatever remnants of energy are left, you use all the power in your hips until they lose steam, remaining inside her euphoric cunt that refuses to relinquish you. You ride out wave after wave, each spasm pumping more cum into her, all this intoxicating bliss that feels like it’ll never end. 

And truly, both of you wish it never would. 

“Professor…” Arin can barely speak between breaths, riding this collective high that fills the room with heavy panting, and sweat glistens on whatever bare skin her revealing outfit offers. You’re right there with her, caressing her thighs, her messy cunt wringing out as much out of you as possible, like it doesn’t want your cock to escape, even after your entire load is buried inside that delicious warmth. 

“Came so hard on you, professor, fuck... I love the way your cum feels when you push it deeper, all the way into my womb. Wanna keep it all here until you’re ready for round two.” 

"You're fucking insatiable, Yewon," you sigh, dropping Arin's legs back onto the counter, which relinquishes the intense grip you’ve held, allowing her body a chance to relax. When your breathing returns to something somewhat stable, you lean over to give her a tired kiss, one that’s easily returned with whatever remaining energy she has. 

“Can you blame me when your dick is this good? It’s only your fault I turned into such a greedy little cumslut.” 

“Or maybe you were already like that before I even met you…"

"Yeah. Maybe."

Arin looks away as she starts to giggle, giving you a perfect chance to kiss that exposed cheek. When she glances back, you share an impossibly long stare, one that goes on far too long without words until you lean in for another kiss—

One that gets interrupted by a knock at the door. 

"Hello? Is anyone there? Custodial services, I'm here to clean up." 

You must have angered some kind of god for this to happen two times in one day. Even worse, there’s no easy way out of this while you're still buried inside Arin, the least of your concerns as this creamy mess threatens to spill out. 

"I, uh—need a moment. Spilled something on my shirt that won't come out. Be out in a bit," you blurt out, barely thinking while you look around at the poor bathroom that's been defiled. Arin can't help herself, covering her mouth to help from not immediately bursting into laughter as she fumbles to button back up her shirt. 

“You’re such a bad liar,” Arin whispers, but you just roll your eyes at her, glancing over the sweat on her body that you’d no doubt be licking clean were the two of you not nervously waiting to see if this unfamiliar man outside will buy your story.

"No problem, sir. Take your time, I'll be back after.” The janitor shuffles his feet, and you listen carefully, wondering just how obvious the two of you were being. When you can no longer hear footsteps, you release the longest sigh, and slowly pull out of Arin, along with an utterly unreal amount of hot semen that spills out. 

"Can't believe he bought that," Arin sighs while hopping off the counter, where more of your cum gushes out as soon as she stands up. "Can't believe you came so much inside me, either."

"If I recall, you were quite literally begging me not to stop."

"No need to be smug about it, professor."

Arin does her best to look presentable in the mirror and fix her disheveled hair, shirt only half buttoned, and skirt a complete mess, but it all seems so futile. There's no real way to hide how she looks after getting railed over the sink relentlessly, or the cum still dripping all over her thighs that she doesn't even bother to clean up. 

"We should get out of here before he comes back," Arin says after giving her appearance a once-over, making any minor adjustment to try and fix how ruined she looks. "Shall I leave first, professor?"

The question has only one obvious answer, but you still can't form your lips properly to speak it. "Not so fast, Miss Choi."

"Oh? Am I forgetting something?" Arin asks while running fingers through her hair again. You step towards her, pressing into her back to wrap your arms around her tiny frame before planting a kiss on the side of her neck.

"Yeah—me. You're not leaving this room without me."

You notice her grin in the mirror as your lips graze her skin again, nipping right on that sensitive spot that makes her gasp. 

"Don't tell me you're wanting to go again. After we almost got caught. Again—"

"No, not yet," you say between kisses, drawing closer and closer up her neck. "Need a little bit more rest for that."

"You poor thing. Did my pussy wear you out that much, professor?"

"You can barely stand upright as it is," you retort, taking your mouth away from her neck for a moment. Arin stifles a laugh that turns into a moan when your hand creeps up her skirt to touch her dripping folds still leaking your cum. "You need this a lot more than I do."

"Is that so? Well—fuck," Arin moans, unable to hide her body betraying her words as she grips the edge of the counter when two of your fingers slide into her without warning, pushing a mixture of her nectar and the load you pumped inside deep into her messy cunt. 

"It's too bad I can't continue this," you say, and withdraw those fingers from Arin's clenching pussy that so desperately tries to keep them in to no avail. "Let's get out of here. But you're not leaving my side."

"If you insist, professor." Arin has no further words, fixing up her skirt while so much thick seed oozes beneath. "But isn't it a little risky to leave together?"

"Probably. But besides, even if somebody does see us, so what? There's not much they can do about it even if they can already tell what just happened. And what are you always saying—how much you love the risk?"

"Guess I'm rubbing off on you, hmm?"

"Not a chance, Miss Choi," you correct, causing that grin across her face to grow wider. "I'm just tired of sneaking around so much."

"Me too, professor." 

You turn to leave, opening the bathroom door to poke your head around the corner. Luckily, there doesn't seem to be anyone around, only a couple of students you don't recognize standing nearby chatting, paying no mind as you and Arin sneak out successfully together.

“Where are we headed?” asks Arin as she settles in right next to you, something that's going to take getting used to. 

"Dunno. Cafeteria is still open. Guess we can head there first."

"Not if it's still raining. It's a bit of a trek, isn't it?" 

"My car's right out front. And if we so happen to take a little detour..." 

"Now who's being insatiable, professor?" she asks, with this little teasing giggle in her voice. 

“What? Who said I planned on doing anything with you other than grabbing some dinner? You know, I don't think you've had anything in your mouth today but my—"

"Professor!" Arin's not used to your conversation being this open, or being on the opposite side of being so flustered. "Save it for when we're not outside! Or better, the back seat. With the doors locked, preferably."

"As you wish, Miss Choi. Besides, but there's nothing I rather eat than your—"

She desperately covers your mouth to stop any further words from escaping as you head to the parking lot, surprised to see there's nothing but abundant sunshine now. Even more surprising is the fact nobody looks twice as the two of you walk together. Maybe it's luck, or maybe everybody here knows damn well what happens on campus between you two. 

And maybe you'll stop sneaking around campus every day, finding just enough time to spend the last half of your lunch hour buried between Arin’s thighs while she tries to hold her moans. 

But maybe you won't. 

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[slytherin-pen]

The Secret

pairing: Xaden x Reader

word count: 2.3k

warnings: ONXY STORM SPOILERS, DO NOT READ FUTHER

a/n: ok so during my reread ahead of OS i caught some foreshadowing whenever Xaden talked about family but specifically when Violet asked if he had any siblings. idk it just rang bells in my head, i honestly thought he would have a secret sibling but then we saw what actually happened..i’m still proud of myself like i caught that shit! anyways, here’s me giving my theory some life. also, happy day 5 of Xaden Week! @empyreanevents

“Xaden what is going on?” you ask as you jog to catch up to his long strides.

He’s been acting weird all day. Being short with you, not kissing you, and seemingly avoiding any physical affection since you and your squad arrived at Riorson House for your two-week rotation.

It was your first rotation in Aretia from Basgiath since leadership came to an agreement of sorts to both protect Navarre and the provinces outside of the wards. You had been excited, Rhiannan and Ridoc teased you constantly during the days leading up to it. It would be the first time you got to spend more than a day there while conscious. When Xaden brought you here after you’d been stabbed by a venin during War Games, you slept most of the time and once you were awake you all rushed out the door back to Navarre for Garrick and Xaden’s graduation.

Now that you think of it, Garrick, Bodhi, and Imogen have been acting weird since you arrived too. You had even asked Rhiannon if you smelt bad—worse than the usual smell you have after being on dragon back for hours—but she said no. Your confusion had only amplified.

An insecure part of you thought that he was about to break up with you. It’s the only explanation you could come up with. His friends are avoiding you. He’s avoiding you. Why else if not for knowing that the moment you arrived after not seeing him for weeks, he was going to end things? It angered you. Sure, they’re his friends, but you thought they were yours too. That you at least had some form of girl code with Imogen, and if she knew your heart was about to be broken she’d warn you. But you also knew their loyalty to him came above all else. That if he asked them not to say anything to you, they would listen.

You lunge, gripping his wrist and he finally stops to face you. “Can you answer me?” you snap. “What the hell is going on?”

He pinches the bridge of his nose as he exhales slowly. “I—just follow me.”

When all you do is glare at him in response, he sighs again. “Please?”

You drop his wrist but put more distance between him as you walk down the halls of Riorson House. If this is really how he breaks up with you, you’re going to be livid. Two years together and this is how it ends? This is how he treats you? You’ll stab him. And then when you’re done stabbing him, you’re going to stab his friends too. You get it. Kinda. He’s officially the Duke of Tyrrendor—or at least has the title back. He has a lot of responsibilities on his shoulders, on top of everything he already has. It’s a lot, and it doesn’t leave a whole lot of time for him to be your boyfriend. But you didn’t mind. Now, you want to kick yourself for sitting around like a lost puppy waiting for him to throw you scraps.

He unlocks a set of double doors with a flick of his wrist and motions for you to enter the room. Your boots scuff along the cobblestone floors as you hesitantly walk inside. The room is bare aside from a square wooden table and three chairs. The lack of dust on the table tells you it had been moved in here last minute for this very occasion. You nearly scoffed. You were definitely going to stab him after this.

Xaden clears his throat. “Just—uh—sit down and I’ll be right back.”

You don’t even get to send him a withering glare before he’s out the door again, shutting it behind him.

You stomp to the chair on its own side, across from the side with the two other chairs, and plop down. Your knee bounces with anticipation. You can tell he’s nervous. You can count on one hand how many times you’ve heard Xaden stutter, but the sympathy you usually feel for him in those moments is nowhere to be found. How does he think you feel? You’re not stupid. You can tell something is going on, and his nerves only exacerbate yours.

Anger flares in your chest. He has no right to be nervous. He’s not the one being broken up with. He’s not the one being ignored and led to a sketchy abandoned room by yourself. What’s next? He tells you that you can’t join your squad on the next rotation? That he never wants to see you again? Tears prick your eyes but you blink them away. He doesn’t get to see you sad. You’ll stab him and then go cry to your squad. You know at least Sawyer would help you stab the others who knew about this.

As your thoughts continue to spiral, the door finally opens again. Xaden stands in the doorway, shielding your view of the hall with his body and the door.

You roll your eyes. “Just spit it out Xaden. I don’t have all day. Might as well get it over with.”

Confusion flashes across his face but he reins it in quickly. “I have something to tell you.”

“No shit,” you scoff.

Again with the confused face. As if he has no idea why you’re so angry. He really does think you’re too stupid to figure it out.

“Just try not to be mad at me,” he pleads softly. “I had my reasons and you know how far I’ll go to protect the ones I love. It’s not that I didn’t trust you, but no one who didn’t already know before the Apostasy could find out. It was the only safe option.”

Now it’s your turn to be confused. Your face scrunches as you look him up and down. What the hell is he talking about?

He pushes the door open the rest of the way as he slowly walks inside. It isn’t until he’s made it past the doorway that you notice something behind him. Correction. Someone.

Your jaw drops as a child—a boy—who looks like the carbon copy of Xaden shuffles in behind him. He couldn’t be older than ten. He has the same black hair and brows. The same tawny skin and onyx eyes. His hands are held behind his back, just like Xaden’s. The perfect, confident posture that you only learn from years of being taught how to carry yourself as a leader. Regardless, you can tell the boy is nervous with the furrow between his brows. The way he keeps looking at Xaden for reassurance.

“My love,” Xaden begins, glancing from you to the boy, “this is my little brother, Jace.”

The boy—Jace—steps forward and dips his chin in greeting. “A pleasure to meet you, Miss.”

Your mouth gapes like a fish, your brain still grappling with the fact you are not being broken up with but instead being introduced to a child.

“Little brother?” you manage to choke out.

Xaden nods, placing a hand on Jace’s shoulder as he guides him to sit down in a chair across from you, Xaden taking the seat next to him. “I’m sorry I couldn’t tell you sooner, but it was crucial no one knew of his existence until it was safe. Now that we have some form of an alliance with Navarre, his presence can be known by others but still kept quiet.”

“I—I’m sorry. You have a little brother. That’s why you brought me here?” you stammer.

Xaden tilts his head as he regards you with his inquisitive gaze. “Yes, love, this is why I brought you here. Why else?”

You shake your head, hoping that rattling your brain around will help unscramble your thoughts. “I’m just shocked is all,” you say. “It’s not at all what I was expecting. It’s wonderful to meet you, Jace.”

Jace gives you a shy smile and looks back to his brother.

“Why exactly has he been kept a secret?” you ask.

Xaden sighs and ruffles Jace’s hair, to which Jace swats his arm away with a glare that could one day rival Xaden’s. “As of right now, he’s my heir. With all the targets on my back, and even Bodhi’s who everyone thinks is my last living relative, it was the only way to keep Jace safe. You want to believe no one would kill a child for the sake of ending a family line, but I wanted to believe an entire kingdom wouldn’t keep venin and wyverns a secret from its people for so long, yet here we are. If anyone high up had known that Duke Lewellen was harboring my little brother—I don’t even want to think about what they would have done.”

You nod solemnly. He’s right. You would want to believe they wouldn’t kill an innocent child but you have seen just how far they’re willing to go to keep their secrets or further their agendas. Jace would have been an easy target.

“So now that you’re back, he doesn’t have to be a secret anymore?” you hedge.

“Kind of. Those who are trusted to come to Riorson House are allowed to know about him, but I ask everyone to not let it leave Aretia. Things are still rocky between Tyrrendor and Navarre despite the treaty, and I won’t take any risks when it comes to him. But now that I’m home to watch over him myself, I feel a little better about letting him out into the world.”

“I can take care of myself,” Jace chides.

You roll your lips together as you try to suppress a smile. He’s practically Xaden Junior and you want to laugh at the absurdity of it all. That your thoughts spiraled to something so terrible when in reality, Jace will probably be the greatest gift. He’ll at least make things a lot more fun around here.

Xaden smirks as he looks down at Jace. “Yeah, I’m sure you could, little man. You’ll give Bodhi a run for his money when he starts training you in combat.”

They joke and tussle each other some more while you watch with a fond smile. Your galloping heart is still slowing, still soaking in the truth, but the sight of Xaden and Jace laughing together soothes you. Xaden is so serious all the time, always brooding or giving orders. It’s nice to see him be a little more lighthearted.

As they calm down and remember their company, the seriousness returns to Xaden’s face as he looks at you. There he is.

“I wanted to tell you first, Xaden murmurs. “But I didn’t get to pick the rotation schedule. I’m sorry.”

You shook your head. “No, it’s alright. I honestly—“ You halted, remembering Jace and deciding it wasn’t best to have this conversation in front of him.

Xaden seemed to realize your hesitation and told Jace to go find Garrick with a pat on his head. Jace smiles at you in goodbye and you return it. Xaden picks up his chair and moved it to your side of the table, leaning so his elbows rest on his knees and gives you his full attention.

You reposition yourself in your seat and grab one of Xaden’s hands to fiddle with his fingers in an effort to calm your nerves.

“I thought you were breaking up with me,” you whisper.

His head rears back, shock clear on his face. “Why the hell would you think that?”

Heat spreads across your cheeks from embarrassment. “You were acting weird. Everyone was acting weird. It’s just the first thing that came to mind, I’m sorry.”

Xaden places one of his hands on yours to stop your fidgeting, forcing you to look up at him. “Don’t apologize. You have nothing to be sorry for. Everyone was acting weird because they knew I’d be telling you today and honestly, I was terrified,” he says, his voice cracking at the end.

Your brows furrow with confusion.

Xaden sighs and scoots his chair closer to you, your knees touching. “In the beginning, I had to keep so many secrets from you. And we promised each other to be truthful after you found out about the revolution. I worried that when you found out…you’d break up with me. It’s why I didn’t let myself touch or kiss you. I thought it would just make it worse for myself.“

“Oh, Xaden,” you sigh. You get up from your chair and crawl into his lap, straddling his muscular thighs as he moves his hands to your hips to support you. Your hands cup his face as you speak. “I don’t blame you for my insecurities. And I definitely don’t blame you for protecting your little brother. It’s quite sweet, actually.”

Xaden scoffs and looks away, a slight blush crawling up his cheeks. You smile at the man you love. The man you are so happy isn’t breaking up with you. It’s the first time you’ve been grateful he had another secret.

Onyx eyes meet yours and you practically melt at the love shining in them. “I’m so glad you aren’t mad at me,” he whispers.

“I’m glad you aren’t breaking up with me,” you whisper back.

His lips find yours, slow and passionate. As if he’s pouring his love into your mouth and making sure you savor every declaration.

He rests his head against yours, your chests heaving as you catch your breaths. “We are going to have a talk about why in Dunne’s name you thought I would ever let you go.”

You laugh, throwing your arms around his shoulders as your head tilts back.

There’s a smirk on his face when you calm down, but his eyes tell you he’s not joking. He won’t be letting this go anytime soon.

“So when do I get to watch Jace kick Bodhi’s ass?” you ask.

This time Xaden is the one to laugh.

[lime-bloods]

Reading Roxy and Meenah as doppelgangers: a digression on manifestation theory

A brief introduction to manifestation

Manifestation theory sounds scary - the idea that the appearance of trolls and other fantastical creatures might double as insight into the psychological goings-on of our human protagonists is not one that necessarily comes intuitively to all readers. But as blogger azdoine succinctly put it: it's basically "just symbolism". Characters in a story symbolise something, and, understanding that Homestuck is chiefly about its human protagonists, it's logical to presume that the non-human elements symbolise things that are relevant to the protagonists' human experience.

mmmmalo has written at length about what he identifies as the signs linking Meenah to Roxy's inner psychodrama - the things that make Meenah an "esoteric mirror" or "doppelganger" of Roxy. For comprehensiveness' sake, I'm going to outline from scratch what I have identified to be the key signs, and to that end this post is going to discuss the topics of reproduction, reproductive coersion and miscarried pregnancy (with text-pertinent allusions to grooming and incestuous abuse).

One big happy family

Looks like a little girl's room. This all strikes you as a bit odd.

Hussie suggests only briefly in commentary that the young Roxy's (β) upbringing was at the hands of "a younger grandpa Harley" (Book 2, p. 106), but we needn't take their word for it; the scenery here speaks for itself. Roxy grew up in a dark green basement, trained from childhood to become an agent of Harley's goals, just as Damara (β) - and then by succession Meenah (β) - would be trained as English's agents. So, by analogy, Grandpa Harley is Lord English.

This is another point mmmmalo has (in)famously already made, but regardless of your thoughts on the particulars of that specific reading, the key clues pointing to English as a manifestation of the "Grandpa" character are still plain to see. When John says "the worst case scenario" would be "[facing] our grandfatherly paradox-dad as a last boss", he's explicitly referring to he and Jade's family patriarch, but he's also implicitly foreshadowing Lord English - a character who, in the maturity of 2024, we should now all be able to recognise is in one way everyone's grandfatherly paradox-dad. He represents the same upper echelon of paternalistic power on a cosmic scale that Jake (β) represents on a familial level.

Moving this along towards my point: essentially all of Acts 1-4's adult characters form part of this elaborate Nuclear Family Roleplay - a pantomime of the 'Suburban' setting Homestuck is founded upon. In the same way Jake being known as simply "Grandpa" symbolises his arch-patriarchal position, the reason Roxy is known only as MOM for the first five acts of the comic is because this is the archetypal, impersonal role she has been reduced down into. Her relationship with the character named DAD is a direct invocation of this - the two are essentially playing house, living out the gendered roles that have societally/cosmically been laid out for them. The comic's exposition coyly brushes over this, but a deeper look at Alternian culture gives us a much clearer vision of why 'MOM and DAD' make such an iconic matespritship: on Alternia there ARE no real family units, only procreation, and therefore matespritship is understood by the planet's inhabitants as a mere expression of "mating fondness". MOM and DAD make such a cute couple because they are exactly what their assigned titles depict them as - a breeding pair.

This is basically the crux of Roxy's arc right up to the very end of the comic; though Roxy's (Α) post-apocalyptic anxieties about the extinction of the human race bring these thoughts to the forefront, her struggle within the patriarchal structures of the household / society / reality itself has always been that she is only valued as a MOM - as a breeding machine.

The problem therein is that Roxy is seemingly incapable of having children.

The grieving mother

Within Sburb's scheme of universal childbirth, a "void session" is one that simply doesn't have the eggs required to bear fruit. So it's immediately easy to see why the Hero of Void would have similar trouble bringing a pregnancy to term. But certainly not for lack of trying!

Sorry, Jaspers [...] your final resting place is already a mockery. You should have decomposed years ago under a bed of petunias like a normal cat. Not given to a taxidermist and fitted with a tiny, custom-tailored suit, and then stuffed in a coffin built for infants.

When Rose was still very young, Jaspers was found dead. Roxy took the death of her CAT so hard that Rose found it difficult to take her grief seriously, interpreting the cat's elaborate mausoleum as a "structure erected with a spirit of scornful IRONY in response to [a] youthfully innocent request to hold a funeral for the animal." But more than any other, Rose and Roxy's relationship is one defined by miscommunication, and this assessment of Roxy's grief doesn't even seem to hold up to Rose's own recollection of events: later, we hear that the funeral service was something Roxy "insisted upon".

And thus begins probably Homestuck's most clear-cut example of a character's arc stretching across multiple iterations, because from this point - parallel to her neverending quest to settle down with a nice hubby and start a family - Roxy (both β and Α) becomes fixated on bringing back her baby - I mean CAT - only to produce failed mutant after failed mutant. These freaks of nature are not Jaspers, and by the laws of time travel dictating the lives of Paradox Clones they can never be Jaspers. The younger Roxy's first few attempts are literally stillborn; while she's eventually able to create what she calls "healthy felines", she still keeps those monsters locked in the basement they came from, for fear of upsetting her real CAT.

Even as over the course of her Sburb quest and her interactions with the new arrivals from the other session Roxy is seemingly able to address and even overcome some of this obsessive gnostalgia for the things she's lost, her apparent inability to bring to term resurfaces when she's made the reproductive object of another grieving mother.

The lamenting queen (or: the other mother)

Her Imperious Condescension is not so immediately recognisable as part of the family pantomime because the troll social structure doesn't use the same terminology we're familiar with, but she's always been there; just as Lord English is grandfather of grandfathers, Meenah is the family tree's literal grandmatriarch of grandmatriarchs, placed upon the Earth in the guise of Betty Crocker - archetypal nurturing housewife - so that her children's children might seed the events architected by her master. This kind of familial roleplay is exactly how English and Meenah's story is passed down to her descendants; Jake recalls that "the witch used to be married to a terrible man named english." Dirk is insistent, though, that this is a masking of the truth, and that English was only ever "her superior". And while it's true that we can't say for sure a young Meenah (β) slept in the same bed Damara grew up in, the fact that Meenah was only formally recruited after Damara's death should not be mistaken for suggesting that Meenah was not one of English's many daughters. She was "the Lo+rd's slave all alo+ng", even if implicitly.

ARANEA: Once she claimed the throne, she would have to serve for many thousands of years, until the next successor was ready.

For all the differences between Meenah and Roxy's cultures, slavery in the form of motherhood has always been the expectation of the female fuchsia caste, right from the very beginning of Meenah's arc - not as the empress of Alternia, but on Beforus, where the hemospectrum is reframed in far more familial terms:

ARANEA: The jo8 of each 8lood caste was to serve the needs of all those 8elow it. ARANEA: We were to use our progressively greater longevity and wisdom to help the lower castes learn and grow. To listen to them and try to provide whatever they were missing. Like a hierarchy of caretakers with increasing social responsi8ility.

Crucially, this is where Meenah and Roxy appear most to act as reflections but not carbon copies of each other; because where Roxy constantly strives to contort herself into this motherly, wifely role, Meenah perpetually runs from it. Saddled with the "incredi8le responsi8ility" of sitting atop Beforus' structure of care, Meenah "viewed the empress as a glorified slave" and fled to the moon, and even forced into ascendancy on Alternia she finds implicit ways to be absent from her children, spending her life flying further and further away from the planet where they're born and taking every opportunity to hand off any real political authority to clown rappers (a tendency reflected in her human heirs - the company is always passed on to the son and never the daughter).

But when Meenah finally returns home to find her children suddenly massacred by a galactic apocalypse, her arc begins to pull into line with Roxy's in earnest.

A fluffy twitching prison

TT: The rumors say it was her own "pet" who killed them.

From the moment of her dramatic introduction, Meenah's tragedy is that though she can extend life indefinitely, she cannot have back what she's lost, and this continues to be true as she attempts to resurrect her children on a new planet; attempt after attempt, her babies all die. Despite Gl'bgolyb's explicit death in the meteoric holocaust which claimed the rest of her family, the creature has inexplicably returned on the trolls' prospective new homeworld with the apparent sole purpose of making sure Meenah can't carry to term. We're left to our own devices to figure out just what's going on here.

Act 6 of Homestuck introduces Watchmen to its repertoire of intertexts through Jane's poster of cobalt beefcake MANHATTAN. Watchmen's Dr. Manhattan is an omnipotent world-shaping being who flees the responsibilities of Earth to settle on the planet Mars, iconically rendered in beautiful rosy hues by colourist John Higgins - when we hear the story of Meenah's refusal to the call of being Beforus' own god-empress, it's against the backdrop of a photograph of Mars literally hue-shifted pink (see fourth image), and images of Meenah's ship flying over a settlement on the red planet are included among the products advertised by Crockercorp. Far more explicitly, though: Watchmen originated the idea of using the screams of a psychic alien squid as political leverage, and that's why Gl'bgolyb has to be here for this part.

Alongside commenting on the political landscape of the 80s and the fascist undertones of the superhuman archetypes found in comic books, Watchmen pays particular attention to these characters' sexual eccentricities, and particularly their hangups with women. It stands to reason that of the latter closet homosexual Ozymandias' are the most severe, but they also become the most explicit: the artificial 'horrorterror' he uses to usher in his new world order is his fear of the female body made manifest. With its single clitoral eye and sphinctered mouth, the creature is unmistakeably yonic, and included in the horrific psychic imagery it broadcasts to instill fear into the Earth's population are nightmarish images of juvenile aliens chewing their way out of their mother's womb - the very same image trolls use to describe their disgust at human reproduction in The Homestuck Epilogues. Meenah's relationship to Gl'gboylb should be thought of the exact same way; one of the rare insights we receive into the adult Meenah's psyche is that she finds the process of giving birth "revolting", and it's for this reason she insists that humans procreate only through impersonal cloning. Gl'bgolyb reappears as Meenah's own manifestation: alienated from her own lusus after spending centuries literally running away from it, and traumatised by repeated miscarried attempts at reviving her race, she sees her own reproductive organs as nothing more than a hideous, baby-killing monster. It's no coincidence that when we see our single glimpse of the enigmatic emissary to the horrorterrors on Earth, it's with its tendrils wrapped around the throat of a symbolic depiction of the Genesis Frog (see above image) - the baby that grows in the womb of Skaia.

Breaking the cycle

By Act 6, the matriorb has already long been associated with failed and aborted pregnancies, having been rescued from the first mother it killed and taken into the care of Kanaya, who is then blasted through the abdomen just as it's destroyed, symbolically miscarrying through physical trauma. So when Roxy is tasked with finally bringing a dead baby back to life, it's a coalescence of multiple disparate threads.

(p. 6463)

Meenah unwittingly - or perhaps uncaringly - perpetuates a patriarchal cycle which has been repeating for eternity by selecting a younger, more fertile doppelganger to take over the role of mother, and locks Roxy in a dungeon with the intention of making her have the baby in her place. But, cycles being cycles and doppelgangers being doppelgangers, the same problem arises. Roxy can only create mutants.

When Roxy does ultimately overcome this, ending the comic with the culmination of this long, meandering motherhood arc, superficially it's because of time spent blitzing her Void chakras in the space outside of reality, and with the help of Calliope as a Muse. But in the time Roxy spends in the white nothingness, she's crucially able to take steps to end her own obsession with reviving the past - not just by burying a version of her own mother, who she spent so much time hoping to resurrect in sprite form, but also in sharing a tearful reunion with the literal ghost of her dead CAT. As with so much of Homestuck, the key to ending the suffering is breaking the self-perpetuating cycle that causes it; made literal, in this case, by Roxy's slaying of her dark mirror image using a sword known for splitting vinyl records - symbolically, for breaking the ever-turning circle of time. And in passing the matriorb off to Kanaya rather than letting Meenah have control of it, Roxy never actually brings this baby to term herself, either - at the end of the day, the minutiae of biology aren't really what motherhood is about:

ROXY: the way i see it is you shouldnt have needed to worry about makin the thing ROXY: i think it will be challenging enough like... ROXY: hatching it?? ROXY: and tending to all the stuff that comes next ROXY: isnt that basically being responsible for the preservation of an entire race of people?

Physically overcoming her demonic doppelganger isn't the end-all of Roxy's struggle with gendered expectation, either. Roxy's complicated relationship with their sex and their motherhood, introduced to us only indirectly through the relationship between Meenah and Gl'bgolyb, becomes central to their understanding and exploration of their own gender identity as they grow into adulthood. Anxieties about the inherent femininity of a childbearing body - the glorified slavery that is seemingly inherent to the cosmically-assigned role of the mother - give way to an understanding of the human body as "something altogether different [...] A flesh machine" with "a specific, practical purpose."

But I digress

The threads running between Roxy and Meenah exist along the types of lines most Homestuck readers will already be familiar with in some form. When two characters share a class, or an aspect, we expect that traits from one character can be used to analyse and further our understanding of the other. Manifestation theory simply asks that we look for even more subtle and non-literal connections between characters than these - a process which Andrew Hussie themself has identified in authorial commentary as part of what they call "persona alchemy". (Book 4, p. 151)

Roxy and Meenah's particular relationship, though, should also be thought of in terms of another phenomenon which is central to Homestuck's structure - escalation. Homestuck constantly reorders and transmutes the alchemical elements that compose one character into 'new' characters, but it also consistently stretches these fundamental concepts to their logical extremes. Just as a game that destroys planets works its way up to the destruction of universes, John striving to leave his house in Act 1 should be taken as the logical precursor to our heroes leaving reality itself in Act 7. The forces keeping these children in their houses - essentially the story's first ever antagonists - are their parents, and as we scale this story up to a cosmic level, we find that the cosmos is dictated by the same suburban family structures; by celestial GRANDPAs and MOMs, raising/grooming/training/neglecting entire worlds or even galactic empires at once.

By allowing us to meet not only the teen MOMs and BROs and NANNAs, but also the teen Lord Englishes and the teen Condesces, the scratch takes us in the opposite direction, reducing these faceless, larger-than-life figures into their smallest, weakest, most fundamentally human forms. And in some cases, as in Roxy's, this creates the opportunity for the child-form to confront and overcome the very darkest of their potential; by being the one to put Meenah down, Roxy not only liberates herself from her own expectations for what a mother has to be and do, but shatters the very cosmic image of MOM itself, breaking the mold that reality had set in stone for her entire sex - her entire caste.

[thefirstlioveyou]

disclaimer: this is a really wack theory, i'm aware. but bare w me, or don't lol.

All of Mike's closet is blue. All his blankets are blue. His basement carpet is blue. His bedroom walls are blue. Almost all his outfits the whole show contain blue including his shoes from S3.

He even wraps himself up with a blue blanket at the Byers. (mike is gonna fucking love the song i'm blue)

I would think this was typical color coding... If this show wasn't about a group of people exploring a dimension that's you know, entirely fucking blue. This is what initially caught my attention. It's just.. Too much to not mean something.

Mike's nickname is 'Frogface,' which is strange. The rest of the kids' nicknames are all discriminatory, but frogface? What makes this more interesting is the fact within the life cycle of the Demogorgons, the first two stages are frog-like. They're even given names based on that. This is from the Upside Down section of the S1/S2 BTS book. Dustin and the group have a discussion on this in show. This nickname may serve as foreshadowing.

and then.. there's this on the same page... alright.

(i am just now realizing how much this picture reminds me of The Thing, in a way lol)

Mike in season 5 is wearing a sweater with literal democreature heads on it. It's not subtle at all.

During their tunnel mission in s2, Steve says this. Very weird wording. I go into that a little here.

Every film/story hung up or mentioned by Mike are all about an alien or someone from another planet (except Conan). In superman, the dark crystal, star wars and conan the barbarian, the main characters are all orphans. Even in Lord of the rings, another story brought up by Mike, the main character is an orphan. Really would be a big coincidence if this wasn't intentional.

I've made a separate post discussing it, but The Thing being in Mike's basement and staying for the entire show really intrigues me. I do think, in some way, Mike is the show's Thing.

Star Wars is a new poster for Mike in S5 as well 👀 (assuming at least)

Now, I'm not saying that Mike isn't human and is from the Upside Down. Except, that's exactly what I'm saying. I hate saying it because it sounds so fucking bizarre LMFAO. but that's kinda what i'm getting from all this? Like, once you connect all the weird things about Mike and his place in his family, it begins to make sense. It explains almost everything I've seen people mention about Mike in regards to the supernatural.

(get ready for a bunch of whys and hows cause it's a fuck ton, i apologize)

It's why/how:

- He literally drowns himself in blue. Maybe on some sort of subconscious level, it reminds him of the UD. Or perhaps it's just foreshadowing.

-Smalltown Boy is in his playlist. It serves as double meaning. The show would essentially be tying his queerness with the sci-fi/supernatural side of the story. Mike realizing why he's felt different his whole life - He's gay, but also an alien. Because he's a humanoid alien, no one suspects a thing - not even him. Because he's not visibly queer, no one suspects a thing.

- Karen treats him differently compared to Nancy. (Do Karen and Ted know where he's from? That's another discussion. But I think they're hiding the fact he's adopted). It's there if you choose to acknowledge it. This feels like one of the biggest pieces of evidences because of the way the show avoids addressing the reason why.

- Mike is there in the demogorgon life cycle for some reason. If it were for scale comparison, a height would've been provided. Height isn't mentioned anywhere in the book. The section is called "monster morphology"

- Mike was so sure Karen would take El in.

- Mike's wearing that fuckass sweater next season (foreshadowing)

- Vecna calls Mike "his friend" and knows who he is.

- Mike is suspiciously in frame when the others talk about people being flayed and who is the actual source of everything. Will mentions trapping something up there with them when El closed the gate. Hm. "If the brain dies the body dies." Well, a heart's also important. And who is that again?

- all these shots exist (+ fuck ton more). Mike is consistently framed as being part of the UD or "a monster" all along that nobody is seeing, fitting in with his whole invisibility

- He somehow reaches into the UD on Halloween

- He manages to pull Will out of his visions so easily

- Mike is always there when Will senses something connected to the UD approaching or nearby.

- He saw El in the void (the same way that Demogorgon did),

- He intuitively knows so much more than he should about the UD despite not even having gone there, and when he eventually does, it's only briefly. And he just so happens to get grabbed by the vine while he's escaping.. Just to be okay? Change nothing narratively? Okay.

- All the stalker shots

- Mike looks nothing like his family

- He's visually set apart from his family consistently. Giving very much an orphan not fitting in.

-Why they posted this picture of Mike during s5 filming. The same photo that's meant to be with the rest of the family photos but is for some reason singled out... and sat over a children's version of a story that is about a family.

- There's two episodes that feature the name "Monster." "The Monster" 1x06. Mike makes El feel like a monster. "The Monster and the Superhero" 4x03. Mike and El fight in this episode. El is the superhero... So who is the monster?

- My mutual @bobokahn also brought up that Mike may be hearing things others aren't in these scenes. Mike already has his ears covered before Lucas and Dustin..

- The demogorgon imagery in his basement and his weird looking lamp that suspiciously looks like a demogorgon egg or something alike (not saying it actually is though lol. imagine that tho).

-He also has a board game that remains in the same spot the entire show called "Upwords." "Family Fued" is taken away after s1 while the stack remains the same..

Upwords....

- Mike seems like he's missing something. My mutual @brionysea explains perfectly here what I mean.

The list goes on and on but you get the idea.

@madwheelerz also made a post about this a while back. it's actually what first made me look into this more.

(referring to a kid literally named Mikhail. fucking MIKHAIL!!!)

essentially mike next season:

[raven-at-the-writing-desk]

Had a dream where Vil was offered a position to be the potions professor (no clue what happened to Crewel) after graduation and it was a whole big thing when he decided to accept but we all knew it was just a thinly veiled excuse to keep him in the school and relevant to the gacha game. He even has a voice line joking to Yuu about how Yuu should work hard and maybe he'd taken them on as a Potions teaching assistant after graduation - foreshadowing the excuse that will be used to keep the player character in the school for the gacha game once the first years reach graduation too

When I woke up I was disoriented enough that I genuinely couldn't tell for a few minutes if the Vil -> potions prof pipeline was just smth the dream made up or if it was an actual recent Twst development that my brain added details to haha

But in relevancy to the above, do you think Twst is going to have a weird time loop going on forever until the lifespan of the game ends?

The characters have aged in the main storyline, which means at some point the third years will be nearing graduation but would they let that actually happen considering the logistics of how the Twst game is set up?

***SLAMS BIG MEATY CLAWS ONTO THE DESK*** This ask reminds me of a L*ona artist I enjoy, @_nantekottai! adhyodwawa I lovingly call them "Dorito-sensei" in my head because I have trouble remembering their actual Twitter handle (sorry...). Why "Dorito-sensei"? B-Because they have a tendency to draw L*ona with very broad shoulders and a small waist... They have an "if the NRC dorm leaders came back as teachers" AU that they've done a few comics for. I’m a HUGE fan of it 😤 and you should be too/j

Here are all the installments! (P.S. shoutout to @/curekibouka for helping me double check the teacher profiles ^^)

Riddle, Leona, Azul as teachers

Riddle: “Next, turn to page 128 of the textbook. The next part we read aloud will be on the test, so take notes.” Magic History professor. Exemplary teacher. Very nice to serious, good students. Definitely asks questions during class. Usually calm but gets mad at cheeky students and collars them. Supervises Equestrian Club.

Leona: “Teacher! There are students fighting in the cafeteria!” / “Leave’m alone, just let the idiots fight among themselves ‘til they’re done.” Ancient Curses professor. As long as you don’t go against the school rules, he’ll let anything slide. Surprisingly good at taking care of others. If you want to learn, he’ll teach you fairly. Supervises Magift/Spelldrive Club.

Azul: “Welcome, new students!/It’s nice to meet you, new students! I am your Alchemy instructor, Azul Ashengrotto. If you have any worries outside of class, such as in your daily lives, please feel free to come talk to me. I will offer a helping hand, just as the great Sea Witch would… fufufu.” Alchemy professor. Very kind despite being employed at NRC, so many freshmen fall for his scams. His desire to find people’s greatest weaknesses aside, he’s an excellent teacher. Supervises Board Game Club. Owns Mostro Lounge.

Kalim, Vil, Idia, Malleus as teachers

Kalim: “Let’s do an improv live for today’s class!” Musicology professor. Super energetic even in early morning classes. Frequently talks about Jamil; you end up learning about both music and Jamil in his classes. Supervises Light/Pop Music Club.

Vil: “Do you have any questions about the class?” Potionology professor. Beautiful. Every generation of Pomefiore students has a fan club for him, but every generation of Ignihyde students fears him. Also good at taking care of the students so he is popular with them (like Leona is). Supervises Film Research Club.

Idia: “Hey, prof!” / “Eh… me…?” No subject is listed. Mostly runs lessons remotely. The few times when he does show up on campus in-person, the students go nuts. “You’re a teacher, at least wear a suit.” — Riddle. “At least tie up your hair.” — Vil. Because Idia is too scared to disagree with either of them, he obeys. Advises Board Game Club. Feels like a completely different person when he plays with Azul.

Malleus: “Staying up so late again, child of man?” Subject is listed as ??? Always a wandering near Ramshackle at night. Students are scared of him, but he would gladly help with their studies if they asked. Supervises Gargoyle Studies Club (members: 0).

Azul's high school memories - Azul is asked about his time as a student. He recalls when Leona sanded his contracts, when he was kidnapped by S.T.Y.X., and when Malleus put him to sleep with disaster-level magic. His poor student can’t keep up with the insanity of his recollections.

Leona's mark (part 1) - a mob student asks Leona to doodle on their exam if they get a good grade (since their other teachers do this).

Staff meeting - due to reports of a strange light near Ramshackle at night, the teachers must take patrol shifts. Idia complains, Leona suggests the light is some troublesome student waving around a light stick. Idia is offended by the insinuation that he might be the guilty culprit. Kalim wants to see him with the light sticks. Riddle is mad they’re off-topic; Vil calms him. The truth is that Malleus is the source of the light. He wants to interact with students, but they run away from him.

Leona's mark (part 2) - mob student shares the doodle they got from Leona to others; the mobs are distracted by the thought of that doodle.

The reason why you were struggling to tell if your dream was real or not is because dreams are actually processed by the brain as though they were actual events that happened to us irl. Very interesting trivia!

I don't know if we can really accurately predict the future of Twst, but personally I wouldn't want a time loop. Setting aside me just not being a fan of that trope, I think it would be really pointless because it would regress the characters and/or keep them from further developing. That's never been what Twst has aimed for. We are meant to want to see these characters overcome their trauma and develop closer bonds with one another, not see them repeat the same mistakes over and over again. I also think that, with book 7 confirming the passage of time, Twst intends to slowly inch forward (recall that 7 books took us 5+ years to reach). They'll probably find some loopholes or ways to keep graduating characters around and/or introduce new characters into the main cast to keep it stacked. After all, events are always there to be non-canon to the main story and offer alternate paths. Yuu might honestly be trapped in Twisted Wonderland forever + take on a career as NRC staff or something just to keep them relevant in the narrative.

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[millyh23]

Greece with a Side of Murphy’s Law

Alessia Russo x Reader

word count:

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Alessia had poured herself into planning this trip, hoping for a dream holiday in the sun-soaked beaches of Greece, where she and Y/N could finally unwind from their busy schedules. But things took a bad turn as soon as they stepped into the airport.

They were running late—very late.

“Less, come on! We’re going to miss our flight!” Y/N called over her shoulder, passport clutched in her hand as she power-walked to the security line. Alessia rushed behind, arms loaded with bags, almost tripping over her own feet.

“We’ll make it! I swear!” Alessia gasped, but as they neared the gate, dread washed over her.

The gate was closed.

They watched helplessly through the glass as their plane began to pull away from the terminal. Alessia dropped her bags and slumped onto a seat.

“No, no, no,” she muttered, eyes wide as if sheer disbelief might change the situation. “I booked this months ago.”

Y/N settled next to her, nudging her gently. “It’s okay, Less. This happens…right?”

After hours of rescheduling and waiting for a new flight, they finally boarded. Alessia fell asleep before the plane even left the ground, exhaustion from the morning’s disaster finally catching up to her. Y/N, on the other hand, couldn’t help but stare at the ceiling, wondering if this was a foreshadowing of the trip to come.

They arrived in Greece after a bumpy flight, the hot air blasting them as they stepped out of the airport and into the sun-drenched chaos of Athens. Alessia fished out her confirmation email and gave Y/N a confident nod.

“Alright, nothing but smooth sailing from here,” she declared.

“Sure, Captain,” Y/N teased, grabbing her hand. “Lead the way.”

They arrived at the hotel, bags in hand, ready to finally drop everything and relax. Alessia approached the check-in desk, confident and beaming.

“Hi, checking in under Russo,” she said, sliding over her ID with a winning smile. “Alessia Russo.”

The receptionist scanned the screen, frowning slightly. “Hmm… I see your reservation, Ms. Russo, but it looks like it’s not for this property. It’s for our branch in Lisbon.”

Alessia blinked, her face going pale. “Lisbon? Lisbon in…Portugal?”

The receptionist nodded, tapping at the keyboard. “Yes, unfortunately. It seems this booking is for our Portuguese location.”

Y/N covered her mouth, looking at Alessia with wide eyes. Alessia was at a complete loss, staring at the receptionist as if she’d just told her she’d booked a hotel on the moon.

“Well, can we…maybe book a room here?” Alessia asked, her voice almost pleading.

The receptionist checked. “We do have one room left, but it’s a standard double, not quite the ocean-view suite you booked in Portugal…”

“That’s fine! We’ll take it.” Alessia handed over her card, trying to save face. Y/N squeezed her hand, clearly trying not to laugh.

Once they finally made it to their room, Alessia tossed her bags onto the floor and collapsed onto the bed.

“Not exactly the suite I planned,” she muttered, cheeks red.

“It’s fine, Less. A bed’s a bed,” Y/N replied, flopping down beside her.

They decided to unpack a little to settle in, hoping things would start looking up. But as Y/N opened her suitcase, a frown crossed her face.

“Uh…Less?” she began slowly, pulling out a pair of trousers that were definitely not hers. “Why does my suitcase have someone else’s clothes?”

Alessia whipped around, staring at the suitcase in horror. “No. No way.”

As they dug through the bags, they discovered that neither of them had the right suitcase. Instead of swimsuits, sandals, and summer clothes, they had a random assortment of business suits, formal shoes, and a toiletry bag with initials that were definitely not theirs.

“We…grabbed the wrong suitcases.” Y/N held up a shirt with a defeated sigh.

“Oh my god.” Alessia sank to her knees. “How could this get any worse?”

She felt around for her phone, hoping to call the airport. But her phone was missing. She looked up at Y/N, whose face was turning pale.

“Where’s your phone?” Alessia asked, panic creeping into her voice.

Y/N’s hand shot to her empty pocket, and a horrifying realization dawned on her. “The taxi…”

Both of their phones were still sitting in the back seat of the taxi they’d taken from the airport.

“So…we have no clothes, no phones, and we’re in the wrong hotel,” Y/N summarized, trying to keep a straight face. She looked at Alessia, who was wide-eyed, and burst out laughing. “This is turning into the best holiday ever.”

Alessia buried her face in her hands, groaning, “I wanted to give you the perfect trip, and now we’re living in a sitcom.”

Y/N wrapped her arms around Alessia, pulling her close. “It’s perfect because I’m here with you,” she teased, pressing a soft kiss to Alessia’s temple. “Besides, we’ll laugh about this one day, right?”

Alessia couldn’t help but chuckle, finally leaning into Y/N’s embrace. “Only if we survive this.”

Alessia paced around the small hotel room, biting her lip as she surveyed the disaster around them: unfamiliar business attire spilling out of the wrong suitcases, the single hotel bed that wasn’t quite the dreamy suite she’d imagined, and their lack of phones.

“Okay, we need a plan,” Alessia muttered. “We can’t just sit here doing nothing.”

Y/N, sprawled across the bed with an exasperated look, held up the hotel room phone. “We could try calling someone?”

“Like who? Everyone’s away on their own little trips,” Alessia replied, but a small glint of hope flickered in her eyes.

“What about Katie?” Y/N suggested. “i think she said something about taking Cait to greece during the break, and I’m sure she’d love the excuse to make fun of us for this.”

With a smirk, Alessia took the phone and dialed the number she knew by heart. After a few rings, a familiar voice crackled on the other end.

“Hello?” came Katie’s slightly groggy voice.

“Katie, it’s Alessia,” she said, her voice a mix of desperation and relief.

“Less? Where the hell are you calling from?” Katie’s voice perked up, clearly curious.

“Long story short, we missed our flight, we’re in the wrong country, and we have someone else’s suitcases. Oh, and our phones are somewhere in a taxi. We need help,” Alessia admitted, holding back laughter at how ridiculous it sounded all put together.

The silence on the other end lasted for a second, and then came a loud burst of laughter.

“Oh my god, you two! Only you could turn a holiday into the plot of a rom-com!” Katie laughed. “Alright, I’m coming to get you. What hotel are you at?”

Alessia fumbled with the keycard and relayed the name of the place, barely managing to pronounce it through her nervous giggles. “We’re…at some budget hotel, Katie. It’s not what I had planned, trust me.”

“I bet it’s not. But hey, look on the bright side,” Katie teased, “at least you two are safe and sound, right? And now we can finally go on that double date you guys have been avoiding”

Katie promised to sort everything out,for the price of an all expenses paid boujie double dinner date, and after an hour of waiting and a few more laughs, Alessia and Y/N spotted her at the hotel entrance, an unmistakable smirk on her face as she spotted them.

“Alright, you two clowns, hop in,” she said, patting the hood of her rented car. “And let’s salvage whatever’s left of this holiday.”

As they piled into the car, Katie handed them each a phone she’d picked up from a nearby shop. “Prepaid. Just in case you two lose them again,” she said with a wink.

They made a quick detour to grab clothes and essentials from a local store, Katie playfully holding up outrageous outfits to make them laugh.

As they finally arrived at a beach resort she’d booked last-minute, Katie sighed, grinning at the relieved looks on their faces. “See? Nothing a bit of Irish luck can’t fix. Now go relax.”

Alessia and Y/N wrapped her in a grateful hug, unable to contain their laughter. Katie smirked, pretending to brush them off, but the warmth in her eyes gave her away.

“Go on, enjoy your holiday, you goofs,” she said with a chuckle.

------------------------------------------------------------------------------

The End

[johnskleats]

Azula would have lost the Final Agni Kai no matter what. Here's why:

Azula is insecure. That's why she takes cheap shots. She did it with Katara, and she did it with Aang in CoD, AND she did it with Iroh striking him with lightning. One could even argue that her behavior in CoD foreshadows some of what happens in the Agni Kai, where in CoD, Katara fights Azula, and Zuko saves her, whereas in the Final Agni Kai, Zuko fights Azula and saves Katara. It's a little mismatch of dynamics.

Azula cheating (constantly), is a staple of dishonorable behavior, which I think is interesting.

We see her "play with her food" like a cat, with the Dai Lee and other opponents she encounters. She tricks them and manipulates them and there's no threat. Killing Aang with lightning was SUPREMELY stupid on her part, and she wouldn't have done it unless she was cornered. She didn't even stick around to make sure he was dead or have any of them followed-- because she was scared. Zuko NEVER flees in fights out of fear. He doubles down like a lunatic and tries to get himself killed instead. Azula is not willing to risk her life, and that's why she's a worse fighter. The insecurity gets to her head and she psychs herself out

Azula has a lot of fire power (lol), but Zuko has the heart and commitment to see actions through to the end. That's why he would have won, had Azula not cheated.

By the end, they were evenly matched in firepower anyway. They did the Raging Line of Flames Competing Colors thing and met in the middle, and stayed there. That's how animation tells us about their ability.

Azula's seat of power in her firebending is spite and fear. She's not even mad, bro.

Zuko's seat of power, at the end, is light and life and love. One is a powder keg that runs out after you blow it up once, and the other is like an oil fire in a parking lot. There's essentially infinite fuel there.

Zuko would have certainly outlasted her. And did, if you think about it. Because she panicked.

Azula's entire persona is a mask, just as Zuko's bravado and pettiness in the first season was a mask. (Funny, that he can only be himself when he's hidden the scar with the blue spirit mask, therefore freeing himself of the shame and the mark that brands him as a villain)

They show us that Azula's mask is not only slipping, but cracking, crumbling in the mirror scene. That's why it's there: to show the audience that all of her running has finally caught up with her.

This world that Azula created has been a sham from the beginning. Castles in the sky to make up for what she lacks: love.

Which is why she would never win against Zuko if they both reached their full potential, as they did during the comet.

[maoam]

Chapter 182 (beginning of Sasuke retrieval arc).

Chapter 214 (near the end of Sasuke Retrieval arc, 32 chapters after the first image). I think everyone can see the obvious foreshadowing and call-back Kishimoto made here.

Chapter 450 (beginning of the Five Kage Summit arc).

心中 (Shinjū) - double/lovers suicide.

Chapter 486 (End of Five Kage Summit arc, 36 chapters after the first image).

Random mention of double-suicide and someone not being able to let the person they're in love with go. Naruto suggesting double-suicide to Sasuke because he can't bare to let Sasuke go. He wants to be with Sasuke in the next world, and is ready to leave his dream and everyone else behind for Sasuke.

Kishimoto is a big fan of Chikamatsu Monzaemon, (I have mentioned this many times, he used his name for the creator of puppetry jutsu in Naruto) who was literally known for his double-suicide romantic plays. The idea of being together in the next world because you can't be in this one is a famous romantic trope and very popular in Japan. SS shippers will bring up the most obscure proof for SS, but they will close their eyes for this blatantly obvious proof that Kishimoto intentionally wrote Naruto and Sasuke romantic. This is not a brotherly dynamic written here, not in any sense of the word. Unless you are illiterate. So yes, keep saying Kishimoto does things "accidentally" when I literally over and over again show you plainly that he does use literary tools like any writer does, in this case FORESHADOWING.

Kishi knew what he was doing ❤️ Naruto is a love story. This post is for the reading comprehension gang.

[leafy-m]

Because I'm autistic and because I love Witch Hat Atelier Kitchen, I page-by-page compared the recent Kodansha USA English release of volume 1 to its Japanese and fan-translated counterparts.

If you've read the official English translation, you may have noticed that some of the big Orufrey moments are.... a bit underwhelming, word-wise. You may have even noticed that the word "wine" is suspiciously missing from the final chapter's WillowGrape Wine recipe, in which wine is kind of an important and obvious factor in it! And you would be correct!

While most of this manga volume is pretty accurate to the original text, there is absolutely a concentrated effort to tone down the more tender Orufrey moments, as well as minimize the alcoholic nature of the final chapter's recipe and related contraptions.

And that's frustrating!

The entire draw of this manga spin-off is seeing these gay witch dads take care of each other and their four daughters in an idyllic countryside setting while also making yummy food that you the reader can try make too. Why is Kodansha USA trying to no-homo these gays?? (Is this a reflection of how bad things are in the USA now?) And while you might say, "But Jade! Qifrey and Olruggio are not actually dating in canon!" — and I would agree with you! But there is nothing straight about these mens' behavior in this comic, and if Qifrey is going to look in Olruggio's direction while tenderly saying his name in Nearly Every Chapter, I expect to read that in English, dammit!

So I'm activating my autism trap card and presenting ya'll with a thorough comparison of every mistranslated and omitted Orufrey or wine moment, complete with discussion and screenshots from the Japanese, fan-translated, and USA English versions. This post is ridiculously long and maxed Tumblr's 30-image limit so chapter 10's discussion is actually in a reblog (sob sob), so I'm putting it all under a cut (you're welcome), and you can be sure that I'll be doing this again if need be for the translated volumes releasing next year.

For now? Let's go.

CHAPTER 1: pg 10

Japanese: フフ...

Fan translated: Heh heh

English version: Ahh...

This is a small moment, but it's important because it's foreshadowing. Qifrey is "airing out" the kitchen, but what he's really doing is sending those delicious smells into Olruggio's room. He's trying to lure him into the kitchen! And that little フフ/heh heh panel is evidence that he's up to something. If you've noticed in the main series, whenever Qifrey is doing something shady or it has a double-meaning, the 'camera angle' focuses on this side of his face with the dark lens.

But the English version obfuscates this by changing フフ to "Ahh..." like, 'isn't that better,' even though it keeps the ellipsis thought bubble indicating that something is up. Why the mixed messaging?

CHAPTER 1: pg 13

Japanese: オルーギオ!

Fan translated: Orugio!

English version: Excellent!

This is the first of many moments where Qifrey will directly say Olruggio's name, and yet the English version will translate it to something else, or drop it entirely. And no, "there wasn't enough room" is not a valid excuse for most of these. Especially when Olruggio's name can (and often is) shortened to Olly.

Look at Olruggio's little smirk at making Qifrey beam happily like that. My God. Kodansha USA/translator Stephen Kohler, why would you take this from us.

CHAPTER 1: pg 14

Japanese: 二人共 今日も一日　お疲れ様でした!

Fan translated: These two people are together tonight. Another day's work well done, you two!

English version: Here's to another long day... ...and a well-earned break!

The omnipresent narrator from the beginning of the chapter is back, and clearly highlighting that 'these two people' are together tonight. And yet the English version removes all that. It may be redundant since we can see they're together in the illustration, but the whole page has that type of text redundancy, like focusing on 'eating that first bite,' or how 'a laugh bubbles up' with Qifrey. And combined with all of the other later omissions, this becomes an obvious trend of targeting these specific types of moments.

Update: Thanks to Farlynthordens for additional insight on this Japanese phrase!:

二人共: (the) two of you [the "tomo" implies the narrator is talking "to" them rather than "about" them] futari-tomo means in a literal sense "(you) two people who are together", but in terms of actual usage/definition it's just identifying a specific pair of people who the speaker is talking to.

今日も一日お疲れ様でした: the rest of this can't really be separated. this whole phrase is meant to be like "good work for all the things you did over the course of this whole day". the fan translation seems to have not understood that the two text blocks were meant to be all one sentence. so if you put this all together, it's like "Good work for everything today, guys!"

Knowing this, I'll still keep it as part of the list because it does omit addressing the two of them in the English version, which follows that trend of minimizing these moments between them. But thank you for the clarity! 💕

CHAPTER 2: pg 28

Japanese:　料理も魔法器も相手のことを一番に考えるのは　君の美德だね　半分ずつだ オルーギオ

Fan translated: Whether you're cooking or performing magic, you always think of others before yourself. It just goes to show your good character. We'll share it, Olruggio.

English version: I've always admired that about you. Whether in your work of in the kitchen... ...You always think of others' needs before your own. All right. Let's split it, then.

The English version has two mistranslations here. I'll start at the top. In it, Qifrey is observing how Olruggio puts others first, and then compliments how it shows his good character. The 'good character' bit is changed to "I've always admired that about you," which at first I thought was sweet! Points for Kohler. But now that I really look at it, there is still some shady translating happening here.

In writing and communicating, what is said last has the most importance. This is how people "bury the lede," by hiding important information in the early part of a speech or amid other sentences, and then distracting them with other stuff.

In that English version top panel, even though Qifrey is complimenting Olruggio, by having it be said first it makes the second speech bubble (and therefore Olruggio's flustered response) be about Qifrey remarking on Olruggio's own behavior, rather than Qifrey's nice compliment about his character. Which changes the meaning of what's going on here. Olly is not flustering because he puts others first, he's flustering because Qifrey is saying something really nice about him, right to his face!

And then of course, in the bottom panel, Qifrey saying Olruggio's name is once again removed.

And I have to say, this bothers me not just because of autistic AcCUraCY! needs, but because he is very specifically saying his name. They are the only people in the room, it's very clear who Qifrey is addressing, and yet here he is once again, putting that man's name in his mouth.

It is intentional.

It is heartfelt.

STOP REMOVING IT!

CHAPTER 3: pg 36 and 37

Japanese: (Olruggio): キーフリー それいらないならこっちに..してくれ (Qifrey): オルーギオ　ひとつおねがい!

Fan translated: (Olruggio): Qifrey, if you won't be needing those, send them my way. (Qifrey): One pot please, Olruggio!

English version: (Olruggio): Mind if I grab those breadcrumbs from ya? I'm gonna use 'em as a binder for the patties. (Qifrey): Could you bring that pot over here for me?

This is a sweet segment because it shows how well Qifrey and Olruggio work in tandem in the kitchen. As someone who has repeatedly failed at working harmonically with others while making food, them being in sync in the kitchen is more fantastical than the actual magic.

And once again, Olruggio and Qifrey saying each other's names are removed. The Olruggio panel translation is also a bit misleading because (as you can see in the larger fan-translated photo), it's Qifrey who is controlling that wind spell! Olruggio is not "grabbing" the breadcrumbs from him, it's Qifrey who is sending them to him. It also lends to the back-and-forth of these moments because as soon as Olly's done with that pot, he gives it to Qifrey to use.

CHAPTER 3: pg 41

Japanese: ありがとうオルーギオ　行ってきます

Fan translated: Thank you, Olruggio. We'll see you later.

English version: Thank you, my friend. We'll be on our way now.

We're now at the part of the manga where Qifrey saying Olruggio's name is changed to "my friend" in the English version. Which is a phrase I'll admit I have some Daevabad baggage with, so idk, is this some platonic ray-beaming or is it code for tender feelings for that person you like but aren't ready to date yet because of trauma and societal complications? Is Stephen Kohler a Daevabad fan? So many unknowns. Still counting it as a wrong though.

CHAPTER 4: pg 56

Japanese: (Olruggio): ま... 眩しくて眠れやしない (Qifrey): がんばれ! オルーギオ

Fan translated: (Olruggio): Really... I can't sleep with all this shimmering... (Qifrey): Do your best! Olruggio.

English version: (Olruggio): Hmph. How's a man supposed to get some sleep with this thing sparklin' away over here? (Qifrey): Keep at it... ...my friend.

Qifrey literally made a bouquet of rose-shaped tarts for Olruggio to cheer up his room, so of course the English translation needs to tamp down that gayness by unnecessarily bringing up Olruggio's manhood when he complains about not being able to sleep from the tarts' sparkling. Even though this chapter's cover image is of Olruggio sitting in a field of flowers, pondering quietly as he holds one in his hand. Maybe later chapters will have Olruggio edited so he's sitting 5 feet away from Qifrey.

And again, Qifrey saying Olruggio's name in the bottom panel is changed to "my friend" in the English version.

CHAPTER 6: pg 95

Japanese: いい出来だろ? 家事の分担が大変だなんて思ってたら こんなものは作れねえぜ

Fan translated: Turned out pretty good, right? If I really thought sharing the housework was a pain, then I couldn't make something like this.

English version: Whaddya think? Not bad, huh? Sorry for leavin' you stuck with all the chores these last few days. I figure this is the least I can do.

Of all the mistranslations, this one bothers me the most. Olruggio is a wonderful malewife! He is constantly trying to help Qifrey out with the Atelier chores, in Kitchen and the main series. And yet the English translation changes the entire context of what these panels are saying.

The right panel is Olruggio proud of how good the soup tastes (it's even in a fancy bread bowl!), and yet the English translation downplays it by saying, 'Not bad, huh?'

Then the left panel, with it's sparkly background and close-up on Olly's face, goes further into how if he thought helping out with the housework was a pain, he wouldn't be capable of making stuff like this. Which is an understated way of saying that Qifrey can rely on him for things like this. (and he says it more outright in other chapters/the main series) But instead the English version is treating this soup like it's an apology for not helping out more. It's also really stupid because Olruggio was not making the soup as 'the least he could do' for Qifrey — he made it because he was hungry and wanted to eat it now! He literally admits this a few pages back!

Olruggio is not someone trying to do the bare minimum, he's someone trying to tell his control-freak of a friend that he wants to share in helping out. And the English version disappointingly misrepresents that here.

CHAPTER 10! Has several issues both Orufrey and wine related, and has several comparison segments. But because I maxed out Tumblr's 30-image limit, I can't include it here and so have to post it in a reblog. UGH. 😔

(Here is the link to the Chapter 10 comparison/discussion!)

In the meantime, image credits! The Japanese scans are from Comic-Days.com, the fan scanlations are thanks to Don't Quit Your Day Job, Robot Garden Scans, Brimhats/Nyaruhodou, and Kirbypoyopoyo, and the English version photos are from my own copy. And thank you AskeFinns for help with reading Chapter 2's kanji 💖

If chapters weren't mentioned, it's because I didn't notice anything significant enough to comment on. But if you know of something I missed, do let me know! And thanks for reading this far!

[physalian]

How to Make your Writing Less Stiff 4

Let’s keep this train rollin’! This time less down to line edits and more overall scope of your narrative

Part 3

1. Foreshadowing

Nothing quite like the catharsis of accurately predicting where something’s going to go. It doesn’t have to be a huge plot twist or a character death, it can (and should) be little things that reward your audience for paying attention. Double points if it adds to rewatch/re-readability.

Example: In The Dark Knight, this exchange happens:

Harvey: “You’ve known Rachel all her life.”

Alfred: “Oh, not yet, Sir.”

You won’t think anything of it on your first watch. Alfred is just making a witty joke that throws Harvey off. Watch the movie again, when Rachel dies, and it becomes some incredibly dark foreshadowing. Turns out Alfred has, actually, known Rachel all her life.

2. Chekhov’s Gun

Chekhov’s Gun is a narrative concept where a seemingly inconsequential element introduced at some point in the narrative (a gun) must “fire” by the end of the narrative. Sometimes this element leaves audiences uneasy or anxious, because they know something bad must come of it. Sometimes they think nothing of it until it’s about to fire and you get a one-two punch of the realization that it’s about to hit, and then the impact of the hit. It helps create tension, and tension is incredibly important (if you want a whole post of my take on it, lmk).

It also helps your narrative look more cohesive, where nothing is left on the table. Your set-ups and payoffs leave no threads dangling.

3. Repetition

The Rule of threes can apply on a micro and macro scale. I like doing lists of adjectives in threes, (e.g. My cat is soft, fluffy, and adorable) because the cadence and the flow of three is something we’re familiar with in spoken language. We like three supporting examples for an argument. Any less doesn’t feel strong enough, any more feels like you’re trying too hard. This is not a rule it’s a suggestion.

On a grander scale, you can look at the script of Curse of the Black Pearl for a masterclass in macro rules of three, like three parlays. Doing this helps your narrative look more cohesive and like every detail is thoroughly interwoven and nothing is coincidence. Your audience will get to the third instance and mimic that DiCaprio pointing meme—they will absolutely notice.

4. Motifs

Motifs as well, beyond threes, help. Colors are a huge one. For example every time you mention the color purple, you could attach it to an emotion, or a character, or an important plot beat, like how leitmotifs work for character themes in movies and TV shows.

Obvious examples in film are like lightsaber colors or dressing up the good guys in white and the bad guys in black. I did this whole post about color in fiction.

It’s a lot of other things too. Weather elements and times of day, or specific inconsequential objects popping up over and over again, like birds, or litter, fallen leaves, clothing items. Whenever the narrative mentions them, the author is trying to clue you in on some subtext within that scene.

—

My new novel is here!!! Do you like supernatural fantasy? How about queer vampires? How about acespec characters? Then Eternal Night of the Northern Sky is for you!

[maximumzombiecreator]

You said you ran a 64 team tournament for a pf2e game? How did you keep track of everything / how did it work mechanically? Did you have teams win based on what you wanted, did you simulate battles, did you do some approximation based on seed, or something else entirely? I need to know how this worked lol

I would love to infodump all about it.

So, yes, the tournament was six rounds of qualifiers, and then a 64 team double-elimination bracket. Seeds were based on the qualifiers, where the party needed to go at least 3-3 to make the cut. Qualifiers were 2 fights per day, and the main tournament bracket was 1 fight per day in the winners bracket, 2 in the losers, which made falling out of winners really suck.

I created a currency for the tournament, Tokens of the Lady's Favour. Every win gave 5 tokens, plus an additional token for each member fewer than 5 in the team. (I knew how many party members the party had, obviously, but this gave me a convenient reason why a team of less than 5 would show up.) Additionally, they could earn up to 5 additional tokens per match for style, giving some incentive to do things the cool way rather than the efficient way, or to use extra actions to showboat for the crowd. Tokens could be used to bid on which arena layout would be used for their matches, and to buy consumables or permanent magic items.

I did not actually prep 63 other teams. Some of them clearly had no chance of ever actually needing their stat block to be used, so it would have been wasted prep. Additionally, it's just not practical for the players to care about that many other teams. Really it's hard for them to care about more than maybe half a dozen. But what having that many teams does is allow the players to express themselves through which teams they do end up caring about.

Every team that I did prep needed to carry a couple of different types of utility. The first was world-building utility: this tournament was in the BBEG's lair, and the tournament entrants were vying for her favour. This meant it was a safe place for the characters to interact with NPCs that would normally be enemies, to learn about them and the other side of the conflict. Many of the teams were from factions that the PCs are likely to spend much of the rest of the adventure fighting, so it was an amazing opportunity for their first impression of the faction to not be a brawl in some dungeon, but trading barbs over a drink in a seedy bar before a tournament match. So I leaned hard into making as many factions as possible represented, including sub-factions within the big ones, and foreshadowing as much as possible.

The second was narrative utility. Beyond their role as a window into this world, who are these people? Variety was important here. Some were absolutely hateable antagonists. Some were potential friends or friendly rivals, people it would hurt to face as mortal enemies later. And some were possible allies in the BBEG's camp, critical assets in their battle if they could win them over. I tried to make sure that several of the teams tied into other narrative threads both from the adventure prior and from the adventure going forward. This was also a great opportunity to re-incorporate enemies the PCs had faced before who had gotten away.

The third was mechanical utility. I was giving the characters the chance to study their opponent before a match. It was absolutely critical that that be worth the effort. If it wasn't, they'd stop doing it, and the structure would lose so much value. So for each team I prepped, I worked out what their strategies looked like, and at least one thing about them worth studying. And I tried to make sure there were a variety of things to discover that would lend themselves to different solutions. This team are secretly werebats, and weak to silver weapons. This team is going to open by nova-ing with fireballs, and then be weak afterwards. This team has fast healing, so they'll favour a drawn out battle. This team uses specific ability synergies, so if you disrupt those, they're weaker. Etc. There are so many options for this stuff in PF2e, I really wanted to find as much as possible.

I also knew that the characters would be level 5 at the start of the tournament, and would probably level up twice if they made a deep run. So I prepped the various teams to be around the line for a severe or extreme encounter for levels 5-7. This was the main way I determined the seeds. Seeds 64-32 were challenging at level 5, 31-11 were challenging at level 6, and 10-2 were challenging at level 7. The first seed was obviously head-and-shoulders above the other entrants, and she was fully a difficult boss battle at level 7. But the PCs were fully aware of that. They should have been, since they joined the tournament to kill her.

In the end I fully prepped about 20 teams. More than the PCs ended up fighting, but much fewer than it could have been. For the qualifier rounds, I was pretty free in how I did the matchups. I knew I wanted them to go up against at least one truly unfair fight, someone who would end up in the top 10 seeds. They'd almost certainly get stomped, but that would give them a sense of their progress later in the tournament, and losing a few qualifier matches was low consequences. But I was happy to let the dice choose who they fought, for the most part.

I did get some great outcomes out of that. They fought against the previous year's tournament winner, a fight I very much expected them to lose, and through a couple of unlikely rolls ended up paralyzing him and then yeeting him into a bottomless pit before he could even close to melee. I had thought that character would be like a solid mid-level threat, showing both how scary the tournament entrants could be, and also how much things had escalated since he was the winner last year and mid-tier this year, but the dice repeatedly decided he was comic relief, and he did a fantastic job of it.

In the end they went 4-2 in qualifiers, settling them nicely in the mid seeds where they would face some easier matches and some real challenges.

I used an online bracket-making tool just to get the seeding matchups correct, threw the bracket into a spreadsheet, and placed the teams that I had prepped in appropriate slots to be more likely to face the PCs. The rest I filled with evocative team names, since I wanted to post a bracket that the players could look at. As long as the team name was evocative enough, I reasoned that I could improv the team in an out-of-combat way if the players were interested. Like, I did not have a stat block ready for "Lucid Dying" but just the fact that they chose that team name tells me everything I need about their personalities. I prepped what the progression of the bracket would look like in the areas the PCs wouldn't have any influence on, favouring teams I had statted. If I needed to decide a winner and it was arbitrary, I'd just do a weighted dice roll based on seed.

But, of course, my control over the matchups is limited. The PCs actually dropped to losers bracket faster than I expected, a humbling experience that forced them to go make friends with the team they'd eventually face in the other anecdote I shared. And this made me need to prep a couple more teams between sessions, which was fine.

So, the bracket progression was mostly based on my choices, leaning toward creating matchups that would develop the worldbuilding and narrative needs of the adventure, but ultimately being decided by how well the PCs actually fought and which teams they ended up taking an interest in. In the end, they developed meaningful relationships with about five other teams, less significant but real connections with another four or five, and it did really feel like those relationships were an expression of the PCs and their choices, which I was really pleased with. If I ran the tournament again with different PCs, I'm sure it would go entirely differently, and that's the standard I care most about.

I did run one fight between NPCs by myself between sessions to get an accurate sense of how it would actually go, and it was part of my second favourite anecdote from that tournament, which I will share if anyone cares, but is far too long to add to this already long post. It took me several hours to do and was a very bad investment of time if I'd tried to do it for most of the tournament, but was eminently worth it for this specific fight.

Overall, the tournament arc was a big success, I was quite pleased with how it played out. The only regret I had was that I had prepped a bunch of stuff for them to do between matches, and we just didn't have the energy. Big, gruelling fight after big, gruelling fight in PF2e is draining, and we were mostly happy to do some lighter scenes between rounds and not get bogged down in other stuff. If I was doing it again, I might try to structure some explicit downtime into the tournament to give it a bit more breathing room.

[timkontheunsure]

The clocks back theory

Something in this zanny one is plot relevance. (Probably relevant to this season's finale, Sinsmas)

It could be a couple of things, or both. 🙂

Emberlynn's amulet

It could be the Dhorks and cherubs related. But would be funnier if the people writing akuma no otto, the devil' husband, were just using a lot of religious stuff as backstory. (Like Hazbin hotel does. Hey offbrand Charlie).

If Stolas' seal is all that's to summon him, I can see merchants for a show accidentally making holly protection. 😆

Dumb fanfic

Ok, so gist is a someone who previously had a wife stands up against satan to protect their lover.

And Satan is turning up soon, probably in Sinsmas.

Blitz and IMP look to be in trouble in the trailer.

What if they get caught?

We know Andrealphus is plotting something to get all of Stolas' wealth, legions and title. And 'technically' doing this for Stella, Stolas' wife, so she'll get more in the divorce. (Actually doing it so he gets it).

Emberlynn also calls Blitz a demon prince.

Wich makes me think it's foreshadowing Stolas being the one taking a stand for his man. Not Blitz (this time).

There's been a theme this season of Stolas learning to choose, and stand up for what he wants. After failing to do so before last

Like going through with the divorce,

Makeing sure Blitz can manage his business without him,

And setting a boundary of needing space when he's hurt. Something that's really hard do with loved ones.

These are all pieces of rebuilding you have to do after abuse.

This part with the ars goeita, Andy and Vassago, Mammon and Satan all looks to be in the same place.

I'm assuming this meeting is about IMP's illegal use of the grimoire. To show Stolas is too incompetent and unfit for his job.

While Blitz now has a legal method and is under Asmodeus jurisdiction, how much will that help when Ozzie's also very publicly dating an imp?

That might make him seem to biased to help, when Blitz originally was lent the grimoire for sleeping with Stolas.

But why would Mammon be helping here?

Blitz burned down Loo loo land, while IMP were being bodyguards for Stolas. Wonder if hell has a law about being liable for any damage that contractors do?

But I can see Stolas standing up against Satan in the ars goeita council, to keep Blitz and IMP safe.

So why do I think the amulet might come back in?

A lot of people at assuming Andy is going to win this. (Couldn't be arsed to keep putting the full name anymore. And I get a laugh thinking it'd piss the pompous bugger off).

That he'll take everything from Stolas. Money, home, job, grimoire, and probably even Via. 🙁 (Don't think that'll stick as Via is a real daddy's girl).

Stolas without his grimoire would probably be vulnerable to Andy, especially if he's just been dragged by the council.

Thinking this is going to get a call back.

A lot of us have been wondering how Blitz is defending a vulnerable Stolas.

Maybe the strangle looking knife is merchant from the akuma no otto show lol?

(NB I had to do so many double check that I didn't put Santa instead of Satan in this thing. 😅 Heh dyslexic kiddies write Christmas lists to hell lol).